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4, 1999
How can researchers learn about the social lives of people and cultures who leave
little or no written record of their lives? This article introduces the idea that one
person's partially documented life story can serve as a kind of prismatic tool,
illuminating a multitude of historical and sociological paths of inquiry about her
contemporaries which might otherwise prove elusive. Breaking with traditional
historical and sociological methods, it shifts the focus from how biography can
illustrate social theory or serve as a case to represent a group, treating it instead
as a critical "point of entry" into a newly refracted, freshly observed array of
social processes and relationships.
KEY WORDS: historical methodology; biography; Lillian Wineman; Dakota Sioux; beadwork; North
Dakota.
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1999 Human Sciences Press, Inc.
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historical importance. Lillian Wineman was a woman at the nexus of cultural and
religious traditions; she was a woman on the cusp of two centuries, and at least
three cultures. Born in Dakota Territory in 1888, Lillian Wineman liked to raise
havoc in the Devils Lake region where she grew updriving a fast car, riding
horses, and parading on her bicycle in a white linen suit, her bright red hair flying
behind her. Living well into her nineties, Wineman cherished the belongings that
represented her family history and important moments in her life. She especially
treasured her trunk full of Indian artifacts and beadwork. In her late life infirmity,
she would request that the trunk be brought to her while she took out each item in
turn and fondled it (Wilcox Interview 1998).
My intention is to illustrate the connections of historic forces that converged
in this particular place and time, through her particular life, and what can be learned
about historical sociological methods from this example. Wineman's biography
offers one way, one among many, to ground and to grapple with the complex
historical forces at play in turn-of-the-century North Dakota. And in turn, my
construction of her biography is shaped by my interests in the larger project, and
my assessment of the ways in which her life is interesting because it intersects
with a larger history (Hertz 1997). And in turn, the multiple ways of approaching
Wineman's life reveal the importance of the researcher's interests and choices in
constructing her history. Like a contemporary interviewer (Hertz 1995), I play
an active role as a researcher attending to certain things and not others, probing
particular issues while ignoring others, developing one aspect of her life and leaving
the remainder to be explored by someone else (Gluck and Patai 1991).
The biography serves as a prism through which to explore and analyze the
social relationships that surrounded the production of the beadwork and the process of it being traded into European hands. Sociologists have found the metaphor
of a prism appealing (e.g., Baca Zinn, Hondagneu-Sotelo, and Messner 1997;
Burawoy 1998; Laslett 1991; O'Brien 1999). Prisms are transparent from a particular vantage point, almost like windows. But if you turn them at a specific angle
and catch the sunlight in a particular way, they refract multiple colors and shaded
images. According to the Oxford English Dictionary (1987, p. 1384), prisms "transform the colors of things into a thousand shapes." I argue that those colors and
shapes point to avenues of exploration not necessarily visible through an ordinary
lens.
This prism perspective is valuable to historical sociology for three reasons.
First, the biography as prism alerts the historical sociologist to aspects of the period
otherwise hidden. It prompts one to articulate questions about taken-for-granted
phenomena. Second, the prism metaphor illuminates a life as a point of entry that
then connects to larger social and economic processes. Starting with the specific,
the local and particular, the researcher is able to make connections outward to
examine the social embeddedness of this one life. And third, the prism perspective
illustrates how connections come together in one life. Rather than ending merely as
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a relatively small kin network. A wealthy businessman and political office holder,
her father had extensive land holdings in a region comprised of small, independent
family fanners. In other words, in multiple ways, Lillian Wineman was the exception, not the rule. Also critical, as a collector, Lillian acted as an intermediary
between cultures. Even with her own prejudices about the Dakota, she made an
effort to breech the divide between Indian and white worlds. So Wineman is not
representative of North Dakota Pioneer Daughters, not even Norwegian ones. And
my decision to focus on her religion, ethnicity, and collecting activities necessarily
portrays her in a different light than had I concentrated on her time as an actor in
a theater troupe or the shape of her life as a single woman (Bateson 1989; Hertz
1997).
By starting with a propertied white woman, daughter of a prominent businessman, my investigation necessarily takes a particular path. These ways are not
exclusive, nor are they definitive; and in my larger project they constitute but one
dimension of inquiry. Importantly, someone who purchased Indian beadwork was
in a very different position in 1910 than, for instance, the Dakota woman who
labored to make the beadwork, regardless of whether or not she owned property.
I cannot give an account of how she came to learn her craft, or what it meant to
be a skilled beadworker in her tribe. I cannot speak to her intended recipient of
or market for the work, or what these particular pieces meant to her. Nonetheless,
even with the lopsidedness of the account, the vantage point of Wineman's life
offers multiple ways of seeing and analyzing a complex history.
While the use of biography in historical sociology is not entirely new (see,
Barry 1990; Breines 1986; Hansen 1995; Laslett 1991; Stanley 1993), it remains
a seldom-used tool (Erben 1993). C. Wright Mills, the best-known advocate of
biography as a sociological tool, places it squarely within the discipline: "Social
science deals with problems of biography, of history, and of their intersections
within social structures... These threebiography, history, societyare the coordinate points of the proper study of man [sic]" (Mills 1959, p. 143). In other words,
if the sociological enterprise is to understand human behavior, sociologists must
study individuals as well as groups. That is, we must study individuals embedded
within a social and historical context (Laslett 1991). Franco Ferrarotti (1983, p.68)
writes that "sociological biography is not only an account of lived experiences" but
also of social relationships. Other characteristics of biography include its potential
for exploring social theory (Evans 1993; Reinharz 1994); for illustrating the general
with the particular (Evans 1993, p.7); and for providing a mechanism for analyzing
the links between the private and the public and the social realms (Alpern et al
1992; Evans 1993; Hansen 1994; Laslett, 1991). Sociologists and historians of
laboring classes, women, and other dispossessed peoples have found that biography
provides entrde to under-documented or otherwise lost history. In this article, I
want to shift the focus away from how biographies can illustrate social theory or
historical experiences, to how biographies can serve as points of entry into a newly
refracted, freshly observed array of social processes and relationships.
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Over and over in my previous work, the prism of a single life has altered my
vision and shifted me to a previously unconsidered avenue for discovery (Hansen
1989; 1992; 1995). The prism of biography has also served as an historical sociological tool since I began studying Norwegian immigrant and Dakota Indian
relations in turn-of-the-century North Dakota. Lillian Wineman's life viewed as a
prism refracts many bands of light that could be investigated, including: how Jews
came to settle in North Dakota; the dynamics of anti-Semitism in the rural midwest; the production of Indian beadwork; European trade in furs and other items
with Indians; Norwegian immigration to North America and settlement patterns in
the Great Plain states; homesteading laws; single women in frontier communities;
inter-faith and inter-racial marriages; the role of business people in agricultural
towns; and the Chautauquas and the Chautauqua movement at the turn-of-thecentury, to name a few. In my larger study of relations between the Dakota and
Norwegian immigrants, I plan to pursue this full range of problematics and questions. However, for this article I have selected just a few bands for elaboration,
in order to demonstrate how Wineman's life can illuminate aspects of European
and Yankee trade with Native Americans, Jewish settlement in North Dakota, and
trade in Dakota beadwork.
This paper details these dimensions of her life as they intersect in the artifacts
she left behind. To illustrate my paths of discovery, in the remainder of the article
I outline the cultural and economic interchange between Indians and Europeans
that was set in motion by the fur trade on the Northern Plains. I then trace how
Wineman's family, with its Jewish and Norwegian history, came to live in North
Dakota. In the following section I discuss Dakota women's production of beadwork
and the systems of trade in place that enabled Wineman to purchase it. In the final
section, I return to a discussion of the various points of entry into Wineman's life,
and, in turn, the lessons learned for historical sociology in using biography as a
prism to refract "points of entry" into a broad range of inter-related subjects.
HOW DID TRADE EVOLVE ON THE NORTHERN GREAT PLAINS?
