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I
The Shiver
But why that sudden eagerness
with which you drew me through the garden gate
past the poplars and the old yew tree?
Not a word was spoken
though encoded in transmissions my mind
received sacred
II
The Possessed
I was looking for you, still am,
like a scientist in his research lab
who must keep testing his hypothesis
with new experiments
to prove the idea that had struck him
when listening
to a Bach cantataheavens,
what visions come when we least expect them!
Was it or was it not a fact that you
held my arm and pulled me
as if on a sudden impulse to where
the dimmed lamplight
as if in a temple I stood
amid incense smoke before an idol,
a warm persuasion of piety
spiralling up my brain
and mystifying my visionas when
with dilated
III
The Adoration
My belief has nothing to do
with that ostentation of piety
when I fell into your embrace and thought
this sudden ecstasy
must be the souls palpitation after
flesh has dissolved
IV
The Transfiguration
But what should I do now after
the sudden quite unexpected embrace
you spontaneously pulled me into,
say, what should I do now?
You caught my breath with your lips and drew it
as death ones soul
expectation of imminent
bliss but petrified in the anxious pose
of eternal anticipation: yours
the artists privilege
to have drawn my breath and with it my blood
agitated
V
Some Other You
What if youd taken another
form when you held me in that first embrace
and Id seen not you but some other you,
someone quite alien
who yet in that impulsive seduction
framed your being?
incarnation of an ideal
ones mind, plugged in to Platonic software,
is programmed to seek this side of heaven,
dreaming of eternal
forms: whatever her real self, she was
still illumined
VI
The Ascension
To rise again in your presence,
to have no past, to expect no future,
as on that night when you, sweet vision,
held me in your embrace
as if light had arms and unheard music
a womans hands: