LED Flood Lighting

Bytom Odrzaski - Poland
LED floodlighting
Application guide
Content
Introduction............................................................................3
PART I LED floodlight range
1. Range overview.................................................................8
2. White and colored light.................................................. 9
3. Flux table............................................................................. 10
PART II Applications
13
1. Walls......................................................................................14
Burst
15
Blast
15
Reach
16
2. Columns..............................................................................18
Burst Compact
18
Burst
18
Blast
19
Reach
20
3. Sculptures...........................................................................22
Burst Compact
22
Burst
24
Blast
26
Reach
26
4. Greenery...............................................................................28
Burst Compact
28
Blast
29
Reach
30
Date: 06/12/10 - LED floodlighting application guide

Author: Natacha Lameyre, Christian Ferouelle, Jasmine van der Pol
All rights reserved
Introduction
The range of floodlighting products offers great
possibilities. The different colors and beam
angles make that we can create all kind of lighting effects, from very soft to colorful accents. The
effects can be static or dynamic and fully controllable.
This application guide shows some examples and
according rules of thumb.
The rules of thumb are based on real tests.
These tests have been carried out with the
eW 4000K version. This version is also used for all
calculations and visualizations.

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How to use this guide

Link with the architectural scale
In the chapters of this guide, you will find different lighting
applications covered by several product ranges.
The table on the right shows on which architectural scale we
choose to illustrate each product range. Of course, these values give only an indication and can be adapted to your own
preference.
Range
Architectural scale
Burst compact
Very small (0-3m)
Burst
Small (2-6m)
Blast
Medium (4-8m)
Reach
Large (8m - 100m)
Working with white and colored light

The calculations and visualizations in this guide are based
on eW 4000K. For other versions, eW 2700K, iW, Color and
eColor the light output (flux) is different and therefore the
results too. The flux table on page 10-11 shows the luminous
flux in lumen.
The values for colored light are low compared to white.
This leads to wrong conclusions. The human eye is much
more sensitive to colored light.
33%
83%
50%
100%
50%
67%
17%
The figure on the right illustrates the percentages of colored

light, needed for the same perception of brightness
compared to white light.
(color contrast study, LiAS 2009).
Methodology
To create this guide, all lighting applications have been
tested at night with the products. The rules of thumb are
based on these visual tests. Then, the lighting levels have
been calculated in a lighting software, Calculux.
3D software
For the 3D visualizations, 3D Studio Max is used. This is a
modelling and rendering software. In the guide, renderings
are used to show the lighting effects. Additional false colors
give an idea of the light levels.
The rendered images have been validated by real tests.

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Visual beam angle (VBA)

(a)
E (lux)
Light patch at a given distance
The typical definition of beam spread refers to the halfintensity, indicated in intensity diagrams (b). This means the
spread of the beam within which the intensity is more than
50% of the maximum value. The related beam width does
not correspond to the size of the lit area on the surface but
merely to the theoretical angle of the beam.
25
Intensity diagram
(b)
Estimating the true width of the beam can be done based on

the visual beam angle (VBA).
I (cd/lm)
20
15
10
Visual beam angle = strongest gradient of light
5
40
10
30
20
10
10
20
30
Illuminance distribution
40
(c)
E (lux)
This value can be read from the graphs shown here.

- The upper curve (c) is an illuminance distribution, at a given
distance, derived from the photometrical data of a floodlight.
- The one below (d) gives the derived change in illuminance
gradient, from which the visual beam size can easily be
deduced.
10
10
10
10
40
Gradient variation (dB/m)
Estimating the actual size of a light patch (a) from a

floodlight at a given distance is difficult.
0,8
30
20
10
10
20
30
Illuminance gradient
40
(d)
The steeper the gradient in the illuminance curve, the higher

the peak in the second curve. This peak corresponds to the
most strongly perceivable difference of brightness and thus
to the visual beam.
Visual beam
0,6
The visual beam angle can not be read directely from an

intensity curve. For this reason, these values are calculated by
using dedicated softwaredevelopped for lighting.
0,4
0,2
40
30
20
10
10
20

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30
40
Time06/12/10
Warner Center,
New York - USA
Date:
- LED floodlighting
application guide
Author:
Natacha Lameyre, Christian Ferouelle, Jasmine van der Pol
Adrian Wilson
All rights reserved
PART I
LED range
- Burst Compact
- Burst
- Blast
- Reach

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beam
angles
1. Range overview
Below, the products used in this guide:
eW Burst
STATIC warm white or neutral white
iW Burst
DYNAMIC warm to cool white
14
eColor Burst *
STATIC red, amber, green or blue
23
Color Burst
DYNAMIC red-green-blue
41
Burst / Burst Compact
10 x 41
eW Blast
iW Blast
eColor Blast *
Color Blast
10
21
Blast
5
eW Reach
iW Reach
13
eColor Reach *
23
Color reach
Reach
* as customized product

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40
63
5 x 17
2. White and colored light

White light
eW
EssentialWhite products are available
in two shades of white light:
- warm white (2700K)
- neutral white (4000K)
iW
IntelligentWhite products mix warm
white LEDs and cool white LEDs in a
single fixture. The light color is
variable from 2700 to 6500K.
Colored light
eColor
EssentialColor products are available
in four solid colors:
- red
- amber
- green
- blue
Color
Color products contain red, green and
blue LEDs. By mixing these colors, we
can create white light and secondary colors:
cyan, magenta and yellow and all the shades
in between.

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3. Luminous flux
Flux (lm)
colorBurst
Compact
RGB
620
1 168
14
540
14
1 022
23
530
23
1 004
41
520
41
991
10x41
560
10x41
1 046
810
1 478
14
680
14
1 280
23
670
23
1 259
41
650
41
1 240
10x41
690
10x41
1 317
709
1 093
14
622
14
960
23
621
23
961
41
609
41
919
10x41
637
10x41
980
500
647
14
430
14
571
23
420
23
558
41
410
41
552
10x41
430
10x41
584

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eW Burst
2700K
4000K
iW Burst
4000K
ColorBurst
2700K
iW Burst
Compact
eW Burst Compact
Flux (lm)
RGB
10
Flux (lm)
4000K
Color Blast
Red
Green
1 990
8 612
21
1 786
7 752
10
2 390
13
7 710
21
2 141
23
7 535
10
1 777
40
7 418
21
1 617
63
7 298
10
212
5x17
7 816
21
178
11 392
10
379
10 219
21
348
13
10 135
10
137
23
9 935
21
111
40
9 785
63
9 652
5x17
10 322
10 950
9 804
13
9 746
23
9 532
40
9 384
63
9 252
5x17
9 938
5 211
4 894
13
4 846
23
4 830
40
4 836
63
4 790
5x17
4 948
2700K
4000K
iW Reach
Blue
10
eW Reach
2700K
iW
Blast
eW Blast
Flux (lm)
- Color (RGB): Flux based on all LED's ON

except for Color Blast
- eColor: Flux can be obtained by a
multiplier (M).
eW 2700K
Red
Green
Blue
0.40
1.1
0.40

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Color Reach
- iW: Flux based on all LEDs ON
RGB
11
Odeon,
Munich- -LED
Germany
Date:
06/12/10
floodlighting application guide
Erwin Dring
All rights reserved
12
PART II
Applications

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13
1. Walls
Luminaire settings
Front lighting
Installation:
Aiming:
Effect:
at distance
at the center
soft and uniform
The uniformity depends on the relation

between height (H), distance (D), spacing
(S).
This will differ per luminaire and per beam
width.
Wall washing
Installation:
Aiming:
Effect:
on the floor
at the top
soft gradient
from bottom to top
H
For uniformity in horizontal direction, the
relation between H, D and S given in the
next pages, needs to be respected.
Grazing
Installation:
Aiming:
Effect:
close to the wall

at the top
strong gradient
from bottom to top
H
The spacing is reduced, resulting in a
relative high light level at the bottom.

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14
Burst
Front lighting
4m
Average illuminance on a 4m high wall

with a spacing of 3m:
Eav (lux)
0 lux
50
100
150
200
250
300
eW Burst 41
* H = 4m, D = 3m,
D (m)
14
23
41
90 *
87
10
85
This distance and spacing is needed to

create a soft effect without distinguishing
the spots.
S = 3m
Blast
Front lighting
4m

Eav (lux)
0 lux
50
100
150
200
250
300
eW Blast 21
* H = 4m,
D (m)
10
21
133 *
10
99
20
107
The narrow beam is used at a far

distance (20m) if uniform effect is
required.
D = 6m, S = 3m
Wall washing
8m
0 lux
50
100
150
200
250
300
With a spacing of 1m:

Eav (lux)
E8m (lux)
Emax (lux)
132 *
48
241
Increasing distance D is possible but a

real wall washing effect, starting from the
bottom can not be obtained. With a larger
spacing S than 1m the uniformity is lost.
eW Blast 21
* H = 8m,
D = 0.8m, S = 1m
* Prefered solution, illustrated in the 3D visualisation.

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15
Reach
Front lighting
20m

Eav (lux)
eW Reach 40
* H = 20m,
0 lux
16
33
50
66
83
100
D = 20m, S = 5m
D (m)
13
23
40
63
10
85
20
74 *
30
80
50
79
Increasing the spacing is possible until

10m. It means lower light levels, but
uniformity remains good.
Wall washing
20m

Eav (lux)
E20m (lux)
Emax (lux)
46 *
16
104
Increasing distance D is possible but a

real wall washing effect, starting from the
bottom, can not be obtained.
0 lux
16
33
50
66
83
100
eW Reach 63
* H = 20m,
D = 4m, S = 5m
Grazing
50m
Eav (lux)
E50m (lux)
Emax (lux)
50 *
14
110
To illuminate higher facades, a more

narrow optic can be used, but the
distance and spacing should be reduced.
0 lux 16
33
50
66
83
100
In case of RGB or iW: for a good color

mixing at the bottom, it is advized to take
a wider beam and increase the distance.
eW Reach 13
* H = 50m,
D = 2m, S = 2m

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* Prefered solution, illustrated in the 3D visualisation.

16

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Lucerene - Switzerland
17
2. Columns
Luminaire settings
Setting 1
Installation:
Quantity:
Effect:
Setting 2
Installation:
Quantity:
Effect:
W
D
at both sides of column

2
3-dimensional
The exact position of luminaires can be

adapted to the desired lighting effect.
Aiming is always at the top.
D
Setting 1
in front of column
1
strong accent
Setting 2
Burst Compact
Small accent
The quantity of light is sufficient to light
a small column with a narrow beam.
A 14 lens is advised.
Setting 1:
D = 10 to 20cm
H = 3m (E = 40 lux)
0 lux
50
100
150
200
250
300
eW Burst Compact 14
Burst
Accent
With the 14 lens, the base of the beam
is more diffuse than with a 8 lens.
The beam is still narrow enough to
create a real accent of light.
Setting 1:
D = 20cm
H = 6m (E = 10 lux)
0 lux
50
100
150
200
250
300
eW Burst 14
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18
Blast
Strong accent
A strong accent of light emphazises the
column and conveys a sense of strength.
Setting 1:
D = 25cm
H = 8m (E = 40 lux)
0 lux
80
165
250
330
415
500
eW Blast 10
Creating volume
Placing two Blast 10 at both sides of a
column reinforces its volume. This way,
it looks more 3-dimensional.
Note that light is sent on the back wall.
Setting 2:
D = 40cm
H = 8m (E = 45 lux)
0 lux
80
165
250
330
415
500
eW Blast 10
Soft effect
The Blast 21 is suitable for larger
elements such as pillars. The frosted lens
gives a diffuse effect (no hot spot), but it
reaches less high.
In case of arches, two Blast 21 enable to
cover the complete vault.
0 lux
80
eW Blast 21
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165
250
330
415
500
Setting 1:
D = 25cm
H = 4m (E = 35 lux)
W = 1m
19
Reach
Accent lighting on high elements
To obtain an accent of light that begins
at the bottom of the column, the advised
distance is D = 1m.
Increasing this distance enables to send
light higher on a larger element but with a
lower light level.
For D = 1m:
Full view
Lens
H15 lx (m)
W(m)
40
30
2.5
13
22
H15 lx (m)
W(m)
2
3
4
For D = 2m:
Lens
5
8
13
90m
50
40
30
With no lens (5), the beam is the most

narrow and goes highest.
0 lux
16
33
50
66
83
100
16
33
50
66
83
100
eW Reach 5
H = 90m, D = 1.5m
With the 8 lens, the lighting effect is

nicer at the bottom.
With a 13, the light covers a larger
element (column or pillar).
40m
0 lux
eW Reach 8
H = 40m, D = 1.5m
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20

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Viaduc Les Arceaux, Montpellier - France

Yann Kersal
21
3. Sculptures
Visual beam angle (VBA)
Lighting a sculpture requires to know the size of the light
patch that will be applied on it. This way, the light is focused
on the object to be lit. The width of this light patch can be
deducted from the visual beam angle (page 5).
Illuminance gradient
Visual beam
The visual beam angle of each luminaire, depending of the

lens, are given in tables on the following pages.
40
30
20
10
0
10
Angle of vision
20
30
40
VBA:
visual beam angle
diameter of the visual patch at distance D
Eave: average illuminance over this visual patch

