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GIFT HIGHLIGHTS

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E Bi g Band e-Catalog
Frank Sinatra
Count Basie
Stan Kenton

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Tha e Shaw
Arti
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Featuring
Sound Samp
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info@ejazzlines.com
1-518-587-1102
1-518-587-2325 (fax)
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NEW TO THIS CATALOG


August 2006
Dear Jazz Band Director,
Thank you for your interest in our electronic big band arrangement catalog. We are proud of this e-catalog
and feel that it is our most complete edition.Why did we go electronic? Well, in reality the cost of printing and
mailing catalogs has skyrocketed over the last couple of years, making it difficult to continue to offer our
discounted prices and depth of material. In addition, printed catalogs, by nature, are obsolete just about as
soon as they are done being printed: our website is updated daily with great new arrangements. We encourage you to migrate to our website for browsing and purchasing. You can view listings by title, arranger, performer, style, and even difficulty level. You can also search by any criterion.
Recognizing that many of you will still prefer the look and feel of a printed catalog, we came up with this
compromise - an electronic version of our annual printed catalog. Within this e-catalog youll find sound
samples for many of the arrangements. Just click on the musical notes next to the title and the sound sample
will play in your preferred media player. In addition, the title for each listing is a link to the same title on our
website. If youve found something that you want, just click on the title and add that to your basket for
checkout. We really feel that we can serve you better with this e-catalog and our website.
If you would prefer to have a printed copy of this, please phone or email us - were happy to run one off for
you.
In other news, we have completey re-vamped our website. In addition to a new look and feel, it is much more
user friendly and has new features that will make your browsing and shopping experience that much more
pleasant. One of the major changes is that we now have the capability of accepting orders from customers
who wish to use only a purchase order number. A credit card is not needed to complete your order.We have
established accounts in our database for all our educational customers and setup their accounts so that a
credit card is not needed. Another great new feature is that our educational customers are setup to receive
our discounted pricing on all our products. Discounts vary from 10% to 20% off the retail price. These prices
are automatic once you login. Of course, we still accept phone, fax, email, and mail orders from our educational customers. Were so confident that youll be happy with your online shopping experience at
ejazzlines.com that we suggest giving it a try.
If you have any questions, please feel free to contact us - we pride ourselves on our timely responsiveness.
We hope you have a fulfilling Fall and Holiday Season. Thanks for your support from all of us at ejazzlines.
Best Regards,
Rob DuBoff and Doug DuBoff

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COMPLETE PO S ONLINE!

Charts Listed by Arranger:


David Baker ...................................................................... 6
Stan Bann ......................................................................... 7
Doug Beach ...................................................................... 7
Louie Bellson .................................................................... 8
Shelly Berg ....................................................................... 8
David Berger .................................................................... 9
Andrew Bishop ................................................................ 9
Mike Carubia .................................................................... 9
Dan Cavanagh ................................................................ 10
Jim Cifelli ........................................................................ 10
Matt Clancy .................................................................... 10
John Clayton ................................................................... 11
Chris Culver ................................................................... 11
Bob Curnow ................................................................... 11
Paquito DRivera ........................................................... 12
Mike Dana ....................................................................... 12
Rich DeRosa ................................................................... 13
Don Ellis .......................................................................... 13
John Fedchock ................................................................ 14
Neal Finn ........................................................................ 14
Dirk Fischer .................................................................... 14
Bob Florence .................................................................. 14
Frank Foster ................................................................... 18
Tony Gairo ...................................................................... 21
Antonio Garcia .............................................................. 22
Gordon Goodwin ........................................................... 22
David Guidi .................................................................... 22
Dan Haerle ..................................................................... 22
Tim Hagans .................................................................... 23
Ryan Haines ................................................................... 23
Matt Harris ..................................................................... 24
Steve Hawk ..................................................................... 24
Rick Hirsch ..................................................................... 24
Bill Holman .................................................................... 25
Roger Holmes ................................................................ 25
Andrew Homzy .............................................................. 26
Les Hooper ..................................................................... 26
Rich Iacona ..................................................................... 27
Jeff Jarvis ......................................................................... 27
Thad Jones ...................................................................... 28
Gus Kambeitz ................................................................. 29
Phil Kelly ......................................................................... 30
Michael Kocour .............................................................. 30
Tom Kubis ....................................................................... 30
John La Barbera ............................................................. 39
Dave LaLama .................................................................. 39
Paul Lavender ................................................................ 39
Rick Lawn ....................................................................... 39
Paul Lee .......................................................................... 39
Mike Lewis ...................................................................... 40
Aaron Lington ................................................................ 40
Bill Liston ....................................................................... 41
Chris Madsen ................................................................. 41
John Mahoney ................................................................ 41
Frank Mantooth ............................................................. 42
Thomas Matta ................................................................ 43
Rob McConnell .............................................................. 43
Don Menza ..................................................................... 44
Bob Mintzer ................................................................... 46
Michael Mossman .......................................................... 46

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TABLE OF CONTENTS
Paul Murtha ...................................................................
Oliver Nelson .................................................................
Sammy Nestico ..............................................................
Lennie Niehaus ..............................................................
Edward Partyka ..............................................................
Bill Potts .........................................................................
Kim Richmond ...............................................................
Les Sabina .......................................................................
Carl Saunders ................................................................
Don Sebesky ...................................................................
Bob Sennett ....................................................................
George Shutack .............................................................
Rick Stitzel .....................................................................
Dave Snider ....................................................................
George Stone .................................................................
Carl Strommen ..............................................................
Fred Sturm .....................................................................
Michael Sweeney ...........................................................
Mark Taylor .....................................................................
Gene Thorne ...................................................................
Mike Tomaro ...................................................................
Chris Walden ..................................................................
Bob Washut ....................................................................

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Charts Listed by Performer:


Andrews Sisters ............................................................. 68
Ray Anthony ................................................................... 68
Charlie Barnet ................................................................ 68
Count Basie .................................................................... 69
Louie Bellson .................................................................. 73
Les Brown ....................................................................... 73
Bobby Darin ................................................................... 74
Tommy Dorsey ............................................................... 74
Duke Ellington ................................................................ 75
Maynard Ferguson ......................................................... 80
Ella Fitzgerald ................................................................ 81
Benny Goodman ............................................................ 82
Glen Gray ....................................................................... 83
Ted Heath ....................................................................... 83
Woody Herman ............................................................. 84
Harry James .................................................................... 85
Stan Kenton .................................................................... 86
Gene Krupa .................................................................... 97
Peggy Lee ........................................................................ 98
Dean Martin ................................................................... 98
Glenn Miller ................................................................... 98
Mingus Big Band ........................................................... 101
Buddy Morrow ..............................................................102
Buddy Rich ....................................................................102
Shorty Rogers ............................................................... 103
Artie Shaw ..................................................................... 103
Frank Sinatra ................................................................. 104
Misc. Instrumentals ......................................................105
Holiday Arrangements ................................................. 106
Dave Pell Octet ............................................................. 110
Customer Service ......................................................... 126
Order Form ................................................................... 127

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NEW TITLES SORTED BY ARRANGER


NEW TITLES - SORTED BY ARRANGER
TITLE
ARRANGER
PAGE
AN EVENING THOUGHT .................................... DAVID BAKER ................................ 6
I.U. SWING MACHINE ......................................... DAVID BAKER ................................ 6
SWEET AND SASSY .............................................. DOUG BEACH ............................... 8
TWO WAY STREET ............................................... DOUG BEACH ............................... 8
BLACK RATTLE ..................................................... DAN CAVANAGH ........................ 10
CHAOS THEORY ................................................... DAN CAVANAGH ........................ 10
HAVING BUILT IN DEEPER WATER ................... DAN CAVANAGH ........................ 10
NORTH SOUTH ..................................................... DAN CAVANAGH ........................ 10
PHASE SPACE ....................................................... DAN CAVANAGH ........................ 10
SPLIT-ROCK ............................................................ DAN CAVANAGH ........................ 10
NOT QUITE BRAZIL ............................................. JIM CIFELLI ................................... 10
THAT CAT .............................................................. MATT CLANCY ............................ 10
SQUATTY ROO ...................................................... JOHN CLAYTON .......................... 11
FOR THE LIL ONES ............................................. BOB CURNOW ............................. 11
MOUNTAIN GREENERY (NONET) ..................... BOB CURNOW ............................. 11
A PLACE IN THE WORLD ................................... BOB CURNOW ............................. 12
SWEETLUMPS ....................................................... BOB CURNOW ............................. 12
VIDA DE SUENO ................................................... BOB CURNOW ............................. 12
WRITERS CRAMP ................................................. BOB C URNOW ............................ 12
ABYSSINIA ............................................................. MIKE DANA .................................. 12
BOB SAGET ............................................................ MIKE DANA .................................. 12
EL BURRITO PICANTE III .................................... MIKE DANA .................................. 12
MIRA COSTA .......................................................... MIKE DANA .................................. 13
SITE FOR PSORIASIS ............................................ MIKE DANA .................................. 13
SORRY ABOUTTHAT ............................................ MIKE DANA .................................. 13
MORNING FUNK ................................................... RICH DEROSA .............................. 13
ELVINS EMPIRE .................................................... JOHN FEDCHOCK ....................... 14
BIG MAMA DIANES ROADHOUSE BLUES ....... NEAL FINN ................................... 14
A BREMIS AMONG US .......................................... NEAL FINN ................................... 14
DONDE ................................................................... DIRK FISCHER .............................. 14
MAMBO PARA ESTUDIO ...................................... DIRK FISCHER .............................. 14
SING DAMMIT! ....................................................... DIRK FISCHER .............................. 14
GUIDING STAR ...................................................... BOB FLORENCE .......................... 16
BETWEEN THE PIPES ......................................... TONY GAIRO ................................ 21
DEALINES, DISTRACTIONS & DIVERSIONS ..... TONY GAIRO ................................ 21
ELUSIVITY .............................................................. TONY GAIRO ................................ 21
POKE AND HOPE ................................................. TONY GAIRO ................................ 21
PORTRAIT OF MY WIFE ....................................... TONY GAIRO ................................ 21
REVISITED .............................................................. TONY GAIRO ................................ 21
SUPERMARKET SUSHI ......................................... TONY GAIRO ................................ 21
TREACHEROUS ..................................................... TONY GAIRO ................................ 21
A GAME OF INCHES ............................................ GORDON GOODWIN ................. 22
THE QUIET CORNER ........................................... GORDON GOODWIN ................. 22
WHAT SAMMY SAID ............................................ GORDON GOODWIN ................. 22
THE HANG ............................................................ DAVID GUIDI ................................. 22
MENTION THE EXTENSION .............................. TIM HAGANS ................................ 23
MISSED THE BALLGAME BLUES ........................ TIM HAGANS ................................ 23
ROLLIN WITH VON OHLEN ............................. TIM HAGANS ................................ 23
GROUND ZERO ..................................................... STEVE HAWK ............................... 24
ASPIRE .................................................................... RICK HIRSCH ................................ 24
ELLIES NEW GROOVE ........................................ RICK HIRSCH ................................ 24
FREE FOOD? FREE FOOD! ................................... RICK HIRSCH ................................ 24
GRACE OF A SOARING EAGLE .......................... RICK HIRSCH ................................ 24
LIFEBLOOD ........................................................... RICK HIRSCH ................................ 24
NEBULA ................................................................. RICK HIRSCH ................................ 24
SUSPENDED .......................................................... RICK HIRSCH ................................ 24
BLUE DANIEL ....................................................... BILL HOLMAN ............................. 25
WOODROW .......................................................... BILL HOLMAN ............................. 25
DANCE TO THE MUSIC ........................................ ROGER HOLMES .......................... 25
I REMEMBERYOU .................................................. ROGER HOLMES .......................... 26
ORANGE COLORED SKY .................................... ROGER HOLMES .......................... 26
THEME FROM THE FAMILY GUY ...................... ROGER HOLMES .......................... 26
THIEVES IN THE TEMPLE ................................... ROGER HOLMES .......................... 26
BOOGIE STOP SHUFFLE ...................................... ANDREW HOMZY ....................... 26
GOODBYE PORK PIE HAT .................................. ANDREW HOMZY ....................... 26
HAITIAN FIGHT SONG ........................................ ANDREW HOMZY ....................... 26
BACK IN BLUE ORLEANS ................................... LES HOOPER ................................ 26
BLEEP BLOP .......................................................... LES HOOPER ................................ 26
BLUE IN GREEN ................................................... LES HOOPER ................................ 26
COOL SCHOOL DROPOUT ................................ LES HOOPER ................................ 27
LONG INTERMISSION ......................................... LES HOOPER ................................ 27
MILES BACK .......................................................... LES HOOPER ................................ 27
NOT SO FAST ........................................................ LES HOOPER ................................ 27
SHUFFLEUPHAGASS ............................................ LES HOOPER ................................ 27
WHATS GOING ON ............................................ LES HOOPER ................................ 27
BISTRO LATINO .................................................... JEFF JARVIS .................................... 27
OUT ON THE STREET ......................................... JEFF JARVIS .................................... 28
IT ONLY HAPPENS EVERY TIME ........................ THAD JONES/MIKE CARUBIA .... 29
THREE AND ONE ................................................. THAD JONES/MIKE CARUBIA .... 29
ON THE DL ............................................................ GUS KAMBEITZ ............................ 29
(I CANT BELIEVE) I 8 DA WHOLE... ................. PHIL KELLY .................................. 30

JUAN BEATOV STOMP .......................................... PHIL KELLY .................................. 30


PLEADING DIM CAP ............................................ PHIL KELLY .................................. 30
ZIP CODE 2005 ...................................................... PHIL KELLY .................................. 30
DONNIESTEMPO ................................................ MICHAEL KOCOUR ..................... 30
ALICE BLUE GOWN ............................................ TOM KUBIS .................................... 31
BRAZILIAN DANCE OF TEH FLUGELHORN ... TOM KUBIS .................................... 31
BUCKET BRIGADE ................................................ TOM KUBIS .................................... 31
DAT DA DUT DUH ................................................ TOM KUBIS .................................... 32
MARABA ................................................................. TOM KUBIS .................................... 35
NO 3 WAYS ABOUT IT ......................................... TOM KUBIS .................................... 35
THAT WORM FEELING ........................................ TOM KUBIS .................................... 38
TWO SAMBATO GO ............................................ TOM KUBIS .................................... 38
WHISPERS ............................................................. TOM KUBIS .................................... 38
YOU CAN COUNT ON IT .................................... TOM KUBIS .................................... 38
CLOTH OF SILVER THREADS OF BLUE ............ JOHN LA BARBERA ..................... 39
FANTAZM ............................................................... JOHN LA BARBERA ..................... 39
HIGHLAND CROSSING ....................................... JOHN LA BARBERA ..................... 39
OVER F .................................................................... JOHN LA BARBERA ..................... 39
PYTHODD FELLOWS ........................................... JOHN LA BARBERA ..................... 39
YOUR OR MINE OR BLUES ................................. JOHN LA BARBERA ..................... 39
ZIN ZAK .................................................................. JOHN LA BARBERA ..................... 39
LEAP FROG ............................................................ PAUL LAVENDER ......................... 39
AN APPLE A DAY .................................................. MIKE LEWIS .................................. 40
CABIN FEVER ........................................................ MIKE LEWIS .................................. 40
SLINKY .................................................................... MIKE LEWIS .................................. 40
ASKEW ................................................................... MIKE LEWIS .................................. 40
ORION .................................................................... MIKE LEWIS .................................. 40
WHY MUSICIANS CANT DANCE ..................... MIKE LEWIS .................................. 41
BELOVEANCE ....................................................... CHRISTOPHER MADSEN ............ 41
E.V. FREE ................................................................. CHRISTOPHER MADSEN ............ 41
GIVE AND TAKE ..................................................... CHRISTOPHER MADSEN ............ 41
ILL BEYOURS ........................................................ CHRISTOPHER MADSEN ............ 41
REFLECTIONS ....................................................... CHRISTOPHER MADSEN ............ 41
NEXT SEASON ...................................................... THOMAS MATTA .......................... 43
THE INCREDIBILES .............................................. PAUL MURTHA ............................. 47
SENTIMENTAL JOURNEY .................................... PAUL MURTHA ............................. 47
SOUL MAN ............................................................ PAUL MURTHA ............................. 47
WHATD I SAY ....................................................... PAUL MURTHA ............................. 47
THE WAYYOU LOOK TONIGHT ......................... SAMMY NESTICO ........................ 51
MAKINGTHE ROUNDS ........................................ LENNIE NIEHAUS ....................... 52
NORTHWEST JOURNEY ...................................... LENNIE NIEHAUS ....................... 52
MADLY LOVINGYOU ............................................ EDWARD PARTYKA ...................... 53
SOMETIMES ........................................................... EDWARD PARTYKA ...................... 53
STOLEN BLUES ..................................................... EDWARD PARTYKA ...................... 53
TOGETHERNESS ................................................... EDWARD PARTYKA ...................... 53
TUNNELVISION ................................................... EDWARD PARTYKA ..................... 53
PORGY AND BESS MEDLEY ................................ BILL POTTS ................................... 53
HORIZON UNDER ................................................ KIM RICHMOND .......................... 54
POETRY .................................................................. KIM RICHMOND .......................... 54
BLUES-GO-ROUND ............................................... LES SABINA .................................. 54
CHILLED OUT ....................................................... LES SABINA .................................. 54
BLUES, BOOZE,ANDTATOOS ............................. BOB SENNETT ............................. 56
DARK CUSTERS ..................................................... BOB SENNETT ............................. 56
DONT LEAVE NOW ............................................ BOB SENNETT ............................. 56
UNCHARTEDTERRITORY .................................... GEORGE SHUTACK ..................... 57
PROUD MARY ........................................................ RICK STITZEL ............................... 57
BASS ON TOP WHERE PAUL LIKES IT ............. DAVE SNIDER ............................... 57
JP ............................................................................. DAVE SNIDER ............................... 57
A LITTLETASTE OF FUNK .................................. DAVE SNIDER ............................... 57
SEVEN FOR SCOTT ............................................... DAVE SNIDER ............................... 57
THINKIN BOUT MAYNARD ............................... DAVE SNIDER ............................... 58
STRAIGHT AHEAD ............................................... GEORGE STONE .......................... 58
TIME OUT .............................................................. CARL STROMMEN ....................... 59
ALL BIRDS CHILDREN ........................................ FRED STURM ................................. 59
MICHELANGELO ................................................. FRED STURM ................................. 59
MUMUKI .................................................................. FRED STURM ................................. 59
ALL OF ME ............................................................ MICHAEL SWEENEY .................. 59
PERFIDIA ................................................................ MICHAEL SWEENEY .................. 61
UNTIL I METYOU (CORNER POCKET) ............. MICHAEL SWEENEY .................. 61
I CONCENTRATE ONYOU .................................. MARKTAYLOR .............................. 62
LET THE GOOD TIMES ROLL ............................. MARKTAYLOR .............................. 63
A NIGHT IN AUGUSTA ........................................ MARKTAYLOR .............................. 63
THE RAINBOW CONNECTION ......................... MARKTAYLOR .............................. 63
SEPTEMBER ........................................................... MARKTAYLOR .............................. 64
TRIBUTETO MILES ............................................... MARKTAYLOR .............................. 64
NEXT CHAPTER ................................................... GENE THORNE ............................ 65
BIRKSWORKS ....................................................... MIKETOMARO .............................. 65
BLUES AT THE GATE ............................................ MIKETOMARO .............................. 65
BLUESETTE ............................................................ MIKETOMARO .............................. 65
FOREIGN INTRIGUE ............................................. MIKETOMARO .............................. 65
LUSH LIFE .............................................................. MIKETOMARO .............................. 65
OTHERS BROTHERS ............................................. MIKETOMARO .............................. 66
SUPERSTITION ...................................................... MIKETOMARO .............................. 66
TO NO AVAIL ......................................................... MIKETOMARO .............................. 66
TONES FOR JOANS BONES ............................... MIKETOMARO .............................. 67
COUNTTHE STARS .............................................. CHRIS WALDEN .......................... 67
FILM NOIR SUITE PART 1 .................................... CHRIS WALDEN .......................... 67
FILM NOIR SUITE PART 2 .................................... CHRIS WALDEN .......................... 67

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FILM NOIR SUITE PART 3 .................................... CHRIS WALDEN


HOME OF MY HEART .......................................... CHRIS WALDEN
HOT WHEELS JUMPIN HIGH ............................ CHRIS WALDEN
IN THE DOGHOUSE ............................................. CHRIS WALDEN
MR. J ......................................................................... CHRIS WALDEN
NITE CLUB SWING .............................................. CHRIS WALDEN
REMEMBERTOMMY .............................................. CHRIS WALDEN
SHORT PENCIL ..................................................... CHRIS WALDEN
START GROOVIN .................................................. CHRIS WALDEN

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NEW FAMOUS BIG BAND ARRANGEMENTS


TAKEYOUR TIME ................................................... CHRIS WALDEN
THIS BAND IS BOUNCIN ................................... CHRIS WALDEN
THIS IS NOT 4 U ................................................... CHRIS WALDEN
TICINO ................................................................... CHRIS WALDEN
TRY HARDER ......................................................... CHRIS WALDEN

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NEW FAMOUS BIG BAND ARRANGEMENTS


TITLE
APPLE BLOSSOM TIME
BEI MIR BIST DU SCHOEN
SKYLINER
ALL OF ME
GOIN ON
PENNIES FROM HEAVEN
RED BANK BOOGIE
ROLL EM PETE
SENTIMENTAL JOURNEY
THE MINOR GOES MUGGIN
T.D. BOOGIE WOOGIE
I SAID NO
CHRISTOPHER COLUMBUS
CLARINADE
DOWN SOUTH CAMP MEETING
JAM SESSION
LIFE GOES TO A PARTY
PAGANINI CAPRICE XXIV
WHY DONTYOU DO RIGHT
12TH STREET RAG
AUTUMN LEAVES
HOTTODDY
OL MAN RIVER
FOUR BROTHERS
HAPPINESS IS A THING CALLED JOE
B-19
CIRIBIRIBIN
DONCHA GO WAY MAD
IVE HEARD THAT SONG BEFORE
JAMES SESSION
MUSIC MAKERS
ALL AT ONCE YOU LOVE HER
CHIAPAS
EL MANISERO (PEANUT VENDOR)
MALAGUENA
PEGASUS
STREET SCENE
STRING OF PEARLS
TAKING A CHANCE ON LOVE
TIME FOR A CHANGE
YOUNGER THAN SPRINGTIME
STOP! THE RED LIGHTS ON
SYMPHONY IN RIFFS
AINT THAT A KICK IN THE HEAD
SUNRISE SERENADE
SWING LOW, SWEET CHARIOT
GRAND SLAM
PIROUETTE
AT SUNDOWN
PENNIES FROM HEAVEN

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PERFORMER
ANDREWS SISTERS
ANDREWS SISTERS
CHARLIE BARNET
COUNT BASIE
COUNT BASIE
COUNT BASIE/FRANK SINATRA
COUNT BASIE
COUNT BASIE
LES BROWN/DORIS DAY
TOMMY DORSEY
TOMMY DORSEY
ELLA FITZGERALD
BENNY GOODMAN
BENNY GOODMAN
BENNY GOODMAN
BENNY GOODMAN
BENNY GOODMAN
BENNY GOODMAN
BENNY GOODMAN/PEGGY LEE
TED HEATH
TED HEATH
TED HEATH
TED HEATH
TED HEATH
TED HEATH
HARRY JAMES
HARRY JAMES
HARRY JAMES
HARRY JAMES
HARRY JAMES
HARRY JAMES
STAN KENTON
STAN KENTON
STAN KENTON
STAN KENTON
STAN KENTON
STAN KENTON
STAN KENTON
STAN KENTON
STAN KENTON
STAN KENTON
GENE KRUPA/ANITA ODAY
GENE KRUPA
DEAN MARTIN
GLENN MILLER
GLENN MILLER
SHORTY ROGERS
SHORTY ROGERS
ARTIE SHAW
FRANK SINATRA

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TITLES LISTED BY ARRANGER


ARRANGED BY DAVID BAKER

Arranged by David Baker


Medium
$45.00
Cat: 50752
Up-tempo rock/R&B groove with interesting changes. Tenor and trombone solos.
Small group free-improvisation for trombone and trumpet.

I.U. SWING MACHINE

5M CALYPSO
Arranged by David Baker
Difficult
$62.00
Cat: SMP-272
This is one happy chart! It starts with the trombones laying down a nifty bass line,
and then a great groove with a calypso pattern. Trumpets take the melody, and
things cook on from there. Solos for piano, tenor saxophone and trumpet. This is a
great crowd-pleaser.

AUTUMNS DREAMS
Arranged by David Baker
Medium Easy
$46.00
Cat: 50757
A wistful, lyrical ballad. No soloists, all written composition. Sax doubles. 10 brass
(including tuba).

BOURNE
Arranged by David Baker
Medium Difficult
$45.00
Cat: 50750
Bebop line with extremely angular and modern sounding chart. Theme is stated in
octave line by flute, trombone and bass. Lead alto doubles flute. 10 brass.

BROTHER
Arranged by David Baker
Medium
$44.00
Cat: 50751
Medium tempo blues which builds into an outside sounding lydian section and
climaxes with an a cappella brass soli, alto, piano, trumpet and trombone solos.

CAHAPHI
Arranged by David Baker
Medium Difficult
$46.00
Cat: 50758
A modern-type tune with bi-tonals and a form that has straight combined with
Latin. Based loosely on the changes to Soon. Reminiscent of Birth of the Cool
arrangements. Solos: trumpet and tenor. No doubles. 10 brass (incl tuba).

CELEBRATION SUITE:
SUNBURST MOVEMENT I

***NEW***

Arranged by David Baker


Difficult
$67.00
Cat: SMP-761
David Bakers music is wonderful to play because of its originality and sense of
adventure. This is no exception. Written for his amazing jazz ensemble at Indiana
University, this chart, set in a fast swing tempo, just sails along at a fast clip, exciting
all who hear (or play) it. The trumpet section plays the melody in unison and things
swing on from there. There is solo space for alto, trumpet and trombone. There is
also a killer sax section soli. Your band and audiences will love this one. 5/5/5/3

LIMA BEBA SAMBA


Arranged by David Baker
Medium Difficult
$45.00
Cat: 50753
Fast Samba. Bi-tonals and unusual harmonic progressions. Lots of blowing space. 10
brass.

MIAMI SUITE: SUNFEST


Arranged by David Baker
Difficult
$46.00
Cat: 50760C
Contemporary tune. Sections as follows: (A) swing, (B) Latin, (C) modal vamp.
Melody uses 4ths and pentatonics. No doubles. 10 brass (including tuba). Solos:
trombone and trumpet.

MIAMI SUITE:TIPPIN
Arranged by David Baker
Easy
$44.00
Cat: 50760A
A 14-bar minor blues, funky melody, interesting backgrounds. No sax doubles. 10
brass (including tuba). Solos: tenor, guitar, baritone, trumpet and trombone.

PADOSPE
Arranged by David Baker
Medium Difficult
$45.00
Nice easy swing. Exciting shout chorus in brass. 10 brass.

Cat: 50754

ROLY POLY

Arranged by David Baker


Medium Difficult
$44.00
Cat: 50759A
A lilting Latin melody over an unusual form. Modal piece with a Gil Evans style
introduction in brass. Fun to play on. Alto 1 doubles soprano. 10 brass (incl tuba).
Solos for trombone and guitar.

Arranged by David Baker


Medium Difficult
$45.00
Cat: 50755
Slow 12/8 blues in the style of After Hours. Attractive mixture of laid back 12/8 feel
and an aggressive 3/4 swing. A virtuoso shout chorus in the saxes.

SHIMA 13
Arranged by David Baker
Medium
$45.00
Cat: 50756
Medium tempo Latin chart with piano and alto solos and lots of dynamic contrasts.

CELEBRATION SUITE:
A CRYSTAL TEAR MOVEMENT II
Arranged by David Baker
Difficult
$44.00
Cat: 50759B
A lush, sensual melodic ballad a la Johnny Hodges followed by a long, open
development section featuring soprano in a quasi-Coltrane section. Sax doubles. 10
brass (incl tuba). Solos for alto sax/soprano sax.

CELEBRATION SUITE:
JAM SESSION MOVEMENT III
Arranged by David Baker
Medium Difficult
$46.00
Cat: 50759C
A festive, hard-swinging blues with lots of blowing space. No doubles. 10 brass
(including tuba). Soloists: all saxes in a collective improvisation, then alto, then guitar,
then all instruments in a collective improvisation.

AN EVENING THOUGHT

FOLKLIKE

SOME LINKS FOR BROTHER TED


Arranged by David Baker
Difficult
$62.00
Cat: SMP-270
This is a great blues chart, and there are never enough of those! Lots of blowing
space for lots of players makes this a fun-filled romp through the blues. David wrote
this for his top-notch Indiana University Jazz Ensemble.

TRUCKIN
Arranged by David Baker
Medium Difficult
$46.00
Cat: 50761
A hard-swinging shuffle. Great shout chorus with virtuosic saxophone writing. No
doubles. 8 brass (no tuba). Solos for alto and trumpet.

***NEW***

Arranged by David Baker


Medium Difficult
$55.00
Cat: SMP-760
This lovely Latin piece begins quietly with piano, then brass, and leads into a warm,
lush saxophone soli. The brass quietly lead into a piano solo, alto sax solo and then
a baritone sax solo. The ending is quiet, soulful and beautiful. Brass ranges are quite
modest and the tempo is easy to play for most bands. 5/5/5/3

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

ARRANGED BY STAN BANN


CHANGE OF HEART
Arranged by Stan Bann
Difficult
$45.00
Cat: 55329
Haunting ballad featuring lush woodwind and trombone support of flugelhorn
soloist. Meter shifts between 3/4 and 4/4. Five trombones are strongly recommended
and a strong bass trombone foundation is necessary. This piece stresses ensemble
and sensitivity in rich voicings. There are sax doubles.

FACADE
Arranged by Stan Bann
Medium
$45.00
Cat: 55327
A straight ahead, slightly modal chart with a strong melody and a Woody Herman
feel. Predominantly sectional voices. Brief solo space for trumpet and guitar.

GOOD INTENTIONS
Arranged by Stan Bann
Medium Difficult
$50.00
Cat: 55325
A brisk Latin original with a melody that will stay with the audience long after the
performance. They will leave humming this one. Features tenor solo, extensive use of
flutes (all saxes double flute except baritone) and harmon mutes.

LOVE ALWAYS
Arranged by Stan Bann
Medium Difficult
$45.00
Cat: 55328
Opening with piano and flugelhorn statement, this chart moves through double
time rock and swing sections before returning to the original ballad. Tenor solos over
the rock section while the swing section features trombone. Brief interlude features
drum solo in time over clustered pad.

RAINSILK
Arranged by Stan Bann
Medium Difficult
$50.00
Cat: 55326
Double time Latin with strong contrapuntal lines in the A section. Some triple vs.
double rhythms just to keep things interesting. Solo space for flugelhorn, drums, and
a conversation between trombone 1 and 2. Flute doubles and baritone sax doubles
bass clarinet.

ARRANGED BY DOUG BEACH


BIG CAT GROOVE
Arranged by Doug Beach
Easy
$42.00
Cat: 42030
This serves equally well as a concert opener or closer and will teach and/or reinforce
basic swing rhythms every jazz musician should know. The easy-to-hear solo changes
will give students the opportunity to work on improvising. Written or ad lib solos for
all rhythm section parts notated with chords cued. Playable by 12-17 pieces.

BLUES OF A DIFFERENT COLOR


Arranged by Doug Beach and George Shutack
Medium Easy
$42.00
Cat: 42443
This medium easy swing original from the Doug Beach Music catalog features a solid
groove and wonderful ensemble work essential to the mastery of the jazz language.
This minor blues offers an open solo section for anyone in the ensemble.

BLUESIN WITH BRADLEY


Arranged by Doug Beach
Medium Easy
$42.00
Cat: 42445
The charts that have been commissioned in recent years by noted jazz educator
John Bradley have proven to be very popular. Bluesin With Bradley should prove to
be no exception. Plenty of ensemble work is contrasted with flowing melodic lines to
create this exciting swing blues chart. All solos contain a written solo and rhythm
section parts are completely notated. A great opener or closer.

CALL NOW TO ORDER! 1-518-587-1102

TITLES LISTED BY ARRANGER


CENTER LINE
Arranged by Doug Beach
Medium Easy
$42.00
Cat: 42465
Rich in teaching opportunities, this energetic medium easy chart can be played in
either the swing or shuffle styles. Suitable for an opener or closer, the solid ensemble
writings create a big sound while observing the moderate brass range requirements
of the series. While sample solos are provided, an open solo section allows the
chance for additional solo opportunities.

CONNECTING WITH THE BLUES


Arranged by Doug Beach
Easy
$42.00
Cat: 42064
Written for 12-17 players, this new Beach original provides young jazz bands with
an excellent introduction to the all-important blues form. Crisp articulations,
fundamental swing rhythms, and an open solo section in F concert with cued
backgrounds are highlights. A sheet with written solo lines for all instruments
supplements each set.

EL CENTRO
Arranged by Doug Beach
Medium
$42.00
Cat: 43162
This Salsa chart is an electrifying addition to the Doug Beach catalog. Commissioned
by Robert Blazeks Youth Jazz Ensemble of DuPage, Illinois, the fiery rhythm section
groove provides the foundation for strong sax and brass lines.

ESCAPE ROUTE
Arranged by Doug Beach
Easy
$42.00
Cat: 42105
This straight-ahead minor blues is a rewarding journey in the swing idiom. Students
should play with a solid sense of time and pay close attention to articulations for
best results. Written lines are provided for the open solo section if players lack
improvisation experience, and the chart features a strong finish.

FIRST LIGHT
Arranged by Doug Beach
Easy
$38.00
Cat: 42117
A pensive melody and rich harmonies blend perfectly in this straight-8ths ballad for
young bands. It builds gradually, starting with piano only in the first four bars, adding
solo trumpet in m.5 and just about everyone else by m.16. All solo lines are entirely
written, and its playable by bands ranging in size from 12 to 17 pieces.

GUMBO CALIENTE
Arranged by Doug Beach
Easy
$42.00
Cat: 42167
All of the ingredients for a hot gumbo are present in this sizzling new Latin composition
playable by 12-17 pieces. The strong rhythm groove is the foundation for a perfect
blend of melody, Latin rhythms, an open solo section, and the roaring ensemble work.
Stir all of the above, bring to a strong simmer, and serve HOT!

I GOT CHILI PEPPER


Arranged by Doug Beach
Medium Easy
$42.00
Cat: 42603
The famous Chili Pepper saga continues! Based on rhythm changes, this spicy Latin
adventure features an open solo section, a unique ensemble response, and a strong
finish. Crisp horn articulations and a solid groove are essential.

LIL LIZA JANE


Arranged by Doug Beach and George Shutack
Medium
$42.00
Cat: 43264
Dedicated to and recorded by trumpeter Nicholas Payton on Gumbo Nouveau,
this familiar melody takes on new life in this refreshing swing treatment by Doug
Beach and George Shutack. Scored at the medium level, the rhythmic and harmonic
twists in this arrangement complement the hard-driving groove.

OR ORDER BY FAX: 1-518-587-2325

TITLES LISTED BY ARRANGER


MARGIN OF ERROR
Arranged by Doug Beach and George Shutack
Easy
$42.00
Cat: 41890
The first title in the new Jazz Foundations Series, Margin Of Error is a solid rock
chart at the very easy level that will provide young musicians with the essential jazz
foundation to move on to more advanced literature. The solid voicings insure that
any size group will sound big and full. Playable with any combination of four or more
horns plus rhythm. Optional parts are included for flute, clarinet, and french horn.
Standard instrumentation, plus optional flute and horn in F.

TRANQUILLO
Arranged by Doug Beach
Medium Easy
$38.00
Cat: 42905
This delightful, medium easy Bossa Nova original provides a wonderful alternative to
the standard ballad. The flowing melody and rich voicing create a perfect showcase
for either flugelhorn or alto saxophone.

TRUMPETS OUT FRONT


Arranged by Doug Beach
Medium Easy
$42.00
Cat: 42909
The title says it all! This catchy, hard-swinging trumpet section feature at the
medium easy level will provide excitement for any concert setting.

TWO WAY STREET

MISSING TOOTH
Arranged by Doug Beach
Medium Difficult
$48.00
Cat: 43275
This heartfelt tribute to Frank Mantooth is an excellent programming choice for
medium advanced groups. It is, without a doubt, one of Dougs finest charts consisting of great ensemble writing, strong swing figures, an open solo section, and
a roaring shout chorus.

OFF THE RECORD


Arranged by Doug Beach and George Shutack
Easy
$42.00
Cat: 41910
This very easy swing chart provides young musicians with the necessary background
to move on to more advanced literature. This chart utilizes fundamental swing
figures and is playable by any combination of four or more horns and rhythm.
Optional parts are also included for flute, clarinet and horn in F. Two sample solos
transposed for any instrument are provided in each set. Written or ad lib solos for
all rhythm section parts.

THE RED BANK EXPRESS


Arranged by Doug Beach
Medium Easy
$42.00
Cat: 42795
Written in the style of the great Count Basie Orchestra and titled in reference to
Basies birthplace of Red Bank, NJ, this swingin original features plenty of great
ensemble work and an open section for improvised solos (written lines provided).
Highlights include a sax soli, shout chorus, and a Basie piano signature just before
the final chords.

SOUTH SIDE BLUES


Arranged by Doug Beach
Medium Easy
$42.00
Cat: 42453
This medium easy original is a straight-ahead swing chart commissioned by noted
jazz educator Dr. John Bradley. A strong melody, sax soli, brass soli, open solo section,
and a burning shout chorus make this an ideal choice for opening or closing your
concert program.

SWEET AND SASSY

***NEW***

Arranged by Doug Beach and George Shutack


Easy
$42.00
Cat: 41930
With swinging rhythm throughout the chart, Sweet & Sassy lives up to its name.
Features include a solid bass line, an infectious melody, and swinging ensemble figures.
Approachable by very easy level groups, this chart will be popular with more
experienced groups as well. As with all charts in this series, it provides the director
with an almost unlimited number of instrumentation options. The music is scored
for four horn parts, with the instruments assigned to parts based upon range and
voicing considerations. With each of the four parts assigned, the chart will sound full
and complete. The director may then add as many horns as desired past the initial
four as long as some effort is made to retain a reasonable balance. Optional parts are
included for flute, clarinet, and french horn. Two sample solos are provided for all
instruments, but players should be encouraged to step away from the written solos.

THATS NOT MY DOG


Arranged by Doug Beach and George Shutack
Easy
$42.00
Cat: 41940
This medium swing chart at the very easy level pays tribute to the great Peter Sellers
and The Pink Panther series. The solid groove and use of fundamental swing figures
make this a wonderful teaching vehicle for younger jazz musicians as they encounter
patterns and concepts that are the building blocks of the jazz idiom. Charts from
this series are playable by as few as four horns and rhythm, and are expandable to
full big band instrumentation. Optional parts are provided for flute, clarinet, and
horn in F. Written or ad lib solos for all rhythm section parts.

***NEW***

Arranged by Doug Beach


Medium Easy
$42.00
Cat: 42945
A frontline of trumpet, trombone, and tenor saxophone deftly navigates the turns
of this medium easy level chart. With a minor melody and very hip harmonies, this
arrangement is sure to be a hit with students and audiences alike. If youre looking
for an up-tempo swing tune with attitude, look no further!

ARRANGED BY LOUIE BELLSON


BASSICALLY BOSSA
Arranged by Louie Bellson
Medium Difficult
$36.00
Bossa Nova. Alto and trumpet are featured.

Cat: CLBA039233800

CRYSTALS
Arranged by Louie Bellson
Medium Difficult
Ballad. Alto feature.

$31.00

Cat: CLBA039038600

Arranged by Louie Bellson


Medium Difficult
$40.00
Moderately fast Samba. Trumpet solo.

Cat: CLBA039220500

SINGIN SAMBA

SMOOTH TOUCH
Arranged by Louie Bellson
Medium Difficult
$31.00
Bossa Nova. Features piano and tenor solos.

Cat: CLBA039038500

TIME IS RIGHT
Arranged by Louie Bellson
Medium Difficult
Medium-up swing. Trumpet solo.

$31.00

Cat: CLBA039038700

UNTITLED WALTZ
Arranged by Louie Bellson
Medium Difficult
$34.00
Up-tempo jazz waltz, features alto and trumpet.

Cat: CLBA039223200

ARRANGED BY SHELLY BERG


BLUE GENES
Arranged by Shelly Berg
Difficult
$42.00
12/8 funk featuring trombones. Exciting contrapuntal shout.

Cat: 54550

BLUESBERRY JUICE
Arranged by Shelly Berg
Medium Difficult
$39.00
Cat: 54551
Speedy 12-bar blues. Exciting sax soli and full brass soli without rhythm.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

C.P. SAMBA
Arranged by Shelly Berg
Medium Difficult
$55.00
Cat: 54563
As performed by Bill Watrous. Relaxed Samba features trombone or piano. Lovely
melody and changes. Fun and challenging sax soli. Lots of solo space.

TITLES LISTED BY ARRANGER


ARRANGED BY DAVID BERGER
BUSY WOMAN BLUES

DEEDLE DEEDLE

[VOCAL]

Arranged by Shelly Berg


Medium Difficult
$60.00
Cat: 54562
As performed by Bill Watrous Wildlife West. This bright swing is based on I Got
Rhythm changes. Great melody! Sax soli, exciting shout trades fours with drummer.
Solo space.

Arranged by David Berger


Medium
$38.00
Cat: SCM-020
This swinging blues arrangement is from Duke Ellington expert Dave Berger. Written
for Daves Sultans of Swing band, Busy Woman Blues captures the essence of the
blues that allows for individual vocal interpretation by your male or female vocalist.

FOR JR

JOURNAL SQUARE

Arranged by Shelly Berg


Difficult
$50.00
Cat: 54565
Composed in tribute to pioneering jazz educator, J. Richard Dunscomb, For JR is
alternately beautiful and exciting. The style is straight eighth, with a warm main
theme featuring piano, then soprano sax. The orchestration is colorful and lush. The
contrasting section is a 7/4 cascara! The cascara section has excitement and climaxes
into the piece, and is also a solo vehicle for alto sax. Some sax doubles.

Arranged by David Berger


Medium
$42.00
Cat: 61385
This straight ahead shuffle in the tradition of Duke Ellingtons train songs will be a
welcome addition to advancing big band literature, and is also appropriate for
professional bands as well. Berger used it as his bands opener for many years.
Conceived by the composer while riding home on the Journal Square train, it
features a 12-bar minor form and has plenty of opportunities to open things up for
solos. A guitar chord chart by Jim Greeson is included in each set.

FORWARD MO
Arranged by Shelly Berg
Difficult
$48.00
Cat: 3239
Commissioned for the 2004 Missouri All-State Jazz Ensemble, this chart has a lyrical
theme with interspersed partito alto sections to add excitement. The rhythm parts
are notated throughout to demonstrate the Brazilian Samba style.

GRAPPLE WITH THE APPLE


Arranged by Shelly Berg
Difficult
$53.00
Cat: 54552
Tune based on Honeysuckle Rose. Trio of trumpet, tenor, and trombone.

JO
Arranged by Shelly Berg
Medium Difficult
$42.00
Cat: 54554
Funk-shuffle featuring alto sax, a la David Sanborn. Relaxed groove.

MAN TUNA
Arranged by Shelly Berg
Difficult
$45.00
Cat: 54553
Authentic salsa groove. Unusual montuno played by the brass section.

SKIP TOO, MY LOU


Arranged by Shelly Berg
Difficult
$53.00
Cat: 54557
Great ensemble writing. Medium groove swinger featuring the bass.

SOLEMN DESTINY
Arranged by Shelly Berg
Medium Difficult
$37.00
Cat: 54558
Haunting ballad for solo trombone. Composed for Bill Watrous. Some sax doubles.

ARRANGED BY ANDREW BISHOP


FUNERAL MUSIC FOR
JOBIM AND PIAZZOLLA
Arranged by Andrew Bishop
Medium Difficult
$55.00
Cat: 51825
This work was commissioned to celebrate the 25th Anniversary of the Wichita Jazz
Festival and was conceived as a piece that shifts between Bossa Nova and tango.
Harmonically it mines Chopin's Prelude in E minor, op. 28, no. 4--a chord progression
used by both Jobim and Piazzolla--and the title suggests a connection to Beethoven.
The prevailing texture is contrapuntal in the spirit of Renaissance vocal music along
with several other reworked conventions of Western concert music. It is conceived
and written as a trombone feature, but additional solo parts are provided for B-flat,
E-flat and other concert key instruments making this an ideal feature for guest
artists and soloists ranging from flugelhorn, guitar, or even violin. The chord changes
are fairly simple but require the soloist to adapt through form and feel shifts. Easy to
moderate ranges for all wind instruments.

MORE THAN SUGAR


Arranged by Andrew Bishop
Medium Difficult
$55.00
Cat: 51826
The title and tempo marking "apocalyptic rhumba" (medium) are reverence to
Cuban music--though it is composed more in the spirit of John Coltrane and Elvin
Jones rather than traditional guaguanco. The chord changes are fairly straight
forward even though they require the soloist to adapt form and tempo--a layering
modal pyramid for the tenor and drums to drive the soloists to the fine. The ranges
are moderate-to-difficult with some ossia for trumpet 1.

ARRANGED BY MIKE CARUBIA

SPLICE OF NICE
Arranged by Shelly Berg
Difficult
$45.00
Features alto sax and flugelhorn. Nice, easy-feeling funk shuffle.

Cat: 54559

TURN OUT THE STARS


Arranged by Shelly Berg
Medium
$30.00
Cat: 54561
Acapella setting of Bill Evans timeless ballad. Contrast piece. No piano or Drums.

THE WILL
Arranged by Shelly Berg
Medium Difficult
$55.00
Cat: 54564
As played by the Bill Watrous Big Band. This is a medium, in-the-pocket, swing tune
featuring piano. The sax soli is challenging, but well worth the effort, and the shout
chorus will bring the audience to its feet. Also a great trading section of unison lines
for the trumpets and trombones. The chord progression is Rhythm changes in Ab.

CALL NOW TO ORDER! 1-518-587-1102

AS TIME GOES BY

[VOCAL]

Arranged by Mike Carubia


Medium
$50.00
Cat: WBJE9419
As good a torch song as ever written, and now available for vocal group (SATB or
SSAA) with jazz ensemble. Can be used as a vocal solo also. Either way, its great
music! Good voice leading in the vocal parts, and the band has background figures
that are just right. The band gets a chance to blow in its own right, too. Key of C.

AT LAST

[VOCAL]

Arranged by Mike Carubia


Medium Difficult
$50.00
Cat: JEV9601
A classic tune in an arrangement for four vocalists with big band. It the style of the
great bands, this chart contains lush, thick four part vocal writing, but it is very
singable.Your vocalist also will get a chance to scat during the tune. Solo opportunities
for the tenor, and alto singer. Key of G to Ab.

OR ORDER BY FAX: 1-518-587-2325

TITLES LISTED BY ARRANGER


BLUE MOON

[VOCAL]

Arranged by Mike Carubia


Medium
$50.00
Cat: JEV9503
Take a nice standard, add a Mike Carubia arrangement, and it turns to magic! This
one features a vocal soloist or quartet (SATB or SSAA) with big band and has all of
those big sounds everyone likes. Nice voice leadings and a Bossa interlude for a
change of pace. Great for programming! Key of C (goes to Eb near end).

FUNKY JEANS
Arranged by Mike Carubia
Medium Difficult
$38.00
Cat: SCM-015
Funky Jeans is a funk style blues in C. Written in a Thad Jones style, this original tune
features some creative ensemble writing and sounds more difficult than it is to play.
The funky groove will make this an instant hit. (Scored to sound complete with 4-3-2-3).

ILL NEVER SMILE AGAIN/DREAM

[VOCAL]

Arranged by Mike Carubia


Medium Easy
$45.00
Cat: JEVM00005
These two gorgeous tunes, arranged with a mellow Bossa-Nova groove, are perfect
for a vocal treatment-smooth, very singable lines, modest ranges and well-known
melodies. Concert, show, festival, dance-you name it, this chart is right for every
performance setting. Mike Carubia arranged this chart with instrumental parts that
are a breeze with a few background solos supporting the vocal. Written for a vocal
quartet or a solo vocal, this is a must-have arrangement! Key of C going to Ab.

IT DONT MEAN A THING


(IF IT AINT GOT THAT SWING)

[VOCAL]

Arranged by Mike Carubia


Medium
$50.00
Cat: JEV9505
More Duke Ellington magic! This chart sells itself... the vocal group is just the frosting
on the cake. The voice leadings are good and the band cooks along well. Look at this
one! (2:36) Key of D minor.

JUST HAVIN A GOOD TIME


Arranged by Mike Carubia
Medium Easy
$38.00
Cat: SCM-007
This happy shuffle/swing is the least difficult in the series. Solos are played over F7 &
Eb7 so almost anyone can try improvising on this one. As always, playable with less
than a full band with lots of unison and block ensemble chords. High school and Jr.
high students can handle this one on short notice. Its simple, but it swings! (Scored
to sound complete with 4-3-2-3).

LIL BASIE
Arranged by Mike Carubia
Medium Easy
$40.00
Cat: SCM-028
Has the feel of Lil Darlin but quite different melodically and harmonically. Piano solo
in the middle and a nice shout section at the end. Easy to play and very smooth.

CHAOS THEORY

***NEW***

Arranged by Dan Cavanagh


Difficult
$55.00
Cat: 50573
Up-tempo Swing. This driving, exciting piece explores changes from stability to
instability and back to stability again. Quick, explosive motifs in the beginning of the
piece give way to a developing ocatonic (half-whole) melody. A lush trombone solo
out of time gives way to percoLating backgrounds that build over time. Solo space
for tenor sax comes next with a much more aggressive character. The piece ends
with a solo contemplative piano drawn from ideas found earlier in the piece.

HAVING BUILT IN DEEPER WATER ***NEW***


Arranged by Dan Cavanagh
Medium Difficult
$55.00
Cat: 50571
Medium tempo, straight eights in 3/4. Woodwind doubles (clarinet/bass clarinet).
One of Dan's most popular (and most performed) pieces! Starting off with pedal
point C in the bass, this lush piece develops organically over time, presenting evolving
representations of the same initial idea. Substantial solo space for the soprano sax
and guitar and a nice overall shape to this piece make it an ideal program complement
to straight-ahead swing pieces.

NORTH SOUTH

***NEW***

Arranged by Dan Cavanagh


Medium
$55.00
Cat: 50575
Straight eighths, medium tempo. Commissioned by saxophonist Dave Camwell, this
piece features your soprano soxophonist. Starting with melodic ideas on solo soprano
in the lush key of concert Gb, the band sneaks in to complement. Sweeping dynamic
gestures push the tune into a new key area. The tune quickly drops back down. The
modal solo section features beautiful backgrounds bubbling up from the surface,
leading towards a dramatic push to the end of the piece.

PHASE SPACE

***NEW***

Arranged by Dan Cavanagh


Medium
$55.00
Cat: 50572
Relaxed Swing in 3/4. Phase Space is set in a relaxed mood with the melody first
outlined by the lead trombone. Solo space for trumpet or trombone comes first
after the melody with backgrounds sneaking in on the second chorus. Piano is
allowed another solo with optional repeats. The piece ends with piano trio simply
stating the melody.

SPLIT-ROCK

***NEW***

Arranged by Dan Cavanagh


Difficult
$55.00
Cat: 50570
Up-tempo swing. This high-energy big band piece starts off with a full ensemble
shout and drops its energy down into a short piano solo. The band then enters with
fragments of the main melody, using bold dynamic gestures and sharp attacks to
highlight drum work. After a large build-up and statement of the tune, a tenor solo
ensues with plenty of space and well-integrated backgrounds. Next comes an open
drum solo after which the melody returns. This piece ends with a final burst of
energy making it a great closer.

ARRANGED BY JIM CIFELLI

WALKIN & TALKIN


Arranged by Mike Carubia
Medium Easy
$38.00
Cat: SCM-023
A real crowd-pleaser at an easy level. Kids love it too. A real winner!

ARRANGED BY DAN CAVANAGH


BLACK RATTLE

***NEW***

Arranged by Dan Cavanagh


Difficult
$65.00
Cat: 50574
Lengthy (~9:30). Up-tempo driving ECM feel/free. Rhodes piano (opt. piano).
Woodwind doubles (soprano sax, clarinet/bass clarinet). Premiered at the IAJE
conference in 2005, Black Rattle utilizes a follow the leader concept. Bass trombone
is the first leader: the other instruments begin their parts after the bass bone and try
to catch up. Trumpet takes over and leads the ensemble through more leader/
follower moments. The tune then counts off into an aggressive, driving melody
leading to a modal trumpet solo. The backgrounds reprise earlier material, but end
up pushing towards another leader/follower section featuring your drummer.

10

NOT QUITE BRAZIL

***NEW***

Arranged by Jim Cifelli


Difficult
$55.00
Cat: 51040
Contemporary jazz Samba that offers solo space for baritone sax, flute, trumpet,
piano and drums. The chord changes for both the melody and the blowing sections
are inspired by Herbie Hancock's Cantaloupe Island. Halfway through the chart
the 4/4 Samba gives way to a 6/4 groove that accompanies the trumpet and piano
solos. A tutti ensemble section brings the chart full circle back to 4/4 for a reprise of
the melody. 5 reeds: alto 1 doubles on flute, trumpet 1 to high f#.

ARRANGED BY MATT CLANCY


THAT CAT

***NEW***

Arrnaged by Matt Clancy


Medium Easy
$38.00
Cat: SCM-031
This Bossa Nova/Swing is easy to play and sounds great. Matt is a composer who
teaches at the middle school level in Vermont. Great for your young band. Scored for
full band but will sound complete with 4/3/2/3.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

ARRANGED BY JOHN CLAYTON


BAGS GROOVE
Arranged by John Clayton
Difficult
$60.00
Cat: 7010754
Johns arrangement of this jazz classic was written specifically to feature Milt Jackson
with the Clayton-Hamilton Jazz Orchestra; however, just about any instrument can
play the head at the beginning of the chart. Shout chorus at the end is a standout!

DAY BY DAY
Arranged by John Clayton
Medium Difficult
$60.00
Cat: 7010752
John Claytons fierce, swinging arrangement of this familiar standard is written as a
solo vehicle for tenor sax. Marvelously crafted in a kind of call and response form
between tenor and band.

EVIDENCE
Arranged by John Clayton
Difficult
$60.00
Cat: 701096
Monk was a master of composing unconventional and angular melodic lines. John
Clayton provides a jagged yet stimuLating chart that features dueling trumpets and
an exciting full band shout chorus. From the recording Explosive! - Milt Jackson
Meets The Clayton-Hamilton Jazz Orchestra.

FOR ALL WE KNOW


Arranged by John Clayton
Medium Difficult
$60.00
Cat: 7010965
Recorded by The Clayton-Hamilton Jazz Orchestra on their CD Absolutely! this
light Latin setting opens with a unique intro featuring guitar and arco bass. What
follows is a lush ensemble statement with drums playing on brushes leading to an
extended solo section for piano.

GROOVE SHOP
Arranged by John Clayton
Difficult
$60.00
Cat: 7010959
This John Clayton original from the CD Groove Shop explodes into a medium swing
groove, then features a small group (soprano, tenor, trumpet and trombone) on the
first go-round of the tune. The saxes have a soli feature and the entire ensemble
helps deliver the powerful shout. Includes solos for trumpet and piano.

THE JAZZ CALLING


Arranged by John Clayton
Difficult
$60.00
Cat: 7011111
This monster chart from John Clayton was written specifically for his clinic
presentation at the IAJE convention where it was rehearsed and premiered in
January 2005. After the rhythm section sets the tone, the trumpets state the first
calling then pass it along to the rest of the ensemble. This amazing composition
grows organically throughout as tension and release points are explored and the
final climax is realized through a layering effect from section to section.

SILVER CELEBRATION
Arranged by John Clayton
Difficult
$60.00
Cat: 7011147
In honor of Horace Silvers 75th birthday, John Clayton serves up this special
celebration of swing. The opening statement by trumpet and tenor is balanced
nicely with full ensemble backgrounds. In the airy middle section of this uniquely
crafted chart, the rhythm section loosens up a bit and solos are offered for trombone
and drums. The groove then returns and churns all the way to the finish.

SQUATTY ROO

***NEW***

Arranged by John Clayton


Advanced
$60.00
Cat: 7011139
Written for the Ellington orchestra by saxophonist Johnny Hodges, this catchy riffbased tune swings hard from beginning to end. After the hard-hitting opening, solos
are exchanged by tenor, trombone, trumpet and piano. In typical Clayton-Hamilton
fashion, the piece roars to an exhilarating full tilt finish!

CALL NOW TO ORDER! 1-518-587-1102

TITLES LISTED BY ARRANGER


ARRANGED BY CHRIS CULVER
MONGOS MOOD
Arranged by Chris Culver
Medium Difficult
$38.00
Cat: SCM-019
Mongos Mood is a hip Samba with firm roots in both the blues and salsa. Chris has
done a great job in keeping this at a reasonable playing level while still being quite hip.
This one should fit perfectly into your balanced programming format.

ARRANGED BY BOB CURNOW


ANOTHER LIFE
Arranged by Bob Curnow
Medium Difficult
$59.00
Cat: SMP-219
Bob Curnow is very well known for his wonderful arrangements of Methenys music,
and this chart will only enhance that reputation. This is another superb ballad, very
much in the Metheny mode. It is scored to feature flugelhorn throughout, but there
are optional solo parts for alto sax or guitar available also. Pats recorded solo has
been transcribed, and it is included. (optional 10 brass parts available).

CHILDREN OF THE SUN


Arranged by Bob Curnow
Medium Difficult
$59.00
Cat: SMP-112
This is a completely re-composed and re-notated (in Finale) version of a piece that
has been in the catalog for a while. It has a Latin / fusion feel reminiscent of some
early Freddie Hubbard tunes. Solo space is provided for alto sax and trumpet. The
shout chorus which follows the solos is very exciting, and then the piece ends
quietly after returning to the main theme. All ranges are very reasonable, and the
chart should be playable by even young bands.

FOR THE LIL ONES

***NEW***

Arranged by Bob Curnow


Medium
$55.00
Cat: SMP-756
Here is a wonderful Basie-ish chart with a catchy melody set in an easy-swing
tempo. Curnow has created a laid-back, swinging chart very much in the style of
Sammy Nestico and others who wrote for the amazing Basie Band. Solo space for
alto saxophone, swinging ensembles, moderate ranges and a cute ending make this
a terrific piece to program for players of all levels. 5/4/4/4

HERES THAT RAINY DAY


Arranged by Bob Curnow
Medium Easy
$32.00
Cat: SMP-126
This is, unquestionably, one of the most beautiful ballads ever written. And this
arrangement really takes advantage of the richness of the Kenton Sound. This chart
captures that wonderful feeling of warmth and power without high trumpet parts
or extra demanding dynamics. A great choice for festivals. (8 brass) Full score.

ILL BE SEEING YOU


Arranged by Bob Curnow
Medium Difficult
$47.00
Cat: SMP-211
This was originally arranged as a vocal chart and has been published to also feature
vocal or any one of a number of soloists (your choice). It is a lush ballad, full of rich,
warm textures of the trombone section and saxophones. There is also a harmonmuted trumpet solo behind the gorgeous trombone soli on the 2nd chorus. This is
the melody that is loved, and it makes a great program choice.

MOUNTAIN GREENERY (NONET)

***NEW***

Arranged by Bob Curnow


Medium
$49.00
Cat: SMP-754
Bob Curnow has created a wonderful nonet chart (6 horns, 3 rhythm) on this great
Rodgers & Hart tune. The medium-swing setting features solo space for alto, tenor,
flugelhorn, trombone, piano and drums. This is a great chart to do on a big band
concert to rest the band and feature your soloists. This is very much patterned after
the wonderful things Shorty Rogers wrote for this instrumentation (alto, tenor,
baritone saxes, 2 flugelhorns, trombone, piano, bass, drums).

OR ORDER BY FAX: 1-518-587-2325

11

TITLES LISTED BY ARRANGER

ALMA LLANERA

OBLIVION
Arranged by Bob Curnow
Medium
$49.00
Cat: SMP-935
Piazzolla wrote many beautiful melodies, and this one is perhaps the most haunting.
This is a flugelhorn solo throughout, with very reasonable ranges for all. This is one
of those rare charts that is easy to play. Piazzollas music is very popular, and this
chart will thrill your band and your audience - guaranteed!

A PLACE IN THE WORLD

***NEW***

Arranged by Bob Curnow


Medium Difficult
$67.00
Cat: SMP-218
This piece was originally recorded on Speaking of Now, and it is scored to feature
solo space for alto saxophone and trumpet. Modest ranges (tpt. high D only) make
this a very playable chart in a medium Latin setting. 5/4/4/4 (opt. 10 brass parts).

PROMISE OF DREAMS
Arranged by Bob Curnow
Medium
$49.00
Cat: SMP-101
This piece has been in the catalog for a while, but it has been totally recomposed
and notated in Finale. It now comes with a full score (and parts). It was written for
Stan Kenton, and it features a written piano solo throughout the piece. This is a slow
ballad, written in the Kenton tradition. If youre looking for a piano feature in ballad
style, this will work very well for you. 5-5-5-4 (can be played by only 8 brass)

RIVERDANCE
Arranged by Bob Curnow
Difficult
$92.00
Cat: SMP-207
The chart everyone has been waiting for! Eight minutes of amazing, dynamic, exciting
sounds! It is, of course, based on the centerpiece of the wildly popular show.
Everytime this chart was performed in live concerts in Germany (and elsewhere),
the audience just erupted with applause and standing ovations. This isnt an easy
chart to play, but it is well worth the effort. All ranges are fairly reasonable, with the
1st trumpet part topping out at a written high E. This is recorded on the highly
acclaimed CD Towednack by Bob Curnow and the SWR Big Band.

SWEETLUMPS

***NEW***

Arranged by Bob Curnow


Medium Difficult
$37.00
Cat: SMP-104
This is a new edition of this lovely Bossa Nova tune. Flugelhorns are used to create
a warm, lush, lyrical melody that floats in and out of various counter lines. There is a
tenor sax solo which is followed by a marvelous full ensemble passage. The melody
returns and takes things out to the end. Very reasonable ranges (1st tpt. high Db
only) and rhythms make this very playable by most bands. 5/4/4/4

SWORD
Arranged by Bob Curnow
Medium Difficult
$52.00
Cat: SMP-216
Here is a most unusual chart, set in a Celtic style, with shades of bag pipes and
Scottish overtones. It is an extremely clever piece that opens and closes with the
celtic sounds and has a roaring, swinging ensemble section in the middle. There is also
room for a tenor sax solo. If youre looking for something very fresh and different to
program, this is the chart! 5-5-5-4 (can be played by only 8 brass)

VIDA DE SUENO

***NEW***

Arranged by Bob Curnow


Medium
$55.00
Cat: SMP-757
This is a gorgeous feature for tenor saxophone (there is also a piano solo). Sensual
and lush. Set in a slow Bossa Nova style, this lyrical piece will please your players and
audiences alike. Very modest brass ranges (high D for tpt. 1) and easy rhythms make
this chart very playable for just about any band. 5/4/4/4 (Opt. 10 brass)

WRITERS CRAMP

***NEW***

Arranged by Bob Curnow


Medium Difficult
$39.00
Cat: SMP-102
This is a new edition of this trombone section feature. It is available with a full score
for the first time. It has also been edited to allow for performance by 8 brass as well
as 10. There is solo space for trumpet, and the rhythm section starts things off. This
is a happy, swinging chart with lots of full ensemble passages that really roar. Youll
enjoy having a full score. 5/5/5/3 (can be played with only 8 brass)

12

ARRANGED BY PAQUITO DRIVERA


Arranged by Paquito DRivera
Medium Difficult
$70.00
Cat: 32M-1001
Folk song from Venezuela. 3/4 style (6/8 feel). Open solo section.

CHUCHO
Arranged by Paquito DRivera
Medium Difficult
$70.00
Mambo. Open solo section.

Cat: 32M-1002

I REMEMBER DIZ
Arranged by Paquito DRivera
Medium Difficult
$70.00
Cat: 32M-1003
Slow Bossa. Solos for clarinet and trumpet. Note: instrumentation for brass are three
trumpets and three trombones.

ARRANGED BY MIKE DANA


53RD STREET SHLIDE
Arranged by Mike Dana
Easy
$55.00
Cat: 55338
This medium-tempo (mm=128) Bb blues shuffle is a great opener for your young
band. Solo changes are included for alto, tenor, trumpet, a d trombone, and can be
opened up to feature any other soloist. Ranges: trumpet 1 to G, trombone 1 to F.
Notated piano voicings and bass lines are provided, along with chord symbols.

ABYSSINIA (I'LL BE SEEIN' YA)

***NEW***

Arranged by Mike Dana


Medium
$55.00
Cat: 55344
Here's a medium up-tempo modal chart that your band (and audience) will really
enjoy. A contemporary head sits on top of an ostinato in open fifths, while the
drummer keeps things energized with Elvin-ish time. Solos for tenor or trumpet; can
be opened up. Very reasonalble brass ranges are used. Suggested piano voicings and
bass lines (also with chord symbols) are provided.

BOB SAGET!

***NEW***

Arranged by Mike Dana


Medium Easy
$50.00
Cat: 55345
Once in a while a chart comes along that just makes you ask "why?" This is that
chart. This medium-up blues swings from start to finish. The sax riff at the beginning
will make you want to sing "Bob Saget" out loud. By the end of the chart, you'll be
doing exactly that. Solos for alto, tenor, or trumpet; moderate brass ranges (bones
to F, lead brumpet occasional Bbs.) Suggested piano voicings and fully notated bass
lines (also with chord symbols) are provided.

CONFLUENTIAL
Arranged by Mike Dana
Medium Difficult
$55.00
Cat: 55335
This burning contemporary original will be an audience-pleasing opener or festival
chart, and your band will dig it too. It's a 12 bar (but not a blues) form in C minor.
The melody is stated by a trio of alto, trumpet, and tenor (all are featured on solos
as well). An extended coda with exciting background figures builds behind a drum
solo for a dramatic ending. Trumpet 1 to a D, trombone 1 to an A.

EL BURRITO PICANTE III:


THIS TIME IT'S PERSONAL

***NEW***

Arranged by Mike Dana


Medium
$55.00
Cat: 55349
The spicy burrito returns with a vengeance in this Latin chart that sounds much
harder than it plays. An ominous opening leads into a 12/8 feel that alternates with
a driving Afro-Cuban groove.You'll need auxiliary percussion for this: congas, timbales,
etc. Reasonable brass ranges. Suggested piano voicings, sample percussion grooves,
and notated bass line are provided. For high school or strong middle-school bands,
this is THE closer for your festival set.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

EYE OF THE GEMINI


Arranged by Mike Dana
Medium
$55.00
Cat: 55336
This is a beautiful chart, with a unique feel. Chart opens with a warm chorale melody,
then evolves into an ethereal, straight-eighth (mm=140) ECM-ish feel. Solo changes
are included for tenor and trumpet, but can easily be played by anyone. The modal
solo section uses only 2 or 3 tonal centers, so younger improvisers should have no
fear. A dramatic development section leads back into the head, and closes with the
chorale. Trumpet to C, trombone to G.

FARTHER (STILL)
Arranged by Mike Dana
Difficult
$55.00
Cat: 55337
This soprano sax feature was composed in memory of Paul Shaghoian. A hauntingly
beautiful minor melody in 3/4 is supported by lush brass and woodwind textures.
Scored for 10 brass (inc. tuba), with some doubling (alto 1/flute, bari/bass clarinet).
A mature soprano soloist and rhythm section, and a strong lead trumpet are a must.

MIRA COSTA

***NEW***

Arranged by Mike Dana


Easy
$50.00
Cat: 55346
This is a beautiful medium tempo Bossa that works great for young bands. The
melody is played first by alto/tenor/trumpet/bone (with optional guitar or vibes.)
The soloist (any of the above) can stay in C minor as the changes move around that
key. Easy for brass: lead trumpet stays in the staff. Great middle tune in a festival set.

NICE HAT
Arranged by Mike Dana
Medium Easy
$55.00
Cat: 55339
Here's the perfect chart to feature your drummer...specifically, your drummer's hihat. The Monk-ish melody has lots of holes for some tasty hat fills. The tempo
(mm=140) and ranges (trumpet to C, trombone to G) are very manageable for high
school players. The solo section, a slightly modified Bb blues, features alto or tenor.
Piano and bass parts contain both notation and chord symbols.

NOT QUITE SUMMER


Arranged by Mike Dana
Medium Easy
$55.00
Cat: 55340
Your band will love this medium-up tempo (mm=144) chart based on the changes
of Summertime. A driving bass line supports the melody, played by altos and trumpet.
Solo changes are included for alto, tenor, trumpet, and trombone, and can be
opened up to feature any other soloist. A strong (but very playable) shout chorus
follows. Ranges: trumpet 1 mostly G (one A), trombone 1 to F. Notated piano
voicings and bass lines are provided, along with chord symbols.

PORK CHOP THURSDAY


Arranged by Mike Dana
Easy
$55.00
Cat: 55341
Inspired by Homer Simpson's favorite day of the week, this very playable medium-up
(mm=140) chart really cooks. A bluesy intro sets up the tasty 16-bar melody, played
by altos and tenors. Solos are for alto, tenor, or trumpet. Ranges are very manageable:
F for trumpet, Eb for trombone. Chord voicings and bass lines are provided. Students
and audiences alike are sure to eat this one up!

SITE FOR PSORIASIS

TOO HIP FOR THE ROOM


Arranged by Mike Dana
Easy
$55.00
Cat: 55342
This relaxed, hip, Basie-style chart is a great vehicle for teaching your young band
how to lay back. This is the perfect middle-of-the-set chart. There are short solos for
trumpet and either alto or tenor. Ranges: trumpet 1 to G, trombone 1 to F. Notated
piano voicings and bass lines are provided, along with chord symbols.

ARRANGED BY RICH DE ROSA


THE FUNK STOMPS HERE
Arranged by Rich De Rosa
Difficult
$38.00
Cat: SCM-017
Talk about a high energy, happy funky/hip-hop chart that sounds much harder than
the written parts, well this is it! Simple, contemporary changes make solos a breeze
and place this piece in the must-have category. Features a three-horn (alto, tenor,
and trumpet) melody to start.

MORNING FUNK

***NEW***

Arranged by Rich DeRosa


Medium
$40.00
Cat: SCM-033
Real funky and not too difficult. You students will love this one. Can be opened for
extra solos. Short shout chorus and short rehearsal time for this one. Scored for full
band but will sound complete with 4/3/2/3.

ARRANGED BY DON ELLIS


BULGARIAN BULGE
Arranged by Don Ellis
Medium Difficult
$45.00
Cat: UNCJ-1016
The chart, written in 33/16, is one of the all-time favorites. There are sax doubles.

FINAL ANALYSIS
Arranged by Don Ellis
Medium Difficult
$45.00
Cat: UNCJ-1004
This march/rock chart ends with a hilarious Beethoven-style ending.

GREAT DIVIDE
Arranged by Don Ellis
Medium Difficult
$40.00
Cat: UNCJ-1045
A dynamic show stopper. Its in a very fast 13/4. Not for the timid. There are some
sax doubles. Solos for alto and tenor.

IN A TURKISH BATH
Arranged by Don Ellis
Medium Difficult
$40.00
Cat: UNCJ-1006
A popular 7/4 arrangement of Ron Myers tune with an Oriental flavor.

***NEW*** PUSSYWIGGLE STOMP

Arranged by Mike Dana


Medium Easy
$50.00
Cat: 55347
Your band will be itching to play this medium shuffle. The melody gets under your
skin, and the shout chorus really burns! Listen carefully for cameo appearances by
Wayne Shorter and the Pink Panther. Moderate brass ranges; suggested piano
voicings included. Nothing rash here, just a grooving opener!

SORRY ABOUT THAT

TITLES LISTED BY ARRANGER

***NEW***

Arranged by Mike Dana


Medium
$55.00
Cat: 55348
A great opener: a hard-driving minor blues shuffle always gets the crowd in the right
mood. Your tenor player has a short bluesy cadenza at the top and again at the end,
and is also featured on the solo section. Trombone 1 to G, trumpet 1 to B.

CALL NOW TO ORDER! 1-518-587-1102

Arranged by Don Ellis


Medium Difficult
$45.00
Cat: UNCJ-1013
Romping chart in 7/4 time. Tenor, piano, trumpet, and drum solos.

STRAWBERRY SOUP
Arranged by Don Ellis
Medium Difficult
$65.00
Cat: UNCJ-1085
One of Dons most popular charts. A rich, multi-layered minor tune in a moderately
fast 9 but with lots of shifting subdivisions. Everyone gets featured either as a soloist
or as a section. A surefire showstopper that winds it all up with a dirty 4/4 blues.

OR ORDER BY FAX: 1-518-587-2325

13

TITLES LISTED BY ARRANGER


ARRANGED BY JOHN FEDCHOCK
BIG BRUISER
Arranged by John Fedchock
Difficult
$48.00
This chart features trombone and tenor saxophone solos.

Cat: 3199

BLUE AFTER TWO


Arranged by John Fedchock
Difficult
$42.00
Cat: 3211
Recorded on the John Fedchock New York Big Bands latest CD No Nonsense, this
slow blues chart has subtle sophisticated harmonies placed over an after-hours
roadhouse 12/8 groove. After the subtle opening it heats up with solos by alto sax,
trombone, and bass, and features powerful ensemble passages, along with an a
cappella chorale section with the horns, all culminating in a down and dirty ensemble
shout chorus.

ELEVEN NIGHTS
Arranged by John Fedchock
Difficult
$52.00
Cat: 3238
New York trombonist/band leader John Fedchock brings us an effective Bossa
original. Featured on his latest CD, No Nonsense, the contemporary harmonies
evoke images of the softer Latin works of Herbie Hancock. The melody is stated by
solo trombone, and improvised solos are provided for flute and flugelhorn.

ELVINS EMPIRE

***NEW***

Arranged by John Fedchock


Difficult
$52.00
Cat: 62175
Dedicated to the memory of recently deceased drum legend Elvin Jones, this engaging
swing original for proficient groups is a modal work that sets the tone for the
drumming giants loose and open style of playing. Piano, trombone and tenor
saxophone are featured and Fedchocks recognizable chord voicings are apparent
throughout. Rousing background figures add to the excitement prior to the climactic
finish where the drums are placed in the spotlight. The piece can end in classic Elvin
style with a cymbal crash providing the perfect stylistic exclamation point.

Arranged by John Fedchock


Difficult
$56.00
Cat: 3638
Commissioned by the New Trier (IL) High School Jazz Ensemble directed by Jim
Warrick and dedicated to J.J. Johnson, this showcase for two trombones features
moderate brass ranges and accessible up-swing rhythms. To properly complement
the energetic solo lines and avoid a frantic sound, it should be played with a light feel
at the indicated tempo (quarter note=192). An optional 5th trombone part is
included, plus an alternate 1st tenor part (sub. for 2nd trombone).

LIMEHOUSE BLUES
Arranged by John Fedchock
Difficult
$52.00
Cat: 3263
From the library of John Fedchocks New York Big Band, Limehouse Blues is an
exciting up swing, flag-waver featuring crisp figures, and mighty ensemble sections.
Designed for proficient groups, open solos are included for piano, and trumpet - and
an alto/tenor sax battle is thrown in for good measure. Rhythm section parts
partially notated with chords cued.

ARRANGED BY NEAL FINN


BIG MAMA DIANE'S
ROADHOUSE BLUES

MODABONES
Arranged by Neal Finn
Medium Difficult
$55.00
Cat: 51183
Commissioned by Polytechnic High School, Long Beach, CA. Modal tune ala Coltrane's
Impressions features trombone section. Trombone 1 and 2 have improv sections.
Trombone 1 blows 16 measure duet with drummer a la Coltrane/Elvin. Lead tpt
tops out at C. Exciting and playable showcase for good trombone players. Solos for
trombone 1 and 2 with no doubles.

UNKNOWN DIMENSIONS
Arranged by Neal Finn
Difficult
$53.00
Cat: 51184
Unusual modal tune with atypical phrase cycle. Melody has small 4-horn "band
within a band" concept. Solo section open for any soloist. Piece combines "westcoast coll" subtleties with just good old big band power during the shout. Modal
chord progression fun to play on and challenging. Lead tpt up to D above staff, and
no doubles. Open for solos.

WHO KILLED JOSE LAGUMBY??


Arranged by Neal Finn
Difficult
$55.00
Cat: 51185
Super-funky chart that's a real crowd-pleaser. Short funk solos from tenor 1, tenor
2, alto 2 interspersed around the head. Change of groove goes half-time for a
trombone solo that builds. Tenor1 follows with just drums back-up. Ensemble builds
again to long drum solo and super exciting ending. Lead tpt up to E above staff, with
no doubles. Solos for tenor 1 and 2, trombone 1, and drums.

ARRANGED BY DIRK FISCHER


***NEW***

[VOCAL]

Arranged by Dirk Fischer


Medium Easy
$55.00
Cat: 62003
Vocal arrangement of Dirk's lovely Latin bolero. Spanish lyrics by Barbara Ransom.
Instrumental version on George Stone Plays the Music of Dirk Fischer CD.
Flugelhorns, easy range. Vocal key is F (A below middle C to high Db).

MAMBO PARA ESTUDIO


(MAMBO ETUDE)

***NEW***

Arranged by Dirk Fischer


Medium Easy
$50.00
Cat: 54912
Mambo at 1/2 note=190. Atipico figures for entire ensemble, open for solos, blowing
changes included. Effective and easily accessible. Lead trumpet high C & one high D.

SING DAMMIT!

***NEW***

Arranged by Dirk Fischer


Medium Easy
$50.00
Cat: 54911
Pop-rock-ballad, vibes solo (partly improvised). Effective interplay with guitar, vibes,
& piano. Soprano sax lead, stresses melodic, singing ensemble work. Bass part completely
written.Trumpet to high B. Easily accessible by young players.

ARRANGED BY BOB FLORENCE

***NEW***

Arranged by Neal Finn


Easy
$50.00
Cat: 51187
Commissioned by Lewis Britton Middle School, Morgan Hill, California. Funky shuffle
tune based on the 60's hit by Canned Heat, On the Road Again. Solos for tenor
and piano. Features individual sections as well as full ensemble.Lead tpt. to C above
staff (briefly). No doubles.

***NEW***

Arranged by Neal Finn


Easy
$50.00
Cat: 51186
Commissioned by Lewis Britton Middle School, Morgan Hill, California. A minor blues
with dark timbres and tight voicings to develop your ensemble. Open for any soloist
on minor blues changes. A good chart for young bands, has a mature sound. Lead
trumpet to A above staff. No doubles.

DONDE

J BIRDS

14

A BREMIS AMONG US

3 E MOTIONS PART 1
Arranged by Bob Florence
Difficult
$75.00
Cat: 50363
A three part piece built on the note E. Trumpet solo in a harmon mute and a tenor
solo. Recorded by the Bob Florence Limited Edition on Serendipity 18.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

3 E MOTIONS PART 2
Arranged by Bob Florence
Difficult
$65.00
Cat: 50364
Baritone solo melody and flugelhorn solo on this waltz. Very gentle for most of the
way through (swing 8th notes). Recorded by the Bob Florence Limited Edition on
Serendipity 18.

3 E MOTIONS PART 3
Arranged by Bob Florence
Difficult
$80.00
Cat: 50365
This is the conclusion of 3 E Motions. Its bright and has solos for piano, trumpet
and baritone. Drums are important. The rhythm section on all of the E MOTIONS
is free. Recorded by the Bob Florence Limited Edition on Serendipity 18.

AFTERNOON OF A PRAWN
Arranged by Bob Florence
Difficult
$65.00
Cat: 50322
Up-tempo minor blues that would be a great opener! Dynamic sax soli. Some sax
doubles.

APPEARING IN CLEVELAND
Arranged by Bob Florence
Difficult
$100.00
Cat: 50381
Composed in honor of Stan Kenton and based on snippets from the Kenton library.
Solos: baritone, guitar and trumpet and written out piano. A great concert closer.
From the CD Next Stop Live On The Road by the Mike Vax Big Band featuring
alumni of the Stan Kenton Orchestra.

AULD LANG SYNE


Arranged by Bob Florence
Medium Difficult
$40.00
Cat: 50303
A touching treatment of a song that works at any time of the year. An a cappella
trombone soli states the melody, then the bari sax is featured as the rhythm section
accompanies with some lovely substitution chords. Some saxophone doubles.

AUTUMN
Arranged by Bob Florence
Medium
$40.00
Cat: 50323
Trombone choir opens, simple and well orchestrated ballad. Tenor feature. Some sax
doubles.

BBC
Arranged by Bob Florence
Medium
$90.00
Cat: 50304
An exciting calypso-Samba written for the BBC in London. The melody is based on
the notes B, B and C. A great closer. Solos for trombone, piano and trumpet.

TITLES LISTED BY ARRANGER


THE BIG BAND TREASURE CHEST PART II
Arranged by Bob Florence
Difficult
$75.00
Cat: 50307
Part 2 of a 2-part suite (but can be performed individually). An up-tempo rhythm
changes flag waver that features alto and tenor solos. Challenging chromatic lines
for sax section.

BIMBOSITY
Arranged by Bob Florence
Difficult
$90.00
A feature for two clarinets. Sopranos may be substituted.

Cat: 50359

BLEUPHORIA
Arranged by Bob Florence
Medium Difficult
$53.00
Cat: 50325
Lush and lovely ballad feature for your baritone saxophone! Some sax doubles.

BODY AND SOUL


Arranged by Bob Florence
Medium Difficult
$70.00
Cat: 50378
A great concert piece of this John Green classic. Half of this medium tempo
arrangement is very soft. The other half is very loud. No doubles. No score.

CARMELOS BY THE FREEWAY


Arranged by Bob Florence
Medium Difficult
$75.00
Cat: 50326
Swing chart featuring trumpet and tenor on the initial melody. Sax soli. Some sax
doubles.

CHICAGO
Arranged by Bob Florence
Difficult
$95.00
Cat: 50380
The old 1920s song done as a bright Samba and fast swing. Solos are tenor and
trumpet. No score.

CLAIRE DE LUNE
Arranged by Bob Florence
Medium Difficult
$75.00
Cat: 50379
A fast jazz waltz beginning with a rubato piano solo - piano then sets tempo. The
other solo is a flugelhorn.

THE CREEPY CRAWLIES

Arranged by Bob Florence


Medium
$79.00
Cat: 50305
A lovely and subtle jazz waltz which switches between major and minor keys. Tenor,
flugelhorn and piano solos. Some doubles.

Arranged by Bob Florence


Difficult
$90.00
Cat: 50357
A mysterious piece that starts very lightly and builds to a shocking conclusion with
bass, soprano, and trumpet solos. Doubles: woodwinds 1-4 on clarinet; woodwind 5
on E flat contra alto clarinet (contra alto clarinet part can be played on the
baritone); and woodwind 6 on bass clarinet. Trumpets double flugelhorns.

BE BOP CHARLIE

THE CRUNCH

THE BABBLING BROOK

Arranged by Bob Florence


Medium Difficult
$70.00
Cat: 50324
Swinger featuring some of the finest ensemble writing for big band. Some sax
doubles.

THE BE BOP TREASURE CHEST


Arranged by Bob Florence
Difficult
$80.00
Cat: 50343
Collection of Be Bop licks-sixteen to be exact, you figure them out!

THE BIG BAND TREASURE CHEST PART I


Arranged by Bob Florence
Difficult
$73.00
Cat: 50306
Part I of a 2-part suite (but can be performed individually). An interesting modal
pedal point introduction surprisingly breaks into a blues shuffle. Baritone, trombone
and trumpet solos.

CALL NOW TO ORDER! 1-518-587-1102

Arranged by Bob Florence


Difficult
$56.00
Cat: 50308
This swinging medium blues with its unusual voicing and surprising ensemble sections
avoids sounding like just another blues chart. Bb, bass and contra-bass clarinets, and
flute doubles. Solos for tenor, trumpet and bass.

DOUBLE BARREL BLUES


Arranged by Bob Florence
Medium
$55.00
Cat: 50327
A 16-bar blues that alternates back and forth between two keys.

DUKEISMS
Arranged by Bob Florence
Difficult
$110.00
Cat: 50382
Celebrating Duke Ellington's 100th birthday, this is an extended composition based
on snippets of familiar Ellington/Strayhorn themes. Solos: guitar, tenor, alto and
written out pianos. A great concert closer. From the CD Whatever Bubbles Up by
the Bob Florence Limited Edition on the Summit label.

OR ORDER BY FAX: 1-518-587-2325

15

TITLES LISTED BY ARRANGER


EARTH
Arranged by Bob Florence
Difficult
$65.00
Cat: 50355
A slow blues in 12/8 feel with unaccompanied piano solos. No doubles.

EMILY
Arranged by Bob Florence
Difficult
$97.00
Cat: 50377
A real concert piece. Emily goes back and forth from 4/4 to 3/4. Flugelhorn solo on
trumpet 4; trumpet solo on trumpet 5; piano solo at the top. This piece requires
much soft playing.

ETERNAL LICKS AND GROOVES


Arranged by Bob Florence
Difficult
$100.00
Cat: 50383
Commissioned by ASCAP & IAJE and premiered at the IAJE convention in Long
Beach, CA on January 6, 2005. Honoring Count Basie, this is an extended composition
based on snippets from the Count Basie library. Solos: guitar, trombone, tenor,
trumpet and drums, and written out piano. A great concert closer.

EVELYN
Arranged by Bob Florence
Difficult
$65.00
Cat: 50360
A gentle Bossa Nova featuring 2 altos. Woodwind doubles are clarinets, bass clarinet
and Eb contra alto clarinet.

EVIE
Arranged by Bob Florence
Medium Difficult
$55.00
Cat: 50328
3/4 Samba feel. Soprano/flugelhorn have the melody. Woodwinds and muted brass.
Some sax doubles.

FLIGHT OF FANCY
Arranged by Bob Florence
Difficult
$75.00
Cat: 50329
Great Samba feature for drums, ensemble written around solo fills.

THE FLY BY KNIGHTS


Arranged by Bob Florence
Difficult
$85.00
Cat: 50353
A show-stopper to be played as fast as possible. This piece goes into half-time Bossa
for alto solo (2nd part). Recorded by Bob Florence.

FUNUPSMANSHIP

A GOLDEN MILESTONE
(GOLDENER MEILENSTEIN): PART 2
Arranged by Bob Florence
Medium Difficult
$78.00
Cat: 50371
A three-part suite written for the SWR Radio Big Band in Stuttgart, celebrating
their 50th anniversary. The piece can be played complete or as a separate part. A
slow straight 8th note feel with a soprano and trombone solo. The soprano solo is
with piano alone. The piano closing is improvised. Lead trumpet to high D. Altos
double on soprano.

A GOLDEN MILESTONE,
(GOLDENER MEILENSTEIN): PART 3
Arranged by Bob Florence
Medium Difficult
$78.00
Cat: 50372
A three-part suite written for the SWR Radio Big Band in Stuttgart, celebrating
their 50th anniversary. The piece can be played complete or as a separate part. A
very fast tempo with a tenor, guitar, and an extended drum solo. The piano interludes
are written out. Lead trumpet to high Eb.

GRAHAM CRACKER
Arranged by Bob Florence
Medium Difficult
$60.00
Cat: 50368
A medium-tempo trumpet blues in B flat feature, starting with cup mute then
plunger then open. Woodwinds are clarinets and bass clarinet switching to saxes.

GREEN FLAG
Arranged by Bob Florence
Difficult
$83.00
Up-tempo Samba featuring trombone. No doubles.

GUIDING STAR

Cat: 50348

***NEW***

Arranged by Bob Florence


Difficult
$70.00
Cat: 50386
A soft, quiet solo feature completely written out for the baritone saxophone.
Woodwinds are 4 clarinets and a bass clarinet. From Eternal Licks & Grooves CD.

HOT LICKS
Arranged by Bob Florence
Difficult
$85.00
Cat: 50349
Straight ahead medium swing featuring both tenor saxes. No doubles.

ILL REMEMBER
Arranged by Bob Florence
Medium Easy
$45.00
Cat: 50330
Bossa Nova featuring sax section melody, alto bridge, tenor cadenza. Some sax
doubles.

Arranged by Bob Florence


Difficult
$105.00
Cat: 50350
A good festival opener or closer, this fast and furious piece features trombone and
baritone sax. Straight ahead feel.

IN THE SAMBA MODE

G.A.B.

THE INDUSTRIAL STRENGTH STOMP

Arranged by Bob Florence


Difficult
$79.00
Cat: 50309
Up tempo swing. Solo changes in 2nd trumpet and 4th trumpet. Difficult sax soli. No
doubles.

A GOLDEN MILESTONE,
(GOLDENER MEILENSTEIN): PART 1
Arranged by Bob Florence
Medium Difficult
$78.00
Cat: 50370
A three-part suite written for the SWR Radio Big Band in Stuttgart, celebrating
their 50th anniversary. The piece can be played complete or as a separate part. A
bright straight 8th note feel with an alto and trumpet solo. The piano interludes are
written out. Lead trumpet to high D. Alto 1 doubles on soprano.

16

Arranged by Bob Florence


Difficult
$115.00
Cat: 50312
Another great Samba from Bob Florence. Features tenor sax and piano solos.

Arranged by Bob Florence


Difficult
$70.00
Cat: 50344
Medium-tempo swinger that features great sounding ensemble. Some sax doubles.

JEFF N JEFF
Arranged by Bob Florence
Medium Difficult
$65.00
Cat: 50331
Jazz waltz. Two tenors are featured soloists with trading choruses. Some sax doubles.
Recorded by Bob Florence Limited Edition on Soaring.

JEWELS
Arranged by Bob Florence
Medium
$40.00
Cat: 50332
Nice, easy (12/8) ballad, trombone feature dedicated to Julie Andrews. Some sax
doubles.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

THE JUNKMAIL SPECIAL


Arranged by Bob Florence
Difficult
$125.00
Cat: 50366
A medium-bright opener or closer with some written high note trumpet solos.
Other solos include tenor and another trumpet. Recorded by the Don Junker Band.

LEICESTER (LESTER) LEAPS IN


Arranged by Bob Florence
Difficult
$76.00
Cat: 50313
An up-tempo 3/4 version of this familiar jazz line. Soprano solo. As recorded by the
Bob Florence Limited Edition Funupsmanship.

LIMEHOUSE BLUES
Arranged by Bob Florence
Medium
$60.00
Cat: 50367
A different treatment done slowly and quietly in a 3/4 swing feel. Solos are written
out piano interludes and ad lib piano solo.

LONELY CAROUSEL
Arranged by Bob Florence
Medium
$40.00
Cat: 50333
Slow jazz waltz. Flugelhorn melody statement, with woodwind backgrounds. Cadenza.

MAGIC TIME
Arranged by Bob Florence
Difficult
$70.00
Cat: 50334
Happy feeling up-tempo Samba. Exciting ensemble shout takes it home. Some sax
doubles.

A MEANS TO A BEGINNING
Arranged by Bob Florence
Difficult
$66.00
Cat: 50300
A lush and haunting Bossa Nova. This chart challenges your bands ability to balance
and play sensitively. Some sax doubles.

A MIRROR IMAGE
Arranged by Bob Florence
Medium Difficult
$85.00
Cat: 50373
A delicate medium slow waltz with a swing feel dedicated to Duke Ellington and Billy
Strayhorn. The melody is carried by trumpet 4 on flugelhorn and trombone 1. The
interludes are improvised and written-out. Alto 1 doubles on soprano; trumpets
double on flugelhorn; lead trumpet to high Eb. Recorded by Bob Florence and the
SWR Radio Big Band.

MISBEHAVIN
Arranged by Bob Florence
Advanced
$75.00
Cat: 50335
A jazz waltz that doesnt feel like a waltz. Complex time feels. Some sax doubles.
Recorded by Bob Florence Ltd Edition on Soaring.

MR. PADDINGTON
Arranged by Bob Florence
Difficult
$71.00
Cat: 50314
An against-the-beat introduction sets up a lilting waltz featuring an engaging sax
soli on the melody. Some sax doubles. Plenty of solo space for soprano.

MONDAY NIGHTS
Arranged by Bob Florence
Difficult
$125.00
Cat: 50356
Dedicated to all of the big bands that perform on Monday night, this medium-up
piece is to be played with a small group in the middle. Solos are bass and trumpet and
a short piano interlude. No doubles. Recorded by Bob Florence Limited Editions
Earth.

NERVE ENDINGS
Arranged by Bob Florence
Difficult
$90.00
Cat: 50384
An abrasive medium tempo blues, written with the title in mind. Solos: trumpet, tenor
and written out piano. From the CD Whatever Bubbles Up by the Bob Florence
Limited Edition on the Summit label.

CALL NOW TO ORDER! 1-518-587-1102

TITLES LISTED BY ARRANGER


NEW YORK INJECTION
Arranged by Bob Florence
Difficult
$70.00
Cat: 50354
A high-energy waltz with tenor and trumpet solos. No doubles. As recorded by the
Bob Florence Limited Editions Earth.

A NIGHT IN WINDSOR
Arranged by Bob Florence
Difficult
$70.00
Cat: 50301
An up-tempo trombone feature written for Rob McConnell. Optional solo parts for
Eb and Bb are included.

NOBODYS HUMAN
Arranged by Bob Florence
Difficult
$70.00
Cat: 50336
Alto and baritone solos. Fine ensemble writing, appealing to any audience. Recorded
by Bob Florence Limited Edition on Soaring.

NOW PLAYING
Arranged by Bob Florence
Difficult
$70.00
Cat: 50361
A flugelhorn/trumpet feature. The tempo is slow, then doubles up. Woodwind doubles
are flutes, clarinets, bass clarinet and Eb contra alto clarinet. Recorded by the Bob
Florence Limited Edition on Serendipity 18.

OCEANOGRAPHY
Arranged by Bob Florence
Difficult
$80.00
Cat: 50319
Very up-tempo swing (1/4 note = 300 approx) in that great Florence style. Changes
are based on How Deep is the Ocean. Solo space for alto sax and trumpet. Lots of
ensemble writing. No doubles. Recorded by Bob Florence Limited Edition on With
All The Bells and Whistles.

PARTY HEARTY
Arranged by Bob Florence
Difficult
$70.00
Cat: 50338
Bright blues, a real showpiece for your band. Tenor solo, optional bass.

PUMPKINETTE
Arranged by Bob Florence
Medium
$65.00
Cat: 50339
Swinger featuring the melody from the two baritone sax parts. Some sax doubles.

RHYTHM AND BLUES


Arranged by Bob Florence
Difficult
$71.00
Cat: 50315
An extremely fast alto feature originally written to feature Lanny Morgan that, as its
title implies, combines I Got Rhythm chord changes with blues changes.

RUNNING WITH SCISSORS


Arranged by Bob Florence
Difficult
$110.00
Cat: 50385
Running with Scissors was inspired by a parent saying to a child: "Don't run with
scissors in your hand". This makes the piece slightly ominous at a bright tempo. Solos
are trumpet, trombone and extended drums. This is featured on Whatever Bubbles
Up by the Bob Florence Limited Edition on the Summit label.

SAILING
Arranged by Bob Florence
Difficult
$65.00
Cat: 50340
Fast jazz waltz with quick moving woodwind lines underneath. Some sax doubles.

SERENDIPITY 18
Arranged by Bob Florence
Difficult
$130.00
Cat: 50362
A bright opener or closer. Some collective improvising from tenor, trombone, soprano
and trumpet. Other solos from piano, alto and trombone. This number is high energy.
Recorded by the Bob Florence Limited Edition on Serendipity 18.

OR ORDER BY FAX: 1-518-587-2325

17

TITLES LISTED BY ARRANGER


SILKY
Arranged by Bob Florence
Difficult
$46.00
Cat: 50316
A lush and melodic Bossa Nova featuring flugelhorn. The chart also utilizes interesting
textural contrasts through the use of flutes and contra-bass clarinet doubles.

WHATEVER BUBBLES UP
Arranged by Bob Florence
Medium Difficult
$130.00
Cat: 50375
A medium straight 8th note feel with a muted trumpet, trombone and tenor solo.
Alto 1 doubles on soprano. The beginning of the trombone solo is with guitar only.
The beginning of the tenor solo is with piano only. The piano interludes are written
out. Lead trumpet to high E. Recorded by Bob Florence and Limited Edition on
Whatever Bubbles Up.

WIDE OPEN SPACES

SLIMEHOUSE
Arranged by Bob Florence
Medium Difficult
$65.00
Cat: 50320
Medium swing chart. Solo space for piano. As recorded by the Bob Florence Limited
Edition on Funupsmanship.

Arranged by Bob Florence


Medium Difficult
$45.00
Cat: 50347
Nice and easy 16-bar minor blues in a 12/8 feel. Ensemble melody with a trombone
solo. Some sax doubles.

WILLIS

SOARING
Arranged by Bob Florence
Medium
$65.00
Cat: 50341
Light Samba featuring flugelhorn and trombone. Simple and straight-forward.
Recorded by Bob Florence Limited Edition on Soaring.

Arranged by Bob Florence


Difficult
$95.00
Cat: 50317
Great up-tempo swing chart. Can be used as a concert opener or closer. Written
for Bill Holman. Extensive ensemble writing. Solos for trumpet, alto and a short drum
solo. No doubles.

SOME BAD AND BEAUTIFUL BLUES

WILLOWCREST

Arranged by Bob Florence


Medium Difficult
$93.00
Cat: 50374
A bright blues with a bridge in a swing feel. The solos are by baritone and trumpet.
Lead trumpet to high Eb. The piece is long but great for concerts. Recorded by Bob
Florence and the SWR Radio Big Band.

Arranged by Bob Florence


Difficult
$95.00
Cat: 50318
An exciting 24-bar minor blues in 3/4 time with an unforgettable shout chorus.
Intermittent 5/4 bars have never swung so hard. Features trombone and alto solos.

WITH ALL THE BELLS AND WHISTLES

A SONG FOR BARBARA


Arranged by Bob Florence
Difficult
$45.00
Cat: 50302
A lovely trombone ballad feature written for Charlie Loper. Soloist is supported by
lush orchestration. Excellent concert piece.

Arranged by Bob Florence


Difficult
$105.00
Cat: 50352
A medium-tempo Samba. The first two choruses feature 6 flutes in unison (may be
played by 3). Features exchanges between band and drums. As recorded by the Bob
Florence Limited Edition on With All The Bells and Whistles.

A SOUNDSKETCH

YOUR WAKE UP CALL

Arranged by Bob Florence


Medium
$53.00
Cat: 50321
Tenor sax ballad feature. Intensity and sensitivity go hand in hand. Some sax doubles.
Recorded by Bob Florence Ltd Edition on Soaring.

SUGAR

Arranged by Bob Florence


Difficult
$130.00
Cat: 50358
This chart is a great opener or closer for a concert. Contains solos for both tenor
saxes, and two trumpets. Since it was written for Louie Bellson, it has 4-bar and 8bar solos for the drummer throughout the piece. As recorded by the Louie Bellson
Big Band on Art Of The Chart.

Arranged by Bob Florence


Difficult
$80.00
Cat: 50376
A hard shuffle with guitar, tenor, and baritone sax solos. This is a great closer version
of this Stanley Turrentine classic. Recorded by Bob Florence Limited Editon cd
Serendipity 18.

BACK TO THE APPLE

TELL YOUR STORY


Arranged by Bob Florence
Medium
$53.00
Bossa Nova that features flugelhorn.

Cat: 50342

TENORS, ANYONE?
Arranged by Bob Florence
Difficult
$75.00
Cat: 50351
A different kind of tenor duet. Both soloists play together at the top. A straight
ahead feel. As recorded by the Bob Florence Limited Edition on With All The Bells
and Whistles.

TRASH CAN CITY


Arranged by Bob Florence
Medium Difficult
$53.00
Cat: 50345
Hard driving 12-bar blues shuffle at its best! Great ensemble shout.

WESTLAKE
Arranged by Bob Florence
Medium
$65.00
Cat: 50346
In Bobs usual style, this jazz waltz melody is shared by everyone. Some sax doubles.

18

ARRANGED BY FRANK FOSTER

Arranged by Frank Foster


Medium
$55.00
Cat: 51213
A medium up-tempo D-flat major blues scored for Count Basie (and partially
dictated by the Count himself) around 1960. This somewhat imitates the Basie
Band style of the 1940s, with brass fanning hats, etc. Solos for tenor, trumpet, and
piano. This chart was recorded by the Count Basie Orch on Breakfast Dance.

BASS IN YO FACE
Arranged by Frank Foster
Medium Difficult
$55.00
Cat: 51214
A medium tempo 12-bar blues featuring string bass, of course. The bass soloist states
the melody as written, then gets off following an ensemble chorus. Ad-lib solo
segments include trading fours with the trombones, saxes and trumpets with some
challenging soli figures, especially for the saxes and trumpets.

BLUES IN HOSS FLAT


(BLUES IN FRANKIES FLAT)
Arranged by Frank Foster
Medium Difficult
$55.00
Cat: 51215
A medium shuffle blues in D-flat scored for the Basie Orchestra in 1957. This chart
was featured in the Jerry Lewis film The Errand Boy. The chart features solos for
tenor (not heard on the original Roulette Records recording), trumpet, and trombone.
Recorded by the Count Basie Orchestra on Chairman of the Board.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

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BOOZE BROTHERS
Arranged by Frank Foster
Medium
$55.00
Cat: 51200
Medium blues. Solo changes on 2nd trumpet and 2nd trombone. Recorded by the
Count Basie Orchestra on The Legend and the Legacy.

CECILIA IS LOVE
Arranged by Frank Foster
Medium Difficult
$65.00
Cat: 51205
Starting out with a slow ballad-like intro, this piece breaks into a medium, somewhat
Latinesque groove, and after an eight-measure introductory build-up the pretty
melody is stated in unison. There is an optional baritone sax solo. The band director
may wish to feature the flugelhorn/trumpet soloist only, since this is not a short
piece. And if you insist on letting the baritone sax jump in there, he/she better know
some harmony. The chart goes out all the way keeping the Latin groove (which, by
the way, would be strongly enhanced by the presence of a set of congas and/or
bongos, along with other Latin percussion axes). As recorded by Frank Fosters Loud
Minority Big Band.

TITLES LISTED BY ARRANGER


DOWN FOR THE COUNT
Arranged by Frank Foster
Medium Difficult
$55.00
Cat: 51211
Medium blues. Solos for piano, trumpet with harmon, and trombone. As recorded by
the Count Basie Orchestra.

EASIN IT
Arranged by Frank Foster
Medium
$55.00
Cat: 51218
Another D-flat blues, but this ones more laid back (as the title might imply). In the
pocket tempo, the chart starts the same as the one recorded on Roulette Records,
from the pen of Frank Foster, but includes additional ensemble choruses not heard
on the original recording. Solos for tenor, trombone, and trumpet. Not a difficult
chart.

FOR ALL INTENTS AND PURPOSES

CLANKS
Arranged by Frank Foster
Medium Difficult
$60.00
Cat: 51230
2nd trombone is featured throughout this arrangement, opening with the melody
written out for solo trombone playing funky using the plunger (a la the late Al Grey),
then unison trumpets take over doing the same thing on the second chorus. After
that it's all trombone on this medium tempo blues, first with the plunger, then open
horn after the modulation from F to B-flat major. Sax doubles on piccolo (or lead
flute) - 3 flutes, and bari sax to bass clarinet on the back half of the chart. Lead
trumpet high is F4. If your trombone soloist can handle the plunger, this should be
a nice little 3-plus minute feature. As recorded by the Count Basie Orchestra on
Basie's Bag.

COME ON IN

Arranged by Frank Foster


Medium Difficult
$53.00
Cat: 51202
After a brassy intro in 2/4, the chart breaks into a medium fast swing. Although this
tune is not a blues, the tenor and trombone follow blues in Bb patterns for four
choruses apiece. Exciting sudden death ending.

FOS ALARM
Arranged by Frank Foster
Medium Difficult
$57.00
Cat: 51219
A medium swing tempo rouser, this chart features baritone sax. With a one-measure
pick-up break at the end of the intro, the big E-flat states the melody of this B-flat
blues, then takes off on its own for a series of choruses.

Arranged by Frank Foster


Medium Difficult
$60.00
Cat: 51231
A nice groovy medium tempo piece that swings right along, with solos for 2nd alto
sax and 4th trumpet. Based on 'I Got Rhythm' chord changes, the arrangement
contains a few 'boppish' licks in the melody and solo backgrounds. This is a relatively
simple chart that should be good for dancers who like not-too-fast tempos. Lead
trumpet to a D4.

FOUR-FIVE-SIX

DAYSPRING

GONE AN GET IT, YALL

Arranged by Frank Foster


Medium Difficult
$46.00
Cat: 51201
Medium swing chart. Featuring trumpet, trombone and piano solos. Nice ensemble
writing.

DEEDLES BLUES

[VOCAL]

Arranged by Frank Foster


Medium Difficult
$55.00
Cat: UNCJ-1010
Up-tempo blues as recorded by Diane Schuur with the Count Basie Orchestra.

DIDN' YOU
Arranged by Frank Foster
Difficult
$60.00
Cat: 51232
With the same harmonic structure as the late Dizzy Gillespie's 'Woody'n You', this
song features tenor sax and piano. Following the intro and opening chorus the
ensemble swings for half a chorus, then introduces the piano solo starting on the
bridge. One full chorus of piano follows, then a sax-measure build-up to the tenor
sax, which takes over for the rest of this chorus, then two more. Late in the chart
there are short written tenor sax solo exchanges with the ensemble. Also at the very
end, a four-bar solo break (soloist may play optional written cues, or ad-lib own
ideas so long as they take it out in adequate fashion). After the soloist comes to rest
on a suitable sustained tone, preferably in the upper register, the director gives a
downbeat for the ensemble's closing chord. Lead trumpet to high G4.

DISCOMMOTION
Arranged by Frank Foster
Medium Difficult
$57.00
Cat: 51217
A romping B-flat blues written for Count Basie around 1959. It swings hard at a
medium-fast tempo. Solos are for piano, tenor, and trombone. A two-chorus trumpet
section soli follows the piano solo.

CALL NOW TO ORDER! 1-518-587-1102

Arranged by Frank Foster


Medium Difficult
$52.00
Cat: 51203
From the Count Basie book of the 60s, this straight ahead blues swings with a sax
section soli after the head. Features trumpet and tenor solos and two out-choruses
of typical Basie ensemble style finishing up.Includes guest tenor solo, but is optional.
Recorded by Manhattan School of Music.

Arranged by Frank Foster


Medium Difficult
$55.00
Cat: 51216
This is a kind of knock-down-drag-out blues in A-flat major that features solos by
piano and trombone. In a medium fast swing tempo the chart is somewhat typical of
the so-called New Testament Basie Band, where shouting brass and funky reeds
were the order of the day.

HAMPTON STRUT
Arranged by Frank Foster
Medium Difficult
$57.00
Cat: 51233
A 16-bar blues that's just a little too happy to really be bluesy, 'Strut' lopes along
with a medium up-tempo swinging motion with several 'two-five' progressions in its
harmonic framework. Solos by trumpet, trombone and tenor sax are enhanced by
straight-ahead groove-producing background figures. Lead trumpet to high Eb4. As
recorded by the Count Basie Orchestra on Basie's Bag.

I LOVES YOU PORGY

[VOCAL]

Arranged by Frank Foster


Medium Difficult
$55.00
Cat: UNCJ-1032
Slow ballad in Ab. As recorded by Diane Schuur and the Count Basie Band.

KATHERINE THE GREAT


Arranged by Frank Foster
Medium Difficult
$55.00
Cat: 51222
Your big band has just shaken the earth off its foundation with one of your monster
flag wavers, now youd like to cool things down with a somewhat relaxed swinger.
Try Katherine The Great - no pyrotechnics; no open-ended ensemble trips to
never-never land without the rhythm section; just a nice pretty little piece for your
trumpet, tenor sax and piano soloists to groove on for a few minutes while your
audience sits back without having to hold onto their seats.Recorded on The
Legend, The Legacy by the Count Basie Orchestra in 1989. No score.

OR ORDER BY FAX: 1-518-587-2325

19

TITLES LISTED BY ARRANGER


KING CHARACTER
Arranged by Frank Foster
Medium Difficult
$55.00
Cat: 51220
Originally written to feature legendary veteran bassist Earl May, longtime member of
Frank Fosters Loud Minority big band rhythm section, this chart is perfect for the
big band bassist who rarely takes solos. A simple 12-bar blues in F major, the tune
merely requires an ability to improvise on the blues. Along with bits of interesting
ensemble work, your bassist gets to blow on some straight-out blues changes, walk
some behind a trombone solo, and make the final statement of the melody with a tag
and a slowed down ending.

LADY CAROLYN
Arranged by Frank Foster
Medium
$53.00
Cat: 51223
This lovely ballad is the third movement of Fosters Count Basie Remembrance Suite.
The lead trombone is featured in an entirely written solo, except for a short improv
cadenza on the ending. Also featured is alto on a written solo on the first bridge, and
then an improv 16-measure solo on the second chorus. As recorded by the Basie
Orch on Basies Bag directed by Frank Foster.

LITTLE CHICAGO FIRE


Arranged by Frank Foster
Medium Difficult
$60.00
Cat: 51234
This up-tempo swinger is dedicated to one of Chicagos finest and one of the
world's most fiery tenor saxophonists, Johnny Griffin. The challenging melody, based
mostly on 'I Got Rhythm' chord changes, is written out for two tenor saxophones
and two trumpets, all of which are featured soloists on the chart. The harmonic variations
may be a little tricky for the soloists at first, but a little concentration and application
should get them past this aspect. The ensemble blasts behind the soloists as they go
through their paces, then following the first 16 measures of the shout shorus, they
take it out with melody from the final bridge. Lead trumpet high Db 4.

SHINY STOCKINGS
Arranged by Frank Foster
Medium Difficult
$55.00
Cat: 51207
The original Foster classic from the Basie book. Medium swing featuring a trumpet
solo. Recorded by the Count Basie Orchestra.

SIMONE
Arranged by Frank Foster
Medium Difficult
$60.00
Cat: 51208
Medium blues waltz with solos for tenor and piano. A deceptively different set of
chord changes.

SKULL-DOUG-ERY
Arranged by Frank Foster
Medium
$55.00
Cat: 51204
A challenging unison melody and an equally challenging set of chord changes
reminiscent of the hard-bop era characterize this moderately fast tenor sax feature.
The solo is on the 2nd tenor part, but youd better give it to your star player, as the
harmonic structure calls for NO LYING. The chart also includes a piano solo, and
some fairly nice ensemble work.

TOMORROW'S BLUES TODAY

***NEW***

Arranged by Frank Foster


Medium Difficult
$60.00
Cat: 51225
This is a somewhat different kind of blues. While it employs the normal 12-bar
chorus format, it uses minor seventh chords insted of major or dominant chords in
the first eight measures of the 12-bar chorus. Yet, it's not a minor blues, because it
sounds major as a result of the minor 7th substitutions, which do not resolve to
dominant 7th chords in II-V sequences. The only dominant 7th chord in any chorus
occurs in the 9th and 10th measures, a C7 raised 9th. Solos for 1st tenor and 4th
trumpet. Should be played as a medium swing tempo. Trumpet 1 to double high G.

TRANSITION

Arranged by Frank Foster


Medium Difficult
$55.00
Cat: 51224
One of Frank Fosters more ambitious charts in the context of the so-called Basie
Tradition, Major Butts is really just another medium up-tempo 12-bar blues, but
with the added twist of an I Got Rhythm bridge in long meter played in a jazz
Samba groove. One full chorus consists of two 12-bar blues segments followed by
the Latinesque 16-measure bridge and then another 12-bar blues segment, giving
the song an elongated A-A-B-A form. The chord changes arent difficult, and your
tenor sax and trumpet soloists should handle them pretty well. If the band director
elects to insert additional solos it is suggested that all soloists be limited to one full
chorus apiece.

Arranged by Frank Foster


Medium
$60.00
Cat: 51236
The second movement of the Count Basie Remembrance Suite (four movements
total), this short easy swinger, with its simply stated melody, is reminescent of the
infectious Basie style of the 40s, featuring solos by tenor sax, trombone and muted
trumpet. No one has to stretch for their limits on this one. Just groove it right along
with some tasty little licks. Some humor may be injected in that the last two soloists
(trombone and trumpet) enter in such a way as to appear to be interrupting the
previous soloist before that person is finished soloing. Looks of surprise, astonishment
or good-natured annoyance by the tenor sax and trombonist might be in order. A
few '4s' are traded by the soloists, then all three take it out together. The bass walks
a six-measure intro (yes, 6 bars), then three flutes and harmon muted trumperts do
the melody accompained by bass clarinet. Flutes and bass clarinet go all the way, as
the only saxophone is the tenor soloist. Lead trumpet to high C4.

NOW THAT SHES AWAY

UPTOWN RECOLLECTIONS

MAJOR BUTTS

Arranged by Frank Foster


Medium Difficult
$46.00
Cat: 51206
This is a ballad featuring trumpet or flugelhorn. Flute and clarinet doubles on saxes.
A very meaty big band style tune of the late 50s and early 60s.

Arranged by Frank Foster


Medium
$52.00
Cat: 51209
1940s big band sound. Up-tempo swing, featuring alto, tenor and trumpet solos.

ODE TO JOE NEWMAN

Arranged by Frank Foster


Medium Difficult
$57.00
Cat: 51210
Written for Basie Band. Has great sax soli and trombone, tenor and trumpet solos.

Arranged by Frank Foster


Easy Medium
$53.00
Cat: 51227
A somewhat mournful but haunting ballad dedicated to the late great jazz trumpet
stylist, a New Orleans native who made his name with the bands of Lionel Hampton
and Count Basie. This chart features three of your trumpeters, or all four, whichever
you prefer. There are written and improv solos for the 2nd, 3rd, and 4th chairs, while
the lead player has an eight-measure written solo on the final bridge of the tune.
Chart goes into double time for the improv solos, then returns to ballad tempo.

VICTORIOUS BLUES

WE BE JAMMIN
Arranged by Frank Foster
Medium Difficult
$65.00
Cat: 51212
Up-tempo swing with solos for piano, alto, trumpet, and trombone. Recorded by
University of Wisconsin, Eau Claire on Brilliant Corners.

READY NOW THAT YOU ARE, G.B.


Arranged by Frank Foster
Medium Difficult
$57.00
Cat: 51235
Written for and featuring guitarist George Benson with the Basie Orchestra, 'Ready
Now' takes us on a swinging mildly up-tempo (but not too up) excursion through
some slightly challenging harmonic area. However, it's still straight-ahead swing, and
not too far off the norm for big band jazz, and should be fun for your trombne and
alto sax soloists, and of course your jazz guitarist. Lead trumpet to high E4.

20

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WHO, ME?
Arranged by Frank Foster
Medium Difficult
$57.00
Cat: 51221
This arrangement is part of Frank Fosters Vintage Basie Series, compositions performed
and/or recorded by Count Basie and his world famous New Testament orchestra
between 1953 and 1960. Its another straight ahead blues, for which that band was
especially noted. Recorded by the Count Basie Orchestra on Chairman Of The
Board. The full ensemble blasts into the introductory chorus, followed by two
choruses of the head stated alternately by saxes and brass. Next comes a twochorus saxophone section soli displaying no pyrotechnics, just simplicity and swing.
A growling muted trumpet solo greases things up for a minute (on the recording the
marvelous Snooky Young played the solo; no one did it better), backed up by
trombones with a riff that must have been dated some 25 years prior to the
recording! Next of course what else but a typical Basie-styled piano solo, couched
in that All-American rhythm section format; you know the drill.After the piano the
soft full ensemble takes over with a 24-bar build-up to the shout chorus, which is of
course punctuated by Youngs screaming open trumpet, and the piece ends with the
customary dominant 13th chord with raised 11th.

TITLES LISTED BY ARRANGER


POKE AND HOPE

***NEW***

Arranged by Tony Gairo


Medium
$55.00
Cat: 51531
Chart swings in a medium-slow groove straight through. Lots of soloists are featured
and lots of woodwind doubling which could, in fact, bump this one into the
"advanced" category. Drummer opens on brushes. Charts are for piano, bass, drums,
4 trumpets, 3 trombones, bass trombone, and 5 saxes standard. Medium. As recorded
by the Gairo-Rissmiller Jazz Orchestra on Sea Breeze Records, Treacherous.

PORTRAIT OF MY WIFE
(IN MANY COLORS)

***NEW***

Arranged by Frank Foster


Medium
$55.00
Cat: UNCJ-1025
Up-tempo chart as recorded by Diane Schuur and the Count Basie Band.

Arranged by Tony Gairo


Difficult
$65.00
Cat: 51528
Portrait has been aptly described as a "tone poem" though it meanders through
several incarnations. Lots of thick textures, doubling, and mutes. There are several
soloists represented with a pixie-muted plunger trombone feature over a light,
funky groove. Charts are for piano, bass, drums, 4 trumpets, 3 trombones, bass
trombone, and 5 saxes standard. Difficult. As recorded by the Gairo-Rissmiller Jazz
Orchestra on Sea Breeze Records, Treacherous.

YOU GOT IT

REVISITED

YOU CAN HAVE IT

Arranged by Frank Foster


Medium Difficult
$55.00
Cat: 51229
From the Count Basie library. This medium up-tempo blues features solos by flute,
4th trumpet, 2nd trombone, and 2nd tenor. Its a nice set opener to get things
started vigorously.Your tenor sax soloist has to take it out with a flourish on the end,
as theres a four-measure break for a climaxing cadenza in tempo before the closing
chord. The soloist cant be laid back, so to speak; this has to be with a straight-ahead,
slamming kind of approach that will get the audience aroused and wanting more.

ARRANGED BY TONY GAIRO


BETWEEN THE PIPES

***NEW***

Arranged by Tony Gairo


Medium
$55.00
Cat: 51529
Medium level straight-ahead medium swinger with a shout chorus. Featured are 1st
tenor and 1st trombone stating the head in and out, each getting a blow, though
letter F can be opened for choruses. Only a quirky triplet figure in the shout might
be troublesome for inexperienced players. Charts are for piano, bass, drums, 4
trumpets, 3 trombones, bass trombone, and 5 saxes standard. Medium. As recorded
by the Gairo-Rissmiller Jazz Orchestra on Sea Breeze Records, Treacherous.

DEADLINES, DISTRACTIONS,
AND DIVERSIONS

ELUSIVITY

SUPERMARKET SUSHI

***NEW***

Arranged by Tony Gairo


Difficult
$55.00
Cat: 51526
Lighter textured and in 3/4 time. Woodwind doubling is required, blended with lots
of muted brass. 1st tenor is featured, but on soprano, as well as piano, and an open
drum solo. Drums open on brushes. Charts are for piano, bass, drums, 4 trumpets, 3
trombones, bass trombone, and 5 saxes standard. As recorded by the Gairo-Rissmiller
Jazz Orchestra on Sea Breeze Records, Treacherous.

CALL NOW TO ORDER! 1-518-587-1102

***NEW***

Arranged by Tony Gairo


Difficult
$55.00
Cat: 51530
Chart with tons of contrapuntal figures representing the layers of flavor in a sushi
roll and several odd-measured sections. The pianist has a blow atop the chart, just
after the intro and before the statement of theme in Thad Jones-esque style. 1st
trombone has a blow over a figure that moves around the band beneath him/her.
Lots of plunger playing in the brass and layers of sound. Charts are for piano, bass,
drums, 4 trumpets, 3 trombones, bass trombone, and 5 saxes standard. Difficult. As
recorded by the Gairo-Rissmiller Jazz Orchestra on Sea Breeze Records,Treacherous.

***NEW*** TREACHEROUS

Arranged by Tony Gairo


Difficult
$55.00
Cat: 51527
Features three motives in counterpoint, each motif representing one of the three
issues in the tune's title. The three lines come together for a tutti chord that
introduces a piano blow on the form. After lots of ensemble interplay, the 2nd tenor
player gets to explore an open vamp. More ensemble work precedes a tutti out
chorus. Charts are for piano, bass, drums, 4 trumpets, 3 trombones, bass trombone,
and 5 saxes standard.Difficult. As recorded by the Gairo-Rissmiller Jazz Orchestra
on Sea Breeze Records, Treacherous.

***NEW***

Arranged by Tony Gairo


Difficult
$65.00
Cat: 51532
Revisited is most certainly an advanced level romp that, at its core, is a blues, though
it frequently wanders astray. The brass is screaming, the tempo is "as up as you can
take it", the head is very bebop, and there is a moderate amount of doubling and
muting. The solo sections (one that is wedged between the intro statement and the
head) can be opened-up for choruses of blowing. There is a bit of counterpoint
jusst to challenge the band even more. This can be a real "toe-tapper" once it comes
together.Charts are for piano, bass, drums, 4 trumpets, 3 trombones, bass trombone,
and 5 saxes standard. Difficult. As recorded by the Gairo-Rissmiller Jazz Orchestra
on Sea Breeze Records, Treacherous.

***NEW***

Arranged by Tony Gairo


Difficult
$55.00
Cat: 51525
Treacherous is an advanced level chart that floats between an up-tempo swing and
a half-time funk. The composer's intention was for the work to represent the
treacherous experience of driving through a severe winter storm late at night after
hours of studio time. There is quite a bit of stop-time, with the rhythm section tacit
for measures at a time. Featured is a trombone section/bari sax soli that is a "chops
buster", 1st tenor solo over a wicked line that morphs into a tutti setting up the
straight 8ths funk feel, a pointillism section over the freshly established funk groove
that may need to be conducted, a 4th trumpet blow over the funk, and lots of
rhythm section "parts". Charts are for piano, bass, drums, 4 trumpets, 3 trombones,
bass trombone, and 5 saxes standard. Difficult. As recorded by the Gairo-Rissmiller
Jazz Orchestra on Sea Breeze Records, Treacherous.

OR ORDER BY FAX: 1-518-587-2325

21

TITLES LISTED BY ARRANGER


ARRANGED BY ANTONIO GARCIA
CHA-CHA CON SABOR
Arranged by Antonio Garcia
Medium Difficult
$55.00
Cat: 51003
A "cha-cha with flavor" in A-minor at quarter=124, "Sabor" features melodic and
rhythmic material for all in the style of Oye Como Va. Written for an all-regional high
school jazz band. Solos over the AABA form, or use an A-minor vamp for younger
soloist; changes in lead alto, tenor, plus bari, top two trumpets and trombones, and
rhythm. Lead trumpet goes up to concert B, trombone only to A; no sax doubles.
Rhythm section is piano, bass, timbales (substitute drum part included), guiro, and
optional congas. Optional "coro" for the entire band to sing in authentic style!

MAELSTROM
Arranged by Antonio Garcia
Medium Difficult
$55.00
Cat: 51004
Named after the center of a storm, this funk chart can be played as such or with
shifts into swing or other styles, as the intent is to be flexibly changing. Half note =
118. Premiered by saxist Seamus Blake with the Virginia Commonwealth University
Jazz Orchestra I. Solos over one-chord A-sections with a several-chord bridge. Solo
changes available in lead alto, tenor, trombone, and fourth trumpet, plus rhythm.
Lead trumpet/trombones ascend to concert Bb; no sax doubles.

ARRANGED BY GORDON GOODWIN


A GAME OF INCHES

***NEW***

Arranged by Gordon Goodwin


Difficult
$65.00
Cat: 56184
Written in a popish Latin style, this is a hot, contemporary chart, featuring complex
saxophone lines, crisp brass accents and interesting harmonic movement. You can
hear the Big Phat Band's version on XXL and although tenor soloist Michael
Brecker shows his mastery of this style, you can assign any soloist you wish to blow
on this chart. An exciting, multilayered piece of music! Alto 1 doubles on soprano
sax, alto 2 doubles on flute, trumpet 2 doubles on flugelhorn, trumpet 1 to high F#.

IM BEGINNING TO SEE THE LIGHT


Arranged by Gordon Goodwin
Medium Difficult
$45.00
Cat: 7010529
Gordons medium tempo chart features the saxes at the start and then lets the
ensemble carry it and build to the alto solo. This one goes down smooth.

THE QUIET CORNER

***NEW***

Arranged by Gordon Goodwin


Medium
$67.00
Cat: 56182
This chart sets a gentle but slightly funky groove full of soft colors and smooth
textures, courtesy of muted brass, flugelhorns, and flutes. The chord changes are
lush and rich and fun to blow on. Doubles: alto 1 on soprano, tenor 2 and baritone
sax on flute, trumpets on flugelhorns. Trumpet 1 to A above the staff. As recorded by
Gordon Goodwin's Big Phat Band on XXL.

WHAT SAMMY SAID

***NEW***

Arranged by Gordon Goodwin


Difficult
$60.00
Cat: 56183
A slow Basie-style blues that is dedicated to and inspired by the great Sammy
Nestico, this chart starts out slow but before you know it you are building your way
towards a stomping Basie shout chorus. You can open this chart up for any of your
soloists, and there is plenty of juicy ensemble work to display your band's tightness
and ability to swing. Sammy Nestico rules! As recorded by Gordon Goodwin's Big
Phat Band on XXL. Alto 1-2 doubles on flute. Trumpet 1 to high G (optional to Ab).

WHEN I FALL IN LOVE


Arranged by Gordon Goodwin
Medium Difficult
$45.00
Cat: 34909052
Gordon has taken a refreshingly different approach to this well-known standard.
Written in a relaxed 12/8 feel and featuring a tenor sax soloist, this superb arrangement
is immediately appealing. Great for festivals.

22

WHERE OR WHEN
Arranged by Gordon Goodwin
Medium Difficult
$45.00
Cat: 34909054
This well-known standard by Rodgers and Hart receives a creative treatment by
Gordon Goodwin as a moderate Samba. With a great sounding groove and easy
flowing style, this is truly an outstanding chart. Includes a solo for trumpet.

ARRANGED BY DAVID GUIDI


THE HANG

***NEW***

Arranged by David Guidi


Difficult
$60.00
Cat: 54278
An up-tempo opener or closer that alternates between swing and Latin, The Hang,
features a driving post-bop melody for the saxophone section. The trumpet section
also shares the melody and combined with the trombone section, provides powerful
accents and unison figures that propel the energy forward throughout. Solo sections
feature a soprano solo over the form and an open tenor solo accompanied by an
Afro-Cuban groove in the rhythm section that allows for harmonic and rhythmic
interplay. Doubles: alto 1 on soprano.

HIKE!!!!
Arranged by David Guidi
Difficult
$55.00
Cat: 54275
One of the winning compositions from the 2005 ASCAP Foundation Young Jazz
Composer Awards competition, Hike!!! was premiered at the North Sea Jazz Festival
in the Hague. Exciting meter changes and clever harmonic activity make this piece
an excellent concert opener or closer. Based in part on a modified blues structure
that traverses through several distinct interludes and formal settings, Hike!!! is an
adventure for the serious jazz ensemble. Solo space provided for trumpet, alto, and
tenor saxophone. Trumpet section-harmon mutes, alto 1-flute.

PUNCH TOOK A LEAP


Arranged by David Guidi
Medium
$55.00
Cat: 54276
Commissioned by the McCallum Fine Arts Academy Jazz Ensemble in Austin, Texas,
"Punch Took A Leap" brings a harmonically and rhythmically fresh sound to literature
that is specifically written for a high school level ensemble. Ideal for intermediate
ensembles, this composition is based on a traditional thirty-two measure AABA form
that features the saxophone section. It also includes exciting interludes between
formal sections over pedal points. This composition is a rare find in that it is both fun
and challenging for students to play while still serving as an excellent teaching
vehicle for a multitude of stylistic techniques.Written solo and chord changes provided.

WINDING ROSE
Arranged by David Guidi
Difficult
$55.00
Cat: 54277
Winding Rose is an exhilarating composition that consists of clever melodies and an
imaginative rhythmic treatment. Comprised of several tempos and meter changes,
this piece begins with a slow introduction in 4/4 before evolving into 11/4. Exciting
rhythms for full band, lyrical melodies for horn trio and two contrasting solo sections
for trumpet (11/4) and tenor saxophone (4/4) make this work a must for any
serious jazz ensemble. Doubles: alto 1 on alto sax and flute; alto 2 on alto and
soprano sax; trumpet 1 on trumpet and flugelhorn, trumpet 2 on trumpet and
flugelhorn, trumpet 3 on trumpet and fulgelhorn, harmon mute; trumpet 4 on
trumpet and flugelhorn, harmon mute.

ARRANGED BY DAN HAERLE


THE CAT FROM CARACAS
Arranged by Dan Haerle
Medium
$52.00
Cat: SMP-210
Dan has created a very nice, very hip Latin chart with a great melody. There is a
written-out trumpet solo in this modern, catchy chart. It is surely very playable by
most bands and a great selection for any concert program.

CRIB CHIMP
Arranged by Dan Haerle
Medium
$52.00
Cat: SMP-214
Dan has created a very nice, very hip shuffle / funk chart with a great melody. There
is a written-out tenor sax and guitar solo in this swinging, catchy chart. There is also
a nicely done section for a drum solo. This chart is surely very playable by most
bands and a great selection for any concert program.

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THE ESSENCE
Arranged by Dan Haerle
Medium Easy
$47.00
Cat: SMP-252
Dan has created a wonderful rock ballad, with a nifty, repeating vamp figure, that can
be played by even the most inexperienced players. He has managed to do this
without compromising the music. The chart is wonderful! The melody is stated by 2
altos, trumpet and trombone in unison, and it grooves on from there. VERY limited
ranges (1st trumpet written G top of staff). Solos for alto sax, tenor sax and
trumpet. Solos are written out, or they can be improvised. Your band will love it!

MOVIN ON
Arranged by Dan Haerle
Medium Difficult
$52.00
Cat: SMP-251
This is a great drum set feature, but it also has room for solos for tenor sax, trumpet
and guitar (or piano). The chart starts with 8 bars of fast Swing from the drums.
Then full ensemble figures bounce back and forth with the drums. The melody is
played by unison altos and trumpets (2 each). After the solos, there is a terrific
saxophone soli that just goes and goes. The chart finishes in a flurry of excitement.
Your band and audiences will enjoy this one for many years to come. 5-5-5-4

REVIVAL
Arranged by Dan Haerle
Medium
$47.00
Cat: SMP-253
Big band gospel - what a wonderful idea! Dan has written a very attractive gospelflavored chart which is not difficult to play. Limited ranges make this a playable chart
for most bands (the last chord has optional notes / 1st trumpet written C above
the staff). Haerle has a wonderful skill for writing interesting, musical pieces which
dont require a lot of chop busting. Solo space for alto sax, tenor sax and trumpet.

ARRANGED BY TIM HAGANS


HOUSEWIFE FROM NEW JERSEY
Arranged by Tim Hagans
Medium Difficult
$60.00
Cat: 55375
A boogaloo for big band. A great chart for rhythm section players to learn the
Sidewinder/Watermelon Man groove. Solos for guitar and second trombone. A
screaming shout chorus makes this chart a perfect closer. Originally recorded on
Hagans' No Words CD on Blue Note Records.

IMMEDIATE LEFT
Arranged by Tim Hagans
Medium Difficult
$60.00
Cat: 55376
An up tempo tour de force for big band with occasional slow stinky swing sections.
Alto and trumpet soloists are featured. Angular melodies baswed on the Hagans'
approach to improvisation abound. As with many Hagans' charts, the development
(in the form of a early shout chorus) takes place before the main theme is stated.
Challenging rhythmically and melodically for all players. Originally recorded with Joe
Lovano on the Hagans' No Words CD on Blue Note Records.

LETTERS IN A BOX
Arranged by Tim Hagans
Medium Difficult
$60.00
Cat: 55377
A medium swing but heavily orchestrated composition. A moving ensemble where
every note is a new chord. Requires rhythmic accuracy and impeccable intonation.
Several beautiful melodies are presented individually and then combined for the final
ensemble. Interesting and challenging chord progression for piano soloist and a
drum and percussion solo section...unusual on a swing chart. Sopranos or clarinets
doubling on flute. Bari doubling on bass clarinet.

MENTION THE EXTENSION

***NEW***

Arranged by Tim Hagans


Medium Difficult
$55.00
Cat: 55383
Medium swing 32-bar song form.The entire melody is comprised of upper extensions
of the chords, hence the title. A challenging chord progression features bass and
tenor soloists but can be opened up for others. The trumpet section is presented in
a chorus-long soli. A great opener and an interesting contrast to more standard
types of harmonic movement. No doubles. Recorded on Future North.

CALL NOW TO ORDER! 1-518-587-1102

TITLES LISTED BY ARRANGER


MISSED THE BALLGAME BLUES

***NEW***

Arranged by Tim Hagans


Medium Difficult
$55.00
Cat: 55382
Medium swing. One fat chord introduces a bass solo before the actual intro and
head are played. A puckish melody is developed throughout. This chart also features
a small band soli for mixed instruments that leads to tenor and piano solos. A mighty
shout leads back to the intro, head and out. As with all of Hagans' charts, the lead
lines are derived directly from his distinctive improvisatory melodic language, giving
the players and listeners a unique experience. Soprano and flute on original score
but alternate alto and tenor parts included. Recorded on Future North.

NOOGALOO
Arranged by Tim Hagans
Medium Difficult
$60.00
Cat: 55378
A boogaloo in the Sidewinder tradition. Solo for 1st alto. Trombone section featured
throughout starting with an unaccompanied intro and then a voiced soli after the
theme is stated. Sure to have everyone in the band and audience movin' and
groovin'. Originally recorded on Hagans No Words CD, Blue Note Records. Big
band version recorded by the Norrbotten Big Band on Future North, Double Time
Records. No doubles.

ROLLIN' WITH VON OHLEN

***NEW***

Arranged by Tim Hagans


Medium Difficult
$60.00
Cat: 55381
An up tempo rhythm changes chart written for and recorded by John Von Ohlen
and the Blue Wisp Big Band. Features a wild sax soli with soprano lead (alternate alto
included.) Solos for trombone, piano, and trumpet but can be easily opened up for
other soloists. The shout chorus is an exciting exchange between band and drummer.
The chart ends in a half-time romp with humor and joy.

SPACE DOZEN
Arranged by Tim Hagans
Medium Difficult
$60.00
Cat: 55379
This piece asks the following question: "Can the blues be played without actually
playing the blues progression?" The theoretical chords merely describe the emotional
content. For example, during the solos in Space Dozen, the soloist is asked to play
over the emotion in the fourth bar that leads to the fifth bar rather than thinking
V7 of IV to IV7...the emotion found in the rhythm section must play an abstract
emotional progression. Great for emphasizing that being able to make the changes
is only a start. One must also understand the emotional impact of each note choice.
To avoid tonality, the piece is based on a 12-tone row. Ensemble sections are based
on the row but are surprisingly consonant. A 12-tone shout chorus leads the way
back to a full ensemble unison statement of the theme. A concept from Hagans' small
group experiments expanded for big band. Solos for alto and trumpet but can be
opened up for any musician. No doubles.

TWIST AND OUT


Arranged by Tim Hagans
Medium Difficult
$60.00
Cat: 55380
Up-tempo swing. Feature for trumpet/tenor duo in front of band. An examination
of the vertical and horizontal aspects and powers of the three basic blues chords:
17, IV7 and V7. An open form contrapuntal ensemble section follows the presentation
of the fragmented theme by the duo. Solos are open each of the above mentioned
chords giving the soloist a chance to explore the meaning of the blues. After a piano
solo, the band states the theme (for the first time as a 12-bar blues) in unison and
then in constant structure to bring the blues to a boil. Originally recorded for Blue
Note Records as a sextet piece by the Blue Note All Stars. Big band version
recorded by the Norrbotten Big Band on Future North on Double Time records.

ARRANGED BY RYAN HAINES


PEOPLE AND PLACES
Arranged by Ryan Haines
Difficult
$57.00
Cat: 56280
Exciting and impressive full band feature. Begins as an open drum solo with brass/
sax chorale underneath that builds to a fast swing feel. Extended solo time for lead
bone and tenor sax 1 (with stop time for bone solo intro). The solos are followed by
challenging unison lines for the saxophones who are eventually joined by the bones
and trumpets in a build to a spectacular close.

OR ORDER BY FAX: 1-518-587-2325

23

TITLES LISTED BY ARRANGER


ARRANGED BY MATT HARRIS
CHOP SUEY
Arranged by Matt Harris
Medium Difficult
$48.00
Cat: 51250
Great funk chart. Features tenor and drum solos. One flute double. This has been
recorded by Univ Wisconsin-Eau Claire.

FOOTPRINTS
Arranged by Matt Harris
Difficult
$52.00
Cat: 2738
This classic Wayne Shorter composition gets a facelift from respected Los Angeles
composer Matt Harris. The chart includes dense, satisfying voicings. Solo space is
provided for tenor sax and either piano, guitar, or bass.

OUT OF NOWHERE
Arranged by Matt Harris
Difficult
$48.00
Cat: 2088
California composer Matt Harris brings us this bebop treatment of Edward Heyman
and Johnny Greens classic song from the Paramount Picture Dude Ranch. The
clever arrangement utilizes a septet within the big band. Tenor, trumpet, and trombone
share the melody and have improvised solo space.

THE PREZ
Arranged by Matt Harris
Difficult
$42.00
Cat: 3306
Commissioned by the Los Alamitos High School Jazz Ensemble directed by Chuck
Wackerman, the melody in this high-energy, 16-bar modal blues is carried by tenor,
trumpet and trombone. The only break in its momentum comes during a free, outof-time piano solo, after which the original tempo resumes. A great opener or closer
for bands with standard personnel.

ROMPE CABEZAS
Arranged by Matt Harris
Difficult
$51.00
Cat: 51252
The literal translation of this Spanish phrase is twisted head. This Latin song original
by Matt Harris features very rhythmic salsa figures with an original displaced montuna
for the piano. Solos for trumpet 3 and tenor 1.

SEA BAND STOMP


Arranged by Matt Harris
Easy
$42.00
Cat: 494
This well-conceived chart provides a great opportunity for developing players to
perform in the jump-swing style and has utilized many unisons and tutti figures to
bolster the confidence of younger jazz musicians. Solo space is included over the
accessible F blues changes. A guitar chord chart by Jim Greeson is included.

SPRING SEASON
Arranged by Matt Harris
Medium Difficult
$48.00
Cat: 51251
Loose Samba with straight 16th feel. Piano and tenor solos and some sax doubles:
one flute, one clarinet and one bass clarinet. As recorded by the Univ of WisconsinEau Claire Jazz Ensemble on the CD In Transit.

WHATSA MATTA
Arranged by Matt Harris
Medium
$42.00
Cat: 61960
This high powered chart for advancing groups in the style of Tower of Powers hit
song What Is Hip, features tenor saxophone after the catchy melodic statement.
The two-chord funk solo changes will be accessible to most players, as are the
repetitious but effective rhythmic figures. Drums are also featured during ensemble
parts and a dedicated solo section. A guitar chord chart by Jim Greeson is included
in each set.

24

ARRANGED BY STEVE HAWK


GROUND ZERO

***NEW***

Arranged by Steve Hawk


Medium Difficult
$55.00
Cat: 51850
Composed by Steve Reyes. This is a concert jazz piece that features a dramatic
opening, leading to the main theme, which is in 5/4. The middle section of the tune,
which features alto sax, offers solo space for alto, trumpet and piano, and is in a 4/
4 medium swing feel. Optional french horn parts, add to the dramatic effect. 4
trombones, 5 trumpets, 5 saxes, bass, piano, drums, and guitar. Medium difficult. As
recorded by The Hawk-Richard Jazz Orchestra on Reunion.

ARRANGED BY RICK HIRSCH


ASPIRE

***NEW***

Arranged by Rick Hirsch


Medium Difficult
$53.00
Cat: 55829
Medium-up Jazz Waltz. Wonderful melody set over a feel-good C-major pedal point.
Excellent opener or closer. Tenor & flugelhorn have melody and jazz solos. Recorded
on the Valley Jazz Orchestra CD Free Food? Trumpet range to high Eb.

ELLIE'S NEW GROOVE

***NEW***

Arranged by Rick Hirsch


Difficult
$53.00
Cat: 55830
16th note funk groove in 3. Funky, contrapuntal a capella writing for the saxophone
section. Jazz solos for trombone and alto saxophone. Described as Mintzer-ish by
drummer John Riley. Trumpet range to high E.

FREE FOOD? FREE FOOD!!

***NEW***

Arranged by Rick Hirsch


Medium Difficult
$53.00
Cat: 55831
A tribute to breadcrumb-and-popcorn-hungry ducks at your local park. Fun calypso
in C-minor. Jazz solos in each section. Mouthpiece quacking in the trumpets. Title
track of the Valley Jazz Orchestra CD Free Food? Trumpet range to high D.

GRACE OF A SOARING EAGLE

***NEW***

Arranged by Rick Hirsch


Medium
$53.00
Cat: 55832
Modern straight 8th note feel. Terrific contrast piece. Lyrical melody; pedal point
with shifting harmonies; solos for flugel, trombone, and flute (alto 1). Terrific piece for
high school, college, and professional bands. Trumpet range to high C.

LIFEBLOOD

***NEW***

Arranged by Rick Hirsch


Medium Difficult
$53.00
Cat: 55833
Up-tempo, brisk contemporary swing at soft dynamic level. Minor mood throughout.
Inventive orchestration. Solos in tenor and trombone. Excellent contrast piece. On
Valley Jazz Orchestra CD Free Food? Trumpet range to high A.

NEBULA

***NEW***

Arranged by Rick Hirsch


Medium Difficult
$50.00
Cat: 55834
Some call this the obligatory weird tune. Very slow, exotic 16th-note feel. Drums use
mallets. Opt. bass clarinet in the bari sax. Solos from trumpet and trombone. Trumpet
range to high E-flat.

SUSPENDED

***NEW***

Arranged by Rick Hirsch


Medium
$50.00
Cat: 55835
Terry Riley meets the contemporary jazz orchestra: minimalist groove with shifting harmonic
colors. Bass tacets entire chart. Some jazz in soprano sax 1. This is a one-of-a-kind
big band tune. On Valley Jazz Orchesra CD Free Food? Trumpet range to high A.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

ARRANGED BY BILL HOLMAN


BARY ME NOT
Arranged by Bill Holman
Medium Difficult
$52.00
Cat: SMP-930
As recorded on the new CD The Bill Holman Band Live, Holman has written a
witty, musical, fun-filled feature for baritone saxophone. Lots of space
for creative playing, and the wonderful contrapuntal writing that we come to
expect from Holman. Its time to feature the foundation of your jazz band.
A moderate tempoed shuffle-feel makes this one swing like crazy!

BLUE DANIEL

***NEW***

Arranged by Bill Holman


Medium Difficult
$65.00
Cat: SMP-758
Frank Rosolinos jazz waltz is loved by all, and Holmans arrangement of it is superb.
He takes the band on a wonderful excursion from the quiet beginning, through
open alto sax and trumpet solos, to wonderful, exciting ensemble sections, a roaring
shout chorus and back again to a quiet, tuneful ending. This is exactly as recorded
in the Bill Holman Band Live CD. Very modest brass ranges make this an attractive
piece for just about any band. This is Holman at his best! 5/4/4/4

CLAP HANDS,
HERE COMES CHARLIE!

TITLES LISTED BY ARRANGER


ROSELAND
Arranged by Bill Holman
Medium Difficult
$47.00
Cat: SMP-314
This is the second movement of the three-part suite titled The Big Street which
was recorded on the album The Fabulous Bill Holman in 1957. It is a slow Swing
feel with a wonderful melody. Wonderful section writing throughout, with solo
space for alto sax and trombone. It certainly can stand alone as a single piece..... or
be performed with the other 2 movements. Classic Holman!

WEST SIDE
Arranged by Bill Holman
Difficult
$62.00
Cat: SMP-313
This is the first movement of the three-part suite titled The Big Street which was
recorded on the album The Fabulous Bill Holman in 1957. Set in a medium-up
Swing tempo/feel, this piece is a wonderful example of Holmans use of counterpoint,
moving unison sections against each other. There is lots of solo room for 2 tenor
saxes, trumpet and piano. It certainly can stand alone as a single piece...or be
performed with the other 2 movements. This is classic Holman!

WINNING THE WEST

Arranged by Bill Holman


Difficult
$67.00
Cat: SMP-931
This is a wonderful chart, an old tune in a new dress, as only Bill Holman
can do it. Its the exact chart as recorded by the terrific Charlie Barnet
Big Band. The tempo is bright, a swinging excursion into the clever writing. Solo
space for piano, alto, tenor, trumpet, and drums. There is a
great sax soli section and the usual, wonderful, roaring ensemble shout
choruses. A big finish ends an amazing chart. 5-5-4-4 (4 tpts. work just
as well)

As Performed by Buddy Rich


Arranged by Bill Holman
Medium Difficult
$59.00
Cat: SMP-316
As written for and performed by the Buddy Rich Big Band, here is the long-missing
chart that Holman wrote to feature Buddy on drums and Pat LaBarbera on tenor
sax. What a great chart! It is set in a quasi Rock Feel which shifts to swing and back
again. This is a very high-energy, exciting chart, and Buddy played it all the time! Your
band will eat this one up.

DONNA LEE

Arranged by Bill Holman


Difficult
$65.00
Cat: SMP-759
Bill Holman has created a rollicking, swinging, wonderful tribute to Woody Herman
with this great chart. As recorded on Bill Holman Band Live this chart features solos
for tenor saxophone, trumpet and piano. Saxophones state the theme (reminiscent
of Woodys theme Blue Flame), and there is a lot of call and response in the brass.
The out chorus will lift your audiences out of their seats.

Arranged by Bill Holman


Difficult
$67.00
Cat: SMP-932
This chart is not for the faint-of-heart. It moves at a fast, swinging
pace, and it captures the spirit of Parkers classic bebop tune, including
the humor. As recorded on the new CD The Bill Holman Band Live, this
chart allows for solos by tenor sax, trombone and piano. This is the whole
package; outstanding ensemble writing and lots of solo space. This
should be in every big band library. Flute doubles (short passages) on alto
and tenor 1 parts.

ILL BE AROUND
Arranged by Bill Holman
Difficult
$62.00
Cat: SMP-317
Boy, you talk about a wonderful Trombone feature .... this is IT ! It has been recorded
by trombonists Jiggs Whigham and Andy Martin, and will certainly go down as one
of the best Trombone features ever. Its a bright Swing version of this terrific tune.
Lots of solo space and the usual exciting Holman ensemble sections. Lots going on
and lots to hear! Optional parts for 2 french horns (all cross cued).

NEVER SLEEP
Arranged by Bill Holman
Difficult
$52.00
Cat: SMP-315
This is the third movement of the three-part suite titled The Big Street which was
recorded on the album The Fabulous Bill Holman in 1957. This is a Fast Swing, with
solo space for 2 tenor saxes and trumpet. It is full of the fantastic contrapuntal
writing that sets Holman apart from others. This really swings along, and it certainly
can stand alone as a single piece..... or be performed with the other 2 movements.

PRESS ONE
Bill Holman
Medium Difficult
$67.00
Cat: SMP-933
As recorded on the new CD The Bill Holman Band Live, this chart is a
vibrant, clever, swinging original. It was Bills opening tune at the
I.A.J.E. conference concert, and the audience went nuts for it! The solos
are in the tenor sax, trumpet, trombone and drum parts. Your band and your
audiences will love this one!

CALL NOW TO ORDER! 1-518-587-1102

WOODROW

***NEW***

ZOOT N AL
Arranged by Bill Holman
Difficult
$67.00
Cat: SMP-934
As recorded on the new CD The Bill Holman Band Live, this chart features
two tenor saxophone players throughout, playing together and separately.
This is the ideal solo vehicle for your tenor players. The tempo is a
bright swing, and the writing - as always - is superb. A great
tribute to Zoot Sims and Al Cohn, two of the greatest in jazz history.

ARRANGED BY ROGER HOLMES


DANCE TO THE MUSIC

***NEW***

Arranged by Roger Holmes


Medium
$50.00
Cat: 7011195
Sly & the Family Stone became a household name in the late 60s and this up-tempo
rock tune typifies this groups energetic and funky style. This one will be a blast for
your students to play and a blast from the past? for their parents to hear!

DO NOTHIN TILL
YOU HEAR FROM ME

[VOCAL]

Arranged by Roger Holmes


Medium
$40.00
Cat: 7500101
One of the true gems from the Ellington catalog of great songs, here is a marvelous
setting for vocal soloist with jazz ensemble. The style is slow swing, and the mood is
sensuous and lush. Key of E flat.

OR ORDER BY FAX: 1-518-587-2325

25

TITLES LISTED BY ARRANGER


THE GIRL FROM IPANEMA

[VOCAL]

Arranged by Roger Holmes


Medium
$40.00
Cat: 7010020
Made famous by Astrud Gilberto and Stan Getz, this laid back Latin favorite features
a great groove and tasty ensemble writing to back your singer, male or female. Key of F.

I REMEMBER YOU

***NEW***

[VOCAL]

Arranged by Roger Holmes


Medium
$40.00
Cat: 7500113
Roger Holmes treats this familiar standard in a light Latin style that works nicely for
vocal soloist. This medium tempo chart also features a tenor sax solo and tasty
background figures. Vocal key: F

THIEVES IN THE TEMPLE

***NEW***

Arranged by Roger Holmes


Medium
$45.00
Cat: 7011199
You dont normally associate the music of Prince with jazz ensembles. However, this
outstanding arrangement draws inspiration from the funky Herbie Hancock version
and provides a great vehicle for ensemble playing as well as soloing.

WHEN SUNNY GETS BLUE


Arranged by Roger Holmes
Medium Easy
$35.00
Cat: 7010116
Often recorded by jazz artists, this standard is famous for its distinctive harmonic
structure and flowing melody. Beautifully adapted in an easy version, Rogers chart is
written in a slow swing ballad style.

ARRANGED BY ANDREW HOMZY

IM JUST A LUCKY SO AND SO


Arranged by Roger Holmes
Medium Difficult
$45.00
Cat: 7010598
The trombones get first crack at the melody in this great Ellington shuffle tune
before the entire band joins in. Written in a medium tempo and featuring nicely
scored ensemble writing, solos are included for tenor sax and trumpet.

JUMP, JIVE AN WAIL


Arranged by Roger Holmes
Medium
$40.00
Cat: 7010412
This hot swing tune from the legendary Louis Prima is featured on the jitterbuggin
GAP commercial and is also on the new CD The Dirty Dozen by The Brian Setzer
Orchestra. Swing is back and this tune is helping to lead the way!

MISSION: IMPOSSIBLE THEME


Arranged by Roger Holmes
Medium
$40.00
Cat: 7010111
Aside from Take Five, this is the most famous 5/4 piece ever written. This solid chart
captures the excitement and drive of the original and includes a solo for alto sax.

MUSIC FROM THE MOVIE CHICAGO


Arranged by Roger Holmes
Medium
$50.00
Cat: 7010949
From the movie musical that rocked the entertainment world, here is an exciting
medley that includes the show stoppers And All That Jazz, Cell Block Tango, and
Roxie. Great entertainment with a tip of the hat to the styles of early jazz.

ORANGE COLORED SKY

RHYTHM OF THE NIGHT


Arranged by Roger Holmes
Medium
$45.00
Cat: 7010975
Originally a hit for DeBarge in 1985 and more recently revived for the hit movie
Moulin Rouge, here is a hot chart for your entire ensemble. This one really burns
with Latin excitement.

GOODBYE PORK PIE HAT

Arranged by Roger Holmes


Medium
$45.00
Cat: 7010905
Originally recorded by Sam and Dave, and made popular again by The Blues Brothers,
this well-known rhythm and blues workhorse is a natural for jazz ensemble. In the
skilled hands of Roger Holmes, this one flows nicely but rocks hard!

THEME FROM THE FAMILY GUY

***NEW***

Arranged by Roger Holmes


Medium
$45.00
Cat: 7011187
From the brash, slightly irreverent, and wildly popular TV series Family Guy,? here is
the supercharged big band style theme adapted by Roger Holmes. The style is
medium swing and it features an alto solo along with screaming ensemble hits.

***NEW***

Arranged by Andrew Homzy


Medium
$50.00
Cat: 7011217
Here is a beautiful arrangement of Charles Mingus signature ballad featuring altos
and trumpets playing the melody off the top, then later joined by the entire ensemble.
Sample written solos are provided for the short solo or soli spots for trumpet and
trombone. A jazz classic!

HAITIAN FIGHT SONG

***NEW***

Arranged by Andrew Homzy


Medium
$50.00
Cat: 7011219
Featuring a dark intensity and a powerful unison riff figure in minor, this medium
swing chart is a great showcase for your bass player as well as the trombone section.
The harmonic structure is quite simple, but the depth of the arrangement comes
from the thematic layers that are added throughout. Written solo (or soli) sections
are included for the trombones and also trumpets.

ARRANGED BY LES HOOPER


BACK IN BLUE ORLEANS

***NEW***

Arranged by Les Hooper


Medium Difficult
$55.00
Cat: SMP-747
As recorded on the Hooper Big Band CD Out of the Woods, this hot, blues shuffle
is full of energy and good ol down-home funky blues. This is a very exciting chart,
with solo space for alto and guitar. There are a lot of wonderful brass figures, and the
tune is carried mostly by the unison saxes. Makes a great opener or closer. 5/4/4/4

BLEEP BLOP

SOUL MAN

***NEW***

Arranged by Andrew Homzy


Medium
$50.00
Cat: 7011215
This catchy riff-based tune uses blues changes, and you can make it as easy or as
difficult as you like, depending on the tempo you choose! Solos (or soli) are for sax
as well as piano and drums. A wonderful introduction to the exciting music of
Charles Mingus, skillfully adapted by Andrew Homzy.

***NEW*** [VOCAL]

Arranged by Roger Holmes


Medium
$40.00
Cat: 7500117
This swingin medium up-tempo standard was recorded by Natalie Cole on her
acclaimed Unforgettable album. Great chart! Vocal key: G

26

BOOGIE STOP SHUFFLE

***NEW***

Arranged by Les Hooper


Medium Difficult
$55.00
Cat: SMP-744
As recorded on the Hooper Big Band CD Out of the Woods, this clever, quirky,
swinging chart is terrific. Alto, tenor, trumpet and trombone state the tune, with
interjections by the rest of the band. There is solo space from trumpet, trombone
and drums. After the solos the full ensemble roars through a harmonization of the
tune. This chart is fresh and exciting. 5/4/4/3

BLUE IN GREEN

***NEW***

Arranged by Les Hooper


Medium
$50.00
Cat: 7011243
From the landmark jazz album Kind of Blue by Miles Davis, Les Hooper adds his own
stamp of originality and craftsmanship with this outstanding setting. The trumpet
soloist is supported by a light rock groove and lush backgrounds. Solo space is also
provided for alto sax.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

COOL SCHOOL DROPOUT

***NEW***

Arranged by Les Hooper


Medium
$55.00
Cat: Cat: SMP-745
This is exactly as recorded on the Hooper CD Out of the Woods. It is a wonderful
piece at a medium swing tempo, with a great feel, fresh harmonic content, lots of
clever lines and solo space for tenor sax. There are also short drum solo breaks. The
great thing about this chart is how fresh it sounds, how hip it is, and how easy it is
to play. The ranges are very modest (1st tpt. only an A above the staff). 5/4/4/4

LOCAL TIME
Arranged by Les Hooper
Medium
$47.00
Cat: SMP-209
Once again Hooper leads the way with a chart that is simple to play but still great
to listen to. Solo space is open for Trumpet or others at your discretion. This chart
has limited ranges, (occasional written D above the staff for 1st Tpt. but generally
much lower) but not limited musicality or charm. This has a sort of Basie-ish sense to
it but also a certain hipness.

LONG INTERMISSION

***NEW***

Arranged by Les Hooper


Medium Difficult
$55.00
Cat: 53000
An exciting piece with driving rhythms on a meter layout of 4, 4, 4, and 3 giving the
effect of a missing beat every 4 measures. Handclapping on 2 and 4 for the 4/4
measures and 2 & 3 for the 3/4 measure will give this piece an infectious quality. Solos
will be played over a singular basic mode, thereby freeing up the soloist to concentrate
on the odd meter. No doubles.

MILES BACK

***NEW***

Arranged by Les Hooper


Medium
$55.00
Cat: SMP-746
This is exactly as recorded on the Hooper Big Band CD Out of the Woods. It is a
wonderful piece, written in an easy swing tempo, with a great feel, fresh harmonic
content, lots of clever lines and solo space for trumpet, trombone and bass. Very
reasonable ranges (1st tpt. high B only) and rhythms make this a very easy piece to
play, but it has musical qualities and integrity which will meet the demands of even
the most accomplished ensembles. 5/4/4/3

MUNCHY THE MOUSE


Arranged by Les Hooper
Medium Difficult
$52.00
Cat: SMP-212
This chart is a play on Minnie the Moocher and somewhat set in that era. Its a
modern day Swing chart with bebop roots. The chart sounds old fashioned and
modern all at the same time. It has modern elements mixed with an older style. The
groove under the main head is a touch Latin, but mostly a Jazz feel, not unlike
Hoopers great arrangement of Green Dolphin Street. Solos for trumpet and alto
saxophone (or anyone you wish). This chart is a blast!

NEW SUIT FOR ZOOT


Arranged by Les Hooper
Medium Difficult
$57.00
Cat: SMP-213
Les has created another techno-swing chart that has overtones of the old swing
band style, but it is set very much in modern day fashion. The open solo section can
feature any one or a number of soloists - your choice. Youll love the quiet, swinging
ensemble section. Very reasonable ranges throughout. This chart is a blast!

NOT SO FAST

***NEW***

Arranged by Les Hooper


Medium Difficult
$55.00
Cat: 53001
A tenacious jazz piece with an infectious 4 bar ostinoto bass line that glues everything
together, leaving freedom for the horn lines that hover overhead. The ranges arent
too difficult, though there are 1 or 2 high Ds written for 1st trumpet and there are
no doubles. The title indicates that there is a perfect tempo for this at 195bpm.

SHUFFLUPHAGASS

TITLES LISTED BY ARRANGER


WHATS GOING ON

***NEW***

Arranged by Les Hooper


Medium
$50.00
Cat: 7011241
This classic Marvin Gaye hit has always been a favorite with jazzers and has great
crossover appeal. From the CD Out of the Woods by the Les Hooper Band, this
funky version is infused with a West Coast attitude and is packed with energy and
drive. A solo for alto sax is featured.

ARRANGED BY RICH IACONA


2 HIP 2 B BLUES
Arranged by Rich Iacona
Difficult
$38.00
Cat: SCM-018
This extended blues form shifts from a swing shuffle to a funk bridge then back
again. Lots of excitement, easy changes to blow on with a chance to open for more
solos, if desired. Optional lead trumpet notes save chops but wont take the energy
away from this chart.

SIN PALABRAS
Arranged by Rich Iacona
Medium Difficult
$38.00
Cat: SCM-013
Sin Palabras(Without Words) was written for Richs Bad Little Big Band and was
perfectly suited to be re-scored for full jazz ensemble. Rich did a wonderful job
making it playable by high school and college bands. The relaxed Latin style will be a
pleasant addition to any concert program. All high notes on the recording are
optional and all solos are written out.

ARRANGED BY JEFF JARVIS


BISTRO LATINO

***NEW***

Arranged by Jeff Jarvis


Difficult
$48.00
Cat: 61060
This authentic Latin original for advancing groups is truly a showstopper in every
way! The chart is named after a popular Latin dance club and restaurant in New
York City that recently closed. After opening with a dynamic tutti unison statement,
this challenging work utilizes two Latin feels, namely songo and Samba. The songo
rhythm is most commonly heard in salsa music and employs lots of exciting
syncopation supported by a repetitious, but always moving rhythm section
background. The Samba rhythm is used in the interlude section of the piece, which
features very lush, modern voicings. Solo space is offered for soprano saxophone,
tenor saxophone, trumpet, and trombone. A member of the rhythm section could
also solo. A guitar chord chart by Jim Greeson is included in each set.

FLIGHT TO AUGUSTA
Arranged by Jeff Jarvis
Medium
$42.00
Cat: 61215
This funk original for advancing groups was commissioned by Dr. John Bradley,
director of the Augusta (GA) State University Conservatory Jazz Band. The chart
employs a tuneful melody supported by an interesting chord progression, and rock
solid orchestration. Its fun to play and will leave both the band and the audience
whistling the melody. The piano part is predominately notated with chord symbols
provided. The guitar part has notated parts and sections with changes and slashes.
Some of the key melodic material is shared by the guitar and optional vibraphone,
but is cross-cued into other horn parts during those sections. Solo changes are
cued for all instruments. A guitar chord chart by Jim Greeson is included in each set.

***NEW*** MOHAVE BREAKDOWN

Arranged by Les Hooper


Medium Difficult
$42.00
Cat: SMP-110
This is a new edition of this great swing/shuffle chart by Les. There is solo space for
tenor, trumpet, trombone and piano. This intense, swinging, shuffle-blues will bring
your audiences to their feet. Les has created a dynamic, exciting chart that sounds
a lot harder than it really is. 5/4/4/3

CALL NOW TO ORDER! 1-518-587-1102

Arranged by Jeff Jarvis


Difficult
$48.00
Cat: 3287
Commissioned by the Arizona Association for Jazz Education for the 2003 Arizona
All-State Jazz Ensemble, this exciting chart will energize just about any program,
especially festival performances. If you liked Jeff Jarvis best sellers, High Octane,
White Heat, Powder Keg, and Critical Mass, then you wont want to miss this funk
original. Frequent articulations are provided for the horns, and the rhythm parts are
an integral part of the arrangement. Solos include tenor saxophone and guitar,
however all players have interesting and challenging parts.

OR ORDER BY FAX: 1-518-587-2325

27

TITLES LISTED BY ARRANGER

AHUNK AHUNK

NIGHT SKY
Arranged by Jeff Jarvis
Medium
$38.00
Cat: 61530
Commissioned by Rick McClure and the St. Marks Upper School Jazz Ensemble in
Salt Lake City, Utah, Night Sky is a lushly voiced ballad for advancing groups in the
Neal Hefti, Lil Darlin tradition. All instruments share the tuneful melody during this
sophisticated yet accessible original. As in most of Jarvis charts, frequent articulations
and dynamics are provided for all horns and rhythm, and are an integral part of the
arrangement. A guitar chord chart by Jim Greeson is included in each chart. Standard
instrumentation, plus optional flute and vibes, trumpets on flugelhorn.

OLD SCHOOL
Arranged by Jeff Jarvis
Difficult
$42.00
Cat: 1718
If you like Jeff Jarvis bestsellers, High Octane, White Heat, Powder Keg, and Critical
Mass, then you wont want to miss out on this new medium advanced funk chart.
Written in the Funkadelic and Rick James old school style of the 70s and 80s, this
chart will light up any concert. Interesting and challenging parts are included for all
as this tune grooves hard throughout.

OUT ON THE STREET

***NEW***

Arranged by Jeff Jarvis


Medium
$48.00
Cat: 62590
Commissioned by the Centennial High School Jazz Ensemble under the direction of
David Pietsch, this cleverly conceived chart is dedicated to Frank Vargas to
commemorate this arts-friendly administrators retirement from the Phoenix (AZ)
area school district. Based on the chord progression to On The Street Where You
Live, this swing original for proficient groups offers interesting playing for every
member of the big band. In addition to brief quotes from other songs containing the
word street (Green Dolphin Street, On The Sunny Side Of The Street), youll hear
a couple measures of On The Street, plus short quotes from Second Time Around
and Nicas Dream. Exciting ensemble writing, solos for trumpet and piano, and a
humorous ricky-tick section make this energetic swing chart great fun to play.

RIPTIDE
Arranged by Jeff Jarvis
Difficult
$48.00
Cat: 3309
Here's a fun and challenging chart that's guaranteed to keep your audience on the
edge of their seats. Scored at the medium advanced level, this bright swing original
alternates with a Samba groove. Rhythmically interesting and very densely scored
for maximum impact, solos are offered for alto sax, tenor sax, trumpet, or trombone
and can be opened up at the director's discretion.

SHOW ME
Arranged by Jeff Jarvis
Difficult
$52.00
Cat: 3333
Commissioned by the Missouri IAJE Unit for their 2003 All-State Jazz Ensemble
directed by Shelly Berg, this exciting swing/salsa tune thrives on high energy and
strong momentum. Though tenor and trumpet are the designated soloists, the solo
section based on minor blues changes can be opened up for more players if desired.
The drummer also takes center stage with an expandable solo.

VORTEX
Arranged by Jeff Jarvis
Medium
$48.00
Cat: 1828
Make your jazz ensemble sound more advanced while performing this medium level
swing chart that juxtaposes dense voicing with accessible swing features. This
festival-worthy chart has a terrific sax soli plus interesting parts for all. An optional
vibes part is included along with solo sheets and a guitar chord chart by Jim
Greeson. Commissioned by the University of Portland Jazz Festival, David Parker
director.

28

ARRANGED BY THAD JONES

Arranged by Thad Jones


Difficult
$75.00
This great Thad Jones arrangement is a funky 5/4 chart.

Cat: 52015

AINT NOTHIN NU
Arranged by Thad Jones
Advanced
$52.00
Cat: 2655
One of many tunes composed by the great Thad Jones, this uptempo burner for
advanced big bands features intricate sax section work, thick ensemble writing with
modal harmonies, and expandable solo space for trumpet, trombone, and two
tenors. Recorded by Fedchocks New York Big Band on their critically acclaimed CD
On The Edge. Includes solos for tenor saxophone and trumpet.

BACK BONE
Arranged by Thad Jones/Mike Carubia
Medium
$43.00
Cat: SCM-002
Medium tempo blues in F that really drives. Unison saxes carry the melody for the
first chorus and are joined by the brass on the second. A short lead in to the
trombone solo carries the chart to the solo section. One chorus of sax soli sets up
a solid shout chorus and an ending drum solo.Very player-friendly with written solos.
May be opened up for more solos. (Scored to sound complete with 4/3/2/3).

BIG DIPPER
Arranged by Thad Jones
Difficult
$42.00
Cat: 4500
This is a classic Thad Jones arrangement with standard instrumentation. From the
Thad Jones/Mel Lewis recording 'Central Park North.'

CENTRAL PARK NORTH


Arranged by Thad Jones/Mike Carubia
Medium Difficult
$43.00
Cat: SCM-004
This driving rock/funk/ballad/blues is Thads tour de force which captures the
essence of life in a part of New York City in the 1970s. Carefully re-scored, it has
been made playable by high school and college bands at a Grade 4 level. Written as
a mini-suite, this chart will be well worth the effort mastering the different styles
incorporated in this classic Thad Jones masterpiece. Written solos for tenor sax,
trumpet, guitar, trombone. High trumpet note 1st ledger line A. (Scored to sound
complete with 4/3/2/3).

A CHILD IS BORN
Arranged by Thad Jones
Medium Easy
$38.00
Cat: 4560
This gorgeous Thad Jones ballad is arranged here as a trumpet feature. A vocal
lead sheet is also provided if you want to do this as a vocal.

DONT GET SASSY


Arranged by Thad Jones/Mike Carubia
Medium
$43.00
Cat: SCM-001
This Thad Jones composition has been re-scored for performance by high school &
Jr. high bands. Technical and range requirements have been reduced without
compromising the Thad Jones sound. This is easier of the 2 Sassy arrangements.
Solos, piano voicings and bass parts are completely written out. (Scored to sound
complete with 4/3/2/3).

DONT GET SASSY


Arranged by Thad Jones/Mike Carubia
Difficult
$43.00
Cat: SCM-005
This is the second and more difficult of the 2 Sassy arrangements. This one mirrors
Thads original in form and style. Slightly richer voicings than SCM-001 but not an
overly high lead trumpet part. Written Bb with optional high C. You will think you are
playing Thads original in Db when you play this one without the demanding ranges
and difficult sax soli. (Scored to sound complete with 4/3/2/3).

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

DONT GIT SASSY


Arranged by Thad Jones
Advanced
$48.00
Cat: 4600
This great Thad Jones tune is a wonderful feature for multiple soloists. Includes
soprano saxophone double.

THE FAREWELL
Arranged by Thad Jones/Mike Carubia
Medium
$43.00
Cat: SCM-009
The Farewell is the third part of Thads Suite for Pops completed in 1973 and
recorded for the first time in 1975. This movement reflects the joyous retreat
associated with funerals typical in Louis Armstrongs home town of New Orleans.
Adjustments made to this Thad gem make it a very playable addition to the catalogue.
The written trombone solo section may be opened up for additional soloists followed
by plenty of exciting ensemble for the whole band to sink their teeth into. (Scored to
sound complete with 4/3/2/3).

TITLES LISTED BY ARRANGER


THREE AND ONE

TIPTOE
Arranged by Thad Jones
Advanced
$52.00
Cat: 4950
This is a really nice swing chart by the master, Thad Jones. Your trumpet and alto sax
get the solos. Features soprano saxophone (sub alto part included).

GREETINGS & SALUTATIONS

TO YOU

Arranged by Thad Jones/Mike Carubia


Medium Difficult
$43.00
Cat: SCM-003
Funky jazz/rock style re-scored to be performed by high school and college jazz
ensembles. Range demands reduced while maintaining the Thad Jones sound. Lots
of unison and block soli sections. Your students will love this one. Sounds more
difficult than it plays. (Scored to sound complete with 4/3/2/3).

TOW AWAY ZONE

GROOVE MERCHANT
Arranged by Thad Jones
Difficult
$42.00
Cat: 4690
This classic medium shuffle features soprano sax (sub alto part is provided if you
dont have a soprano) and optional 5th trumpet part.

IT ONLY HAPPENS EVERY TIME

***NEW***

Arranged by Thad Jones/Mike Carubia


Medium
$45.00
Cat: SCM-029
This beautiful Bossa Nova shows us Thads sensitive side. Re-scored by Mike Carubia.
There are no sax doubles. Scored for full band but will sound complete with 4/3/2/3.

KIDS ARE PRETTY PEOPLE


Arranged by Thad Jones
Difficult
$42.00
Cat: 4720
This fabulous ballad features the whole band on some intricate ensemble arranging.
Trumpets are on cup mute during a few parts. No guitar part.

LOW DOWN

***NEW***

Arranged by Thad Jones/Mike Carubia


Difficult
$45.00
Cat: SCM-030
A real Thad classic made accessible by Mike Carubia. Higher brass notes removed,
sax soli re-scored & it still sounds like Thad. Scored for full band but will sound
complete with 4/3/2/3.

Arranged by Thad Jones


Difficult
$38.00
Cat: 4960
This Thad Jones ballad features his lush harmonic sense and moving voices throughout
the band. Soprano sax (sub alto part provided) and optional 5th trombone.

Arranged by Thad Jones/Mike Carubia


Medium
$45.00
Cat: SCM-026
Need a hip funky rock chart? Thad really scored a winner here. Originally recorded
for the Central Park North album in 1969, this chart has never been released. This
is Thad at his peak, re-scored for todays young stars by Mike Carubia.