Thousands of years ago, the Great Plains were part of a vast inland sea. Over
millennia, the sea transformed to an "inner ocean" of grassland, and became a home
to fowl, large and small mammals, and, starting approximately 12,000 years ago,
human beings (Schneider 1996). When the ocean receded, it left a large, rather
saline lake in the northeastern corner of the area now known as North Dakota.
The Indians called it "mini-wakan", spirit water, or enchanted water. When the
Europeans came, they translated this into "Devils Lake" (Minnewaukan History
Book Committee 1983, p.l).
For millennia, the Great Plains operated as a major crossroads on the continent
where people and animals migrated and where they settled. Europeans came to
the region beginning in the eighteenth century and tapped into systems of trade
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Dakota Sioux, who moved to the area after the Great Sioux Uprising in Minnesota
in 1862 (Schneider 1994). It covers approximately 245,000 acres, bordered on the
north by Devils Lake itself and on the south by the Sheyenne River.
At the end of the nineteenth century, the reservation land that remained (after
the continued retraction of Indian lands) was held in trust by the U.S. government
for Indian nations. However, beginning with the passage of the Land Allotment
Act of 1887 (also known as the Dawes Act), reservation land was parceled out to
individual Indians for private ownership, rather than collective ownership (Sutton
1975). The government reasoned that owning private property would make farmers
of the Indians and would push them into a form of economic self-sufficiency
compatible with American capitalism. This imposition of private land ownership
(in contrast to tribal ownership) clashed with widely-held Native American values
and disrupted the traditional systems of tribal government (Hoxie 1984). By design,
once reservation land was allotted, hundreds of thousands of acres on reservations
were then treated as "surplus" land. While the tribe retained possession of some
land in addition to that owned by individuals, vast tracts of unfilled open space
were viewed by European-American settlers as "unused." As an eminent historian
of North Dakota, Elwyn Robinson (1965, p. 181, emphasis added), put it, "As the
Indians began to live by fanning and on government rations, it became obvious that
some of the reservations were much larger than they needed to be" In other words,
the U.S. government ignored the Indian approach to thinking about land, culture,
and economic systems, and reneged on its previous treaty obligations. Because it
determined that the Indians did not "need" as much land as they had access to on the
reservations, it opened the unallotted land to white settlers at a very low price. As a
result, white homesteaders gained access to millions of acres heretofore belonging
to Native Americans. The Land Allotment Act of 1904 extended the U.S. federal
encroachment upon Indian territorial integrity by opening 100,000 acres on the
Spirit Lake Sioux Indian Reservation to homesteading by Euro-Americans and
European immigrants (Schneider 1994, p. 138).
The expansion of territory for settlement of the U.S. went hand-in-hand with
immigration. In the Dakotas, territorial and state governments purposely recruited
immigrants, Scandinavians in particular, to help fulfill their vision of settling the
heartland (see propaganda brochure, Dakota: official guide, containing useful information in handyform for settlers andhomeseekers, concerning North and South
Dakota, 1889). In 1910, just six years after the Spirit Lake Reservation had been
opened up to white settlement, the majority of the population (70.6%) of the state
were "foreign-born" or "born of foreign or mixed parents." Norwegians were the
largest ethnic group in North Dakota in 1910 and a major ethnic group in the
Devils Lake region (U.S. Bureau of the Census 1915). The rapid settlement of
the reservation created heterogeneous communities of immigrants and Indians.
Refracting history through the prism of Lillian Wineman's life, we learn that
"pioneers" like Wineman's father and mother did not stumble into Dakota Territory by accident. Through territorial and state settlement plans, through the active
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it the greatest problem in philanthropy to make human beings who are capable
of work out of individuals who otherwise must become paupers, and in this way
create useful members of society" (Joseph 1935, p. 15-16). The society was also
concerned with economically diversifying the Jewish community in the U.S. Its
members believed that geographically dispersing people would also help to "ward
off anti-Semitism directed at all Jews in response to the crowded conditions of the
new immigrants" (Shulte 1990, p.233).