Emax: maximum illuminance
Burst Compact
Lens
no (8)
14
23
41
VBA
18
28
38
75
D (m)
10
12
14
(m)
0,3
0,6
1,0
1,3
1,6
1,9
2,5
3,2
3,8
4,4
Emoy (lux)
1650
610
280
260
150
100
70
40
30
Emax (lux)
6180
2740
1540
990
690
390
250
170
130
(m)
0,5
1,0
1,5
2,0
2,5
3,0
4,0
5,0
6,0
7,0
Emoy (lux)
1540
520
230
130
80
60
30
20
Emax (lux)
7160
1790
800
450
290
200
110
70
(m)
0,7
1,4
2,1
2,8
3,4
4,1
5,5
6,9
8,3
9,6
Emoy (lux)
1370
240
130
60
40
30
25
Emax (lux)
3670
920
410
230
150
100
60
(m)
1,5
3,1*
4,6
6,1
7,7
9,2
12,3
15,3
18,4
21,5
Emoy (lux)
250
60
20
15
Emax (lux)
960
240
110
60
Visual beam angles and corresponding illuminance levels
* The Visual Beam Angle of a Burst Compact 41 is 75. At 2m, the diameter of the visible patch of light will be 3,1m for an
average illumanance of 60 lux. The maximum illuminance at the center of the spot will be 240 lux.

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22
Setting 1
Installation:
Quantity:
View points:
Setting 2
Installation:
Quantity:
View points:
D
Setting 1
in front of object
1
single
around object
3
multiple
The exact position can be adapted to the

different view points of the the observer.
D
Setting 2
Accent on one side

One luminaire with a wide beam placed in
front of the sculpture creates an accent of
light that covers only one side.
1.5m
Setting 1:
D=1m
H = 1,6m
0 lux
64
132
200
264
332
400
eW Burst Compact 40
Creating volume
Using more luminaires around the
sculpture reinforces the volume of the
object. All sides are lit. This is particularly
adapted for sculptures that are placed in
the middle of a square.
1.5m
Setting 2:
D=1m
0 lux
64
132
200
264
332
400
H = 1,6m
eW Burst Compact 40
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23
Burst
Setting 1
Installation:
in front of object
Quantity:
1
Effect:
strong accent or soft
...................................wash of light
VBA
The visual beam angle should be adapted

to the desired effect either accentuation
or diffuse lighting.
D
D
Setting 2
Installation:
Quantity:
Effect:
D2
H
VBA
One is used to create a soft effect over

the whole statue, the second one is used
to highlight a specific part like the face
for example. The angle between the two
luminaire locations depends mainly of the
shape of the statue.
D1
D1
Lens
no (8)
14
23
41
VBA
18
28
44
61
at both sides of object

2
balanced
D (m)
10
12
14
16
(m)
0,3
0,6
1,0
1,3
1,6
1,9
2,5
3,2
3,8
4,4
5,1
Emoy (lux)
3020
1123,4
510
480
280
180
120
70
50
40
Emax (lux)
11760
5230
2940
1880
1300
730
470
330
240
180
(m)
0,5
1,0
1,5
2,0
2,5
3,0
4,0
5,0
6,0
7,0
8,0
Emoy (lux)
1000
440
250
160
110
60
40
30
Emax (lux)
3750
1670
940
600
420
230
150
100
(m)
0,8
1,6
2,4
3,2
4,0
4,8
6,5
8,1
9,7
11,3
12,9
Emoy (lux)
1100
450
170
110
60
40
25
15
Emax (lux)
5600
1400
620
350
220
160
90
60
(m)
1,2
2,4
3,5
4,7
5,9
7,1
9,4
11,8
14,1
16,5
18,8
Emoy (lux)
950
170
80
40
30
20
10
Emax (lux)
2520
630
280
160
100
70
40