US
Arranged by Thad Jones/Mike Carubia
Medium Difficult
$43.00
Cat: SCM-011
Us is a wonderful gospel/rock composition a perfect 4th below Thads original,
making it accessible to younger players. Thad utilized the a cappella brass soli,
supported by the saxes in this arrangement, producing a solid funk/rock/gospel
piece that students and parents will enjoy. Interestingly, this is one of the few big
band charts Thad wrote without solo space. (Scored to sound complete with 4/3/2/3).

ARRANGED BY MICHAEL GUS KAMBEITZ


EXOTIC LANDSCAPE

Arranged by Thad Jones/Mike Carubia


Medium
$45.00
Cat: SCM-025
This tune is based on the changes to Im Getting Sentimental Over You but at a
medium swing tempo. This chart is real jazz by a true master made playable by high
school & college bands by Mike Carubia.

Arramged by Gus Kambeitz


Medium Difficult
$55.00
Cat: 56356
This is a 'blowing' tune, with minimal tutti sections. Features for bone 1, tpt 5, ten 1.
A great modern Blue Note feel makes this easy to program for any concert.

RHODA MAP
Arranged by Thad Jones
Difficult
$42.00
Cat: 4880
This Thad Jones swing chart is a saxophone section feature. Has nice brass accents
throughout and a pleasing shout chorus. Featured soloists are trumpet, trombone,
and tenor. Doubles: alto 1 on soprano (includes sub alto part). No guitar part.

Arranged by Gus Kambeitz


Medium Difficult
$55.00
Cat: 56360
Commissioned by the West Valley Jazz Orchestra for their performance with Dave
Liebman, this piece is a jazz waltz in the style of Alice in Wonderland, but with a
more modal feel. Solo space (changes) for all woodwinds, this piece is a nice change
up for concerts since it is meant to be mainly soft. Lead trumpet to high E.

SECOND RACE

QUATRO CINCO SEIS

Arranged by Thad Jones/Mike Carubia


Difficult
$43.00
Cat: SCM-014
Second Race once again shows Thads attention to form. Constructed to highlight
the tenor sax solo, yet perfectly setting up the two ensemble choruses which follow.
Thad has once again created a masterpiece from the time honored blues in F. Note
to arrangers: check out Thads treatment of the last 4 measures of this composition.
(Scored to sound complete with 4/3/2/3).

SALLY

THREE AND ONE


Arranged by Thad Jones
Advanced
$42.00
Cat: 4940
This chart features flugelhorn, baritone saxophone and the bass. No guitar part.

CALL NOW TO ORDER! 1-518-587-1102

ON THE DL

***NEW***

Arranged by Gus Kambeitz


Medium Difficult
$57.00
Cat: 56357
This is a fast modal tune (with a bridge) in the style of Coltrane. Nice feature for
solos in trumpet 4, tenor 1 and opt for piano or guitar. Some challenging changes to
blow over. Great piece to let your brass rest their chops!

Arranged by Gus Kambeitz


Medium Difficult
$55.00
Cat: 56358
This is a 'great early in the year' medium shuffle. Scored for confidence building and
easy playability, the piece is set to the chord changes of Bernies Tune and with
flexible backgrounds and changes for each instrument, can feature any soloist in the
band. Trumpet to high E, (in backgrounds only) but can easily be revoiced down or
left out completely.

OR ORDER BY FAX: 1-518-587-2325

29

TITLES LISTED BY ARRANGER


ARRANGED BY PHIL KELLY
BEAU-DAY-SHUS BUNZ
Arranged by Phil Kelly
Medium
$65.00
Cat: 56400
An easy walking sassy Quincy Jones type theme featuring flugelhorns and altos in a
two part exposition accompanied later by trombone punches. Solo spaces with
backgrounds for tpt/ten. Easy ensemble builds to a screaming shout chorus, finally
leading into a piano solo and recap of the theme. Tpt 1 to D. All tpts double flugels.

BLOOLONIUS
Arranged by Phil Kelly
Medium Difficult
$75.00
Cat: 56401
An original slow blues with a 12/8 feel based on a theme composed of "monkish"
sixth leaps that ascend and descend in a somewhat acerbic manner. After developing
into an entwined twisting contrapuntal second chorus, there is solo space with
backgrounds for tpt and tenor leading to an ensemble chous. Trumpet 1 has several Ebs.

CAMELTOE WALTZ
Arranged by Phil Kelly
Difficult
$65.00
Cat: 56402
An offbeat funk oriented piece in 3/4 time alternating with a 4/4 B section featuring
a snaky chromatic funky blues line introduced by a group of 4 horns and then
developed by the entire band. May require work reading the 16th note funk-based
notation and some superimposed 3/16 crossrhythms in the cadences. Ensemble
based on a stop-time statement/response in the brass with snaky overlaying sax
lines. A challenging offbeat chart! Tpt to D. Electric keys/bass/gtr recommended.

CONVERGENCE ZONE
Arranged by Phil Kelly
Difficult
$75.00
Cat: 56403
A challenging original that will really give your band something to shoot for. A semi
"out" tpt/ten neo bop line based on the G diminished scaled and ascending half
diminished changes proceeds into a contrapuntal treatment of the main theme.
Open solos with big bands for tpt/tenor lead to a challenging sax soli and piano solo,
leading into some fairly dissonant ensemble work culminating in a big ensemble with
drum fills finale. A really big show piece for the entire ensemble. Tpt 1 has a couple
Ebs and many Ds. Soprano sax doubles on alto 1.

(I CANT BELIEVE) I 8 DA WHOLE


/ HALF THING

JEANNINE
Arranged by Phil Kelly
Medium Difficult
$65.00
Cat: 56404
A swinging up-tempo version of the old Duke Pearson jazz standard that features
the trombone section on the theme...solo background for tenor, trumpet, (possibly
trombone) leading to an exciting ensemble shout chorus. Trumpet 1 has a couple
Ebs, generally lays around C.

***NEW***

Arranged by Phil Kelly


Difficult
$60.00
Cat: 56407
A tongue-in-cheek funk/Latin excercise written in 7/8 (to keep everyone's toes
tapping a bit spasmodically) based upon extended and slightly altered blues type
changes. Features a fairly challenging ensemble shout chorus (lead tpt has a couple
high Gs) but since the song is largely two line counterpoint, a lot of cuing is included
to afford some brass rests to save chops. Requires ensemble able to deal with Tower
of Power-type 8/16 notation. A fun but challenging chart!

30

Arranged by Phil Kelly


Medium Difficult
$65.00
Cat: 56405
A new treatment of the old Joe Zawinul favorite that features various two part tpt/
sax voicings that build to an exciting shout chorus featuring some 16th based funk
rhythms that might require some rehearsal. Open solos with backgrounds. Trumpet
1 has several high Ebs. Electric keyboard, bass, and guitar suggested.

PLEADING DIM CAP

***NEW***

Arranged by Phil Kelly


Medium Difficult
$60.00
Cat: 56408
Medium up tempo jazz feel with contrapuntal Holman-esque lines further exploring
the possibilities of the diminished scale both for the ensemble and soloists. Ensemble
shout chorus with lots of space for the drummer to shine as well. Challenging
straight ahead type chart.

RAINSHADOW
Arranged by Phil Kelly
Medium
$60.00
Cat: 56406
A haunting slow Bossa Nova featuring soft flugelhorns and woodwind colors with
a Gil Evansish brass chorale type bridge. Solos on flute (and guitar or piano).
Requires 2 c flutes, 2 Bb clarinets, and bass clarinet along with 4 flugels, 4 bones in
buckets and 4 rhythm (acoustic guitar suggested and additional light percussion
could be added).

ZIP CODE 2005

***NEW***

Arranged by Phil Kelly


Medium
$60.00
Cat: 56410
An updated re-write of Zip City with some new added materials including an
extended ending. A real barn burner double blues of a closer for a concert. (Lead tpt
ends on band tune.) Trumpet range to high A.

ARRANGED BY MICHAEL KOCOUR


DONNIE'S TEMPO

***NEW***

Arranged by Michael Kocour


Medium Difficult
$55.00
Cat: 52040
Medium swinger with obvious references to the work of Thad Jones. While written
solos for piano and flugelhorn are included with the chord changes, the solo section
may be opened up for other instrumentalists in the band. This chart was written for
the Texas All-State Jazz Band.

***NEW***

Arranged by Phil Kelly


Difficult
$60.00
Cat: 56409
Funky hip-hop style Brecker Bros. type line reminiscent of Freedom Jazz Dance with
a strut feel B section. Solo sections feature more dimished scale vamps followed by
a call and response section over a drum/percussion breakdown. Requires ensemble
able to deal with Tower of Power-type 8/16 notation.

JUAN BEATOV STOMP

MERCY, MERCY, MERCY

ARRANGED BY TOM KUBIS


12TH STREET RAG
Arranged by Tom Kubis
Difficult
$55.00
Cat: 50155
An up-swing feature for the two tenors. A great vehicle to show off the soloists.
Trumpet high D.

AFTER YOU'VE GONE


Arranged by Tom Kubis
Medium
$55.00
Cat: 55549
This is a trumpet feature based on the great old standard. Up-tempo all the way
with plenty of room to solo for the jazz trumpet player!

AGGRESSIVE SHUFFLING!
Arranged by Tom Kubis
Medium Difficult
$55.00
Cat: 55524
This is a bluesy shuffle with chord changes that have a unique twist! Solos for
baritone and tenor sax. This one has a lot of punch and energy starting with the
bones and ending with lots of full ensemble.

AINT IT WONDERFUL
Arranged by Tom Kubis
Difficult
$55.00
Cat: 50101
Up-tempo swing. Open solo section. Recorded on Tom Kubis Slightly Off the
Ground.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

C O U N T B A S I E S E R I E S TITLES LISTED BY ARRANGER


ALEXANDERS BIG TIME BAND

Arranged by Tom Kubis


Difficult
$55.00
Cat: 50102
Great up-tempo swing chart with similar title. Recorded by Tom on Slightly Off The
Ground.

ALICE BLUE GOWN

***NEW***

Arranged by Tom Kubis


Medium
$55.00
Cat: 55557
Features flugels over bones, which leads into a solo section with 3 soloists, and a
shout chorus and out, including a brief saxophone soli. Medium swing. Solos: trumpet,
tenor sax. Trumpet 1 highest note is high E.

ALL WE NEED IS RON!


Arranged by Tom Kubis
Difficult
$53.00
Cat: 55505
Written for the great Ron Stout, trumpet player for the Woody Herman orchestra.
Starts out as a ballad, then jumps into an up-tempo swing feel. Great be-bop
changes to blow on!

ATLANTIC SNOW FALL


Arranged by Tom Kubis
Difficult
$48.00
Cat: 55506
A full and rich ballad for the baritone sax. Drops into a slight double time feel at the
end.

AULD LANG SYNE

BIG DS OVERNIGHT SPECIAL


Arranged by Tom Kubis
Difficult
$50.00
Cat: 50105
A heartily swinging piece which seems never to stop building. Perfect opener. Piano
solo. No score.

BIG EDS MONDAY NIGHT BLUES


Arranged by Tom Kubis
Difficult
$49.00
The chart swings heartily featuring a trumpet solo. No score.

Cat: 50106

BILL BAILEY
Arranged by Tom Kubis
Difficult
$65.00
Cat: 50148
Up-tempo swing. Its got it all from an a cappella ensemble to a Dixieland band and
a killer shout section. Solo changes in each section.

BLUE JOB
Arranged by Tom Kubis
Difficult
$49.00
Medium blues featuring trumpet. No score.

Cat: 50108

BLUEST BLUES

Arranged by Tom Kubis


Advanced
$40.00
Cat: 62519
This starts out as a pretty rock ballad and ends on a high note so to speak. The lead
trumpet player can play the really high stuff down an octave. This is a great chart to
bring in the new year! As recorded on A Jazz Musicians Christmas.

Arranged by Tom Kubis


Difficult
$53.00
Cat: 50179
Steve penned this 12/8 down and dirty blues as a trombone feature. Features both
the lead trombone and the trombone section. Recorded by the Kubis/Allen Big
Band on Fast Cars and Fascinating Women.

AWAY IN A MANGER

BOOGIE MAN

Arranged by Tom Kubis


Difficult
$55.00
Cat: 62525
This is an up-tempo jazz waltz featuring the tenor sax or soprano sax. As recorded
by the Tom Kubis Big Band on A Jazz Musicians Christmas.

Arranged by Tom Kubis


Medium
$55.00
Medium driving rock. Fusion. Features tenor sax.

BAHIA YODEL

Arranged by Tom Kubis


Difficult
$53.00
Cat: 55507
This is a cool blues chart featuring the bass and the trombone with the melody. The
blowing section is open for anybody to play ending with lots of cool ensemble at the
end.

Arranged by Tom Kubis


Difficult
$55.00
Cat: 50178
This is a cooking Latin jazz piece featuring trumpet and alto sax solos. This chart is
becoming a standard for Steve Allen and is requested by most of the bands he works
with. As usual there is plenty of hard cookin ensemble stuff for all to play! Recorded
by the Kubis/Allen Big Band on Fast Cars and Fascinating Women.

BALLAD FOR G AND E

Cat: 55550

BOOKE ENDS

BRAZILIAN DANCE
OF THE FLUGELHORN

***NEW***

Arranged by Tom Kubis


Medium Difficult
$52.00
Cat: 55525
A contemporary minor rock feel featuring the 2 altos in the band. Great for featuring
the 2 as they play solos and also swap back and forth. Trumpet plays a high F.

Arranged by Tom Kubis


Difficult
$55.00
Cat: 55558
Medium to up Samba with a pretty melody statement in the flugelhorns. Very catchy
melody. Samba. Features: trumpet section. Solos for flugelhorn, and alto sax. Trumpet
1 highest note is double high G.

BALLAD ONE

BRECKER BRAC

Arranged by Tom Kubis


Medium Difficult
$51.00
Cat: 50170
This is a moody 16th ballad for the first tenor player who could also play this on
soprano sax. Chart has a full dynamic range and is a great vehicle for that good
tenor player who aspires to be the next Michael Brecker. Trumpet to B.

BEFORE YOU LEFT


Arranged by Tom Kubis
Difficult
$49.00
Cat: 50104
Up-tempo swing that starts with a sax soli. Great as an opener or closer. Features
tenor sax. No score.

Arranged by Tom Kubis


Difficult
$43.00
Cat: 50109
This is a funk chart. It will need some work, but the time spent will be worth it. Tenor
solo. No score. Recorded by Univ of Wisc-Eau Claire on Jazz, In Transit.

BUCKET BRIGADE!

***NEW***

Arranged by Tom Kubis


Medium
$55.00
Cat: 55559
This starts with buckets. Plenty of ensemble room in this one! Up swing. Solos:
trumpet, trombone, tenor sax. Trumpet 1 highest note is high C.

THE BEST PART OF ME IS YOU


Arranged by Tom Kubis
Medium Difficult
$49.00
Cat: 50158
Jazz ballad. Very pretty flugelhorn feature. A great feature for that trumpet player
with that great sound. Trumpet high C.

CALL NOW TO ORDER! 1-518-587-1102

OR ORDER BY FAX: 1-518-587-2325

31

TITLES LISTED BY ARRANGER


BY THE LIGHT
OF THE SILVERY HARVEST MOON
Arranged by Tom Kubis
Medium
$55.00
Cat: 55541
Medium swing. Great for the audience with the 2 old great classics. Done with
flugelhorns and bucket trombones with a tenor solo in the middle! Tenor sax solo
and trumpet 1 highest note is high D.

CAUGHT IN THE MOMENT


Arranged by Tom Kubis
Medium
$50.00
Cat: 55522
Pretty flugelhorn feature in the Latin Bossa Nova vein. Perfect for the lyrical trumpet
player in your section. Starts with the head and goes into a solo section, then to the
last ensemble with a short sax soli.

CERTAIN NIGHTS I HAVE THE BLUES


Arranged by Tom Kubis
Difficult
$53.00
Cat: 50180
Steve Allen penned this slow bluesy piece featuring the sax section on the head and
giving room for the tenor player to air out his/her grief. The exiting 12/8 shout
section will get them off their feet! Recorded by the Kubis/Allen Big Band on Fast
Cars and Fascinating Women.

THE CHINESE SAMBA


Arranged by Tom Kubis
Difficult
$55.00
Cat: 50149
Starts off with two unison sections (that should wake everybody up) into a solo
section with chord changes in every section. Based on the old early jazz standard
China Boy.

CHITLINS
Arranged by Tom Kubis
Advanced
$55.00
Cat: 55503
Its fast, and its rhythm changes. This is a fun one. Written for trumpeter Louise
Baranger. Play it as fast as you can! Can be opened up for anyone to play solos on.

CHUCKS OVERNIGHT FUNK MACHINE


Arranged by Tom Kubis
Medium Difficult
$55.00
Cat: 55517
Written for Los Alimitos High School under the direction of Chuck Wackerman. This
is a supreme funk piece! Lots of Breckerish and Tower of Power kind of stuff. A good
high school band will funk out on this one. Open drum solo at end sets this one off!

COLD SEPTEMBER MORNING


Arranged by Tom Kubis
Advanced
$55.00
Cat: 50195
WOW! What a nice ballad! This is the alto feature you have been looking for! This
is a jazz ballad with lots of nice pad backgrounds that are easy on the ear.

DAT DA DUT DUH!

DOWN BY THE OLD MILL STREAM


Arranged by Tom Kubis
Medium
$55.00
Cat: 55542
Medium swing. Starts out with the flugels over bucket bones and and builds from
there. Room for the trumpet to stretch out! Big shout! Trumpet solo. Trumpet 1
highest note is high E.

DOWNTOWN CLOWN
Arranged by Tom Kubis
Advanced
$55.00
Cat: 50167
This is a very catchy and pleasing tune. This medium swing chart has a great little
bounce to it. Opening with a statement by flute and harmon trumpet moves into
solid ensemble throughout. Trumpet 4 has a solo. There are some doubles. High D in
trumpet 1. Recorded by the Kubis/Allen Big Band on Fast Cars and Fascinating Women.

EARLY AUTUMN
Arranged by Tom Kubis
Difficult
$53.00
Cat: 50150
Starts out with a tenor ballad section with brass (flugelhorns) reharmonization of
this great tune. As the ballad section finishes, the tenor takes a written up-tempo
break ala Supersax and then weaves his way through the great changes of this tune
with a lot of hard-hitting ensemble behind. The tempo drops back into an ensemble
ballad and closes with a tenor cadenza and band ending.

EVERYBODY HAS THE BLUES


Arranged by Tom Kubis
Difficult
$55.00
Cat: 55508
Another in the line of the Steve Allen/Tom Kubis series. Steve created this hip pop
tune. This is a very catchy little song with the melody stated by the trumpets with
lots of great ensemble stuff. A very exciting chart!

EVERYBODY LOVES MY BABYS


Arranged by Tom Kubis
Difficult
$53.00
Cat: 50160
Up-tempo burner. This is a hard chart and packs quite a wallop! A great shout
chorus. Trumpet to D. Recorded by Charles Rutherfords Jazz Pacific Orchestra.

EVERYTHING MUST CHANGE


Arranged by Tom Kubis
Difficult
$45.00
Nice ballad. Features alto sax solo. Conductor sketch.

Cat: 50111

EXACTLY LIKE THIS


Arranged by Tom Kubis
Difficult
$53.00
Cat: 50112
Medium swing. Open solo section. Conductor sketch. Recorded by Tom Kubis.

EXTREME WEST COASTING


Arranged by Tom Kubis
Medium Difficult
$55.00
Cat: 55526
Up-tempo cool-school chart. More of a linear feel with counterpoint unisons. Solos
available in all sections. Trumpet 1 to high F.

***NEW*** FAHN AND ANDY

Arranged by Tom Kubis


Medium
$55.00
Cat: 55560
Straight ahead blues shuffle with trumpet and tenor solos. Great opener: gets your attention
right away! Shuffle. Solos: trumpet, tenor sax. Trumpet 1 highest note is high F.

DECK THE HALLS


Arranged by Tom Kubis
Difficult
$55.00
Cat: 62526
From the Kubis Big Band Christmas CD. This is yet another Samba full of the
Christmas spirit. As recorded by the Tom Kubis Big Band on A Jazz Musicians
Christmas.

DO I HEAR FOUR

Arranged by Tom Kubis


Difficult
$53.00
Cat: 50173
Written for 2 very fine Southern California trombone players Mike Fahn and Andy
Martin. This is a very fast chart featuring 2 trombones with a very cool be-bop type
head. If you have 2 good soloists in the trombone section you have wanted to show
off, this is the chart for you! Trumpet to D.

FAST CARS AND CRAZY WOMEN!


Arranged by Tom Kubis
Difficult
$55.00
Cat: 50181
This is a burner that features the tenor player and has a lot of room to feature the
drummer! This cooks from beginning to the end, a great set closer! As recorded by
the Kubis/Allen Big Band on Fast Cars and Fascinating Women.

Arranged by Tom Kubis


Difficult
$49.00
Cat: 50110
Its a swinging band feature with some great ensemble writing. Features a trumpet
solo. No score.

32

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COMPLETE PO S ONLINE!

FLY ME TO THE MOON


Arranged by Tom Kubis
Difficult
$65.00
Cat: 50151
Medium up-swinger that starts out with a hip hop groove (very cool!). After the first
chorus with the melody presented by the flugelhorns, the chart goes into regular
swing handing the melody off to the sax section. Solo section is open then goes into
a sparkling (yes sparkling!) 2 chorus ensemble. Trumpet to high D. Recorded by
Charles Rutherfords Jazz Pacific Orchestra on Reunion.

FRANKIE AND JOHNNY


AND A TROMBONE GUY
Arranged by Tom Kubis
Difficult
$53.00
Cat: 50190
This shuffle features the 3rd trombone player playing the old familiar Frankie and
Johnny. The chart starts with a cool vamp to set up the trombone player playing the
melody on plunger mute. There is plenty of soli stuff with the trombone section and
a burning shout section.

GENTLE BREEZE
Arranged by Tom Kubis
Difficult
$51.00
Cat: 50100
This is a Samba. Features trumpet and requires a strong lead trumpet. Some doubles.

GOD REST YE MERRY TROMBONES


Arranged by Tom Kubis
Advanced
$55.00
Cat: 62518
This one will warm up the old yule log! This up-tempo jazz chart features the
trombone section and a lot of great ensemble. As recorded by the Tom Kubis Big
Band on A Jazz Musicians Christmas.

HAPPY TUESDAY

TITLES LISTED BY ARRANGER


I AINT GOT NOBODY
Arranged by Tom Kubis
Medium
$55.00
Cat: 55533
Medium swing. The familiar standard with lots of exciting dynamics. This has a tenor
sax solo. Starts with the flugelhorns and trombones in buckets. Tenor sax solo.
Trumpet 1 highest note is high E.

I CANT BELIEVE YOUR IN-LAWS WITH ME


Arranged by Tom Kubis
Difficult
$49.00
Medium swing with an open solo section. Some flute doubles.

Cat: 50115

I JUST FLEW IN FROM CHICAGO


AND BOY ARE MY ARMS TIRED
Arranged by Tom Kubis
Difficult
$49.00
Blues shuffle. Features a trombone solo. No score.

Cat: 50116

IM ALWAYS CHASING RAINBOWS


Arranged by Tom Kubis
Medium
$55.00
Cat: 55537
The chart will work for concerts as well as for dance gigs. The chart starts with
flugelhorns and trombones in buckets. Has blowing changes on the 4th trumpet
part. Lead trumpet up to concert D. Has an 8-bar sax soli.

IM GONNA TELL

Arranged by Tom Kubis


Advanced
$55.00
Cat: 55502
This is a piano feature in a jazz waltz style. This gives plenty of jazz space to the
pianist and also gives room for the band to cook too!

Arranged by Tom Kubis


Difficult
$53.00
Cat: 50182
A great set opener! This tune is very gospelish in nature. Tenor has the solos or it can
be opened up. Shout section is a ball! As recorded by the Kubis/Allen Big Band on
Fast Cars and Fascinating Women.

HARK THE HERALD

IM KINDA CRAZY

Arranged by Tom Kubis


Advanced
$55.00
Cat: 62517
This is a pretty rock ballad that features the lead trumpet. The real high trumpet
stuff at the end may be played down an octave. As recorded by the Tom Kubis Big
Band on A Jazz Musicians Christmas.

HERE WE COME A WASSELING!


Arranged by Tom Kubis
Difficult
$53.00
Cat: 62533
Look out weve never Wasseled like this before! This one is difficult. Very good high
school or very good college with lots of meter changes but wow what a burner!
Tenor feature. High trumpet F. Very fast 3/4 time. Well worth the effort! From the
third Tom Kubis Big Band Christmas CD.

HEY JEFF
Arranged by Tom Kubis
Difficult
$49.00
Cat: 50159
Jazz blues shuffle. Features the 4th trumpet player. Plenty of great ensemble. Trumpet
to high D.

HONEYS BUCKLED HOSE

Arranged by Tom Kubis


Difficult
$55.00
Cat: 50183
Features the trombone section on this up-tempo swing chart - this is another
cooker! Solo section set up to feature trombones. The shout features extremes in
dynamics. Another great set closer! Recorded by the Kubis/Allen Big Band on Fast
Cars and Fascinating Women.

IVE BEEN WORKING ON THE RAILROAD


Arranged by Tom Kubis
Medium
$55.00
Cat: 55544
The head is soft brass with a bone solo in the middle with a tough sax soli and a cool
shout! Features trombone solo. Trumpet 1 highest note is high D.

IVE GOT TO GET ANOTHER BABY!


Arranged by Tom Kubis
Medium
$53.00
Cat: 50184
This is a medium swing Basie style chart that opens up with the trombone section.
Solo section is open for anyone to play. The shout section feature extremes in
dynamics and has intensity that wont stop. All this ends with the trombone section.
This is a fun one to play. Recorded by the Kubis/Allen Big Band on Fast Cars and
Fascinating Women.

Arranged by Tom Kubis


Difficult
$49.00
Cat: 50114
Up-tempo swing. Changes based on Honeysuckle Rose. Conductor sketch.

IF I HAD IT TO DO ALL
OVER AGAIN I'D SHUFFLE

HOSPITAL BLUES

Arranged by Tom Kubis


Medium
$55.00
Crankin' shuffle chart with solo changes in saxes and bones.

Arranged by Tom Kubis


Medium
$55.00
Cat: 55551
Very pretty slow ballad for the flugel and trumpet jazz player. This part has a few
high notes. This arrangement is featured on Wayne Bergeron's You Call This A Living.

CALL NOW TO ORDER! 1-518-587-1102

Cat: 55552

IMAGINE WHAT A CHANGE WILL DO


Arranged by Tom Kubis
Difficult
$49.00
Cat: 50117
Beautiful ballad featuring trombone. Recorded by Kubis on Slightly Off the Ground.

OR ORDER BY FAX: 1-518-587-2325

33

TITLES LISTED BY ARRANGER


IN MEMORY OF BIX
Arranged by Tom Kubis
Medium Difficult
$55.00
Cat: 50168
As a tribute to the great trumpeter Bix Biederbecke, Steve Allen penned this great
and melodic tune. This 4th trumpet feature plays a Bix-like melody line with a big
band background. This arrangement is quickly becoming a standard for trumpet
repertoire. Trumpet to high D. Recorded by the Kubis/Allen Big Band on Fast Cars
and Fascinating Women.

IN THE GOOD OLD SUMMERTIME

JUMP, JOHN
Arranged by Tom Kubis
Advanced
$55.00
Cat: 50196
Steve Allen wrote a cute little tune that features the trombones and the bass player
in a Thad Jones-style unison line. This is a medium swing tune with a power-house
ensemble towards the end and finally ends with the bass.

JUMPY BLUES
Arranged by Tom Kubis
Advanced
$55.00
Cat: 50190X
Hard kickin jazz-blues shuffle with plenty of room for the tenor to solo.

JUST A PRETTY LITTLE THING

Arranged by Tom Kubis


Medium
$55.00
Cat: 55543
The great old standard - perfect for those summer concerts! This is a shuffle with
a tenor solo and a very cool sax soli! Trumpet 1 highest note is high E.

Arranged by Tom Kubis


Difficult
$49.00
Cat: 50163
A pretty flugelhorn feature in the Bossa style. Great feature for the trumpet player.

IN THE WINTER IN THE SUMMER

Arranged by Tom Kubis


Medium
$55.00
Cat: 55561
Very Monkish swing jazz tune featuring the trumpet and tenor sax. Medium swing. Features:
trumpet. Solos for trumpet & tenor sax. Trumpet 1 highest note is double high G.

Arranged by Tom Kubis


Advanced
$55.00
Cat: 50197
This features the soprano sax all the way through but also has plenty of ensemble
to work through. If you havent bought the Keep Swingin CD, you are missing a
great tune and fun chart!

INDIANA (BACK HOME AGAIN)


Arranged by Tom Kubis
Difficult
$55.00
Cat: 55540
Medium swing. This one is a challenge. Bucket trombones, flugelhorns and a difficult,
but swingin sax soli and the cool shout! Features the sax section. Solos for trumpet,
trombone, and tenor sax. Trumpet 1 highest note is high E.

IS IT YOU
Arranged by Tom Kubis
Medium
$53.00
Cat: 55518
Sanborn-style alto ballad with a half time funk feel. Easy changes to blow on. This is
a great vehicle to mellow things out and not put a lot of high stuff in the brass! Lead
trumpet up to Bb.

IT CAME UPON A MIDNIGHT CLEAR


Arranged by Tom Kubis
Medium
$55.00
Cat: 62521
This is a solo flugelhorn 3/4 ballad nicely reharmonized with lush chords and
backgrounds. A bit on the bluesy side! As recorded by the Tom Kubis Big Band on A
Jazz Musicians Christmas.

JADA

JUST MONKING AROUND

***NEW***

KEEP SWINGIN
Arranged by Tom Kubis
Difficult
$55.00
Cat: 55501
This great, swingin chart starts with unison saxes and leads way to a trumpet solo
then plenty of ensemble. This chart kicks!

KEY LIME PIE


Arranged by Tom Kubis
Difficult
$55.00
Cat: 55509
This is a clever little Latin tune penned by Steve Allen. Features the tenor sax on the
melody. This is a very tasty tune! Lots of rich backgrounds.

KINDA TWO KINDA THREE


Arranged by Tom Kubis
Medium
$51.00
Cat: 55510
This chart has been a big hit with all the bands that have played it. This is a very cool
Latin ballad trumpet feature.

LADY,YOUR COWS ON FIRE


Arranged by Tom Kubis
Difficult
$49.00
Cat: 50119
Jazz shuffle. Alto doubles on soprano. Nice ensemble and shout chorus, trombone
soli. No score.

Arranged by Tom Kubis


Medium
$55.00
Cat: 55531
The chart will work for concerts as well as for dance gigs. It starts with flugelhorns
and trombones in buckets. Starts a cappella with some cool changes. Has blowing
changes on the 4th trumpet part. Lead trumpet up to concert D. 16-bar sax soli.

LAST GREAT GEORGIA EXTRAVAGANZA

JINGLE BELLS

LE JAZZ HOT

Arranged by Tom Kubis


Medium
$52.00
Cat: 62534
Bass trombone feature on this old Christmas standard. This is a medium swing
version featuring the bass trombone all the way through the chart. The ensemble
and bass trombone trade off throughout the chart. As recorded by the Tom Kubis
Big Band on A Jazz Musicians Christmas.

JOY TO THE WORLD


Arranged by Tom Kubis
Medium
$55.00
Cat: 62522
A rousing Samba and a great tune to open a Christmas concert with! As recorded
by the Tom Kubis Big Band on A Jazz Musicians Christmas.

Arranged by Tom Kubis


Difficult
$49.00
Cat: 50120
Big, brassy and blustering swing which seems never to stop building. Some doubles.
Goes from swing to 4-bar Dixie feel back to swing. Piano and bari solos. No score.

Arranged by Tom Kubis


Advanced
$55.00
Cat: 50192
Medium to up-jazz swing starting with a very challenging sax line. Lots of meaty
ensemble leaving room for the trumpet to stretch out. This is a cooker.

LET GEORGE DO IT
Arranged by Tom Kubis
Difficult
$51.00
Cat: 50121
A medium tempo blues shuffle written for George Graham. Piano solo in the middle
of chart sets up a resounding shout chorus with lead trumpet solo over the band.

LETS DO IT
Arranged by Tom Kubis
Difficult
$53.00
Cat: 50174
Funk-rock head that alternates into up-swing. This chart is a great mesh of rock
horns and cookin big band. Lots of funk syncopations. Trumpet to D.

34

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COMPLETE PO S ONLINE!

LETS HAVE SOME SAMBA!


Arranged by Tom Kubis
Difficult
$53.00
Cat: 55511
This starts with a very cool little melody stated by the flugelhorns. It has an open
solo section for all those who wish to play. This one will keep your toes a-tappin!

MACFUNKY
Arranged by Tom Kubis
Difficult
$53.00
Cat: 50175
Is a very funky 16th groove that stays funk all the way through. Great closer or
opener or just something to let the rockers blow on! Trumpet to D.

MAKE YOUR DREAMS COME TRUE


Arranged by Tom Kubis
Difficult
$49.00
Cat: 50122
Bossa-rock. Great ensemble writing. Solos for tenor and trombone. Some sax doubles.
No score.

MAMA USED TO DO THE CHA CHA


Arranged by Tom Kubis
Advanced
$55.00
Cat: 50198
This is more a jazz Latin feel then a Cha Cha. This starts out with a small group
playing the cute melody and works into some powerful backgrounds and ensembles.
Lots of good fun on this tune!

MARABA

***NEW***

Arranged by Tom Kubis


Difficult
$55.00
Cat: 55562
This is a hard driving Samba chart on the difficult side but well worth the effort, very
Mangioneish. Features alto sax. Solos for trumpet and alto sax. Key: C minor. Trumpet
1 highest note is high E flat.

MARIES SHUFFLE
Arranged by Tom Kubis
Difficult
$60.00
Cat: 50162
Jazz shuffle based on the old Glenn Miller tune. Starts with an a cappella section
with lots of ensemble all over the place. Chord changes in each section.

MEAN TO ME
Arranged by Tom Kubis
Difficult
$48.00
Cat: 50123
Easy swing of this classic standard. Solo space for trumpet and piano. Nice sax soli.

MIDNIGHT WALTZ
Arranged by Tom Kubis
Difficult
$55.00
Cat: 55512
Another in the line of the Steve Allen/Tom Kubis series. This lovely tune penned by
the great Steve Allen features the trumpet on a sweet 3/4 jazz waltz. Lots of great
solo space and ensemble!

NO 3 WAYS ABOUT IT

***NEW***

Arranged by Tom Kubis


Medium
$55.00
Cat: 55563
This is just the right ballad to feature your alto player with the cool sound. Nice
melodic chart with punchy ensemble at the end. Bossa. Features: alto sax. Solos for
alto sax. Trumpet 1 highest note is high E.

NO GREATER BE-BOP

TITLES LISTED BY ARRANGER


NOT TONIGHT, IVE GOT A HEADACHE
Arranged by Tom Kubis
Difficult
$49.00
Cat: 50124
Up-tempo flag waver based loosely on a requested Glenn Miller classic. Open solos.

O CHRISTMAS TREE
Arranged by Tom Kubis
Advanced
$55.00
This medium swing chart starts out with the piano and moves
trumpet solo. As always, plenty of great ensemble to get you into
spirit! As recorded by the Tom Kubis Big Band on A Jazz Musicians

Cat: 62514
into a harmon
that great yule
Christmas.

O COME ALL YE FAITHFUL/


O LITTLE TOWN OF BETHLEHEM
Arranged by Tom Kubis
Difficult
$55.00
Cat: 62523
A two-trumpet feature playing these two great Christmas standards in a ballad
style. As recorded by the Tom Kubis Big Band on A Jazz Musicians Christmas.

O HOLY NIGHT
Arranged by Tom Kubis
Difficult
$55.00
Cat: 62524
This is a high note first trumpet feature. A very thrilling and exciting vehicle for the
lead trumpet. High parts may be played down an octave. As recorded by the Tom
Kubis Big Band on A Jazz Musicians Christmas.

OH THAT FACE
Arranged by Tom Kubis
Advanced
$55.00
Cat: 50193
A very cool melody in an up-tempo jazz waltz style. This starts by featuring the
flugelhorns and also features a trombone solo. This has lots of good solid ensemble
throughout. This is a nice change of pace for a jazz concert.

ON PURPLE PORPOISE PARKWAY


Arranged by Tom Kubis
Difficult
$55.00
Cat: 50125
Your alto, soprano and tenor players will get a chance to trade fours on this familiar
tune. Youll figure it out when you get there. Great Samba-swing recorded by Kubis
on Slightly Off the Ground.

ONCE IN A WHILE
Arranged by Tom Kubis
Medium
$55.00
Cat: 55532
The chart will work for concerts as well as for dance gigs. The chart starts with
flugelhorns and trombones in buckets. Has blowing changes on the 4th trumpet
part. Lead trumpet to concert C. 16-bar sax soli.

PAIN FOR WAYNE


Arranged by Tom Kubis
Difficult
$53.00
Cat: 50154
Funk high trumpet feature with Maynard Ferguson in mind. This is a great vehicle for
the trumpet player with a high G.

PATITUCCI ON THE BACK

Arranged by Tom Kubis


Difficult
$55.00
Cat: 50164
This very up-swing chart starts out with a three piece be-bop group who play the
head and solos before the big band joins in. This has a lot of nice ensemble sections
and plenty of places to blow.

Arranged by Tom Kubis


Difficult
$46.00
Cat: 50126
Bossa Nova written for John Patitucci. Features bass solo. Some sax doubles. No
score.

NOT NECESSARILY THE BLUES

Arranged by Tom Kubis


Advanced
$55.00
Cat: 55504
Featuring the trombone section, this minor up-swing tune has a lot of personality.
Saxes are featured in the Supersax style. This chart is another cooker!

Arranged by Tom Kubis


Difficult
$55.00
Cat: 50171
This tune is a slow, rock, bluesy, knock down drag em out kinda thing you would
expect a good down and dirty blues to be. Starts out in major and goes into a 16th
feel minor section with plenty of room for all soloists to perform.

CALL NOW TO ORDER! 1-518-587-1102

PAYIN YOUR DUES

OR ORDER BY FAX: 1-518-587-2325

35

TITLES LISTED BY ARRANGER


PEANUT FACE
Arranged by Tom Kubis
Difficult
$55.00
Cat: 50157
Very cool Samba with a short funk section in the middle. Its not an easy chart but
it is guaranteed to keep the feet tappin.

PEG O MY HEART
Arranged by Tom Kubis
Medium
$55.00
Cat: 55545
Medium swing. Starts out with a cool little combo playing the melody then a big
ensemble. Great way to hear this one! Solos features the trumpet and tenor sax.
Trumpet 1 highest note is high D.

PLACE TITLE HERE!


Arranged by Tom Kubis
Medium Difficult
$55.00
Cat: 55519
Up-tempo jazz burner in a minor mode - very west coast jazz! Starts out featuring
the trumpets in a be-bop line with the rest of the band coming in halfway. Lots of
room for soloists in the middle with a bebop ensemble toward the end. Very cool
school chart to play and blow on! Trumpet to high D.

PLAY BY PLAY
Arranged by Tom Kubis
Difficult
$51.00
Cat: 50166
Up-swing. There is one purpose for this straight ahead jazz tune: swing hard and
fast! This starts with a burning sax soli into an extended solo section. The rousing
shout section takes it out with a bang.

PLAY IT NICE
Arranged by Tom Kubis
Medium Difficult
$49.00
Cat: 50165
Pretty Bossa Nova featuring flugelhorn. This tune is pretty quiet throughout but
does have some hot ensemble writing. No doubles.

PLEASE TALK ABOUT ME WHEN I RETURN


Arranged by Tom Kubis
Difficult
$55.00
Cat: 50176
Medium swing chart with a lot of ensemble all the way through. Based on the
changes of another Dixie tune with approximately the same name. Nice spot for the
tenor to play the solo. Trumpet to D.

POOR BUTTERFLY

RED RIVER VALLEY


Arranged by Tom Kubis
Medium
$55.00
Cat: 55538
Medium swing.You wont be able to stop singing it...Red River Valley in the Basie style!
This has a trombone solo and lots of ensemble. Trumpet 1 highest note is high E.

RHYTHM MACHINE
Arranged by Tom Kubis
Difficult
$49.00
Cat: 50128
Medium shuffle. This is a solid concert opener or closer. Nice sax soli. tenor sax solo.
No score.

ROSE ROOM
Arranged by Tom Kubis
Medium
$55.00
Cat: 55534
Medium swing. This great old standard starting with the trumpets on flugelhorns or
buckets and the trombones in buckets. A difficult sax soli in the middle. Features
trumpet solo. Trumpet 1 highest note is high E.

ST. LOUIS BLUES


Arranged by Tom Kubis
Difficult
$53.00
Cat: 50161
This is a clever version of the old standard with plenty of ensemble and sax soli and
trumpet solos. No score.

SAMBA DE ELSE
Arranged by Tom Kubis
Difficult
$55.00
Cat: 50185
This tune starts with soprano and flugelhorn lead in a rather quiet fashion and
builds to a shout section featuring the trumpets. The open middle section features
anyone who wants to blow! Recorded on Fast Cars and Fascinating Women.

SAMBA DEES GODDA DO IT


Arranged by Tom Kubis
Difficult
$53.00
Cat: 50130
Nice Samba with great changes. Open solo section. Conductor sketch. Recorded by
Kubis on Slightly Off The Ground.

SAMBA FOR THE COMMON MAN


Arranged by Tom Kubis
Medium
$55.00
Cat: 55553
Starts out with the flugel section playing the head. This has room for the alto and
bone to play solos. Features the trumpet section.

SAX TEST

Arranged by Tom Kubis


Medium
$55.00
Cat: 55535
Medium swing. This great old standard starting with the trumpets on flugelhorns or
buckets and the trombones in buckets. Two dynamic shout choruses at the end.
Features a tenor sax solo. Trumpet 1 highest note is high D.

Arranged by Tom Kubis


Difficult
$49.00
Cat: 50131
What a great jazz shuffle! All saxes solo. This also has an a cappella sax soli, and then
an ensemble shout takes it out. Alto 1 doubles on soprano.

PREHEAT AND BURN

Arranged by Tom Kubis


Difficult
$53.00
Cat: 50186
Medium swing chart in a relaxed east coast feel featuring the baritone and 4th
trumpet on this very cool melody. Plenty of the usual Kubis shout stuff towards the
end and this all ends back with the baritone and 4th trumpet again. As recorded by
the Kubis/Allen Big Band on Fast Cars and Fascinating Women.

Arranged by Tom Kubis


Difficult
$49.00
Cat: 50127
Swing chart. Sax soli introduction flowing to a trumpet and an alto solo. Great as an
opener or closer. No score. Some doubles.

PRETTY BABY
Arranged by Tom Kubis
Medium
$55.00
Cat: 55539
Medium swing. This great standard with a bit of a twist. Still in the Basie style.
Features the trumpet solo. Flugelhorn and bucket trombones at the top. Trumpet 1
highest note is high D.

A PRETTY GIRL IS LIKE A MELODY


Arranged by Tom Kubis
Medium
$55.00
Cat: 55529
Medium swing. This great old standard starting with the trumpets on flugelhorns or
buckets and the trombones in buckets. Features solo on the 4th trumpet part.
Trumpet 1 highest note is high D.

36

SAY THAT AGAIN

SHUFFLE TILL YOU DROP


Arranged by Tom Kubis
Medium
$55.00
Cat: 55520
This starts out with the trombones in unison and burns till the end. If you have a
good trombone section this one will fly! Lots of solo room and a killer ensemble.
Trumpet does get an Eb above staff but only for a stab. No score.

SILENT NIGHT
Arranged by Tom Kubis
Advanced
$55.00
Cat: 62515
This powerful and pretty ballad features the lead trumpet player. The extreme high
notes on the solo part towards the end may be played down an octave. As recorded
by the Tom Kubis Big Band on A Jazz Musicians Christmas.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

SINCE YOU PUT IT THAT WAY


Arranged by Tom Kubis
Medium
$55.00
Cat: 55554
This is a nice way to feature a bone player. This chart is quiet at the top, but there
is quite a bit of powerful ensemble at the end. Bossa. Features trombone.

SKIPPING ALONG A RAINBOW


Arranged by Tom Kubis
Difficult
$55.00
Cat: 55513
Another in the line of the Steve Allen/Tom Kubis series. This is not easy! This features
the trombone section with some great soli stuff in a medium-up swing style.

SLAUSON CUTOFF
Arranged by Tom Kubis
Difficult
$49.00
Cat: 50132
Blues all the way. Starts with a sax soli. Ensemble shout,tenor solo, soprano double.
No score. Recorded by Northern Arizona Univ.

SLIGHTLY OFF THE GROUND


Arranged by Tom Kubis
Difficult
$55.00
Cat: 50133
Up-tempo swing as recorded by Tom Kubis. Has all the goodies: sax soli, a cappella
brass soli and trombone solos. Recorded by Northern Arizona Univ Jazz Ensemble.

SMILES
Arranged by Tom Kubis
Medium
$55.00
Cat: 55530
The chart will work for concerts as well as for dance gigs. The chart starts with
flugelhorns and trombones in buckets. Has blowing changes on the tenor sax part.
Lead trumpet to concert D.

SMILING OVER YOU


Arranged by Tom Kubis
Difficult
$49.00
Cat: 50134
This is a nice Bossa Nova chart and serves as a change of pace for the concert.
Features trombone solo. No score.

THE SNAKE WAS ON HIS WAY TO A GIG


Arranged by Tom Kubis
Difficult
$55.00
Cat: 55521
Up-tempo trombone feature in a minor key. This is a difficult chart but if you have
a trombone section thats good this will be a good one to perform. Starts with a
unison head followed immediately by a trombone soli - the last note of the soli is an
8th note D but that could be played down an octave and the A below will work for
the lead part.

TITLES LISTED BY ARRANGER


SPACE AVAILABLE
Arranged by Tom Kubis
Difficult
$49.00
Cat: 50136
Swing at its best. This has all the goodies: ensemble, shout chorus, tenor sax solo.
Some doubles. No score. Recorded by the Bill Watrous Big Band on Space Available.

SPEAK LOW
Arranged by Tom Kubis
Medium Difficult
$57.00
Cat: 55527
This is the great standard in a Latin groove featuring the alto sax with changes for
the trombone to solo as well. Plenty of room for the alto player with the cool sound
to show off!

STAR SPANGLED BANNER


Arranged by Tom Kubis
Medium
$32.00
Soprano sax feature of the National Anthem.

Cat: 55523

STEELY SHUFFLE-WOW!
Arranged by Tom Kubis
Difficult
$55.00
Cat: 50172
You gotta get this one. This was penned as a high-spirited rock shuffle and this one
cooks from beginning to end. This kinda Steely Dan-ish chart uses the traditional
rock horn styles and has plenty of room for all to solo. Trumpet to D.

STEP THIS WAY SIR


Arranged by Tom Kubis
Difficult
$55.00
Cat: 50169
A lively medium-up swing that has a classic jazz feel along with the hard swinging big
band sound Kubis is known for. Trumpet 4 has a solo. High D in trumpet 1. As
recorded by the Kubis/Allen Big Band on Fast Cars and Fascinating Women.

STEVES 5,000TH HIT!


Arranged by Tom Kubis
Difficult
$53.00
Cat: 50187
This Bossa Nova was written by Steve Allen on the 30th anniversary of the Tonight
Show as his 5,000th song! The alto gets a nod on the solo section. This very
subdued melody gives way to a full shout chorus but still holds to a very kicked back
kind of chart! As recorded by the Kubis/Allen Big Band on Fast Cars and Fascinating Women.

STREET STRUT

Arranged by Tom Kubis


Difficult
$49.00
Cat: 50135
From start to finish, youll bring the house down. Tenor sax solo. No score.

Arranged by Tom Kubis


Difficult
$53.00
Cat: 50188
Medium cookin rock tune that starts with a small horn trio behind some a cappella
funky bone riff with plenty of baritone funk stuff. Solo section open for anybody even guitar. Lots of great ensemble and sax soli stuff. Each bridge section moves into
fast swing feel. This is a very cool chart. Recorded on Fast Cars and Fascinating Women.

SOME OF THESE DAYS

SULTRY SAMBA

SO WHOS SORRY

Arranged by Tom Kubis


Difficult
$53.00
Cat: 50152
Starts with a wacky Dixieland version of this old tune featuring the alto sax (optional
soprano sax) and a plunger trombone with the trumpets in harmons acting as the
banjo. The drums pick up the tempo into a speedy straight ahead burner with lots
of great ensemble passages. Solo section in the middle is open.

SOMETHING MYSTERIOUS
Arranged by Tom Kubis
Advanced
$55.00
Cat: 50199
This is a pretty flugelhorn ballad. There are sax doubles. This is a very haunting solo
and arrangement on the Keep Swingin CD. Another great ballad change of pace!

SONG FOR MY FATHER


Arranged by Tom Kubis
Medium Difficult
$55.00
Cat: 55528
This is the great Horace Silver Latin standard. This chart features the lead alto and
4th trumpet. They get the melody and then each get a chance to solo. Lots of cool
ensemble at the end! Trumpet to high Eb.

CALL NOW TO ORDER! 1-518-587-1102

Arranged by Tom Kubis


Advanced
$55.00
Cat: 50194
This is a very pretty melody introduced by the soprano sax and flugelhorn. Both
these guys get a chance to solo. This starts nice and subtle and builds to the end.
Again this is a nice Latin change of pace. Recorded on Keep Swingin.

SUMMER DOWN IN SAVANNA


Arranged by Tom Kubis
Difficult
$55.00
Cat: 55514
This is a very classy lead alto ballad. Lots of warm lush backgrounds on this one. A
great way to show off the alto!

TAKE ME OUT TO THE BALL GAME


Arranged by Tom Kubis
Difficult
$55.00
Cat: 55546
Up-swing. This great old standard in Bb cooks right along with the saxes taking the
melody followed by an a cappella ensemble. Solos in each section and a modulation
to C for the shout! Solos feature trumpet, trombone and tenor sax. Trumpet 1
highest note is high E.

OR ORDER BY FAX: 1-518-587-2325

37

TITLES LISTED BY ARRANGER


TAKING THE A STUFF
Arranged by Tom Kubis
Difficult
$60.00
Cat: 50153
Medium-up tempo chart based on some tune about a train. This is a difficult chart
with a lot of ensemble passages. Solo section has solo chords for each section.
Trumpet to high D. No Doubles.

THAT BASIE BEAT


Arranged by Tom Kubis
Difficult
$55.00
Cat: 55515
Another in the line of the Steve Allen/Tom Kubis series. This is a great one to open up
a set with. Steve Allen created this in the Basie style, medium swing feel.

THAT SAME OLD FEELING


Arranged by Tom Kubis
Difficult
$49.00
Cat: 50138
Bossa Nova featuring tenor sax solo. Doubles required. No score.

THAT WORM FEELING

***NEW***

Arranged by Tom Kubis


Medium
$55.00
Cat: 55567
Laid back ballad in the Nestico style. Bucket mutes are used here. Places for the
tenor sax and piano to shine! Features tenor sax. Trumpet 1 highest note is high Bb.

Cat: 50139

THOSE DOWNTOWN COMPTON BLUES


Arranged by Tom Kubis
Medium
$55.00
Cat: 55555
Slow swing. This is a hard driving shuffle chart that starts with the bones and tenors.
Trumpet and bass solos in the middle with a heavy hitting shout.

TOOT TOOT THIS


Arranged by Tom Kubis
Advanced
$55.00
Cat: 50177
Up-tempo jazz chart with a lot of hard swinging ensemble. This is based on the
Dixieland tune with a similar name. This is a great chart for the advanced group
having plenty of open places for soloists.

TWO SAMBA TO GO

Arranged by Tom Kubis


Difficult
$55.00
Cat: 50142
Medium swing. Recorded by Tom Kubis on Slightly Off The Ground.

WHICH CRAFT?
Arranged by Tom Kubis
Difficult
$53.00
Cat: 50143
Medium swing based on the changes to a familiar standard. Features a tenor solo.
Recorded by Tom Kubis on Slightly Off the Ground.

WHISPERING
Arranged by Tom Kubis
Medium Difficult
$55.00
Cat: 55556
The old classic up tempo standard in the original key of Eb, starts out with the
trumpet voiced over the saxophones leading into a solo section with bone trumpet
and alto solos available followed by a killer ensemble then a restatement of the
trumpet over sax melody. High D is the high trumpet note. Great way to show your
band where Groovin' High came from!

WHISPERS

***NEW***

Arranged by Tom Kubis


Medium
$55.00
Cat: 55565
Bouncy jazz minor melody with the bari sax and trumpet. Solos are for baritone
saxophone and trumpet. Cool shout section at end! Medium swing. Trumpet 1
highest note is high F.

WHISPOLOGY

THEME WITHOUT A MOVIE


Arranged by Tom Kubis
Difficult
$40.00
A very romantic ballad featuring flugelhorn solo.

WHEN YOURE SMILING

Arranged by Tom Kubis


Difficult
$53.00
Cat: 50156
Based on the changes to Whispering. This is an up-tempo burner opening with the
saxes. Solo section open for anyone. Trumpet high D.

WHO CAN I TURN TO?


Arranged by Tom Kubis
Difficult
$55.00
Cat: 50144
Another great classic standard. As recorded by Tom Kubis on Slightly Off The
Ground.

YANKEE DOODLE BOY


Arranged by Tom Kubis
Medium
$55.00
Cat: 55547
Up swing. This one is great for those summer concerts or just feeling patriotic.It is
an up-tempo swing with a little hip hop section at the end of each chorus. Solos for
trumpet, trombone, and tenor sax. Trumpet 1 highest note is high E.

***NEW*** YOU CAN COUNT ON IT

Arranged by Tom Kubis


Difficult
$55.00
Cat: 55564
Up Samba featuring the 2 altos. There are never enough features for the 2 altos in
the big band. This one is a really fun driving minor Samba. Features alto sax. Solos for
alto sax. Trumpet 1 highest note is high E.

VILLAGE DANCE

***NEW***

Arranged by Tom Kubis


Medium
$55.00
Cat: 55566
Up-tempo swing. Piano solo with open solo section. Lead trumpet to high written
high C. Optional Vibes.

YOU MADE ME LOVE YOU

Arranged by Tom Kubis


Difficult
$45.00
Cat: 50141
Fusion-Samba featuring trumpet, trombone and tenor solos. No score. Recorded by
the Bill Watrous Big Band on Space Available.

Arranged by Tom Kubis


Medium
$55.00
Cat: 55536
The chart will work for concerts as well as for dance gigs. The chart starts with
flugelhorns and trombones in buckets. Has blowing changes on the 4th trumpet
part. Lead trumpet to concert D. 8-bar saxohone soli.

WE THREE KINGS

YOU MAKE ME FEEL SO VERY HAPPY

Arranged by Tom Kubis


Advanced
$55.00
Cat: 62516
This is a hard and fast jazz waltz. As recorded by the Tom Kubis Big Band on A Jazz
Musicians Christmas.

WHEN I HEAR HAPPY MUSIC


Arranged by Tom Kubis
Difficult
$55.00
Cat: 55516
Another in the line of the Steve Allen/Tom Kubis series. This is an up-swing tune with
lots of gusto. This is a great opener or closer. This is one of Steve Allens favorites to
get the attention of the audience.

38

Arranged by Tom Kubis


Difficult
$49.00
Cat: 50147
Medium blues shuffle with a tenor solo (optional open solos). Lead alto may be
played on soprano.

YOURE A GRAND OLD FLAG


Arranged by Tom Kubis
Medium
$55.00
Cat: 55548
Up-swing. Good one to open up a set. Fast and cookin! Room for solos in each
section. A lot of fun! Trumpet, trombone and tenor sax solos. Trumpet 1 highest
note is high E.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

TITLES LISTED BY ARRANGER

YOUVE GOT TO
HAVE THE BLUES SOMETIMES
Arranged by Tom Kubis
Advanced
$55.00
Cat: 55500
This medium-down swinger is reminiscent of that old Jimmy Smith organ minor
blues thing! This is a battle royal of the two tenors - another down and dirty chart!

ZAMBA
Arranged by Tom Kubis
Difficult
$55.00
Cat: 50189
Zamba is a Samba. Flute, soprano and flugelhorn open this relaxed piece with lots of
nice flugelhorn lines on the bridge. Open solo section for everyone. Unison bebop
lines introduce the big shout section and it all comes back to the small group in the
end. As recorded by the Kubis/Allen Big Band on Fast Cars and Fascinating Women.

ZIN ZAK

***NEW***

Arranged by John La Barbera


Difficult
$65.00
Cat: 55005
Joseph Zynczak was a close friend and publishing attorney of John's for over thirty
years. The chart reflects the energy with which he tackled the business at hand. He
was as relentless in his challenge to legal opponents as this chart is on the trumpets.
A true friend will be missed. Solos for alto saxophone, trombone, and piano.

ARRANGED BY DAVE LA LAMA


FULL HOUSE

ARRANGED BY JOHN LA BARBERA


CLOTH OF SILVER
THREADS OF BLUE

***NEW***

Arranged by John La Barbera


Difficult
$65.00
Cat: 55002
This chart is dedicated to Horace Silver & Blue Mitchell. Written for a small group
within a big band, it contains all of the elements of Horace's style. Solos for piano &
trumpet.

FANTAZM

***NEW***

Arranged by John La Barbera


Advanced
$60.00
Cat: 7011189
From John La Barberas latest big band recording, here is the title cut: a masterful
arrangement of this little-known Ellington gem. The tempo is moderate in an African/
Latin vein and features a wealth of interesting orchestrational colors within the
context of the big band. Featured solos include tenor or soprano sax and piano.

HIGHLAND CROSSING

***NEW***

Arranged by John La Barbera


Difficult
$65.00
Cat: 55004
As you might discern from the title, Over F is inspired by the Brazilian Frevo and uses
a lot of F pedal with some F sharps thrown in for a little harmonic crunch. John has
included some of the energy and joy of a Carnival coupled with a more conventional
Samba. Solos for soprano sax, drums, and percussion. Sax doubles: alto on soprano.

PYTHODD FELLOWS

***NEW***

Arranged by John La Barbera


Advanced
$60.00
Cat: 7011191
The Pythodd Club in Rochester, New York was where the famed La Barbera brothers
were first exposed to real, live jazz, and the Hammond B3 organ was often a part of
these groups. Here John uses the organ as a centerpiece, but surrounds it with
exuberant proclamations from the rest of the band in a smokin shuffle chart. Solos
are included for organ, guitar and tenor sax.

YOURS OR MINE OR BLUES

ARRANGED BY PAUL LAVENDER


LEAP FROG

***NEW***

Arranged by Paul Lavender


Easy
$45.00
Cat: 30724014
Paul has taken the famous Les Brown version and adapted it for younger groups.
The authentic style of the original is still there in this classy arrangement of a classic
from the swing era.

ARRANGED BY RICK LAWN

***NEW*** HYMN FOR 9/11

Arranged by John La Barbera


Difficult
$65.00
Cat: 55003
This chart is a soprano feature with a straight eights bed that builds to a high point
for lead trumpet solo. Modal changes with rich textured backgrounds. It evokes a
Scottish Highland flavor with an implied 3 against 4 melody. Solos for soprano sax
and trumpet. Sax doubles: alto on soprano.

OVER F

Arranged by Dave La Lama


Medium Easy
$40.00
Cat: SCM-027
This swingin minor blues features a unison sax melody and plenty of call & response
between brass and saxes. A simple but effective shout chorus leads back to the head
harmonized this time for saxes. Solo sections can be opened up and it this charts
ends with a spot for your drummer.

***NEW***

Arranged by John La Barbera


Difficult
$65.00
Cat: 55006
One of Pat La Barbera's newest compositions that is a cross between a C minor and
an F minor blues with a couple of extra bars thrown in for good measure. Solos for
trumpet, trombone, and tenor sax.

CALL NOW TO ORDER! 1-518-587-1102

Arranged by Rick Lawn


Medium
$42.00
Cat: 1597
An unusual chorale written for advancing big bands, this lush and harmonically
satisfying ballad captures the somber, but optimistic mood that came over the world
on that historic day. An improvised piano solo is included in this hauntingly beautiful
work commemorating the unforgettable events of September 11th. All trumpets
double on flugelhorn, and a guitar chord chart by Jim Greeson is included in each
set. Standard instrumentation, SATTB saxophones, trumpets on flugelhorn.

ARRANGED BY PAUL LEE


PEACEFUL MOMENTS
Arranged by Paul Lee
Medium Easy
$38.00
Cat: SCM-016
This original even-eighth ballad is written to allow multiple soloists. By leaving out
the appropriate section part and substituting the optional solo part, you can
feature alto, trumpet, tenor, trombone, guitar, flute or even piano as the featured
soloist. Great for giving your students a chance to play a solo with big band
accompaniment or for your guest artist to perform. (Scored to sound complete with 43-2-3).

YOU CAN COUNT ON IT


Arranged by Paul Lee
Medium
$38.00
Cat: SCM-006
A nice medium-tempo blues in Bb with the shout chorus in Eb. This composition
captures some of the cool school style that was popular on the West & East coasts
in the 1950s. Written solos, piano voicings & bass parts. High trumpet. Note written
G top of staff, trombone 2nd ledger line F. (Scored to sound complete with 4-3-2-3).

OR ORDER BY FAX: 1-518-587-2325

39

TITLES LISTED BY ARRANGER


ARRANGED BY MIKE LEWIS
AN APPLE A DAY

***NEW***

Arranged by Mike Lewis


Medium
$42.00
Cat: 60030
This is the perfect chart for tightening up your bands concept of ensemble skills,
particularly blend and phrasing. Both tenor saxophone and trumpet have solos
provided that can be performed as is or ad lib.This chart features Kendor Konvertible
instrumentation - meaning that it can be played by as few as 9 players. See why jazz
band directors everywhere are keeping lots of Mike Lewis charts in their books! A
guitar chord chart by Jim Greeson is included in each set.

CABIN FEVER

***NEW***

Arranged by Mike Lewis


Medium
$42.00
Cat: 61083
As with all Mike Lewis charts, the ensemble writing is full and satisfying, while
providing adequate opportunities for advancing groups to hone their skills. This one
contains a brief (16 bar) piano solo, but puts the spotlight squarely on the entire
band for the remainder of the time. A guitar chord chart is included in each set.

HYPNOTRANCE
Arranged by Mike Lewis
Easy
$48.00
Cat: 601
Written in Kendor Konvertible format, this medium easy original is set in a straight
eighth note feel, built around a series of rhythms and chord changes that keep
repeating throughout - hence the title! Abundant unisons will help inexperienced
groups build confidence, while offering all players a turn at the melody.

ONE MORE FOR THE COUNT


Arranged by Mike Lewis
Medium Easy
$42.00
Cat: 661
Great writing in the Basie tradition is presented here for developing jazz musicians
requiring material with accessible brass ranges, notated rhythm parts, and minimum
instrumentation requirements. It even has Count Basies signature piano figure at
the end! A guitar chord chart by Jim Greeson is included in each set.

T-REX
Arranged by Mike Lewis
Easy
$42.00
Cat: 699
This medium easy original is set in a swing style and features Kendor Konvertible
instrumentation. The saxophones introduce the tuneful melody, with trombones
supporting.The brass section takes over from there, before yielding to the saxophone
section again and a piano solo (as is or ad lib). The big ending will delight audiences.

ARRANGED BY AARON LINGTON


ASKEW

***NEW***

Arranged by Aaron Lington


Medium Difficult
$60.00
Cat: 54378
Up-tempo swinger loosely based on the chord changes of the jazz standard "What's
New?" It was recorded by the University of North Texas One O'clock Lab Band on
their album Lab 2002, and was awarded "Best Jazz Arrangement" in the 2003
Downbeat magazine Student Music Awards. In addition, it was the 2003 winner of
the Sammy Nestico jazz composition competition, sponsored by the USAF Airmen
of Note. Improvised solos are written for second alto saxophone and baritone
saxophone. Baritone saxophone doubles on bass clarinet. Top note for lead trumpet
is a written G3, and top note for lead trombone is a written C2. Baritone saxophone
doubles on bass clarinet. Number of brass: 10.

THE BLACK WIDOW


Arranged by Aaron Lington
Medium Difficult
$57.00
Cat: 54375
This dark, modal-flavored medium swinger was recorded by the University of North
Texas One O'clock Lab Band on their album Lab 2003, and was awarded an
honorable mention in the 2003 ASCAP Young Jazz Composer Awards. An extremely
tuneful melody is stated over colorful chord changes by a trio of baritone saxophone,
trumpet and trombone. Solos are written for baritone saxophone and trombone
and interweaving counterpoint lines are incorporated throughout the chart. Second
alto doubles on a brief, simple flute part. Top note for lead trumpet is a written F#3,
and top note for lead trombone is a written B1. Second alto doubles on flute.

COBBLESTONE ROAD

Arranged by Mike Lewis


Medium
$48.00
Cat: 61700
Continuing his contributions to educational jazz repertoire, professional composer/
arranger Mike Lewis has penned this relaxed swing original for advancing groups. A
great vehicle for teaching blend, balance, and phrasing, solos are also provided for
alto sax and trumpet. Features of this chart include nice saxophone section writing,
and solid background figures. Although its not technically a Count Basie style piece,
it employs a similarly laid-back approach. A guitar chord chart is included in each set.

Arranged by Aaron Lington


Medium Difficult
$57.00
Cat: 54376
This pensive and brooding contemporary-style chart was commissioned by the
USAF Airmen of Note and was recorded by the University of North Texas One
O'clock Lab Band on their album Lab 2004. Within this medium-swinger, the melody
is featured in trumpet and tenor saxophone, both of which also have improvised
solos. Portions of the chart alternate between 4/4 and 3/4 time signature. In addition,
the middle of the composition switches from a swing feel to a straight-eighth ECM
feel. First alto doubles on a brief, simple flute part. Top note for lead trumpet is a
written E3, and top note for lead trombone is a written C2. First alto doubles on
flute.

SONG FOR HAYLEY

ORION

SLINKY

***NEW***

Arranged by Mike Lewis


Easy
$42.00
Cat: 677
This original is set in a warm ballad style, and was written for and dedicated to one
of Mikes granddaughters, Hayley. Alto saxophone is featured along with the full
ensemble. A guitar chord chart by Jim Greeson is included in each set.

SOUL BOSSA NOVA


Arranged by Mike Lewis
Medium Easy
$40.00
Cat: JE9837
This tune is an old Quincy Jones hit, that has been given new life as the theme to the
smash hit comedy Austin Powers - Man of Mystery. This groovy chart is very
retro, and your students will love it. The Lounge Lizard sound is back, and Mike
Lewis playable arrangement makes it perfect for any band. Groovy Baby!

STANDING ROOM ONLY


Arranged by Mike Lewis
Medium Easy
$48.00
Cat: 681
This swing chart from Mike Lewis reconfirms his ability to compose sophisticated
sounding charts for developing players. The medium bright tempo generates
excitement without posing undue technical demands. The key alternates between
C and Eb and features lots of section and full ensemble playing. A guitar chord chart
by Jim Greeson is included in each set.

40

***NEW***

Arranged by Aaron Lington


Medium Difficult
$60.00
Cat: 54379
Jazz waltz that features baritone saxophone, trumpet, and guitar on a memorable,
Kenny Wheeler-type melody. It was recorded by the University of North Texas One
O'clock Lab Band on their album Lab 2004. Improvised solos are written for bass
and baritone saxophone. The chart alternates between 4/4 and 3/4 time signatures
as a major part of the formal structure. Saxophones have no doubles. Top note for
lead trumpet is a written F3, and top note for lead trombone is a written C2. No
doubles. Number of brass: 10.

TRANSLUCENCE
Arranged by Aaron Lington
Medium Difficult
$57.00
Cat: 54377
This beautiful, Kenton-style ballad features tenor saxophone on a lyrical, haunting
melody accompanied by lushly scored brass. This composition was recorded by the
University of North Texas One O'clock Lab Band on their album Lab 2003. Trumpets
double on flugelhorn, and saxophones have traditional woodwind doubles. Top
note for lead trumpet is a written D#3, and top note for lead trombone is a written
Bb1. Doubles: reed 1 utilizes alto saxophone and clarinet; reed 2 utilizes alto
saxophone, clarinet and flute; reed 3 utilizes tenor saxophone and clarinet; reed 5
utilizes baritone saxophone and bass clarinet. Features solo for tenor saxophone.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

TITLES LISTED BY ARRANGER

ARRANGED BY BILL LISTON


LEFT IN THE DUST
Arranged by Bill Liston
Medium
$42.00
Cat: 1657
Heres a new funk original that will add color to any program. Saxes are featured on
the melody and solo space is provided for either alto saxophone or trombone. A
guitar chord chart by Jim Greeson is included.

THE LONGEST HOUR


Arranged by Bill Liston
Medium
$42.00
Cat: 1663
This masterful funk chart demonstrates the writers expertise in big band orchestration and
use of contemporary thematic material reminiscent of the 1980s. The grooving A section
will bring your audience to its feet asking for an encore. Includes guitar chord chart.

Arranged by Bill Liston


Medium
$42.00
Cat: 1859
Also commissioned by Chuck Wackerman and the Los Alamitos (CA) High School
Jazz Band, this swing original is ideal for use as a concert opener. It features the sax
section and provides solo space for tenor sax and/or trombone. Bill also provides
great rehearsal suggestions in the score notes.

ARRANGED BY CHRISTOPHER MADSEN


BELOVEANCE

NEW TOYS
Arranged by Bill Liston
Medium
$42.00
Cat: 1702
Commissioned by Chuck Wackerman and the Los Alamitos (CA) High School Jazz
Band, this bright swing excursion features the sax section and provides solo space
for tenor sax and/or trombone. Nice interplay between the saxes and brass takes
the tune to an interesting finish.

OUT OF NOWHERE

YOU GOTTA MAKE THE TIME

***NEW***

Arranged by Christopher Madsen


Medium Difficult
$55.00
Cat: 53082
A moderate Bossa with a challenging dense chord progression. Lead trumpet to high
F with solos in piano and trombone 2. A good study in theme and variations. Alto 1
doubling to flute, alto 2, tenor 1 and tenor 2 doubling to clarinet and baritone
doubling to bass clarinet. Good for the medium-level college to professional band.

[VOCAL] E.V. FREE

***NEW***

Arranged by Bill Liston


Medium
$42.00
Cat: 108
This masterful shuffle arrangement demonstrates his expertise in both big band
orchestration and supporting vocalists. Saxophones are featured during this chart
which works equally well as an opener, closer, or in the middle of the set. If a vocalist
is not available, a tenor saxophone solo part is included. Includes guitar chord chart.

Arranged by Christopher Madsen


Medium Difficult
$50.00
Cat: 53083
This medium-up straight eighths chart is scored for soprano, 2 tenors, baritone, 4
trumpets, 3 trombone and rhythm. It features solo flugelhorn on melody and
improvisation, and there is also a trombone solo. Soprano doubles to flute, baritone
to bass clarinet. Lots of texture and a catchy melody.

SONG FOR J.R.

GIVE AND TAKE

Arranged by Bill Liston


Medium
$42.00
Cat: 61710
This beautiful ballad features the trombonist. Rhythm section parts notated with
chords cued; guitar chord chart included. Standard instrumentation plus vibraphone.

SUMMERS LAST GETAWAY


Arranged by Bill Liston
Medium
$48.00
Cat: 61730
This is an energetic hip-hop tune based on an altered blues progression. There are
choices of soloists and optional parts for flute and vibes. Open solo section. Standard
instrumentation plus vibraphone and flute.

UNDER THE WIRE


Arranged by Bill Liston
Medium
$48.00
Cat: 61760
Composed for the Los Alamitos High School Jazz Ensemble near Bills home in
Southern California, this chart is a great choice for use as a subtle opener or in the
middle of a program. Several solo options are offered in this introspective swing
chart for advancing groups. A guitar chord chart is included in each set.

WALTZ OF THE FLOWERS


Arranged by Bill Liston
Difficult
$48.00
Cat: 3792
This is a jazz arrangement of Tchaikowskys classic work from The Nutcracker.
Written for and recorded by Wayne Bergeron on his Grammy winning WAG Records
release, You Call This A Living?, this jazz waltz arrangement is an ideal showcase for a
big band and its star trumpet soloist. The band parts are scored at the medium
advanced level, while the solo part is advanced. Youll love the way Liston has
modernized the chord structure while staying true to the composers intent.

WHY MUSICIANS CANT DANCE

***NEW***

Arranged by Bill Liston


Medium
$52.00
Cat: 61970
The exciting work is clearly articulated and packs a lot of punch from start to finish.
The brass even have an a cappella chorus while the saxophones provide ensemble
hits in the empty spots. And for solos, its your choice whether to feature your 2nd
alto saxophone, 2nd trumpet, 2nd trombone, or all three. A guitar chord chart by
Jim Greeson is included in each set.

CALL NOW TO ORDER! 1-518-587-1102

***NEW***

Arranged by Christopher Madsen


Medium Difficult
$50.00
Cat: 53084
A slow, mysterious ballad feature for texor sax. Good from the mid-level high school
band on up to the pros with lead trumpet only reaching B above the staff. Tenor
plays melody and has a chance to improvise over some interesting, somewhat
challenging chords. Piano voicings are supplied.

I'LL BE YOURS

***NEW***

Arranged by Christopher Madsen


Medium Difficult
$55.00
Cat: 53081
A medium-slow tempo swinger (quarter=100) with lush chords and a pretty melody.
Solos in piano and trombone 2 with a brief sax soli. A good chart for the high-level
high school band which gives trumpet 1 good lead practice while not playing above
a high D. Voicings supplied for piano.

REFLECTIONS

***NEW***

Arranged by Christopher Madsen


Medium Difficult
$55.00
Cat: 53085
This medium-up swinging chart is reminiscent of Bob Brookmeyer's early writing for
big band. The chart containes tenor and trombone solos that can be opened up as
well as some extreme register work by lead trumpet and bass trombone. A highenergy chart that wows audiences.

ARRANGED BY JOHN MAHONEY


BARELY IN TIME
Arranged by John Mahoney
Medium
$57.00
Cat: 52076
A medium up tempo original in 5 flats based on an old standard with a similiar title.
Solos are for piano (or guitar) and trumpet 2 (or trombone 2). There are 3
contrapuntal choruses in front where everyone gets a piece of the action, a sax soli
and a slow burn tutti out chorus that builds to the end. Trumpet 1 to written Eb,
trombone 1 to high Cb.

OR ORDER BY FAX: 1-518-587-2325

41

TITLES LISTED BY ARRANGER


BASIE BLUE
Arranged by John Mahoney
Medium
$55.00
Cat: 52077
A medium tempo blues in Eb, featuring trumpet 2 and bari sax on the melody and
lots of solo space. There are a couple of choruses of horn counterpoint without the
rhythm section, and several roaring shout choruses. A bridge interlude takes over at
the end for more soloing and ensemble passages. Trumpet 1 to written high F,
trombone 1 to high B.

O COME, EMMANUEL
Arranged by John Mahoney
Medium
$55.00
Cat: 62538
The sung intro leads into a stretched out modal, straight 8th note treatment of this
familiar carol. There are two solos for your choice of trombone 1 or trumpet 2 and
tenor 1 or alto 2. Demanding trumpet parts, with trumpet 1 to written high F#,
trombone 1 and 2 to high B.

ARRANGED BY FRANK MANTOOTH


A BIT FOGGY AT AUGIE
Arranged by Frank Mantooth
Difficult
$48.00
Cat: 43172
Finished just before he passed away, this piece was Frank Mantooths last work.
Commissioned by Augustana College in Sioux Falls, South Dakota, this medium
advanced bright swing captures many of the qualities that make Mantooth charts
so appealing. The rich harmonies provide a perfect contrast to the light, swinging
melody. An abundance of full ensemble work rounds out this brilliant piece. Open
solo section. Standard instrumentation, 1st tenor doubles on flute

I HEAR MUSIC

[VOCAL]

Arranged by Frank Mantooth


Medium
$42.00
Cat: 88
The background figures are reminiscent of the Tony Bennett, Frank Sinatra, Vic
Damone swing style. Unlike Franks usual fare, this chart has been purposely arranged
in a straight ahead format with no multi-meters, fermati, deceptive harmonies, or
anything else that could discourage a top-to-bottom feel-good experience for
band and vocalist. Optional tenor sax solo part is provided instead of vocals.

I KNOW WHAT IM HERE FOR


Arranged by Frank Mantooth
Difficult
$52.00
Cat: 3259
Heres the result of a collaboration between Louie Bellson, Remo Palmier, and arranger
Frank Mantooth. Dedicated to trumpet/flugelhornist Clark Terry, this chart is a
pocket tempo swinger that grooves from the count-off to the final fermata!

INVITATION

MOON RIVER
Arranged by Frank Mantooth
Medium
$45.00
Cat: 2072
This swing arrangement provides a great opportunity for medium level groups to
enjoy one of Henry Mancinis most loved themes. Set in a 4/4 time signature, Mantooth
showcases the entire group as the chart meanders through three key centers. Solo
space is offered for 4th trumpet and 1st tenor saxophone. A guitar chord chart by
Jim Greeson is included in each set.

MOONLIGHT IN VERMONT

[VOCAL]

Arranged by Frank Mantooth


Difficult
$42.00
Cat: 104
This 12/8 rock chart features a vocalist or optional tenor sax. Key of E flat.

A NIGHTINGALE SANG IN BERKELEY SQUARE


Arranged by Frank Mantooth
Difficult
$50.00
Cat: 34120034
Frank has crafted a real gem with this popular jazz tune. The opening is in a ballad
style and features Bass Trombone in a very comfortable range. The mood shifts to a
mediun swing groove featuring flugelhorn, bass bone, and baritone sax on the
melody interspersed with brilliant ensemble writing. This classy setting was
commissioned by the USAF Airmen of Note.

ONE FOR MY BABY


Arranged by Frank Mantooth
Medium Difficult
$45.00
Cat: 34909056
Frank Mantooth seems to have a special flair for the sultry and sensuous. This wellknown ballad arranged in a slow bluesy 12/8 feel is a marvelous solo vehicle for alto
sax; the full ensemble gets a chance to open up as well.

ONEIDA
Arranged by Frank Mantooth
Difficult
$38.00
Cat: 3653
Scored as a trombone feature for the Oneida (NY) High School Jazz Ensemble
under the direction of Tim Watson, this tuneful Tooth ballad is ideal for medium
advanced groups. Great attention to detail is the key to mastering this piece.

SO IN LOVE
Arranged by Frank Mantooth
Advanced
$50.00
Cat: 7010481
As always, Frank Mantooth finds a unique way to treat a great standard. A feature
for flugelhorn, this classy up-tempo chart is written in an even 8th note feel with
fresh harmonies and great melodic lines. There is plenty for the ensemble to do as well.

SPRING CAN REALLY


HANG YOU UP THE MOST
Arranged by Frank Mantooth
Medium
$42.00
Features trombone or flugelhorn.

Cat: 2120

STELLA BY STARLIGHT

Arranged by Frank Mantooth


Medium Difficult
$45.00
Cat: 7010943
Here is a unique yet highly effective rendition of this Latin favorite by arranging
craftsman, Frank Mantooth. Using an up-tempo groove, a fresh harmonic structure
and interesting orchestration textures, Frank has created a winner for mature
bands. An extended introduction helps establish the mood and the first statement
is presented by a small combo of alto, trumpet and trombone.

Arranged by Frank Mantooth


Medium
$45.00
Cat: 7010720
Frank Mantooth was one of todays most creative arrangers for jazz ensemble and
he treats us here to a marvelously unique take on this well-known standard. The
style is straight-ahead swing but the harmonic structure is fresh and the ensemble
writing is super. It starts with alto and trumpet on the melody and includes solo
space for any combination of alto, trumpet or trombone.

LAURALISA

THAT OLD BLACK MAGIC

Arranged by Frank Mantooth


Medium Difficult
$36.00
Cat: CLBA032036900
1/2-time rock feel. Features tenor and trombone solos.

MOMENTS NOTICE
Arranged by Frank Mantooth
Difficult
$50.00
Cat: 34120031
Frank Mantooth has transformed this John Coltrane classic into an outstanding uptempo chart for big band. Features solos for tenor sax and flugelhorn.

42

Arranged by Frank Mantooth


Advanced
$48.00
Cat: 2150
Recorded by the Ashley Alexander Big Band on Powerslide and originally issued in
the mid-1980s, this dynamic solo feature for trombone or trumpet definitely warrants
an advanced rating. It starts out in a bright swing groove, switches to light Latin
midway through, and closes with a driving Samba shout. Lead alto has an optional
soprano double.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

THE SAGE OF DUPAGE


Arranged by Frank Mantooth
Difficult
$55.00
Cat: 55001
This is a Samba feature for gifted alto and trumpet soloists. The chart is fairly
demanding for the ensemble and does not attempt to avoid unconventional tonal centers
(e.g. Cb major). Challenging, but the rewards of a successful performance are great.

THE STUDS OF WAR


Arranged by Frank Mantooth
Difficult
$55.00
Cat: 55000
This was commissioned by the U.S.A.F. Airmen of Note to challenge their trumpet
section. Obviously, this is not a chart for those with a fear of ledger lines. Blowing
changes appear for trombone 1 and guitar. This screams from downbeat to cutoff.

THREE LITTLE WORDS

[VOCAL]

TITLES LISTED BY ARRANGER


THE BACK BEAT
Arranged by Rob McConnell
Difficult
$70.00
Cat: 51372
Medium swing. Chart features trumpet, tenor, and piano solos. Two saxes double on
flute. As recorded by Rob McConnell and the Boss Brass on Dont Get Around
Much Anymore.

BETHLEHEM AND JOY


[O LITTLE TOWN OF BETHLEHEM/
JOY TO THE WORLD]

Arranged by Frank Mantooth


Difficult
$45.00
Cat: 117
This medium Latin chart was commissioned by jazz singer Kevin Mahogany, who
originally penned the tune. If used, optional doubles in the saxes and trumpets
(flutes, clarinets, flugelhorns) will enhance the gentle nature of the piece. To give the
chart a sense of balance and contrast, blowing changes are provided for flute, tenor
sax, flugelhorn, trombone, guitar and piano. Altos and tenor double on flute; tenor
and bari double on clarinet; trumpets double on flugelhorn.

Arranged by Rob McConnell


Medium Difficult
$48.00
Cat: 62529
O Little Town of Bethlehem begins with a rubato chorale with flugelhorn lead. 4
flutes and 2nd tenor has clarinet double. First time through is a cappella. Second
verse has a trombone solo with piano accompaniment for 12 bars. The whole
arrangement has no other rhythm section. Joy to the World has trumpet lead.
Straight forward a cappella is cut time. Broad ensemble into 4 at the end. 5, 4, 4, and
piano. Score included. Recorded by Rob McConnell and the Boss Brass on Big Band
Christmas.

WELL BE TOGETHER AGAIN

BLUE TAG

Arranged by Frank Mantooth


Medium
$35.00
This ballad features trombone and trumpet solos.

Cat: 43465

WHEN SUNNY GETS BLUE


Arranged by Frank Mantooth
Difficult
$50.00
Cat: 7010064
Franks creative chart featues Flugelhorn off the top in a medium shuffle style.
Changing to an up tempo Samba feel, flugelhorn and tenor are featured interspersed
with stong ensemble statements. Includes solo space for flugelhorn and/or tenor.

ARRANGED BY THOMAS MATTA


NEXT SEASON

***NEW***

Arranged by Thomas Matta


Medium
$52.00
Cat: 62530
This chart was commissioned by the Rock Valley Community College Jazz Ensemble,
directed by Ken Stein. It features a flowing even eighth note groove that was
inspired by Maria Schneiders Last Season. Explore the rich ensemble textures,
chorales, and solos by flugelhorn, trombone, and tenor saxophone. This is the
perfect chart for proficient groups to work on their balance and blend.

Arranged by Rob McConnell


Medium Difficult
$65.00
Cat: 51373
Medium blues with a tag. Featuring trombone, tenor, and trumpet. No doubles. As
recorded by Rob McConnell and the Boss Brass.

THE CLARINET IS BLACK AND BLUE


Arranged by Rob McConnell
Difficult
$60.00
Cat: 51374
Five clarinet feature. Slow blues-like tune with some flute doubles on 2nd tenor.
Recorded by Rob McConnell and the Boss Brass on Even Canadians Get The Blues.

THE COUNTLESS BLUES


Arranged by Rob McConnell
Medium Difficult
$70.00
Cat: 55260
Slow, wonderful feeling blues featuring guitar and trumpet. As record by Rob
McConnell and the Boss Brass on Even Canadians Get The Blues.

DAYS GONE BY
Arranged by Rob McConnell
Difficult
$70.00
Cat: 51359
Tenor feature with ballad, then double time, then back to ballad feel. Short piano
solo in the middle. As recorded by Rob McConnell and the Boss Brass.

EVEN CANADIANS GET THE BLUES


ARRANGED BY ROB MCCONNELL
4 B.C.
Arranged by Rob McConnell
Difficult
$60.00
Cat: 51366
Starts with rubato intro. This medium tempo chart features tenor and trombone
solos. Flute doubles on both alto1 and tenor 2, alto 2 on clarinet, baritone on bass
clarinet. Difficult saxophone soli. This chart requires a mature band.

THE 4,679,385TH BLUES IN B FLAT


Arranged by Rob McConnell
Difficult
$60.00
Cat: 51351
A groove/blues chart over double-time rock. Presented here in its original form.