All told there were 50 to 60 Jewish families who lived in the Devils Lake
region in the 1890s (Papermaster, 1956). But times were hard and many settlers
were not used to the uncertainties or the rigors of farming. Jewish homesteaders
were a minority, and they had to rely on itinerant rabbis, which made strict religious
observation difficult. Until 1906, the only synagogue in the region was in Grand
Forks, one hundred miles away. Some of the colonists found helpful non-Jewish
neighbors, but many faced anti-Semitism and also resentment over the aid the
wider Jewish community was providing to the struggling colonists.
Like the fur traders before him, Samuel Wineman found marriage within
his religious and ethnic group in this frontier environment challenging. At the
age of 26, when he fell in love and married Trina Moe, a young woman recently
arrived from Norway (via Wisconsin), he was disowned by his family. Samuel's
faith appears to have also changed. In a published collection of laudatory portraits
of civic and business leaders, the author writes, "In religious inclination, Mr.
Wineman is a Protestant" (Hennessey 1918, p.349). Now whether this was a result
of being alienated from his family, intense anti-Semitism of North Dakota, and/or
a spiritual change of heart, this places Mr. Wineman outside his faith of origin,
even while the community identified him as a Jew.
The prism of Lillian Wineman's biography surfaces a unique and otherwise
nearly invisible religious and ethnic community in the Devils Lake region. Obviously, other scholars have written about Jewish settlements in North Dakota
(e.g., Rikoon 1995; Trupin 1984) . However, because of its largely agricultural
economy, rural settlement patterns, and immigration history, North Dakota has
been characterized as Protestant and Northern European. One does not associate
Jewish farmers with the region. Wineman's family's status as religious outsiders
problematizes the religious affiliation of white settlers. Like other bands of the
prism, this prompts the researcher to pose questions about the dominant culture
that otherwise might have gone unasked.
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host of questions about how it was produced, why it was produced, who made it,
how was it viewed by its creator, and how it came to be in Wineman's hands. While
Lillian did not live on the reservation, she lived in close proximity to it. On the
reservation, trade and commerce were occasions for encounters between Dakota
and whites. Dakota leased land to white farmers; they sold seed and horses to each
other; and they traded and sold numerous other items, including farm produce and
artwork.
Trade in beadwork and farm products, in this context, provided a point of
contact between cultures. This prompts one to ask about the many ways that these
traders may have served as cultural intermediaries, like the fur traders before them.
And, did the roles of women develop as they had during the fur trade?
Dakota women's involvement with various kinds of home manufacturing
primarily beaded goods and quiltsprovided an important resource to families,
resulting in either goods or cash. Albers (1985) argues that "Although much of
this work was geared toward home consumption, many women created goods
to sell or trade in neighboring white communities. The earnings from this work
were meager, but they did provide Dakota women and their families with sources of
income partially independent of federal control"3 (Albers 1985, p. 119). According
to Albers (1985), women's earnings were also independent of the control of men.
Women's craft work was important in its cultural status as well as its economic
value. In surveying women's involvement in arts and crafts production of many
of the Plains Indians, Schneider (1983, p. 113) says, "The woman who excelled in
crafts not only had a chance to become a member of a select group, but she could
also increase her family's status and wealth by working for others and by teaching
her craft." To borrow an example from the Lakota Sioux of the pre-reservation era,
Lakota women, the primary bead workers, honored warriors by spending many
long, careful hours making them beadwork clothing. In effect, their craft work
"supported [the] social system of generosity and bravery" (Bol 1985, p.37). Bol
(1985, p.37) writes that "If a Lakota man wore a buffalo robe with many rows
of quill work, this was an indication of the high regard in which he was held by
his female relatives." She also argues that women's needlework contributed to
maintaining internal cohesion: "Women's art operated as an important vehicle in
confirming and maintaining kinship relationships" (Bol, 1985, p.38). These values
associated with women's beadwork continued into the early reservation period (the
late nineteenth century). Interestingly, much of the beadwork finery in the early
reservation era was made for children. "By creating particularly fine traditional
clothing for her children, a mother found a method for combating the threat of
assimilation" (Bol 1985, p.49).