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24
Accent lighting
3m
A narrow beam placed close by produces

a strong accent. The illuminated area
depends on the visual beam angle and
thus on the lens choice. It can also be
used at a bigger distance to soften the
effect.
Setting 1:
D = 1,5m
0 lux
320
660
1000
1320
1650
2000
H = 3m
eW Burst 14
Soft wash of light
3m
A wide beam creates a soft and uniform

wash of light. The light covers the
complete object and increases its
readability. The image is flattened due to
the positioning of the luminaire and the
width of the beam.
Setting 1:
D = 3m
0 lux
320
660
1000
1320
1650
2000
H = 3m
eW Burst 23
Modelling with light
3m
A combination of beams is used to

balance the scene:
- a narrow beam highlights the interesting
parts
- a wide beam underlines the volume.
Setting 2:
D1 = 1,5m
D2 = 3m
0 lux
320
eW Burst 14 + 23
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660
1000
1320
1650
2000
H = 3m
25
Blast
Lens
10
21
VBA
17
27
D (m)
10
12
14
(m)
0,3
0,6
0,9
1,2
1,5
1,8
2,4
3,0
3,6
4,2
Emoy (lux)
19620
4900
1810
1650
780
450
290
200
140
110
Emax (lux)
79020
19750
8780
4940
3160
2190
1230
790
550
400
(m)
0,5
1,0
1,4
1,9
2,4
2,9
3,8
4,8
5,8
6,7
Emoy (lux)
4300
1830
480
270
170
120
70
40
30
20
Emax (lux)
9390
2350
1040
590
380
260
150
90
70
50
Combination of effects
3m
The same combination of beams can

be used with Blasts, increasing the
illuminance levels over the statue.
Setting 2:
D1 = 1,5m
D2 = 3m
H = 3m
0 lux
320
660
1000
1320
1650
2000
eW Blast 10 + 21
Reach
Lens
no (5)
13
23
40
VBA
7
12
23
46
76
D (m)
10
12
14
16
18
20
(m)
0,5
0,7
1,0
1,2
1,5
1,7
2,0
2,2
2,4
Emoy (lux)
21130
10160
5280
4270
2350
2040
1320
1190
850
Emax (lux)
43310
19250
10830
6930
4810
3540
2710
2140
1730
(m)
0,8
1,3
1,7
2,1
2,5
2,9
3,4
3,8
4,2
Emoy (lux)
6450
2870
2310
1370
910
640
480
370
340
Emax (lux)
19270
8560
4820
3090
2140
1570
1200
950
770
(m)
1,6
2,4
3,3
4,1
4,9
5,7
6,5
7,3
8,1
Emoy (lux)
3130
1190
620
460
300
210
170
130
110
Emax (lux)
8760
3890
2190
1400
970
720
550
430
350
(m)
3,4
5,1
6,8
8,5
10,2
11,9
13,6
15,3
17,0
Emoy (lux)
680
330
170
110
80
60
44
Emax (lux)
2790
1240
700
450
310
230
170
(m)
6,3
9,4
12,5
15,6
18,8
21,9
25,0
28,1
31,3
Emoy (lux)
200
170
60
40
Emax (lux)
890
400
220
140

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26
Accent lighting
14m
The Reach is well adapted to large size

sculptures. The 13 lens produces a strong
accent. Lighting from the bottom to the
top creates a very dramatic effect.
Setting 1:
D = 4m
H = 14m
0 lux
80
165
250
330
415
500
eW Reach 13
Soft wash of light
14m
A wide beam will produce a softer effect

on the sculpture. Depending on the
visual beam angle, it will cover almost
all the statue. The object seems uniform
and flatter than when illuminated with a
narrow beam.
Setting 1:
D = 7m
0 lux
80
165
250
330
415
500
H = 14m
eW Reach 40
Modelling with light
14m
A combination of beams is used to

balance the scene:
- the 13 beam highlights the upper part
- the 40 beam reveals the lower part and
avoids the statue to "float". It the brings
the balance
Setting 2:
0 lux
80
eW Reach 13 + 40
165
250
330
415
500
D1 = 4m
D2 = 7m
H = 14m

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27
4. Greenery
Burst Compact
From outside
Lighting low vegetation from outside with
a wide beam creates a soft and uniform
effect. It reveals the outer bushes and
flowers but flattens the image.
D = 25cm
D
eW Burst 41
From inside
Lighting placed inside the vegetation
creates a silhoutte effect, a glow. It shows
the density of the foliage. It is more
difficult to read the whole image because
only parts are highlighted.
eWBurst 41

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28
Blast
Accent lighting on trunk
A narrow beam placed close to the trunk
produces a strong accent. The rest of the
tree stays in the dark. The image is quite
dramatic. Main focus is on the trunk.
D = 25cm
H = 8m
D
eW Blast 10
Glow of light
Two or three luminaires (depending on
the size of the tree) are placed under the
foliage and aimed upward.
The leaves make the inside of the tree
glow, revealing the volume of the crown.
This positioning avoids a floating effect
because the trunk is softly lit.
D = R/2
H = 8m
eW Blast 21
Soft wash of light