AWAY IN A MANGER
Arranged by Rob McConnell
Medium Difficult
$30.00
Cat: 62528
This brass-only arrangement is written for 4 trumpets, 4 trombones, and 2 horns.
This is a different melody from the version already in the catalog. This is in a
traditional-style brass chorale. The chords are lush and rich. No rhythm or sax
parts. French horn parts are necessary. Score included.

CALL NOW TO ORDER! 1-518-587-1102

Arranged by Rob McConnell


Advanced
$85.00
Cat: 51376
Very fast chart featuring trumpet and tenor. Very, very difficult (per Rob). Alto 1
doubles on soprano. As recorded on Even Canadians Get The Blues.

HEY!
Arranged by Rob McConnell
Difficult
$60.00
Cat: 51358
12/8 feel with a 2nd trombone solo during shuffle feel. Double time unison shout.
Recorded by Rob McConnell and Boss Brass on Brassy and Sassy.

ITS HARD TO FIND ONE


Arranged by Rob McConnell
Difficult
$86.00
Cat: 51352
Excellent and very difficult jazz waltz. Once again available in the original form.
Recorded by Rob and Boss Brass on The Jazz Album.

JUST TELL ME YES OR NO


Arranged by Rob McConnell
Difficult
$51.00
Cat: 51367
Ballad featuring trombone. Doubles on all saxes; alto 1 on flute, alto 2 on clarinet,
tenor 1 on flute, tenor 2 on clarinet, and baritone on bass clarinet.

OR ORDER BY FAX: 1-518-587-2325

43

TITLES LISTED BY ARRANGER


LOVE OF MY LIFE
Arranged by Rob McConnell
Difficult
$70.00
Cat: 51360
Ballad with double time feel. Featuring flugelhorn solo. There are some sax doubles.
Recorded by Rob McConnell and the Boss Brass on Brass Is Back.

MY MAN BILL
Arranged by Rob McConnell
Difficult
$73.00
Cat: 51353
A great swinger. A tribute to Basie. Once again available in the original form. Recorded
by Rob McConnell and Boss Brass on The Jazz Album.

NIGHTFALL
Arranged by Rob McConnell
Medium
$43.00
Cat: 51370
Rubato intro leads to delicate ensemble writing without the rhythm section. The
rhythm section is tacet throughout. All saxes must double. Recorded by the Boss
Brass on Our 25th Year.

RIFFS I HAVE KNOWN


Arranged by Rob McConnell
Difficult
$75.00
Cat: 51368
Up-tempo Blues. Solos for alto 2 with open solo section. Great saxophone soli.
There are some saxophone doubles. Recorded by the Boss Brass on Our 25th Year.

RUNAWAY HORMONES
Arranged by Rob McConnell
Difficult
$70.00
Cat: 51354
This Samba chart features soprano and trumpet solos. Another great McConnell
chart once again available in the original form. As recorded on Big Band Jazz Vol l.
There are saxophone doubles.

SILENT AND MIDNIGHT


[SILENT NIGHT/IT CAME UPON
A MIDNIGHT CLEAR]

START WITH MRS. BEANHART

TRADITIONAL PEACE
Arranged by Rob McConnell
Difficult
$90.00
Cat: 51362
Slow four to a Samba feel. Solos for flugelhorn and guitar. There are saxophone
doubles.

A TRIBUTE TO ART FERN


Arranged by Rob McConnell
Difficult
$70.00
Cat: 51350
One of the most requested McConnell charts. A classic medium-blues chart. The
chart feautres saxophone and brass soli. Solos for tenor and trombone. This is
available in the original form.

THE WALTZ I BLEW FOR YOU


Arranged by Rob McConnell
Difficult
$90.00
Cat: 51357
Jazz waltz. Features tenor & trumpet solos. Once again available in the original form.

THE WALTZ YOU KNEW WAS BLUE


Arranged by Rob McConnell
Difficult
$80.00
Cat: 51371
Jazz waltz. Chart features trumpet and tenor solos. No doubles. As recorded by Rob
McConnell and the Boss Brass on Dont Get Around Much Anymore.

WHO ASKED
Arranged by Rob McConnell
Difficult
$70.00
Cat: 51363
Straight ahead four. Solos for bass, trumpet, alto and also includes a short drum solo.
There are sax doubles. Recorded by Rob McConnell and Boss Brass on Brass Is
Back.

Arranged by Rob McConnell


Difficult
$65.00
Cat: 51365
A comfortable swing chart with solos for soprano and piano. Alto doubles on
soprano. Recorded by Rob and the Boss Brass on The Brass Is Back.

ARRANGED BY DON MENZA


ACID TRUTH

Cat: 51355

STEREO BLUE
Arranged by Rob McConnell
Difficult
$80.00
Cat: 51361
Straight ahead 4 with solos for tenor and soprano. Alto doubles on soprano.

STROLLIN
Arranged by Rob McConnell
Easy
$70.00
Cat: 51364
Easy swing feel. There is a guitar solo and alto doubles on soprano. Recorded by Rob
McConnell and the Boss Brass on The Brass Is Back.

T.O. TWO
Arranged by Rob McConnell
Medium Easy
$60.00
Cat: 51369
Medium easy swing chart. Solos for trombone and trumpet 5. Alto 1 and 2 double
on flute; tenor 1 and 2 double on clarinet; and bartone sax doubles on bass clarinet.
Recorded by Boss Brass on Our 25th Year.

44

Arranged by Rob McConnell


Difficult
$75.00
Cat: 51356
Rock chart. Solos for tenor sax, soprano sax and trombone. Soprano and flute
doubles. Recorded by Rob McConnell and Boss Brass on The Jazz Album.

WINTER IN WINNIPEG

Arranged by Rob McConnell


Medium Difficult
$65.00
Cat: 62530
It Came Upon A Midnight Clear begins this big band arrangement with a cappella
brass, later joined by 4 flutes and a bass clarinet. Written out lead in alto 2. Silent
Night is where the rhythm section joins in with a jazz waltz feel. The guitar has solo
fills and a solo section. Recorded on Big Band Christmas.

Arranged by Rob McConnell


Difficult
$93.00
Up-tempo be-bop chart, once again available in the original form.

THATS RIGHT

Arranged by Don Menza


Medium Difficult
$65.00
Cat: 51425
Another great chart exactly as recorded by the Buddy Rich Big Band on Mercy,
Mercy. 7 brass: 4 trumpets and 3 bones.

ANOTHER WHO
Arranged by Don Menza
Difficult
Features tenor sax and bass.

$60.00

Cat: 51422

BEULAH WITCH
Arranged by Don Menza
Difficult
$65.00
Cat: 51423
Classic slow rock chart. Guitar and drum solos with open solo section. Changes are
in alto 1, tenor 2, trumpet 3, guitar, and piano. Lead trumpet to written F#. 10 brass.

BLUES FOR UNCOMMON KIDS


Arranged by Don Menza
Difficult
$60.00
Cat: 51400
Great Don Menza blues chart. A must for every book. As recorded by Louie Bellson
on East Side Suite.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

BONES ALONE
Arranged by Don Menza
Difficult
$60.00
Cat: 51424
Features the trombone section. No score. As recorded by Charles Rutherfords Jazz
Pacific Orchestra on Groovin Hard.

BROADBOTTOM
Arranged by Don Menza
Difficult
$60.00
Cat: 51421
Feature for bass trombone, bass, and bass clarinet. As recorded on Charles
Rutherfords Jazz Pacific Orchestra CD Collage.

BURNIN
Arranged by Don Menza
Difficult
$60.00
Cat: 51401
Just as the title indicates, this chart burns.As recorded by Don Menza and his 1980s
Big Band.

CREAM PUFF
Arranged by Don Menza
Medium Difficult
$60.00
Easy swing. Solos for guitar, tenor sax, and trombone.

Cat: 51428

TITLES LISTED BY ARRANGER


THE PLACE
Arranged by Don Menza
Difficult
$60.00
Features tenor and guitar. Woodwinds double.

Cat: 51420

REBEL ROUSERS
Arranged by Don Menza
Difficult
$60.00
Cat: 51415
Medium up shuffle. Solos for guitar and trumpet with optional tenor sax solo. Great
sax soli with a roaring shout chorus. No doubles.As recorded by Charles Rutherfords
Jazz Pacific Orchestra on the CD Note Walker.

RED MENS REVENGE


Arranged by Don Menza
Difficult
$60.00
Cat: 51408
Very up-tempo swing chart. Changes are based on Cherokee. Solo space for tenor
sax, trombone and drums. Recorded by UNLV Jazz Ensemble with Don Menza.

RED SNAPPER

DIZZYLAND
Arranged by Don Menza
Difficult
$60.00
Cat: 51402
Another great Menza chart now available. Recorded by Don Menza and his 80s Big
Band.

FAVIANA
Arranged by Don Menza
Difficult
$60.00
Cat: 51417
Feature for guitar and tenor. As recorded on Charles Rutherfords Jazz Pacific
Orchestra CD Collage.

GROOVE BLUES
Arranged by Don Menza
Difficult
$60.00
Cat: 51403
What a great classic. A must for every book. Recorded on The Louie Bellson Explosion.

Arranged by Don Menza


Difficult
$70.00
Cat: 51433
Very up-tempo chart. Open solo section. Changes are in alto 1, tenor 2, trumpet 5,
and trombone 2. Great shout chorus. 10 brass.

ROSE TATTOO
Arranged by Don Menza
Difficult
$60.00
Cat: 51409
Medium swing. Features tenor solo. Doubles: flutes and 1 bass clarinet. Recorded by
Univ Nevada Las Vegas Jazz Ensemble with Don Menza on Caliente, Muy Caliente.

ROYAL
Arranged by Don Menza
Difficult
$60.00
Cat: 51427
Dedicated to Marshall Royal. Ballad featuring alto. As recorded on Charles
Rutherfords Jazz Pacific Orchestra CD Collage.

SAMBA DE ROLLINS

GROOVIN HARD
Arranged by Don Menza
Medium Difficult
$70.00
Cat: 51429
No descripton needed. One of the all time greatest charts recorded by the Buddy
Rich Big Band on Burning For Buddy Vol 2.

Arranged by Don Menza


Difficult
$60.00
Cat: 51410
Fast Samba. Features tenor sax, soprano sax and drums. As recorded by Univ
Nevada Las Vegas Jazz Ensemble with Don Menza on the CD Caliente, Muy Caliente.
Two soprano doubles. 7 brass.

MY HUCKLEBERRY FRIEND

SAMBANDREA SWING

Arranged by Don Menza


Medium Difficult
Written for Henry Mancini.

$60.00

Cat: 51430

NEW SPANISH BOOTS


Arranged by Don Menza
Difficult
$60.00
A classic chart as recorded by Don Menza and his 80s Big Band.

Arranged by Don Menza


Difficult
$75.00
Cat: 51411
This great drum feature was recorded by Louie Bellson and Explosion.

SAMBIANA
Cat: 51405

NOTE-WALKER
Arranged by Don Menza
Medium Difficult
$60.00
Cat: 51406
Up-tempo flute feature. As recorded by Charles Rutherfords Jazz Pacific Orchestra
on the CD Note Walker.

PADDLIN MADELINE
Arranged by Don Menza
Difficult
$60.00
Cat: 51407
One of Don Menzas favorite charts. Recorded by Louie Bellson on East Side Suite.

Arranged by Don Menza


Difficult
$60.00
Cat: 51416
Fast Samba. Features trumpet or trombone. Open ensemble with drum solo. Not
extremely difficult but watch out for the shout chorus. As recorded on Charles
Rutherfords Jazz Pacific Orchestra CD Note Walker.

SHUFFLE BROTHERS
Arranged by Don Menza
Difficult
$60.00
Cat: 51412
Nice shuffle by Don. Solo space for piano, trumpet and trombone. Recorded by
Univ Nevada Las Vegas Jazz Ensemble with Don Menza on the CD Caliente, Muy
Caliente.

T.N.T.
Arranged by Don Menza
Difficult
$60.00
Cat: 51419
Features tenor and guitar solos. Can be opened for solos at bar 43. As recorded by
Charles Rutherfords Jazz Pacific Orchestra on the CD Collage.

CALL NOW TO ORDER! 1-518-587-1102

OR ORDER BY FAX: 1-518-587-2325

45

TITLES LISTED BY ARRANGER


TENOR TIME
Arranged by Don Menza
Difficult
$60.00
Cat: 51413
Nice tenor feature. A must for every library. Recorded by Rutherfords Jazz Pacific
Orchestra on the CD Note Walker.

TIME CHECK
Arranged by Don Menza
Medium Difficult
$70.00
Cat: 51431
No description needed. As recorded exactly by the Buddy Rich Orchestra on
Burning For Buddy Vol 2.

TIME TO LEAVE
Arranged by Don Menza
Medium Difficult
$60.00
Medium fast swing. Solos for guitar, tenor sax, and piano.

Cat: 51432

TONAWANDA FATS
Arranged by Don Menza
Difficult
$60.00
Cat: 51414
Another great chart as recorded by Don Menza and his 80s Big Band.

WHERE DID SUMMER GO


Arranged by Don Menza
Difficult
$60.00
Cat: 51418
Features tenor solo. As recorded on Charles Rutherfords CD Note Walker.

ARRANGED BY BOB MINTZER


GENTLY
Arranged by Bob Mintzer
Difficult
$48.00
Cat: 3458
This Bob Mintzer original provides medium advanced groups with an opportunity
to experience the sensitive side of the swing style. Soft intensity is how Bob describes
the approach to this harmonically satisfying excursion. Woodwind parts consist of
2 flutes, flute/tenor saxophone, and 2 Bb clarinets.

GO GO
Arranged by Bob Mintzer
Difficult
$42.00
Cat: 3459
This funk chart was originally recorded by the Yellowjackets for their Time Squared
CD. Filled with unexpected twists and turns, this big band version requires a tripletbased swing feel similar to hip-hop.

MOSAIC
Arranged by Bob Mintzer
Medium
$42.00
Cat: 3469
Originally composed for the Yellowjackets live recording, Mint Jam, this even eighth
feel chart was designed to promote lots of soloistic interplay. Mintzer advises drummers
to check out the Jackets version for conceptual direction.

ORIGINAL PEOPLE
Arranged by Bob Mintzer
Difficult
$48.00
Cat: 3482
In keeping with his recent move away from the traditional power-oriented big band
concepts, this work is dedicated to the Pequot Indian tribe. Their sophisticated
approach to living in harmony with nature inspired the soft intensity of this piece.

PRELUDE TO A KISS
Arranged by Bob Mintzer
Advanced
$42.00
Cat: 2092
Mintzer gives this Duke Ellington classic a different treatment than the customary
ballad feel for medium advanced groups. Set in a slow and easy gospel-like feel, the
rhythm section will, in Bobs words, get a groove on just by reading the written parts.
A tenor saxophone soloist is featured throughout, which requires the player to use
an R & B style while superimposing jazz harmonic sensibility over the solid, repetitious
beat provided by the drummer.

46

SOPHISTICATED LADY

[VOCAL]

Arranged by Bob Mintzer


Medium
$42.00
Features vocalist or optional tenor saxophone. Key of E flat.

Cat: 115

TIMELESS
Arranged by Bob Mintzer
Difficult
$58.00
Cat: 3514
Lush orchestration overlays a gentle Samba groove. The subtle energy will thoroughly
entertain audiences. The chart was recorded using the woodwind parts (3 flutes, 2
clarinets) provided, but alternate sax parts (AATTB) are included in the set that
sound equally pleasing. All trumpets double on flugelhorn and 2 optional french
horn parts are included.

WHOS WALKIN WHO?


Arranged by Bob Mintzer
Difficult
$52.00
Cat: 3524
This unhurried swing chart was inspired by the Mintzer familys two black Labrador
retrievers. Humor, imagination and unpredictability are apparent in this clever piece.

ARRANGED BY MICHAEL MOSSMAN


57TH STREET MAMBO
Arranged by Michael Mossman
Medium Difficult
$70.00
Style: Mambo/Cha cha/Bembe. Trumpet feature.

Cat: 32MUS1006

AFRO BLUE
Arranged by Michael Mossman
Medium Difficult
$45.00
Cat: 7010987
Made famous by John Coltrane, but treated here in a more traditional Afro-Latin
style, this is something a little different for jazz ensemble. As with all Mossman charts,
the rhythm section is meticulously notated to insure the correct style. The 3/4
pattern throughout draws heavily on African influences and the melody is masterfully
passed from section to section. A single pentatonic scale works for the solo section
making this a wonderful vehicle for involving many soloists.

CON ALMA
Arranged by Michael Mossman
Medium Difficult
$45.00
Cat: 7010632
Dizzy Gillespie was a pivotal figure in the connection between jazz and Afro-Cuban
music. This exciting chart explores this relationship, combining authentic Cha Cha
and Bembe with straight ahead swinging jazz. A tenor sax solo is featured and look
for some quotes from Dizzys original recordings.

CUBAUZA
Arranged by Michael Mossman
Medium Difficult
$70.00
Cat: 32MU1004
Latin bebop chart. Solos for trumpet, alto, trombone, tenor and baritone.

THE DANCE OF DENIAL


Arranged by Michael Mossman
Medium
$45.00
Cat: 7010901
Using an Afro-Cuban style alternating with an authentically notated cha-cha groove,
this has a hint of Egyptian mystery in creating this marvelous production number
for todays adventurous jazz ensemble. Includes solos for alto and trumpet, as well as
space to feature Latin percussion and/or the drummer.

FREEDOM SHOUT
Arranged by Michael Mossman
Medium Difficult
$70.00
Cat: 32MU1005
This arrangement is a Mambo. Features solos for alto, tenor, trumpet, and trombone.

I LOVE LUCY
Arranged by Michael Mossman
Easy
$40.00
Cat: 7010899
One of the all-time favorite TV themes, this is also an amazingly sophisticated and
exciting Latin/jazz composition. In the expert hands of Michael Mossman, here is an
authentic-sounding version that even young bands can tackle.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

MOMCAT MAMBO
Arranged by Michael Mossman
Medium Difficult
$45.00
Cat: 7011127
Explore the exciting world of mambo with this Michael Philip Mossman original
commissioned by the Delavan-Darien (WI) H.S. Jazz Ensemble. A variety of moods
and meters are used and there is solo space for dueling alto saxes, trombone and
trumpet. The angular melody and quartal harmonies give this one a distinctive
sound, ensuring that your players will have a ball.

A NIGHT IN TUNISIA

TITLES LISTED BY ARRANGER


OYE COMO VA
Arranged by Paul Murtha
Easy
$35.00
Cat: 7470635
This arrangement of Tito Puentes Latin/rock classic (made famous by Santana) is an
absolute must for beginning groups! The simple chord structure makes this one a
natural for players just learning to improvise. Includes full-length recording.

Arranged by Michael Mossman


Advanced
$60.00
Cat: 7011069
Written for and recorded by Mario Bauza, Michael Philip Mossman adds his own
unique flare to this Dizzy Gillespie Latin jazz classic. Featured soloists include trumpet
(of course), as well as trombone and alto. A great showcase for the entire ensemble!

RESPECT

ARRANGED BY PAUL MURTHA

ROUTE 66

AFTER YOUVE GONE


Arranged by Paul Murtha
Medium Easy
$35.00
Cat: 7011145
Heres a nice change-of-pace swing tune that will work great for contest or concerts.
The tempo is relaxed just enough to make it easy for younger groups to handle
comfortably. Plenty of tutti ensemble playing and lush harmonies. Written for full
band, playable with 4 saxes, 3 trumpets, 3 trombones and rhythm section. Fulllength recording included.

BLACK ORPHEUS
Arranged by Paul Murtha
Medium
$40.00
Cat: 7010909
This familiar standard has been around for years, and is creatively set here in a
medium swing style by Paul Murtha. The trombone section is featured in the
beginning and is followed by the trumpet section. Following a solo section for
trumpet and tenor, there is an effective key change and full ensemble shout chorus.
Designed for young players, experienced bands will sound great playing this as well!

BOOM BOOM
Arranged by Paul Murtha
Medium Easy
$40.00
Cat: 7010927
Recently used in television ads, this classic R & B tune from John Lee Hooker is great
for featuring a variety of soloists. The striking stop-time opening gives way to a
straight-ahead blues. This one just feels good.

CAR WASH
Arranged by Paul Murtha
Medium
$45.00
Cat: 7011097
Originally recorded by Rose Royce in 1977, this well-known funky hit is enjoying
new life in the hit movie Shark Tale recorded by Christina Aguilera and Missy Elliott.

DONT KNOW WHY

[VOCAL]

Arranged by Paul Murtha


Medium
$40.00
Cat: 7500103
Recorded by newcomer vocalist Norah Jones, this haunting tune was a big hit on
the pop charts. With a beautiful melody and smooth harmonies, this is a wonderful
contemporary feature for a vocalist. This arrangement may also be used as a feature
for flugelhorn or tenor sax, in place of the vocal part. Key of B flat.

THE INCREDIBLES

***NEW***

Arranged by Paul Murtha


Medium Easy
$40.00
Cat: 7011211
Here are the main themes from this popular soundtrack arranged for younger
bands. With its unique mix of spy/adventure music reminiscent of the 1960s with a
touch of cool jazz, this is sure to be a hit with your band and liven up your concert.

MILESTONES
Arranged by Paul Murtha
Easy
$35.00
Cat: 7470681
Paul Murtha takes the essence of this great tune and makes it playable by beginning
groups. The easy chords and modal style make it a natural for learning to improvise.
Written for full band, playable with 3 saxes, 2 trumpets, 1 trombone and rhythm
section. Full-length recording included.

CALL NOW TO ORDER! 1-518-587-1102

Arranged by Paul Murtha


Medium
$40.00
Cat: 7011079
Nothing says Motown like this #1 Aretha Franklin hit from 1967! Add this to your
jazz ensembles set list, and watch the crowd get movin.

Arranged by Paul Murtha


Easy
$35.00
Cat: 7470663
This traditional swing tune from the 40s works great in this easy setting for
beginning bands. The moderate swing tempo and easy rhythms provide a perfect
model for teaching this style to inexperienced players. There are plenty of tutti
patterns and the rhythm section parts are well notated.

SENTIMENTAL JOURNEY

***NEW***

Arranged by Paul Murtha


Easy
$35.00
Cat: 7470689
Give your band a little change of pace with this 1940s standard from the swing era.
Slow and bluesy, this easy arrangement features various sections playing the melody
in addition to a solo or soli for trumpet and a nicely scored sax soli. A key change
follows with the full ensemble bringing it home.

SOUL MAN

***NEW***

Arranged by Paul Murtha


Easy
$40.00
Cat: 7011209
Originally recorded by Sam & Dave in 1967, then later revived by the Blues Brothers,
this tune helped define rhythm & blues. Paul Murthas easy chart will sound great
with any band and requires only limited rehearsal time.

WHATD I SAY

***NEW***

Arranged by Paul Murtha


Medium Difficult
$50.00
Cat: 3744670
Ray Charles could rock with the best of them and this tune shows why! Featuring
a touch of gospel style, this exciting arrangement includes a driving pulse, an effective
stop time section, the trademark call and response, and a full-blown push to the end.

ZOOT SUIT RIOT


Arranged by Paul Murtha
Medium
$40.00
Cat: 7010414
From one of the hottest new swing bands in the country, Cherry Poppin Daddies,
here is an outstanding arrangement of their current huge hit.

ARRANGED BY OLIVER NELSON


BACK WOODS
Arranged by Oliver Nelson
Medium Difficult
$52.00
Cat: SMP-390
Written to feature Phil Woods, this jazz waltz features alto saxophone and gives
you the opportunity to explore the use of clarinets in the saxophone section. As
usual with Nelsons music, this is a catchy, wonderful, swinging piece, full of surprises.
Your band will really enjoy playing this one.

BLACK, BROWN, AND BEAUTIFUL


Arranged by Oliver Nelson
Medium Difficult
$42.00
Cat: SMP-373
This chart is recorded by Oliver Nelson on the recording titled Black, Brown and
Beautiful. Johnny Hodges was the guest soloist on this absolutely gorgeous alto
saxophone feature. A ballad in the most classic jazz tradition, this chart is very
playable, with very easy rhythms and reasonable brass ranges.

OR ORDER BY FAX: 1-518-587-2325

47

TITLES LISTED BY ARRANGER


BLUES AND THE ABSOLUTE TRUTH
Arranged by Oliver Nelson
Difficult
$47.00
Cat: SMP-389
This chart is the exact, original one that Oliver Nelson wrote for his terrific recording
More Blues and the Abstract Truth. This was taken directly from his score. A wild,
wonderful, multi-metered line that is one of those challenges that is well worth it.
Features tenor sax and drums. Dont miss this one! 5/4/4/3

CRITICS CHOICE
Arranged by Oliver Nelson
Medium Difficult
$47.00
Cat: SMP-383
Here is a terrific medium-tempo shuffle chart that the Buddy Rich Band played
all the time. It was recorded on the Swingin New Big Band album and has wide
open blowing space in the blues format. A great shout chorus finishes off this
exciting, swinging chart from Oliver Nelson. 5/4/4/3

DAYLIES DOUBLE
Arranged by Oliver Nelson
Difficult
$49.00
Cat: SMP-459
Oliver had a great feel for the funky jazz style which was so popular. This chart
features tenor sax throughout, and was recorded on the Fantabulous album. It is
a very easy chart to play, and it would be a great addition to any big band book. This
also could be played by a smaller instrumentation as recorded by Oliver (4 saxes, 2
tpts.,2 trbs., 3 rhythm). 5/4/4/3

DOWN BY THE RIVERSIDE


Arranged by Oliver Nelson
Medium Difficult
$47.00
Cat: SMP-370
There has been an illegal lift of this chart available before, but this chart is the exact,
original one that Oliver Nelson wrote for his terrific recording Live From Los Angeles.
This was taken directly from his score. A wild, wonderful look at an old tune that can
feature 1, 2 or all of your trumpet players (or anyone else). 5/4/4/4

EMPTY BALLROOM BLUES


Arranged by Oliver Nelson
Difficult
$52.00
Cat: SMP-398
Nelson wrote an album for Johnny Hodges (Black, Brown & Beautiful) featuring the
compositions of Duke Ellington and also some of his original things. This Ellington
tune just romps and stomps right from the start. The ensemble shouts just scream
with wonderful voicings that lift you up out of your seat! There is solo space for alto
sax, trumpet and piano.

FULL NELSON
Arranged by Oliver Nelson
Medium Difficult
$47.00
Cat: SMP-381
This chart was originally included in the Full Nelson album and then the Verve Jazz
Masters 48: Oliver Nelson CD (now out of print). It is a simple, swinging blues chart,
full of all of the ingenious writing we have come to expect from Oliver Nelson. It can
feature many different players, but is written to feature tenor saxophone. 5/4/4/3

GROOVE
Arranged by Oliver Nelson
Medium Difficult
$52.00
Cat: SMP-415
This piece was taken from Nelsons original score. Exactly as recorded on the Verve
Jazz Masters 48 CD (now out of print). This is a clever, highly original rendition of
the traditional melody. It was written to feature the great Bob Brookmeyer. It is a
swinging trombone feature throughout. Opens with a great brass chorale.

HOBO FLATS
Arranged by Oliver Nelson
Medium
$47.00
Cat: SMP-386
As recorded on the brilliant CD Afrique, by the Count Basie Orchestra, this chart
was originally written for a Jimmy Smith album. Its a 12/8 blues feel, with room for
piano, trumpet and alto saxophone solos. This is a real catchy kind of vamp and
melody which will make it a favorite of your band and audiences. Very limited brass
ranges make this piece accessible to almost any band. 5/4/4/4

48

HOE DOWN
Arranged by Oliver Nelson
Medium Difficult
$47.00
Cat: SMP-374
This piece was taken from Nelsons original score, not a watered down version. It is
exactly as recorded on the Verve Jazz Masters 48 CD. This is a clever, bright, swinging
chart which features a trumpet solo and great ensemble shout choruses. A guaranteed
crowd-pleaser! This should be in every jazz band library - school or pro! 5/4/4/4

I HOPE IN TIME A CHANGE WILL COME


Arranged by Oliver Nelson
Medium
$47.00
Cat: SMP-387
As recorded on the brilliant recording A Dream Deferred. Quite possibly the most
heart-rending, beautiful melody Nelson ever wrote. It features soprano saxophone
throughout (either an alto or tenor player) in a slow 12/8 feel. All parts are very easy
to play, but dont let that cause you to think this is a kiddie band chart. This is Nelson
at his spiritual best. 5/4/4/3

ITS GLORY
Arranged by Oliver Nelson
Difficult
$52.00
Cat: SMP-396
Also written for Black, Brown & Beautiful, this Ellington tune starts out with a
rhythm section vamp and swings on from there. The ensemble shouts just scream
with wonderful, dissonant voicings that are a thrill to hear! There is solo space for
alto sax, trumpet and piano.

JADA
Arranged by Oliver Nelson
Medium Difficult
$47.00
Cat: SMP-371
This chart is the exact, original one that Oliver Nelson wrote for his terrific L.A. band
on the recording Live From Los Angeles. This was taken directly from his score. A
wonderful, laid-back chart! One of those rare gems that even younger players can
manage (if they can swing!). A great teaching chart. Solos as you wish, with chord
sheets provided for all. Exactly as recorded! 5/4/4/3

MISS FINE
Arranged by Oliver Nelson
Medium Difficult
$47.00
Cat: SMP-375
This piece was taken from Nelsons original score. This chart is exactly as recorded
on the Verve Jazz Masters 48 CD. There arent many charts in this category ..... classic,
one-of-a-kind, trend-setter, immediately attractive in every way. Features trumpet. A
terrific easy swing chart that starts out politely and then knocks you out with a
great shout chorus. Very reasonable ranges for all. This should be in every jazz band
library - school or pro! 5/4/4/4

A PENTHOUSE DAWN
Arranged by Oliver Nelson
Medium
$42.00
Cat: SMP-372
Oliver Nelson wrote the most beautiful melodies!! This is an alto saxophone feature
and was recorded by Phil Woods and the Jazz Interactions Orchestra in 1967 (hear
it on the Verve Jazz Masters 48 CD - now out of print). This is a stunning composition
by Nelson. The band parts are very accessible to most players. 5/4/4/4

ST. LOUIS BLUES


Arranged by Oliver Nelson
Medium Easy
$47.00
Cat: SMP-380
Exactly as recorded by Oliver Nelsons Orchestra and featuring Joe Newman on
trumpet. This chart is very simple in concept and it can be played by even the
youngest bands. The trumpet feature section can be any length. Clarinet doubles
are required. Included in the Jazz Masters 48: Oliver Nelson CD. 5/4/4/3

SELF HELP IS NEEDED


Arranged by Oliver Nelson
Medium Easy
$47.00
Cat: SMP-382
Here is a great blend of swing and Latin, done in the inimitable style of Oliver Nelson.
It was recorded on the Flying Dutchman label in 1969. This wonderful chart
features alto saxophone. 5/4/4/3

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

SOUND PIECE FOR JAZZ ORCHESTRA


Arranged by Oliver Nelson
Difficult
$92.00
Cat: SMP-399
This may well be the most significant (and respected) piece in the huge catalog of
Oliver Nelson compositions. It is a magnificent, three-movement work that stretches
the boundaries of the traditional big band. The instrumentation includes solo tenor
sax, 5 W.W. (doubles on 3 cl. and 2 bs. cl.), 2 french horns (cross-cued and optional),
4 tpts., 3 trbs., tuba, piano, bass and drums. This is a major, groundbreaking work
which should be in every college and professional jazz ensemble library.

STOLEN MOMENTS
Arranged by Oliver Nelson
Difficult
$52.00
Cat: SMP-384
This, of course, is Oliver Nelsons best known jazz standard. Here is his OWN
fantastic arrangement for big band as recorded on a 1969 LP titled A Dream
Deferred (on the Flying Dutchman label). Alto solo. Exotic re-harmonizations and
instrumentations. This is a must have chart after which all other charts on this tune
sound inferior. 5/4/4/3

YEARNIN

TITLES LISTED BY ARRANGER


FOOTLOOSE
Arranged by Sammy Nestico
Easy Medium
$35.00
Cat: NEST102
8th notes are especially short. Rhythm must supply a solid, steady beat for this
arrangement to sound good. Some real solid, laid down drums will really benefit
everyone. Choice of solos are all written out for the different instruments. Again, a
very low trumpet section demands that everyone listen as not to cover up the melody.

FREE FLIGHT
Arranged by Sammy Nestico
Medium Difficult
$45.00
Cat: NESTP105
Balance is the key starting at bar 7 and through bar 26. Each statement from the
different sections is important for the overall balance. During the unison band
chorus at bar 71, feel free to change a figure to tailor it for your ensemble. It isnt
written in stone, and any change wont detract from the principle idea of the
chorus. Recorded by Sammy Nestico Big Band on This Is The Moment.

Arranged by Oliver Nelson


Medium Easy
$47.00
Cat: SMP-394
As recorded on the wonderful LP Black, Brown and Beautiful, featuring Johnny
Hodges, this nifty blues chart has very reasonable brass ranges, no doubles, and
Olivers sort-of gospel feel to it. It is a medium-slow blues, playable by most
bands and featuring a trumpet solo (and room for anyone else). 5/4/4/4

FRONT BURNER

YOU LOVE BUT ONCE

Arranged by Sammy Nestico


Easy Medium
$35.00
Cat: NEST103
Nice and crisp, avoid any sluggish approach from the band. Keep it crisp & accented.
At bar 72 everyone soft and together! Pay attention to the technique markings.

Arranged by Oliver Nelson


Medium
$47.00
Cat: SMP-369
There may not be a more beautiful ballad anywhere in jazz ensemble literature. This
is an alto saxophone feature throughout and was recorded on the Full Nelson
album and also included in the Verve Jazz Masters collection CD. This is a stunning
piece, which has a decidedly orchestral/classical sound to it. The possibility of using
the original clarinet, flute oboe, bass clarinet and celeste parts makes this a most
interesting and special piece. Regular saxophone parts are also included if doubles
are not available.

ARRANGED BY SAMMY NESTICO


AFTER YOUVE GONE
Arranged by Sammy Nestico
Medium Difficult
$35.00
Cat: NEST105
Very laid-back and easy for the first chorus. Use guitar, piano or your choice of
instruments for the jazz sections. Drums should build up a bar before the ensemble
at 61. The ensemble should be BIG! From 75 to the end should be very light for a
large contrast.

Arranged by Sammy Nestico


Medium
$45.00
Cat: 7210016
As recorded by Peggy Lee, Joe Williams, Count Basie and many others, this popular
standard breathes new life under the masterful pen of Sammy Nestico. A flexible
solo section allows for any combination of soloists.

DONT LOSE MY NUMBER


Arranged by Sammy Nestico
Medium Difficult
$60.00
Cat: POWH3014
Sammy created this chart of the Phil Collins hit. Mid-tempo in the classic Basie style.

EASY TO LOVE
Arranged by Sammy Nestico
Medium
$40.00
Cat: 32423025
Sammy features the saxophones in this medium swing arrangement of this Cole
Porter standard. Wonderful ensemble writing. No solos required.

Arranged by Sammy Nestico


Medium
$40.00
This swinging vocal arrangement is in the key of A flat.

GOOD NEWS!

GRACE
Arranged by Sammy Nestico
Difficult
$55.00
Cat: JEM01023
From the Quincy Jones/Sammy Nestico CD titled Basie & Beyond. Composed by
Quincy Jones, this is an emotional ballad for either tenor or soprano saxophone
soloist that will touch the hearts of performers and audience alike. Lush chords and
a tender piano introduction set the mood for this superb chart arranged in
collaboration by Quincy and Sammy Nestico. This chart was originally written as the
Gymnastics Theme for the 1984 Olympiad. Playable by an experienced jazz ensemble,
this is a sensational ballad! Strongly recommended.

THE HEATS ON
Arranged by Sammy Nestico
Medium Easy
$42.00
This medium easy swing chart features tenor and piano solos.

Cat: 2575

HOW SWEET IT IS

ALRIGHT, OKAY,YOU WIN

FLY ME TO THE MOON

Arranged by Sammy Nestico


Easy
$40.00
Cat: 2569
This easy swing shuffle features tenor & optional alto, trumpet & trombone solos.

Arranged by Sammy Nestico


Medium Difficult
$55.00
Cat: JEM01025
From the Quincy Jones/Sammy Nestico CD titled Basie & Beyond. A medium groove
swing tune that fits like an old shoe-so comfortable and everything works just right.
Composed and arranged by the legendary Sammy Nestico for the late Harry
Sweets Edison, this chart screams Count Basie. And speaking of swinging, there is
a glorious ensemble section that brings it all together that is so very sweet! Sammy
includes solo space for trumpet, piano, 2nd alto sax, tenor and trombone. This chart
is not technically difficult, but dynamics and cohesive ensemble playing are a must. A
wonderful arrangement that belongs in every jazz library!

I REMEMBER CLIFFORD
Arranged by Sammy Nestico
Medium Difficult
$45.00
Cat: 32323028
Benny Golsons tribute to Clifford Brown has been a jazz favorite for years, and in
the hands of Sammy Nestico you wont find a better feature for trumpet or
flugelhorn. Silky smooth!

[VOCAL] JERSEY BOUNCE


Cat: 32323032

CALL NOW TO ORDER! 1-518-587-1102

Arranged by Sammy Nestico


Medium Difficult
$45.00
Cat: 3232304
This familiar standard is a great way to feature your entire ensemble! Sammys use of
intertwined melodic lines along wtih effective key changes is masterful. This chart
features saxes off the top and then solos for trumpet, trombone, and piano.

OR ORDER BY FAX: 1-518-587-2325

49

TITLES LISTED BY ARRANGER


JUST IN TIME
Arranged by Sammy Nestico
Medium
$40.00
Cat: 32423017
Sammys medium swing arrangement of this popular standard just seems to gather
steam all the way through. Terrific ensemble writing and no solos.

KATIE
Arranged by Sammy Nestico
Easy Medium
$35.00
Cat: NEST104
This calls for a very lazy feel. Keep saxes quiet behind. Piano solo at bars 21-25. Work
on the split triplets at bars 35 and 36. They offer a chance for some very clean
ensemble work. Very full at measure 43 and back down to a whisper for ending.

KIJI TAKES A RIDE

NICOLE
Arranged by Sammy Nestico
Easy Medium
$35.00
Cat: NEST108
Straight 8ths throughout. Electric rhythm is preferable. Bar 27 is very full, with sax
line and trumpet melody predominate. Guitar should not be locked into the part.
The music is down to a whisper for the ending.

ON THE SUNNY SIDE OF THE STREET


Arranged by Sammy Nestico
Medium
$40.00
Cat: 32415010
Creative use of unisons will give young groups added confidence, and the polished
ensemble writing adds just the right contrasts in this Basie-style masterpiece.

THE QUEEN BEE


Arranged by Sammy Nestico
Medium
$42.00
Heres Nesticos classic from the Basie library.

Cat: 2460

Arranged by Sammy Nestico


Medium Difficult
$50.00
Cat: NEST114
A real specialty number and cant be played by every jazz ensemble. It sounds much
more difficult than it really is, but it does take on some additional instrumentation. It
needs a second keyboard (synthesizer) plus mallets and percussion. There is no
guitar part. This arrangement does away with the need for flutes, woodwind, french
horns and tuba. It is a lot of fun to play, and individual parts are not extreme. The
bright tempo doesnt call for a lot of fancy syncopation. With some heavy rehearsing,
this could work well on a diversified program. Recorded on This Is The Moment.

QUINTESSENCE

LONELY STREET

Arranged by Sammy Nestico


Medium
$45.00
Cat: 32323038
Heres an outstanding medium swing arrangement of this jazz favorite. Featuring a
sax soli and solos for Trumpet and Piano, this one is perfect for festivals or concerts.
Effective use of key changes and a variety or scoring textures help make this
another winner from Sanny Nestico. (Includes optional Synth. part)

Arranged by Sammy Nestico


Medium Easy
$38.00
This medium easy chart features alto sax.

Cat: 2410

LOST STAR
Arranged by Sammy Nestico
Easy Medium
$35.00
Cat: NESTY105
The first 12 bars asks for a good balance and presence from the rhythm section
(preferably electric). We need some real dynamic change at bars 29 and 61, so make
it happen! The last ensemble (bar 61) has some saxophone counter-melody that
should be heard strongly.

LOVE IS HERE TO STAY


Arranged by Sammy Nestico
Medium
$40.00
Cat: 32423019
This is an absolutely gorgeous tenor sax feature! The ensemble has plenty to do, too,
in providing a lush, subtly swinging backdrop for the soloist. If you have a strong
tenor player, this could be the highlight of your program.

A MINOR AFFAIR

Arranged by Sammy Nestico


Medium Difficult
$55.00
Cat: JEM01027
From the Quincy Jones/Sammy Nestico CD titled Basie & Beyond. Quincy Jones
composed this lovely melody and beautiful alto saxophone feature, Quincy and the
legendary Sammy Nestico collaborated on this stunning arrangement. The ultimate
ballad showcase for your alto soloist, easily playable by an experienced jazz ensemble.

ROBBINS NEST

ST. LOUIS BLUES


Arranged by Sammy Nestico
Medium
$40.00
Cat: 32423011
Sammys unparalleled craftsmanship is evident in this masterpiece. In one tempo
throughout, theres a hint of march style. Solid ensemble writing.

SAMANTHA
Arranged by Sammy Nestico
Medium Difficult
$45.00
Cat: NEST106
Originally written for and played by Bud Shank, it is a showpiece for alto saxophone.
The arrangement carries a wide dynamic range, and needs a very soft but smooth
approach for background figures. An extremely large swell in bars 32 and 33 leads
to a very powerful few bars of ensemble. It remains full until bar 50 and progresses
into a quiet ending containing a brass pyramid.

Arranged by Sammy Nestico


Medium Difficult
$45.00
Cat: NEST101
Strive for a good blend of altos/trumpets and tenor/trombone figures. Mostly section
material until the ensemble at bar 85. Minor blues always offers more color. No
straight time for the guitar. He should be comping most of the way. Recorded by
Sammy Nestico Big Band on This Is The Moment.

STRAIGHT AHEAD

MOTEN SWING

Arranged by Sammy Nestico


Advanced
$60.00
Cat: 7011065
From the Count Basie library, this classic flag-waver from the pen of Sammy
Nestico is available again! A true tour de force for every section of the band,
this monster chart features blistering brass, wailing saxes, a tenor solo, and a
great full ensemble shout. Strike it up!

Arranged by Sammy Nestico


Medium
$40.00
Cat: 32413010
This classic blues was a standard of the Count Basie Orchestra for many years, and
Sammy Nesticos very playable version for young groups really cooks!

MY FUNNY VALENTINE
Arranged by Sammy Nestico
Medium
$40.00
Cat: 7010042
Feature a trumpet or flugel on this creative arrangement of a timeless standard.
Written in a ballad style, this chart also features nice ensemble scoring and a brief
very easy section in 3/4. This terrific setting for younger groups deserves to be in
every bands library.

50

Arranged by Sammy Nestico


Advanced
$42.00
Cat: 2301
Here is the pro version of Sammy Nesticos classic from the Basie Band.

STRIKE UP THE BAND

SWEET GEORGIA BROWN


Arranged by Sammy Nestico
Difficult
$60.00
Cat: 7011063
As recorded by Count Basie on Prime Time, here is the magnificent Nestico flagwaver to end all flag-wavers! Combine a wonderful standard tune with solos for
piano and tenor along with some of Sammys finest ensemble writing ever, and you
have a highlight for any concert or festival. Classic chart!

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

SWINGIN ON THE ORIENT


Arranged by Sammy Nestico
Medium Difficult
$45.00
Cat: NESTP108
Dynamics and feel are of utmost importance in the playing of this arrangement. The
first two bars can be omitted. A little less volume at bar 7, and then into the trumpet/
alto statement of the theme. The new theme at bar 54 is to be played full, but at an
mf dynamic marking. At this point make certain that the trumpets are playing less
volume than the saxes and trombones. They are not carrying the ball. Of course the
ensemble at bar 116 is full and tight. Bar 74 calls for crisp quarter notes from the
band, and leads to a delicate last four bars. Recorded on This Is The Moment.

TANGERINE

***NEW***

Arranged by Sammy Nestico


Difficult
$60.00
Cat: 7011193
Adapted from the version on Sammy Nesticos acclaimed 2005 recording Portrait of
Sammy, here is a tasty up-tempo Latin treatment of this Johnny Mercer standard.
Stylized as only Sammy can do, youll hear creative counterlines and harmonies, as
well as flawless pacing and ensemble writing. Solos for tenor, trumpet and piano are
also featured. At 81 years of age, Sammy is still the master and going strong!

TITLES LISTED BY ARRANGER


ARRANGED BY LENNIE NIEHAUS
ALMOST LIKE BEING IN LOVE
(see Stan Kenton section)

BALI HI
(See Stan Kenton section)

BEGIN THE BEGUINE


(See Stan Kenton section)

BETWEEN THE DEVIL AND THE DEEP BLUE SEA


(See Stan Kenton section)

BUT BEAUTIFUL

THIS MUST BE LOVE


Arranged by Sammy Nestico
Medium Difficult
$60.00
Cat: POWH3018
A steady rock ballad with altos and tenors on optional flutes for the introduction
section.

(See Stan Kenton section)

DAY DREAM
(See Stan Kenton Section)

A TIME FOR LOVE

THE END OF A LOVE AFFAIR

Arranged by Sammy Nestico


Medium Difficult
$45.00
Cat: JE9516
This is one hot chart! One of Sammy Nesticos best, it features a trombone solo
which was written for Bill Watrous. The solo goes up to B-flat 4 and requires a good
performer, but in the right hands, its dynamite. Definitely first class!

EVERYTIME WE SAY GOODBYE


(See Stan Kenton Section)

FINAL ANSWER

TRAVELIN HOME
Arranged by Sammy Nestico
Medium Difficult
$32.00
Easy jazz feel. Features a trumpet solo.

(See Stan Kenton Section)

Cat: CLBA032221000

THE WAY YOU LOOK TONIGHT

***NEW***

Arranged by Sammy Nestico


Medium
$50.00
Cat: 32323034
Sammys interpretation of this great old tune is right on target for todays jazz
ensembles, with all the class we have come to expect from this master arranger!
Written in a relaxed swing style, this chart features lots of tutti ensemble writing,
very melodic counter melodies, and also a wonderful sax soli. No solos required.

WIND MACHINE
Arranged by Sammy Nestico
Medium
$50.00
Cat: 7210970
Here is another classic Nestico chart penned for the Count Basie Band.

WITCHCRAFT
Arranged by Sammy Nestico
Medium Difficult
$45.00
Cat: 32323040
This naturally swingin tune has been a favorite among jazz artists for many years.
Sammys craftsmanship in orchestration is evident in this medium swing arrangement
which requires no solos. A strong chart that will really give your band a chance to cook!

YA GOTTA TRY HARDER


Arranged by Sammy Nestico
Difficutl
$55.00
Cat: JEM01022
Basie and Beyond! This is the definitive swing chart composed and arranged by the
legendary Sammy Nestico. Straight from the Quincy Jones-Sammy Nestico CD, this
chart starts off swinging and then swings even more. Its packed with trademark
Nestico swing figures and soaring ensemble sound. Written for the experienced jazz
ensemble, the tempo is definitely brisk and there is plenty of solo space provided for
drums, piano, tenor, trumpet and trombone. Festival and concert material destined
for critical acclaim, this chart is absolutely outstanding, a must-have arrangement for
every experienced band.

Arranged by Lennie Niehaus


Easy
$42.00
Cat: 399
Developing jazz bands will love this new moderate swing composition by film composer
Lennie Niehaus. Important jazz concepts that should be in every aspiring jazz
musicians vocabulary are taught and reinforced in this easy level chart. Lots of
unison, tutti, ensemble, and sax soli work are included, plus ad lib or as is solo space
for trumpet (cues for tenor sax) and piano (cued for alto sax). This chart features
Kendor Konvertible minimum instrumentation, making the chart playable by as few
as 9 pieces, as many as 17 pieces, or anything in between. Playable by 9-17 players.

A FOGGY DAY
(See Stan Kenton Section)

FOR ONCE IN MY LIFE


Arranged by Lennie Niehaus
Medium
$38.00
This standard features vocalist or optional tenor sax. Key of A flat.

Cat: 70

GO WEST,YOUNG LIONS
Arranged by Lennie Niehaus
Advanced
$48.00
Cat: 3237
The well constructed form of this Niehaus original introduces an effective theme in
the beginning, referring to it throughout the composition. Solos for tenor sax and
trumpet are offered during this chart in the moderately fast swing style. A burning
shout chorus and the coda section sum up the previously stated musical material.

HODGEPODGE
Arranged by Lennie Niehaus
Medium
$40.00
Cat: 158
This swing original for medium jazz bands showcases all sections of the ensemble in
a healthy mix of unison, soli and full-group settings. The intro. features a written
piano solo; other solos for tenor and trumpet may be improvised or played as
written. Scoring requirements are standard, and a chord chart by Jim Greeson
comes with each set as an aid to guitarists with little or no jazz experience.

HOW DO I LOOK IN BLUE


(See Stan Kenton Section)

CALL NOW TO ORDER! 1-518-587-1102

OR ORDER BY FAX: 1-518-587-2325

51

TITLES LISTED BY ARRANGER


I LOVE PARIS
(See Stan Kenton Section)

IVE NEVER BEEN IN LOVE BEFORE


(See Stan Kenton Section)

(See Stan Kenton Section)

THE NEARNESS OF YOU

(See Stan Kenton Section)

ITS ALL RIGHT WITH ME


(See Stan Kenton Section)

ITS SHOWTIME
Arranged by Lennie Niehaus
Easy
$42.00
Cat: 608
Heres a great moderate swing style feature for developing sax soloists. The soloist
may improvise or perform the suggested solos, and interludes and a shout chorus
give the soloist sufficient rest. Scored at the easy level, this chart features Kendor
Konvertible minimum instrumentation, making the chart playable by as few as 9
pieces, as many as 17 pieces, or anything in between. A guitar chord chart by Jim
Greeson is included in each set. Playable by 9-17 players.

KEY WEST
Arranged by Lennie Niehaus
Difficult
$48.00
Cat: 3845
This bright swing burner featuring alto and tenor soloists casts them together on a
harmonized melody, then cuts them loose on two solo choruses each.

Arranged by Lennie Niehaus


Medium
$45.00
Cat: 56120
This arrangement is scored in a slow ballad style. The rhythm section parts are
optional, as is the improvised or written solo section. If no soloists are to be featured,
the solo section may be cut from the performance as per the provided directions.
Modern chords will give all players interesting and challenging parts, and backgrounds
are provided in the string parts during the solo section, making solos possible even
if no rhythm section is used.

NORTHWEST JOURNEY

***NEW***

Arranged by Lennie Niehaus


Medium
$42.00
Cat: 61548
Heres a medium swing original for advancing groups by film composer Lennie
Niehaus thats sure to be a hit with players and audiences. Beginning with an
introduction that quotes the main theme, the riff-like melody utilizes variations of
the Charleston rhythmic figure. There are strategically placed interludes, and a
suggested or ad lib solo for trumpet. After the exciting shout chorus, the coda
consists of two-measure phrases alternating with two-measure drum solos. A guitar
chord chart by Jim Greeson is included in each set.

ON THE STREET WHERE YOU LIVE

LAURA

(See Stan Kenton Section)

(See Stan Kenton Section)

THE PARTYS OVER

LONG AGO AND FAR AWAY

(See Stan Kenton Section)

(See Stan Kenton Section)

PATS RETORT

LOVE WALKED IN

Arranged by Lennie Niehaus


Medium
$42.00
Cat: 1723
Commissioned by the University of Portland Jazz Festival, this original alternates
between 4/4 and 3/4 time for a refreshing change-of-pace. Written solos for trumpet
(cued for alto) and piano are provided, and directors have the option of speeding
up the indicated tempo for more excitement if their bands are able. The chart closes
out strong, and all sections have a chance to shine. Guitar chord chart included.

(See Stan Kenton Section)

LULLABY OF BIRDLAND
(See Stan Kenton Section)

LULLABY OF BROADWAY
(See Stan Kenton Section)

PENNIES FROM HEAVEN


***NEW***

Arranged by Lennie Niehaus


Advanced
$52.00
Cat: 62485
This moderate swing original utilizes the II7-V7-I progression - a must for all jazz
soloists to master. Composed for proficient jazz ensembles, this chart has plenty of
interesting material for all to play. The solo section features trumpet and tenor sax,
but can be opened up for additional players by using the chord sheet provided.

METRO WAIL
Arranged by Lennie Niehaus
Easy
$42.00
Cat: 635
This swingin new chart boasting an abundance of fundamental rhythms and figures
is educational, entertaining, and great fun to play. Lots of tutti and unison passages
build group confidence, while simple countermelodies develop independent playing
skills. Solos for trumpet and piano may be improvised or played as written, and a
guitar chord chart by Jim Greeson is provided. Playable by bands ranging in size from
9-17 members.

52

Arranged by Lennie Niehaus


Medium
$48.00
Cat: 3654
This swingin chart starring trombones is a tip-of-the-hat to bebop great, J.J. Johnson.
It features the whole section playing unison and harmonized versions of the melody,
then a single player leading the way as soloist. The chart goes out with some
dramatic, four-bar trades between the bones and band, a short sax soli, and a
powerful finish.

MY AND ONLY LOVE

IT COULD HAPPEN TO YOU

MAKING THE ROUNDS

MOVING RIGHT ALONG

(See Stan Kenton Section)

PEPPER
Arranged by Lennie Niehaus
Difficult
$48.00
Cat: 3658
Composed in tribute to baritone sax legend Pepper Adams, this original is set in a
moderately bright swing style and was written with maximum flexibility in mind.
Clever cross-cueing techniques allow the 1st alto, 2nd alto, or baritone sax to be
featured without leaving harmonic gaps when their ensemble parts are left out. A
solo part is included in each set, and can be used by baritone or alto saxophone.

POINT MUGU
Arranged by Lennie Niehaus
Easy
$42.00
Cat: 468
Named for a scenic area near his home in Southern California, this mainstream
Niehaus swing original provides great training opportunity for groups needing easy
level material. Abundant unisons, counterpoint, and lots of tutti ensemble playing will
instill confidence in developing players. Solos are provided for piano and tenor
saxophone. A guitar chord chart by Jim Greeson is included in each set.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

TITLES LISTED BY ARRANGER

SPRING IS HERE
(See Stan Kenton Section)

STAYIN INSIDE

***NEW*** TUNNEL VISION

Arranged by Lennie Niehaus


Easy
$42.00
Cat: 60750
Featuring Kendor Konvertible instrumentation, this chart is set in a modern swing
style for developing groups. The piece transitions into brief salsa sections, and
provides written or ad lib solos for several band members. The band even gets to do
their best Dizzy Gillespie impression by singing Salt Peanuts toward the end of the
chart. Between Lennies great big band writing ability and the entertainment value of
this piece, how can you lose? A guitar chord chart is included in each set.

***NEW***

Arranged by Edward Partyka


Difficult
$55.00
Cat: 54945
Dramatic and modern, blending jazz with elements from the classical world like
minimalism and serialism.While this piece is not very technically challenging, it requires
a mature ensemble (especially the rhythm section) and advanced soloist. The chart
has two french horn parts and woodwind doubles, which add interesting colors
and textures to the music. Recorded on the cd Tunnel Vision-Music for Jazz
Orchestra. An aggressive, up-tempo piece featuring drums and three soprano saxes
collectively improvising.Woodwinds: soprano, soprano, soprano, bass clarinet, bass clarinet.

TAKING A CHANCE ON LOVE


(See Stan Kenton Section)

ARRANGED BY BILL POTTS

WHATEVER LOLA WANTS

BIG SWING FACE

(See Stan Kenton Section)

(See Buddy Rich Section)

YOUNGER THAN SPRINGTIME

I GOT PLENTY O NUTTIN

(See Stan Kenton Section)

ARRANGED BY EDWARD PARTYKA


MADLY LOVING YOU

***NEW***

Arranged by Edward Partyka


Difficult
$55.00
Cat: 54947
Dramatic and modern, blending jazz with elements from the classical world like
minimalism and serialism.While this piece is not very technically challenging, it requires
a mature ensemble (especially the rhythm section) and advanced soloist. The chart
has two french horn parts and woodwind doubles, which add interesting colors
and textures to the music. A re-composition of Duke Ellington's Love You Madly.
Written for Bob Brookmeyer and recorded by Bob Brookmeyer with the Ed Partyka
Jazz Orchestra on Madly Loving You. Woodwinds: clarinet (solo), flute/alto, soprano/
tenor, soprano/tenor, bass clarinet/bari.

SOMETIMES

***NEW***

Arranged by Edward Partyka


Difficult
$50.00
Cat: 54946
Dramatic and modern, blending jazz with elements from the classical world like
minimalism and serialism.While this piece is not very technically challenging, it requires
a mature ensemble (especially the rhythm section) and advanced soloist. The chart
has two french horn parts and woodwind doubles, which add interesting colours
and textures to the music. First prize winner in 1998 Julius Hemphill Composition
Awards, sponsored by the Jazz Composers Alliance in Boston. Also recorded on
Tunnel Vision-Music for Jazz Orchestra. A haunting ballad featuring piano, soprano/
tenor sax and french horn (no improvising required.) Woodwinds: soprano/tenor,
flute, flute, flute, bass clarinet.

STOLEN BLUES

***NEW***

Arranged by Edward Partyka


Difficult
$55.00
Cat: 54949
Dramatic and modern, blending jazz with elements from the classical world like
minimalism and serialism.While this piece is not very technically challenging, it requires
a mature ensemble (especially the rhythm section) and advanced soloist. The chart
has two french horn parts and woodwind doubles, which add interesting colors
and textures to the music. A minor blues that features baritone and bass (can be
opened up for more solos or other soloists.) Woodwinds: baritone (solo), soprano,
soprano/clarinet, soprano/tenor, bass clarinet.

TOGETHERNESS

***NEW***

Arranged by Edward Partyka


Difficult
$55.00
Cat: 54948
Dramatic and modern, blending jazz with elements from the classical world like
minimalism and serialism.While this piece is not very technically challenging, it requires
a mature ensemble (especially the rhythm section) and advanced soloist. The chart
has two french horn parts and woodwind doubles, which add interesting colors
and textures to the music. A re-composition of Alone Together as an up-tempo
modal blowing vehicle for clarinet and trombone. Woodwinds: clarinet (solo), flute/
soprano, flute/soprano, clarinet/tenor, bass clarinet.

CALL NOW TO ORDER! 1-518-587-1102

Arranged by Bill Potts


Medium Difficult
$75.00
Cat: SMP-920
This is from the marvelous 1959 recording The Jazz Soul of Porgy & Bess, as
recorded by the Bill Potts Big Band (Phil Woods, Zoot Sims, Sweets Edison, Art
Farmer, Bob Brookmeyer, Bill Evans and others). This swinging chart features the
saxophone section and a trumpet solo.

IT AINT NECESSARILY SO
Arranged by Bill Potts
Medium Difficult
$57.00
Cat: SMP-924
This is from the marvelous 1959 recording The Jazz Soul of Porgy & Bess, as
recorded by the Bill Potts Big Band (Phil Woods, Zoot Sims, Sweets Edison, Art
Farmer, Bob Brookmeyer, Bill Evans and others). This swinging chart features the
saxophone section and a trumpet solo. 5-5-5-4 (can be played by only 8 brass).

MY MANS GONE NOW


Arranged by Bill Potts
Medium Difficult
$47.00
Cat: SMP-923
This is arranged it to feature trumpet throughout (as recorded on the 1959 album
The Jazz Soul of Porgy & Bess, featuring the Bill Potts Big Band). Lush orchestration,
rich harmonies, reasonable ranges and a touching ending make this chart a great
choice for festival programming. This should be in every big band book. 5-5-5-4

OH LAWD, IM ON MY WAY
Arranged by Bill Potts
Difficult
$62.00
Cat: SMP-921
The quintessential flag-waver (as recorded on the 1959 album The Jazz Soul of
Porgy & Bess, featuring the Bill Potts Big Band), this one is a real romp through a
happy tune and a brilliant chart, arranged to feature everyone in the band. Some
only have 4 bars, others have more blowing space, but everyone gets their chance
in the spotlight. Great fun, great music and a great chart!

PORGY & BESS MEDLEY

***NEW***

Arranged by Bill Potts


Medium
$67.00
Cat: SMP-926
Bill Potts arrangements for the recording The Jazz Soul of Porgy & Bess are
legendary. This medley is one of those charts, and it includes 5 different themes from
Gershwins masterpiece. There is space for solos for alto and tenor saxophone, 2
trumpets, trombone, piano and drums. This is a lovely, peaceful setting of these
themes, with very limited brass ranges (1 high C in the tpt. 1 part). This should be
playable by most bands. This is a chart with great musical value and no endurance
demands on anyone. 5/4/4/4 (opt. 10 brass parts).

SUMMERTIME
Arranged by Bill Potts
Difficult
$62.00
Cat: SMP-922
This is the opener on the 1959 The Jazz Soul of Porgy & Bess album, and it is a great
opener for any live concert as well. It is an up-tempo, swinging version. Potts is a
master arranger, and he brought it all to this chart. Solo space for trumpet and tenor
saxophone. Use this to start your concerts, and youll never regret it.

OR ORDER BY FAX: 1-518-587-2325

53

TITLES LISTED BY ARRANGER


THERES A BOAT DATS
LEAVIN SOON FOR NEW YORK
Arranged by Bill Potts
Medium Difficult
$67.00
Cat: SMP-925
As recorded on the album The Jazz Soul of Porgy & Bess (featuring the Bill Potts Big
Band), this chart swings hard, but it isnt hard to play. Bill arranged this in a wonderful
contrapuntal fashion. He also chose to feature alto, tenor, trumpet, piano and drum
solos. This arrangement should be in all big band books. 5-5-5-4 (can be played by
only 8 brass).

ARRANGED BY KIM RICHMOND


HORIZON UNDER

CHILLED OUT

***NEW***

Arranged by Les Sabina


Easy
$42.00
Cat: 60094
Heres a light rock chart for developing groups that features an easy-to-play melody,
and short solo sections for alto saxophone and trumpet. Harmonic clarity is always
guaranteed through plenty of unison and duet style voicings. This is the perfect
chart to encourage your rhythm section to experiment with various comping
patterns once comfortable with the written portion of their individual parts. This
chart features Kendor Konvertible instrumentation - meaning that it can be played
by as few as 9 players. A guitar chord chart by Jim Greeson is included in each set.

DEEP FRIED
Arranged by Les Sabina
Easy
$48.00
Cat: 351
This is a straight-ahead swinger for developing groups. It has a touch of blues and
a hint of a mysterioso feel. Saxophones and brass often trade melodic phrases, and
a written or ad lib solo is included for trumpet. Playable by 9-17 players.

***NEW*** DOWN N UP

Arranged by Kim Richmond


Medium Difficult
$65.00
Cat: 50446
This is a powerful piece with a strong theme initially stated in the middle low
instruments. The even-eighth style is neither Latin nor rock but has a driving
distinctive rhythmic pattern in the drums. After an intro with floating rhythm over
which are fanfarish trumpets, the driving beat and motivic theme is established in
trombones, baritone, guitar and French horn (optional). Orchestral in color and
dramatic in shape, the melodic section opens to a trumpet solo, followed by alto (or
soprano) and tenor saxophone solos (trading). The easy solo changes are few and
modal. Solos: trumpet, alto sax (or soprano), tenor sax. Woodwind doubles: 2 sets of
woodwind parts are provided. One with no doubles, another (preferred) with 1.
flute/soprano, 2. flute/alto, 3. tenor/clarinet, 4. tenor/clarinet, 5. bari. The two versions
can be mixed. Mutes: trumpets-straights, cups, harmons (no trombone mutes needed.)
Optional parts for French horns (alternate parts for flugelhorns or top 5-6 provided),
tuba, and percussion (mallets and hand-percussion).

Arranged by Les Sabina


Medium
$42.00
Cat: 366
This swing original features a contrapuntal theme that combines unique melodies
from the saxophone, trumpet, and trombone sections. Ad lib or written solos are
offered for tenor saxophone and trumpet before moving on to a powerfully
contrasting block-scored shout section. A guitar chord chart by Jim Greeson is
included in each set.

LOVE WALKED IN

HOTTER SAUCE

Arranged by Kim Richmond


Difficult
$57.00
Cat: SMP-198
This chart is recorded on the sensational CD titled Passages by the Kim Richmond
Concert Jazz Orchestra. It is a magnificent scoring of the Gershwin classic, a chart
for which people have been clamoring for many years. Finally, its in print! Wonderful
rhythmic ideas. 5-4-4-3 (Opt. French horn, tuba, Percussion).

POETRY

***NEW***

Arranged by Kim Richmond


Medium
$60.00
Cat: 50447
This is a colorful tone-piece, slow in tempo, and orchestral in nature. Starting in
piano, then progressing to woodwinds, finally reinforced in the brass, the intricate
and angularly dramatic theme, constantly shifting in color and texture, spins out in
an attractively harmonic fashion. No high trumpet range. No solos. No doubles.
Optional parts for French horns (alternate parts for flugelhorns or tpt 5-6 provided),
tuba, and percussion (mallets and hand-percussion).

***NEW***

Arranged by Les Sabina


Medium
$42.00
Cat: 60055
Quarter notes dominate the melodic material in this accessible swing chart for
developing groups. Aspiring musicians will learn that each quarter note must receive
its full value, that way directors can ensure that successive quarter notes do not get
clipped causing acceleration. Players will not have to exceed a forte dynamic anytime
throughout the chart because it is scored in either unison or two-part harmony.
This chart features Kendor Konvertible instrumentation - meaning that it can be
played by as few as 9 players. A guitar chord chart by Jim Greeson is included in each
set. Add this confidence builder to your library today!

54

Arranged by Les Sabina


Medium Easy
$42.00
Cat: 596
This straight-ahead medium swing chart features plenty of unisons and areas of
block ensemble voicings.The result - a powerful sound coming from a less experienced
jazz ensemble! As is or ad lib solo space is provided for tenor sax and some brief solo
spots appear in the drum part. A guitar chord chart is included in this chart.

Arranged by Les Sabina


Easy
$42.00
Cat: 599
A driving Salsa chart with lots of intensity that just doesnt let up! A short alto sax/
trumpet duet is featured along with plenty of unison sax and brass lines. An ad-lib
or as-is solo is provided for tenor saxophone with optional solo space indicated for
alto saxophone, trumpet, and trombone. This work for the developing jazz ensemble
is scored at the medium easy level and features Kendor Konvertible instrumentation,
making the chart playable by as few as 9 pieces, as many as 17 pieces.

MONEY ON THE CAT


Arranged by Les Sabina
Medium Easy
$42.00
Cat: 641
Featuring a slinky, feline-style melody in a relaxed swing groove, this chart for big or
not-so-big bands is loaded with appealing highlights. These include an ad lib or aswritten piano solo, several short sax solis, and an exciting ensemble shout. Comes
with a guitar chord chart by Jim Greeson.

SHOOT DA HOOP

ARRANGED BY LES SABINA


BLUES-GO-ROUND

GIG BAG

Arranged by Les Sabina


Medium
$40.00
Cat: 502
Scored for standard bands but playable by as few as 9 pieces, this funk original
features a tight, up-to-date groove and lots of full-group writing. Solo space is
provided for piano (as written or ad lib), and the chord chart by Jim Greeson
addresses the fact that the guitarist is required in some places to play the main
melody along with saxes and brass. In his score notes Les also mentions that the
sound of electric piano may be preferable to acoustic in this medium-level-chart.

SWING INC.
Arranged by Les Sabina
Medium Easy
$42.00
Cat: 695
As the title implies, this is a no-nonsense, straight-ahead swing tune. Highlights
include a hard-swinging melody, a written or ad lib solo for tenor sax, and several
solo spots for drums. With flexible scoring for 9-17 players, each performance set
includes a guitar chord chart by Jim Greeson.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

ARRANGED BY CARL SAUNDERS


AN APPLE FOR CHRISTA
Arranged by Carl Saunders
Medium Difficult
$55.00
Cat: 50879
This arrangement was writen for Christa McAuliffe, the school teacher that lost her
life in the Challenger tragedy. This up-tempo piece features trumpet, alto and
trombone. This chart features an exciting out chorus with off-beat rhythmic figures
which are challenging and fun. As recorded by Carl Saunders on Be Bop Big Band.

BABY BLUES
Arranged by Carl Saunders
Medium Difficult
$60.00
Cat: 50883
This Carl Saunders original was written as how a baby would conceive the blues.
The trumpet is featured throughout and has hip backgrounds and swinging ensemble.
As recorded by Carl Saunders on Be Bop Big Band.

COMPILATION
Arranged by Carl Saunders
Medium Difficult
$60.00
Cat: 50887
An up-tempo romp through rhythm changes. Featuring solos from every section in
the band with hard cooking backgrounds. It can also be opened up for more solos
if you wish. This arrangement builds up to an exciting out chorus and has a hip
ending. As recorded by Carl Saunders on Be Bop Big Band.

DEARLY BEFUDDLED
Arranged by Carl Saunders
Medium Difficult
$65.00
Cat: 50882
This is a colorful arrangement with a Latin feel. Features trumpet and tenor on an
interesting melody and changes. It has a lot of full ensemble passages and builds up
to an exciting ending. As recorded by Carl Saunders on Be Bop Big Band.

TITLES LISTED BY ARRANGER


STRIKE OUT THE BAND
Arranged by Carl Saunders
Medium Difficult
$55.00
Cat: 50878
The theme is stated by the low register instruments: bass trombone, baritone sax,
bass, and piano. The solos are written for trumpet and tenor. As recorded by Carl
Saunders on Be Bop Big Band.

ARRANGED BY DON SEBESKY


ALCAZAR
Arranged by Don Sebesky
Difficult
$45.00
Cat: 55757
If youre looking for a rock chart with a Spanish flavor, this is it! You have the option
of adding a flute, clarinet and flugelhorn to give your group that winning and
different sound.

ALL THE THINGS YOU ARE


Arranged by Don Sebesky
Difficult
$57.00
Cat: SMP-237
This chart is from the I REMEMBER BILL a tribute to Bill Evans CD arranged and
conducted by Don Sebesky! All of these incredible pieces require a mature band,
soloists and woodwind doublers. Although these charts are not for the faint-ofheart, they are well worth the time and effort to perform. There has never been a
more interesting or musical arrangement of this immortal Jerome Kern standard.
From the I Remember Bill: A Tribute to Bill Evans CD. Give it a listen. A truly amazing
and extensive excursion. Features alto saxophone. 5-4-4-3 (plus french horn).

BILL, NOT GIL

Arranged by Carl Saunders


Difficult
$70.00
Cat: 50875
This chart is a challenging piece of music. It is written for 10 brass but can be played
with 8. It has many tempo changes. It goes from a 6/8 feel to an up-tempo swing to
a slow Latin feel. Features tenor, trumpet and drum solos. Lead trumpet to high G.
This is a professional level chart.

Arranged by Don Sebesky


Difficult
$57.00
Cat: SMP-238
This chart is from the I Remember Bill: a Tribute to Bill Evans CD arranged and
conducted by Don Sebesky! All of these incredible pieces require a mature band,
soloists and woodwind doublers. Although these charts are not for the faint-ofheart, they are well worth the time and effort to perform. An original by Don which
is a wonderful, kind of quirky tune with extensive solo space. Give it a listen. 5-4-43 (plus french horn).

IM ALL FOR YOU

BLUE MOAN

HIGH VOLTAGE

Arranged by Carl Saunders


Medium Difficult
$70.00
Cat: 50880
An original tune written on the changes to Body and Soul. Features alto and
trumpet on the theme and the solos. This is an interesting arrangement. It has a
balance of small band and big band writing which works its way to an ending that
features cadenzas from both the trumpet and the alto. As recorded by Carl Saunders
on Be Bop Big Band.

NEVER ALWAYS
Arranged by Carl Saunders
Medium Difficult
$65.00
Cat: 50881
This chart goes in and out of Latin and swing. Features trumpet and alto. Enjoyable
to play and listen to. As recorded by Carl Saunders on Be Bop Big Band.

PERCEPTIVE HINDSIGHT
Arranged by Carl Saunders
Medium Difficult
$65.00
Cat: 50876
The trumpet and tenor are featured stating the theme and on the solos. This is a
colorful arrangement - it builds up to a classic big band shout chorus and finishes
with a very climactic ending. This chart is fun to play and listen to. As recorded by
Carl Saunders on Be Bop Big Band.

SOME BONES OF CONTENTION


Arranged by Carl Saunders
Medium Difficult
$55.00
Cat: 50877
This happy and up-beat theme is stated by the trombones and features two
trombones on the solos. After the solos they play 8s, 4s, 2s, and then play together.
The band plays a full ensemble then ends with a double cadenza as both trombones
end in the upper register. As recorded by Carl Saunders on Be Bop Big Band.

CALL NOW TO ORDER! 1-518-587-1102

Arranged by Don Sebesky


Difficult
$45.00
Cat: 55751
Heres a ballad featuring your tenor sax player in both slow and fast passages.
Written for the Maynard Ferguson band, this one has all the spirit needed for great
jazz effects.

BLUER THAN BLUE


Arranged by Don Sebesky
Medium Difficult
$57.00
Cat: SMP-235
This could be called Newer Than New, because Don just wrote this for John
Pizzarellis new band in New York. Its a wonderful tour-de-force for the entire band,
with lots of open spots for your hot jazz players to improvise. It can serve as a great
opener or an equally effective closer. This is superb Sebesky, with lots of riffs, roaring
ensemble passages, and just all-around great blues from top to bottom. 5-4-4-4.

BLUES FOR BELA


Arranged by Don Sebesky
Medium Difficult
$45.00
Cat: 55758
Another chart recorded by Doc Severinsen based on themes of Bela Bartok. This
clever adaptation will make your band a festival winner!

CAPTAIN ARCADES VIDEO PARADE


Arranged by Don Sebesky
Medium Difficult
$45.00
Cat: 55759
A video game fantasy scored as a jazz/rock march. If you want something different,
this is the one.

OR ORDER BY FAX: 1-518-587-2325

55

TITLES LISTED BY ARRANGER


DANNY BOY
(see Maynard Ferguson Section)

FAN IT, JANET


(See Maynard Ferguson Section)

GLADLY
Arranged by Don Sebesky
Difficult
$57.00
Cat: SMP-339
This section starts out with a cymbal roll and a fanfare-ish intro which leads to a
wonderful, happy, hip line stated in the brass. There is solo space for drums, trumpet,
trombone, bass and alto saxophone. The original recording featured Dennis Mackrel,
Bob Brookmeyer, Phil Woods, Tom Harrell and Dennis Irwin. This is a terrific chart
with a light, puckish melody and big, swinging shout choruses. Youll love it! Needed
doubles are soprano sax, clarinet, flute and bass clarinet.

HANDEL WITH CARE


Arranged by Don Sebesky
Medium Difficult
$45.00
Cat: 55750
Originally recorded by Doc Severinsen, this chart shouts Handels Hallelujah with a
lot of surprises. A great show opener.

HAPPY FEET
Arranged by Don Sebesky
Medium Difficult
$45.00
Cat: 55752
Toes will be tapping when playing this jazz/rock tune. The chart moves along with a
happy feel thats fun to play and definitely one that will leave your audience singing.

SUNFLOWERS
Arranged by Don Sebesky
Medium Difficult
$45.00
Cat: 55756
The unique blend between girls voice (optional) and flute will introduce another
color that will set your band apart from the others.

SWEETIE PIE (EDITED)


Arranged by Don Sebesky
Difficult
$42.00
Cat: SMP-403
This wonderful, quiet, Lil Darlin-ish chart was recorded by Maynard as Easy Chair.
It has a great melodic and harmonic sense that puts it in a class all its own. This
version has been edited to exclude any woodwind doubles and high trumpet
parts.(full score incl.). Also available as a pro version.

WALTZ FOR DEBBY


Arranged by Don Sebesky
Difficult
$57.00
Cat: SMP-236
This chart is from the I Remember Bill: A Tribute to Bill Evans CD. All of these
incredible pieces require a mature band, soloists and woodwind doublers. Although
these charts are not for the faint-of-heart, they are well worth the time and effort
to perform. There has never been a more interesting or musical arrangement of this
immortal Bill Evans standard. A truly amazing and extensive excursion. Features
tenor sax, flugelhorn and guitar solos. 5-4-4-3 (plus french horn).

WARM VALLEY
Arranged by Don Sebesky
Medium Difficult
$47.00
Cat: SMP-342
Don Sebesky has taken Ellingtons melody and created a warm, sensuous chart
which will be played for years to come.The ensemble voicings and colorful harmonies
are set in a kind of Lil Darlin-ish type of feel. This will be a wonderful contrast on any
jazz program, as the brass ranges are very easy, and the effect of the chart is very
mellow and peaceful. A must for any big band library! 5/4/4/3

HOME COOKIN
Arranged by Don Sebesky
Medium Difficult
$45.00
Cat: 55753
This chart cooks from beginning to end with plenty of opportunity for soloists
(either reading or improvising) to swing.

MADLY
Arranged by Don Sebesky
Difficult
$57.00
Cat: SMP-341
A fitting last section to this marvelous suite. It features trombone, clarinet, flugelhorn,
bass and drums. Sebeskys tribute to Ellington comes to a wonderful, inspired end
with this amazing music. Soprano sax doubles required. 5-4-4-3

PEOPLE
(See Maynard Ferguson Section)

SADLY
Arranged by Don Sebesky
Difficult
$57.00
Cat: SMP-340
Phil Woods was the featured soloist on the recording on this chart which is an alto
feature for the most part. There is also a piano solo section (a la Duke) as played by
Jim McNeely on the original recording. This section is set in a slow, moody feel. A
beautiful melody! Bass clarinet double. 5-4-4-3

SOFT CELL
Arranged by Don Sebesky
Medium Difficult
$45.00
Cat: 55754
A nice relaxed rock-style with close-voiced ensemble in the introduction and clusters
at the end. You have the option of opening up this arrangement for additional solos.

SONG FOR CYMBALINE


Arranged by Don Sebesky
Medium Difficult
$45.00
Cat: 55755
This arrangement features the alto sax in a ballad and swing combination. Recorded
by the Maynard Ferguson band, the lyrical theme will become one of your favorites.

56

ARRANGED BY BOB SENNETT


BLUES, BOOZE, & TATTOOS

***NEW***

Arranged by Bob Sennett


Medium Difficult
$55.00
Cat: 51657
A swinging modified blues. Extensive ensemble chorus around tenor and trombone solos.

DARK CLUSTERS

***NEW***

Arranged by Bob Sennett


Medium Difficult
$55.00
Cat: 51659
An ethereal sounding composition that employs cluster voicing in the reeds and
close voicing in brass. There is a tenor solo, part written, part improvised, with a
building brass background leading to a climax which immediately reverts to quiet,
cluster voicing again. Trumpets double on flugelhorns.

DON'T LEAVE NOW

***NEW***

Arranged by Bob Sennett


Medium
$55.00
Cat: 51658
Lush ballad featuring the trombone section. Lead trombone solo. Pretty changes
and lush voicings. Trumpets on flugelhorns.

MINOR MATTERS
Arranged by Bob Sennett
Medium Difficult
$55.00
Cat: 51656
Features trumpet-tenor. Ensemble backgrounds and out chorus compliment soloists.
No doubles.

ARRANGED BY GEORGE SHUTACK


EASY OUT
Arranged by George Shutack
Easy
$42.00
Cat: 42097
Jazz writer George Shutack has written this rock excursion especially for developing
players. It serves equally well as a concert opener or closer due to the strong, yet
accessible rhythms, and catchy groove. The easy-to-hear solo changes will give
students the opportunity to work on improvisational skills in a non-threatening
setting. Written or ad lib solos for all rhythm section parts. Playable by 12-17 pieces.

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COMPLETE PO S ONLINE!

UNCHARTED TERRITORY

***NEW***

Arranged by George Shutack


Easy
$42.00
Cat: 42355
A driving rhythm groove sets the mood in this contemporary Latin/rock chart. With
solid scoring, a catchy melody, and an open solo section, this easy level chart will be
the perfect vehicle to introduce young players to this essential style of music. As with
all First Edition charts, this piece can by played by as few as 12 players.

ARRANGED BY DAVE SNIDER


BASS ON TOP
WHERE PAUL LIKES IT

***NEW***

Arranged by Dave Snider


Medium Difficult
$55.00
Cat: 55676
This is a medium blues swing chart in the key of F, dedicated to the late great bassist
Paul Chambers. Scored for 5 saxes, 4 trumpets, 4 trombones, and rhythm, with
optional guitar, no doubles. This chart features the bass player with an optional
cadenza at the beginning followed by a blues solo. The bass is also featured on the
melody; shared with the solo trumpet. There is a challenging sax soli and tutti
section with open solo sections. The lead trumpet plays a few passages going up to
the high concert B natural. This chart is a great feature and challenge for any bass
player and college or pro bands.

JP

***NEW***

Arranged by Dave Snider


Difficult
$55.00
Cat: 55678
This is a great contemporary R&B chart in the key of B flat, dedicated to the late
great electric bassist Jaco Pastorius. Scored for 5 saxes, 5 trumpets (the 5th part is
optional), 4 trombones, and rhythm, with optional guitar, no doubles. The bass
player should play electric bass. The bass part is written but it can be improvised
since there are chords above the written line. The tempo is 96 bmp for the quarter
note. This chart has a very nice and funky melody with a tenor solo with challenging
rhythmic riffs and backgrounds throughout the first half of the chart. The second
half of the chart changes feel from an R&B feel to a double time swing feel with a
trumpet solo and a challenging sax soli/tutti section. There is a drum solo in swing
time which goes back to the original R&B feel to the head, followed with a tag in
double time swing feel with battling sax and trumpet solos. The highest note for the
lead trumpet is concert high D flat. This chart is a definite opener or closer and is a
great challenge for any college or pro band.

A LITTLE TASTE OF FUNK

***NEW***

Arranged by Dave Snider


Difficult
$55.00
Cat: 55677
This is a great contemporary funk chart, dedicated to the great electric bassist Larry
Graham. Scored for 5 saxes, 5 trumpets (the 5th part is optional), 4 trombones, and
rhythm, with optional guitar, no doubles. The bass player must play electric bass
(NOT STRING BASS). The bass part is written but it can be improvised since there
are chords above the written line. The tempo is 90 bmp for the quarter note. This
chart is very high energy from the beginning to the end. There are challenging
rhythmic and melodic riffs and backgrounds throughout the chart in all sections.
The chart starts in G minor with a tenor solo. There is a drum solo/groove with horn
backgrounds used as a transition and modulation to the key of concert E for a
trumpet solo. The highest note for the lead trumpet is concert high D. This chart is
a definite opener or closer and is a great challenge for any college or pro band.

SEVEN FOR SCOTT

***NEW***

TITLES LISTED BY ARRANGER


trumpet section is not written in the high register as in Maynard's band, and the
highest note for the lead trumpet is concert G throughtout the chart with one high
D in the last measure.This is a good closer for the first set and is a great chart for any
college or pro band.

ARRANGED BY RICK STITZEL


C JAM BLUES
Arranged by Rick Stitzel
Easy
$35.00
Cat: 7470604
Finally, this Ellington classic is available for even the most inexperienced bands. For
starters, this version is in Bb rather than C. Rick features the saxes on the melody
with inventive brass counterlines, and later a marvelous ensemble tutti section that
starts soft then builds to the end. An absolute must!

GOD BLESS THE CHILD


Arranged by Rick Stitzel
Medium Easy
$35.00
Cat: 7011091
One of the most soulful ballads ever written, this standard has been recorded by
artists ranging from Billie Holiday to Blood, Sweat & Tears. Ricks easy arrangement
features rich harmonies with full ensemble writing. A short written solo is included
for any sax, but no improvised solos are required. Written for full band, playable with
4 saxes, 3 trumpets, 3 trombones and rhythm section. Full-length recording included.

IVE JUST SEEN HER


Arranged by Rick Stitzel
Medium Difficult
$45.00
Cat: 7011093
From the 1960s Broadway production All American, this ballad has enjoyed wide
popularity among jazz artists and has been recorded countless times. The beautiful
melody and marvelous changes are blended perfectly in this feature for alto sax.

MOON RIVER
Arranged by Rick Stitzel
Medium Easy
$40.00
Cat: 7470651
Henry Mancini was a master of melodies and this is one of his best. Ricks easy
arrangement is in 3/4 and features skillful scoring and rich harmonies.

NIGHT SONG (FROM GOLDEN BOY)


Arranged by Rick Stitzel
Medium Easy
$40.00
Cat: 7011095
From the show Golden Boy, this jazz standard composed by Charles Strouse is
tastefully arranged in a Latin ballad style with a Bossa/bolero feel. There is plenty of
full ensemble playing, and solos are included for trumpet and tenor (written or ad
lib.). This one will be a perfect change of pace for your next concert.

NOWS THE TIME


Arranged by Rick Stitzel
Medium Easy
$35.00
Cat: 7010969
Charlie Parker helped define the language of modern jazz.This marvelous arrangement
of one of his most accessible compositions provides a perfect introduction to this
legendary jazz master. Solid and swingin!

Arranged by Dave Snider


Medium Difficult
$55.00
Cat: 55679
This is a up blues swing chart that features the tenor sax. The chart has no melody
so it requires the tenor player to be a good soloist with a good musical imagination.
The introduction is a slow, thick, gospel feel with the tenor whaling over the top,
followed by a cadenza into seven choruses of blues with horn riff backgrounds.
There is a challenging sax soli and tutti section. This chart is a definite challenge for
any tenor player and is a real crowd pleaser. Difficult for the tenor soloist.