Museum records report that Lillian Wineman purchased her beautiful beaded
goods at the Devils Lake Chautauqua. A Chautauqua was a month-long summertime event, similar to a county fair, which focused on education, religion, and
recreation, rather than agriculture and livestock. The emphasis of the Chautauqua
was on the "acquisition of knowledge, sacred and secular" (Snyder 1985, p.81)
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which made it an innovative forum for adult education. The Chautauqua sponsored lectures, music, theater, dance, entertainment, and even provided childcare.
Lecture topics included "the graduated income tax, slum clearance, tariffs, woman
suffrage, juvenile courts, prison reform, pure food laws, the school lunch program, a balanced diet, [and] physical fitness" (Snyder 1985, p.85). At height of
what became a Chautauqua movement, 12,000 sites around the country hosted
Chautauquas. In 1924, the peak of the movement, an estimated 30 million people
participated (Synder 1985).
The Devils Lake Chautauqua, founded in 1893, was situated on the shores
of the lake and covered 160 acres with hundreds of buildings, both temporary
and permanent (Ryan 1990, p.27). A steam boat ferry, the Minnie H., left the
Chautauqua grounds several times daily traveling to other points on the lake,
including Fort Totten on the reservation. Speakers at the Devils Lake Chautauqua
included William Jennings Bryan on the gold standard versus the silver standard
for currency and Carrie Nation on temperance and woman suffrage (Ryan 1990).
One of the highlights featured at the Devils Lake Chautauqua, the third largest
independent Chautauqua in the U.S., was "Indian Day". Indians from all four reservations in North Dakota were invited. "They came in full Indian dress, bringing
their own tipis, and performed grass and war dances and displayed many of their
native crafts and beadwork" (Chautauqua Program 1907 N. page, cited in Ryan
1990). In this context, presumably Lillian Wineman partook of the festivities, and
purchased some of the beautiful beadwork. A question remains: what actually transpired on "Indian Day"? While interviewing Agnes Greene, a Dakota tribal elder, I
told her of the 1907 newspaper article that reported the gathering of all five tribes in
North Dakota for "Indian Day." The article said two thousand Indians participated,
many traveling by canoe across the lake and arriving at the Devils Lake Chautauqua
grounds in full Indian dress (Ryan 1990). Mrs. Greene characterized this portrait
as nonsense. "Who makes up these things?" she wanted to know (Interview with
Greene 1999). She thought the portrait of Indian fanfare simply suited someone's
sense of what the Indians should be doing, and therefore embellished the account.
At the same interview, she showed me a postcard of a troupe of Chautauqua
Indian Day dancers. Her mother stood in the center, dressed in her dancing regalia.
Mrs. Greene's pride in her mother's Chautauqua participation combined with her
skepticism about the newspaper article, has prompted me to search for other oral
and published accounts of the day. Her seasoned resentment towards the white
"invention" of Indian history prompted me to review this newspaper report and
others that I might otherwise have accepted as accurate. Thus I have yet to piece
together the multi-dimensional puzzle of "Indian Day". It will be important to
attend to the interests of the Devils Lake boosters and how they sensationalized
news in order to promote the region. What did "Indian Day" mean to the Dakota
participants? What did it mean to dance for the de facto victors of the protracted
struggle over Indian land? And alternately, how did recent immigrants view these
indigenous people's performance?
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The overarching point I want to make is that the life of Lillian Wineman led
me to these issues by providing a point of entry into this history. It is possible that
I would have eventually found out about "Indian Day" because it was a ritualized,
highly visible point of contact between whites and Indians. Regardless, approaching "Indian Day" via Lillian Wineman's biography reveals how the Chautauqua,
Dakota beadwork, Norwegian immigration, and U.S. federal land policy converged
in this particular time and place.
Hansen
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