Lighting a tree from the front will flatten
the image.
D=8
H = 8m
A combination of effects can be used

to prevent the crown to float. More
interesting effects can be achieved by
using different color temperature.
eW Blast 21
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29
Reach
Glow of light
The light will make the tree glow from
inside. A more narrow optic (5 to 13)
will focus the light either on a part of the
foliage or on the trunk. A wider optic (40)
will spread light.
This effect is less interesting for trees with
dense foliage.
D = R/2
H = 18m
eW Reach 23
Soft wash of ligth

Floodlighting trees with dense foliage is
best from the front. This gives a soft and
uniform effect over the main part of the
tree.
H
The quantity of floodlights must be

adapted to the different points of view.
D = 18m
D
H = 20m
eW Reach 23
Combination of lenses
One Reach is placed in the center of a
group of trees with a combination of
two different lenses:
H
- 60 lens creates a soft wash of light on

the trunks and underside of the crowns.
- 23 lens illuminates the foliage from
inside reaching almost to the top.
H = 20m
eW Reach 23 + 60
All rights reserved
30

All rights reserved
Jardins de l'Orangerie, Strasbourg - France

Acte Lumiere, Jean-Yves Soetinck
31
Philips Lighting
Rue des Brotteaux
01708 Miribel
France
Tel +33(4)78558261
Date: 06/12/2010
All rights strictly reserved. Reproduction or issue to third parties in any form whatever is
not permitted without written authority from the proprietor
All visualization materials, such as pictures, stills, graphics, videos and real-time renderings,
included in or referenced to in this publication, have been prepared by Philips with the
greatest care to simulate lighting effects on a particular project. The real measured values
may vary due to tolerances on luminaires, luminaires positioning, reflection properties and
electrical supply. Philips disclaims any and all claims with respect thereto.

LED Flood Lighting

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LED Flood Lighting

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Bytom Odrzaski - Poland

PART I LED floodlight range

Date: 06/12/10 - LED floodlighting application guide

Date: 06/12/10 - LED floodlighting application guide

How to use this guide

Very small (0-3m)

Large (8m - 100m)

Working with white and colored light

The figure on the right illustrates the percentages of colored

Date: 06/12/10 - LED floodlighting application guide

Visual beam angle (VBA)

Light patch at a given distance

Estimating the true width of the beam can be done based on

Visual beam angle = strongest gradient of light

This value can be read from the graphs shown here.

Gradient variation (dB/m)

Estimating the actual size of a light patch (a) from a

The steeper the gradient in the illuminance curve, the higher

The visual beam angle can not be read directely from an

Date: 06/12/10 - LED floodlighting application guide

Date: 06/12/10 - LED floodlighting application guide

STATIC warm white or neutral white

DYNAMIC warm to cool white

STATIC red, amber, green or blue

Burst / Burst Compact

STATIC warm white or neutral white

DYNAMIC warm to cool white

STATIC red, amber, green or blue

STATIC warm white or neutral white

DYNAMIC warm to cool white

STATIC red, amber, green or blue

Date: 06/12/10 - LED floodlighting application guide

2. White and colored light

Date: 06/12/10 - LED floodlighting application guide

Date: 06/12/10 - LED floodlighting application guide

- Color (RGB): Flux based on all LED's ON

Date: 06/12/10 - LED floodlighting application guide

- iW: Flux based on all LEDs ON

Date: 06/12/10 - LED floodlighting application guide

The uniformity depends on the relation

close to the wall

Date: 06/12/10 - LED floodlighting application guide

Average illuminance on a 4m high wall

This distance and spacing is needed to

Average illuminance on a 4m high wall

The narrow beam is used at a far

With a spacing of 1m:

Increasing distance D is possible but a

* Prefered solution, illustrated in the 3D visualisation.

Average illuminance on a 20m high wall

Increasing the spacing is possible until

With a spacing of 5m:

Increasing distance D is possible but a

To illuminate higher facades, a more

In case of RGB or iW: for a good color

Date: 06/12/10 - LED floodlighting application guide

* Prefered solution, illustrated in the 3D visualisation.

Date: 06/12/10 - LED floodlighting application guide

at both sides of column

The exact position of luminaires can be

With no lens (5), the beam is the most

With the 8 lens, the lighting effect is

Date: 06/12/10 - LED floodlighting application guide

Viaduc Les Arceaux, Montpellier - France