PROUD MARY

THINKIN' 'BOUT MAYNARD

Arranged by Rick Stitzel


Easy
$35.00
Cat: 7010967
Few of the famous funk themes from the 70s are more well-known than this
classic by Isaac Hayes. Ricks authentic-sounding rendition makes it playable by
just about any band.

***NEW***

Arranged by Dave Snider


Medium Difficult
$55.00
Cat: 55675
This is a medium blues swing chart in the key of G, dedicated to the great trumpet
player Maynard Ferguson. Scored for 5 saxes, 4 trumpets, 4 trombones, and rhythm,
no doubles. There is an optional bass solo cadenza at the beginning followed by a
piano solo into a great melody in a blues riff style. There is a challenging sax soli
section. Solo sections are open. There is a drum solo with horn backgrounds. The

CALL NOW TO ORDER! 1-518-587-1102

***NEW***

Arranged by Rick Stitzel


Easy
$35.00
Cat: 7470691
Similar to the trademark version by Ike & Tina Turner, this easy arrangement starts
out slow in the beginning, then kicks into high gear to finish out. Saxes take the lead
at first, but there is plenty of full ensemble playing as well. No solos are required.

THEME FROM SHAFT

OR ORDER BY FAX: 1-518-587-2325

57

TITLES LISTED BY ARRANGER


WHAT A WONDERFUL WORLD
Arranged by Rick Stitzel
Easy
$35.00
Cat: 7470606
Made famous by Louis Armstrong, this is one standard that has stood the test of
time. This very playable version is nicely scored with short features for each section.

WHAT ID SAY
Arranged by Rick Stitzel
Easy
$45.00
Cat: 7011201
An up-tempo rockin style, call-and-response playing, and hot horn riffs are all a part
of this arrangement of the Ray Charles classic. The legend of Ray lives on through
tunes like this that never seem to grow old.

ARRANGED BY GEORGE STONE


ALL OR NOTHING AT ALL
Arranged by George Stone
Medium Difficult
$45.00
Cat: 7010351
This often recorded standard is expertly arranged by George Stone in a medium
swing style. Filled with creative harmonies and soaring ensemble figures, this is truly an
outstanding choice for contest or festival use. Includes solos for piano and/or trumpet.

BASS-ICALLY TWO OF A KIND

IT MIGHT AS WELL BE SPRING


Arranged by George Stone
Medium Difficult
$45.00
Cat: 7010140
From the prolific pen of Rodgers and Hammerstein, this standard has been a favorite
with jazz performers for years. Georges outstanding setting features tenor sax in a
ballad style with a double-time swing section for soloing.

LA SAMBA PRIMERA
Arranged by George Stone
Medium
$60.00
Cat: 51753
Medium Samba that features a flugelhorn solo. There are some doubles: flute and
soprano.

NARDIS
Arranged by George Stone
Medium Difficult
$50.00
Cat: 7010736
Here is a marvelous big band setting of this bebop classic from Miles Davis. Arranged
in a medium up-tempo swing feel, this chart is loaded with great ensemble writing
with the melody being traded among all the sections of the band.

PEEL ME A GRAPE
Arranged by George Stone
Medium Difficult
$45.00
Cat: 7010512
Recorded by Diana Krall on Love Scenes, George Stone has taken a similar approach
and created this sensual and engaging version for jazz ensemble. The slow and soft
swing style makes this one a great change of pace for contest or festivals.

Arranged by George Stone


Medium
$56.00
Cat: 51750
Unique chart featuring an acoustic and an electric bass together, as well as a jazz
and a rock groove. Scored with an optional guitar part to cover one of the bass
parts.There are some doubles.

SHUFFLE SCUFFLE

BODY AND SOUL

SOPHISTICATED LADY

Arranged by George Stone


Medium Difficult
$45.00
Cat: 34909038
George Stones medium swing setting of this familiar standard features lush ensemble
writing with short solos for alto and tenor. Beautifully orchestrated and easy on the chops.

Arranged by George Stone


Medium Difficult
$66.00
Cat: 51754
Straight-ahead, hard-swinging shuffle with solos for alto and tenor. Soprano lead on
extensive sax soli.

Arranged by George Stone


Medium Difficult
$45.00
Cat: 7010275
This beautiful Duke Ellington ballad has been masterfully arranged here.

SPEAK LOW

D-BOP
Arranged by George Stone
Medium Difficult
$60.00
Cat: 51756
Bright swing, unison bop line for alto, tenor, baritone, trumpet and guitar. Fun
changes for tenor sax and trumpet solos.Challenging development section for the
whole ensemble and sax soli/ensemble shout at the end. This is a great chart for
festival and concert use. Lead trumpet is written high E, no doubles.

THE EARLY MONDAY MORNING


REHEARSAL BLUES
Arranged by George Stone
Medium
$54.00
Cat: 51751
Medium rock shuffle with soprano lead. Open solo section for any instrument and
an extensive sax soli.

IM OUT, ME TOO, I WIN


Arranged by George Stone
Difficult
$53.00
Cat: 51752
Medium swing. Great ensemble writing. Solo changes on 1st tenor sax and 1st
trombone. Nice shout chorus. Flute doubles. Optional percussion.

IT COULD HAPPEN TO YOU


Arranged by George Stone
Medium Difficult
$45.00
Cat: 7010030
This powerful chart takes a familiar standard and sets it as a medium up-tempo
swing number. Theres lots of sax work here, including solos for alto and tenor and
a great soli section.

Arranged by George Stone


Medium
$60.00
Cat: 51755
This is a Samba/Mambo which features both trombone and trumpet solos. A
distinctive Bolero section offers a refreshing style change for a soprano sax soloist.
Instrumentation includes four trumpets, four trombones, five saxes (double on
soprano), guitar, piano, bass, drums and vibes.This chart is a fresh-sounding stylistic
addition to a concert and/or festival set. Lead trumpet note is written B below high
C, making this arrangement very accessible to bands of all performance levels.

STRAIGHT AHEAD

***NEW***

Arranged by George Stone


Difficult
$60.00
Cat:51757
As the title suggests, it is a straight ahead swinger from start to finish. There is a
unique rhythm section intro (with optional flute) followed by the band's statement
of the melody and a large sax soli. Solos are designated for any rhythm instrument
plus alto sax, tenor sax and trumpet. Following the solo section is an open rhythm
section improvisation which can be constructed however you wish. Lastly, a three
part contrapuntal section builds to a strong shout section all the way to the end.
You will really enjoy this new, fresh and exciting composition.The high notes (optional)
are high concert Eb and F.

THE VERY THOUGHT OF YOU


Arranged by George Stone
Medium Difficult
$45.00
Cat: 7010608
Its not very often that we offer a trombone feature, but this classic tune by Ray
Noble in the capable hands of George Stone seemed like a natural fit. Beautifully
scored in a ballad style.

YOUD BE SO NICE TO COME HOME TO


Arranged by George Stone
Medium Difficult
$45.00
Cat: 7010040
When it comes to great swing tunes, this Cole Porter classic is near the top of the
list. Georges outstanding chart is well-paced and a pleaure to perform.

58

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COMPLETE PO S ONLINE!

ARRANGED BY CARL STROMMEN


A NIGHT AT THE BLUE NOTE
Arranged by Carl Strommen
Medium Easy
$38.00
Cat: SCM-024
This tune will remind you of all those Blue Note records you bought over the years.
Moderate tempo and difficulty level, and full of surprises. Not quite a blues in F...

AS TIME GOES BY
Arranged by Carl Strommen
Easy
$45.00
Cat: WBJE9319
The trumpet soloist starts alone with this memorable melody and soon draws the
entire ensemble into this easy arrangement. Although the band get its say, it is the
trumpet soloist who sustains right to the end. An excellent trumpet feature.

SLIP SLIDIN
Arranged by Carl Strommen
Medium
$38.00
Cat: SCM-012
One of the countrys leading educational writers for jazz ensemble, chorus, concert
band and orchestra has written a hip-hop piece at an easy level that kids should
really dig. Ranges are moderate with optional higher notes if you have the horses.
Written solos.

TIME OUT

***NEW***

Arranged by Carl Strommen


Medium Easy
$38.00
Cat: SCM-032
Remember Moanin Carl has done a great job with this at the high school, middle
school and junior high school level. Blues in F. Scored for full band but sounds
complete at 4/3/2/3.

UNO MAS
Arranged by Carl Strommen
Medium Easy
$38.00
Cat: SCM-022
Carl has created a dynamic chart at a moderate difficulty level that gives you that
hot Latin chart youve been looking for.

WHAT KIND OF FOOL AM I


Arranged by Carl Strommen
Medium
$35.00
Cat: 130
In the key of C, this arrangement features a vocalist or optional tenor saxophonist.

TITLES LISTED BY ARRANGER


ARRANGED BY MICHAEL SWEENEY
ALL BLUES
Arranged by Michael Sweeney
Medium Easy
$35.00
Cat: 7010656
Heres the classic Miles Davis tune from the landmark album Kind Of Blue carefully
arranged for young groups. Written in 3/4 for ease of reading, Mike has kept the feel
and sound of the original in this excellent setting. Full length recording included.

ALL OF ME

***NEW***

Arranged by Michael Sweeney


Medium
$35.00
Cat: 7011159
Made famous by the Count Basie band as well as countless other jazz artists, bring
a bit of history to your young players with this familiar standard.This easy arrangement
includes a nice mix of unison passages with full-sounding ensemble scoring. Medium
swing at its best!

ALL THE THINGS YOU ARE


Arranged by Michael Sweeney
Medium Easy
$35.00
Cat: 8050003
This easy arrangement features a moderate Latin groove with alternating swing
sections. Nice! Written for full band, playable with 4 saxes, 3 trumpets, 3 trombones
and rhythm section. Full-length recording included.

ALRIGHT, OKAY,YOU WIN


Arranged by Michael Sweeney
Medium Easy
$35.00
Cat: 7470526
Some tunes seem to get better with age. Mikes version of this swingin standard is
written in a medium shuffle style and is easy to learn. The solo section features stoptime ensemble figures and written sample solos.

APRIL IN PARIS
Arranged by Michael Sweeney
Medium Easy
$35.00
Cat: 7474568
Heres an easy version of this big band favorite from the Count Basie Orchestra.Your
audience is sure to recognize this one, and its the perfect way to introduce young
players to one of the great bands of all time.

BIRDLAND
ARRANGED BY FRED STURM
ALL BIRDS CHILDREN

***NEW***

Arranged by Fred Sturm


Advanced
$50.00
Cat: 123406
Arranged to feature the composer the amazing Phil Woods and recorded on
Phils 1998 Grammy nominee CD Festival. Phil toured Europe with a big band and
typically opened or closed the show with this burning swing chart.

MICHELANGELO

***NEW***

Arranged by Fred Sturm


Medium Difficult
$55.00
Cat: SMP-752
As recorded on Libertango! Hommage to Astor Piazzolla (HR Big Band), this chart
is very, very exciting. Set in a fast, quasi rock/fusion feel, this chart features solo space
for trumpet (or whichever player(s) you might choose). The wonderful rhythmic
interplay between all the sections and the brilliant scoring creates a must-have
chart for every band. 5/4/4/5 (opt. marimba)

MUMUKI

***NEW***

Arranged by Fred Sturm


Medium Difficult
$55.00
Cat: SMP-753
As recorded on Libertango! Hommage to Astor Piazzolla (HR Big Band), this chart
is a beautifully sensitive setting of a gorgeous ballad. There are different solo parts
(Eb, Bb, C) for you to use in choosing your soloist. It is a solo feature throughout the
chart. Sturms orchestration and the climactic passage will tear your heart out, it is
so intensely beautiful. This requires 4 clarinets and bass clarinet in the sax section
with very easy to play parts. The brilliant scoring of Sturm creates a must-have chart
for every band. 5/4/4/5 (opt. vibes/bells)

CALL NOW TO ORDER! 1-518-587-1102

Arranged by Michael Sweeney


Medium Difficult
$35.00
Cat: 8721581
Josef Zawinul and the jazz fusion group Weather Report broke new ground with
this inNovative composition. This easy version maintains the drive and power of the
original and will sound great with mature as well as inexperienced bands.

BLUE BOSSA
Arranged by Michael Sweeney
Easy
$35.00
Cat: 7010567
This great jazz standard by Kenny Dorham is now available in a playable arrangement
for young players! There is a touch of the original combo scoring as well as the
original background figures scored for the entire band.

BLUE MONK
Arranged by Michael Sweeney
Medium Easy
$35.00
Cat: 7010308
One of the all-time great tunes by jazz legend Thelonious Monk. This arrangement
by Michael Sweeney is an authentic adaptation using the original key (Bb) and
preserving Monks unique rhythmic phrases. The chart opens with a trumpet/tenor
duet, however there is plenty of tutti ensemble playing and flexible solo sections
over blues changes. This one is a must.

BLUES MACHINE
Arranged by Michael Sweeney
Easy
$35.00
Cat: 7474537
First released in 1992, this excellent blues original has stood the test of time. Perfect
for teaching style and introducing the blues scale as a basis for improvisation.
Includes CD.

OR ORDER BY FAX: 1-518-587-2325

59

TITLES LISTED BY ARRANGER


BOOGIE DOWN
Arranged by Michael Sweeney
Medium Easy
$35.00
Cat: 8050070
Here is an easy version of Al Jarreaus funky jazz favorite. The rhythms have been
simplified without losing the great feel of the original. Written for full band, playable
with 4 saxes, 3 trumpets, 3 trombones and rhythm section. Recording included.

CARAVAN
Arranged by Michael Sweeney
Medium Easy
$35.00
Cat: 8050083
Everyone will recognize this Duke Ellington classic. Using interesting textures and
alternating between a Latin groove and swing, this is a very effective production
number with limited technical demands. Comes with CD.

CHAMELEON
Arranged by Michael Sweeney
Medium Easy
$35.00
Heres Herbie Hancocks jazz-funk masterpiece.

Cat: 805182

CHOO CHOO CHBOOGIE


Arranged by Michael Sweeney
Medium Easy
$35.00
Cat: 7010540
In the tradition of Boogie Woogie Bugle Boy and Chattanooga Choo Choo, here is
one of the classic swing tunes from the 40s made famous by Louis Jordan. The saxes
get a workout on the main theme, then the brass take the lead on the familiar
chorus. This entertaining chart is as fun to play as it is to listen to.

CRUELLA DE VIL
Arranged by Michael Sweeney
Easy
$35.00
Cat: 7470582
Heres a bluesy and swingin version of this well-known favorite from Disneys 101
Dalmations. This easy chart features a flexible solo section for any trumpet and/or
trombone as well as a hard-hitting shout chorus to finish it out.

HOW HIGH THE MOON


Arranged by Michael Sweeney
Medium Easy
$35.00
Cat: 8721376
Here is the swinging standard arranged by Sweeney for younger bands.

IN THE MOOD
Arranged by Michael Sweeney
Medium Easy
$35.00
Cat: 7010016
One of the best-known tunes from the swing era is this classic from the Glenn Miller
Orchestra. This updated chart from Mike Sweeney features very comfortable ranges,
easy rhythmic patterns, and short written or ad lib solos.

IT DONT MEAN A THING


(IF IT AINT GOT THAT SWING)
Arranged by Michael Sweeney
Easy
$35.00
Cat: 7470508
Introduce Dukes music to your beginning group with this great version. The rhythms
have been simplified but the style is authentic. Includes full-length recording.

KILLER JOE
Arranged by Michael Sweeney
Easy
$35.00
Cat: 8720665
Here is a very playable arrangement of this quintessential cool jazz swing tune.
Carefully scored to sound full with incomplete instrumentation this arrangement
also features written or ad lib solos for any sax and trumpet or trombone.

MALAGUENA
Arranged by Michael Sweeney
Easy
$35.00
Cat: 7474514
Stan Kentons signature version is probably the best-known treatment of this
Spanish classic. Mikes easy arrangement draws upon this version while keeping the
ranges and rhythms well within the reach of beginning groups. A real powerhouse!
Written for full band, playable with 3 saxes, 2 trumpets, 1 trombone and rhythm
section. Full-length recording included.

MARY ANN

Arranged by Michael Sweeney


Medium Easy
$35.00
Cat: 7010380
This early jazz classic by Miles Davis is an excellent vehicle for introducing the blues.
The trumpet soli section is derived from Miles original solo and may be performed
either as a solo or as a section feature.

Arranged by Michael Sweeney


Medium Easy
$35.00
Cat: 7011101
From the master of soul comes this catchy blues tune from the movie Ray. A
distinctive feature is the alternating style between rhumba and straight ahead swing,
and Michaels skillful arrangement makes it a perfect fit for younger players. Written
for full band, playable with 4 saxes, 3 trumpets, 3 trombones and rhythm section.
Full-length recording included.

FROSTY THE SNOW MAN

MOANIN

FREDDIE FREELOADER

Arranged by Michael Sweeney


Easy
$35.00
Cat: 8721405
Be sure to bring the hip side of Frosty to your next holiday event with this swingin
version for beginning groups. Including short solos for trumpet that can also be
played as section features, this chart is easy to learn and fun to play.

GEORGIA ON MY MIND

Arranged by Michael Sweeney


Easy
$35.00
Cat: 7470645
Known for his skill in adapting jazz classics for beginning players, Michael brings
us this Bobby Timmons favorite in a very playable version. The style is medium
slow swing, and the saxes present the theme first followed by the entire
ensemble. Solos are only over sections with easy chord changes. Includes fulllength recording.

Arranged by Michael Sweeney


Easy
$35.00
Cat: 7470552
This enduring standard by Hoagy Carmichael continues to sound fresh year after
year. The notable recording by Ray Charles with its lush harmonies and bluesy ballad
style is hinted at in this easy setting for jazz ensemble. The short solos for trumpet,
sax, and trombone may also be played as section features. Great for developing
balances and ensemble playing. Written for full band, playable with 3 saxes, 2
trumpets, 1 trombone and rhythm section. Full-length recording included.

MOTEN SWING

HOW DEEP IS THE OCEAN

Arranged by Michael Sweeney


Easy
$35.00
Cat: 7473535
Here is the Rodgers and Hart ballad arranged for young bands.

Arranged by Michael Sweeney


Medium Easy
$35.00
Cat: 7010451
Here is a unique version of this all-time great tune done in a Latin style. This easy
chart features creative harmonies and exceptional scoring. Short solos are included
for tenor, trumpet and drums. A great showpiece for young groups.

60

Arranged by Michael Sweeney


Easy
$35.00
Cat: 7470518
Practically a trademark Count Basie tune, this medium swing classic has been carefully
modified to fit the needs of beginning bands. Features authentic style, lots of tutti
ensemble playing and easy written solos.

MY FUNNY VALENTINE

A NIGHT IN TUNISIA
Arranged by Michael Sweeney
Medium Easy
$35.00
Cat: 805500
Without losing the essence of this masterpiece, Mike has crafted a great chart for
young players using safe ranges and moderate rhythms. Youll still find the trademark
alternating from Latin to swing, as well as written or ad lib solos for alto and trumpet.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

PERFIDIA

***NEW***

Arranged by Michael Sweeney


Medium Easy
$35.00
Cat: 7011165
This medium slow standard provides a nice introduction to Latin style for young
players. Solo sections are based on easy scales and the rhythm section groove is
completely written out.

ROCK AROUND THE CLOCK


Arranged by Michael Sweeney
Easy
$35.00
Cat: 7470661
Bill Haley & The Comets made the top of the charts with this hit back in 1955. And,
its as fun now as it was back then! This easy chart will sound great with any band.

ST. THOMAS
Arranged by Michael Sweeney
Easy
$35.00
Cat: 7470647
Never has there been a version of this Sonny Rollins classic in an arrangement this
easy! With ample use of unison lines, a moderate tempo and careful scoring, this one
will really cook with young players.

SATIN DOLL
Arranged by Michael Sweeney
Medium
$35.00
Cat: 7010740
Beginning jazz ensembles will sound great with this solid swing arrangement by
Michael Sweeney. Featuring tutti scoring and easy rhythms, this is a perfect chart to
teach the basics of style.

SOFT WINDS
Arranged by Michael Sweeney
Medium Easy
$35.00
Cat: 7010728
This jazz classic adapts perfectly for young players. The tempo is moderate and the
swing figures are easy to play. The blues form makes it easy for inexperienced
improvisers and sample solos are included for alto, tenor, trumpet, and piano.

SPINNING WHEEL
Arranged by Michael Sweeney
Easy
$35.00
Cat: 7474140
Anyone who remembers Blood, Sweat & Tears will instantly recognize this jazz-rock
classic from the 60s. Perfect for teaching rock to beginning bands, this easy chart
gives every section a chance to shine, particularly the trombones!

TEQUILA
Arranged by Michael Sweeney
Easy
$35.00
Cat: 7470502
Everybody knows it, and your students will want to play it! The simple chord
progression is perfect for encouraging your inexperienced improvisers.

TOMORROW [FROM ANNIE]


Arranged by Michael Sweeney
Easy
$40.00
Cat: 7010907
Attractively arranged in a light rock style, here is a great sounding chart on the main
song from the musical Annie. Featuring a trombone soloist on the melody and some
nice harmonic twists, this arrangement builds to a solid finish with the full ensemble.
Also includes solos for trumpet and tenor.

UNTIL I MET YOU


(CORNER POCKET)

***NEW***

Arranged by Michael Sweeney


Easy
$35.00
Cat: 7470693
One of the all-time classic charts from the Count Basie Band is this gem penned by
long standing guitarist Freddie Green. Available for the first time in an arrangement
for beginning bands, Michael Sweeney has crafted an authentic-sounding version
that will work great for festivals or concerts. From the opening strains to the final
shout chorus, the Basie style shines through.

WHITE CHRISTMAS
Arranged by Michael Sweeney
Easy
$35.00
Cat: 7474570
Irving Berlins unforgettable holiday classic is a perfect choice for your winter concert.
This easy yet effective setting will sound great with limited rehearsal time.

CALL NOW TO ORDER! 1-518-587-1102

TITLES LISTED BY ARRANGER


WITCHCRAFT
Arranged by Michael Sweeney
Easy
$35.00
Cat: 7010226
This medium tempo swing standard provides the perfect way to get your young
players to swing. Mikes easy arrangement features plenty of full ensemble tutti
rhythms and no solos are required.

YARDBIRD SUITE
Arranged by Michael Sweeney
Medium Easy
$35.00
Cat: 805877
This Charlie Parker bebop classic is now available for young bands.

ZOOT SUIT RIOT


Arranged by Michael Sweeney
Easy
$35.00
Cat: 7470566
The hippest new swing tune of the year from the Cherry Poppin Daddies. This
exciting chart for young players features the signature horn riffs and drum breaks.

ARRANGED BY MARK TAYLOR


AFTER YOUVE GONE
Arranged by Mark Taylor
Medium
$45.00
Cat: 7010708
Arranged here in a Basie-style slow swing setting, this well-crafted chart starts out
as a study in ensemble writing with the brass in buckets and the drums on brushes.
Later there is a solo for trumpet followed by a shout chorus where the full band
really lets loose. Quality writing for contests and festivals!

ATTITUDE DANCE
Arranged by Mark Taylor
Medium Difficult
$50.00
Cat: 7010148
Celebrating 25 years of funk and soul, the unmistakable sound of Tower of Power
still sounds as fresh and impressive as ever. Marks chart on this hot tune features the
blazing horn lines and driving groove of the original.

BLUE N BOOGIE
Arranged by Mark Taylor
Medium Easy
$40.00
Cat: 7011123
From bebop master Dizzy Gillespie comes this lively tune in a great chart for
younger players by Mark Taylor. It opens with a trumpet and alto on the head
followed by a quintet of 3 saxes and 2 trumpets. A tutti ensemble section comes
next followed by a flexible solo section for any combination of alto, tenor, trumpet
or trombone. The brass ranges are reasonable and most rhythms are tutti. Let the
maturity of your group determine how fast (or slow) you play this one, however.

BLUE BOSSA
Arranged by Mark Taylor
Medium Difficult
$45.00
Cat: 7010884
Kenny Dorhams relaxed Latin classic is a must for all jazz programs. Mark has
retained elements of the original version using a small group (alto, tenor, trumpet
and trombone) on the opening statement, then the saxes playing the important
secondary theme. Included after the flexible solo section is a sax soli, ensemble shout,
and stop-time section featuring the drums. This chart is destined to become a classic.

BLUE SKIES
Arranged by Mark Taylor
Medium Difficult
$45.00
Cat: 7010314
Mark Taylor has created an effective new treatment of a great standard song.
Alternating between a Samba feel and swing, this chart also uses contrasting textures
of small group playing and full ensemble. Includes solos for tenor and/or guitar and
features a nice sax soli. Great choice for contest.

BLUES IN HOSS FLAT


Arranged by Mark Taylor
Medium Easy
$35.00
Cat: 7010888
There is no better style for young players to emulate than that of the Count
Basie Orchestra. This famous swing tune is nicely arranged here by Mark Taylor
in a very playable version that still sounds authentic. Comes with CD.

OR ORDER BY FAX: 1-518-587-2325

61

TITLES LISTED BY ARRANGER


BRADLEYS BOP HOUSE
Arranged by Mark Taylor
Advanced
$60.00
Cat: 7011117
Accompanied by drums on brushes, saxes take the first round followed by the brass
on this tasty bop-style original from Mark Taylor. Plenty of nice ensemble work and
section feature spots spice up this winner. Solos are for trumpet and tenor.

BROADWAY
Arranged by Mark Taylor
Medium Easy
$40.00
Cat: 7011119
This familiar standard is arranged here in a medium up-tempo swing style and
features your entire trumpet section. All parts include written sample solos, and it is
constructed so that a single player can handle all the solo parts. Later, the trumpet
section trades phrases with the drummer and a short ensemble shout takes you the
rest of the way. Trumpet feature.

CHEGA DE SAUDADE (NO MORE BLUES)


Arranged by Mark Taylor
Medium
$40.00
Cat: 7500115
Smooth Bossa Nova sophistication describes this classy chart. With its lyrical melodic
style and terrific-sounding band accompaniment, this is truly a standout feature for
a vocal soloist. Vocal key: C minor

COTTON TAIL
Arranged by Mark Taylor
Medium
$40.00
Cat: 7010802
Here is the classic Ellington swinger in a fabulous version for younger players. The
drive and excitement of the original is still there as Mark starts out with a small
combo of 2 tenors and 2 trombones, then gets the full band involved. Includes solos
for alto and/or trombone and also for trumpet and/or piano. This chart will sound
great with any band!

Cat: 34204010

DOXY
Arranged by Mark Taylor
Medium
$40.00
Cat: 7010646
Mark Taylor has adapted one of Sonny Rollins best tunes in this medium tempo
chart for younger bands.

FLY ME TO THE MOON


Arranged by Mark Taylor
Medium
$40.00
Cat: 7010107
Heres one of the most recognizable standards ever written, effectively scored for
youger groups by Mark Taylor in a Basie swing style. This chart features tutti
ensemble writing at its best, and also includes a short piano solo.

FOUR
Arranged by Mark Taylor
Easy
$40.00
Cat: 7010404
Miles Davis left a legacy of inNovative playing and enduring compositions. Here is
one of his best tunes in a swinging medium up-tempo arrangement for young bands.

GEORGIA ON MY MIND
Arranged by Mark Taylor
Medium Easy
$40.00
Cat: 30707010
At last...an easy ensemble-oriented chart on this great jazz classic. Arranged in a laidback Basie groove, this chart is everything you could ask for.

GIRL TALK
Arranged by Mark Taylor
Medium Difficult
$45.00
Cat: 7010376
The unmistakable style of Neal Hefti is apparent in this popular swing standard.
Marks well-paced chart starts with the full ensemble playing soft. After an alto sax
solo, it builds to a full-blown shout and then tapers to a quiet ending. Real smooth!

62

Arranged by Mark Taylor


Difficult
$50.00
Cat: 7010684
This swingin Basie-style shuffle starts out with a piano chorus followed by the saxes
and finally a roaring brass section. Also featured are solos for tenor and trumpet and
a fabulous shout chorus that starts quietly then builds to the end. Just hard-hitting
swing as only Mark Taylor can deliver.

HALLELUJAH I LOVE HER SO


Arranged by Mark Taylor
Medium
$40.00
Cat: 7011103
The Ray Charles sound comes through loud and clear in this distinctive gospel/rock
arrangement for young bands. Featured in the hit movie Ray, this solid chart has a
driving feel throughout, interspersed with the trademark stop-time phrases.

HOW SWEET IT IS TO BE LOVED BY YOU


Arranged by Mark Taylor
Medium
$40.00
Cat: 7500081
Recorded by many artists (including James Taylor) Marks version for vocal soloist is
written in a medium swing style with a moderate vocal range, and features wellwritten background figures. Key of C. G below middle C to fourth space C.

I CONCENTRATE ON YOU

***NEW***

Arranged by Mark Taylor


Medium
$45.00
Cat: 7011249
Feature your tenor sax in a very comfortable and smooth-sounding range with this
soft Bossa style arrangement of Cole Porters standard. Well-styled ensemble writing
combined with the soloist help make this a perfect change-of-pace arrangement.

IM BEGINNING TO SEE THE LIGHT


Arranged by Mark Taylor
Medium
$40.00
Cat: 7500027
This makes an outstanding vocal feature, yet your band will have a great time with
it as well. Key: C to E flat.

IVE GOT THE WORLD ON A STRING

DAT DERE
Arranged by Mark Taylor
Medium Difficult
$45.00
Here is the Bobby Timmons classic for jazz band.

GORILLA MAN BLUES

Arranged by Mark Taylor


Medium Difficult
$45.00
Cat: 7010228
In the style of Lil Darlin, Mark has crafted a wonderful ensemble-based version of
this standard featuring a wide range of dynamics for the full band and a solo for
tenor sax. Impressive change of pace for festivals and contests.

IVE GOT YOU UNDER MY SKIN


Arranged by Mark Taylor
Medium
Arranged in the key of C.

$40.00

Cat: 7500021

IMPRESSIONS
Arranged by Mark Taylor
Medium Difficult
$45.00
Cat: 34223043
Written and recorded by John Coltrane, this is one of the landmark tunes in jazz
history. Mark Taylors exceptional setting for full jazz ensemble is a must. The modal
nature of this chart makes it very accessible for improvising.

IN A MELLOW TONE
Arranged by Mark Taylor
Medium Easy
$40.00
Cat: 7011083
One of the all-time Ellington classics is this elegant medium swing tune. Marks
smooth arrangement features plenty of rich ensemble scoring plus solos for trumpet
and trombone.

IN THE WEE SMALL HOURS OF THE MORNING


Arranged by Mark Taylor
Medium Difficult
$40.00
Cat: 7500109
This beautiful ballad has been recorded by countless jazz artists over the years
in addition to being featured in several recent movies. The marvelous melody
and distinctive harmony are treated masterfully in this setting for vocal soloist.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

IT MIGHT AS WELL BE SPRING


Arranged by Mark Taylor
Medium
$40.00
Cat: 7010612
Feature your drummer on brushes with this classy chart on a well-known standard.
The ensemble plays mostly tutti rhythms with solo fills provided by the drums. A
great concept on a wonderful tune. Also included is a trumpet solo.

JUMP JIVE AN WAIL


Arranged by Mark Taylor
Medium Difficult
$45.00
Cat: 7010471
Definitely the flagship of the current jump swing style, this tune was made famous
again by Brian Setzer on his popular The Dirty Boogie big band CD. Mark Taylor
takes it one step further in this smokin arrangement. Featuring solos for tenor and
guitar, soaring sax lines and ensemble hits, this chart never lets up!

LESTER LEAPS IN
Arranged by Mark Taylor
Medium
$40.00
Cat: 7010592
The sax section gets a turn in the spotlight on this enjoyable chart of Lester Youngs
jazz classic. This medium up-tempo chart features a great swing feel and a flexible
solo section with ensemble backgrounds.

LET THE GOOD TIMES ROLL

TITLES LISTED BY ARRANGER


MY FUNNY VALENTINE
Arranged by Mark Taylor
Medium Difficult
$45.00
Cat: 34223023
You simply cant go wrong with a trusted standard, arranged by a gifted writer. Mark
Taylors version is a concert ballad for tenor with a few hints of Latin to spice it up.

MY ONE AND ONLY LOVE


Arranged by Mark Taylor
Medium Difficult
$45.00
Cat: 34213010
Mark Taylors superb arrangement of this great jazz ballad is one of the most
dramatic alto sax features in years. Great for contest or festival use!

MY ROMANCE
Arranged by Mark Taylor
Medium Difficult
$45.00
Cat: 34223031
Marks tasteful ballad treatment of this Rodgers and Hart classic features lush
harmonies and a Latin middle section. An excellent setting for solo flugelhorn.

***NEW*** MY ROMANCE

Arranged by Mark Taylor


Medium
$45.00
Cat: 7011107
Inspired by the famous arrangement that Quincy Jones penned for Ray Charles,
here is an impressive offering that pays tribute to Rays genius for style and
showmanship. This is hard-hitting big band writing at its best!

Arranged by Mark Taylor


Medium
$40.00
Cat: 7010594
Written in a soft Latin style, here is an attractive setting for solo flugelhorn on this
Richard Rodgers favorite. The range is very comfortable for young players and all of
the solo lines are written out.

THE LOOK OF LOVE

A NIGHT IN AUGUSTA

***NEW***

Arranged by Mark Taylor


Medium
$40.00
Cat: 7500107
This well-known Latin classic has been recorded by many jazz artists and lends itself
to an easy relaxed feel. Written in a very comfortable range for vocalists, this
exceptional chart by Mark Taylor will be a joy to perform. Key of Eb (G below middle
C to A above middle C).

Arranged by Mark Taylor


Medium
$50.00
Cat: 7011227
This Mark Taylor original is written in a moderate Samba style and starts with a
quartet of alto, tenor, trumpet and trombone at the top. Also featured are ensemble
riffs trading with solo drum fills. The flexible solo section is followed by a soft tutti
ensemble section that builds to a powerful finish.

MAIDEN VOYAGE

PEBBLE BEACH

Arranged by Mark Taylor


Easy
$40.00
Cat: 30713030
This intriguing Hancock classic is ideal for younger groups in Mark Taylors solid
treatment, with a versatile modal solo section that is great for first attempts at improvisation.

MAS QUE NADA


Arranged by Mark Taylor
Medium
$40.00
Cat: 7010316
Made famous by Sergio Mendez and Brazil 66, you are sure to recognize the tune
even if you dont know it by its title. Featuring a great Latin groove, this is a natural
for change of pace programming.

MOANIN
Arranged by Mark Taylor
Medium
$40.00
Cat: 7010626
Mark has arranged this well-known jazz tune by Bobby Timmons as a piano feature
at the beginning. The saxes take it after the piano and there is a solo section with
sample written solos for piano, tenor sax and/or trumpet. This medium tempo swing
chart also features a nice ensemble chorus before returning to the head.

MOMENTS NOTICE
Arranged by Mark Taylor
Easy
$40.00
Cat: 7010876
John Coltranes wonderful jazz classic is written in a medium up-tempo swing style
and features solid ensemble figures alternating with a small combo (alto, tenor,
baritone sax, trumpet, and trombone). Includes solos for tenor or trumpet.

MY CHERIE AMOR
Arranged by Mark Taylor
Medium Difficult
$45.00
Cat: 7011113
Who would have thought to transform this Stevie Wonder hit into a swinging jazz
waltz? Thats exactly what master arranger Mark Taylor has come up with as he uses
this creative setting to feature an alto sax soloist and inventive ensemble lines.

CALL NOW TO ORDER! 1-518-587-1102

Arranged by Mark Taylor


Medium Easy
$40.00
Cat: 7010786
The music of Vince Guaraldi is always melodic and fresh sounding and you will
probably recognize this from the TV Charlie Brown specials. Arranged here in a
moderate Samba style, the opening theme is played by a small combo with background
figures played by the full ensemble. Includes solo opportunities for any combination
of alto, tenor or trumpet.

PICK UP THE PIECES


Arranged by Mark Taylor
Medium Difficult
$45.00
Cat: 7010263
This is the unmistakable number one hit from the 70s group Average White Band!
Marks ultra-funky and ultra-cool chart written in classic horn band style showcases
the familiar licks and hot grooves. Great chart for letting your soloists really open up!

QUIET NIGHTS OF QUIET STARS


(CORCOVADO)
Arranged by Mark Taylor
Difficult
$45.00
Cat: 7010105
From the master of Latin music, this is one of Jobims best. Marks excellent treatment
features tenor sax and nice ensemble writing.

THE RAINBOW CONNECTION

***NEW***

Arranged by Mark Taylor


Medium
$45.00
Cat: 7011203
Written in a light jazz waltz style, Kermits familiar tune from The Muppet Movie
works great as a feature for flugelhorn in the skilled hands of Mark Taylor. Featuring
a comfortable range for the soloist, a sax soli, and effective ensemble writing, this gem
is a nice change of pace number.

OR ORDER BY FAX: 1-518-587-2325

63

TITLES LISTED BY ARRANGER


ST. THOMAS
Arranged by Mark Taylor
Medium
$40.00
Cat: 7010465
One of the best-known Latin/Jazz compositions is this classic by Sonny Rollins. Mark
has done a great job of making it playable by younger groups while maintaining the
style of the original. Small group playing is alternated with the full band and a flexible
solo section allows any number of soloists. This one is a must!

SALT PEANUTS
Arranged by Mark Taylor
Medium Easy
$40.00
Cat: 7011081
Playing jazz should be fun and this carefully constructed arrangement for young
players will certainly help make this happen. Alto and trumpet take the melody at the
top, then the rest of the band joins in for a lively romp!

SEPTEMBER

***NEW***

Arranged by Mark Taylor


Medium
$50.00
Cat: 7011231
Heres the classic funk tune from Earth, Wind & Fire in a terrific arrangement for big
band by Mark Taylor. This one includes all your favorite signature horn riffs as well as
a solo for tenor sax.

SIDEWINDER
Arranged by Mark Taylor
Medium Difficult
$45.00
Cat: 7010416
Here is a standout chart on Lee Morgans soulful jazz standard. The familiar melody
riff is first played by a small ensemble of alto, tenor, trumpet, trombone, and guitar.
Gradually the entire ensemble gets into the act followed by solo space for alto and/
or trumpet and finally drums. With its distinctive and important style, this chart
belongs in every bands library.

SMOKE GETS IN YOUR EYES


Arranged by Mark Taylor
Medium
$40.00
Cat: 7010318
Mark has given this Jerome Kern favorite a soft Bossa treatment that serves as a solo
feature for flugelhorn. The tempo is comfortably moderate and the scoring is
exceptional.

SO WHAT
Arranged by Mark Taylor
Easy
$40.00
Cat: 7010575
Jazz giant Miles Davis is probably best-known for this tune. Alternating between a
small combo (alto, tenor, bari.,trumpet, trombone, and guitar) and full ensemble,
Mark has created a masterful chart for young players. Improvising is all done on 2
dorian scales. Sample written solos and scales are included. This one should be in
every young bands library!

SONG FOR MY FATHER


Arranged by Mark Taylor
Medium
$40.00
Here is the Horace Silver standard arranged for big band.

Cat: 7010203

STOLEN MOMENTS
Arranged by Mark Taylor
Medium
$40.00
Cat: 30724026
This outstanding Oliver Nelson composition has been a jazz favorite for many years.
This arrangement alternates between small group statements of the melody with
full ensemble sections. The modal chord progression is easy for younger soloists to
handle and separate solo sheets are included with sample solos and scales.

STRAIGHT, NO CHASER
Arranged by Mark Taylor
Medium
$40.00
Cat: 7010459
Required literature for the noble study of Monk, this arrangement of a jazz classic
will delight young bands as well as experienced groups. You can play it as fast or slow
as you like, and it will sound great either way.

64

SWING, SWING, SWING


Arranged by Mark Taylor
Difficult
$60.00
Cat: 7010152
From the movie 1941 this is John Williams big band era extravaganza from the
dance marathon scene. Written in a 40s swing style, this up-tempo burner gives
every section a feature spot and is guaranteed to bring down the house.

TAKE THE A TRAIN


Arranged by Mark Taylor
Medium
$40.00
Cat: 2500470
Made famous by the Duke, this Billy Strayhorn classic is the definitive swing tune.
Carefully arranged in an authentic style, this one is a must for your vocalist.

THIS CANT BE LOVE


Arranged by Mark Taylor
Easy
$40.00
Cat: 7010947
Beautifully scored with tutti ensemble rhythms played softly and featuring the
drummer on brushes, here is a strikingly effective version of this Rodgers & Hart
favorite. Also includes a sax soli and solo for trumpet. Excellent!

TRIBUTE TO MILES

***NEW***

Arranged by Mark Taylor


Medium
$55.00
Cat: 7011221
Celebrating the achievements of a true jazz inNovator, this excellent medley by
Mark Taylor embraces some of the greatest compositions by the legendary Miles
Davis. Includes: So What, All Blues, Seven Steps to Heaven and Milestones. Featured
are solos for trumpet and drums.

TURNAROUND
Arranged by Mark Taylor
Medium Difficult
$45.00
Cat: 7011115
This Latin funk tune starts out softly, then gradually picks up intensity as layers of
sound are added until finally the entire ensemble is cookin. Nice feature spots are
provided for your drummer in addition to a solo for tenor sax.

WELL YOU NEEDNT


Arranged by Mark Taylor
Medium Difficult
$45.00
Cat: 7010596
Thelonious Monk was a master of creating distinctive melodies in the bebop style
and this is one of his best-known offerings. Mark starts out by giving the melody to
a small group of trombones, tenors, and bari. sax before turning it over to the entire
sax section. After the trumpet solo section, there is a marvelous sax soli followed by
solo space for tenor sax and a shout chorus for the full ensemble. This great chart
has something for everyone!

WHATLL I DO
Arranged by Mark Taylor
Easy
$40.00
Cat: 7010897
Mark has taken this Irving Berlin favorite and crafted a marvelous setting for solo
flugelhorn using a unique 3/4 Samba feel. Beautifully supported by the ensemble, and
all of the solo part is written out.

YOUVE CHANGED
Arranged by Mark Taylor
Medium Difficult
$45.00
Cat: 7010497
This wonderful standard from the 40s receives a sensitive and beautifully orchestrated
setting by Mark Taylor featuring tenor sax. In the double time swing section, the
soloing changes are spaced far enough apart to make improvising easier on young
players. The solo tenor part is completely written out including a sample solo.

ARRANGED BY GENE THORNE


LIL JAMES
Arranged by Gene Thorne
Medium
$42.00
Cat: 1661
This piece originally started as a short introduction and 16-measure melody for an
educational video by the Jazz Ambassadors of the U.S. Army Field Band entitled
Inside The Big Band. This moderately slow Basie-style chart for advancing groups
contains nice melodic and harmonic movement, which encourages better ensemble
playing. It isnt technically demanding, so more emphasis may be placed on achieving
a laid back swing feel. A guitar chord chart is included. Trumpets on flugelhorn.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

NEXT CHAPTER

***NEW***

Arranged by Gene Thorne


Medium
$52.00
Cat: 61525
Every school jazz ensemble should have a jazz waltz in their program, and heres the
perfect one for advancing groups! It reflects upon some of the music written during
the 1960s fertile Blue Note era. Balance and blend are vital factors since brass
players are in mutes at times. Solos are provided for piano and alto saxophone. The
writer provides excellent rehearsal suggestions to help you make this chart a huge
success at your next concert. A guitar chord chart is included in each set.

ARRANGED BY MIKE TOMARO


ROUND MIDNIGHT
Arranged by Mike Tomaro
Medium
$45.00
Cat: 7010864
Few jazz ballads have been performed as consistently as this Thelonious Monk gem.
Mikes version is a solo vehicle for alto sax and includes a double time feel that
alternates with the traditional ballad tempo. Beautiful lines and striking harmonies
help create a real standout arrangement.

ALL THE THINGS YOU ARE


Arranged by Mike Tomaro
Medium Difficult
$45.00
Cat: 7010328
Mike Tomaro has penned a Latin style version of one of Jerome Kerns most often
performed classics. Mikes creativity and total command of the idiom shine through
in this superb chart.

BEWITCHED
Arranged by Mike Tomaro
Medium Difficult
$45.00
Cat: 7010602
Heres a great old standard in the hands of a great arranger who really understands
how to use the colors of the jazz ensemble. The style is relaxed swing and a
trombone solo is featured.

BIRKS WORKS

***NEW***

Arranged by Mike Tomaro


Medium
$60.00
Cat: 7011125
A classic minor blues tune from Dizzy Gillespie, Mike Tomaro starts this version as a
funky mambo but then shifts the style to swing and finally back again to the mambo.
This well-paced chart features a great feel plus solos for trumpet and tenor.

BLUES AT THE GATE

***NEW***

Arranged by Mike Tomaro


Medium
$42.00
Cat: 42035
While Mike Tomaro is well known for his more challenging works, Blues At The Gate
proves that he is equally adept at writing easy level charts. This straight ahead blues
consists of a strong melody and very solid ensemble writing. An open solo section
provides any player with the chance to work on their solo chops.

BLUESETTE

***NEW***

Arranged by Mike Tomaro


Medium
$45.00
Cat: 7011131
Were not entirely sure what possessed Mike Tomaro to take what is probably the
best-known jazz waltz and turn it into a Samba! Actually, the relaxed Latin groove
works quite well, and there are solos for trombone and tenor sax. Give it a try!

BOPLICITY
As Performed by Miles Davis with Gil Evans
Adapted by Mike Tomaro
Medium
$45.00
Cat: 7010770
The landmark album by Miles Davis Birth of the Cool brought us a unique
instrumentation (the nonet) along with distinctive jazz sounds. Without straying
from the intent of the music and working directly with the original version, Mike
Tomaros adaptation for standard instrumentation makes this wonderful classic
available to the contemporary jazz ensemble. As an added bonus this edition includes
the transcribed solos of Gerry Mulligan, Miles Davis and John Lewis.

CALL NOW TO ORDER! 1-518-587-1102

TITLES LISTED BY ARRANGER


CARAVAN
(See Duke Ellington Section)

COME SUNDAY
(See Duke Ellington Section)

EQUAL TIME
Arranged by Mike Tomaro
Easy
$42.00
Cat: 42109
Heres an easy level relaxed swing chart by Pittsburgh jazz composer and educator
Mike Tomaro. As always, Tomaros writing is well-crafted, harmonically and melodically
pleasing, and fun to perform. Aspiring jazz bands will find this a terrific concert or
festival piece. Written or ad lib solos. Playable by 12-17 pieces.

FANCY THAT
Arranged by Mike Tomaro
Medium
$60.00
Cat: 54500
Jazz waltz featuring flugelhorn and baritone sax (optional tenor). Sax doubles: all
flute and some clarinet.

FOREIGN INTRIGUE

***NEW***

Arranged by Mike Tomaro


Difficult
$56.00
Cat: 43173
Mike Tomaro has created one of the most interesting charts in recent years with this
new medium advanced work that alternates between a Brazilian Samba and a funk
style. A strong melodic statement, and an exciting ensemble section leads to a
soprano saxophone solo. A call and response between the trombones and the band
adds an unique twist. Commissioned by the New Trier High School Jazz Ensemble in
Winnetka (IL), James Warrick, director.

I COULD WRITE A BOOK


Arranged by Mike Tomaro
Medium
$45.00
Cat: 7010688
Here is a marvelous medium swing arrangement of this Rodgers and Hart classic
that features solos for trumpet and alto, and also a unique sax soli section with a
trumpet lead. Big band swing writing at its best!

IN A SENTIMENTAL MOOD
Arranged by Mike Tomaro
Medium Difficult
$50.00
Cat: 7010372
Mike Tomaro has beautifully adapted this well-known Ellington classic to feature
tenor sax. With flowing melodies and a lush orchestration, this is the perfect ballad
for contests or festivals.

LAZY RIVER
Arranged by Mike Tomaro
Difficult
$50.00
Cat: 7010604
Mike kind of ignored the lazy part of this river and has turned it into more of a
raging whitewater monster. Look for some unusual twists in this high-powered
chart including an original bebop line for small group, a brief stride piano section
and some wild ensemble writing.

LETS FACE THE MUSIC AND DANCE


Arranged by Mike Tomaro
Medium Difficult
$45.00
Cat: 7010569
In a fast Samba style reminiscent of Horace Silvers Nutville, this energetic chart
features trumpet, tenor and trombone backed by a marvelous display of ensemble
sounds weaving in and around the melody.

LUSH LIFE

***NEW***

Arranged by Mike Tomaro


Medium
$50.00
Cat: 2500828
Here is Billy Strayhorns beloved ballad, skillfully arranged with subtle reharmonizations
and reworkings of the melody, all the while remaining faithful to the original intent.
Featured are solos for piano & trombone. A gorgeous setting for the entire ensemble.

OR ORDER BY FAX: 1-518-587-2325

65

TITLES LISTED BY ARRANGER


MANTECA
Arranged by Mike Tomaro
Medium Difficult
$45.00
Cat: 7010261
Dizzy Gillespie was a genius at combining Latin influences with the jazz idiom. This
medium tempo arrangement of one of his best-known compositions really sizzles for
jazz ensemble.

MILESTONES
Arranged by Mike Tomaro
Medium Difficult
$45.00
Cat: 7011015
Mike Tomaro has taken this Miles Davis standard and created a roaring arrangement
that screams with big band excitement. In a medium uptempo swing style, this chart
includes solos for trumpet and tenor plus an ensemble shout that really pays off!

A NIGHTINGALE SANG
IN BERKELEY SQUARE
Arranged by Mike Tomaro
Medium
$40.00
This vocal ballad is in the key of E Flat.

[VOCAL]
Cat: 7500057

NIGHTOWL SUITE, MOVEMENT 1


Arranged by Mike Tomaro
Difficult
$56.00
Cat: 43285
Commissioned by the Kentucky Music Educators Association for its 2002 All-State
Jazz Ensemble, the inspiration for this up-swing release comes from the music of Art
Blakeys Jazz Messengers and Birdland, NYCs legendary jazz club. Though improvised
solos are assigned to trumpet and trombone, chord sheets are included so anyone
can serve as soloist. Mikes score calls for five trumpets, and the chart takes about six
minutes from start to finish.

NIGHTOWL SUITE, MOVEMENT 2


Arranged by Mike Tomaro
Medium
$56.00
Cat: 43286
Commissioned by the Kentucky Music Educators Association for its 2002 All-State
Jazz Ensemble, this provocative swing ballad features tenor sax soloist from start to
finish. Mikes score calls for five trumpets with harmon mutes and flugelhorn doubles;
the lead part goes to E6 at the dramatic climax. A great change-of-pace chart.

NIGHTOWL SUITE, MOVEMENT 3


Arranged by Mike Tomaro
Difficult
$56.00
Cat: 43287
This challenging medium advanced Latin original hails from Mike Tomaros extended
work, Nightowl Suite, a musical account of a night in the life of the quintessential
jazz fanatic. This movement finds our nocturnal fan going home as the city awakens
from some much needed sleep after a night of listening to jazz. This movement can
be played alone or programmed with the other two movements.

ON THE NIGHTSIDE
Arranged by Mike Tomaro
Medium Easy
$52.00
Cat: 42752
Dedicated to Pittsburghs premier jazz deejay, Tony Mowod, this aggressive tune can
be played in a swing or shuffle feel. Either way, figures must be heavily swung while
the rhythm section delivers a driving groove. Though improvisation is encouraged in
the open solo section, scales and sample solos for all instruments are provided. Saxes
and brass solis and rousing shout round things out.

ONE FOR OLIVER


Arranged by Mike Tomaro
Easy
$42.00
Cat: 42260
Scored at the easy level, this minor blues chart is a tip of the hat to Oliver Nelsons
Stolen Moments. Set in a relaxed swing feel, developing players will benefit greatly
from this well-written original. Scales and sample solos are provided.

66

ONE NOTE SAMBA


Arranged by Mike Tomaro
Difficult
$60.00
Cat: 7010197
The trombone section takes the spotlight in this smooth arrangement of Jobims
well-known standard. There are solo sections for alto sax and piano with creatively
written accompaniment figures. The powerful ending section begins with a striking
full band unison and drives to the end. Great number for mature groups.

OTHERS BROTHERS

***NEW***

Arranged by Mike Tomaro


Difficult
$60.00
Cat: 54503
Commissioned by the Ultraphonic Jazz Orchestra, this fusion Samba grabs you from
the introduction and never lets go! Written in the style of the Brecker Brothers, the
chart features extended solo space for trumpet and tenor as well as plenty of in
your face ensemble writing.

OUT OF NOWHERE
Arranged by Mike Tomaro
Medium Difficult
$45.00
Cat: 7010368
This standard from the 1930s has a distinctive melody and great changes. Mikes
medium tempo arrangement features some excellent ensemble writing and a nice
flowing swing feel.

OUT ON A WHIM
Arranged by Mike Tomaro
Medium Difficult
$40.00
Cat: KJOS-ZB100
Shuffle funk. Alto 1 doubles on soprano, and there are tenor and guitar solos. As
recorded by the Mike Tomaro Big Band on Dancing Eyes.

PASSION FLOWER
Arranged by Mike Tomaro
Medium
$45.00
Cat: 2500648
One of the true jazz gems from the magnificent catalog of Billy Strayhorn. Using
Billys original score, this adaptation features alto sax throughout and a kaleidoscope
of ensemble backgrounds creating a rich and colorful setting.

SCOTT FREE
Arranged by Mike Tomaro
Medium Easy
$42.00
Cat: 42813
This medium easy level chart is an excellent introduction to the Samba style. The
composer states that once a basic understanding of the rhythms has been established,
the piece poses few problems.

SUPERSTITION

***NEW***

Arranged by Mike Tomaro


Medium
$45.00
Cat: 7011135
Mike Tomaro takes this funk classic by Stevie Wonder through a series of new twists
and turns, but he is careful to preserve the great groove and signature horn riffs
from the original. Featured are solos for alto and trumpet.

SWEET SORROW
Arranged by Mike Tomaro
Medium
$43.00
Cat: 54501
This is an alto sax feature. Easy funk groove with very smooth melody line. Some sax
doubles.

THERE WILL NEVER BE ANOTHER YOU


Arranged by Mike Tomaro
Medium Difficult
$45.00
This is a nice swing arrangement of the standard.

TO NO AVAIL

Cat: 7010244

***NEW***

Arranged by Mike Tomaro


Difficult
$55.00
Cat: 54502
Written for Steve Houghton, this composition features the drummer in both delicate,
color painting solo situations as well as more powerful ones. There is extensive use
of woodwind doublings and brass mutings for color and flugelhorn solo space as
well. This chart runs the dynamic and emotional gamut.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

TONES FOR JOANS BONES

***NEW***

Arranged by Mike Tomaro


Medium
$60.00
Cat: 7011157
One of pianist Chick Coreas earlier compositions, this medium swing chart begins in
a subtle manner that features counterlines that are interwoven with the sinewy
melody. However, the intensity begins to build through the piano and alto sax solos,
ending with a roaring full band climax.

YES OR NO
Arranged by Mike Tomaro
Medium Difficult
$45.00
Cat: 7010941
Jazz master Wayne Shorter has given us a wealth of jazz standards and this is one of
his best. Written in an up-tempo swing style, this impressive-sounding chart features
solos for alto and trumpet.

***NEW***

Arranged by Chris Walden


Medium
$60.00
Cat: 55850
Medium-tempo Basie-like melody featuring muted trumpet and flute.

FILM NOIR SUITE, PART I

***NEW***

Arranged by Chris Walden


Difficult
$55.00
Cat: 55851
Med up tempo, long intro, movie-score like, featuring trombone solo. Recorded by
the Chris Walden Big Band on Home Of My Heart.

FILM NOIR SUITE, PART II

REMEMBER TOMMY

***NEW***

Arranged by Chris Walden


Medium
$55.00
Cat: 55859
Medium tempo easy swing featuring trombone melody (Tommy Dorsey-like).

SHORT PENCIL

***NEW***

Arranged by Chris Walden


Medium
$55.00
Cat: 55860
Medium tempo swing, features the band all the way, no solos. Medium.

START GROOVIN'

***NEW***

Arranged by Chris Walden


Medium Difficult
$55.00
Cat: 55861
Medium tempo blues, melody with saxes, featuring alto sax and trumpet solos. Brass
solo in between without rhythm.

ARRANGED BY CHRIS WALDEN


COUNT THE STARS

TITLES LISTED BY ARRANGER

TAKE YOUR TIME

***NEW***

Arranged by Chris Walden


Medium
$55.00
Easy-going, smooth jazz, featuring tenor sax melody and solo.

THIS BAND IS BOUNCIN'

Cat: 55862

***NEW***

Arranged by Chris Walden


Medium Difficult
$60.00
Medium-up tempo boogie, featuring tenor sax solo.

***NEW*** THIS IS NOT 4 U

Cat: 55863

***NEW***

Arranged by Chris Walden


Medium Difficult
$55.00
Cat: 55852
Slow, long intro without rhythm, movie-score like, flghn solo. Recorded by the Chris
Walden Big Band on Home Of My Heart.

Arranged by Chris Walden


Difficult
$60.00
Cat: 55864
Jazz-rock (Brecker Brothers-like) features trumpet and guitar solo.

FILM NOIR SUITE, PART III

Arranged by Chris Walden


Difficult
$60.00
Cat: 55865
Long contemporary jazz piece (10 min) starts out medium tempo with flugelhorn
and tenor sax melody and solos, then a slow jazz waltz featuring flugelhorn and
finishing with a fast jazz-Samba featuring a tenor sax solo.

***NEW***

Arranged by Chris Walden


Medium Difficult
$55.00
Cat: 55853
Ultra fast intro, then going into half time blues, open for any solo over blues changes.
Recorded by the Chris Walden Big Band on Home Of My Heart.

HOME OF MY HEART

***NEW***

Arranged by Chris Walden


Medium Difficult
$60.00
Cat: 55856
Medium-up tempo. The intro illustrates funnily an argument between husband and
wife. Then theme and solos played by flugelhorn and alto sax. Recorded by the Chris
Walden Big Band on No Bounds.

MR. J

***NEW***

Arranged by Chris Walden


Medium Difficult
$60.00
Up-tempo be-bop, featuring trombone and trumpet solo.

NITE CLUB SWING

Cat: 55857

***NEW***

Arranged by Chris Walden


Medium Difficult
$60.00
Cat: 55858
Up-tempo 40s swing in minor featuring guitar solo (Brian-Setzer-like).

CALL NOW TO ORDER! 1-518-587-1102

***NEW***

Arranged by Chris Walden


Medium Difficult
$60.00
Cat: 55866
Up-tempo be-bop on the changes of There Is No Greater Love. Theme played by
the whole band followed by an alto sax solo, band tutti, and trumpet solo. Recorded
by the Chris Walden Big Band on No Bounds.

***NEW***

Arranged by Chris Walden


Medium Difficult
$60.00
Cat: 55855
Up-tempo 40s swing featuring guitar melody and solo (Brian-Setzer-like).

IN THE DOGHOUSE

***NEW***

***NEW*** TRY HARDER

Arranged by Chris Walden


Medium Difficult
$60.00
Cat: 55854
Slow jazz-waltz featuring a flugelhorn melody, then going into 4/4 Bossa featuring
tenor sax solo, ending in 3/4 again. Recorded by the Chris Walden Big Band on
Home Of My Heart.

HOT WHEELS JUMPIN' HIGH

TICINO

ARRANGED BY BOB WASHUT


LEAP OF FAITH
Arranged by Bob Washut
Medium Difficult
$53.00
Cat: 55071
A modal composition in a fast swing feel. This arrangement was commissioned by its
composer, saxophonist Dick Oatts, for a performance by a German radio band. Solo
changes are in alto 1, tenor 1-2, trumpet 5, piano, and guitar parts and a drum solo
over a vamp is also featured. Meaty tutti ensemble passages permeate the chart.
Lead trumpet extends to a written E above staff. Leap of Faith is the title track to a
recording by the University of Northern Iowa Jazz Band One on Sea Breeze Vista.

SHININ'
Arranged by Bob Washut
Medium
$55.00
Cat: 55072
A contrafact on My Shining Hour changes Shinin' featuring the piano trio within the
big band. The chart is a medium swinger and was commissioned by director Randy
Karon for the Barrington (IL) High School jazz band. The pianist, bassist, and
drummer all get solo space and plenty of ensemble work is included as well. Lead
trumpet extends to a written D above staff.

OR ORDER BY FAX: 1-518-587-2325

67

TONES FOR JOANS BONES

***NEW***

Arranged by Mike Tomaro


Medium
$60.00
Cat: 7011157
One of pianist Chick Coreas earlier compositions, this medium swing chart begins in
a subtle manner that features counterlines that are interwoven with the sinewy
melody. However, the intensity begins to build through the piano and alto sax solos,
ending with a roaring full band climax.

YES OR NO
Arranged by Mike Tomaro
Medium Difficult
$45.00
Cat: 7010941
Jazz master Wayne Shorter has given us a wealth of jazz standards and this is one of
his best. Written in an up-tempo swing style, this impressive-sounding chart features
solos for alto and trumpet.

***NEW***

Arranged by Chris Walden


Medium
$60.00
Cat: 55850
Medium-tempo Basie-like melody featuring muted trumpet and flute.

FILM NOIR SUITE, PART I

***NEW***

Arranged by Chris Walden


Difficult
$55.00
Cat: 55851
Med up tempo, long intro, movie-score like, featuring trombone solo. Recorded by
the Chris Walden Big Band on Home Of My Heart.

FILM NOIR SUITE, PART II

REMEMBER TOMMY

***NEW***

Arranged by Chris Walden


Medium
$55.00
Cat: 55859
Medium tempo easy swing featuring trombone melody (Tommy Dorsey-like).

SHORT PENCIL

***NEW***

Arranged by Chris Walden


Medium
$55.00
Cat: 55860
Medium tempo swing, features the band all the way, no solos. Medium.

START GROOVIN'

***NEW***

Arranged by Chris Walden


Medium Difficult
$55.00
Cat: 55861
Medium tempo blues, melody with saxes, featuring alto sax and trumpet solos. Brass
solo in between without rhythm.

ARRANGED BY CHRIS WALDEN


COUNT THE STARS

TITLES LISTED BY ARRANGER

TAKE YOUR TIME

***NEW***

Arranged by Chris Walden


Medium
$55.00
Easy-going, smooth jazz, featuring tenor sax melody and solo.

THIS BAND IS BOUNCIN'

Cat: 55862

***NEW***

Arranged by Chris Walden


Medium Difficult
$60.00
Medium-up tempo boogie, featuring tenor sax solo.

***NEW*** THIS IS NOT 4 U

Cat: 55863

***NEW***

Arranged by Chris Walden


Medium Difficult
$55.00
Cat: 55852
Slow, long intro without rhythm, movie-score like, flghn solo. Recorded by the Chris
Walden Big Band on Home Of My Heart.

Arranged by Chris Walden


Difficult
$60.00
Cat: 55864
Jazz-rock (Brecker Brothers-like) features trumpet and guitar solo.

FILM NOIR SUITE, PART III

Arranged by Chris Walden


Difficult
$60.00
Cat: 55865
Long contemporary jazz piece (10 min) starts out medium tempo with flugelhorn
and tenor sax melody and solos, then a slow jazz waltz featuring flugelhorn and
finishing with a fast jazz-Samba featuring a tenor sax solo.

***NEW***

Arranged by Chris Walden


Medium Difficult
$55.00
Cat: 55853
Ultra fast intro, then going into half time blues, open for any solo over blues changes.
Recorded by the Chris Walden Big Band on Home Of My Heart.

HOME OF MY HEART

***NEW***

Arranged by Chris Walden


Medium Difficult
$60.00
Cat: 55856
Medium-up tempo. The intro illustrates funnily an argument between husband and
wife. Then theme and solos played by flugelhorn and alto sax. Recorded by the Chris
Walden Big Band on No Bounds.

MR. J

***NEW***

Arranged by Chris Walden


Medium Difficult
$60.00
Up-tempo be-bop, featuring trombone and trumpet solo.

NITE CLUB SWING

Cat: 55857

***NEW***

Arranged by Chris Walden


Medium Difficult
$60.00
Cat: 55858
Up-tempo 40s swing in minor featuring guitar solo (Brian-Setzer-like).

CALL NOW TO ORDER! 1-518-587-1102

***NEW***

Arranged by Chris Walden


Medium Difficult
$60.00
Cat: 55866
Up-tempo be-bop on the changes of There Is No Greater Love. Theme played by
the whole band followed by an alto sax solo, band tutti, and trumpet solo. Recorded
by the Chris Walden Big Band on No Bounds.

***NEW***

Arranged by Chris Walden


Medium Difficult
$60.00
Cat: 55855
Up-tempo 40s swing featuring guitar melody and solo (Brian-Setzer-like).

IN THE DOGHOUSE

***NEW***

***NEW*** TRY HARDER

Arranged by Chris Walden


Medium Difficult
$60.00
Cat: 55854
Slow jazz-waltz featuring a flugelhorn melody, then going into 4/4 Bossa featuring
tenor sax solo, ending in 3/4 again. Recorded by the Chris Walden Big Band on
Home Of My Heart.

HOT WHEELS JUMPIN' HIGH

TICINO

ARRANGED BY BOB WASHUT


LEAP OF FAITH
Arranged by Bob Washut
Medium Difficult
$53.00
Cat: 55071
A modal composition in a fast swing feel. This arrangement was commissioned by its
composer, saxophonist Dick Oatts, for a performance by a German radio band. Solo
changes are in alto 1, tenor 1-2, trumpet 5, piano, and guitar parts and a drum solo
over a vamp is also featured. Meaty tutti ensemble passages permeate the chart.
Lead trumpet extends to a written E above staff. Leap of Faith is the title track to a
recording by the University of Northern Iowa Jazz Band One on Sea Breeze Vista.

SHININ'
Arranged by Bob Washut
Medium
$55.00
Cat: 55072
A contrafact on My Shining Hour changes Shinin' featuring the piano trio within the
big band. The chart is a medium swinger and was commissioned by director Randy
Karon for the Barrington (IL) High School jazz band. The pianist, bassist, and
drummer all get solo space and plenty of ensemble work is included as well. Lead
trumpet extends to a written D above staff.

OR ORDER BY FAX: 1-518-587-2325

67

ANDREWS SISTERS/ANTHONY/BARNET
AS PERFORMED BY THE ANDREWS SISTERS
APPLE BLOSSOM TIME

***NEW*** [VOCAL]

Transcribed by Alan Glasscock


Medium
$65.00
Cat: LL-3100
This arrangement of the Andrews Sisters version of Apple Blossom Time shows a
more sentimental side of the trios repertoire. Unusually, the chart is only scored for
3 voices, 4 trombones and 4 rhythm. There are no parts for trumpets or saxes,
so it can be used as a showcase for your bone section and singers. This has
been faithfully transcribed by referencing a number of recordings that the Sisters
made, in order to get complete authenticity and accuracy. This number will sit well
in any set, particularly as a late-night closer. Vocal key G/Eb/G [Female trio vocal SSA]

BEI MIR BIST DU SCHOEN

***NEW***[VOCAL]

Arranged by Myles Collins


Easy
$65.00
Cat: LL-2135
Here is the Andrews Sisters version of Bei Mir, and it is one of their most famous and
popular songs. This chart includes the opening verse, with the clarinet solo fill-ins
behind, and the solo vocal middle 8 also with the clarinet solo behind. The band
backings have been adapted into a full big band line-up, from the smaller set-up used
for their original recording. The vocal lines are written out as-sung, and the trumpet
solo is written out in full too. Alto 1 is on clarinet throughout, with alto 2 and both
tenors doubling clarinet up to the trumpet solo. The vocal key is F minor.

BOOGIE WOOGIE BUGLE BOY

[VOCAL]

Transcribed by Alan Glasscock


Medium
$65.00
Cat: LL-99408
The Andrews Sisters produced a huge number of hits, and this is one of their finest.
Alan Glasscock has scored a cracking version here, and has notated the vocal trio
parts with exceptional skill. There were a couple of key verions of this song. One was
the Decca release and the other done for the movie Buck Pirates. The Decca chart
used a small backing band, the movie a full big band. This version fuses the two and
takes the best from both. Both of the trumpet solos are fully written out (intro and
in the middle section of the chart), and the Boogie Woogie piano / bass lines are all
there. Although this is a vocal trio, a solo vocal part has been included should you
wish to perform this chart with just one female vocalist. The saxes are scored for
clarinet, 2 altos and 2 tenors throughout. Key of D.

HOLD TIGHT

[VOCAL]

Transcribed by Alan Glasscock


Medium
$65.00
Cat: LL-2144
The Andrews Sisters recorded this chart with the Jimmy Dorsey orchestra in
November 1938, and it went on to be a big hit for them. The original chart has been
transcribed, but it has been scored for 8 brass and 5 saxes rather than the original
5 + clarinet (the clarinet solo lines are now on alto 2).The Andrews Sisters interweaving
vocal lines are scored in full, as are all of the band backings with carefully notated
dynamics and articulations, to allow your band to recreate the authentic sound.
Another fine transcription. Alto 2 doubles clarinet, and the vocal key is Bb.

JINGLE BELLS

[VOCAL]

Arranged by Alan Glasscock


Medium Easy
$65.00
Cat: LL-2016
This chart is just happy and fun from start to finish. Written for a male vocal and
female vocal trio, it is equaly well suited to a male / female duo. Full of quirky little fills
and backings from the band which compliment rather than outshine the vocalists,
plus a cameo baritone sax solo, this chart is perfect for injecting a little festive cheer.
Both altos are on clarinets, the brass ranges are very moderate (lead trumpet only
up to an A) and the vocal ranges are not challenging. The only tricky little bit is the
piano intro. Key of E flat.

RUM AND COCA COLA

[VOCAL]

Transcribed by Alan Glassock


Easy
$65.00
Cat: LL-2132
Rum and Coca Cola is an enduring hit for the Andrews Sisters, sung against a
Calypso rhythm apart from the last 5 measures which move into swing tempo. All
three vocal parts are written to intertwine in true Andrews Sisters style. The chart
is scored for SSA vocal, piano, bass, guitar, drums, maracas and 4 trumpets only. The
solo trumpet line is written on the 1st part, but cross-cued on the other 3 trumpet
parts, so you can share the solos around the section if needed. The vocal key is Bb.

68

AS PERFORMED BY RAY ANTHONY


MR. ANTHONYS BOOGIE
Transcribed by Myles Collins
Difficult
$65.00
Cat: LL-1093
Mr Anthonys Boogie is a rousing up-tempo swing Boogie Woogie which features the
trumpet section, and a solo 3rd trumpet in particular. This chart is really powerful,
and great for a jitterbug dance crowd. We have graded it as medium/advanced, as
the arrangement has a number of triplet passages which require precision from
both trumpet and sax sections, plus the trumpets are quite high in their registers.
The trumpet and tenor solos are written out, though we have left the pianist free
to improvise. Though not a long chart, at two and a half minutes, your players might
still need a quick rest after blowing it! No sax doubles.

TENDERLY
Transcribed by Bob Martin
Medium
$65.00
Cat: LL-1057
Tenderly has been a standard for trumpet players for a long time. This is the Ray
Anthony version from his huge-selling album, Dream Dancing, from the early 50s,
and is in 4:4 time. Ray played a little bit with the Miller band and, when he formed his
own outfit after WWII, he kept the clarinet lead. Ray is not a high-note artist and
has a powerful low range, and in this chart the solo is given to the 3rd trumpet.

THUNDERBIRD
Transcribed by Myles Collins
Medium Easy
$65.00
Cat: LL-1206
Thunderbird is another chart from the Ray Anthony/George (the Silver Fox) Williams
partnership, and is a classic of its time. It is an ensemble chart, and has some great
sectional writing. The unusual feature part is the baritone sax, which underpins the
whole chart from start to finish. The arrangement is full of color and dynamic
contrast, as well as being a really bouncy swing number. Playing this chart will help to
develop good sectional techniques within your band, and it is recommended not
just as a dance piece but as a band training tool too. The chart has been faithfully
transcribed right down to the Anthonys cameo muted trumpet lead over the sax
section towards the end of the piece, and the important little piano licks and fills on
the part have also been written in.

TRUMPET BOOGIE
Arranged by John Ferguson
Difficult
$65.00
Cat: LL-1169
Ray Anthony used this chart in much the same way as Harry James used Trumpet
Blues - as a rousing sectional feature. It storms from start to end, and plays just as
well at a slightly reduced tempo too. The arrangement features solos for tenor and
trumpet, a cameo piano solo in the intro, and some thundering sectional interplay.
Saxes are scored for a regular section and there are no sax doubles.

AS PERFORMED BY CHARLIE BARNET


CHEROKEE
Arranged by Myles Collins
Medium Easy
$65.00
Cat: LL-1078
Cherokee was the first big hit for Charlie Barnet and his Orchestra, though when
Billy May arrived for the 1939 recording session and handed out the parts nobody
seemed that impressed with it! This is a good tenor feature, and a straight forward
chart to play. The arrangement is full of interest. Glissing trombones, trumpets with
wah-wah plungers, and some rich voicings in the saxes and ensemble sections. This
chart is the one that set the standard for all subsequent arrangements of this Ray
Noble composition. There are no sax doubles.

SKYLINER

***NEW***

Transcribed by Myles Collins


Difficult
$65.00
Cat: LL-1043
Arguably the most famous number of the Charlie Barnet Orchestra, Skyliner is a
really punchy, up-tempo swinger, featuring a piano intro, unison brass carrying the
melodic line, with clarinet-led saxes over the top and later on a cracking trombone
soli. Both tenor sax parts are scored with the solo chords and the cameo trumpet
solo can be taken by lead or second.

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ACES AND FACES


Arranged by Myles Collins
Medium
$65.00
Cat: LL-1053
This is a medium swing tempo chart from the Basie band of 1945, featuring the
trumpet. There are ad-lib solos for piano, clarinet, tenor 1 (cued on 2), trumpet 2
(cued on 1,3&4) and trombone 1 (cued on 2) too. This chart will make a refreshing
addition to any library, and it is very playable, provided you have soloists who can
improvise! Lead alto doubles clarinet.

AFTER SUPPER
Transcribed by Jon Harpin
Medium
$65.00
LL-1108
Another beautifully relaxed chart from the Basie band, featured on the Atomic Mr
Basie album. Written by Neal Hefti, this easy chart is aptly named. It is slow, relaxed,
laid-back and super cool. It features piano, tenor and muted trumpet solos and
there are no sax doubles. The brass is muted throughout. Originally written for 7
brass, an optional 4th trombone part has been added for completeness. The bass
trombone is on the 3rd part.

ALL OF ME

***NEW***

[VOCAL]

Transcribed by Myles Collins


Medium
$65.00
Cat: LL-1172
This version is a transcription of Basies performance from the Sinatra at the Sands
album, and it differs slightly from the great Billy Byers studio version of the chart. It
opens with a floating piano solo, and the piano takes the first chorus, with sparse
backings from the band.The second chorus is ensemble, with some beautiful harmonic
structured writing, and the piano solo comes back for the third, with some classic
call and response with the band. The chart must be taken at a laid-back pace, and
your band needs to observe the written dynamics and articulations in order to
achieve the right feel. The piano part is written out as played, though the lead line at
the start of the second half of the first chorus has been written in, where Mr. Basie
chose not to play at all. The chart is graded as medium even though the lead
trumpet has a written high F. The 4th trombone is bass.

C O U N T

B A S I E

AVENUE C
Transcribed by Myles Collins
Difficult
$65.00
Cat: LL-1089
Here is Avenue C in all its glory. A rousing flat-out swing chart, written by Buck
Clayton for the Basie band. This chart powers from start to finish and is great for
both concert work and swing dancing. All of the instrumental solos have been
transcribed (2 tenors, trumpet, trombone and piano) and have included all phrasing
marks, articulations and dynamics. This is a truly rare chart from the Basie band at
the height of its power. There are no sax doubles.

BASIE BOOGIE
Transcribed by Myles Collins
Medium
$65.00
Cat: LL-2407
Basie Boogie is, as its name might suggest, an up-tempo piano feature that swings
from top to toe. Like many of Basies charts, the arrangement evolved over time, but
this version is from the original recording. The piano part has been written out in full
to include the licks and fills and the boogie-woogie left hand patterns, though your
player can improvise from the chords if need be. The band parts are not demanding,
and fairly sparse, leaving the pianist a lot of space. No sax doubles.

BEAVER JUNCTION
Transcribed by Myles Collins
Medium
$65.00
Cat: LL-1052
Written by Harry Edison, this chart, whilst still being a punchy swing tune, shows the
way for others such as Cute, where unison muted trumpets take the melody. There
are a couple of fine sax soli passages in this arrangement, a small cameo solo for
trumpet 2, and the Basie piano intro that became something of a hallmark. Not
technically difficult, this chart requires precision and good section work to do it
justice. Great for dancing or concert work. No sax doubles.

BLUE FIVE JIVE

ALL OF ME
Arranged by Billy Byers
Difficult
$50.00
This is the original Billy Byers arrangement.

Cat: 33301010

ALRIGHT, OKAY,YOU WIN

[VOCAL]

Transcribed by Myles Collins


Medium
$65.00
Cat: LL-2403
This version of Alright, Okay was done by Joe Williams with the Count Basie
Orchestra and it is a very danceable bouncy shuffle that has a solid pulse. There is
nothing complicated about the chart and it is a fine example of how to score an
arrangement to feature your vocalist. There is also a great 8 bar bridge between the
vocal choruses which gives a real kick. The trombones are written for 3 tenors and
a bass, though the bass bone is in tenor range. The chart has been scored to reflect
Joe Williams performance. No sax doubles. Vocal key: Ab

ALRIGHT, OKAY,YOU WIN


Arranged by Sammy Nestico
Medium
$45.00
Cat: 7210016
As recorded by Peggy Lee, Joe Williams, Count Basie and many others, this popular
standard breathes new life under the masterful pen of Sammy Nestico. A flexible
solo section allows for any combination of soloists.

AMOROSO
Arranged by Benny Carter
Medium Difficult
$52.00
Cat: SMP-273
As recorded by Count Basie on the Roulette LP (Vogue CD) The Legend, this is an
up-tempo latin and swing chart. Solo space is provided for tenor sax. trumpet and
drums. There is an open solo for your drummer and latin inst. players (if you have
them) The tune moves beautifully from latin to swing and back again. Classic Basie!
5-4-3-4 (w/opt. 4th Trb.)

APRIL IN PARIS

Arranged by Benny Carter


Medium Difficult
$52.00
Cat: SMP-267
As originally recorded on Kansas City Suite, this is a medium-tempo chart featuring
solos for tenor saxophone, trumpet and piano. It is a terrific arrangement that puts
a lot of emphasis on the saxophone section. Classic Basie! 5-4-3-4 (w/opt. 4th Trb.)

COME FLY WITH ME


Transcription by Jon Harpin
Difficult
$65.00
Cat: LL-85400
This is Frank Sinatra at his best. This chart is a transcription of Sinatra with the
Count Basie Band, taken from Sinatra at the Sands. It features the original band
intro - big, punchy and nearly a minute long - giving you time for a big introduction
to your vocalist. The chart is also marked with an optional start point, just before the
vocal, should you wish to shorten things. We have removed a couple of muted
trumpet fills here and there, to keep things cleaner. There are some sax doubles.Altos
go to clarinets and tenors to flutes. These doubles add color to the voicings though
are not vital to the chart. So if your tenor players are fluteless dont worry too much.
The vocal is in Bb, with a range from Bb to D (one octave and 3 tones) and has been
written out to give your vocalist a good feel of Sinatras phrasing.

CORNER POCKET
Transcribed by Myles Collins
Difficult
$65.00
Cat: LL-1220
Corner Pocket was written by the unsung hero of the Count Basie band, Freddie
Green, and its title is a reference to the place that Green called his own - the corner
pocket of the rhythm section. This has been transcribed from the Basie in London
album but the chart has been adapted slightly to make it suitable for 8 brass. There
are ad-lib solo spots for trumpets 1 & 2 and tenor 1. Basies piano solos are written
out as-played, as is the last 8 measures of the lead trumpet solo because it suggests
the theme for the final shout chorus at the end of the piece, though your player can
improvise if desired. There are no sax doubles. A fabulous chart from the height of
the Basie Band.

Transcribed by Jeff Hest


Medium
$50.00
Cat: JE9902
Exactly how Count Basie and his orchestra played it. Every detail of this jazz
standard has been transcribed and recontructed by Jeff Hest. What better way to
learn about the Basie style than to play this classic. An educational vehicle that is
long overdue.

CALL NOW TO ORDER! 1-518-587-1102

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69

C O U N T

B A S I E

CUTE
Arranged by Neal Hefti
Medium Easy
$75.00
Cat: LL-1199
Cute is one of the great tracks from the Basie band of the 1950s, and one of a series
written and arranged for the band by Neal Hefti similar to that found on The
Atomic Mr Basie album. This is the original Hefti arrangement and not a
transcription, and makes a nice show spot for your drummer. There is not a full
score with this arrangement, though a conductor lead sheet is included.

I LEFT MY HEART IN SAN FRANCISCO


Transcribed by Myles Collins
Easy
$65.00
Cat: LL-1075
This arrangement is based on a 1960s Basie instrumental version, in the Neal Hefti
style. It is a laid-back, relaxed swinger, mostly in ensemble but with nice counterpoint
passages of unison altos and trumpets against tenors and trombones. The tenor
solo can be played as written or improvised, depending on your preference. Likewise
with the little piano fills and licks. This chart is easy to play and will give that
wonderful relaxed sound that was the feature of so many Basie arrangements.

IVE GOT YOU UNDER MY SKIN

[VOCAL]

Transcribed by Myles Collins


Difficult
$65.00
Cat: LL-1090
Another very rare chart, this is named for trombonist Dickie Wells. This was first
recorded in 39 as a 7-piece featuring Wells, Buck Clayton and Lester Young, backed
by the All-American rhythm section. The tune evolved over time until Basie recorded
the version that is offered here. The tempo is more relaxed and the harmonic
structure is modified a little, though the form is still original. This chart features
trumpet, trombone, tenor and piano, interspersed with backing phrases. All four of
the solos are written out as-played (chords are included for improv). No sax doubles.

Transcribed by Myles Collins & Patrick Gazard


Medium
$65.00
Cat: LL-2014
This chart is a transcription of Sinatra with the Count Basie Band, taken from
Sinatra at the Sands, and is a must for all male vocalists. Everything has been included,
from the rumbling baritone sax line, the big trombone build after the first vocal
chorus, the wailing trombone solo and even the little piano fills and tinkles. We have
re-scored the saxes to a regular AATTB section and have removed the clarinet &
bass clarinet doubles from the original, as we recognize that not all bands have a
bass clarinet at hand. All dynamics are clearly written, and the vocal part replicates
Sinatras performance. The brass ranges are moderate other than the trombone solo
which is up to high Db, though your player can always improvise on the chords
provided. A fine addition to any library. Key of Db.

DUET

IN A MELLOW TONE

DICKIES DREAM

Transcribed by Jon Harpin


Medium Easy
$65.00
Cat: LL-1098
Duet is one of the great tracks by Neal Hefti, from The Atomic Mr Basie album. This
is a wonderfully laid back chart featuring two of your trumpet players. This is a
transcription of the original Hefti arrangement, and includes fully transcribed Joe
Newman and Thad Jones solos, scored on trumpet 2 and trumpet 4, plus the piano
solo and fill-ins. We have rated it as easy/medium, but as with so many charts your
band will need to be tight to do it justice. There are no sax doubles.

EVERY TUB
Transcribed by Myles Collins
Medium
$65.00
Cat: LL-1051
Another flat-out swing chart from the earlier days of the Count Basie band. Every
Tub is a quick swing chart featuring tenor sax, trumpet and piano, with loads of
visual possibilities too, as much of the brass ensemble work uses plungers/fan hats. All
of the original solos are written out, though your players can improvise over the
chords if they wish. This is another rare Basie chart. The brass ranges are moderate
and there are no sax doubles.

FANCY PANTS
Arranged by Sammy Nestico
Medium Easy
$40.00
Funky blues arranged by Nestico and performed by Count Basie.

Cat: 2565

Arranged by Sammy Nestico


Medium
$40.00
Arrangement by Sammy Nestico as performed by Count Basie.

Cat: 2340

Arranged by Sammy Nestico


Medium
$40.00
Arranged by Sammy Nestico and performed by Count Basie.

Cat: 2390

JACKSON COUNTY JUBILEE


Arranged by Benny Carter
Medium Difficult
$52.00
Cat: SMP-263
As originally recorded on Kansas City Suite, this is an up-tempo swing chart featuring
solos for tenor saxophone, trumpet and piano. Your band will love playing this happy,
swinging flag waver. It is a terrific arrangement that will make a great opener or closer.
Classic Basie! 5-4-3-4 (with optional 4th trombone).

Arranged by Sammy Nestico


Medium Easy
$35.00
Cat: 2400
This ballad was arranged by Sammy Nestico and performed by Count Basie.

KATY-DO

FLIGHT OF THE FOO BIRDS


Transcribed by Myles Collins
Medium
$65.00
Cat: LL-1200
Flight of the Foo Birds is one of the great tracks from the Basie band of the 1950s,
and one of a series done for the band by Neal Hefti, to be found on The Atomic Mr
Basie album. This is a transcription of the original arrangement, and includes fully
transcribed trumpet, alto and tenor solos, plus the piano fill-ins and even the 2 bar
drum solo leading into the shout chorus. This chart really swings.

