Amadeus Act I

At the same second the music explodes into a long, echoing, distorted boom, signifying
some dreadful annihilation.
The sound remains suspended over the prone figure in a menacing continuum no longer
music at all. Then it dies away, and there is only silence.
The light fades again.
A long pause.
SALIERI is quite still, his head by the pile of manuscript. Finally a clock sound: nine
times. SALIERI stirs as it does. Slowly he raises his head and looks up. And now
quietly at first he addresses his God
SALIERI: Capisco! I know my fate. Now for the first time I feel my emptiness as Adam
felt his nakedness (Slowly he rises to his feet.) Tonight at an inn somewhere in this city
stands a giggling child who can put on paper, without actually setting down his billiard
cue, casual notes, which turn my most considered ones into a lifeless scratches.
Grazie,Signore! You gave me the desire to serve You which most men do not have
then saw to it the service was shameful in the ears of the server. Grazie! You gave me the
desire to praise You which most men do not feel then made me mute. Grazie tanti!
You put into me perception of the Incomparable which most me never know! then
ensured that I would know myself mediocre. (His voice gains power.) Why?... What is my
fault? Until this day I have pursued virtue with rigor. I have labored long hours to
relieve my fellow men. I have worked and worked the talent You allowed me. ( Calling
up) You know how hard Ive worked! Solely that in the end, in the practice of the art
which alone makes the world comprehensible to me, I might hear Your Voice! And now I
do hear it and it says only one name: MOZART! . . . Spiteful, sniggering, conceited,
infantine Mozart who has never worked one minute to help another man! Shit-talking
Mozart, with his botty-smacking wife! Him You have chosen to be Your sole conduct!
And my only reward my sublime privilege is to be the sole man alive in this time who
shall clearly recognize Your Incarnation! (Savagely) Grazie e Grazie ancora! (Pause)
So be it! From this time we are enemies, You and I! Ill not accept it from You do you
hear?. . . They say God is not mocked. I tell you Man is not mocked! . . . I am not
mocked! . . . They say the spirit bloweth where it listeth: I tell You NO! It must list to
virtue or not blow at all! (Yelling) Dio ingiusto You are the Enemy! I name Thee now
Nemico Eterno! And this I swear: To my last breath I shall block You on earth, as far as I
am able! ( he glares up at God. To audience) What use, after all, is man, if not to teach
God His lessons? ( Pause. Suddenly he speaks again to us in the voice of an old man. He
slips off his powdered wig, crosses to the fortepiano and takes from its lid where they lie
the old dressing gown and cap which he discarded when he conducted us back to the
eighteenth century. He slips these on. It is again 1823.)
Before I tell you what happened nest Gods answer to me and indeed Constanzes
and all the horror that followed let me stop. The bladder, being a human appendage, is
not something you need concern yourselves with yet. I, being alive, though barely, am at
its constant call. It is now only one hour before dawn when I must dismiss us both.
When I return, Ill tell you about the war I fought with God through His preferred,

Creature Mozart, named Amadeus. In the waging of which, of course, the Creature had
to be destroyed.
( He bows to the audience with malignant slyness snatches a pastry from the stand p
and leaves the stage, chewing on it voraciously. The manuscripts lie where he spilled
them in this fall. The lights in the theater come up as her goes.
END OF ACT ONE