***NEW***

Arranged by Benny Carter


Medium Difficult
$55.00
Cat: SMP-748
Benny Carter created a wealth of marvelous, swinging big band music, and this piece
is no exception. As recorded on The Legend by Count Basie, this medium-swing
chart features solo space for tenor saxophone and piano and the terrific ensemble
writing for which Carter is so well known. Modest ranges (tpt. high C only) make
this a great choice for players of all ages and levels of ability. 5/4/4/4

70

ITS OH SO NICE

JAMIE

FEELIN FREE

GOIN ON

Arranged by Myles Collins


Medium
$65.00
Cat: LL-1189
This Basie chart was scored by Frank Foster, and our version is closely modeled on
this. It has the same length and structure as the Basie chart, but we have modified
the sax soli to make it playable by us mortals, though the lead trumpet still needs to
hit high F. This chart is a Basie classic, and all five and a half minutes swing in the
groove. We have written out an opening piano solo and another behind the later
brass chorus, but your pianist can improvise instead. There is also an ad-lib trombone
solo written on the 1st trombone part. 4th trombone is bass. No sax doubles.

Arranged by Benny Carter


Medium Easy
$47.00
Cat: SMP-261
As originally recorded by Count Basie on the Roulette LP (Vogue CD) Kansas City
Suite - the Music of Benny Carter, this is a slow swing, not unlike Lil Darlin in effect.
A brilliant, laid-back chart on a lovely melody. Solos are written out (opt.) for tenor
saxophone, trumpet and piano. Classic Basie! 5-4-3-4 (w/opt. 4th trombone).

THE KID FROM RED BANK


Arranged by Neal Hefti
Difficult
$65.00
Cat: LL-1210
The Kid From Red Bank is one of the great tracks from the Basie band of the 1950s,
and one of a series written and arranged for the band by Neal Hefti to be found on
The Atomic Mr Basie album. This is the original arrangement and not a
transcription, and includes the piano solo fully written out. There is not a full score
with this arrangement, though a conductor lead sheet is included.

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THE LEGEND
Arranged by Benny Carter
Medium Difficult
$52.00
Cat: SMP-274
As recorded by Count Basie on the Roulette LP The Legend, Benny Carter has
created a marvelous, quiet, smoky sounding tune - somewhat in the vein of
Whisper Not. This is a wonderful piece, so classic in its proportions, melody, harmony
and its slow, swinging feel. There is solo space for trumpet, tenor sax and a bit of
piano. Classic Basie! 5-4-3-4 (w/opt. 4th Trb.)

LESTER LEAPS IN
Transcribed by Myles Collins
Difficult
$65.00
Cat: LL-1087
First recorded in September 1939, in the same session as Dickies Dream, Lester
Leaps In is a milestone chart which showcased the phenomenal talent of Lester
Young. The arrangement evolved over time, easing in tempo, lengthening and gathering
more band backing, until we arrive at this version. This chart simply swings from start
to finish. All of the tenor solos have been transcribed, also the piano solos and bass
lines too, though chords are provided on the parts should your players wish to
improvise. If you have a star tenor player that you wish to spotlight, then Lester
Leaps In is a perfect choice. There are no sax doubles.

LIL DARLIN
Arranged by Neal Hefti
Medium Easy
$65.00
Cat: LL-1202
Lil Darlinis one of the great tracks from the Basie band of the 1950s, and one of a
series written and arranged for the band by Neal Hefti to be found on The Atomic
Mr Basie album. This is the original arrangement and not a transcription, and
includes fully written out muted 4th trumpet solo. There is not a full score with this
arrangement, though a conductor lead sheet is included.

LONELY STREET
Arranged by Sammy Nestico
Medium Easy
$35.00
This Nestico ballad arrangement features alto saxophone.

Cat: 2410

B A S I E

ONE OCLOCK JUMP

***NEW***

Transcribed by Jeff Hest


Difficult
$50.00
Cat: JEM04019
This is a transcription of the original arrangement. Meticulously notated with Basie's
simple but timeless piano solo plus transcribed solos for tenors 1 and 2, trombone,
trumpet, bass and the mother of all Basie swinging shout choruses.

ORANGE SHERBET
Arranged by Sammy Nestico
Medium Easy
$40.00
This bright chart features trombone ad lib or written solo.

Cat: 2592

PASEO PROMENADE
Arranged by Benny Carter
Medium
$52.00
Cat: SMP-266
As originally recorded by Count Basie on the Roulette LP (Vogue CD) Kansas City
Suite - the Music of Benny Carter, this is a medium-up Swing chart that everyone will
love to play. The saxophones get a workout, and there is solo space for tenor
saxophone, trombone and piano. Soft, exciting ensemble work makes this chart a
true delight. Classic Basie! 5-4-3-4 (w/opt. 4th trombone).

PENNIES FROM HEAVEN

***NEW*** [VOCAL]

Transcribed by Jon Harpin


Medium
$65.00
Cat: LL-2109
Frank Sinatra and Count Basie combined brilliantly on their 1962 album SinatraBasie, featuring arrangements by Neal Hefti. From Basies opening intro right to the
last note this chart was and still is a classic. It has been transcribed here by Jon
Harpin, and adapted from the original 5 trumpet 3 trombone studio line-up, to a
more regular 4-4 section, with the bass trombone on 3rd and an optional 4th
trombone part. The vocal key is Ab and there are no sax doubles.

PLAIN BROWN WRAPPER

MAGIC FLEA
Arranged by Sammy Nestico
Advanced
$52.00
This Nestico arrangement is fast swing for advanced bands.

C O U N T

Cat: 2420

MEETIN TIME
Arranged by Benny Carter
Medium Easy
$47.00
Cat: SMP-265
As originally recorded by Count Basie on the Roulette LP (Vogue CD) Kansas City
Suite - the Music of Benny Carter, this is a medium slow Swing with more than a
tinge of Gospel flavor. The trombone section gets the call and the saxophones
respond. A delightful, happy chart with solo space for tenor saxophone and trumpet
(written out solos opt.). Classic Basie! 5-4-3-4 (w/opt. 4th trombone).

MISS MISSOURI
Arranged by Benny Carter
Medium
$52.00
Cat: SMP-262
As originally recorded by Count Basie on the Roulette LP (Vogue CD) Kansas City
Suite - the Music of Benny Carter, this is a medium Shuffle which features solos for
piano, tenor saxophone and trombone. This melody will stick with you for a long
time. Benny was the best at creating those tight, soft, Basie ensemble choruses, and
this one has it all. Classic Basie! 5-4-3-4 (w/opt. 4th trombone).

MOTEN SWING
Arranged by Ernie Wilkins
Medium
$47.00
Cat: SMP-191
There have been a lot of published charts on this tune, but this is the original version
as played by and recorded by the Count Basie Orchestra. This chart should be in
every jazz band library! Wonderful roaring ensemble passages and soft, soft sections
which will make your band sparkle. A guaranteed winner. 5-4-4-4

MOTEN SWING

Arranged by Bill Holman


Medium Difficult
$52.00
Cat: SMP-196
This chart was recorded by the Count Basie Orchestra on the CD I Told You So. This
is a rip-roaring, swinging chart. It starts with trombones and rhythm setting the time
with simple halfnote figures. The saxes and trumpets join in with a swinging, exciting
series of lines! One of the great shout choruses of all time! Features solo space for
tenor sax, trombone, piano and drums. A great closer for your programs.5-5-4-4

POUND CAKE
Transcribed by Myles Collins
Medium
$65.00
Cat: LL-1091
Pound Cake is Basie doing what he did best - pumping out swinging blues-based riff
charts. This chart also features a rarity - a long solo spot for baritone sax, and there
are other solos for alto 1 (cued on 2), tenor 1 (cued on 2), trumpet 2 and piano. All
of the solos are written out, the brass ranges are very moderate and there is loads
of brass fan hat (or plunger) work, so the visual appeal is high too.

THE QUEEN BEE


Arranged by Sammy Nestico
Medium
$42.00
This Nestico arrangement was performed by Count Basie.

RED BANK BOOGIE

Cat: 2460

***NEW***

Arranged by Myles Collins


Difficult
$65.00
Cat: LL-1139
Red Bank Boogie is a classic Basie piano feature, and the piano part is written out in
full. This chart evolved over time, as many of Basies charts did. The original was
possibly a little corny perhaps, with the piano line being played in typical stride style.
This later version was played using far fewer notes, with less emphasis on the left
hand, and it swings all the better for it. However, it is a quick chart and you will still
need a pretty good pianist to do it justice. There are no sax doubles.

Arranged by Sammy Nestico


Medium
$40.00
Cat: 32413010
This classic blues was a standard of the Count Basie Orchestra for many years, and
Sammy Nesticos very playable version for young groups really cooks!

CALL NOW TO ORDER! 1-518-587-1102

OR ORDER BY FAX: 1-518-587-2325

71

C O U N T
ROLL EM PETE

B A S I E

***NEW***

[VOCAL]

Arranged by Myles Collins


Medium
$65.00
Cat: LL-2113
The Joe Williams/Count Basie partnership was a rich one indeed, and together they
produced many fine recordings. Roll Em Pete, from the early 70s, is one of the best,
with Williams improvising around the original blues line. The band backings support
the vocalist all the way, and there is also a 2 chorus solo spot for tenor 1. The
trombone solo fill-ins behind the first two choruses and the tenor fills after the solo
have been written out. The vocal sheet is written out as sung, and there are no sax
doubles. Although the band had 5 trumpets during the recording session, this chart
has been adapted to 4. The vocal key is B flat.

ROMPIN AT THE RENO


Arranged by Benny Carter
Medium Difficult
$52.00
Cat: SMP-268
As originally recorded by Count Basie on the Roulette LP (Vogue CD) Kansas City
Suite - the Music of Benny Carter, this is a fast Swinger that will be a lot of fun for
your band. Tight, rhythmic ensemble passages make this a joy to play and hear. Your
audiences will really respond to this one. Classic Basie! 5-4-3-4 (w/opt. 4th Trb.).

STRAIGHT AHEAD
Arranged by Sammy Nestico
Advanced
$42.00
Arranged by Nestico and performed by Basie.

Cat: 2301

STRIKE UP THE BAND


Arranged by Sammy Nestico
Advanced
$60.00
Cat: 7011065
From the Basie library, this classic flag-waver from the pen of Sammy Nestico is
available again! A true tour de force for every section of the band, this monster chart
features blistering brass, wailing saxes, a tenor solo, and a great full ensemble shout.

SUNSET GLOW
Arranged by Benny Carter
Medium
$47.00
Cat: SMP-247
As originally recorded by Count Basie on the Roulette LP Kansas City Suite - the
Music of Benny Carter, this is a beautiful ballad, written to feature trombone
throughout. The middle section features the saxophones in one of Bennys patented
sax choruses. 5-4-3-4 (w/opt. 4th trombone).

SWEET GEORGIA BROWN

***NEW***

Arranged by Sammy Nestico


Easy
$35.00
Cat: 2601
Ballad, tenor sax feature arranged by Sammy Nestico and performed by Basie.

Arranged by Sammy Nestico


Difficult
$60.00
7011063
As recorded by Count Basie on Prime Time, here is the magnificent Nestico flagwaver to end all flag-wavers! Combine a wonderful standard tune with solos for
piano and tenor along with some of Sammys finest ensemble writing ever, and you
have a highlight for any concert or festival. Classic chart!

SCOOT

SWINGIN THE BLUES

SAMANTHA

Transcribed by Myles Collins


Difficult
$65.00
Cat: LL-1117
A wonderful chart from the pen of Neal Hefti. Scoot is almost all muted and fluted,
originally with Frank Wessflute paired with tightly plugged trumpets (using a mix of
mutes) to generate a relaxed but closely confined sound. The chart is quite quick
and will need nimble fingers from your trumpets, but once they get their fingers
round it the chart will snap into place. The flute solo is ad-lib, and the saxes are on
flute, alto, 2 tenors & baritone. We have cued the flute solo chords onto the alto 2
part in case you dont have a flautist. The chart is playable without the flute lead.

SHORTY GEORGE
Transcribed by Myles Collins
Medium
$65.00
Cat: LL-1181
Shorty George was first recorded by the Count Basie Orchestra in 1938, and
proved to be one of his early big hits, and has become a must-have tune for Basie
fans. It is up-tempo swing chart which featured Basie and his three big soloists Buck Clayton (trumpet), Lester Young (tenor) and Dicky Wells (trombone). We have
written out the original solos for you, though your players can improvise on the
chords provided too. This arrangement is really punchy and powerful, with some
great sectional interplay and big ensemble passages. We have also written in the licks
and fills on the drum part. There are no sax doubles.

SMACK DAB IN THE MIDDLE


Arranged by Sammy Nestico
Easy
$42.00
This jazz shuffle was arranged by Nestico and performed by Basie.

Cat: 2605

SPLANKY
Arranged by Neal Hefti
Medium Easy
$75.00
Cat: LL-1203
Splanky is one of the great tracks from the Basie band of the 1950s, and one of a
series written and arranged for the band by Neal Hefti to be found on The Atomic
Mr Basie album. This is the original arrangement and not a transcription, and
includes fully written out tenor and piano solos. There is not a full score with this
arrangement, though a conductor lead sheet is included.

SPLANKY
Arranged by Sammy Nestico
Medium
$45.00
Cat: WBRP2021
Your band will shine on this medium tempo chart and the ensemble writing will have
the band sounding just like Basie. Solo space provided for 1st tenor sax, 2nd
trumpet and 1st trombone, accessible brass ranges, add the Basie-style rhythm
section fills and you have a superior chart that will stand the test of time.

72

Transcribed by Myles Collins


Difficult
$65.00
Cat: LL-99964
An up-tempo chart that swings from beginning to end, with solo space for trumpet,
both tenors, piano and drums. All solos and the piano/bass/guitar parts are chord
based. A nice punchy chart from the Basie book.

TEDDY THE TOAD


Arranged by Myles Collins
Medium
$65.00
Cat: LL-1121
This is NOT the Hefti stock chart that was issued many years ago. This is the
complete Basie version, and a nice trombone sectional feature. The chart is written
for 2 tenors and 1 bass trombone, with an optional 4th (tenor) trombone part. The
Basie band only recorded this tune three times, once on the Atomic album, once live
in 1958 and again live in 1959. The live takes were played quicker! All three versions
has been drawn from to recreate this swing classic. The piano part has all of the little
fills and licks written in, as does the drum part, and the trombone parts are written
as they were played, including the over-emphasised dragged notes and the lovely
unison trombone ending with the band whisper quiet behind, so that your band will
be able to recreate the authentic Basie feel. There are no sax doubles. The lead
trombone hits a high C, hence we have rated the chart as medium.

THAT WARM FEELING


Arranged by Sammy Nestico
Medium Easy
$42.00
This ballad arrangement was performed by Count Basie.

Cat: 2510

TICKER
Arranged by Bill Holman
Medium Difficult
$52.00
Cat: SMP-190
This chart was recorded by the Count Basie Orchestra on the CD I Told You So.
Another hip, blues chart from Holmans Basie LP. Piano, tpt., and tenor sax solos, with
a very neat saxophone section Soli. Great shout choruses. Well within the abilities of
any good band. Cond. Score/parts for 5-5-4-4 instrumentation. (condensed score)

TICKLE TOE
Transcribed by Myles Collins
Difficult
$65.00
Cat: LL-1088
Tickle Toe is a real tenor sax feature. This chart, with the usual Basie combination of
flowing sax lines and punchy brass, is written in a minor key, giving it a haunting
tonality. Quite quick, at 210 bpm, the chart itself is not technically too demanding,
once your sax players have got their fingers around the tune. All of the solos have
been written out (tenor, trumpet and piano) and the chords too, should your
players want to improvise. No sax doubles and the brass ranges are pretty moderate.

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COMPLETE PO S ONLINE!

TOO CLOSE FOR COMFORT


Arranged by Bill Holman
Medium Difficult
$52.00
Cat: SMP-310
Count Basie recorded this on the wonderful CD I Told You So. This is a happy,
cookin chart by Holman, with solos for tenor saxophone and piano. It is a guarantee
that your band will LOVE playing this one, and your audiences will love hearing it.
The final shout chorus is amazing! 5-5-4-4 (4 tpts. works as well)

TREE FROG
Arranged by Bill Holman
Difficult
$52.00
Cat: SMP-329
This chart was recorded by the Count Basie Orchestra on the CD I Told You So. This
is yet another terrific Holman chart written for that band! A medium-tempo shuffle
that just swings and swings! There is solo space for a bucket-muted trombone,
piano and an optional high trumpet part in the shout chorus. Tree Frog is a
wonderful chart, written for and recorded by the great Basie Band. 5-5-4-4

TUNE TOWN SHUFFLE


Transcribed by Myles Collins
Medium
$65.00
Cat: LL-1134
Here is a fabulous swing dance chart from the Count Basie orchestra of 1941, and
if you play to a dance crowd, then this chart is a must-have number. After a punchy
opening, the tune itself is just so bouncy that it makes your feet tap without you
realizing. The chart also features a wonderful bridge, leading to an ad-lib piano solo,
then some great brass passages which give ample opportunity for plenty of fan-hat
waving. The chart is then lifted higher by two chromatic key changes, an ad-lib tenor
solo and the final short shout chorus to finish. A rare jewel from the Count Basie
book. There are no sax doubles.

UNTIL I METYOU (CORNER POCKET)

***NEW***

Arranged by Michael Sweeney


Easy
$35.00
Cat: 7470693
One of the all-time classic charts from the Count Basie Band is this gem penned by
long standing guitarist Freddie Green. Available for the first time in an arrangement
for beginning bands, Michael Sweeney has crafted an authentic-sounding version
that will work great for festivals or concerts. From the opening strains to the final
shout chorus, the Basie style shines through.

UNTIL I METYOU (CORNER POCKET)

***NEW***

Arranged by Mark Taylor


Medium Easy
$40.00
Cat: 7010913
One of the classic arrangements from the Count Basie Orchestra is adapted for
younger bands in this authentic-sounding version by Mark Taylor. The signature
piano intro is scored for trumpets in mutes and all the familiar ensemble passages are
included. There are brief solos for trumpet and tenor before the well-known shout
chorus closes it out. A must for all bands.

VINE STREET RUMBLE


Arranged by Benny Carter
Medium Difficult
$52.00
Cat: SMP-269
As originally recorded by Count Basie on the Roulette LP (Vogue CD) Kansas City
Suite - the Music of Benny Carter, this is a medium-up Shuffle feel, with solos for
tenor saxophone and piano. The sax section plays the tune in unison while the
brass interject those terrific rhythmic figures that Carter wrote so well. Soft, tight
ensemble passages swing like crazy and raise the roof when played yet again up an
octave and very powerfully. Classic Basie! 5-4-3-4 (w/opt. 4th Trb.).

WHIRLY BIRD
Transcribed by Myles Collins
Advanced
$65.00
Cat: LL-2412
Another beautifully crafted piece from the Basie Band, featured on the Atomic Mr
Basie album. Written by Neal Hefti, this chart is aptly named. It is a flat-out, driving
swing chart that features piano and tenor. Basies solos are written out, but the
tenor solo has been left open. This arrangement is advanced, not because of the
speed of it, but because the trumpets need to play up high. The lead goes to a
written high F. Originally written for 7 brass, a 4th trombone part has been added.
The bass trombone is on the 3rd part. There are no sax doubles.

CALL NOW TO ORDER! 1-518-587-1102

BASIE/LOUIE BELLSON/LES BROWN


WHOS BLUE

***NEW***

Arranged by Benny Carter


Medium
$55.00
Cat: SMP-749
One of the great Basie recording was The Legend, of which all the pieces were
Benny Carter originals. This chart is from that recording, and it is a wonderfully
soulful piece, set in a slow swing tempo. There is solo space for piano and trumpet.
This is a simple, elegant 16-bar tune that Benny sets in his wonderful fashion. This
bluesy chart will be a favorite with everyone. Very modest brass ranges (1st tpt. high
Bb only) make this is must for any band. 5/4/4/4

THE WIGGLE WALK


Arranged by Benny Carter
Medium
$52.00
Cat: SMP-260
As originally recorded by Count Basie on the Roulette LP (Vogue CD) Kansas City
Suite - the Music of Benny Carter, this is a medium tempoed Swing chart featuring
solos for tenor saxophone, trumpet, trombone and piano. There are lots of great
ensemble passages and rhythmic hits in the brass. And the saxophones have their
time in the spotlight. Classic Basie! 5-4-3-4 (w/opt. 4th trombone).

WIND MACHINE
Arranged by Sammy Nestico
Difficult
$50.00
Cat: 7210970
This up-tempo chart from the Count Basie library features a tenor sax solo.

YA GOTTA TRY
Arranged by Sammy Nestico
Advanced
$42.00
Arranged by Sammy Nestico and performed by Basie.

Cat: 2530

AS PLAYED BY LOUIE BELLSON


SKIN DEEP
Transcribed by Myles Collins
Medium
$65.00
Cat: LL-1070
A great swing chart from the pen of Louis Bellson, this opens with a big half-time
fanfare and then breaks into up-tempo swing. The saxes lead the first chorus and
the brass are loud and punchy. With some great unison runs and trombone passages,
the drums drive this number. There are four drum solo passages, with the last one
being as long as you like. It leads the band into a huge climactic finish.

AS PERFORMED BY LES BROWN


BIZET HAS HIS DAY
Arranged by Bob Martin
Medium Difficult
$65.00
Cat: LL-99977
Made famous by the Les Brown Orchestra, this tune is one in a series of numbers
where a classical theme is given the swing treatment. From a piano opening phrase,
echoed by trombones, the lower saxes enter with the fugue, the altos vary it, and
trumpets are layered on top, to arrive at the tutti swing phrase. Solos for Alto 2,
Trombone 2 and Piano. Lead alto doubles clarinet, Baritone doubles alto. Lead
trumpet to high C. A moderately easy chart and really effective in any band library.

LEAP FROG
Arranged by Myles Collins
Medium Easy
$65.00
Cat: LL-1115
One of the more famous tunes from the Les Brown Orchestra, Leap Frog is one of
those charts that gets feet tapping and dancers dancing. It simply bounces from
start to finish. Technically, this is a straightforward chart to perform, and we have
written out the four sax cameo solos (one each for Alto 1 on Clari, Alto 2 and both
Tenors) and also the drum part complete with the little fills and licks that help power
the chart along. There are also two short ad lib drum solos, taken mostly on the
snare. If you play to a swing dance crowd they will lap this up!

OR ORDER BY FAX: 1-518-587-2325

73

BOBBY DARIN/TOMMY DORSEY


SENTIMENTAL JOURNEY

***NEW*** [VOCAL]

As Performed by Doris Day with Les Brown


Arranged by Bob Martin
Easy
$65.00
Cat: LL-2039
Co-written by Les Brown for his own Orchestra, this was a great hit for Doris Day,
and this version remains as the definitive standard for the tune. It has to be played
bluesy, laid back, softly and not too fast! The brass lines at the end of the first chorus
emphasise the drag and the tenor solo behind the vocal re-enforces the lazy feel.
Key of A, the range is from A below, to B above middle C. Lead alto doubles clarinet.

AS PERFORMED BY BOBBY DARIN


BEYOND THE SEA

[VOCAL]

Arranged by Myles Collins


Medium Easy
$65.00
Cat: LL-2119
Bobby Darin had a big hit with this tune, and other singers hae also covered it very
successfully. We have transcribed the Darin chart here, except that there are no
strings in our version. Instead we have given the relevant lines to the saxes, adapting
the phrasing to improve the swing. The vocal is as per Bobby Darins delivery, and we
have also included an optional repeat at the end of the chart, to extend the play
out, plus have written a definite ending, because the recorded version fades, and
fade-outs are not good for live perfomances! There are no sax doubles. Apart from
the lead trumpet having to reach a written high D# the brass parts are not
demanding, and the chart will be a certain crowd pleaser. Vocal key F.

CLEMENTINE

[VOCAL]

Arranged by Myles Collins


Medium
$65.00
Cat: LL-99409
Clementine is simply great fun. This Bobby Darin version is in a similar style to his
more well known Mack the Knife, with successive half-step modulations, and a band
backing that builds and builds to a huge finish. We have accurately notated Bobbys
vocal line and phrasing, and written the rhythm parts as-played, where they are
most important to the feel of the chart. No sax doubles.Vocal Keys: E flat to A flat.

AS PERFORMED BY TOMMY DORSEY


BIRMINGHAM BOUNCE

[VOCAL]

Arranged by Myles Collins


Medium Difficult
$65.00
Cat: LL-2416
This is a post-war chart from Dorsey, featuring the singing and trumpet of Charlie
Shavers. This is a very good dance chart and it has a lot of nice features - vocal stops,
hand claps, powerful ensemble passages, a solo spot for tenor and some screaming
trumpet licks too. As the name suggests, this chart really bounces along. We have
rated it medium difficult, as the trumpet soloist has a written high F and the
trombones need to reach Bb. Birmingham Bounce is a refreshing change to the usual
vocal fare. The key is Eb and would suit a high baritone or an alto.

EASY DOES IT
Transcribed by Myles Collins
Medium Easy
$65.00
Cat: LL-1114
This is another classic but underplayed chart from Dorsey, written by Sy Oliver. This
chart is a medium tempo swing chart with a 2-beat feel that dancers might describe
as a Shag. It glides along if taken at the right tempo. The chart features your lead
trombone and tenor 1. The trombone lead is cross-cued onto the 3rd trumpet part,
should the range prove too high for your player, and we have transcribed fully the
original tenor solo, though he/she can improvise. Both altos double clarinets.

IM GETTING SENTIMENTAL OVER YOU


Transcribed by Myles Collins
Medium
$65.00
Cat: LL-99993
This is the theme tune for the Dorsey Band, and perhaps the definitive solo vehicle
for trombone, where the melody brings out the best of the instrument. This
arrangement is true to the original, with the solo part written on 1st trombone,
excepting that the sax backings are not taken on full section clarinet doubles
(including bass clarinet), but have reverted back to standard sax section voicing to
avoid awkward, and nearly impossibly quick changing of instruments. There is a solo
trumpet part that is a duplicate of the trombone solo.

74

LOOSE LID SPECIAL


Transcribed by Myles Collins
Medium
$65.00
Cat: LL-22250
In many ways this Sy Oliver chart written for Dorsey was ahead of its time, with its
floating tonality and dissonant voicings. It has an almost ethereal feel to it, with huge
contrasts in dynamics throughout the chart. All original solos have been written out
(trombone-Dorsey and trumpet-Elman), and have notated the drum part in full,
with all the little licks and fills needed to recreate the original. The trombone solo is
also cross cued onto the 3rd trumpet part, should your player not be able to reach
a high C. There are no sax doubles and the chart has been re-scored to 8 brass.

THE MINOR GOES MUGGIN

***NEW***

Arranged by Myles Collins


Difficult
$65.00
Cat: LL-1133
The Tommy Dorsey Orchestra is most often remembered for a lush trombone
sound, the band also produced some extraordinarily powerful swing numbers, and
not many were better than this one. Written by the great Sy Oliver, this quick minor
swing chart is raw, raunchy, powerful and full of surprises. It features your lead
trombone, 2nd alto, 2nd trumpet, 1st tenor and piano. All original solos have been
written out. The only sax double is 2nd alto on clarinet for the last 2 bars. All
trumpets hit high C, and all trombones hit high Bb.

ON THE SUNNY SIDE OF THE STREET


Arranged by Myles Collins
Medium Easy
$65.00
Cat: LL-23223
Made famous by the Tommy Dorsey Orchestra, this instrumental version of Sunny
Side of the Street is taken from the vocal version. The form and structure is based on
the original Dorsey version, including the unique intro, where we have written out
the bass soloand piano fills too. The lead trumpet range in the last bar goes to a high
F, but weve cued alternative notes which keep the range here to top C#. No sax
doubles, and the brass ranges are moderate. The saxes take the vocalchorus,
backed by trombones and trumpets. Vocal version cat: LL-23223V.

OPUS ONE
Transcribed by Myles Collins
Difficult
$65.00
Cat: LL-99960
Another classic from the pen of Sy Oliver, and a famous tune for the Dorsey band,
though much copied and adapted by other bands. Anita O Day recorded a vocal
version with Gene Krupa, and Ted Heath used it as a stock chart. This is as per the
original, though it lacks the strings used by Dorsey in the original arrangement. String
parts can be provided on request. Both alto saxes double clarinet (for the great
middle passage of clarinets over a pair of muted trumpets), and the lead alto takes
both clarinet solos, which we have written out. Likewise, the piano solo is written
out too. This is a medium to advanced chart in terms of difficulty. By far the trickiest
bit is the semi quaver, semitonal sax run which introduces the key change into the
last chorus. Nimble fingers are needed!

SONG OF INDIA
Transcribed by Myles Collins
Medium
$65.00
Cat: LL-1085
This Dorsey classic is another great solo spot for trombone. Based on a tune by
Nikolai Rimsky-Korsakov, the original arrangement was by Tommy Dorsey himself. A
well known piece, Song of India was originally scored for just 6 brass. We have
augmented the chart to a full section of 8 brass. The trombone and trumpet solos
are written out in full, though your 2nd trumpet player can improvise a solo from
the chords given. This arrangement sounds like the original article, and includes the
clarinets (altos 1 and 2) scored in the intro. All dynamics and articulations are given,
and these are particularly important to give the chart its correct feel. We have rated
this as a medium difficulty chart, though the 1st trombone does go to high C.

SWANEE RIVER
Transcribed by Alan Glasscock
Medium Easy
$65.00
Cat: LL-1232
This Dorsey classic is based on a 1944 version, when the Dorsey band was at its
height. The arrangement went on to be used by the later Dorsey band under the
direction of Warren Covington. It is longer than earlier versions, and also longer than
the stock chart, with additional solo space for trumpet and tenor sax. The
backgrounds and fill-ins are complete, as are all of the dynamics and mute/hat
indications for the brass. We have included the famous Ziggy Elman trumpet solo
which forms the first half of the trumpets solo space.

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1-866-995-5782

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T.D.S BOOGIE WOOGIE

***NEW***

Transcribed by Alan Glasscock


Advanced
$65.00
Cat: LL-1197
Tommy Dorsey first recorded a version of Clarence Smiths Boogie Woogie in the late
1930s. This chart is not it. Its his much better effort which is known as T.D.s Boogie
Woogie, and is an excellent development of the original, featuring piano. The piano
part has been written out in full, and be warned, it is not easy. We have also written
out T.D.s closing trombone solo. This chart takes great sectional and ensemble
discipline to make it sound right, so your players will need to be on top form. Both
altos and both tenors double clarinet.

WELL GET IT
Transcribed by Myles Collins
Advanced
$65.00
Cat: LL-99956
Sy Oliver wrote a number of memorable charts for the Tommy Dorsey Orchestra,
such as Opus One and Swanee River. However, Well Get It is one of his finest, and yet
not best known. A thumping swing chart that features first and second trumpet in
a great duet near the end, and also including the original (written out) solos for
trombone, clarinet and tenor. If you play to a jive or jitterbug crowd they will love
this. Be warned though: it is a tough blow for the trumpets. The lead range is to high
G and the second to high D. Second alto takes the clarinet double.

AS PLAYED BY DUKE ELLINGTON


ALMOST CRIED
Transcribed by David Berger
Medium
$50.00
Cat: JLCM001
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. Ellington recorded this in 1959 for the film 'Anatomy of a Murder'.
Trumpet feature written for Shorty Baker. Instrumentation: 2 altos, 2 tenors, baritone,
2 trumpets, 3 trombones, and bass/drums - no guitar or piano parts.

BLACK AND TAN FANTASY


Transcribed by David Berger
Difficult
$50.00
Cat: JLC9801
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. This was recorded by Duke Ellington in 1945. 5/4/3/4

BLI BLIP
Transcribed by David Berger
Difficult
$50.00
Cat: JLCM03001
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. This was recorded by Ellington in 1941. Instrumentation: 2 alto
saxophoes; clarinet; tenor saxophone; baritone saxophone; 3 trumpets; 3 trombones;
and 4-piece rhythm section.

BLUE CELLOPHANE
Transcribed by David Berger
Advanced
$50.00
Cat: JLCM008
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington. Features information about the original recording,
rehearsal notes from Jon Faddis and Brent Wallarab, and performance suggestions
from Wynton Marsalis. Medium swing. This was written as a trombone feature for
Lawrence Brown. Instrumentation: 2 altos, 1 tenor, baritone, 3 trumpets, 3 trombones,
4-piece rhythm section, and orchestra bells.

CALL NOW TO ORDER! 1-518-587-1102

TOMMY DORSEY/DUKE ELLINGTON


BLUE FEELING
Transcribed by David Berger
Medium
$50.00
Cat: JLCM002
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. Ellington recorded this in 1934. Instrumentation: 2 altos, tenor
sax, baritone sax, 3 trumpets, 3 trombones, 4-piece rhythm, and orchestra bells.

C JAM BLUES
Arranged by David Pugh
Medium Easy
$40.00
Cat: JE9834
The Duke Ellington classic in a straight ahead easy version for developing jazz
groups. David Pugh is a young writer to watch. His charts over the past two years
have really been nice. in this classic, David has kept it playable, but has worked in
some great ensemble work, including a nice sax tutti section.

C JAM BLUES
Arranged by Rick Stitzel
Easy
$35.00
Cat: 7470604
Finally, this Ellington classic is available for even the most inexperienced bands. For
starters, this version is in Bb rather than C. Rick features the saxes on the melody
with inventive brass counterlines, and later a marvelous ensemble tutti section that
starts soft then builds to the end. An absolute must!

CARAVAN
Arranged by Mike Tomaro
Medium Difficult
$45.00
Cat: 7010146
Heres a fresh version of this Ellington classic done in a Latin style that really sizzles.
Solid and creative writing for the entire ensemble.

COME SUNDAY
Arranged by Mike Tomaro
Medium Difficult
$45.00
Cat: 50485556
From Duke Ellington, comes this hauntingly beautiful ballad. Mikes outstanding
setting features a lush ensemble sound plus solos for alto and piano.

COTTON TAIL
Transcribed by David Berger
Difficult
$50.00
Cat: JLC9803
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. Recorded by Ellington in 1940. Solos for trumpet, tenor saxophone
and baritone saxophone. Instrumentation: 2 altos, tenor 1 doubles on clarinet;
tenor 2, baritone saxophone; 3 trumpets; 3 trombones and 4-piece rhythm section.

COTTON TAIL
Transcribed by Mark Taylor
Medium
$50.00
Cat: 7010802
Here is the classic Ellington swinger in a fabulous version for younger players. The
drive and excitement of the original is still there as Mark starts out with a small
combo of 2 tenors and 2 trombones, then gets the full band involved. Includes solos
for alto and/or trombone and also for trumpet and/or piano. This chart will sound
great with any band!

DIMINUENDO AND CRESCENDO IN BLUE


Transcribed by David Berger
Advanced
$50.00
Cat: JLCM03002
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington. Features information about the original recording,
rehearsal notes from Jon Faddis and Brent Wallarab, and performance suggestions
from Wynton Marsalis. This was originally recorded by Duke Ellington in 1937 and
helped him re-gain the spotlight following his 1956 appearance at the Newport
Jazz Festival. During the performance of this tune Paul Gonzalves brought the
audience to near riot with his legendary 27-chorus solo. Instrumentation: 4/4/3/4 tenor doubles on clarinet.

OR ORDER BY FAX: 1-518-587-2325

75

D U K E

E L L I N G T O N

DO NOTHIN TILL
YOU HEAR FROM ME

[VOCAL]

Arranged by Roger Holmes


Medium
$40.00
Cat: 7500101
One of the true gems from the Ellington catalog of great songs, here is a marvelous
setting for vocal soloist with jazz ensemble. The style is slow swing, and the mood is
sensuous and lush. Key of Eb.

DO NOTHIN TILL YOU HEAR FROM ME


Arranged by John Berry
Easy
$35.00
Cat: 7010732
In this Ellington favorite, John Berry stays true to the original medium slow swing in
a well crafted arrangement that is very playable by inexperienced bands. Alto sax is
featured at the top and later the melody is passed off to the trumpet section. Also
included are written or ad lib. solos for alto sax and trumpet.

DONT GET AROUND


MUCH ANY MORE
Arranged by Mark Taylor
Medium
Key of Ab.

$40.00

DONT GET AROUND


MUCH ANYMORE

[VOCAL]

Cat: 30325013

[VOCAL]

Arranged by Dave Wolpe


Medium
$45.00
Cat: JE9609
This beautiful arrangement is the perfect way to feature your best vocalist. Daves
chart is very sweet. The vocalist gets an opportunity to trade licks with the band
and even do a little improvisation. Duke Ellington and Dave Wolpe make for a great
combination! Key of F.

EIGHTH VEIL
Transcribed by David Berger
Medium
$50.00
Cat: JLCM01008
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. This is a trumpet feature, beguine chart. Instrumentation: 5/4/3/2
- clarinet double. No piano or guitar parts.

HALF THE FUN


Transcribed by David Berger
Difficult
$50.00
Cat: JLC9806
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis.This beguine was originally arranged by Billy Strayhorn and recorded
by Duke Ellington in 1956. Trumpet 1 plays a cowbell. Instrumentation: 2 altos;
tenor 1 doubles on clarinet; tenor 2; baritone saxophone; 4 trumpets; 3 trombones;
and 3-piece rhythm section - no guitar.

HAPPY-GO-LUCKY LOCAL
Transcribed by David Berger
Difficult
$50.00
Cat: JLCM04001
This transcription is direct from the recordings of Duke Ellington. Features information
about the original recording, rehearsal notes from Jon Faddis and Brent Wallarab,
and performance suggestions from Wynton Marsalis. This movin' shuffle arrangement
starts with a piano-bass into. Following that duo, an alto solo enters (this was
written). The arrangement is meant to evoke the sound and feel of a train.
Instrumentation: 5/5/3/3 - tenor saxophone 2 doubles on clarinet.

HARLEM AIRSHAFT
Transcribed by David Berger
Difficult
$50.00
Cat: JLCM02002
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. Instrumentation: 5/3/3/4

I LET A SONG GO OUT OF MY HEART


Transcribed by David Berger
Medium
$50.00
Cat: JLCM003
This transcription is direct from the recordings of Duke Ellington. Features information
about the original recording, rehearsal notes from Jon Faddis and Brent Wallarab,
and performance suggestions from Wynton Marsalis. Ellington recorded this in
1938 for the Brunswick label. Instrumentation: 2 altos, tenor (doubles on clarinet),
baritone, 3 trumpets, 3 trombones, and 4-piece rhythm.

IM BEGINNING TO SEE THE LIGHT


Arranged by Gordon Goodwin
Medium Difficult
$45.00
Cat: 7010529
Classic Ellington swinger! Gordons medium tempo chart features the saxes at the
start and them lets the ensemble carry it and build to the alto solo. This one goes
down smooth.

IM BEGINNING TO SEE THE LIGHT


Arranged by Sammy Nestico
Difficult
$45.00

IM BEGINNING TO SEE THE LIGHT

Cat: 32609020

[VOCAL]

Arranged by Mark Taylor


Medium
$40.00
Cat: 7500027
This Ellington classic is one of the best swing tunes. This makes an outstanding vocal
feature, yet your band will have a great time with it as well. Key: C to E flat.

IM JUST A LUCKY SO AND SO

***NEW***

Transcribed by David Berger


Medium
$50.00
Cat: 0-JLCM05006
This classic Ellington vocal ballad starts features an eight bar alto solo leading into
the vocal. The trombone solo at the end features nice sax backgrounds. Key of G.

IM JUST A LUCKY SO AND SO


Arranged by Roger Holmes
Medium Difficult
$45.00
Cat: 7010598
The trombones get first crack at the melody in this great Ellington shuffle tune
before the entire band joins in. Written in a medium tempo and featuring nicely
scored ensemble writing, solos are included for tenor sax and trumpet.

IVE JUST SEEN HER


Transcribed by David Berger
Difficult
$50.00
Cat: JLCM02005
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. This was recorded in 1962 by Ellington. This ballad features tenor
saxophone. Instrumentation: 5/4/3/2 - no piano or guitar parts.

IN A MELLOW TONE
Arranged by Paul Cook
Easy
$30.00
Cat: JE9548
This great song (from the all-time great, Duke Ellington) is arranged here for beginning
groups. Written for six brass and five saxes, it can be played by three saxes and three
brass. Ranges are controlled for young players and the rhythms move vertically for
easy performance. Guaranteed success with this chart.

IN A SENTIMENTAL MOOD
Arranged by Mike Tomaro
Medium Difficult
$45.00
Cat: 7010372
Mike Tomaro has beautifully adapted this well-known Ellington classic to feature
tenor saxophone. With flowing melodies and a lush orchestration this is the perfect
ballad for contests or festivals.

76

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COMPLETE PO S ONLINE!

IN A SENTIMENTAL MOOD
Arranged by John Berry
Medium Easy
$35.00
Cat: 7010508
This is an outstanding easy setting of one of Ellingtons best-known ballads. Nicely
scored for an effective performance by inexperienced bands.

ISFAHAN
Arranged by Frank Mantooth
Medium Difficult
$45.00
Cat: 7010370
The songwriting team of Ellington and Strayhorn is legendary. This is one of their
lesser known tunes, but certainly not less in effectiveness in the able hands of Frank
Mantooth. Alto and flugelhorn are featured off the top in this medium swing chart,
then the rest of the ensemble joins in with some very effective scoring textures. The
open solo section gives this chart added flexibility.

IT DONT MEAN A THING


(IF IT AINT GOT THAT SWING)

[VOCAL]

Transcribed by David Berger


Medium
$50.00
Cat: JLCM01006
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. Features vocalist - key of F minor. Instrumentation: 3/3/2/4 Saxophones: alto/baritone; alto; tenor/clarinet.

IT DONT MEAN A THING


(IF IT AINT GOT THAT SWING)
Arranged by Michael Sweeney
Easy
$35.00
Cat: 7470508
Introduce the music of the Duke to your beginning groups with this great sounding
easy version. The rhythms have been simplified but the style is authentic.

IT DONT MEAN A THING


(IF IT AINT GOT THAT SWING)

[VOCAL]

Arranged by Jerry Nowak


Medium
$40.00
Cat: 7500039
Comfortable for just about any singer, Jerrys swingin chart on this classy jazz
standard is a perfect addition to any program. Key of Cm (E flat).

IT DONT MEAN A THING


(IF IT AINT GOT THAT SWING)

E L L I N G T O N

JUMP FOR JOY

[VOCAL]

Transcribed by David Berger


Difficult
$50.00
Cat: JLCM02004
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. Medium-fast swing. Vocals begin halfway through the tune. Key of
Eb goes to Bb during vocals. Instrumentation: 5/4/3/4 plus vocalist.

KINDA DUKISH/ROCKIN IN RHYTHM


Transcribed by David Berger
Advanced
$50.00
Cat: JLCM02006
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. The rhythm section begins with the tune Kinda Dukish then the
full band begins with the familiar standard Rockin in Rhythm. Instrumentation: 5/4/
3/4 - comes with optional guitar part.

KO-KO

Transcribed by David Berger


Medium Difficult
$50.00
Cat: JLCM02001
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. This was recorded in 1940 by Ellington. Minor blues.
Instrumentation: 5/3/3/4

LAUNCHING PAD
Transcribed by David Berger
Difficult
$50.00
Cat: JLC9904
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis.

[VOCAL] MAIN STREET

Arranged by Matt Harris


Difficult
$48.00
Cat: 96
This arrangement is done in a salsa style and features tenor saxophone and a
vocalist. Vocal key: Bb.

IT DONT MEAN A THING


(IF IT AINT GOT THAT SWING)

D U K E

[VOCAL]

Arranged by Mike Carubia


Medium
$50.00
Cat: JEV9505
More Duke Ellington magic! This chart sells itself... the vocal group is just the frosting
on the cake. The voice leadings are good and the band cooks along well.

JACK THE BEAR


Transcribed by David Berger
Medium
$50.00
Cat: JLCM03003
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. This was recorded by Ellington in 1940. Instrumentation: 5/3/3/4
- saxophone 3 doubles on clarinet.

CALL NOW TO ORDER! 1-518-587-1102

Transcribed by David Berger


Difficult
$50.00
Cat: JLC9903
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis.

MOOD INDIGO
Arranged by Jerry Nowak
Easy
$35.00
Cat: 7470556
What better way to introduce the magic of Duke Ellington to your beginning
players than with this very easy version of one of the Dukes most revered standards.
The style of the original version is preserved with the opening small group statement
(alto, tenor, 2 trumpets, and trombone). From there the tune is passed alternately to
the full ensemble, sax section, brass section, and finally back to the small group.

MOOD INDIGO
Transcribed by David Berger
Difficult
$50.00
Cat: JLC9908
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis.

OR ORDER BY FAX: 1-518-587-2325

77

D U K E

E L L I N G T O N

MOOD INDIGO
Arranged by John Clayton
Difficult
$60.00
Cat: 7011045
Combine the music of the legendary Duke Ellington with the contemporary arranging
genius of John Clayton, and get ready to hear Mood Indigo like youve never heard it
before! Written in a slow swing style, this smooth chart is written with harmonic
sophistication and emotional depth. From the velvety soft passages to the powerful
full band hits, this is an impressive setting. Includes solos for trombone and tenor.

NEVER NO LAMENT/
DONT GET AROUND MUCH ANYMORE
Transcribed by David Berger
Difficult
$50.00
Cat: JLC9902
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. This was recorded by Duke Ellington in 1940. Features solos for
alto saxophone and trumpet. Instrumentation: 5/3/3/4

OCLUPACA
Transcribed by David Berger
Medium
$50.00
Cat: JLC9901
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. Recorded by Duke Ellington in 1968. This Latin chart features a
tenor solo. Instrumentation: 5/(alto saxophone 2 doubles on clarinet) 4/3/3

PERDIDO
Transcribed by Klauss Lessmann
Easy
$65.00
Cat: LL-1158
Perdido was one of Duke Ellingtons early big hits. Many arrangements have been
made of this chart over the years - lots of them at a flat out tempo. The Dukes
version is a very laid-back swinger that chugs along in a steady groove. The chart
opens with a cameo piano solo, the baritone saxophone picks up the tune and
improvises on the repeat, with the brass plunger figures pulsing away behind it. The
middle 8 is taken as a Trumpet solo (written out) and on it goes! This chart is a solo
feature for tenor 2 and trumpet, as both have improvised solos, and there is a lovely
example in the last chorus of the sort of instrumental voicings for which the
Ellington band was later so famous. Tenor 1 doubles clarinet and there are no other
sax doubles.

PORTRAIT OF LOUIS ARMSTRONG


Transcribed by David Berger
Difficult
$50.00
Cat: JLC9907
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. Recorded in 1970, this tune is from the New Orleans Suite. As the
title would suggest, it is a trumpet feature. 5/5/3/3. Trumpet range to high C.

PRELUDE TO A KISS
Arranged by Dave Wolpe
Medium
$50.00
Cat: JEM03005
A superb feature for baritone saxophone, this is one of Ellingtons more beautiful
melodies and another winning chart from master arranger Dave Wolpe. The perfect
ballad showcase for your baritone player with plenty of melodic soloing and no
improvisation. A swingin double time section offers a nice contrast in this lush ballad.
This chart is perfect for festival, concert and even a dance gig.

78

PYRAMID
Transcribed by David Berger
Medium
$50.00
Cat: JLCM004
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington. Features information about the original recording,
rehearsal notes from Jon Faddis and Brent Wallarab, and performance suggestions
from Wynton Marsalis. This transcription is from the 1962 recording (it was originally
written in 1938). Instrumentation: 2 altos, clarinet, tenor, baritone, 4 trumpets, 3
trombones, bass/drums - no piano or guitar parts.

RAINCHECK
Transcribed by David Berger
Medium
$50.00
Cat: JLCM01003
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington. Features information about the original recording,
rehearsal notes from Jon Faddis and Brent Wallarab, and performance suggestions
from Wynton Marsalis. This is fast swing. Solos for trombone, tenor, and a sax soli
section. Instrumentation: 5/3/3/4 - includes clarinet double.

RHAPSODY IN BLUE
Transcribed by David Berger
Medium
$50.00
Cat: JLCM03004
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington. Features information about the original recording,
rehearsal notes from Jon Faddis and Brent Wallarab, and performance suggestions
from Wynton Marsalis. This was arranged by Billy Strayhorn and recorded by Duke
Ellington in 1962. Instrumentation: 5/4/3/3 - tenor doubles on clarinet.

ROCKS IN MY BED

[VOCAL]

Transcribed by David Berger


Difficult
$50.00
Cat: JLCM006
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. This was written for the 1941 musical Jump for Joy. Includes part
for female vocalist. Key of Bb. Vocal range: F below middle C to 3rd line Bb.
Instrumentation: 2 altos, clarinet, tenor, baritone, 3 trumpets, 3 trombones, vocalist,
4-part rhythm section.

RUMPUS IN RICHMOND
Transcribed by David Berger
Difficult
$50.00
Cat: JLCM007
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. Recorded in 1940 by Duke Ellington. Features solo space for
trumpet and clarinet. Instrumentation: 2 altos, clarinet, tenor, baritone, 3 trumpets, 3
trombones, 4-piece rhythm section.

SATIN DOLL
Arranged by Michael Sweeney
Medium
$35.00
Cat: 7010740
Beginning jazz ensembles will sound great with this solid swing arrangement by
Michael Sweeney. Featuring tutti scoring and easy rhythms, this is a perfect chart to
teach the basics of style.

SATIN DOLL
Arranged by Sammy Nestico
Difficult
$50.00
Cat: 7010273
From the Count Basie library, this Nestico classic features solos for tenor and piano.

SATIN DOLL

[VOCAL]

Arranged by Jerry Nowak


Medium Easy
$40.00
Cat: 7500035
One of the Dukes most loved melodies in an easy setting for vocal soloist. Skillfully
handled by Jerry Nowak. Key of Bb.

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SOLITUDE
Arranged by John Berry
Easy
$35.00
Cat: 7470528
Here is the perfect opportunity to introduce your beginning band to one of the
legends of jazz. John Berry uses limited ranges and easy rhythms in this swing ballad
style arrangement.

SOLITUDE
Transcribed by David Berger
Difficult
$50.00
Cat: JE9717
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. As recorded by Duke Ellington and His Orchestra in 1934. Features
clarinet, muted trumpet and a trombone soli. Scored for clarinet, alto, alto/soprano,
tenor, baritone, 3 trumpets, 3 trombones, and 4 rhythm.

SOPHISTICATED LADY
Transcribed by David Berger
Difficult
$50.00
Cat: JLC9906
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. This ballad is presented here as recorded in 1957. This is a
baritone feature. Scored for 5 saxes; 4 trumpets; 3 trombones; piano/bass/drums.

SOPHISTICATED LADY
Arranged by Bob Mintzer
Medium
$42.00
Features vocal or optional tenor saxophone. Key of E flat.

[VOCAL]
Cat: 115

STAR-CROSSED LOVERS
Transcribed by David Berger
Medium Difficult
$50.00
Cat: JLC2007
This classic Strayhorn ballad is presented here as part of the Jazz at Lincoln Center
Series. This is a wonderful alto feature for your band. Scored for 5 saxes (tenor
doubles on clarinet), 3 trumpets, 2 trombones, and piano/bass/drums.

STOMPY JONES
Transcribed by David Berger
Medium
$50.00
Cat: JLCM03005
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. This was recorded by the Duke Ellington Orchestra in 1934.
Instrumentation: 2 alto saxophones; clarinet; baritone/alto saxophone; 3 trumpets;
3 trombones; 4-piece rhythm section.

SUGAR RUM CHERRY


[FROM NUTCRACKER SUITE]
Transcribed by David Berger
Medium
$50.00
Cat: JLCM03006
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. This was recorded in 1960 and is from the Nutcracker Suite.
Instrumentation: 5/4/3/2 no piano or guitar parts. Saxophone 3 doubles on clarinet.

D U K E

E L L I N G T O N

TAKE THE A TRAIN


Transcribed by Jon Harpin
Medium
$65.00
Cat: LL-22416
This is the 1966 Ellington version of Strayhorns great tune, with Cootie Williams
trumpet solo (written on the 4th part) transcribed in full. This version also features
an extended ending, giving more trumpet solo time. Originally written for four saxes
and seven brass, this version is scored for full sections.An excellent job of transcription
by Jon Harpin, and a worthy addition to any library.

TAKE THE A TRAIN


Arranged by Sammy Nestico
Medium
$45.00
Cat: 7210740
This great arrangement from the pen of master Sammy Nestico features standard
instrumentation of 5/4/4/4.

TAKE THE A TRAIN


Transcribed by David Berger
Difficult
$50.00
Cat: 34909016
This historic publication is an exact transcription of the 1941 version recorded by
Duke Ellington. David Bergers expertise is evident in the completely voiced out
rhythm parts and written out solos. This classic belongs in every library.

THINGS AINT WHAT THEY USED TO BE


Arranged by Mark Taylor
Difficult
$50.00
Cat: 34320010
Ellingtons famous blues is arranged here as a shuffle. Great final chorus plenty of
blowing space.

THINGS AINT WHAT THEY USED TO BE


Transcribed by Duke Ellington
Medium
$50.00
Cat: JLCM01001
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. Features alto sax. Instrumentation: 5/4/3/3

TUTTI FOR COOTIE


Transcribed by David Berger
Medium
$50.00
Cat: JLCM005
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. This version was recorded in 1963. Medium shuffle - trumpet
feature. Instrumentation: 5 saxes, 5 trumpets, 3 trombones, piano/bass/drums..

ZWEET ZURZDAY
Transcribed by David Berger
Medium
$50.00
Cat: JLCM01004
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis.This is the 3rd movement from Suite Thursday, which was performed
in 1960 at the Monterey Jazz Festival. The opening piano solo has been written out
(includes chord changes). Instrumentation: 5/4/3/3 - no guitar.

SULTRY SUNSET
Transcribed by David Berger
Medium
$50.00
Cat: JLCM01002
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. Recorded in 1946. Alto feature, originally for alto-great Johnny
Hodges. Instrumentation: 5 saxes, 4 trumpets, 3 trombones, 4-piece rhythm section.

CALL NOW TO ORDER! 1-518-587-1102

OR ORDER BY FAX: 1-518-587-2325

79

MAYNARD FERGUSON
AS PERFORMED BY MAYNARD FERGUSON
AFTER YOUVE GONE
Arranged by Michael Abene
Medium Difficult
$52.00
Cat: SMP-419
The Maynard Ferguson Band performed a lot of Abenes charts over the years. This
chart is an excellent example of Abenes very musical approach to a great jazz
standard. Very reasonable ranges throughout. Features tenor sax, trumpet and
trombone solos. Destined to be a best-seller! Printed as originally scored (4-4-2-3),
but including extra parts for a standard 5-4-4-4 instrumentation. This one burns!

BLUES FOR KAPP


Arranged by Marty Paich
Medium
$47.00
Cat: SMP-420
This doesnt need to be higher-louder-faster to be a wonderfully effective chart. It
is set in a medium slow tempo and has solo space for alto saxophone, 2 trumpets
and baritone saxophone. This one will become a staple in jazz libraries throughout
the world. If youre looking for a comparison, this chart might remind you of Ernie
Wilkins arrangement of Moten Swing, except it is even easier to play. Printed as
originally scored (4-4-2-3), but includes extra parts for a 5-4-4-3 instrumentation.

A COUNTRY BOY
Arranged by Bill Holman
Medium
$47.00
Cat: SMP-416
This is another lost treasure from Maynard Fergusons Birdland Dream Band Library.
This starts out with a lazy trombone solo on the written melody and swings along
from there. Recorded on the Come Blow Your Horn LP. Printed as originally scored
(4-4-2-3), but including extra parts for a standard 5-4-4-4 instrumentation.

DANCING NITELY
Arranged by Bill Holman
Medium Difficult
$42.00
Cat: SMP-402
Bill titles this one after the signs which used to be in the old-time dance halls around
the country. Written in the 50s for Maynards Birdland Dream Band, this chart is a
laid back, swinging tune, with a roaring ensemble section near the end. Blowing space
for trombone and tenor. (full score incl.)

DANNY BOY
Arranged by by Don Sebesky
Medium Difficult
42.00
Cat: SMP-401
If youve ever heard Maynards recording of this world famous melody (Londonderry
Air), you probably never forgot it! Sebeskys chart is superb, and this publication
includes practical alternate choices for the trumpet feature.The piece is very playable,
and will serve to showcase your hot trumpet soloist.

FAN IT, JANET


Arranged by Don Sebesky
Medium Difficult
$47.00
Cat: SMP-406
Also part of the Message from Newport album, this chart features tenor, trombone,
and great contrapuntal writing, great changes and a terrific straight-ahead, swinging
feeling. Nothing but the best from Sebesky, one of the greatest writers in jazz.

FOUR
Arranged by Willie Maiden
Medium Difficult
52.00
Cat: SMP-407
This is from Maynards Birdland Dream Band Library. Willie scored this Miles Davis
classic to feature four different saxophone players. A typical chart for that time, it
covers the whole dynamic range with exciting, swinging music. Printed as originally
scored (4-4-2-3), but including extra parts for a standard 5-4-4-4 instrumentation.

FOX HUNT
Arranged by Michael Abene
Medium Difficult
$52.00
Cat: SMP-417
Another great chart from Maynard Fergusons Birdland Dream Band Library. If you
want to feature 2 trumpets, it doesnt get any better than this! Printed as originally
scored (4-4-2-3), but including extra parts for a standard 5-4-4-4 instrumentation.

80

GRAVY WALTZ
Arranged by Willie Maiden
Difficult
$52.00
Cat: SMP-422
This chart is a blast! It is one of the more popular charts from the Birdland Dream
Band of Maynards. It is a high-energy chart which features baritone sax, as well as
trumpet.You need a lot of horses in the trumpet section for this one, but it is well
worth it. 5-4-4-4 (or use orig. instrumentation only).

GROOVE
Arranged by Oliver Nelson
Medium Difficult
$52.00
Cat: SMP-415
Oliver Nelson wrote this one for the Maynard Ferguson Band Library. Recorded on
the Come Blow Your Horn LP. Features a great tune and trumpet throughout.
Printed as originally scored (4-4-2-3), but including extra parts for a standard 5-44-4 instrumentation.

HEY THERE
Arranged by Willie Maiden
Medium Difficult
$49.00
Cat: SMP-423
As recorded on Maynard Ferguson Plays Jazz For Dancing (Roulette), this may be
the prettiest chart that Willie did for Maynards band. It is a great standard tune, and
the chart features trumpet throughout. The band parts are not too difficult. The
solo part comes with 2 versions ...... a transcription of what Maynard plays on the
record, and another part for mortals. 5-4-4-4 (or use orig. instrumentation only).

HIT AND RUN


Arranged by Dennis DiBlasio
Difficult
$52.00
Cat: SMP-412
Talk about a Flag-Waver!!! The Maynard Ferguson Band recorded this on their
Footpath Cafe CD. The chart asks every player in the band to wail through a very
hip and challenging be-bop line in unison. There are ensemble breaks here and there
for very dramatic effects, and plenty of blowing space on the rhythm changes.
Youll love doing this chart because you can really show off your band. 5-4-4-3.

HUMBUG
Arranged by Don Sebesky
Difficult
$47.00
Cat: SMP-405
This chart starts out in a blaze of excitement and never eases off. It features tenor
sax and trombone on the melody, with solo space for alto and trumpet as well. This
was featured on the famous Message from Newport album which Maynards band
recorded for Roulette in the late 50s.

KNARF
Arranged by Michael Abene
Difficult
$52.00
Cat: SMP-418
Another great chart from Maynard Fergusons Birdland Dream Band Library. It
features baritone sax (written for Frank Hittner) and trumpet solos. A nice, easy
swing with a great harmonic scheme. Printed as originally scored (4-4-2-3), but
including extra parts for a standard 5-4-4-4 instrumentation.

THE LAMP IS LOW


Arranged by Ernie Wilkins
Medium
$42.00
Cat: SMP-408
Ernie Wilkins has created a swinging version of this great classic tune. Features alto
sax, trumpet, piano and trombone solos. There is a wonderful Basie-ish shout
chorus, with very neat dynamics. Very playable by most bands. Full score included.

MY FUNNY VALENTINE
Arranged by Willie Maiden
Medium
$42.00
Cat: SMP-409
This absolutely beautiful arrangement features trombone and tenor sax solos, along
with the primary solo by the trumpet player. There are two solo trumpet parts
included...Maynards version and one for mere mortals. This works very well with
most bands (the band parts are quite easy). Full score included.

ON GREEN DOLPHIN STREET


Arranged by Michael Abene
Medium Difficult
$57.00
Cat: SMP-411
This is a great, hot chart from Maynards Dream Band book. Beautifully written, with
tenor and trumpet solos. This is the one everyone has been asking for! Let your
band sink their teeth into this one! Full score/parts for 5/4/4/3.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

PEOPLE
Arranged by Don Sebesky
Difficult
$47.00
Cat: SMP-421
Here is another fantastic trumpet feature for a fantastic trumpet player. A great
ballad standard in a gorgeous setting! There are two solo parts provided, Maynards
version and one for mere mortals. As usual, the band parts are not too difficult, but
the alto sax plays flute (quite necessary) and there is a tuba part. There is also solo
space for tenor saxophone (a la Willie Maiden). This was recorded on the New
Sounds of Maynard Ferguson album. 4-4-2-3 or standard instrumentation.

SLIDES DERANGEMENT
Arranged by Slide Hampton
Difficult
$67.00
Cat: SMP-404
Undoubtedly one of the best big band charts ever written! This was recorded by
Maynards incredible band on the Message from Newport LP. It is the blues, both
minor and major changes, lots of solo space, exciting ensemble passages...an amazing
chart...over eight minutes of sensational big band excitement! (full score incl.)

STARFIRE
Arranged by Benny Golson
Medium
$42.00
Cat: SMP-410
One of Maynards most beautiful ballads from the Dream Band period. Created by
a young Benny Golson. The highest trumpet solo note is a written B. This chart is
quite easy to play and makes a wonderful concert or dance book addition. Trumpet
featured throughout. Full Score/parts for 5/4/4/4.

SWEETIE PIE (EDITED)


Arranged by Don Sebesky
Medium Difficult
42.00
SMP-403
This wonderful, quiet, Lil Darlin-ish chart was recorded by Maynard as Easy Chair.
It has a great melodic and harmonic sense that puts it in a class all its own. This
version has been edited to exclude any woodwind doubles and high trumpet parts.

SWEETIE PIE (PRO VERSION)


Arranged by Don Sebesky
Advanced
$42.00
Cat: SMP-403
This wonderful, quiet, Lil Darlin-ish chart was recorded by Maynard as Easy Chair.
It has a great melodic and harmonic sense that puts it in a class all its own. This
version is the original version, with flute and clarinet doubles and roaring trumpets.

WHISPER NOT
Arranged by Michael Abene
Difficult
$52.00
Cat: SMP-414
The Maynard Ferguson Band recorded this on their Come Blow Your Horn LP. The
chart is an excellent example of Abenes very musical approach to this great Benny
Golson jazz standard. Very reasonable ranges throughout. Destined to be a bestseller!! Printed as originally scored (4-4-2-3), but including extra parts for a standard
5-4-4-4 instrumentation.

AS PERFORMED BY ELLA FITZGERALD


A TISKET, A TASKET

[VOCAL]

Arranged by Klaus Lessman


Easy
$65.00
Cat: LL-2032
A Tisket A Tasket was a hit for Ella Fitzgerald during her time with the Chick Webb
band, and remains one of her most memorable charts. Klaus Lessmann has produced
a classy transcription of this chart and had adapted it for a full band line-up.
Everything is here, including the band answer-back vocals. Both the sax and the
brass sections get to have a go! All articulations are clearly marked and the vocal
sheet is as per Ellas performance. Key of A flat.

CALL NOW TO ORDER! 1-518-587-1102

MAYNARD FERGUSON/ELLA FITZGERALD


I SAID NO

***NEW***

[VOCAL]

Arranged by Jon Harpin


Medium Easy
$65.00
Cat: LL-2145
This version is from Ella Fitzgeralds 1966 album Whisper Not, with the original
arrangements all by Marty Paich. Opening with a short Colla Voce, the chart moves
smoothly into a relaxed balladic swing, with subtle backings from the band throughout.
A rhythmically interesting bridge leads to the half-step up modulation with muted
trumpet infills. A change to a more bluesy feel follows and the swing increases, with
the bass now walking and the drummer using sticks. The improvised muted trumpet
backings continue through the second half of the chart, which builds to punchy
climax. We have written out the vocal lines in full, and the piano part contains all of
the important licks and fills too. The vocal keys are G and Ab.

IVE GOT MY LOVE TO


KEEP ME WARM

[VOCAL]

Transcribed by Alan Glasscock


Difficult
$65.00
Cat: LL-99507
A classic from Ella Fitzgerald, this chart is a faithful transcription of her version, and
is nothing at all like the Les Brown / Skippy Martin instrumental version. We have
even written out Ellas vocal line so your singer can reproduce the timing and
phrasing if she wants. This chart is also a Trumpet feature, and the original solo is fully
notated on the 2nd part. There are no sax doubles. Key of B flat.

NIGHT AND DAY

[VOCAL]

Arranged by Myles Collins


Easy
$65.00
Cat: LL-99970
A classic Cole Porter song from 1932, Night and Day was a must-have number for
the great big bands of the era. This version is based on that used by Ella Fitzgerald,
and is a good example how to score the band to best support the vocalist. The
arrangement includes the vocal verse, backed by a solo tom-tom, leading into the
tutti chorus. This is very easy to play, though this in no way detracts from its
effectiveness in performance. If you have a pianist who has a light touch, then added
fills behind the vocalist really set this number off. Vocal key: Ab

THAT OLD BLACK MAGIC


Arranged by Jon Harpin
Difficult
$65.00
Cat: LL-2124
Here is her finest version, from the 1960 Billy May collaboration album Sings the
Harold Arlen Songbook. This chart is just great all the way through, from the almost
Phrygian opening into the relatively reserved first chorus, the blasting band chorus
(including the fully written out tenor solo), Ellas more fluid second vocal chorus
(also written out in full), the implied repeat to fade and the punch finish. This chart
is simply a must have for any big band library. The vocal key is Bb.

TIME AFTER TIME


Transcribed by Jon Harpin
Easy
$65.00
Cat: LL-2110
This version was originally arranged by Marty Paich and recorded by Ella Fitzgerald
on her Whisper Not album. This version is a transcription of this version, including
the short verse intro and Ellas vocal line in full. The chart is an easy yet rewarding
one for the band to play, and a chance to show off your girl vocalists skills. The brass
ranges are very moderate, with lead tumpet only getting to top line F, though your
pianist will need to improvise some fills behind the vocal. The middle chorus Tenor
solo is improvised, and we have written in the melody lead line and chords onto the
part. The vocal keys are G and Ab. No sax doubles. The 4th trombone is Bass.

OR ORDER BY FAX: 1-518-587-2325

81

B E N N Y

G O O D M A N

AS PERFORMED BY BENNY GOODMAN


AMAPOLA

[VOCAL]

Arranged by Myles Collins


Medium
$65.00
Cat: LL-94440
This is the Benny Goodman version of Amapola, with Helen Forrest taking the vocal.
A delightful tune, well delivered, and of course with a clarinet solo from the great
man himself. This chart is as per the original version, and we have scored the saxes
AATT plus a clarinet solo part. The trick with this chart is not to play it too fast. It
just chugs along and swings all the way. Vocal Key: F

AND THE ANGELS SING

[VOCAL]

Arranged by Myles Collins


Medium
$65.00
Cat: LL-99979
Another classic from the Goodman Orchestra, written by trumpeter Ziggy Elman. In
the original arrangement the vocal chorus led to a typical Goodman Yiddish
trumpet chorus. In our arrangement this is replaced by a more conventional trumpet
solo chorus and middle 8, with the vocal returning to close. The ending is as per the
original, with a trumpet solo leading the band to a rousing finale. Vocal Key: Bb

BEI MIR BIST DU SCHOEN


Arranged by Myles Collins
Easy
$65.00
Cat: LL-1007
The Goodman orchestra performed a similar vocal version of this chart at the
Carnegie Hall concert, with Martha Tilton the featured vocalist.This is an instrumental
version of the chart offered in our vocals section, but with more punch and swing
to the second chorus. Lead alto doubles clarinet. Also available as VOCAL.

BIG JOHNS SPECIAL


Arranged by Myles Collins
Medium
$65.00
Cat: LL-1201
This is a romping swing chart from the early years of the Goodman Orchestra, when
much of his success came courtesy of Fletcher Hendersons arrangements. The chart
has been expanded to 8 brass, and because the chart is not a clarinet feature (it
only has an 8 measure solo) the saxes have been scored for a regular AATTB section,
with alto 2 doubling the clarinet solo. The trumpet solos have been written out and
the piano solo in stride style.

CHRISTOPHER COLUMBUS

***NEW***

Arranged by Myles Collins


Medium Easy
$65.00
Cat: LL-1154
The Goodman original has been adapted here to suit an 8 brass line-up, and all of
the original solos have been transcribed (clarinet, trombone & trumpet), though
your players can improvise. The brass ranges are fairly moderate, making the chart
playable by bands of all abilities. The saxes are scored for clarinet, 2 altos & 2 tenors.

CLARINADE

***NEW***

Arranged by Myles Collins


Advanced
$65.00
Cat: LL-1208
The chart is full of rich, flowing texture and has a superb harmonic structure, yet is
still a thumping swing number. Aside from an 8 measure piano solo, the chart is an
out and out clarinet feature. However, it is not easy. Your clarinet player will need to
be very nimble fingered to get it right, as playing in the keys of E and F# at 240 bpm
is quite a challenge, and the band will need to be tight and have good intonation too.
The arrangement is scored for 8 brass and 5 reeds (clarinet, alto, 2 tenors and
baritone). Tenor 1 doubles clarinet.

CLARINET A LA KING
Arranged by Myles Collins
Advanced
$65.00
Cat: LL-1141
A fabulous chart from the Goodman band of the early 40s, and, quite naturally, a
clarinet feature. The chart is harmonically very innovative, and shows glimpses of the
sort of writing that Eddie Sauter produced later on in. This is quite a hard chart to
play, but very rewarding once your players have it right, and a fine addition to the
Goodman corner of your band library. The clarinet and piano solos are written out
in full, and all dynamics and articulations have been included on all the parts, because
this is one chart that simply wont work if played at the same volume throughout!
We have augmented the brass to 4 + 4 and the reeds are scored C/A/T/T/B. There
are a couple of quick sax doubles - baritone on alto and 2nd alto on on clarinet.

82

DONT BE THAT WAY


Arranged by Myles Collins
Medium Easy
$65.00
Cat: LL-1171
One of the all-time classic charts from the Benny Goodman book. The original has
been modified to suit 8 brass, and have written out the original clarinet, trumpet &
trombone solos in full, as well as including an optional trumpet soli instead of just the
trumpet solo, should you want to show off the section a bit. Reeds are scored for
clarinet, 2 altos and 2 tenors, and there are no sax doubles.

DOWN SOUTH CAMP MEETING

***NEW***

Transcribed by Douglas Rust


Difficult
$60.00
Cat: 7011003
Based on the Benny Goodman 1936 version of this jumpin Fletcher Henderson
tune, this authentic edition features swingin choruses for every section, a transcription
of Bennys clarinet solo, and the distinctive 5 clarinet chorus at the end (opt. sax
substitutions included). A true classic from the big band era, this up tempo swinger
builds with intensity from beginning to end!

GOODBYE
Arranged by Myles Collins
Medium Easy
$65.00
Cat: LL-1185
Goodbye was Benny Goodmans closing theme. A slow, hauntingly beautiful
composition from Gordon Jenkins, rich in musical colour and tonality and a fine
testament to Benny. We have faithfully reproduced the original here, though have
expanded the brass to a full 4/4 section to suit a standard big band line-up. The
chart features clarinet and 2nd trumpet, with some cameo spots for baritone &
guitar and plenty of flowing piano runs. The reeds are scored for clarinet, alto, 2
tenors and baritone. Not a difficult chart to play, but plenty of dynamic discipline is
required to make it sound right.

JAM SESSION

***NEW***

Arranged by Myles Collins


Medium
$65.00
Cat: LL-1148
Written by Jimmy Mundy for the Benny Goodman Orchestra shortly after he joined
as a staff arranger, Jam Session is an up-tempo swing chart with solo space for tenor,
clarinet and trumpet. The arrangement starts in two beat style for the first chorus,
and then switches to four beat swing to the end of the piece. This chart has been
adapted to 8 brass from the original 5, and because it is not a clarinet feature the
saxes have been scored AAATT, with the 2nd alto taking the clarinet solo. All solos
are fully transcribed, though your players can improvise from the chords provided.

JERSEY BOUNCE
Transcribed by Alan Glasscock
Difficult
$65.00
Cat: LL-99403
Many bands played Jersey Bounce, and the two versions most remembered are
those from the Miller and Goodman Orchestras. This is the Benny Goodman version,
meticulously transcribed by Alan Glasscock. For us it is the more interesting version
of the two. Mel Powells harmonics and phrasing in the piano solo (fully written out,
including the super-fast runs) were really ahead of their time. The other three solo
spots are all here too, written for tenor 1, trombone 2 and of course solo clarinet. In
this recorded version Goodman had the luxury of a complete sax section of AATTB,
plus Goodman himself. We recognize that not many bands have six saxes, but rest
assured that the chart works equally well played with CAATT. Not too fast!

KING PORTER STOMP


Transcribed by Myles Collins
Medium
$65.00
Cat: LL-1101
Here is the rousing King Porter Stomp, the Fletcher Henderson arrangement for
Benny Goodman, featuring solos for trumpet, trombone and clarinet. All original
solos have been written out, including Bennys extended clarinet solo, though the
chords are included for improvisation. This chart is written for clarinet, 2 altos, 2
tenors and is has been augmented up to 8 brass, from the original 5. This is a fine
chart from the time when the Goodman band regularly topped the polls and Benny
was King of Swing. Technically not too demanding for the band but precision with
the articulations and phrasing is needed if you wish to reproduce the authentic feel.

LETS DANCE
Transcribed by Bob Martin
Medium
$65.00
Cat: LL-99971
Benny Goodmans famous opening number has been faithfully re-created by Bob
Martin and comes complete with the original clarinet and alto solos fully written out.
This arrangement is scored for 8 brass, though we have included an optional 5th
trumpet part too. The saxes are scored for 2 altos, 2 tenors and the clarinet lead.

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LIFE GOES TO A PARTY

***NEW***

Arranged by Myles Collins


Difficult
$65.00
Cat: LL-1192
Co-written by Benny Goodman & Harry James, this is a pulsating, energetic and
quick minor swing chart.The Goodman band recorded this tune on several occasions,
the first in 1937, then again in 1938. The 37 chart was used as the model for this
arrangement. A couple of small modifications have been made: the brass has been
augmented to 8 voices and the tempo indication has been slowed to 240 (from
280) to match the tempo of the 38 chart. The solos are written out in full (clarinet,
trumpet, tenor and piano) and the saxes are scored for CAATT.

PAGANINI CAPRICE XXIV

***NEW***

Arranged by Myles Collins


Difficult
$65.00
Cat: LL-1214
In 1941 Skippy Martin took the 24th of Niccolo Paganinis caprices for solo violin,
and turned it into a big swinging chart for Benny Goodman. The original has been
adapted and expanded, scoring it for a regular AATTB sax team, and 8 Brass. Your
alto 2 player doubles clarinet, and has the entire Benny Goodman solo written out.
Tenor 1 takes the Vido Musso solo, and the Mel Powell piano solo is also fully scored.
This is a VERY rare chart from the Goodman era, and a fine addition to any library.

ROLL EM
Arranged by Alan Glasscock
Medium
$65.00
Cat: LL-2102
Roll Em was a hugely popular number for the Goodman band, and its infectious
boogie feel will have dancers flocking to the the floor. Our version is true to the
Goodman original, with a couple of modifiactions. The brass has been augmented up
to 8 and the piano solo passage has been written in conventional 12-bar form,
rather than a mix of 12 and 10 found in the original. Whilst the piano solo is ad-lib,
the other solos (clarinet & trumpet) are fully written out, though your players can
improvise from the chords provided if they prefer. Alan Glasscock has done a teriffic
job with this chart, and the articulations and phrasing marks on the parts will enable
your players to produce an authentic sound. The reeds are written for clarinet, 2
altos & 2 tenors, with no sax doubles.

SING SING SING (PART 1)


Arranged by Myles Collins
Difficult
$65.00
Cat: LL-99969
Possibly the most famous number from the Benny Goodman Orchestra, this recreation
is true to the original, in the original key and with all of the original licks. The only
concession that we have made is to augment the brass from 5 to 8. The saxes are
scored for clarinet, 2 altos and 2 tenors. This chart makes a stunning opening
number, or a great drum feature for all aspiring Krupas.

SOFT WINDS
Arranged by Michael Sweeney
Medium Easy
$35.00
Cat: 7010728
This jazz classic adapts perfectly for young players. The tempo is moderate and the
swing figures are easy to play. The blues form makes it easy for inexperienced
improvisers and sample solos are included for alto, tenor, trumpet, and piano.

STEALIN APPLES
Transcribed by Alan Glasscock
Advanced
$65.00
Cat: LL-1017
An absolutely storming chart from the Benny Goodman Orchestra. Goodman made
several takes of this tune, before deciding on which version to issue on record. The
chart was rather lengthy in its original form, and had to be pared down in order to
fit onto one side of a 78-rpm record. Alan Glasscock has reconstructed the chart
with all of the intended choruses intact, as originally scored by Fletcher Henderson.
All of the solos are written out (piano-a full 32 bars, trumpet and clarinet) and the
dynamics and articulations are meticulously accurate. The saxes are scored for
clarinet, 2 altos, 2 tenors and the brass goes from the original 5 to a full section of 8.

STOMPIN AT THE SAVOY


Arranged by Myles Collins
Medium Easy
$65.00
Cat: LL-1155
Here is Benny Goodmans timeless classic in all its glory. Many bands performed
versions of this song, but the Goodman Orchestras rendition remains the standard
by which all others are judged. The saxes are scored for clarinet, 2 altos & 2 tenors.
We have augmented the brass up to a full 8 from the original 5. All of the original
solos (clarinet, tenor & trombone) are fully transcribed, though your players can
improvise from the chords if they prefer. The piano part is written on 4 beat style
and the drum part is notated as per the original, though you may prefer to have him
play a more swingy hi-hat style if you wish to push the feel a little.

CALL NOW TO ORDER! 1-518-587-1102

GOODMAN/GLEN GRAY/TED HEATH


WHY DONTYOU DO RIGHT

***NEW***[VOCAL]

Transcribed by Myles Collins


Medium Easy
$65.00
Cat: LL-2081
This version was recorded in 1942 by Peggy Lee during her stay with the Benny
Goodman band. Goodmans chart has been faithfully transcribed here, including all
of the clarinet licks and solos, but the brass has been expanded from the original 6
up to 8. The sax parts are written for solo clarinet, alto, 2 tenors & baritone though
an an extra alto sax part (the tenor 1 part, written for alto) is included to give you
a bit more flexibility in the section. The brass ranges are very moderate, and aside
from the clarinet solos there are no surprises, so the chart is very playable.

AS PLAYED BY GLEN GRAY


NO NAME JIVE
Transcribed by Myles Collins
Difficult
$65.00
Cat: LL-99997
This is simply a great up-tempo jump jive number, made famous by Glen Gray, and to
the best of our knowledge has never been published before, anywhere. If your band
plays to a dance crowd then this arrangement is an absolute must have. No Name
Jive is a huge six and a half minutes long, and drives from beginning to end. Technically
its not difficult, though the band needs to be tight and crisp in order to achieve the
relaxed feel that makes the number work so well. There are some instrument
doubles: saxes 1, 2 and 3 all double clarinet, and the baritone doubles alto. Lead alto
also needs a soprano if your alto 2 cant hit high F# and A. All solos are written out
as exact transcriptions of the original, though players may improvise if they wish. The
second trumpet takes two solos and both are cross-cued on the lead part.

AS PERFORMED BY TED HEATH


12TH STREET RAG

***NEW***

Arranged by Myles Collins


Advanced
$65.00
Cat: LL-1170
12th Street Rag as you never imagined! This chart was written for the Ted Heath
band, and goes way way beyond the original Bowman concept. The chart opens by
imitating traffic along 12th Street, in a series of dissonant hoots before the band
kicks in with the real intro. The chart is full of contrasting elements and color, and
uses a dixie band-in-band on 3 occasions, each section being in a different historical
style - 20s, 40s and 60s. Interspersed whith these are some blasting tutti passages,
some deliberately corny solo work in street busker style and a screaming finale. The
whole piece goes through 5 modulations, building all the time.This is a very challenging
chart with some tough asks in all sections. Both altos and tenors double clarinet, and
the bari doubles alto for the solo (can be played on bari instead). If your band is
brave enough to take on the challenge they will not be disappointed.

AUTUMN LEAVES

***NEW***

Arranged by Myles Collins


Medium
$65.00
Cat: LL-1168
A superb example of ensemble playing from the Ted Heath book. This version is not
written as a slow ballad, but is a grooving mid-tempo swing chart that packs plenty
of punch. The chart relies on some tight section work from the brass, and strict
adherance to the written dynamics in order to deliver the right feel. At just over 2
minutes it is not a long chart, but it is certainly a memorable one. There are no sax
doubles, and apart from trumpets 1 and 2 reaching high E, the ranges are fine.

DARKTOWN STRUTTERS BALL


Arranged by Myles Collins
Difficult
$65.00
Cat: LL-1202
This version is a transcription of the Ken Moule chart which was written for the Ted
Heath Orchestra. It is two minutes of pure joy, featuring some great tutti passages,
and a dixieland chorus too. The Dixie trio is ad-lib, and is written for your 1st
trumpet, 1st trombone and clarinet. The clarinet also features with a solo following
the Dixie passage. The sax section has a slightly unusual make-up, being written for
clarinet, soprano, alto, tenor and baritone, though also included is an extra tenor
part (a transposition of the alto part) to give you more flexibility.

OR ORDER BY FAX: 1-518-587-2325

83

TED HEATH/WOODY HERMAN


HEADING NORTH
Transcribed by Myles Collins
Medium Easy
$65.00
Cat: LL-1081
A rare and unusual song from the Ted Heath book, Heading North is a 1957
composition and is a medium tempo (at 130 bpm) minor blues chart. It kicks off with
a solo piano 12 bar lick (written), joined after by unison bones with sax answerbacks.
Saxes then take the soli, answered by the trombones leading to a 24 bar muted
trumpet solo (chord-based scored on all 4 trumpet parts) with sax and bone
backing figures. Piano comes back in and the chart finishes off with a big tutti shout
chorus. This is a fairly straightforward chart to play. Other than that the ranges are
moderate and the chart is very playable. No sax doubles.

HOT TODDY

***NEW***

Arranged by Myles Collins


Medium Easy
$65.00
LL-1227
This wonderful version is from the Ted Heath band, and features your baritone
player and second trumpet. The chart opens with a rumbling bari line backed by
hand claps from the band. The trombone section takes the first soli, the saxes join
for the second, backed by the trumpets who then give a run-up to the muted
trumpet solo. This trumpet solo is written out as originally played, though your
player can improvise. The chart builds from here, with glissing trombones against a
unison sax repeat of the melody riff leading into a big brass soli, and finishing up with
a fading trombone soli down to pianissimo, and a band blast to finish. Great fun and
a real crowd pleaser too.

JA-DA
Transcribed by Myles Collins
Difficult
$65.00
Cat: LL-1187
Bob Carleton penned a little 16-bar tune in 1918, whilst still a club pianinst in Illinois.
The tune was briefly famous, then spent 35 years in obscurity until Sonny Rollins reinvented it using the Ja-Da chords for his composition Doxy in 1954, and the jazz
world took to it. In 1958 Ted Heaths orchestra recorded the arrangement of Ja-Da
that we offer here, transcribed from the original Ken Moule chart. The rhythm parts
are all chord based, the improvised solo is written on tenor 1 and there are no sax
doubles. We have graded it as difficult, not because the chart is hard, but because
the lead trumpet has to hit high E (and optional high G).

LINCOLNSHIRE POACHER
Arranged by Jon Harpin
Medium
$65.00
Cat: LL-1157
This is a traditional English song, given the full swing treatment by the Ted Heath
band. This chart is up, bouncy and always a crowd pleaser. The chart itself is very
straight ahead, though the lead trombone does go up to high C briefly. There is a
solo spot for tenor sax (chords also cued on the tenor 2 part). No sax doubles.

LULLABY OF BIRDLAND
Transcribed by Mogens Hobel
Medium Easy
$65.00
Cat: LL-22410
This chart has been transcribed from the Ted Heath book by Mogens Hobel. The
original Reg Owen arrangement was one of Heaths most requested tunes, and as
well as containing some lovely ensemble writing it gives solo opportunities to your
pianist and lead tenor. The chart is typical of many of Heaths numbers - a mix of
subtlety and raw power, light and shade. An excellent tune for dancing or for
concert work. Both altos double clarinet, and trumpets 1 & 2 reach a brief high D,
though the chart is not generally demanding on your brass players chops.

MANHATTAN SPIRITUAL
Transcribed by Myles Collins
Medium
$65.00
Cat: LL-2402
This is a wonderfully uplifting swing chart, as its name might suggest. Originally
scored in the late 50s by Reg Owen, this chart was also a feature for Owens own
outfit, and that of Jack Parnell too. The arrangement starts and ends with a choralestyle fanfare, and swings like crazy in between. Plenty of hand claps from all sections
of the band add to the rousing nature. We have scored this chart for a regular big
band and a timpanist, though the timp notes are cued onto the piano and drum
parts and the chart works equally well without the kettles. The last few bars are a
bit of a scream for the trumpets (with lead up to high F and second to high D) but
the section can be taken down an octave if need be. Both altos double clarinets.

84

MEMORIES OF YOU
Arranged by Myles Collins
Advanced
$65.00
Cat: LL-1188
Once in a while there comes along a chart which just makes you want to listen and
weep with joy. This Ted Heath version of Memories of You is one of them. A fabulous
feature for two trumpets, the arrangement is full of lush backings and builds from a
relatively quiet opening, through two key changes to a flat out finale which soars
ever higher and higher. Simply stunning. We have rated this chart as advanced
because of the demands on the trumpet soloists. The 2nd is written to high F, and
the 1st to high G. Apart from that, the other band parts are straightforward. Lead
alto doubles clarinet, and there are no other sax doubles.

OL MAN RIVER

***NEW***

Transcribed by Myles Collins


Advanced
$65.00
Cat: LL-1207
Transcribed from the original Johnny Keating chart, this is an absolute screamer of
a chart, from the time when the Ted Heath band was at its height. Heath recorded
two slightly different versions of the chart, the only difference being that the
Palladium Revisited chart kicks off in G before modulating to Bb then Ab, whilst the
Kern for Moderns version starts in Bb. This is the Palladium version. This is a fast,
tough chart, particularly for the brass. Lead trumpet (Bobby Pratt) hits high G, and
2nd trumpet high F. Trombones 3 & 4 need to reach high Bb, with 1 & 2 reaching C.
It is not for the faint hearted. The trumpet solo is improvised, and written on the
2nd part. The piano, bass & guitar parts are from chords. It is a showstopper if you
can pull it off! There are no sax doubles.

STAR DUST
Arranged by Bob Martin
Medium
$65.00
Cat: LL-22411
Star Dust is one of the great Hoagy Carmichael tunes, and deserves a place in the
library of every band. Bob Martin has done a truly excellent job of transcription and
modification of this Ted Heath version, which is a two-trumpet feature from start to
finish. The key change in the middle of the piece has been brought down a fourth
from the original, bringing it into the range of most players. A rich, big chart.

SWINGIN SHEPHERD BLUES


Transcribed by Myles Collins
Medium Easy
$65.00
Cat: LL-99402
This version of SwinginShepherd Blues is transcribed from a Ted Heath recording.
Unusual for a swing chart the tempo is pretty slow, but very effective nonetheless.
This chart is a real contrast of dynamics, because it alternates from one or two reeds
plus rhythm, to tutti fortissimo and back again. This arrangement makes a great
concert piece and is equally suitable for strict tempo dancing. Lead alto is on
soprano sax throughout, and 2nd alto is on clarinet throughout.

AS PERFORMED BY WOODY HERMAN


FOUR BROTHERS

***NEW***

Arranged by Jimmy Guiffre


Medium Difficult
$45.00
Cat:7009276
Here is the famous Woody Herman signature tune. This fabulous chart features the
entire saxophone section. Woody Hermans clarinet solo has been written out here,
though your clarinet player can improvise his/her own solo.

HALLELUJAH TIME
Transcribed by Myles Collins
Advanced
$65.00
Cat: LL-99992
This is a great up-tempo swinger. It starts with a solo hi-hat opening with off-beat
tutti accompanying phrases, leading into the first chorus of saxes voiced in thirds, a
brass middle 8, and re-statement of the sax theme. From then on it is a rip-roaring
two saxophone (alto 2 and tenor 1) solo chase with occasional punchy brass
figures backing the soloists. The solo space gets ever compacted, going from 16 to 8,
4 and then 2 bar interchange sequences, until just when it feels that they will collide,
the band is back with the opening chorus, into a frenzied coda and finish. Needless to say,
if you have a couple of sax players to show off, this is the vehicle. This piece is advanced
not because of the tempo or the difficulty of the notes (both are quite straightforward once
the band has the feel of the arrangement) it is because it depends heavily on having
2 good sax soloists who are comfortable at speed, and who can work off each other.

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COMPLETE PO S ONLINE!

HAPPINESS IS A ***NEW***
THING CALLED JOE

[VOCAL]

Transcribed by Alan Glasscock


Medium
$65.00
Cat: LL-2131
Transcribed from Ralph Burns original chart written for Frances Wayne / Woody
Herman, Happiness is a Thing Called Joe is a lush swing ballad for female vocal. The
chart has been adapted to suit a standard line-up with a regular sax section, though
Woodys clarinet line is taken by alto 1 on clarinet throughout. The other saxes are
ATTB. There is a fair bit of unison muted trumpet work in this chart, so intonation
needs to be good. Also the 1st trumpet is written to high G in the bridge, but this is
cross-cued onto the clarinet part if your lead cant reach this high.The short piano
solo intro is written out, as is the vocal line sung by Frances Wayne. The vocal key is G.

THE JAZZ ME BLUES


Transcribed by Bob Martin
Difficult
$65.00
Cat: LL-1234
This is pure Woody Herman, and a great transcription by Bob Martin of the original
Nat Pierce chart. The Jazz Me Blues is an old Dixieland tune of the 1920s, and this
arrangement lifts it into a new sphere altogether. Written in the Four Brothers style,
it is scored for three tenors, baritone and clarinet (though we include duplicate
parts for alto sax, making it playable by a standard section line-up), with solos for
clarinet, tenor and trombone.

THATS WHERE IT IS
Arranged by Bob Martin
Advanced
$65.00
Cat: LL-1233
A ripsnorter of a number, based on the original Woody Herman version. A brief
punchy start introduces a piano solo - a real opportunity for your pianist to show
off a little. The sequence is repeated, and then the bands in, with saxes taking the
tune and brass backing. Solos for tenor and trumpet, followed by a very fluid and yet
punchy tutti passage, leading to a re-statement of the theme and tight ending. Bobs
chart is written for 5 trumpets, but is equally playable with 4. Although it is a fast
number its not that hard, once youve got your fingers round it!

WOODCHOPPERS BALL
Arranged by Myles Collins
Medium Easy
$65.00
Cat: LL-1160
Here is the great Woodchoppers Ball. Co-written and first performed by Woody
Herman, this chart became a mainstay in the repertoire of all Hermans bands. Our
version is based on Woodys, though re-scored for regular sections (saxes AATTB, 8
brass). This arrangement features solo space for clarinet (on 1st alto part), tenor,
trumpet and trombone, and has that characteristic chromatic set of key changes at
the end that gives the whole chart a thumping climax.

AS PERFORMED BY HARRY JAMES


B-19

***NEW***

Arranged by Myles Collins


Difficult
$65.00
Cat:1204
B-19 is a driving swing number, clearly taking some influences from tunes such as
Sing Sing Sing and Bizet Has His Day. The chart has a raw and angry feel about it, as
one might expect from a tune whose name is that of a famous aircraft. Being a Harry
James chart there is naturally a big solo spot for trumpet (James chorus is fully
written out on the 2nd trumpet part), and the tenor solo has been transcribed as
well. The original was recorded by James with a string section. However, the
arrangement has been modified; the string part has been written back into the
saxes, and given a solo spot to 1st trombone. This maintains the integrity of the
original and makes for a more readily playable chart. The ranges for the other brass
are moderate. There are no sax doubles.

CHERRY
Transcribed by Alan Glasscock
Difficult
$65.00
Cat: LL-99405
Cherry is a classic from the Harry James Orchestra and a great chart for showcasing
one of your trumpet players. The original arrangement was done with strings, but
we have replaced the string lines with saxes, to make the chart playable by a regular
line-up. All of the solos (for trumpet, trombone and alto) are fully written out,
though we have included the chords should your players wish to improvise. This is
a very rare chart, and we are delighted to offer it to you. There are no sax doubles.
The trumpet solo is on the 2nd part & the trombone solo is on the 2nd part.

CALL NOW TO ORDER! 1-518-587-1102

WOODY HERMAN/HARRY JAMES


CIRIBIRIBIN

***NEW***

Arranged by Myles Collins


Advanced
$65.00
LL-1198
Ciribiribin is perhaps the solo trumpet chart by which all others are measured. It is
certainly a very challenging piece for your soloist, though can also be used as a solo
vehicle for clarinet or soprano sax instead. We have reproduced James 1939 classic
for you in full, from the classically inspired intro, the Mediterranean waltz section, the
little Baroque bridge, the trumpet cadenza and the fast swing second half. We have
adapted the original to suit 8 brass (solo trumpet, trumpets 1,2,3 & 4 trombones)
and 5 saxes (AATTB). The solo trumpet part is exactly as played by James along with
all articulations and phrasings. Aside from the difficulty of the trumpet part, the
chart is reasonably straightforward for the rest of the band.

DONCHA GO WAY MAD

***NEW*** [VOCAL]

Arranged by Alan Glasscock


Medium
$65.00
Cat: LL-2107
Harry James and The Skylarks vocal group briefly joined forces in 1949-50, and came
up with this gem of a chart. Doncha Go Way Mad is all about a guy begging
forgiveness for cheating on his girlfriend - quite a risky choice of a song for the times.
The band and singers gel really well in this song, and the chart itself is not too
demanding. Whilst the Skylarks were a 5-piece vocal outfit, we have modified the
vocals to make it suitable for a more regular 4-piece (SATB) group. There are no Sax
doubles in this chart. Another fine work from the pen of Alan Glasscock.

I HAD THE CRAZIEST DREAM

[VOCAL]

Arranged by Myles Collins


Medium
$65.00
Cat: LL-2170
I Had The Craziest Dream was another big hit for the Harry James Orchestra, in his
band that swings with strings period. It is a romantic, floaty ballad, sung by Helen
Forrest, and which also features James trademark trumpet solo. This chart was
originally recorded with big band plus string section, and some additional orchestral
backing. We have modified the arrangement by removing the strings and extra
instruments, to make it suitable for a standard line-up. Therefore both alto saxes
double clarinet, and the French horn solo lines have been re-assigned to trombone
1, with an upper range of high C. Harry James solo is written out in full. Vocal key Ab.

IVE HEARD
THAT SONG BEFORE

***NEW***

[VOCAL]

Arranged by Myles Collins


Medium
$65.00
Cat: LL-2123
Originally written for the film Youth on Parade by Jule Styne & Sammy Cahn, this
tune became a huge hit for Helen Forrest and the Harry James Orchestra. James
recorded the chart in 1942 and 1955. This arrangement is a fusion of these two,
mostly drawn drawn the 42, with touches of the 55. James 1st chorus solo is
written out in full (on the 1st trumpet part) and the string lines behind the vocal
chorus have been given to the sax section. Helen Forrests vocal is written out assung, and the vocal key is G.

ITS BEEN A LONG, LONGTIME

[VOCAL]

Arranged by John Ferguson


Medium
$65.00
Cat: LL-2118
A beautiful vocal ballad from the great co-operative writing team of Sammy Cahn &
Jule Styne, this chart was made famous by Harry James and features your lead
trumpet, lead alto and naturally your singer too. We have written out James solo
and Willie Smiths alto solo in full, and have kept the chart true to the James original,
with the exception of re-scoring the string lines back into the saxes. The chart has
been graded as medium though the lead bone has to hit a high C. Other than this,
its not that hard to play. The vocal key is C and there are no sax doubles.

JAMES SESSION

***NEW***

Arranged by Myles Collins


Advanced
$65.00
Cat: LL-1183
Written by Jack Mattias (of Trumpet Blues & Cantabile fame), this is a big swing
chart that features trumpet, drums, trombone and alto sax. James recorded this
chart in 42 and again in 55. The later version is presented here, though the
trombone solo from the 42 recording is featured. Also the final trumpet cadenza has
been shortened and the ending from the earlier version has been added in to bring
the chart to a positive close. James lead line and Willie Smiths alto solos are fully written
out, as are the first 100 measures of the cadenza as played by James. This is a raw, energy
packed piece, great for dancing or concert work. There are no sax doubles.

OR ORDER BY FAX: 1-518-587-2325

85

HARRY JAMES/STAN KENTON


LUSH LIFE
Transcribed by Jon Harpin
Difficult
$65.00
Cat: LL-1112
This version is an out-and-out trumpet feature from the Harry James book. It is as
the name suggests, lush, rich, full of wonderful tone and color - and it makes the hair
on the back of your neck stand up. The horns are written as three trumpets and
solo trumpet, and the solo part would suit a player with a big fat tone. The lead alto
doubles clarinet for just a couple of bars, the 1st trumpet reaches a high Db briefly
on a couple of occasions, and the 1st trombone gets to high C, though weve cued
the 3rd trumpet just in case.

MUSIC MAKERS

***NEW***

Arranged by Myles Collins


Difficult
$65.00
Cat: LL-1211
Harry James recorded a couple of versions of this tune, first in 1941 and again in
1955. This is the later version which packs more punch. The chart is at heart a
trumpet section feature with three snorting passages of play, though not at the
difficulty level of Trumpet Blues & Cantabile. The tenor solo is written in full and is
best played as originally written, though your player can improvise from the chords
if preferred. The lead trumpet is written to a high F in the closing run, but the line can
be taken down an octave without detracting from the finish, which then makes the
required lead range a top Eb (in the second of the sectional passages).

SEPTEMBER SONG
Transcribed by Myles Collins
Difficult
$65.00
Cat: LL-1156
Here is a really unusual arrangement of this jazz standard from the Harry James
Orchestra. Slow, bluesy and laid back, the chart opens with the baritone and bass in
unison, with tightly muted trumpets over, then the saxes layer in with a smooth
contrapuntal line, then the unison trombones pick up the melody over the same
underlying bari/bass figures. There follows a truly inventive bridge, a tutti chorus in
swing time and then Harrys soaring solo which we have written out in full. Nimble
fingers needed. Then everything calms down and returns to the opening theme at
the end. There are no sax doubles.

SLEEPY LAGOON
Transcribed by Alan Glasscock
Difficult
$65.00
Cat: LL-2406
Although composed originally as a waltz, this version from the Harry James orchestra
is firmly in 4/4 time. Alan Glasscock has transcribed this chart beautifully, and has rescored the string lines into the band, making this chart playable as with a standard
5/4/4/4 line up. The arrangement features trumpet, as you might expect with a
James chart, and also a solo spot for trombone. This is a really lush, fat tune, full of
dynamic contrast and soaring modulations. Your pianist will need to be nimble and
smooth in the intro, to make the rolling arpeggio figures flow like the waves lapping
on a tropical shore. There are some sax doubles too: both altos use clarinets,
baritone doubles alto and lead alto has a toot of flute in the intro.

STRUTTIN WITH SOME BARBECUE


Arranged by John Ferguson
Medium
$65.00
Cat: LL-1162
This tune was written by Louis Armstrong and used by him as his theme tune for a
number of years. This version is from the Harry James book, and is not only a great
trumpet feature, but a really rare chart too. It has a lilting two-beat feel that swings
like crazy from start to finish. The 1st trumpet has the solo lead, the solo is written
out in full and there is a ripping sax soli where your players need to stand up and
show themselves off a bit. There are no sax doubles.

TRUMPET BLUES & CANTABILE


Transcribed by Myles Collins
Difficult
$65.00
Cat: LL-95501
A great swing chart from the James book. Trumpet Blues opens with a short band
fanfare in half time, and then breaks into a driving swing boogie. The middle half-time
Cantabile provides the contrast, but breaks back into swing boogie for the last
choruses. A feature for your trumpet section, but be warned that they will need a
few minutes to recover afterwards. You will need a good trumpet section to play this
arrangement. It is in the original key of Bb, and modulates to D for the end choruses.

86

TWO OCLOCK JUMP


Transcribed by Myles Collins
Difficult
$65.00
Cat: LL-45004
This version of Two OClock Jump is from the James band of the 1950s, and has a
much more relaxed and laid back feel then the original version. This number is great
for swing dancing and grooves from start to finish. The opening piano and trumpet
solos are written out for you, and the 12 bar piano solo is from chords. This chart
is graded medium/advanced mainly because of the high trumpet triplet runs which
go from high Eb on the 2nd part, with the 8va option written onto the other 3
parts too. There are no sax doubles.

AS PERFORMED BY STAN KENTON


23N 82W
Arranged by Bill Russo
Difficult
$59.00
Cat: SMP-530
This is one of the most creative, important big band compositions ever written by
anyone! It is also a chart which has been in demand for many years. We publish this
in the memory of the passing of Mr. Russo in 2003. He was a dynamic force in all of
music, and this particular piece was his most requested work. This is exactly as it was
recorded by the Stan Kenton Orchestra on the New Concepts of Artistry in
Rhythm CD. If you have the horses this will be a big hit for your band. Solos for
alto sax and trombone. 5-5-5-4

ABSTRACTION
Arranged by Pete Rugolo
Difficult
$37.00
Cat: SMP-625
From the Kenton Encores LP. Recorded in 1947, Abstraction (the 3rd Movement of
the Prologue Suite) is an excellent example of the far-reaching compositional styles
which the band was doing in the late 40s. Rugolo was a real pioneer in this respect.
Solos for alto, tenor and piano.

ADESTE FIDELES
Arranged by Stan Kenton
Medium Difficult
$52.00
Cat: SMP-605
The 1961 Capitol Records recording of Christmas music was a smash hit for
Kenton. This particular arrangement is more traditional in scope, but it is filled with
wonderful, lush harmonies and the Kenton style of arranging. The original
arrangements were written for 4 trumpets, 4 mellophoniums, 4 trombones, tuba,
keyboard, bass, drums and auxiliary percussion. These are the charts we sell, but
weve also included saxophone parts which take the place of the mellophonium
parts. They work quite well! From Kentons Merry Christmas recording.

ALL AT ONCE YOU LOVE HER

***NEW***

Arranged by Lennie Niehaus


Medium Difficult
$55.00
Cat: SMP-736
Lennie Niehaus wrote a series of terrific arrangements for the Stan Kenton Orchestra
(this was recorded on the Stage Door Swings). This chart is a medium-swing
version of a great Rodgers & Hammerstein tune. It features solo space for tenor
saxophone and a short solo for bass. Ranges are quite modest for a Kenton chart,
and this could also be played with only 8 brass. 5/5/5/3

ALL THE THINGS YOU ARE


Arranged by Stan Kenton
Medium Difficult
$42.00
Cat: SMP-688
The lush trombone section sound of the Kenton Orchestra on a gorgeous ballad.
Rescored to be played without the mellophoniums. A wonderful concert or dance
book addition. Recorded on the Romantic Approach LP.

ALL THE THINGS YOU ARE


Arranged by Gerry Mulligan
Medium
$47.00
Cat: SMP-577
One of those mystery charts that hardly anyone knows about, this chart is a beauty.
Mulligan was a master at creating moods and using wonderful chord substitutions,
as he did in this medium ballad. The arrangement features trumpet throughout
(written to feature Buddy Childers), and it was played very often by the Kenton
Band. The brass ranges and rhythms for all are very reasonable (written Bb above
the staff for Trumpet). This is a VERY impressive chart that is easy to play. 5-5-5-4

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COMPLETE PO S ONLINE!

ALMOST LIKE BEING IN LOVE


Arranged by Lennie Niehaus
Medium
$52.00
Cat: SMP-578
As recorded by the Stan Kenton Orchestra on Adventures in Standards, this is a
medium, swing chart on a great tune. Lennie uses a very clever countermelody
throughout the arrangement. There is solo space for Tenor Sax and terrific ensemble
writing in the Kenton tradition. 5-5-5-3 (can be played with 8 brass).

ALONE
Arranged by Bob Curnow
Difficult
$52.00
Cat: SMP-546
The Stan Kenton Orchestra was always ahead of its time! This chart was based on
the music of Blood Sweat & Tears. It is a trombone feature throughout and is a wild
and very exciting rock/fusion chart in a brand-new edition. Recorded on the Stan
Kenton Plays Chicago CD.

AN AMERICAN TRILOGY
Arranged by Bob Curnow
Difficult
$42.00
Cat: SMP-503
A dramatic setting of three American songs.... from the National Anthems of the
World LP. Ends with a glorious rendition of America the Beautiful.

ANGELS WE HAVE HEARD ON HIGH


Arranged by Ralph Carmichael
Medium Difficult
$52.00
Cat: SMP-604
The 1961 Capitol Records recording of Christmas music was a smash hit for
Kenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael of
traditional Christmas music.This particular arrangement is one of the more traditional
of the ten we have in print. It does have a swinging section, and it works very well!
The original arrangements were written for 4 trumpets, 4 mellophoniums, 4 trombones,
tuba, keyboard, bass, drums and auxiliary percussion. These are the charts we sell,
but weve also included saxophone parts which take the place of the mellophonium
parts. They work quite well! From Kentons Merry Christmas recording.

ARTEMIS & APOLLO


Arranged by Bob Curnow
Medium Difficult
$47.00
Cat: SMP-556
This is a newly re-arranged version of the magnificent melody recorded on the
Adventures In Time CD. BOB eliminated the mellophonium parts, used a standard
saxophone section and changed the key to make it more accessible to most bands.
(10 brass optional)

ARTISTRY IN PERCUSSION
Arranged by Pete Rugolo
Medium Difficult
$47.00
Cat: SMP-635
Written to feature Shelly Manne. A great drum feature. It also contains a nice
trombone solo. Very showy piece. Great for an historical look back on any Kenton
tribute concert. One of the most fascinating drum set features ever written. From
the exciting and innovative 1946 recordings. Recorded on the MAMA Back To
Balboa CD set.

ARTISTRY IN RHYTHM (SHORT VERSION)


Arranged by Stan Kenton
Difficult
$35.00
Cat: SMP-552
There have been many requests for a stand alone version of Kentons theme song.
This is the short version which was played by Stans band in the later years.

ARTISTRY JUMPS
Arranged by Stan Kenton
Difficult
$52.00
Cat: SMP-539
Exactly as recorded on the Kenton/CapitolRetrospective CD (and the original
Milestones LP). This was Stans first long version of the theme Artistry in Rhythm and
is a great piece to program. Features piano and tenor saxophone solos. A classic, wild
and bright chart which should be a part of any Kenton Tribute concert.

BALI HAI
Arranged by Lennie Niehaus
Medium Difficult
$52.00
Cat: SMP-579
This was recorded by the Stan Kenton Orchestra on Stage Door Swings, and it is
one of Lennies wonderful charts on a great Broadway standard tune. It has very
reasonable ranges for all. This shifts between Latin and Swing Feels. Solo for tenor
sax. 5-5-5-3 (can be played with 8 brass).

CALL NOW TO ORDER! 1-518-587-1102

S T A N

K E N T O N

BEELINE EAST
Arranged by Ken Hanna
Difficult
$52.00
Cat: SMP-629
A later composition of Hannas, Beeline has a wonderful Latin feel to it and all of the
great Hanna harmonies and voicings.Recorded on the Live at Butler University CD.
(condensed score)

BEGIN THE BEGUINE


Arranged by Lennie Niehaus
Medium Difficult
$60.00
Cat: SMP-566
As recorded by the Stan Kenton Orchestra on Adventures In Standards, this is a
medium-swing chart on a great tune.

BEGIN THE BEGUINE


Arranged by Johnny Richards
Medium Difficult
$67.00
Cat: SMP-730
As recorded by the Stan Kenton Orchestra on Back To Balboa (Capitol), Richards
takes this great standard and turns it into a 6/8 Latin and swinging screamer. This is
a magnificent chart, very much in the style of the Cuban Fire pieces that Johnny
wrote for Kenton. Solos for alto, tenor, trumpet and drums. 5-5-5-3

BERNIES TUNE
Arranged by Gene Roland
Medium Difficult
$57.00
Cat: SMP-585
This was recorded on the Stan Kenton Orchestra CD Live at the Tropicana. It may
be the best chart Gene Roland ever did for Stan. Although it opens with a bass solo,
there is also solo space for alto and tenor saxophones. The ensemble writing will
knock your socks off! 5-5-5-3

BETWEEN THE DEVIL


AND THE DEEP BLUE SEA
Arranged by Lennie Niehaus
Medium Difficult
$57.00
Cat: SMP-567
As performed by the Stan Kenton Orchestra, here is one of the hippest charts
from the Kenton book. It was a favorite with the band and audiences alike, and it
swings like crazy. There is a nice, long trombone solo space. (It was played by Dee
Barton when recorded). A wonderful melody and a sensational chart! 5-5-5-3 (can
be played with 8 brass)

BUT BEAUTIFUL
Arranged by Lennie Niehaus
Medium Difficult
$47.00
Cat: SMP-533
When Lennie arranged for the Stan Kenton Orchestra, he created the most beautiful
big band dance book ever written. Begins with a lush, warm trombone soli. Solo
space for alto sax. Recorded on the Sophisticated Approach LP. This chart has
wonderful trombone and sax solis. A marvelous addition to any jazz and/or dance
library. (edited to be played with 8 brass instead of 10 if you should choose, and
without mellophoniums)

CARL
Arranged by Bill Holman
Medium Difficult
$60.00
Cat: SMP-568
When Bill Holman writes a feature for a player, especially in the Kenton Band, you
know it will be wonderful. He wrote this one to feature the amazing trombonist Carl
Fontana. Carl is a terrific melody, scored in the inimitable, swinging way of Holman.
The demands on the brass sections are not too bad, so the piece is very playable. 55-5-3 (can be played with 8 brass)

CHIAPAS

***NEW***

Arranged by Hank Levy


Difficult
$65.00
Cat: SMP-737
This was the first of many time charts that Hank wrote for the Kenton Band. This
is as exactly recorded on the Live at Redlands University CD. The piece in written
mostly in 5/4 and features solo space for alto sax and trumpet. This is a remarkable
composition which should be in every big band library, not only because it is an
historically important work, but also because its simply a lot of fun to play. 5/5/5/3

OR ORDER BY FAX: 1-518-587-2325

87

S T A N

K E N T O N

CHRISTMAS MEDLEY
Arranged by Stan Kenton
Difficult
$59.00
Cat: SMP-580
As recorded by Kenton on Merry Christmas, this chart has optional saxophone
parts which nicely cover the french horn parts (originally written for only brass and
rhythm section). This completes the publication by Sierra of all of the charts on this
album. The medley contains six carols. Instrumentation is 5 horns, 4 trumpets, 4
trombones, tuba, piano, bass, drums and opt. chimes. Solo for piano only.

COLLABORATION
Arranged by Pete Rugolo
Medium Difficult
$47.00
Cat: SMP-637
This historically important piece opens with a rubato piano solo and then moves to
a terrific Rugolo trombone feature (originally recorded by Kai Winding). A strong,
gorgeous melody, backed by the power and beauty of Rugolos writing.

CONCERTO TO END ALL CONCERTOS


Arranged by Stan Kenton
Medium Difficult
$52.00
Cat: SMP-612
One of Kentons most important compositions. It moves through a series of moods,
tempos, and styles, and features each section in a way that best describes the
Kenton Sound of the 1940s and beyond. A must-have chart for any big band
historian. No Kenton tribute is complete without a performance of this exquisite
1946 composition. This piece set the music world on its ear! A great composition!

CUBAJAZZ
Arranged by Bill Holman
Medium Difficult
$52.00
Cat: SMP-557
Rarely does a piece turn up like this one. Although written for Stan Kenton (the mid1950s), the chart never was recorded by the band (Holman doesnt know why),
and it was lost for years. It is a sensational piece, combining Afro-Cuban rhythm
(Latin) and Swing, and featuring solo space for tenor sax, trumpet and drums. It
utilizes counterpoint between the wind sections over a latin vamp and explores the
perfect balance between counterpoint and dynamic ensemble writing in the Swing
sections. This is Holman at his very best!

DANCING IN THE DARK


Arranged by Gerry Mulligan
Difficult
$47.00
Cat: SMP-729
One of the few charts Mulligan contributed to the Kenton library. Solos for piano
and trumpet.

DAY DREAM

[VOCAL]

Arranged by Lennie Niehaus


Medium Difficult
$49.00
Cat: SMP-586
As recorded by the Stan Kenton Orchestra and Jean Turner, this is a superb Ellington
ballad that will make you want to hear it over and over again. The lyrics and the
orchestration are exceptional. This is a great vehicle for your female or male vocalist,
arranged by the best! 5-5-5-3 and vocal

DECOUPAGE
Arranged by Hank Levy
Difficult
$47.00
Cat: SMP-540
Hank contributed so much to the Kenton book in the 70s, and this chart is one of
the best of the bunch. A lovely, melodic, easy-flowing piece in 5/4 which is a great
vehicle for getting into odd-meter music. Alto sax and trpt. solos, and all ranges are
very reasonable. Exactly as recorded on the Kenton 76 CD.

DONT WORRY BOUT ME


Arranged by Bob Graettinger
Medium Difficult
$47.00
Cat: SMP-724
Graettinger arranged this standard in his most unusual way, using dissonance offset
with the beauty of this gorgeous melody. It is a trombone solo pretty much
throughout the entire ballad. Great writing for the soloist and the trombone
section as well. This is something quite different and quite wonderful. 5-5-5-2

88

DYNAFLOW
Arranged by Stan Kenton and Art Pepper
Medium
$47.00
Cat: SMP-558
A true Kenton Classic. Alto saxophone, piano and bass are featured on this one-ofa-kind piece. The piece was recorded in the early 1950s by Stan Kenton, became a
huge hit and found its way onto many albums, most notably Popular Favorites by
Stan Kenton. If you need a Kenton chart that doesnt demand a great deal of hard,
high blowing, this is the one.

EL CONGO VALIENTE (VALIANT CONGO)


Arranged by Johnny Richards
Advanced
$87.00
Cat: SMP-679
The 2nd movement of Richards amazing Cuban Fire Suite. This movement roars
from the top. A great melody with chances to feature alto sax, trumpet, tenor sax
and trombone solos. The original score of Richards was the source for this and all
the movements of this suite. Full score and parts for the original instrumentation of
4/5/5/4 plus, 2 horn parts and 6 perc. parts. This really is a marvelous chart! Recorded
on the Cuban Fire CD.

EL MANISERO (PEANUT VENDOR)***NEW***


Arranged by Myles Collins
Medium
$65.00
Cat: LL-1229
Adapted from the 1956 recording, El Manisero (the Peanut Vendor) remains one of
Stan Kentons most enduring hits, and is a feature chart for lead trombone (who
solos for the first minute of the chart), the trumpet section with their screaming
dissonances and for the pianist. This arrangement is essentially the same as Kentons
Peanut Vendor, but transposed down a major 3rd and with a shortened piano solo.
To add more interest and to build the rhythm backing to the chart, rhythm indications
have been written on all the brass parts (except trombone 1) from the opening of
the chart, so bring some wood blocks, claves, cabasas and cuicas along. The trumpet
lines are not hard, but they are fairly high, with 1 & 2 reaching high C and 3 reaching
A. If you want to play the genuine Kenton version with the complete piano solo and
have trumpets who can reach high D and E please order the Peanut Vendor - LL1297 chart. There are no sax doubles, and the 4th trombone is bass.

EL MANISERO (PEANUT VENDOR)

***NEW***

Transcribed by Myles Collins


Advanced
$65.00
Cat: LL-1297
Transcribed from the 1956 recording, the Peanut Vendor remains one of Stan
Kentons most enduring hits, and is a feature chart for lead trombone (who solos for
the first minute of the chart), the trumpet section with their screaming dissonances
and for the pianist. The Kenton piano solo has been written out in full and the solo
itself is a work of art, showing us what can be done when improvising over just a
couple of chords. To add more interest and to build the rhythm backing to the chart,
rhythm indications have been written on all the brass parts (except trombone 1)
from the opening of the chart, so bring some wood blocks, claves, cabasas and cuicas
along. The trumpet lines are not hard, but they are high, with 1 & 2 reaching high E
and 3 & 4 reaching high D. If your players dont have this range, please order the El
Manisero - LL-1229 chart. (It is essentially the same chart transposed down a major
3rd with a shortened piano solo, so the trumpet ranges are limited to high C). There
are no sax doubles, the 4th trombone is bass (optional 5th trumpet & trombone
parts have been included).

ELEGY FOR ALTO


Arranged by Pete Rugolo
Medium Difficult
$52.00
Cat: SMP-624
From the Progressive Jazz period in the 1940s, this piece focused on the alto
saxophone (originally played by George Weidler).

THE END OF A LOVE AFFAIR


Arranged by Lennie Niehaus
Medium Difficult
$42.00
Cat: SMP-628
A magnificent alto saxophone feature. Lennie also solos on his chart on the Live
from the Tropicana CD. This is a superb arrangement, using all of the textures and
power and sensitivity of the Kenton Orchestra. (opt. 10 brass)

EVERYTIME WE SAY GOODBYE


Arranged by Lennie Niehaus
Medium Difficult
$50.00
Cat: SMP-569
As recorded by the Stan Kenton Orchestra on Stage Door Swings, this is a lovely
ballad scored in the incomparable Kenton style. Niehaus uses the saxophone section
to great effect. Limited ranges make this a very playable chart for most any band.
There is solo space for trumpet. 5-5-5-3 (can be played with 8 brass)

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

FANFARE FOR THE NEW


Arranged by Hugo Montenegro
Advanced
$62.00
Cat: SMP-632
One of the great pieces written for the Los Angeles Neophonic Orchestra, founded
and conducted by Stan. Four french horns are essential, along with 4 trumpets, 5
trombones and woodwinds. Exciting and challenging music. Recorded on the L.A.
Neophonic Orchestra LP. Woodwinds require 2 piccolo, 2 clarinets and bass
saxophone (baritone saxophone opt. part included).

FASCINATING RHYTHM
Arranged by Bill Russo
Difficult
$52.00
Cat: SMP-677
Russo always created wonderfully interesting (and challenging) arrangements of
standard tunes. He explores unusual instrumentation and exciting new
harmonizations. Recorded on the Kenton Sketches on Standards LP. (This music is
available from Mosaic Records in their Russo/Holman CD set.)

FEARLESS FINLAY
Arranged by Bill Holman
Medium Difficult
$52.00
Cat: SMP-691
There were a few Holman charts that were written for the Stan Kenton Orchestra
which had disappeared over the years, seemingly lost forever. This was one of them.
This is one of those incomparable, swinging charts from the 50s. Absolutely the best!
Recorded on the Kenton Showcase LP. (This music is available from Mosaic Records
in their Russo/Holman CD set.)

FIRST CHILD
Arranged by Bob Curnow
Difficult
$47.00
Cat: SMP-545
One of the loveliest ballads ever recorded by the Kenton Band. Recorded on the
Stan Kenton Plays Chicago CD. This is one of 2 original pieces by Bob Curnow from
this album. This Kenton arrangement is finally available. Features a 3-horn melodic
line in a flowing, richly-harmonized texture. No improvised solos, and reasonable
ranges. (opt. 10 brass as recorded)

A FOGGY DAY

S T A N

K E N T O N

GIRL TALK
Arranged by Stan Kenton
Medium Difficult
$49.00
Cat: SMP-587
Stan Kenton had a certain touch in his arranging that stood out. He took a simple,
slow-swinging approach to this great Neal Hefti tune, and it was one of the most
popular charts played by the band in the 1970s. Piano takes the melody, while the
trombones set the harmonic and rhythmic groove. This is a wonderful piece to
program, because it is so different than most things. 5-5-5-3

GOD REST YE, MERRY GENTLEMEN


Arranged by Ralph Carmichael
Medium Difficult
$52.00
Cat: SMP-606
The 1961 Capitol Records recording of Christmas music was a smash hit for
Kenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael of
traditional Christmas music. This particular arrangement is one of the jazzier ones
on the album. It swings like crazy! The original arrangements were written for 4
trumpets, 4 mellophoniums, 4 trombones, tuba, keyboard, bass, drums and auxiliary
percussion. These are the charts we sell, but weve also included saxophone parts
which take the place of the mellophonium parts. They work quite well! From
Kentons Merry Christmas recording.

GOOD KING WENCESLAS


Arranged by Ralph Carmichael
Medium Difficult
$52.00
Cat: SMP-639
The 1961 Capitol Records recording of Christmas music was a smash hit for
Kenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael of
traditional Christmas music. This particular arrangement is one of the jazzier ones
on the album. It swings like crazy! The original arrangements were written for 4
trumpets, 4 mellophoniums, 4 trombones, tuba, keyboard, bass, drums and auxiliary
percussion. These are the charts we sell, but weve also included saxophone parts
which take the place of the mellophonium parts. They work quite well! From
Kentons Merry Christmas recording.

Arranged by Lennie Niehaus


Medium Difficult
$52.00
Cat: SMP-693
This is one of the many wonderful charts arranged by Lennie for the Stan Kenton
Orchestra. He was able to capture the Kenton sound without a lot of high-range
problems or difficult concerns for the players. Solo space for baritone sax and
trumpet. A great addition to any jazz and/or dance library. This chart swings like
crazy!

HAPPY BIRTHDAY TO YOU

FRANK SPEAKING

HERES THAT RAINY DAY

Arranged by Bill Russo


Difficult
$52.00
Cat: SMP-532
The Stan Kenton Orchestra was always an ideal showcase for the outstanding
soloists within its ranks.This piece was written to feature Frank Rosolino on trombone.
Absolutely the best! A trombone feature throughout. Recorded on the Kenton
New Concepts of Artistry in Rhythm CD.

Arranged by Bill Holman


Difficult
$52.00
Cat: SMP-671
A fun-filled, exciting chart on the old tune. Commissioned as a surprise birthday
present for Stan. Trumpet and trombone solos, and a very clever Holmanesque
treatment. Every jazz library should have this chart for that special occasion.
Recorded on the Birthday in Britain CD.

Arranged by Dee Barton


Difficult
$42.00
Cat: SMP-633
This is the original, quintessential arrangement by the great Dee Barton. Recorded
on the Live at Redlands University CD.

THE HOLLY AND THE IVY

Arranged by Johnny Richards


Difficult
$67.00
Cat: SMP-662
Movement I (of 7) of the Cuban Fire Suite. Finally, the definitive version of this
magnificent music. The original score of Richards was the source for this and all the
movements of this suite. Full parts for original instrumentation of four saxes, 5
trumpets, 2 French horns, 4 trombones, tuba, piano, guitar, bass, drum set, timpani
and 6 additional percussionists. For the first time, a full score is included. Recorded
on the Cuban Fire CD.

Arranged by Ralph Carmichael


Medium Difficult
$52.00
Cat: SMP-642
The 1961 Capitol Records recording of Christmas music was a smash hit for
Kenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael of
traditional Christmas music. This particular arrangement is a great deal of fun to play.
It moves through different keys, and it has a lot of interesting variations in it. A terrific
chart! The original arrangements were written for 4 trumpets, 4 mellophoniums, 4
trombones, tuba, keyboard, bass, drums and auxiliary percussion. These are the
charts we sell, but weve also included saxophone parts which take the place of the
mellophonium parts.They work quite well! From Kentons Merry Christmas recording.

GET OUT OF TOWN

HOW DO I LOOK IN BLUE

FUEGO CUBANO (CUBAN FIRE)

Arranged by Johnny Richards


Medium Difficult
$47.00
Cat: SMP-690
Johnny Richards at his best! A very playable chart without a lot of range concerns
for brass. A bass trombone feature from beginning to end, in a Latin and a Swing feel.
This chart is recorded on the Back To Balboa recording by the Stan Kenton Orchestra.

CALL NOW TO ORDER! 1-518-587-1102

Arranged by Lennie Niehaus


Medium
$47.00
Cat: SMP-543
This is another of the many wonderful charts arranged by Lennie Niehaus for the
Stan Kenton Orchestra. Features the lush Kenton trombone sound and gorgeous
full ensembles. As recorded on the Sophisticated Approach LP. A great addition to
any library. 5-5-5-3 (can be played with 8 brass or 10)

OR ORDER BY FAX: 1-518-587-2325

89

S T A N

K E N T O N

I CONCENTRATE ON YOU
Arranged by Johnny Richards
Difficult
$59.00
Cat: SMP-581
This was recorded by the Stan Kenton Orchestra on Back To Balboa, and it is a
highly original, exciting chart (Latin/swing) on a great standard tune. Johnny Richards
wrote for Kenton as well as anyone. Solos for alto sax, baritone sax, trumpet and
trombone. 5-5-5-3 (can be played with 8 brass)

I LOVE PARIS
Arranged by Lennie Niehaus
Medium Difficult
$47.00
Cat: SMP-695
When Lennie arranged for the Stan Kenton Orchestra, he was able to capture the
Kenton sound without a lot of high-range problems or difficult concerns for the
players. Solo space for trombone. Recorded on the Stage Door Swings LP. This chart
has a great unison sax soli. A marvelous addition to any jazz and/or dance library. 55-5-3 (parts also supplied for 8 brass instead of 10)

I REMEMBER YOU
Arranged by Bill Holman
Medium Difficult
$52.00
Cat: SMP-653
This is one of those superb Holman charts written for Kenton in the early 50s that
just swings like crazy. It starts off very soft and easy, with clever linear writing. It then
roars into an alto sax solo, to be followed by a trumpet solo. A key change brings the
chart to a great shout section before returning to the soft opening for a moment.
This chart requires 1 alto, 2 tenor and 2 baritone saxophones (condensed score).

IM GLAD THERE IS YOU


Arranged by Stan Kenton
Medium
$47.00
Cat: SMP-544
This is a rich, warm chart as arranged by Stan. Features the lush Kenton trombone
sound and gorgeous full ensembles. Stan used this as an opener for years. As
recorded on the Romantic Approach LP. A magnificent melody and a great addition
to any jazz or dance library. 5-5-5-3 (edited to be played without mellophoniums
and can be played with only 4 trombones instead of 5)

ILL WIND
Arranged by Bill Mathieu
Difficult
$47.00
Cat: SMP-538
Bill Mathieus arrangements, done for the Stan Kenton Orchestra were some of the
most beautiful pieces ever recorded by that band. This is a splendid rendition of a
great standard. It contains all of the elements so associated with the Kenton band
- wonderfully inventive writing. Trombone solo throughout. This chart is on the new
Standards in Silhouette CD.

IMPRESSIONISM
Arranged by Pete Rugolo
Medium Difficult
$47.00
Cat: SMP-627
Another amazingly futuristic piece from Rugolos great mind. An outstanding example
of the classical side of the late 40s Kenton bands written in 1947. A great (unusual)
addition to any Kenton program.

IN LIGHTER VEIN
Arranged by Bill Holman
Difficult
$52.00
Cat: SMP-620
Recorded in 1954 for the recording Kenton Showcase , this chart is an alto saxophone
feature throughout. It was originally recorded by Lee Konitz. Yet another wonderful
Holman feature chart. (condensed score)

INDIANA
Arranged by Bill Holman
Difficult
$52.00
Cat: SMP-306
Here is another chart written for Stan Kenton (in the mid-1950s), that was never
recorded by the band. It is a sensational piece, a real flag-waver which features alto
saxophone from top to bottom. Great ensemble figures propel the soloist ever
onward. This up-tempo swing chart is refreshing, with band vs soloist, great
background figures, a very hip key change and excitement throughout. A wonderful
feature for your hot alto saxophonist. Typical, great Holman.

90

INDRA
Arranged by Hank Levy
Medium Difficult
$52.00
Cat: SMP-670
This was one of Hanks early charts for Kenton. It is recorded on the Live at Butler
University CD. It opens with bass setting the tempo and meter in 9/4. The trombone
solo begins things, and it also features saxophone and trumpet. A superb look into
the odd-meter world. Not too difficult to play. 5-5-5-4 (condensed score)

INNER CRISIS
Arranged by Bob Curnow
Difficult
$52.00
Cat: SMP-549
Exactly as recorded on Stan Kenton Plays Chicago, this chart is a great feature for
alto saxophone set in a big band fusion style. Every reed player plays flute in the
intro, and the chart just screams from there! Lots of exciting, strong, no-doubt-itsKenton music! Curnows chart really works great!

INTERLUDE
Arranged by Pete Rugolo
Medium
$32.00
Cat: SMP-631
Recorded in 1947 and included on the Milestones LP, this piece is a gorgeous melody
(one of Petes best known). It features piano throughout (and it is all written out),
with wonderful, warm, lush 5-trombone backgrounds. Perfect for the Kenton Tribute
concert, because it gives your other players a rest (especially the trumpets!).

INTERMISSION RIFF
Arranged by Various
Difficult
$52.00
Cat: SMP-570
Finally, the up-to-date version that the Kenton Band played right up until the end.
This chart has all of the solo space and all of the background figures and lines, and
it differs from the 1947 version quite a bit. No Kenton Tribute concert would be
complete without this chart. Solo space is very flexible, as is all of the background
material. A true Kenton classic! 5-5-5-3

INTERMISSION RIFF
Arranged by Ray Wetzel
Medium Difficult
$42.00
Cat: SMP-648
This is the original version of the tune recorded in 1946, and also included in the
Milestones LP.This was transcribed by Bob Curnow for Gunther Schullers Smithsonian
Jazz Orchestra concerts. Tenor and alto saxophone solos. 5-5-4-4 (note only 4
trombones).

INVENTION FOR GUITAR AND TRUMPET


Arranged by Bill Holman
Difficult
$52.00
Cat: SMP-634
Once used in the Blackboard Jungle movie, this piece is one of Holmans earliest
compositions to be recorded by Kenton. It was written for Maynard Ferguson and
Sal Salvador and recorded in 1952. Recorded on the Kenton New Concepts of
Artistry in Rhythm CD.

IT COULD HAPPEN TO YOU


Arranged by Lennie Niehaus
Medium Difficult
$59.00
Cat: SMP-582
As recorded by the Stan Kenton Orchestra on Adventures In Standards, this is a
wonderful, swinging chart on a great tune. As usual, Lennie does a great job arranging
it, with terrific section work and limited ranges for the brass (written high D for 1st
tpt). There is a nice, lengthy solo for baritone sax. 5-5-5-3 (can be played with 8 brass)

ITS ALL RIGHT WITH ME


Arranged by Lennie Niehaus
Difficult
$59.00
Cat: SMP-583
Here is another terrific chart as recorded by the Stan Kenton Orchestra on
Adventures In Standards. Lennie sets the chart at a very fast, swinging pace, using
countermelodies, a 6-horn group in places, and lots of solo space for alto sax. A
wonderful recurring pattern ties the whole chart together. Lennie out-did himself
with this one! 5-5-5-3 (can be played with 8 brass)

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

IVE GOT YOU UNDER MY SKIN


Arranged by Bill Holman
Difficult
$67.00
Cat: SMP-672
This may be the all-time greatest jazz arrangement of a standard tune. Recorded on
the Contemporary Concepts LP, this great standard is turned into a marvelous
vehicle for solo statements from alto, tenor, 2 different trumpets and baritone
saxophone. No big band jazz library can be complete without this superb arrangement.

IVE NEVER BEEN IN LOVE BEFORE


Arranged by Lennie Niehaus
Medium
$42.00
Cat: SMP-687
A lovely Broadway tune as scored for Kentons dance book. This chart features the
great sound of the trombone section. A wonderful concert or dance book addition.
Exactly as recorded on the Stage Door Swings LP. Full score and parts for 5/5/5/3
instrumentation. (Can be played with 8 brass)

KINGFISH
Arranged by Bill Holman
Medium Difficult
$42.00
Cat: SMP-614
This is one of Holmans best loved (and most often played) charts. Written for the
Showcase album, it is a light, well-paced blues, featuring bass, tenor, trumpet and alto.
Holmans well known linear writing makes this a special chart. Fairly easy to play.

LA GUERA BAILA (THE FAIR ONE DANCES)


Arranged by Johnny Richards
Difficult
$52.00
Cat: SMP-663
Movement V (of 7) of the Cuban Fire Suite. From Richards magnificent suite written
in 1956. The original score of Richards was the source for this and all the movements
of this suite. Features an absolutely exquisite trombone solo. Full set of parts for
complete, original instrumentation. Recorded on the Cuban Fire CD. Parts for 5
auxiliary Latin players included.

LA SUERTE DE LOS TONTOS


(FORTUNE OF FOOLS)
Arranged by Johnny Richards
Difficult
$67.00
Cat: SMP-664
Movement VI (of 7) of the Cuban Fire Suite. From Richards magnificent suite
written in 1956. Fire is probably the best way to describe this piece. A fantastic,
dramatic opening (used for years by marching band and drum corps) leads to a
rollicking, latin feel. Solos are on the alto sax and trumpet parts. The original score of
Richards was the source for this and all the movements of this suite. Probably the
best known and well-liked movement of the whole suite. Recorded on the Cuban
Fire CD. Parts for 5 auxiliary latin players included.

LAURA

S T A N

A LITTLE MINOR BOOZE


Arranged by Willie Maiden
Medium Difficult
$47.00
Cat: SMP-638
This is arguably Willies best known chart - a swinging, happy chart which allows for
lots of blowing space.Great ensemble sections throughout. This chart has been
played by bands all over the world. Essential to any jazz library. 5-5-5-3 (condensed score).

LIVE AND LET DIE


Arranged by Bob Curnow
Difficult
$42.00
Cat: SMP-643
A great arrangement of the great tune written by Paul McCartney. This chart was
the reason for the great success of recording 7.5 on the Richter Scale. Melody
stated by alto, trumpet and trombone and the chart roars on! If youre looking for
a contemporary chart, written for this great band and based on a well known tune,
this is the one. We get a lot of requests for this arrangement.

LONELY WOMAN
Arrange by Bill Mathieu
Difficult
$49.00
Cat: SMP-576
As recorded on the Standards in Silhouette CD, this is yet another of Bill Mathieus
classic arrangements of a great jazz standard ballad. Trombone and tenor saxophone
are featured on this brilliant, highly original orchestration of a beautiful and haunting
melody. Trumpet ranges are quite high, but, if you have the players, this is one ballad
youll want to play over and over again. 5-5-5-4

LONG AGO AND FAR AWAY


Arranged by Lennie Niehaus
Medium Difficult
$52.00
Cat: SMP-553
Not every Niehaus dance chart was recorded by the Kenton Band, but this chart
was played all the time by the band. A wonderful medium tempo setting of a great
jazz standard. Features the saxophone section and a baritone saxophone solo.
Terrific writing! 5-4-4-3 (10 brass optional)

LOT OF LIVIN TO DO

LOVE FOR SALE

LIMEHOUSE BLUES

LOVE STORY

LIMELIGHT
Arranged by Gerry Mulligan
Medium Difficult
$52.00
Cat: SMP-678
Another terrific chart from Kentons Contemporary Concepts LP. Features trombone
throughout this fast-paced, Cool Bop chart in the unmistakable style of the late,
great Gerry Mulligan. Use this with 3 other Sierra publications to do a Mulligan
Tribute at your next concert. Full Score/parts for 5-5-5-4

CALL NOW TO ORDER! 1-518-587-1102

[VOCAL]

Arranged by Bill Holman


Medium Difficult
$52.00
Cat: SMP-588
As recorded by the Stan Kenton Orchestra and Jean Turner, this chart used to be
Jeans opener when she sang with the Kenton Band. Holman sets the mood right
from the top, and things swing on from there. This is a wonderful vocal chart for
either female or male vocalist. Its a happy, up-beat way for your vocalist to get out
there in front of the big band. 5-5-5-3 and vocal.

Arranged by Lennie Niehaus


Medium
$50.00
Cat: SMP-572
As arranged for and performed by the Stan Kenton Orchestra, this is a wonderful
setting that features the saxophone section and solos for trumpet and trombone.
Very reasonable brass ranges make this an extremely playable chart. This is the lush,
gorgeous sound of the Kenton Band without the higher, louder brass parts. 5-5-53 (can be played with 8 brass)

Arranged by Bill Holman


Difficult
$67.00
Cat: SMP-536
This is another of the many wonderful charts arranged by Holman for the Stan
Kenton Orchestra. He is the master at creating exciting, up-tempo flag-wavers. Solos
for alto, trumpet and tenor. Recorded on the Adventures in Jazz CD. Your rhythm
section can burn on this one! A great addition to any library. 5-5-5-3 (edited to be
played without mellophoniums)

K E N T O N

Arranged by Pete Rugolo


Difficult
$52.00
Cat: SMP-674
Kenton had many hits over the years, and this very creative arrangement by Pete
was one of them. A great Latin setting with that unforgettable trombone lick in the
shout chorus. There is room at the end of the chart for your drummer to stretch
out if you wish.

Arranged by Willie Maiden


Difficult
$52.00
Cat: SMP-726
As recorded by the Stan Kenton Orchestra on Live at Brigham Young University,
this may well be Willies best chart done for Stan. Maiden uses a latin feel, the lush
sound of the trombones and saxophones and the exciting energy of the trumpets
and rhythm section to create a superb arrangement of this very special melody.
Solos for piano, trombone, and alto saxophone. 5-5-5-3

LOVE WALKED IN
Arranged by Lennie Niehaus
Medium Difficult
$52.00
Cat: SMP-542
This is another of the many wonderful charts arranged by Niehaus for the Stan
Kenton Orchestra. A splendid rendition of a great standard, and it swings like crazy!
It contains all of the elements so associated with the Kenton band. Wonderfully
inventive writing which at first states the melody with a small band. 5-5-5-3 (edited
to be played without mellophoniums and can be played with 8 brass or 10)

OR ORDER BY FAX: 1-518-587-2325

91

S T A N

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LOVER MAN
Arranged by Bill Russo
Difficult
$47.00
Cat: SMP-728
As recorded by the Stan Kenton Orchestra on Sketches on Standards, this is a
superb alto saxophone ballad feature, as arranged by Russo for Lee Konitz. Russo
employs a dark, brooding, beautiful setting for Konitzs soaring saxophone. Included
is a transcription of Lees amazing solo. 5-5-5-3

LULLABY OF BIRDLAND
Arranged by Lennie Niehaus
Medium Difficult
$47.00
Cat: SMP-676
Lennie wrote a magnificent dance book for Stan in the early 60s. This chart was
from that period, and it is a full blown jazz chart that really cooks! It has been edited
so that it can be played by a standard big band with a normal saxophone section.
There is solo space for alto saxophone and trumpet. This can be played with 8 brass.
5-4-4-3 (opt. 10 brass)

LULLABY OF BROADWAY
Arranged by Lennie Niehaus
Medium Difficult
$52.00
Cat: SMP-694
This is another of the many wonderful charts arranged by Lennie for the Stan
Kenton Orchestra. He is able to capture the Kenton sound without a lot of highrange problems or difficult concerns for the players. Solo space for trombone.
Recorded on the Stage Door Swings LP. A great addition to any library.

MACHITO
Arranged by Pete Rugolo
Difficult
$52.00
Cat: SMP-602
This is one of the early, fantastic Latin charts recorded by the Kenton Band and
played for years and years. A great chart from the late 40s. This chart requires 1 alto,
2 tenor and 2 baritone saxophones.

MALAGA
Arranged by Bill Holman
Difficult
$62.00
Cat: SMP-650
Absolutely one of the all-time great big band charts! Tenor sax, drums and trumpet
solos, interspersed with fabulous ensemble writing. Latin to the hilt! As recorded on
the Live at Brigham Young University CD. A completely new edition with full score
and parts for 5-5-5-3 instrumentation.

MALAGUENA

***NEW***

Arranged by Bill Holman


Difficult
$67.00
Cat: Cat: SMP-601
This is a new edition (Finale computer notation) of the original arrangement, with
no editing. Instrumentation requires 1 alto, 2 tenors, baritone and bass saxophone,
5 trumpets, 4 horns in F, 4 trombones, tuba, piano, bass and drums. This is exactly as
recorded on the Adventures in Jazz CD. There is solo space for trombone (written)
and tenor saxophone (improvised).

MALAGUENA [EDITED]

***NEW***

Arranged by Bill Holman, Edited by Bob Curnow


Difficult
$67.00
Cat: Cat: SMP-743
This is a new edition (Finale computer notation) of the original arrangement, edited
to be played with the following instrumentation: 2 altos, 2 tenors, baritone saxophone,
5 trumpets, 5 trombones, piano, bass and drums. The original version of this is
recorded on the Adventures in Jazz CD. The instrumentation has been converted
to a standard big band, and the horn lines have been written into other parts. There
is solo space for trombone (written) and tenor saxophone (improvised).

THE MEANING OF THE BLUES


Arranged by Bill Mathieu
Medium Difficult
$47.00
Cat: SMP-689
An absolutely gorgeous Bobby Troup ballad which features trumpet and tenor sax.
Beautiful use of the warm sax and trombone sounds so typical of Kenton. As
recorded on the Standards in Silhouette CD.

92

MISTY
Arranged by Gene Roland
Medium Difficult
$47.00
Cat: SMP-725
This was recorded by the Stan Kenton Orchestra on Adventures in Jazz. The solo
may be played with any one of various instruments, or this could be used as a vocal
chart. It was originally played by Ray Starling on mellophonium. A gorgeous ballad
with an equally beautiful arrangement.

MODERN OPUS
Arranged by Bob Graettinger
Difficult
$52.00
Cat: SMP-685
If youre looking for something very different for a jazz history concert, this is it!
Graettinger was a Third Stream composer in jazz long before the term was invented.
This was recorded on the Kenton Era and has been recently released on the City of
Glass CD on Capitol. 5-5-5-4 plus 2 French horns.

MY OLD FLAME
Arranged by Marty Paich
Difficult
$52.00
Cat: SMP-654
Although this has been in the catalog for a while, it is now notated in
Finale, and the new edition comes with a full score for the first time.
Martys arrangement stands alone in the category of Kenton ballads. This is
truly a classic, one-of-a-kind piece. 5-5-5-4 (can be played by 8 brass).

MY ONE AND ONLY LOVE


Arranged by Lennie Niehaus
Medium Difficult
$47.00
Cat: SMP-547
This is another of the many wonderful charts arranged by Niehaus for the Stan
Kenton Orchestra. A more beautiful ballad has not been written, and this one
features a trombone and a tenor sax solo. As recorded on the Sophisticated Approach
LP. Published in memory of Bob Fitz Fitzpatrick. 5-5-5-3 (edited to be played
without mellophoniums and can be played with only 4 trombones instead of 5).

NO HARMFUL SLIDE EFFECTS


Arranged by Willie Maiden
Difficult
$52.00
Cat: SMP-640
This is Willie Maiden at his most playful. A great chart from the early 70s (1973),
recorded on the Birthday in Britain CD. Solos for trombone and tenor saxophone.
5-5-5-3 (condensed score).

O HOLY NIGHT
Arranged by Ralph Carmichael
Medium Difficult
$37.00
Cat: SMP-607
The 1961 Capitol Records recording of Christmas music was a smash hit for
Kenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael of
traditional Christmas music. This particular arrangement is more traditional in scope,
but it is filled with wonderful, lush harmonies and the Kenton style of arranging. The
original arrangements were written for 4 trumpets, 4 mellophoniums, 4 trombones,
tuba, keyboard, bass, drums and auxiliary percussion. These are the charts we sell,
but weve also included saxophone parts which take the place of the mellophonium
parts. They work quite well! From Kentons Merry Christmas recording.

O, TANNENBAUM
Arranged by Ralph Carmichael
Medium Difficult
$37.00
Cat: SMP-608
The 1961 Capitol Records recording of Christmas music was a smash hit for
Kenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael of
traditional Christmas music. This particular arrangement is one of the simpler charts,
but it is beautiful. Very playable! The original arrangements were written for 4
trumpets, 4 mellophoniums, 4 trombones, tuba, keyboard, bass, drums and auxiliary
percussion. These are the charts we sell, but weve also included saxophone parts
which take the place of the mellophonium parts. They work quite well! From
Kentons Merry Christmas recording.

OF ALL THINGS
Arranged by Bill Holman
Medium Difficult
$52.00
Cat: SMP-555
Holman originally wrote this chart to feature Charlie Parker with the Kenton Band
in the early 50s. Based on the changes to the ever-popular All the Things You Are, it
features alto saxophone throughout (can be done with trumpet also), and the
chart has all of the wonderful creativity for which Holman is so well known with his
feature charts. It doesnt get any better than this! 5-4-4-3 (10 brass optional)

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

OF SPACE AND TIME


Arranged by Hank Levy
Difficult
$52.00
Cat: SMP-641
Hank Levy wrote this wonderful 5/4 chart in the early 70s (1973), and it was
recorded on the Birthday in Britain CD. Solos for bass and alto saxophone. 5-5-53 (condensed score)

ON THE STREET WHERE YOU LIVE


Arranged by Lennie Niehaus
Medium Difficult
$52.00
Cat: SMP-559
The album Stage Door Swings, by the Stan Kenton Band, was one of the most
popular recordings done by Kenton. All of the arrangements were done by Lennie
Niehaus, and this is one of the best of the tunes on the album. It features a short
harmon-muted trumpet solo, but most of the chart is ensemble or section oriented.
A medium-up Swing tempo gives your band a chance to shine on this very familiar
standard tune.

ONCE IN ROYAL DAVIDS CITY


Arranged by Ralph Carmichael
Medium Difficult
$52.00
Cat: SMP-609
The 1961 Capitol Records recording of Christmas music was a smash hit for
Kenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael of
traditional Christmas music. This particular arrangement is very much in the brass
tradition, but it has very hip harmonies and lines. The original arrangements were
written for 4 trumpets, 4 mellophoniums, 4 trombones, tuba, keyboard, bass, drums
and auxiliary percussion. These are the charts we sell, but weve also included
saxophone parts which take the place of the mellophonium parts. They work quite
well! From Kentons Merry Christmas recording.

THE OPENER
Arranged by Bill Holman
Medium Difficult
$52.00
Cat: SMP-613
There are a few charts from this library which are very playable by any reasonably
well developed jazz ensemble. This surely is one of the best! Holman created a
beautifully layered piece, based on the Rhythm changes. This is one of the most
popular charts in the entire Kenton Library. Solo space for alto, tenor, trombone and
trumpet. Recorded on Showcase in 1954. 5-5-5-3 (condensed score)

S T A N

K E N T O N

THE PARTYS OVER


Arranged by Lennie Niehaus
Medium Difficult
$47.00
Cat: SMP-696
This is one of the many wonderful charts arranged by Lennie for the Stan Kenton
Orchestra. He is able to capture the Kenton sound without a lot of high-range
problems or difficult concerns for the players. Solo space for trumpet and a bit of
piano. Recorded on the Stage Door Swings LP. A great addition to any jazz and/or
dance library, and a wonderful closer for any musical event.

THE PEANUT VENDOR


Arranged by Stan Kenton and Pete Rugolo
Difficult
$47.00
Cat: SMP-692
The original chart as played by the Stan Kenton Orchestra. No holds barred on this
one, no watered-down version. This allows for cued sections, exactly how the band
played it. This is the real thing as recorded so many times over Kentons career.

PEGASUS

***NEW***

Arranged by Hank Levy


Medium Difficult
$ 52.00
Cat: Cat: SMP-626
This piece is one of the most popular Levy charts that he did for the Stan Kenton
Orchestra. This is a new edition (Finale computer notated) and is available with a
full score for the first time. This is recorded on the Journey Into Capricorn CD by
the Kenton band. The meter is 6/8 throughout, and the piece swings like crazy.
There is solo space for alto sax and trumpet. A great melody and Hanks accessible
rhythms make this chart very playable. 5/5/5/3

PENNIES FROM HEAVEN


Arranged by Lennie Niehaus
Difficult
$47.00
Cat: SMP-683
This was the first chart arranged by Lennie to be recorded by Stans band. It is a
great arrangement of a wonderful tune, and it features space for a trumpet solo
(originally recorded by Conte Candoli). This is a great addition to any jazz band
library. Recorded on the Sketches on Standards album.

OPENING

POLKA DOTS AND MOONBEAMS

Arranged by Bill Holman


Medium Difficult
$52.00
Cat: SMP-560
Here is a great, free-swingin opener, also written for Stan Kenton. Although it was
never recorded commercially by the band, it was played a great deal in live
performances throughout the country. It cooks from beginning to end, and features
solo space for trumpet and tenor saxophone and one of those patented Holman
ensemble shout choruses that just swings like crazy!

Arranged by Bill Holman


Medium Difficult
$47.00
Cat: SMP-550
Arranged by Holman for Carl Fontana with the Stan Kenton Orchestra in the mid
50s. This chart is wonderful in its simplicity and melodic content. A striking melody
and an exquisite arrangement. Solo for trombone throughout. Very reasonable brass
ranges and overall rhythmic content. If youve got a good trombonist looking for a
feature ballad, this is it! And the band parts are not very demanding.

OPUS IN PASTELS

PORTRAIT OF A COUNT

Arranged by Stan Kenton


Medium
$32.00
Cat: SMP-659
The all-time, classic saxophone section feature. Originally recorded for the first time
in 1940, it has been recorded many, many times since (the latest recording was Stan
Kenton in London on Decca Records from 1972. 5 saxes-3 rhythm

Arranged by Bill Russo


Difficult
$52.00
Cat: SMP-531
The Stan Kenton Orchestra was always an ideal showcase for the outstanding
soloists within its ranks. This piece was written to feature Conte Candoli on trumpet.
Absolutely the best! A trumpet feature throughout. Slow, Fast, Slow. Recorded on
the Kenton New Concepts of Artistry in Rhythm CD.

OUT OF NOWHERE
Arranged by Bill Holman
Medium Difficult
$52.00
Cat: SMP-619
Holman wrote this to feature Bill Perkins in the mid 50s. It is a tenor saxophone
feature throughout and a wonderful chart. Lots of blowing space and the usual
swinging ensemble sections for which Holman is so well known. This chart requires
1 alto, 2 tenor and 2 baritone saxophones.

OVER THE RAINBOW


Arranged by William Russo
Difficult
$47.00
Cat: SMP-669
In 1953, Kenton recorded an album titled Sketches on Standards. It was a great
recording containing the arrangements of Russo and Kenton. The piece has a
wonderful trombone solo in it (as originally recorded by Bob Burgess) and can be
used as a feature for that instrument. A lovely, adventurous chart on a classic tune.

CALL NOW TO ORDER! 1-518-587-1102

QUIEN SABE? (WHO KNOWS?)


Arranged by Johnny Richards
Difficult
$62.00
Cat: SMP-680
Movement IV (of 7) of the Cuban Fire Suite. Finally ... the definitive version of this
magnificent music. The fourth of seven movements published by Sierra Music. The
original score of Richards was the source for this and all the movements of this suite.
Full parts for original instrumentation of 4 saxes, 5 trumpets, 2 French horns, 4
trombones, tuba, piano, guitar, bass, drum set, timpani and 6 additional percussionists.
For the first time, a full score is included. Recorded on the Cuban Fire CD.

QUINTESSENCE
Arranged by Hank Levy
Difficult
$62.00
Cat: SMP-646
Of all the pieces Hank wrote for Kenton, this is arguably the best one. This is
recorded on the University of N Texas One OClock Lab Band 2005 CD. It is a melodious
work, set in 5/4 throughout. There is a long, wonderful section for trumpet (or
flugelhorn) solo. The middle Baroque sounding contrapuntal section is a masterpiece.
The trumpet range is very reasonable. 5-5-5-3 (can be played by only 8 brass)

OR ORDER BY FAX: 1-518-587-2325

93

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K E N T O N

RECUERDOS
Arranged by Johnny Richards
Difficult
$52.00
Cat: SMP-665
Movement III (of 7) of the Cuban Fire Suite. Finally ... the definitive version of this
magnificent music. The third of seven movements published by Sierra Music. The
original score of Richards was the source for this and all the movements of this suite.
Full parts for original instrumentation of 4 saxes, 5 trumpets, 2 french horns, 4
trombones, tuba, piano guitar, bass, drum set, timpani and 6 additional percussionists.
For the first time, a full score is included. Recorded on the Cuban Fire CD.

REED RAPTURE
Arranged by Stan Kenton
Medium
$37.00
Cat: SMP-561
We are proud to publish another one of Stan Kentons ground-breaking saxophone
section features. Opus in Pastels is already in print, but this piece actually pre-dates
Opus in Pastels and was included in the Kenton Era collection of recordings. The
piece perfectly demonstrates the thinking of the young Stan Kenton. Written for
saxophones and rhythm only.

RENDEZVOUS AT SUNSET
Arranged by Johnny Richards
Medium Difficult
$47.00
Cat: SMP-667
One of the things Johnny Richards did best was write gorgeous melodies (many just
think of him as bombastic and obsessed with odd-meter things). This is one of those
melodies, as recorded on the Back to Balboa LP. There are trumpet, tenor and
trombone solos. The chart has been edited so it can be played with a standard big
band. 5-5-5-4 with an optional french horn part.

RHAPSODY IN BLUE
Arranged by Bill Holman
Difficult
$52.00
Cat: SMP-727
As recorded by the Stan Kenton Orchestra on Live at Brigham Young University,
this is a rare baritone saxophone solo feature throughout. The arrangement by
Holman is marvelous, opening and closing with a slow statement of the theme, and
roaring in an up-tempo setting in the middle of the chart. This is a very exciting
arrangement of Gershwins unforgettable piece. 5-5-5-3

THE RISE AND FALL OF A SHORT FUGUE


Arranged by Bob Curnow
Difficult
$52.00
Cat: SMP-551
The Stan Kenton Orchestra was always ahead of its time! This chart was recorded
on the Stan Kenton Plays Chicago CD. It was one of two originals on the album. Stan
asked Bob to write something which could be performed differently every night. The
fugue is an interesting tone row style jazz line which leads into a free-form section
which is cued by the conductor in any manner so chosen. A great piece!

ROUND ROBIN
Arranged by Shorty Rogers
Difficult
$59.00
Cat: SMP-584
This amazing chart was recorded by the Stan Kenton Orchestra and released on
the By Request-Volume One album. It is one of those stunning charts by Shorty
which took full advantage of the talents of the likes of Maynard Ferguson, Bud
Shank, Milt Bernhart and Shelly Manne. This requires an accomplished tpt. section
with lots of chops. Solos for alto sax, tenor sax and trumpet. 5-5-5-3

ROYAL BLUE
Arranged by Bill Holman
Difficult
$67.00
Cat: SMP-697
Bill Holmans compositions in the library of the Stan Kenton Orchestra were some of
the most exciting pieces ever conceived for jazz orchestra. This is an up- tempo
romp through the blues, major and minor. It contains all of the elements so associated
with the Kenton band-excitement, energy and wonderfully inventive writing. This
chart was recorded on the Back To Balboa LP. 5-5-5-3 (w/opt. french horn parts)

94

SAMBA SIETE
Arranged by Hank Levy
Advanced
$62.00
Cat: SMP-645
A samba in 7/4 ...... only Hank could make that work! This is a tough chart, but well
worth the effort. Exactly as recorded on the Live at Butler University CD. Trumpet,
alto saxophone and drums are featured on this extremely exciting Latin piece. Levy
at his best ! This chart requires 1 alto, 2 tenors and 2 baritones. (condensed score)

SEPTEMBER SONG
Arranged by Stan Kenton
Medium
$32.00
Cat: SMP-622
The Kenton Band had many hits over the years, and a couple of them involved the
whole band singing. This was one of those charts. Now, if your band isnt into singing
(maybe they should be), then this is the perfect vehicle for your vocalist. Pitched in
Ab. Trumpets get a breather and the trombones and saxophones shine as section.
A wonderfully relaxing, lush chart.

A SMITH NAMED GREG


Arranged by Hank Levy
Medium Difficult
$52.00
Cat: SMP-562
This is a wonderful feature for baritone saxophone! It was recorded by the Stan
Kenton Orchestra on the Kenton 76 CD. It opens with a slow, pensive melody (bass
and soloist only) and continues with backgrounds through the rest of the melody.
The soloist then sets a brighter tempo with a 4-bar break, and the soloist and
rhythm section continue for a while until the band is cued in. Limited ranges (except
for one measure in 1st tpt.) make this a very accessible chart for most bands. Hurray
for Hank Levy!

SOLO FOR BUDDY


Arranged by Bill Holman
Difficult
$52.00
Cat: SMP-615
Buddy Childers, that is! Willis wrote this for Buddy in 1954, and it is recorded on the
Kenton Showcase album. A terrific feature for your stellar trumpet player. 5-5-5-4
(condensed score)

SPEAK LOW
Arranged by Johnny Richards
Difficult
$52.00
Cat: SMP-682
Recorded on the Back To Balboa LP by the Stan Kenton Orchestra, this is a typical
Richards chart in that it contains exciting ensemble blowing and lots of solo space
for trombone, tenor sax, trumpet and alto sax. It is set in a Latin feel and has very
reasonable brass ranges. A must for your library!

SPRING IS HERE
Arranged by Lennie Niehaus
Medium Difficult
$52.00
Cat: SMP-563
This is another one of those absolutely wonderful charts that Lennie did for Stan
Kenton for what was known as the dance book. It was the hippest dance book ever!
A medium-swing tempo sets this great standard in a framework that is very musical
and very exciting. Trumpet and bass are featured. Limited ranges (tpt. written high
D). This one will be a real favorite.

STAIRWAY TO THE STARS


Arranged by Bill Holman
Difficult
$52.00
Cat: SMP-554
Another terrific feature chart by Bill Holman. This one was written to feature Gabe
Baltazar (alto saxophone) and was recorded on the Adventures in Jazz album. It
opens with a slow setting, moves into a fast tempo and returns to the pensive,
beautiful, slow setting which opened the chart. Exquisite writing! Edited to be
played without mellophoniums. Standard sax section. 5-4-4-3 (10 brass optional)

STAN KENTON HITS MEDLEY

Arranged by Bob Curnow


Medium Difficult
$62.00
Cat: SMP-603
Four wonderful tunes.... Eager Beaver, Dynaflow, Opus in Chartreuse and Artistry in
Rhythm are included in this medley. Curnow put on paper what the band used to
play to close most concerts or dances in the later years. Perfect for a kenton Tribute
Concert when you want to end with the best loved hits of this band. Fairly easy to
play for most bands. In fact, the idea was to rest the trumpet section for a while.

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STAR SPANGLED BANNER


Arranged by Bob Curnow
Difficult
$45.00
Cat: SMP-575
There have been SO many requests for the ORIGINAL arrangement as recorded
by the Stan Kenton Orchestra, that Curnow has made it available for the first time.
Here is the national anthem, as recorded by Kenton in 1972 on National Anthems
of the World. Here is a respectful, beautiful, powerful arrangement in the Kenton
tradition. (alto, 2 tenors, 2 baritones; 5 trpts.; 4 trbs.; tuba, piano, bass drum set and
timpani).

STELLA BY STARLIGHT
Arranged by Johnny Richards
Medium Difficult
$60.00
Cat: SMP-574
This is the bass trombone solo, as recorded (The Kenton Era) by George Roberts
with the Stan Kenton Orchestra. Folks have been waiting for this one for a long time.
Johnny Richards sets this wonderful ballad in his typically adventurous and exciting
manner.There is also a trumpet solo. Reasonable ranges make this piece very playable.
A classic chart on a classic melody. 5-5-5-3 (can be played with 8 brass)

STELLA BY STARLIGHT
Arranged by Bill Holman
Medium Difficult
$47.00
Cat: SMP-661
A great alto saxophone feature. From the incomparable Contemporary Concepts
album (1955). It begins with a soft, lovely statement of the melody and ends that
way, with a roaring up-tempo middle section. This is one of Holmans most often
played features.

A STEP BEYOND
Arranged by Hank Levy
Difficult
$52.00
Cat: SMP-616
Live at Brigham Young University was the CD on which this chart was recorded. It
is written in 5/4 and has solos for baritone saxophone and trumpet. A terrific chart
by the incomparable Hank Levy. 5-5-5-3 (condensed score)

STOMPIN AT THE SAVOY


Arranged by Bill Holman
Difficult
$52.00
Cat: SMP-655
If there is one chart which seems to capture the essence of Stans mid-fifties bands,
this is the one! The chart swings like mad from downbeat to the end. This is one of
Holmans best early charts, and he turned everyone on their ear with it. Great
ensemble sections, and great solo spaces for guitar (or piano), bass, trumpet and
tenor saxophone. This is very sophisticated music on maybe the best album the
Kenton Band ever did. Recorded on the Contemporary Concepts album.

STREET OF DREAMS
Arranged by Stan Kenton
Medium Difficult
$32.00
Cat: SMP-623
Stan had a very definite style of arranging which, of course, was the basis of most of
the music for his early bands. This chart is very simple but extremely effective. It
begins with quiet trombones (5 parts), then piano, then the whole band at full
volume, then an alto saxophone solo, then the sax section is featured, and then
there is a quiet, wonderful ending with alto and rhythm alone. This chart was
recorded many times, but it was first included in the Portraits on Standards album
(featuring Art Pepper on the solo). A beautiful ballad and a real arranging masterpiece!

STREET SCENE

***NEW***

Arranged by Gene Roland


Medium Difficult
$49.00
Cat: SMP-739
This is the exact arrangement as played on the Live at the Tropicana by the Stan
Kenton Orchestra. It is a lovely, moody chart, with lush, warm harmonies and
orchestration. Solos are in the tenor sax, trumpet, trombone and piano parts. Very
moderate ranges (one isolated high D in tpt. 1) make this a most playable chart. Your
band will love playing this. 5/5/5/3 (needs 10 brass)

STRING OF PEARLS

***NEW***

Arranged by Gene Roland


Difficult
$55.00
Cat: SMP-740
This is NOT the Glenn Miller version of this tune. Gene Roland arranged this for the
Kenton Band (recorded on the Live at the Tropicana CD), and it swings like crazy!
There is a nifty pattern created in the rhythm section which underlies the theme
stated by trombones. Youll find this to be a refreshing and take on this old standard.
There is solo space for alto saxophone. 5/5/5/3 - can be played with just 8 brass.

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S T A N

K E N T O N

SUNSET TOWER
Arranged by Stan Kenton
Medium Difficult
$52.00
Cat: SMP-537
This is one of the amazing stories of finding what was thought to be a long-lost
chart. After extensive research, it turned up as an untitled set of parts in the North
Texas Kenton archives. We are proud to bring you this unedited Kenton original,
computer notated (as are most of our charts) from the original parts. This is a
wonderful piece which features a trombone solo (Carl Fontanas transcribed solo is
included). Reasonable ranges.

SWING HOUSE
Arranged by Gerry Mulligan
Difficult
$47.00
Cat: SMP-658
Mulligans writing for the Kenton Band was fairly minimal in quantity but extraordinary
in quality. He had a profound effect on the band and the writers to follow him. This
composition was recorded in 1952 and is on the New Concepts CD. There is solo
space for trombone, alto tenor and trumpet. A classic which should be in every jazz library.

TAKING A CHANCE ON LOVE

***NEW***

Arranged by Lennie Niehaus


Medium Difficult
$55.00
Cat: SMP-741
This is one of those marvelous dance charts that Lennie Niehaus wrote for Stan
Kenton. Of course, all of Lennies charts are extremely hip, and this is no exception.
Saxophones lay down a nifty little counter melody which occurs throughout the
chart, and trumpets state the wonderful melody. There is solo space for trumpet
and a neat saxophone soli. This has very moderate brass ranges (high D for tpt. 1)
and will be a great addition to any jazz library. 5/4/4/3 (opt. 10 brass parts)

THEME AND VARIATIONS


Arranged by Bill Holman
Difficult
$52.00
Cat: SMP-617
Recorded in 1953 on the Kenton Showcase album, this is a medium tempo swing
chart which was (and still is) very different and fresh. There is no improvisation in it!
It opens with unison trombones playing a simple melody, and then the different
sections join in one at a time to create the many variations in the piece. Holman
demonstates his classical knowledge, but never at the expense of swinging.

THERES A SMALL HOTEL


Arranged by Bill Russo
Difficult
$49.00
Cat: SMP-589
As recorded by the Stan Kenton Orchestra on Sketches on Standards, this is
a wonderful, creative arrangement of a great standard. Russo had a wonderful
way with chord substitutions and used them a lot in this chart. There is a
solo for alto sax (the transcribed solo of Lee Konitz is included) and
piano. This will make a great addition to any jazz and/or dance librar y.
All the ranges are reasonable. 5-5-5-4

THREE THOUGHTS
Arranged by Dee Barton
Difficult
$62.00
Cat: SMP-647
What a dynamic chart this is! It is included on the CD recording The Jazz Compositions of Dee
Barton (1967). It opens with a dramatic, rubato ensemble at a slow tempo (while
the bass and drums are swinging at a bright tempo) and then it moves into a fastpaced setting. Lots of solo space for bass and drums and alto saxophone and trumpet. The
piece ends the way it begins. A wonderful composition by an extraordinary composer.
This chart requires 1 alto, 2 tenor and 2 baritone saxophones. 5-5-5-3 (condensed score)

THE THRILL IS GONE


Arranged by Bill Mathieu
Difficult
$47.00
Cat: SMP-534
Many think that Standards in Silhouette was the most beautiful ballad album ever
recorded by the Kenton Band. This chart is the fourth one (along with Ill Wind, The
Meaning of the Blues and Willow Weep for Me) which is now in print. Bill Mathieu is
an extremely creative arranger who has reinvented these gorgeous ballads.

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95

S T A N

K E N T O N

TIARE
Arranged by Ken Hanna
Difficult
$47.00
Cat: SMP-541
This is arguably the most beautiful piece ever written by Ken Hanna. One flute
double and all 10 brass are required (with tuba). If youre looking for that exotic,
romantic, gorgeous ballad for your band, this is the one! Recorded on the Live from
Redlands University CD.

TIME FOR A CHANGE

***NEW***

Arranged by Hank Levy


Difficult
$52.00
Cat: SMP-618
This is a new edition (Finale computer notation) of this wonderful composition. It
is available with a full score for the first time. Exactly as recorded by the Stan Kenton
Orchestra on the Kenton 76 CD, this is, unquestionably, one of the best things
Hank ever wrote for Kenton. Once you get by the 9/8 meter (not too difficult), the
reasonable ranges (1st tpt. high D only) make this a very playable chart. The melody
is absolutely lovely, and there is solo space for alto, tenor and trumpet. 5/5/5/3 (can
be played with only 8 brass).

A TIME FOR LOVE


Arranged by Hank Levy
Medium Difficult
$42.00
Cat: SMP-67
This is another one of those charts which did not get commercially (or legally)
recorded by the band. Hank wrote it in the later years. It features the lush 5-way
trombone sound for which the band was so well known. There is a short (written)
piano solo, a strong ensemble (trumpets do not play very high at all) and a quiet
ending. Another masterful chart by Hank Levy. 5-5-5-3

TRES CORAZONES
Arranged by Johnny Richards
Difficult
$57.00
Cat: SMP-666
Movement VII (of 7) of the Cuban Fire Suite. Finally ... the definitive version of this
magnificent music. This is the lost movement, which we were fortunate to find. The
original score of Richards was the source for this and all the movements of this suite.
Full parts for original instrumentation of 4 saxes, 5 trumpets, 2 French horns, 4
trombones, tuba, piano, guitar, bass, drum set, timpani and 6 additional percussionists.
For the first time, a full score is included. Recorded on the Cuban Fire CD.

TURTLE TALK
Arranged by Dee Barton
Advanced
$52.00
Cat: SMP-649
There are quite a few charts in the Kenton Library that stand out because of their
extreme originality. This is one of them. It is also a very demanding and exciting chart.
The melody and harmonic structures are based for the most part on the whole
tone scales (as is Waltz of the Prophets). This piece has not been converted to
computer notation, and the parts and score (a very poor visual quality full score)
are exactly as played by the band. This is fast, screaming big band jazz at its wildest!
This chart requires 1 alto, 2 tenor and 2 baritone saxophones.

THE TWELVE DAYS OF CHRISTMAS


Arranged by Ralph Carmichael
Medium Difficult
$52.00
Cat: SMP-610
The 1961 Capitol Records recording of Christmas music was a smash hit for
Kenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael of
traditional Christmas music. This particular arrangement is one of the more complex
charts on the album. It goes through a series of meters and textures and ends up
with a no-holds-barred swinging section at the end. A great chart! The original
arrangements were written for 4 trumpets, 4 mellophoniums, 4 trombones, tuba,
keyboard, bass, drums and auxiliary percussion. These are the charts we sell, but
weve also included saxophone parts which take the place of the mellophonium
parts. They work quite well! From Kentons Merry Christmas recording.

TWO SHADES OF AUTUMN


Arranged by Joe Coccia
Medium Difficult
$47.00
Cat: SMP-673
This is a beautiful ballad, exactly as recorded on the Rendezvous with Kenton
album. It features solos for alto and tenor saxophones. This is a gorgeous theme in
a lovely setting.

96

UNISON RIFF
Arranged by Pete Rugolo
Difficult
$50.00
Cat: SMP-636
This chart has appeared on a couple of different albums over the years (Kenton
Classics and Hits). It is typical, swinging Rugolo as he was writing in the late 40s.
Solos for trumpet, alto, bass and trombone.

WALKIN SHOES
Arranged by Gerry Mulligan
Medium Difficult
$42.00
Cat: SMP-656
This is one of those charts that can be played by any reasonably accomplished big
band (including high school players). It is Mulligans own chart on his famous tune.
The only recorded version of it, oddly enough, is the one on Road Show, and it was
used as a vehicle for June Christy and the Four Freshmen to sing. They simply sing
the instrumental lines which are in the chart. However, when the band takes over, it
is obvious what a great chart this is. Easy swinging and wonderful music. (condensed score)

WALTZ OF THE PROPHETS


Arranged by Dee Barton
Advanced
$62.00
Cat: SMP-651
There are quite a few charts in the Kenton Library that stand out because of their
extreme originality. This is one of them. It is also a very demanding and exciting chart.
The melody and harmonic structures are based for the most part on the whole
tone scales (as is Turtle Talk). There is space for tenor and trumpet solos. This was
one of the more popular charts that the band played throughout the 1960s. It is
recorded on the Adventures in Jazz CD. This piece has not been converted to
computer notation, and the parts (no score) are exactly as played by the band. This
chart requires 1 alto, 2 tenor, 1 baritone and 1 bass saxophone. (no score)

WE THREE KINGS
Arranged by Ralph Carmichael
Medium Difficult
$52.00
Cat: SMP-611
The 1961 Capitol Records recording of Christmas music was a smash hit for
Kenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael of
traditional Christmas music. This particular arrangement is one of the jazzier ones
on the album. It swings like crazy! The original arrangements were written for 4
trumpets, 4 mellophoniums, 4 trombones, tuba, keyboard, bass, drums and auxiliary
percussion. These are the charts we sell, but weve also included saxophone parts
which take the place of the mellophonium parts. They work quite well! From
Kentons Merry Christmas recording.

WELL BE TOGETHER AGAIN


Arranged by Stan Kenton
Medium Difficult
$47.00
Cat: SMP-698
Written by Stan in the late 50s, this chart is wonderful in its simplicity and melodic
content. A more beautiful ballad has not been written, and Kentons arrangement
really focuses on that beauty. Solos for trumpet and piano (written out). Recorded
on the Ballad Style of Stan Kenton CD.

WHATS NEW?
Arranged by Bill Holman
Medium Difficult
$62.00
Cat: SMP-660
This may be the all-time greatest jazz arrangement of a standard tune. Also from the
Contemporary Concepts LP (1955). This great standard is turned into a marvelous
vehicle for solo statements from alto, tenor trumpet and trombone. No big band
jazz library can be complete without this superb arrangement.

WHATEVER LOLA WANTS


Arranged by Lennie Niehaus
Medium Difficult
$52.00
Cat: SMP-590
As recorded by the Stan Kenton Orchestra on Stage Door Swings, this medium-up
swing chart comes roaring out of the chute with a brass pop and leads into the
piano stating the melody. There is additional solo space for baritone sax and a neat
unison enesemble passage that takes this happy, swinging chart to the end. 5-5-54 (can be played by only 8 brass).

WHERE OR WHEN
Arranged by Gerry Mulligan
Medium Difficult
$47.00
Cat: SMP-723
Mulligan contributed only a few charts to the Kenton Library, and they are all classics. This
arrangement is no exception. Although originally arranged for Stans dance book in the 50s,
this is much more than a dance chart. The saxophone section is featured, and the
chart finishes with Mulligans marvelous creative touch. Solo for piano. 5-5-5-4

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WILLOW WEEP FOR ME


Arranged by Bill Mathieu
Difficult
$47.00
Cat: SMP-535
Bill Mathieus arrangements, done for the Stan Kenton Orchestra, were some of the
most beautiful pieces ever recorded by that band. This is a splendid rendition of a
great standard. It contains all of the elements so associated with the Kenton band
- wonderfully inventive writing. Trumpet, tenor and trombone solos. This chart is on
the new Standards in Silhouette CD.

WORKS
Arranged by Bill Holman
Medium Difficult
$52.00
Cat: SMP-564
Here is a terrific medium swing chart, also written for Stan Kenton in the 50s.
Although it was never recorded commercially by the band, it was played a great deal
in live performances throughout the country and is on a number of transcription
recordings. It cooks from beginning to end, and features solo space for trumpet and
tenor sax, and one of those patented Holman ensemble shout choruses that just
swings like crazy!

YESTERDAYS
Arranged by Bill Holman
Difficult
$42.00
Cat: SMP-668
This is a wonderful feature for tenor saxophone (as recorded by Bill Perkins). Bill
says that people ask him about this recording more than any other he has done
(and thats a LOT!). Holman uses the essence of this beautiful ballad, stays out of the
way of the soloist, and creates one of the most successful feature ballads ever
arranged. This is very sophisticated music on maybe the best album the Kenton
Band ever did. Recorded on the Contemporary Concepts album.

YOU GO TO MY HEAD
Arranged by Bob Graettinger
Difficult
$47.00
Cat: SMP-686
It is hard to explain the characterisitic of this arrangement except to say that, even
though Graettinger writes some very adventurous and futuristic textures and lines,
you always know where and what the melody is. This is just wonderful writing! If
youre looking for something to program which demonstrates the contributions of
Graettinger to the Kenton aura, but does not get as weird (not a good word) as
other things he wrote, this really fits the bill. Included on the City of Glass CD.

YOUNG BLOOD
Arranged by Gerry Mulligan
Difficult
$52.00
Cat: SMP-657
Mulligans writing for the Kenton Band was fairly minimal in quantity but extraordinary
in quality. He had a profound effect on the band and the writers to follow him. This
composition was recorded in 1952 and is on the New Concepts CD. There is solo
space for alto, tenor and trumpet. A classic which should be in every jazz library. 55-5-4 (This music is available from Mosaic Records in their Russo/Holman CD set.)

YOUNGER THAN SPRINGTIME

***NEW***

Arranged by Lennie Niehaus


Medium Difficult
$55.00
Cat: Cat: SMP-742
Lennie Niehaus wrote a series of terrific arrangements for the Stan Kenton Orchestra
(this was recorded on the Stage Door Swings CD). This chart is a medium-swing
version of a great Rodgers & Hammerstein tune. It features solo space for trumpet.
Ranges are quite moderate (a couple of high Es for tpt. 1) for a Kenton chart. This
swings like mad, and your band will surely love playing it. 5/5/5/3

ZOOT
Arranged by Bill Holman
Difficult
$52.00
Cat: SMP-652
Holman wrote this to feature (of course) Zoot Sims on tenor saxophone. This is a
feature throughout the chart and is a typical swinger in the Holman style of the
early 1950s. The only recording is on the Kenton Era collection. (This recording is
also available from Mosaic Records in their Russo/Holman CD set.) The parts are
hand copied, not computer notated. (condensed score)

STAN KENTON/GENE KRUPA


AS PERFORMED BY GENE KRUPA
BOOGIE BLUES

[VOCAL]

Arranged by Myles Collins


Medium
$65.00
Cat: LL-99504
A hit for Anita ODay during her second spell with the Gene Krupa Orchestra, this
chart is taken from the album Let Me Off Uptown on Columbia/Legacy (CK
65625). The opening Boogie, followed by an Alto solo (written) leads in to the vocal
chorus. Theres just a muted trumpet and the rhythm section backing the singer. The
band comes back with the boogie and into a big shout chorus to finish. Baritone sax
on alto throughout. The alto and trumpet solos are written out. Vocal Key: Eb

DISC JOCKEY JUMP


Transcribed by Bob Martin
Difficult
$65.00
Cat: LL-99973
This chart is very clever in its concept, as it is both big band and an 8-piece bebop
all rolled into one. The front line is a quartet of alto, tenor, trumpet and trombone
taking the unison melody line, with the rest of the blowers providing the backing
support. Each of the quartet have solos. This chart in a way reflects its time in history,
with the shift from the big band format of the 40s to much smaller outfits in the 50s.
This is not a demanding piece to play, and also sounds good at reduced tempo.

LEAVE US LEAP
Arranged by Myles Collins
Difficult
$65.00
Cat: LL-99972
Made popular by the Gene Krupa Orchestra, Leave Us Leap is a full-blooded uptempo swing chart in which dynamics are everything. The first chorus is taken by the
saxes, with punchy brass backing. Solos for trumpet, trombone, tenor and piano
follow, with a cameo alto solo introducing a big shout chorus at the end. The
drummer is then left to his own devices for a solo spot, which could last from a few
seconds to several minutes. Some bands leave the stage at this point and let him get
on with it! The shout chorus is repeated to end things off.

LET ME OFF UPTOWN

[VOCAL]

Arranged by Myles Collins


Difficult
$65.00
Cat: LL-99467
This was a huge hit for the Krupa band, featuring Anita ODay and Roy Eldridge. The
chart is a medium tempo swing duet between the two and has some lovely spoken
interplay between them. We realize than not many bands have trumpet players who
also sing, so we have written both vocal lines on one part, and cross-cued the male
vocal onto the 2nd trumpet part just in case. This chart is also a trumpet feature,
with the 2nd trumpet taking a screaming solo when the vocals are over. Eldridges
original version (which we have written out in full) goes up to a super G, though we
have provided chords should your player wish to improvise. All 3 other trumpets are
written to high Eb during a unison run up to the T2 solo, but 3 & 4 can be dropped
an octave if they cant reach the range. This chart would be a medium if the soloist
improvises and T3&4 drop the octave. There are no sax doubles. Vocal Key: Db

OPUS ONE

[VOCAL]

Transcribed by Myles Collins


Difficult
$65.00
Cat: LL-99960
This is the vocal version that Anita ODay recorded with Gene Krupa, and is a mix
of powerhouse swing that you would expect from Krupas band, and a laid-back,
slightly humourous vocal chorus from ODay. It features a blasting trumpet solo
near the end, and a wonderfully conceived modulation into the vocal chorus. The
trumpet solo has been written out, and the little piano fill-in solo in the intro also.
This is a medium to advanced chart in terms of difficulty, because the trumpet solo
screams up to a high E, and 1st and 2nd trombones have to pick a top D out of the
air at one point. No sax doubles. Vocal Key: D

STOP!THE RED LIGHTS ON ***NEW*** [VOCAL]


Arranged by Myles Collins
Medium
$65.00
Cat: LL-2129
This is another well known up-tempo swing chart from Anita ODay and the Gene
Krupa Orchestra. The arrangement (transcribed from the Elton Hill original) not
only features your vocalist and your band shouting Stop!, but also your Trumpet 2.
Gene Krupa often featured Anita ODay and Roy Eldridge together in the same
arrangements. Let Me Off Uptown and North Carolina are other examples. This is
a fine swinger from the height of the Krupa band. The vocal key is Bb.

CALL NOW TO ORDER! 1-518-587-1102

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97

KRUPA/LEE/MARTIN/MILLER
SYMPHONY IN RIFFS

***NEW***

Arranged by Myles Collins and Alan Glasscock


Difficult
$65.00
Cat: LL-1228
Benny Carter wrote this piece and recorded it with his band in 1933, and it became
one of the defining swing charts of the era. He later scored this arrangement for
Gene Krupa, and it is arguably even better than the original. The only changes from
this classic was to score the chart for 8 brass and 5 saxes (originally 6 & 4 respectively).
There are solo spots for tenors 1 & 2, trumpet 2, trombone 1 and drums, and all of
the solos are written out in full, except the drum solo where the the first 4 (of 16)
measures have been written out in Krupa style. This chart skips in a relaxed righton-the-beat swing style, and is great for the dancers. There are no sax doubles.

TUXEDO JUNCTION
Arranged by Myles Collins
Medium Easy
$65.00
Cat: LL-1113
More bluesey than the Miller version, this arrangement from the Gene Krupa
Orchestra makes a refreshing addition to any library. The chart features some lovely
guitar and alto solo cameos and a solo spot for clarinet (1st tenor), plus some
flowing brass choruses. Whilst the Miller-style trombone plunger figures are nowhere
to be found, the brass sections do have the chance to wave their rubber near the
end of the chart, and the trombones round the piece off with pedal note doo-wops.
The saxes are scored for 3 altos & 2 tenors, and 1st tenor doubles clarinet. The
guitar solos are cued onto the piano part should you lack a guitarist. The brass
ranges are very moderate and we have graded the piece as medium easy, as the
clarinet solo (as written) gets a bit busy in one bar.

AS PERFORMED BY PEGGY LEE


THATS MY STYLE

[VOCAL]

Transcribed by Jon Harpin


Medium
$65.00
Cat: LL-1231
This is the late, great Peggy Lee at her laid back best. This tune is so relaxed it is
almost horizontal, yet the bands support of the vocalist is just perfect. Loud and
snappy where it needs to be, yet in places as laconic as the vocal itself. The tempo is
moderate and the brass ranges not overly demanding, though the band needs to be
tight to do the chart justice. No sax doubles. Vocal range: G3 -A4; Vocal Key: F

WHY DONT YOU DO RIGHT

[VOCAL]

Arranged by Myles Collins


Medium Easy
$65.00
Cat: LL-2081
This version was recorded in 1942 by Peggy Lee during her stay with the Benny
Goodman band and Peggy made this song her own. Goodmans chart has been
faithfully transcribed, including all of the clarinet licks and solos, but have expanded
the brass from the original 6 up to 8. The sax parts are written for solo clarinet, alto,
2 tenors & baritone though an extra alto sax part has been included (the tenor 1
part, written for alto) to give you a bit more flexibility in the section. The brass
ranges are very moderate, and aside from the clarinet solo there are no surprises, so
the chart is very playable. Female vocal range: A3-D5 (10 steps); Vocal key: F

AS PERFORMED BY DEAN MARTIN


AINT THAT A KICK
IN THE HEAD

***NEW***

[VOCAL]

Transcribed by Myles Collins


Medium
$65.00
LL-2112
This tune was a huge hit for Dean Martin, and the same version was more recently
covered by Robbie Williams on his Swing When Youre Winning album. The original
chart has been transcribed here, and it will be a complete show-stopper for your
band, whether your singer wants to be Dean or Robbie. There are no sax doubles,
the 4th trombone is written for a bass, and the vocal key is D.

98

AS PERFORMED BY GLENN MILLER


ADIOS
Transcribed by Myles Collins
Medium
$65.00
Cat: LL-99962
A hauntingly beautiful number from the Glenn Miller book. This is a faithful
reproduction of the original arrangement, with correct Miller-voiced saxes throughout.
Lead trumpet takes the solo line, and lead trombone has the muted middle solo. This
chart is all about dynamics and blending of instruments, in order to achieve the right
feel and expression. The notes are easy, but the band must be tight. Sax doubles: alto
1 on clarinet throughout; baritone on alto.

AMERICAN PATROL
Transcribed by Myles Collins
Medium
$65.00
Cat: LL-22406
There are many bands using a stock dance band arrangement of American Patrol,
originally written for 5 saxes and 5 brass, and possibly then adapted for a bigger
band. The problem is that its wrong on a number of counts, not least of which is
that the correct key is Bb. The stock was in Ab and made many sectional passages
lumpy and tricky to play. We have faithfully reproduced the original for you here,
scored the instruments properly and tidied up the wrong notes and chord
progressions. All of the expressions and dynamics are in place and easy to read. This
is a really good value for money chart and will give your band the authentic Miller
sound when you play it. Lead alto doubles clarinet, baritone sax doubles alto.
Trumpet solo written for 2nd part, and cued on lead part.

ANVIL CHORUS
Transcribed by Alan Glasscock
Difficult
$65.00
Cat: LL-1080
Originally from Verdis Il Trovatore, Anvil Chorus was a big hit for the Glenn Miller
band, thanks to the fabulous arrangement by Jerry Gray. This is faithfully restored to
the original version, complete with fully written out solos for tenor and trumpet. The
saxes are voiced AAATT throughout, as per the original, and all dynamics are
marked. This is great in performance, and at 240 bpm you will need nimble fingers.

AT LAST

[VOCAL]

Arranged by Alan Glasscock


Medium
$65.00
Cat: LL-2029
Here is Millers beautiful vocal ballad. The Miller band had several versions of this
chart, and this is drawn from the version in the film Orchestra Wives. Whilst it is not
the complete film version (i.e., not with both male and female vocal), it has the same
dramatic opening with the trumpet solo, then into the sax soli, followed by a
trombone soli in even time, accompanied by piano obligato. Then follows the
modulation into the vocal chorus (in the key of A) and final band flourish. Lead alto
is on clarinet throughout, and baritone doubles alto. The trumpet ranges are very
moderate, but because the lead trombone reaches a high C it is medium.

BOOM SHOT
Arranged by Myles Collins
Medium
$65.00
Cat: LL-1079
Boom Shot is a rare gem of a chart from the Glenn Miller book, co-written by Mr.
Miller himself. It swings with a lilt (if not played too fast) and features your 2nd
trumpet as well as solos (written) for 1st alto and trombone, and space for some
background improvised piano too. The song itself is unusual, being not much more
that an 8 bar melody, but the orchestration is superb and the series of modulations
that run through the chart give the whole thing a series of constant kicks that keep
it fresh and moving. Baritone doubles on alto.

CARIBBEAN CLIPPER
Transcribed by Myles Collins
Medium
$65.00
Cat: LL-1012
From the pen of Jerry Gray for the Glenn Miller Orchestra, this up-tempo swing
chart features the piano (originally Mel Powell) as well as the drums in the shout
chorus. A classic Miller technique is used to propel this number: unison saxes with
brass punches providing rhythmic support, with the melody inverted later on to the
brass, with sax figures backing. A wonderful middle passage of two trumpet pairs
playing counterbalancing lines, one set open, one pair with wah-wah plungers, and
both backed by glissing trombones and fill-phrased saxes is quite unique. Sax
doubles: 1st alto to clarinet; 1st tenor to clarinet; baritone to alto.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

CHATTANOOGA CHOO CHOO


Arranged by Myles Collins
Difficult
$65.00
Cat: LL-1009
Here is Glenn Millers Chattanooga Choo Choo, adapted from the version in the film
Sun Valley Serenade. Essentially this is the same structure as vocal version, except
that the chart has been modified to go straight from the instrumental chorus to the
surprise key change into the final shout chorus. This chart is therefore only two and
a half minutes long, but perfectly suited. The film soundtrack as well as the film itself
was used in order to study the players fingerings and therefore get things right. Sax
doubles: alto 1 & tenor 1 double clarinets; baritone doubles alto. Please note that
the vocal version (see vocals section) doesnt work as an instrumental as the band
modulates from Db to C for the vocal, but from Db to F for the final chorus.

DANNY BOY
Transcribed by Alan Glasscock
Medium
$65.00
Cat: LL-1037
Here is the lush and lovely Danny Boy (a.k.a. Londonderry Air) as played by the
Miller Band. This chart features Miller-voiced saxes, beautifully balanced muted brass
and some delicate piano work which is written out for your pianist in the places that
matter. Though short, at just over two minutes, this chart is perfect for those gentler
moments in a set, or for a late night closer. The lead trombone is the cameo-featured
solo instrument and its range goes quite high - to top C#, hence we have graded this
as a medium piece. Lead alto is on clarinet throughout. Second alto doubles clarinet
and the baritone doubles bass clarinet, though we have also cued the passage with
notes for the bari in case a bass clarinet is unavailable.

DONT SIT UNDER THE APPLE TREE


Arranged by Myles Collins
Difficult
$65.00
Cat: LL-99505
This is Glenn Millers version that was originally performed by the Modernaires vocal
group, except that we have turned it into an instrumental, whilst keeping the form
true to the original. The band intro is there, as are the correct modulations and fills
behind the melody lines. The trombones are written quite high in places (lead to
high Db). We also offer this chart as a vocal version (see the vocals section).

GLEN ISLAND SPECIAL


Transcribed by Myles Collins
Difficult
$65.00
Cat: LL-1147
Glen Island Special is a very quick swing chart written by Eddie Durham for the
Glenn Miller band, and on first hearing it you could be forgiven for thinking it to be
a Basie chart. At 240 beats per minute this chart rips from start to finish. It features
ad-lib solos for 2nd trumpet and 1st tenor and has plenty of visual appeal too, with
much plunger/hat work in the brass. The saxes are scored for 3 altos and 2 tenors.
The trumpet ranges are very moderate, with lead only reaching a G. The sax parts
do require very nimble fingers.

G L E N N

M I L L E R

IT MUST BE JELLY
Arranged by Myles Collins
Medium
$65.00
Cat: LL-1179
Co-written by Chummy MacGregor (Millers pianist) and George The Silver Fox
Williams (who wrote extensively for Ray Anthony) this Glenn Miller chart is both an
excellent swing chart, as well as being a lot of fun. Opening in half-time the chart
picks up into a lively swing tempo with the piano taking the first (improvised solo)
chorus. Then the whole brass section gets their chance to sing the tune. There are
solos for 1st tenor, 2nd trumpet and 1st alto (all written out in full), followed by a
ripping sax soli. The chart plays out in true Miller style, building and building to a
thundering climax which just swings like crazy. Baritone doubles alto.

JOHNSON RAG
Transcribed by Myles Collins
Medium
$65.00
Cat: LL-1150
Here is Glenn Millers version of Johnson Rag, transcribed from the original Bill
Finegan chart with all of the solos (both tenors, trombone 1 and trumpet 2) written
out. This tune features many of Millers trademarks, such as the steady build and
overlayering of sections to increase the depth of sound and to establish the tune
firmly in the mind, plenty of trumpet plunger figures, sudden changes of dynamics
and rich ensemble scoring. The brass ranges are generally moderate, though the
trombone solo does hit a high Db. Trombone solo has been re-scored onto the 4th
trumpet part should your player not feel comfortable with the range. No sax doubles.

(IVE GOT A GAL IN)


KALAMAZOO

[VOCAL]

Arranged by Myles Collins and Alan Glasscock


Difficult
$65.00
Cat: LL-2100
Here is the extended version of Ive Got a Gal in Kalamazoo, made famous by the
Glenn Miller Orchestra in the film Orchestra Wives. This chart differs significantly
from the studio recorded version, and has a full chorus band intro, an interlude
leading to the vocals, an extra band bridge into a vocal reprise, plus an added 24 bar
band section to close. At five and a half minutes long, its a showstopper. The
arrangement is scored for male vocalist plus a backing group of 5 - ideally girl, 3
tenors and baritone, and in the Saxes Alto 2 and Tenor 1 both double Clarinets. The
Tenor solo is written on the 2nd Tenor part and also cross-cued on the male vocal
part. The vocal whistling in the interlude is cued on the Piano part, and we have
written out the opening Trumpet solo in full. Vocal keys D flat to G flat.

LITTLE BROWN JUG

Transcribed by Myles Collins


Medium
$65.00
Cat: LL-99506
This version of I Know Why is adapted from the vocal version and is from the film
Sun Valley Serenade. It includes an additional instrumental chorus not found in the
earlier Miller recorded version. A lovely ballad, this conversion from the SATB vocal
is true to the original in its structure, and naturally features Miller-scored reeds. Lead
alto is on clarinet throughout and baritone doubles alto.

Transcribed by Myles Collins


Medium
$65.00
Cat: LL-22408
Little Brown Jug was an early classic for the Miller band, first recorded in 1939, with
the original arrangement done by Bill Finegan. This is an accurate transcription of
that version, complete with fully written out tenor, trumpet and trombone solos.
Many bands have a stock version of this chart in their libraries, but the problem with
the stock arrangements is that the solos arent scored, the trombone solo is missing
entirely, and there are numerous other errors, such as the sax section should be
AAATT, there are incorrect voicings in the bridge, lack of backing behind the tenor
solo and so on. This chart will recreate the authentic sound of the Miller band.

IN THE MOOD

LONG TALL MAMA

I KNOW WHY

Transcribed by Alan Glasscock


Medium
$65.00
Cat: LL-22406
For the first time ever, here is an authentic version. There is no definitive version of
this Miller tune because it evolved over time, from civilian band, Air Force band, the
film version (Sun Valley Serenade) and so on. This is a fusion of the civilian band and
SVS version. The saxes are re-voiced to AAATT, so the 1st tenor player now has
playable fingerings and the note-doubling in the stock has gone. The rhythm lines
are now right, so the chart doesnt come to a grinding halt in the middle 8 and
trumpet solo. The sax solos are now for two tenors, as they should be. The backing
behind the trumpet solo is correct, with no trombones here at all. The last fade-out
chorus contains the quasi-bass solo, with saxes only playing the top note of the riff.
The trumpet run-up at the end is now right and this chart has all of the articulations
and dynamics needed to reproduce the authentic feel.

CALL NOW TO ORDER! 1-518-587-1102

Arranged by Myles Collins


Medium Easy
$65.00
Cat: LL-1190
Long Tall Mama is a solid swing chart written for the Glenn Miller band by Billy May,
though credited to his wife Arletta for fiscal reasons at the time. Miller recorded this
with his civilian and USAAF bands, and there were subtle differences between the
two. This is the later version, and features solo spots for alto, clarinet (on the alto 2
part), tenor and trumpet. We have written out all of the solos, though your players
can improvise on the chords if they prefer. This chart would make a fine addition to
your Miller collection, and is not that tricky to play. Alto 2 doubles clarinet.

OR ORDER BY FAX: 1-518-587-2325

99

G L E N N

M I L L E R

MISSION TO MOSCOW
Transcribed by Myles Collins
Advanced
$65.00
Cat: LL-99996
This song was written by Mel Powell when he was pianist with the Goodman
orchestra, and it was a hit in 1942. Glenn Miller, whilst in charge of the US Army Air
Force Training Command Band, used it as a vehicle for showing the clarinet skills of
Peanuts Hucko. It also fit well into a series of numbers that were patriotic and
supported the war effort - tunes such as Keep Em Flying, Tail End Charlie and Jeep
Jockey Jump. This is a great punchy swing chart, and you will need a good clarinet
player to do it justice. Lead alto doubles clarinet, baritone doubles alto.

MOONLIGHT SERENADE
Transcribed by Jeff Hest
Medium
$35.00
Cat: TBS0026
Moonlight Serenade is the Glenn Miller theme tune, and one of the best known big
band tunes of all time. This is the original arrangement, transcribed by Jeff Hest, and
is a completely faithful reproduction. Saxes are scored for clarinet, 2 altos and 2
tenors. The clarinet solo is fully written out and the arrangement comes with
rehearsal/performance notes for the bandleader.

MOONLIGHT SONATA
Transcribed by Myles Collins
Medium
$65.00
Cat: LL-1084
A much underrated chart from the Glenn Miller book but one that makes the hair
stand up on the back of your neck. The arrangement builds on Beethovens work for
solo piano, and adds layers of rich texture and voicing in the way that only the Miller
band could. We have written out the piano part in full, and the solo in the lead tenor
part too, plus all of the dynamics and articulations needed to enable you to recreate
the original sound. Apart from the piano part, this is not a difficult piece to perform.
The brass ranges are moderate, the lead trumpet only reaching a B, but there are a
number of sax doubles: altos and tenors all double clarinets and the baritone
doubles alto sax and bass clarinet, although we have cued in notes for baritone at
the appropriate places, should your baritone player not have a bass clarinet available.
A wonderful concert piece or late-night closer.

THE NEARNESS OF YOU

[VOCAL]

Tramscribed by Alan Glasscock


Medium
$65.00
Cat: LL-2024
Here is the lovely ballad as performed by Glenn Miller, with vocal by Ray Eberly.
Another lush ballad with the trademark Miller sax sound of clarinet lead over 2 altos
and 2 tenors, with restrained brass backings. We have rated this medium as the lead
trombone goes up to to a high C and 2nd to an Ab (otherwise it would be easy).
The trombone phrases have been cross-cued onto the trumpet parts in case your
trombone players are not comfortable with the range. This chart is also very singable
as a female vocal, as the range is from C to D one ocave higher. Also included is a solo
trombone part, so it can beplayed as an instrumental. .Sax doubles: baritone on alto
throughout, and 2nd alto doubles clarinet. Vocal key: F

PENNSYLVANIA 6-5000
Transcribed by Jeff Hest
Medium Difficult
$40.00
Cat: TBS0035
This is another timeless Glenn Miller classic and must-have standard. This is a Jeff
Hest transcription of the original song and includes fully written out solos for tenor
and trumpet and cues for the band shouts.

PERFIDIA
Arranged by Myles Collins
Medium
$65.00
Cat: LL-99959
Originally entitled Tonight, Perfidia came into its own when given the Glenn Miller
treatment, as a fabulous vocal showcase for the Modernaires. This arrangement is
true to the original, except that we give the vocal chorus to the trombone section
as a feature. This chart has the correct Miller voiced saxes, the surprise key change,
the blend from brass to reed behind the cameo bass solo near the end, and all the
written dynamics to help create the authentic sound.

100

RHAPSODY IN BLUE
Transcribed by Myles Collins
Medium
$65.00
Cat: LL-1056
This transcription is of the Miller version of Gershwins famous work. All of the solos
have been written out (1st trumpet, 1st tenor, guitar and bass) and all the parts are
accurately notated and articulated to give the real Miller feel. Both altos double
clarinet, and baritone doubles alto. The trombones go up quite high (lead to high
Db), though the parts are cross-cued onto the trumpet parts, making things a bit
more versatile for bands with range limitations.

ST. LOUIS BLUES MARCH


Transcribed by Alan Glasscock
Medium
$65.00
Cat: LL-1005
This is the version performed by Millers US Army Air Force band, and features
trumpet and tenor solos. The fill-in alto solos are there too, as is a fully notated drum
part. This is the definitive St. Louis Blues. This chart is a huge improvement over the
stock chart published many years ago and is a must-have for all lovers of Miller.

SERENADE IN BLUE

[VOCAL]

Transcribed by Alan Glasscock


Medium Difficult
$65.00
Cat: LL-2022
Serenade In Blue is another classic from the Glenn Miller Orchestra with the
Modernaires, and Alan Glasscocks transcription is a true reflection of the original.The
chart is written for male vocalist with a 4-piece backing group. Perhaps the trickiest
part of the chart is Billy Mays unique opening passage which needs to be played
with confidence and a relaxed feel. The saxes have a number of instrument doubles:
altos 1 & 2 on clarinets, tenor 2 on bass clarinet (in the intro), though this may be
taken on tenor if needs be, and baritone on alto. The trumpet solo in the intro is
meticulously written out too. All articulations and dynamics are indicated, enabling
your band to reproduce one of Millers best known tunes. Vocal key: Eb

SKYLARK

[VOCAL]

Transcribed by Alan Glasscock


Medium
$65.00
Cat: LL-99401
This is a lush male vocal ballad from the Miller Orchestra, and it naturally makes use
of Miller-voiced saxes. The voicings and harmonic structure of this arrangement are
simply stunning, and completely complement the crooning vocal line. This is another
quite superb transcription from Alan Glasscock which faithfully reproduces the
original chart. Lead alto is on clarinet throughout, alto 2 doubles clarinet and
baritone doubles alto. The trumpet ranges are very modest, with the lead only
reaching Bb, making this chart playable by even moderate players. Vocal key: Db

SONG OF THE VOLGA BOATMEN


Transcribed by Myles Collins
Difficult
$65.00
Cat: LL-99967
Written by Bill Finegan for the Glenn Miller Orchestra, this number is a great
example of the arrangers art. He took a simplistic tune (Yo Ho Heave Ho) and
turned it into a memorable piece, famous for its central passage of unison trombones
followed four bars later by unison trumpets repeating the same phrase, both getting
ever higher in their ranges, and leading to a huge tutti finish, embellished with a
cameo written ad-lib solo trumpet. A true reproduction of the original.

THE SPIRIT IS WILLING


Arranged by Myles Collins
Medium Easy
$65.00
Cat: LL-1177
A gentle, somewhat quirky chart from the Glenn Miller band of 1941 written by
Jerry Gray as a two trumpet feature. This tune grows on you, has an easy tempo and
is really smooth. The hook is is in the harmonic structure - a rising and falling
sequence up and down the scale chords of D, and the bouncy sax riff will leave you
humming the thing.We have written out all of the trumpet solos, with mute indications
and articulations, and have included the little piano fills near the end of the piece,
and the drum licks too. There are no sax doubles. An easy chart, aside from a couple
of trumpet high notes (1st & 2nd to written top C), which plays really well.

STORY OF A STARRY NIGHT

[VOCAL]

Arranged by John Ferguson


Easy
$65.00
Cat: LL-2417
Straight from the Miller book, the Story of a Starry Night was originally arranged for
the Miller band by Bill Finegan, and has been re-created by John Ferguson. Based on
Tchaikovskys Pathetique Symphony #6, this arrangement is one of a number of
classical pieces given the big band treatment. Scored for Miller-voiced saxes
throughout, this arrangement shimmers and shines. The vocal (in Ab) is beautifully
supported by just the right amount of band backings, the brass ranges are very
moderate, and the whole chart is lush and rich. Fabulous.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

STRING OF PEARLS
Transcribed by Myles Collins
Medium
$65.00
Cat: LL-99965
There are many bands using a stock dance band arrangement originally written for
5 saxes and 5 brass, and possibly then adapted for a bigger band. The problem is
that its wrong on a number of counts. This is a faithful reproduction of the original,
and have scored the saxes properly (AATTA) including the two tenor chase solo,
voiced the brass correctly, written out the piano solo and fills and tidied up the
wrong notes and chord progressions. All of the expressions and dynamics are in
place and easy to read. This will give your band the authentic Miller sound when you
play it. Baritone sax on alto throughout; trumpet solo written for 2nd part, and
cued on lead part; second tenor portion of sax duet cued on 2nd alto part.

SUN VALLEY JUMP


Transcribed by Myles Collins
Medium
$65.00
Cat: LL-2106
Another Glenn Miller classic, this was one of a long line of hits written by Jerry Gray.
The original chart has been reproduced here, complete with the trumpet, tenor and
clarinet solos, all of which are written out. This chart has a nice bounce feel to it, and
plays at about the same tempo as In the Mood. It has been rated medium, mainly due
to the range of the trumpet 2 solo (up to high E). Apart from that it is an medium
easy chart. The clarinet solo is written on the alto 2 part, no other sax doubles.

SUNRISE SERENADE

***NEW***

Transcribed by Myles Collins


Medium
$65.00
Cat: LL-1100
Originally released in 1939 on the RCA Bluebird label as the flipside to Moonlight
Serenade, and the record became a huge hit for the Miller band. The original Miller
chart was by Bill Finegan, first written for only 6 brass and later adapted for 8. This
transcription is full of typical Miller color, with a pair of Clarinets carrying the melody
in thirds, echoed by two tenors an octave below, all backed by wah wah brass. The
original Tex Beneke sax solo is fully written out, as is the solo piano fill at the end of
the chart. Saxes are written for 3 altos (1 & 2 doubling clarinet) and 2 tenors.

SWING LOW, SWEET CHARIOT

***NEW***

Transcribed by Alan Glasscock


Difficult
$65.00
Cat: LL-1173
Bill Finegan wrote the original version of this arrangement for Glenn Millers civilain
band, and adapted it for Millers USAAF band. This is the version that we offer here.
Transcribed beautifully by Alan Glasscock, this rousing chart has instant appeal is a
worth addition to your Miller collection. There are no sax doubles.

TAIL END CHARLIE


Transcribed by Myles Collins
Difficult
$65.00
Cat: LL-99963
Another Bill Finegan masterpiece, Tail End Charlie was made famous by Millers Army
Air Force Training Command Band. The Tail-end Charlie was the rear gunner in a
bomber - often the first line of defense - and probably the most exposed position
of any crewmember. This mid-tempo swing chart has unison saxes carrying the
theme, backed by muted brass figures, building into a key-change bridge to introduce
the baritone solo. The whole number reaches a peak with a written-to-sound-adlib trumpet solo, before the theme returns, repeating to a fade-out (a well-tried
Miller effect), with final tutti crescendo to end with.

TUXEDO JUNCTION
Transcribed by Myles Collins
Easy
$65.00
Cat: LL-99983
This is the true Glenn Miller version, complete with written out trumpet solos for
2nd and 3rd trumpets. The solos are cross-cued to the 1st and 4th parts too, giving
your other players the chance to play them too. The transcription is accurate, right
down to the little cameo piano & drum solo breaks. All dynamics are clearly marked,
so your band can achieve the authentic Miller sound. This is a straightforward chart
to play. This sounds best if the band is relaxed and doesnt rush the tempo!

WELL MEET AGAIN

[VOCAL]

Arranged by Myles Collins


Easy
$65.00
Cat: LL-2068
Another nostalgic song from the early WWII years, Well Meet Again remains as
popular as ever. It is a particularly good closing number for a nostalgia gig or concert
as it is not a long arrangement, though a very effective one. The saxes are Millervoiced with clarinet lead and baritone on alto throughout. In Eb, the vocal range is
A below to Bb above middle C, and is well within the range of most male and female
vocalists. Lead trumpet to top C#. Vocal Key: Eb

CALL NOW TO ORDER! 1-518-587-1102

GLENN MILLER/MINGUS BIG BAND


WHEN JOHNNY COME
MARCHING HOME

[VOCAL]

Arranged by Myles Collins


Medium
$65.00
Cat: LL-2078
This patriotic wartime tune was originally done by Glenn Miller with Tex Beneke and
Marion Hutton and the Modernaires supplying the vocals.This is a medium swing
tempo chart that kicks. This has been scored for male & female vocalist with a 4piece backing group, though the arrangement works well as a boy girl duet or as a
solo vocal (we have included a solo vocal sheet in the pack). The tenor sax line that
would have been missing when Beneke took the vocal is scored back in, thereby
keeping your section complete. This chart is true to the Bill Finegan original, and
there are no sax doubles. Trumpets 2,3 & 4 need to be able to reach high C for the
unison passage before the tenor solo in the last chorus. Vocal Key: G

AS PLAYED BY THE MINGUS BIG BAND


CHILDRENS HOUR OF DREAM
Arranged by Sy Johnson
Advanced
$60.00
Cat: 7010957
The unique genius and originality of Charles Mingus is nowhere more apparent
than in this symphonic masterpiece adapted for big band by Sy Johnson. Involving
no improvisation but rather a series of through-composed colors and changing
moods, the Mingus Big Band has been amazing audiences for years with this impressive
concert piece. Stunningly effective and different!

GOODBYE PORK PIE HAT


Arranged by Sy Johnson
Difficult
$60.00
Cat: 7010398
This is probably Charles Mingus best-known composition. Sy Johnsons updated
chart is the authentic version from the latest CD by the Mingus Big Band, Blues and Politics.

GUNSLINGING BIRD
Arranged by Steve Slagle
Difficult
$60.00
Cat: 7010394
The opening cut from the Mingus Big Band CD Gunslinging Birds is this raucous and
blistering jazz waltz. Mingus wrote this piece as a tribute to Charlie Bird Parker with
the subtitle If Charlie Parker were a gunslinger thered be a whole lot of dead
copycats. This chart doesnt hold anything back!

HAITIAN FIGHT SONG


Arranged by Sy Johnson
Difficult
$60.00
Cat: 7010516
The Mingus Big Band recorded this on the Blues and Politics CD. This minor blues
has a bass solo opening. Includes ample solo space. 5/3/3/3

MOANIN
Arranged by Sy Johnson
Difficult
$60.00
Cat: 7010238
The bartione saxophone player get the opening vamp. Ample open solo space and
fantastic ensemble sections. 5/3/3/3

NOSTALGIA IN TIMES SQUARE


Arranged by Ronnie Cuber
Difficult
$60.00
Cat: 7010396
This medium tempo swing chart is the lead-off cut from the CD Mingus Big Band 93.
Featured is a distinctive melody, a stop-time solo section, and a great swing groove
throughout.

TIJUANA GIFT SHOP


Arranged by Michael Philip Mossman
Difficult
$60.00
Cat: 7010514
This was recorded by the Mingus Big Band on the Que Viva Mingus CD. Features
great Latin sounds and textures mingled with swing sections. 5/3/3/3 Saxes doubles:
2 flutes, soprano sax, and tuba. Percussion parts.

OR ORDER BY FAX: 1-518-587-2325

101

BUDDY MORROW/BUDDY RICH


AS PERFORMED BY BUDDY MORROW
NIGHT TRAIN
Transcribed by Alan Glasscock
Medium
$65.00
Cat: LL-1033
Here is Buddy Morrows thundering rendition of Night Train. What is unusual is the
speed of the chart - a slowish 85 bpm - and, as a result, the arrangement has a solid,
rumbling momentum that carries all before it. The melody and solo is taken by the
lead (solo) trombone. Alan Glasscock has scored the chart meticulously, so your
band can capture the feel and get the phrasing absolutely right in order to recreate
what is one of Morrows finest performances. There are no sax doubles.

AS PERFORMED BY BUDDY RICH

LOVE FOR SALE


Arranged by Pete Myers
Medium Difficult
$57.00
Cat: SMP-245
A sensational arrangement of a great tune in an up-tempo setting. This is recorded
on the Big Swing Face CD. Solo space for alto sax, trumpet, tenor sax and, of course,
some wonderful drum breaks. This is in-your-face, outrageous, exciting music, exactly
as written for, and recorded by Buddy Rich.

MERCY MERCY MERCY


Transcribed by Myles Collins
Advanced
$65.00
Cat: LL-1027
Well, here it is, the great Joseph Zawinul composition, as played by the Buddy Rich
band. This chart features drums (naturally), solo space for tenor sax and guitar (or
piano) and is a thunderously rousing arrangement. Quite long, at 5 and a half
minutes, this chart is a TOUGH blow for your lead and 2nd brass players. The lead
trumpet range is up to a high F#, 2nd to high E and the lead trombone to high C#.
So, as long as you have the players, you will not regret buying this chart.

NORWEGIAN WOOD
ACID TRUTH
Arranged by Don Menza
Medium Difficult
$65.00
Cat: W-51425
Another great chart excatly as recorded by the Buddy Rich Big Band on Mercy,
Mercy. 7 brass: 4 trumpets and 3 bones.

BIG SWING FACE


Arranged by Bill Potts
Medium Difficult
$52.00
Cat: SMP-240
This is the real thing, as written for and recorded by the Buddy Rich Band on the Big
Swing Face CD. It is a medium-up swing chart that provides plenty of solo space for
alto sax (a la Ernie Watts), piano (a la Ray Starling) and trumpet (a la Bobby Shew).
Features a terrific saxophone section soli. Big band swing at its best! 5-4-4-4

CHANNEL ONE SUITE


Arranged by Tom Davis
Difficult
$55.00
Cat: JE9741
Were proud to bring you the Buddy Rich jazz classic CHANNEL ONE SUITE. This
piece was one of Buddys signature tunes, and it is now in print for the first time ever.
Tom Davis has faithfully transcribed this chart from the original recording. Its a real
challenge, but one your students will love. In order to make this chart more accessible
to most bands, we have provided alternate trumpet parts that have been rewritten
to omit some of the extreme upper register passages. This is a piece of jazz history,
and either way you play it, this chart is a winner!

GROOVIN HARD
Arranged by Don Menza
Medium Difficult
$70.00
Cat: W-51429
No descripton needed. One of the all-time greatest charts recorded by the Buddy
Rich Big Band on Burning For Buddy Vol 2.

KEEP THE CUSTOMER SATISFIED

Arranged by Bill Holman


Medium Difficult
$57.00
Cat: SMP-309
This is the real thing, as written for and recorded by the Buddy Rich Band on the Big
Swing Face CD. It is perhaps one of Holmans best known charts ever. A scintillating
jazz waltz, full of excitement and energy, it features solos for alto saxophone (a la
Ernie Watts on the CD) and trombone (a la Jim Trimble on the CD). Lots of raw
power and blistering figures make this the ideal opener or closer for your concerts.
Your audiences will love it!

RUTH
Arranged by Bill Holman
Medium Difficult
$52.00
Cat: SMP-322
From the CD Buddy and Soul. This is one of the most original big band rock/fusion
charts ever written. The Buddy Rich Big Band recorded this as a closer on the CD
Buddy & Soul. Tenor solo and lots of exciting counterpoint. Red-hot ensemble
passages prevail! Played on the Tonight Show many times when Buddy would be a
guest. This is a terrific crowd-pleaser.

STRAIGHT, NO CHASER
Arranged by John La Barbera
Difficult
$60.00
Cat: 7010628
Never before published, we are proud to offer Buddy Richs famous version of this
Thelonious Monk jazz classic arranged by John La Barbera. Newly edited and
professionally prepared, this edition belongs in the library of every serious jazz
ensemble. The tempo for this recording is a bit slower than Buddys and more in
keeping with the arrangers original intent.

TIME CHECK
Arranged by Don Menza
Medium Difficult
$70.00
Cat: W-51431
No description needed. As recorded by the Buddy Rich Orchestra on Burning For
Buddy Vol 2.

Arranged by Bill Holman


Medium Difficult
$52.00
Cat: SMP-232
From the CD Keep the Customer Satisfied. Who will ever be able to forget the
dynamic Buddy Rich Band? This chart was a staple in that library for a long time,
spinning off of the 60s-70s look at more contemporary music sources (rock, folk,
etc.). It is a LOT of fun for any band to get into this chart. Space for alto saxophone,
trombone and, or course, drum solos.

WALK ON THE WILD SIDE

LOOSE

WAVE

Arranged by Bill Holman


Medium Difficult
$52.00
Cat: SMP-308
Written for and recorded by the Buddy Rich Band on the Big Swing Face CD, this
wonderful chart features trumpet (a la Bobby Shew on the CD) and alto saxophone
(a la Quinn Davis on the CD). Alto sax 2 and tenor sax 2 double on flute. This is a
wonderful, relaxed, kind of loose feeling chart at a medium-up tempo. 5/4/4/4

102

Arranged by John La Barbera


Difficult
$60.00
Cat: 7010995
Buddy Rich fans will instantly recognize this staple of the famed drummers live
performances. Although Buddy never recorded this monster chart, John La Barbera
has featured it on his new big band recording On the Wild Side. An impressive multistyled tour de force for mature ensembles!

Arranged by John LaBarbera


Medium Difficult
$47.00
Cat: SMP-182
Buddy Rich played this chart constantly! Features a great bass trombone solo on
the tune. Flute doubles required on all saxophone parts. Here is a rare chance to
feature the bottom of the trombone section with a beautiful Jobim melody. Full
score/parts.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

WINNING THE WEST


Arranged by Bill Holman
Medium Difficult
$59.00
Cat: SMP-316
As written for and performed by the Buddy Rich Big Band, here is the long-missing
chart that Holman wrote to feature Buddy on drums and Pat LaBarbera on tenor
sax. What a great chart! It is set in a quasi Rock Feel which shifts to swing and back
again. This is a very high-energy, exciting chart, and Buddy played it all the time! Your
band will eat this one up. 5/4/4/3

AS PERFORMED BY SHORTY ROGERS


BASIE EYES
Arranged by Shorty Rogers
Medium Difficult
$50.00
Cat: SMP-450
A wonderful, easy, swinging chart which is the centerpiece of the CD Tribute to
Count Basie. This piece has brief solo sections for the bass and piano, and longer
solos for baritone sax, trumpet and tenor sax . Very reasonable brass ranges. Shorty
was always able to compose very memorable melodies, and this is one of them.

BLUES EXPRESS

Arranged by Shorty Rogers


Medium Difficult
$52.00
Cat: SMP-456
As recorded on The Big Shorty Rogers Express, this is a terrific romp through a fast
swing, featuring solos by alto sax, tenor sax, bari. sax, trumpet, trombone and piano.
Shorty uses modulating 2-5 turnarounds to spice up this already exciting blues
chart. There is lots of solo space and exciting ensemble passages. Reasonable ranges
for all make this quite playable. 5/4/4/3

BLUEZIES
Arranged by Shorty Rogers
Medium Difficult
$62.00
Cat: SMP-458
As recorded on Portrait of Shorty (including the best of West Coast jazz musicians
such as Herb Geller, Bill Holman, Jack Montrose, Frank Rosolino, Conrad Gozzo,
Conte Candoli and others), this is a great, up-tempo, swinging chart with lots of solo
space for alto, tenor and baritone saxophones, trumpet, trombone, piano and
drums. The tune is typical Shorty Rogers, swinging and melodious. There are lots of
exciting, powerful ensemble passages and still plenty of room for all the soloists. 276
bars of swinging happiness!

GRAND SLAM

SHORTY ROGERS/ARTIE SHAW


PINK SQUIRREL
Arranged by Shorty Rogers
Medium Difficult
$50.00
Cat: SMP-451
As recorded on Blues Express, this is a wonderful West Coast chart which features
unison saxophones on the melody, solo space for alto sax, trumpet, and trombone
and a short solo for bass. Shortys melodies are memorable and very attractive. This
laid-back style is great fun for the band. Reasonable ranges make it very playable.

PIROUETTE (NONET)

***NEW***

Arranged by Shorty Rogers


Medium
$49.00
Cat: SMP-751
Shorty Rogers was very well known for his nonet charts (6 horns, 3 rhythm), and
this was one of his best-loved compositions. Set in an easy, slow swing, Pirouette has
a lilting melody, along with a lovely counter-melody. This is a great chart to do on a
big band concert to rest the band and feature your soloists. There is solo space for
alto, tenor, flugelhorn, trombone and piano. (alto, tenor, barit. saxes, 2 flugelhorns,
trombone, piano bass, drums).

RED DOG PLAY

Arranged by Shorty Rogers


Medium Difficult
$62.00
Cat: SMP-457
As recorded on Portrait of Shorty, this is a medium-tempo swing chart that has a
very unique, catchy sound to it. There is solo space for alto, tenor and baritone
saxophones, trumpet, trombone, piano, bass and drums. Once again Shorty writes a
superb chart for big band. Over 200 bars of enjoyment!

WALK, DONT RUN


Arranged by Shorty Rogers
Medium Easy
$47.00
Cat: SMP-455
Here is a wonderful, easy, swinging chart which is on the CD Shorty Rogers Courts
the Count, a terrific big band tribute to Basie. This piece has a very delightful sound,
and its very easy for even the youngest bands to play. The pros will love it too! It
features optional clarinet with trumpet on the melody. Lots of solo space. 5-4-4-3

AS PERFORMED BY ARTIE SHAW

***NEW***

Arranged by Shorty Rogers


Medium Difficult
$55.00
Cat: SMP-750
Here is another terrific chart from Shorty Rogers (as recorded on the Portrait of
Shorty album). Shorty always had a way of creating wonderful melodies and exciting
arrangements for big band. This chart is no exception. This is an up-tempo swing
chart which has solo space for alto, tenor, trumpet, bass and drums. The piece is 218
measures long, and it swings from top to bottom. Brass ranges are exceptionally
reasonable (tpt. to high C only). 5/4/4/3

JUST A FEW
Arranged by Shorty Rogers
Medium Difficult
$52.00
Cat: SMP-208
Bob Curnow has arranged one of Shorty Rogers hippest tunes. The melody is
stated by alto and trumpet, and the whole chart has that wonderful West Coast feel
to it. There is a neat section which features flugelhorn and saxophones in a long soli.
There is also solo space for alto sax, trumpet and piano.

LINEBACKER
Arranged by Shorty Rogers
Medium Difficult
$62.00
Cat: SMP-460
As recorded on Portrait of Shorty (including the best of West Coast jazz musicians
such as Herb Geller, Bill Holman, Jack Montrose, Frank Rosolino, Conrad Gozzo,
Conte Candoli and others), this is a great, up-tempo, swinging chart with lots of solo
space for alto and tenor saxophones, trumpet, trombone, bass and drums. The tune
is typical Rogers, swinging and melodious.There are lots of exciting, powerful ensemble
passages and still plenty of room for all the soloists. 200 bars of swinging happiness!

PAY THE PIPER


Arranged by Shorty Rogers
Medium Difficult
$52.00
Cat: SMP-454
As recorded on The Big Shorty Rogers Express, this is a wonderful West Coast chart
which features optional clarinet with trumpet on the melody for a neat sound. The
chart has a very unique, catchy sound to it. There is solo space for alto sax, tenor sax,
trumpet, trombone and drums. 5-4-4-3

CALL NOW TO ORDER! 1-518-587-1102

AT SUNDOWN

***NEW***

Arranged by Myles Collins


Difficult
$65.00
Cat: LL-1140
This is Artie Shaws 1939 version from the time when his first band was at its height.
Apart from the clarinet solo, the chart is not too hard, and swings freely with good
solid bounce. The arrangement has been adapted from the original 3 trumpet 3
trombone line-up, to a regular 4/4 brass section, and the reeds are scored for
clarinet, 2 altos and 2 tenors. Shaws Clarinet solo has been written out, along with
the tenor and trumpet solos, but the piano solo has been left as an improvisation. All
the soloists have the chords on their parts should they wish to do their own solo.
This is a fun chart, quite quick but a full four minutes long. There are no sax doubles.

BACK BAY SHUFFLE


Transcribed by Myles Collins
Medium
$65.00
Cat: LL-1151
Back Bay Shuffle is a jump tempo swing chart from the great Artie Shaw orchestra,
perfect for dancing. This has been transcribed as per the original, though expanding
it to 8 brass in the process. All solos (clarinet, trumpet, trombone, tenor and piano)
are written out in full, as are the correct drum patterns. The reeds are scored for
solo clarinet, 2 altos & 2 tenors. Everything is here: correct sax voicings, dynamic
markings & phrasing indications so that your band can recreate that Shaw sound.

BEGIN THE BEGUINE


Transcribed by Jeff Hest
Medium
$50.00
Cat: JE9728
This is a truly authentic transcription of Artie Shaws classic version of Begin the
Beguine. Jeff Hest has meticulously notated every detail of this famous chart. Since it
was such an important song in the genre, this arrangement creates a great opportunity
to teach your students about the history of the big band.

OR ORDER BY FAX: 1-518-587-2325

103

ARTIE SHAW/FRANK SINATRA


CONCERTO FOR CLARINET (PART 1)
Transcribed by Myles Collins
Advanced
$65.00
Cat: LL-1013
Here is part 1 of Artie Shaws stunning Concerto for Clarinet, written by the great
man himself. Following a big tutti opening comes a stylish clarinet cadenza intro, with
band backing and solo piano infills. The piano then picks up into 8-beat boogie style
with a 24 bar solo, answered by the clarinet. Solos are for trumpet, trombone, alto
and tenor with a final clarinet solo flourish. This is Shaws defining work for solo
clarinet and big band, but be warned: you will need a very good pianist and clarinet
player to carry this off. At nearly 4 and a half minutes this is only the half of it. The
whole piece is scored for clarinet, 2 altos, 2 tenors, 8 brass and 4 rhythm. All solos are
fully written out, though naturally your players can improvise if they wish.

CONCERTO FOR CLARINET (PART 2)


Transcribed by Myles Collins
Advanced
$65.00
Cat: LL-99407
Here is part 2 of Artie Shaws stunning Concerto for Clarinet. The chart opens with
four stylish clarinet cadenzas, after which the drummer picks up the tempo with a
floor-tom solo, joined by solo clarinet for 40 measures. Briefly into 3/4 time for band
chord stabs, the clarinet & drum solo continues. Another time shift for more stabs,
then three tutti swing choruses to a false finish. The clarinet solo wraps things up
with a further four cadenza passages. This is a very challenging work for solo clarinet,
and will need a great player to pull it off. The saxes are scored for 2 altos and 2
tenors. The clarinet range is up to super C.

FRENESI

Arranged by Myles Collins


Medium
$65.00
Cat: LL-2100
Frenesi was a tune popularized and played by many of the well known bands of the
late 30s and early 40s. This version is an adaptation of the Artie Shaw version, but
re-scored for a regular big band line-up, as Shaws chart made heavy use of strings,
and had an orchestral flavour to it. We have kept the structure of the original, and
have transcribed all of the solos (clarinet, tenor, trumpet & piano). The re-voicing of
the chart means that the saxes (written C,A,T,T,B) have plenty of doubles. The alto
doubles clarinet & flute, both tenors double clarinet and the bari doubles alto. The
chart floats between swing and rhumba, your players will need to be alert!

INDIAN LOVE CALL


Arranged by Myles Collins
Medium
$65.00
Cat: LL-1120
This version of Indian Love Call is a variation on the vocal version that we offer and
is a clarinet feature. (see the vocals section for a more complete description). The
structure is the same as the vocal, true to Shaws original, except that we have
changed the vocal chorus to an ad-lib clarinet solo, and have written some punchy
yet supportive backings coming from the band. After the opening drum & clarinet
solo passage, the band is still scored with the falsetto singing, so no excuses for the
brass not to get involved. The saxes are scored for solo clarinet, 2 altos and 2 tenors.
All the saxes double clarinets (mainly unison passages) though it wont really matter
if the alto 2 (your baritone player) doesnt play any clarinet parts. We have scored
his lines as the lowest voice in the harmonized clarinet passages.

NON-STOP FLIGHT
Transcribed by Myles Collins
Medium
$65.00
Cat: LL-1161
Non-Stop Flight is a really bouncy swing chart and is perfect for dancing to. The
pulse is infectious and will really get the feet tapping. Written by Artie Shaw, it
naturally features the clarinet, and also tenor sax. All of the solos have been written
out, including the solo licks and fills, plus the obligato clarinet solo that floats over
the rest of the band in the last chorus. Your clarinet player will need to be dextrous,
as some pretty nimble fingerwork will be needed. The brass ranges are moderate, and
its not a tough blow for them. The saxes are scored for solo clarinet, 2 altos and 2
tenors. The original 6 brass has been expanded up to 8. If you are looking for a good
dance chart, or a stunning concert piece, youve just found it!

104

SOFTLY AS IN A MORNING SUNRISE


Transcribed by Myles Collins
Medium
$65.00
Cat: LL-2405
One of Artie Shaws most endearing charts, this was scored as a mid-tempo swing
chart by Jerry Gray, later of Glenn Miller fame. The chart has been transcribed and
scored for a full band line-up of 5 reeds & 8 brass. The saxes are written for solo
clarinet, 2 altos and 2 tenors. The 2nd tenor takes the solo (written out) and Shaws
solos are also notated in full. Alto 1 and tenor 1 double clarinets, and there is an
optional clarinet double on the alto 2 part. The trombone solo, also written, is on the
1st part. A good concert piece or equally suitable for dancing. The brass ranges are
moderate and the only tricky bit is the final clarinet run-up which goes to a high A.

TRAFFIC JAM
Transcribed by Myles Collins
Medium
$65.00
Cat: LL-1146
Artie Shaw had many great swing charts to his name, but few were as punchy and
as powerful as Traffic Jam. It fairly rips along at a quick 240 beats a minute, yet it
never sounds forced or rushed. The original has been transcribed, including all the
solos (drums, clarinet, tenor, trombone & piano), and expanded the chart to a full 8
brass. The saxes are scored for clarinet, 2 altos and 2 tenors. The chart kicks off with
a 4 bar drum solo leading into a rising chromatic dimished passage, then the main
chorus with the clarinet flying over the top of the band. A quick tenor solo follows,
then back to the band blasting away. There is then a wonderful bell-tone bridge
leading to alternating clarinet and trombone solos over just bass and drums, more
band choruses, a piano solo and a couple of huge shout choruses to end. The band
parts are not hard, despite the speed of the chart. Its only Mr. Shaws bits that need
nimble fingers, though your clarinet player can always improvise over the chords
instead. This is a real beauty of a chart, and a must-have in any book.

AS PERFORMED BY FRANK SINATRA


COME FLY WITH ME

[VOCAL]

Transcribed by Jon Harpin


Difficult
$65.00
Cat: LL-85400
This is Frank Sinatra at his best. This chart is a transcription of Sinatra with the
Count Basie Band, taken from Sinatra at the Sands. It features the original band
intro giving you time for a big introduction to your vocalist. The chart is also marked
with an optional start point, just before the vocal, should you wish to shorten things.
Some muted trumpet fills have been removed to keep things cleaner. There are some
sax doubles: altos go to clarinets and tenors to flutes. The vocal is in Bb, with a range
from Bb to D (one octave and 3 tones) and has been written out to give your
vocalist a good feel of Sinatras phrasing. All in all this chart is exceptional.

I GET A KICK OUT OF YOU

[VOCAL]

Transcribed by Jon Harpin


Medium
$65.00
Cat: LL-2404
Taken down from Sinatras 1962 Reprise recording, I Get a Kick Out of You has
become a Sinatra classic and a much requested tune. The original arrangement was
done by Neal Hefti (a familiar name to Count Basie fans) and his style is clearly
apparent throughout the chart. Jon Harpin has produced a superb recreation of
the original, and it swings from start to finish. Sinatras vocal line has been written
out, for those of you who wish to emulate the master. The chart is technically not
that difficult, but needs crispness and precision to make it come alive. The trombones
are scored for 3 tenors and bass, and there are no sax doubles. Vocal key: Db, D

IVE GOT YOU UNDER MY SKIN

[VOCAL]

Transcribed by Myles Collins & Patrick Gazard


Medium
$65.00
Cat: LL-2014
This chart is a transcription of Sinatra with the Count Basie Band, taken from
Sinatra at the Sands. Everything has been included, from the rumbling baritone sax
line, the big trombone build after the first vocal chorus, the wailing trombone solo
and even the little piano fills and tinkles. We have re-scored the saxes to a regular
AATTB section and have removed the clarinet & bass clarinet doubles from the
original, as we recognize that not all bands have a bass clarinet at hand. All dynamics
are clearly written, and the vocal part replicates Sinatras performance. The brass
ranges are moderate other than the trombone solo which is up to high Db, though
your player can always improvise on the chords provided. Key of Db.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

THE LADY IS A TRAMP

***NEW*** [VOCAL]

Transcribed by Jon Harpin


Difficult
$65.00
Cat: LL-2122
This chart is a transcription of the Billy Byers chart as performed by Frank backed
by Woody Herman at Madison Square Garden in 1974. The opening is thunderingly
brassy and establishes a great contrast to the quiet start of the vocal. The first vocal
chorus is backed mainly by Saxes and Trombone licks, but builds in intensity to the
half-step modulation. From here the arrangement powers its way to the finish line,
and swings like crazy all the way. The vocal keys are Bb and B.

LUCK BE A LADY

[VOCAL]

Transcribed by Jon Harpin


Difficult
$65.00
Cat: LL-2025
Adapted from the original Billy May arrangement of Sinatras Reprise recording, this
kicks off with the slow, almost colla voce intro, which picks up into a thumping swing chart.
Everything is here: dynamics, articulations, phrasing, modulations, the works. Strings
were used in the original recording, those have been re-scored into the band, to
make the chart suitable for a 5/4/4/4 line-up. At 5 minutes 15 seconds this is a long
chart, and makes for a great vocal feature. Lead alto doubles clarinet. Keys: Db, D, Eb.

MY KIND OF TOWN

[VOCAL]

Transcribed by Jon Harpin


Medium Easy
$65.00
Cat: LL-1456
This tune was originally written for the Rat Pack-esque film Robin and the Seven
Hoods. Wonderfully melodic and visually exciting in concert, it was Sinatras theme
tune for some 15 years, his show-stopper and frequent show-ender. This version is
transcribed from Billy Mays version from Sinatra at the Sands with the Basie Band.
Its all here: the creamy opening verse with the lush brass voicings leading into the
punchy swing of the main vocal, with the successive modulations from F to G to Ab
and the powerhouse modal riffs to finish. The lead alto doubles flute. Keys: F/G/Ab

NEW YORK, NEW YORK

[VOCAL]

Transcribed by Jon Harpin


Medium Difficult
$65.00
Cat: LL-2111
One of Sinatras most enduring hits, the theme from New York, New York is also one
of his most memorable, and will be immediately familiar to all audiences from the
moment that the band kicks off the signature opening. Transcribed beautifully by
Jon Harpin from the original Don Costa chart, this arrangement has all the elements
- the slick key change, the shifts in tempo and Sinatras vocal line in full - making this
chart an absolute must-have tune. The vocal keys are D to Eb and no sax doubles.

PENNIES FROM HEAVEN

***NEW*** [VOCAL]

Transcribed by Jon Harpin


Medium
$65.00
Cat: LL-2109
Frank Sinatra and Count Basie combined brilliantly on their 1962 album SinatraBasie, featuring arrangements by Neal Hefti. From Basies opening intro right to the
last note this chart was and still is a classic. It has been transcribed here by Jon
Harpin, and adapted from the original 5 trumpet 3 trombone studio line-up, to a
more regular 4-4 section, with the bass trombone on 3rd and an optional 4th
trombone part. The vocal key is Ab and there are no sax doubles.

SATURDAY NIGHT IS THE


LONELIEST NIGHT OF THE WEEK

YOU MAKE ME FEEL SOYOUNG

[VOCAL]

Arranged by Jon Harpin


Difficult
$65.00
Cat: LL-2121
This version of You Make Me Feel So Young is the one performed by Frank Sinatra
with the Count Basie Orchestra on the Sinatra at the Sands album, later re-issued
on the Reprise collection, and it is arguably one of Sinatras finest numbers. The
original Quincy Jones chart has been wonderfully transcribed and adapted (for 8
brass) by Jon Harpin, and includes the muted trumpet solo written out, and all of
the little licks and fills on the drum part which add so much punch. The vocal keys
are G and Ab, and there are no sax doubles.

ZING! WENT
THE STRINGS OF MY HEART

[VOCAL]

Arranged by Dick Burlant


Easy
$65.00
Cat: LL-2012
This was recorded by Frank Sinatra in December 1960 for the Ring-a-Ding album,
but remained unreleased until 1990 when the master tapes of the original recording
were rediscovered. This chart is a Sinatra gem, and even includes the rarely-heard
opening verse. Beautifully transcribed and adapted by Jon Harpin from the original
Johnny Mandel arrangement, to incorporate the strings back into a regular big band
line-up, this chart is unique and deserves a place in everyones library. Lead alto
doubles clarinet briefly. Vocal key: Db

MISC. INSTRUMENTALS
CHUCHO
Transcribed by Myles Collins
Medium
$65.00
Cat: LL-1004
Chu Cho is a wonderful Latin number, from the pen of the great Paquito DRivera,
written for Mario Bauza and his Afro-Cuban Orchestra. This tune simply oozes style,
and also offers a chance to show off the improvisation skills of your lead alto (or
tenor), baritone and lead trombone.

ONE NOTE SAMBA


Arranged by Wally Menard
Difficult
$65.00
Cat: LL-1083
One Note Samba has been done many a time, usually in a straight-ahead, slightly dull,
gentle Latin feel. Not this version! Wally Menard has pulled off a really creative job of
writing to give this chart a totally unique signature. It kicks off with a trumpet/
trombone answer-back intro, followed by unison saxes, and trumpets to establish
the tune, all the while with backings building up throughout the first chorus. Then
comes a complete change of feel and form in the middle of the chart. Unison
trombones, baritone and rhythm, overlaid with saxes and screaming trumpet figures
build and build until, with a tangible feeling of relief, the chart collapses back into a
gentle Latin feel.

[VOCAL] PICK UP THE PIECES

Transcribed by John Ferguson


Medium
$65.00
Cat: LL-2114
Sinatra recorded this song a number of times during his career, but the most
swinging version was the Billy May arrangement that John Ferguson has transcribed
here. In typical May style, it is punchy, crisp and offers a great balance between the
vocal passages and some fine ensemble work. Not too long, at a shade over 2
minutes, this is a memorable chart and a must for all Sinatra lovers. There are no sax
doubles in this chart and the vocal key is C.

THATS LIFE

FRANK SINATRA/MISC.

[VOCAL]

Transcribed by Jon Harpin


Medium Easy
$65.00
Cat: LL-2026
Another great tune from Frank Sinatras Reprise days. The original version of this
chart featured female backing vocals and a Leslie-style organ. We appreciate that
this limits the playability of such an arrangement, so Jon Harpin has creatively
transcribed and re-scored for a standard big band line-up. The backing vocals are
shared between a quartet of 2 saxes, trumpet & trombone, and the opening organ
solo has also been scored into the sax parts should your pianist not have the
appropriate bag of tricks to make a nice organ noise. There are no sax doubles and
the brass ranges are moderate to low. Vocal key: G, Ab

CALL NOW TO ORDER! 1-518-587-1102

Arranged by Myles Collins


Medium
$65.00
Cat: LL-99998
A big band version of the Average White Band hit, following the same structure as
the original. This number is just a real laid-back groove. The saxes take the main riff
with trombones and guitar backing. The chart really needs an electric bass, especially
a bassist who can slap. Theres solo space for anyone in the sax or brass sections, and
the vocal line of Pick Up the Pieces is cued in too!

POR UNA CABEZA


Arranged by Myles Collins
Easy
$65.00
Cat: LL-2099
Por Una Cabeza is the famous Argentinian Tango from the film Scent of a Woman.
Our arrangement is very easy to play, with low brass ranges, yet makes for great
Tango. The verse is played by flute, 2 clarinets, a muted trumpet & rhythm section,
with the whole band entering for the Tango chorus. This chart will make a useful
addition to any library, for those rare occasions when someone asks you to play a
Tango. The saxes are scored as flute, 2 clarinets, tenor & baritone.

OR ORDER BY FAX: 1-518-587-2325

105

Featured
H O L I D AVideos
Y ARRANGEMENTS
ADESTE FIDELES
(OH COME ALL YE FAITHFUL)
Arranged by Dave Aaberg
Difficult
$55.00
Cat: 62507
A driving shuffle groove a la Killer Joe makes this traditional Christmas tune really
come to life. Features alto sax and keyboard solos in high-energy settings. Also has a
brief out section. Lead trumpet to written G5. Recorded on the Trilogy Big Band
Does Christmas.

ADESTE FIDELES
Arranged by Stan Kenton
Medium Difficult
$52.00
Cat: SMP-605
The 1961 Capitol Records recording of Christmas music was a smash hit for
Kenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael of
traditional Christmas music. This particular arrangement is more traditional in scope,
but it is filled with wonderful, lush harmonies and the Kenton style of arranging. The
original arrangements were written for 4 trumpets, 4 mellophoniums, 4 trombones,
tuba, keyboard, bass, drums and auxiliary percussion. Also included are saxophone
parts which take the place of the mellophonium parts. They work quite well! From
Kentons Merry Christmas recording.

ANGELS WE HAVE HEARD ON HIGH


Arranged by Ralph Carmichael
Medium Difficult
$52.00
Cat: SMP-604
The 1961 Capitol Records recording of Christmas music was a smash hit for
Kenton. It contained arrangements by Kenton and (mostly) Ralph Carmichael of
traditional Christmas music.This particular arrangement is one of the more traditional
of the Kenton holiday charts. It does have a swinging section, and it works very well!
The original arrangements were written for 4 trumpets, 4 mellophoniums, 4 trombones,
tuba, keyboard, bass, drums and auxiliary percussion. Also included are saxophone
parts which take the place of the mellophonium parts. They work quite well! From
Kentons Merry Christmas recording.

AULD LANG SYNE


Arranged by Tom Kubis
Advanced
$40.00
Cat: 62519
This is a great trumpet feature. This starts out as a pretty rock ballad and ends on
a high note so to speak. Again the lead trumpet player can play the really high stuff
down an octave. This is a great chart to bring in the new year! Recorded by the Tom
Kubis Big Band on A Jazz Musicians Christmas.

AULD LANG SYNE


Arranged by by Bob Florence
Difficult
$40.00
Cat: 50303
A touching treatment of a song that works at any time of the year. An a cappella
trombone soli states the melody, then the baritone sax is featured as the rhythm
section accompanies with some lovely substitution chords. Some sax doubles.

AULD LANG SYNE

BABY ITS COLD OUTSIDE (DUET)

BETHLEHEM AND JOY


[O LITTLE TOWN OF BETHLEHEM/
JOY TO THE WORLD]
Arranged by Rob McConnell
Medium Difficult
$48.00
Cat: 62529
O Little Town of Bethlehem begins with a rubato chorale with flugelhorn lead. 4
flutes and 2nd tenor has clarinet double. First time through is acappella. Second
verse is a trombone solo with piano accompaniment for 12 bars. The whole chart
has no other rhythm section. Joy to the World has trumpet lead. Straight forward
acappella is cut time. Broadens into 4 at the end. 5/4/4 and piano. Score included.
Recorded by Rob McConnell and the Boss Brass on Big Band Christmas.

CHRISTMAS CLASSICS VOL. 1


Arranged by Peter Blair
Medium
$48.00
Cat: HERTM60/1086H
This collection includes four complete arrangements in contrasting styles. They are
designed to sound great using a minimum of rehearsal time. The tunes are: We Three
Kings; The First Noel; Silent Night; and God Rest Ye Merry Gentlemen.

CHRISTMAS MEDLEY
Arranged by Stan Kenton
Difficult
$59.00
Cat: SMP-580
As recorded by the Stan Kenton Orchestra on Merry Christmas, this chart has
optional saxophone parts which nicely cover the french horn parts (originally
written for only brass and rhythm section). The medley contains six carols.
Instrumentation is 5 horns, 4 tpts , 4 tbns, tuba, piano, bass, drums and opt. chimes.
Solo for piano only.

CHRISTMAS SONG
Arranged by Bob Lowden
Easy
$35.00
Cat: 805184
This is one of the best-loved holiday favorites, here arranged as a ballad.

CHRISTMAS SONG

CHRISTMASTIME IS HERE

AWAY IN A MANGER

DECK THE HALLS

AWAY IN A MANGER
Arranged by Rob McConnell
Medium Difficult
$30.00
Cat: 62528
This brass-only arrangement is written for 4 trumpets, 4 trombones, and 2 horns. It
is in a traditional style brass chorale. The chords are lush and rich. No rhythm or
sax parts. French horn parts are necessary. Score included. Recorded by Rob
McConnell and the Boss Brass on Big Band Christmas.

106

[VOCAL]

Arranged by Jerry Nowak


Medium
$40.00
Cat: 7500377
This holiday favorite is a must to feature on your holiday concert! This begins in A
flat and modulates to B flat.

Arranged by Rick Hirsch


Medium
$38.00
Cat: 62532
You cant play a New Years gig without it, and this version swings with a little room
to stretch and a great out-chorus. Lead trumpet to written D above staff with
optional high G.

Arranged by Tom Kubis


Difficult
$55.00
Cat: 62525
Hold on to your elfs! An up-tempo jazz waltz featuring the tenor sax or soprano
sax. Recorded by the Tom Kubis Big Band on A Jazz Musicians Christmas.

[VOCAL]

Transcribed by Alan Glasscock


Easy
$65.00
Cat: LL-99768
Ours is the great Johnny Mercer & Margaret Whiting version of this classic vocal
duet. The chart itself relies on the interplay and chemistry between your two
vocalists. The band backings are easy and add just the right amount of punch when
needed. In this arrangement the saxes are all written to play clarinets, but recognizing
that not all sax players double clarinets all of the sax parts are double-sided, so that
one side is as written and the reverse side is scored for a regular sax section: this way
you will have more flexibility. The brass ranges are moderate and the chart is very
playable and makes a great vocal feature. Female Vocal Range: Ab3 -Bb4; male vocal
range: Ab2 -Eb43 -B4; Vocal key: Db

[VOCAL]

Arranged by Roger Holmes


Medium Easy
$40.00
Cat: 7500089
The touching and beautiful ballad from A Charlie Brown Christmas makes a wonderful
addition to your holiday concert featuring a vocal soloist. Key of C.

Arranged by Tom Kubis


Difficult
$55.00
Cat: 62526
This is yet another Samba full of the Christmas spirit. Recorded by the Tom Kubis
Big Band on A Jazz Musicians Christmas.

DECK THE HALLS


Arranged by Ted Blumenthal
Difficult
$42.00
Cat: 3229
This creative arrangement of the popular Welsh Air is featured on The Adventures
In Jazz Orchestra Celebrates Christmas CD. The holiday classic has been arranged
in the funk style for jazz band. As Ted puts it, Deck The Halls is a party song, and the
party has a rockin big band! This is one party you wont want to miss!

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

DECK THE HALLS


Arranged by Mike Crotty
Difficult
$60.00
Cat: 62503
Slow bluesy feel. Duet for bass trombone and bass. Solo for trombone 3. Alto sax 1,
tenor sax 1 and 2 double clarinet. Recorded by the U.S.A.F. Airmen of Note.

THE FIRST NOEL


Arranged by Bob Curnow
Medium
$42.00
Cat: SMP-807
Curnow has adapted the amazing vocal arrangements of David Maddux for the
jazz ensemble. This arrangement moves through many variations of this most lovely
of melodies. The music is not difficult to play, and it has a very hip, sophisticated, lush
harmonic sound.

FROSTY THE SNOW MAN


Arranged by Michael Sweeney
Easy
$35.00
Cat: 8721405
Be sure to bring the hip side of Frosty to your next holiday event with this swingin
version for beginning groups. Including short solos for trumpet that can also be
played as section features, this chart is easy to learn and fun to play.

GOD REST YE MERRY GENTLEMEN


Arranged by Ralph Carmichael
Medium Difficult
$52.00
Cat: SMP-606
The 1961 Capitol Records recording of Christmas music was a hit for Kenton. It
contained arrangements by Kenton and (mostly) Ralph Carmichael of traditional
Christmas music. This particular arrangement is one of the jazzier ones on the album.
It swings like crazy! The original arrangements were written for 4 trumpets, 4
mellophoniums, 4 trombones, tuba, keyboard, bass, drums and auxiliary percussion.
Also included are saxophone parts which take the place of the mellophonium parts.

GOD REST YE MERRY GENTLEMEN


Arranged by Mike Crotty
Difficult
$53.00
Cat: 62501
Up-tempo jazz 3/4 featuring flugelhorn solo. Alto sax 1 doubles clarinet and soprano,
alto 2 doubles flute, tenor sax 1 doubles flute, tenor 2 doubles clarinet, and baritone
sax doubles bass clarinet. Recorded by the U.S.A.F. Airmen of Note.

GOD REST YE MERRY GENTLEMEN


Arranged by Rick Hirsch
Medium Difficult
$47.00
Cat: 62535
Traditional Christmas tune treated as a groovy up-tempo swing. G minor solo
section is open for soloists. Well-written backgrounds superimpose We Three Kings
over this chord progression. Optional clarinet, vibes, and French horn parts included.

GOD REST YE MERRY TROMBONES


Arranged by Tom Kubis
Advanced
$55.00
Cat: 62518
This one will warm up the old yule log! This up-tempo jazz chart features the
trombone section and a lot of great ensemble. Recorded by the Tom Kubis Big Band.

GOOD KING WENCESLAS


Arranged by Mike Crotty
Medium Difficult
$55.00
Cat: 625131
A swinging up-tempo version of a familiar old Christmas tune. This often humorous
arrangement features a trumpet and baritone duet playing the head, a trumpet solo,
and lots of ensemble playing with drum solos interspersed throughout.

GOOD KING WENCESLAS


Arranged by Ralph Carmichael
Medium Difficult
$52.00
Cat: SMP-639
This arrangement is from Kentons Merry Christmas album. It swings like crazy! The
original arrangements were written for 4 trumpets, 4 mellophoniums, 4 trombones,
tuba, keyboard, bass, drums and auxiliary percussion. Also included are saxophone
parts which take the place of the mellophonium parts.

GOOD KING WENCESLAS


Arranged by Mark Taylor
Medium Difficult
$45.00
Cat: 8720637
Arranger Mark Taylor has put great touches on this holiday classic.

CALL NOW TO ORDER! 1-518-587-1102

HOLIDAY ARRANGEMENTS
GREENSLEEVES
Arranged by Dave Metzger
Difficult
$48.00
Cat: 51474
Tasteful jazz waltz treatment featuring your pianist (optional solo parts are included
for trumpet/flugelhorn, alto sax, and trombone which work equally well). Chart
works anytime during the year, as well as on your winter/Christmas concert (subtitled
What Child Is This). Recorded by the Kicks Band on Alive and Kickin.

HARK THE HERALD


Arranged by Tom Kubis
Advanced
$55.00
Cat: 62517
This is a pretty rock ballad that features the lead trumpet. The real high trumpet
stuff at the end may be played down an octave. Recorded by the Tom Kubis Big
Band on A Jazz Musicians Christmas.

HERE COMES SANTA CLAUS/


[VOCAL]
SANTA CLAUS IS COMING TO TOWN
Transcribed by Alan Glasscock
Advanced
$65.00
Cat: LL-2011
This is a tough, storming swing chart from the talented Linda Eder. The arrangement
is a medley of Here Comes Santa Claus and Santa Claus is Coming to Town. The
opening is memorable, there is a solo spot for lead alto and a surprise change of feel
in the middle taken from Sing Sing Sing and Oh Tannenbaum which leads into the
second half of the medley. This is a huge chart. If your band can pull it off it will be
a showstopper. Both altos double flutes, both tenors double clarinets and the
baritone doubles bass clarinet, though we have also cued this passage with notes for
the baritone in case a bass clarinet is unavailable. Vocal range: F3 -Eb5; keys: Db, Bb, C

HERE COMES SANTA CLAUS


(RIGHT DOWN SANTA CLAUS LANE)
Arranged by Paul Lavender
Medium Easy
$35.00
Cat: 8724956
One of the all-time holiday favorites, this lively and happy song is perfect for your
bands first winter concert. Arranged to sound full and with every section given a
chance to play the melody, this will quickly become a favorite!

HERE WE COME A WASSELING!


Arranged by Tom Kubis
Difficult
$53.00
Cat: 62533
Look out-weve never wasseled like this before! This one is difficult. Very good high
school or very good college with lots of meter changes but wow what a burner!
Tenor feature, high trumpet F.Very fast 3/4 jazz in a 1 feel! Well worth the effort! This
is from the third Christmas CD from the Tom Kubis Big Band.

THE HOLLY AND THE IVY


Arranged by Ralph Carmichael
Medium Difficult
$52.00
Cat: SMP-642
This arrangement, from Kentons Merry Christmas album (1961) is a great deal of
fun to play. It moves through different keys, and it has a lot of interesting variations
in it. A terrific chart! The original arrangements were written for 4 trumpets, 4
mellophoniums, 4 trombones, tuba, keyboard, bass, drums and auxiliary percussion.
Also included are saxophone parts which take the place of the mellophonium parts.

HOME FOR THE HOLIDAYS

[VOCAL]

Arranged by Alan Glasscock


Medium
$65.00
Cat: LL-2104
Home for the Holidays is a seasonal vocal chart, written for a boy/girl duet, though
equally suitable as a solo vocal feature. This classy arrangement from Alan Glasscock
moves along with a punchy swing feel, and modulates up chromatically from concert
Bb to C. At 2 minutes 20 secs it is not a long chart, but is as long as it needs to be.
A fun and festive chart which everyone will enjoy. The vocal keys are Bb to B to C,
and there are no sax doubles. The 4th trombone is bass.

IT CAME UPON A MIDNIGHT CLEAR


Arranged by Tom Kubis
Difficult
$55.00
Cat: 62521
This is a solo flugelhorn 3/4 ballad nicely reharmonized with lush chords and
backgrounds. A bit on the bluesy side! Recorded by the Tom Kubis Big Band.

OR ORDER BY FAX: 1-518-587-2325

107

HOLIDAY ARRANGEMENTS
IT CAME UPON A MIDNIGHT CLEAR
Arranged by John Labarbera
Difficult
$42.00
Cat: 2975
John says in his score notes that directors should think Basie with just a touch of
Bach and the chart will play itself. Piano interjects solo material in several places,
including a pair of straight-8th interludes for stylistic contrast.

IT CAME UPON A MIDNIGHT CLEAR


Arranged by Steve Herold
Medium Difficult
$55.00
Cat: 62511
A Basie-style medium swing that features the full ensemble. Solos are for flute (on
tenor 1) and trombone. Tenor 1 doubles on flute. Lead trumpet is demanding.

JINGLE BELLS

[VOCAL]

Transcribed by Alan Glasscock


Difficult
$65.00
Cat: LL-2016
Heres a bit of Christmas cheer, courtesy of Bing Crosby and the inimitable Andrews
Sisters. This chart is just happy and fun from start to finish. Written for a male vocal
and female vocal trio, it is equally well suited to a male/female duo. Full of quirky little
fills and backings from the band which complement rather than outshine the
vocalists, plus a cameo baritone sax solo, this chart is perfect for injecting a little
festive cheer. Both altos are on clarinets, the brass ranges are very moderate (lead
trumpet only up to an A) and the vocal ranges are not challenging. Vocal key: Eb

JINGLE BELLS
Arranged by Tom Kubis
Medium
$52.00
Cat: 62534
Bass trombone feature on this old Christmas standard. This is a medium swing
version featuring the bass trombone all the way through the chart. The ensemble
and bass trombone trade off throughout the chart. Lead trumpet to high E.

JINGLE BELLS
Arranged by Mike Crotty
Difficult
$60.00
Cat: 62500
A funk version of this Christmas favorite. It features EVI Wind controller (substitute
Bb part included), and electric bass. Alto sax 1 doubles piccolo, and tenor 1 doubles flute.

JOY TO THE WORLD


Arranged by Tom Kubis
Difficult
$55.00
Cat: 62522
A rousing Samba and a great tune to open a Christmas concert with!

LET IT SNOW! LET IT SNOW!


LET IT SNOW!
Arranged by Roger Holmes
Medium
$40.00
Medium-swing arrangement for vocal soloist.

[VOCAL]
Cat: 8721720

O CHRISTMAS TREE
Arranged by Tom Kubis
Advanced
$55.00
Cat: 62514
This medium-swing chart starts with piano and moves into a harmon trumpet solo.
As always, plenty of great ensemble to get you into that great yule spirit!

O CHRISTMAS TREE
Arranged by Steve Herold
Difficult
$53.00
Cat: 62510
This is a ballad feature for the bass. Time shifts from 3/4 to 4/4 and back. Horn and
rhythm parts are easy. Sax doubles: 2 flutes, 2 clarinets, 1 oboe (includes an opt.
soprano sax part as substitute for the oboe).

O COME ALL YE FAITHFUL/


O LITTLE TOWN OF BETHLEHEM
Arranged by Tom Kubis
Difficult
$55.00
Cat: 62523
A two-trumpet feature playing these two great Christmas standards in a ballad
style. Recorded by the Tom Kubis Big Band on A Jazz Musicians Christmas.

108

O COME, O COME, EMMANUEL


Arranged by Chuck Tumlinson
Difficult
$53.00
Cat: 62508
This haunting melody is given a modern poly-chordal and mixed meter treatment.
Lead alto doubles on soprano (with optional English horn), other saxes double on
flute and clarinet. Solos for soprano (lead) sax and piano.

O HOLY NIGHT
Arranged by Ralph Carmichael
Medium Difficult
$37.00
Cat: SMP-607
This arrangement is more traditional in scope, but it is filled with wonderful, lush
harmonies and the Kenton style of arranging. The original arrangements were written
for 4 trumpets, 4 mellophoniums, 4 trombones, tuba, keyboard, bass, drums and
auxiliary percussion. Also included are saxophone parts which take the place of the
mellophonium parts. From Kentons Merry Christmas recording.

O HOLY NIGHT
Arranged by Tom Kubis
Difficult
$55.00
Cat: 62524
This is a high note, first trumpet feature. A very thrilling and exciting vehicle for the
lead trumpet. High parts may be played down an octave.

O HOLY NIGHT
Arranged by Mike Crotty
Difficult
$60.00
Cat: 62502
Progressive jazz waltz with extensive trombone solo. The opening and closing
feature a free piano solo. Alto sax doubles clarinet and soprano, tenor 1 doubles
flute, and baritone doubles bass clarinet. Recorded by the Trilogy Big Band.

O, TANNENBAUM
Arranged by Ralph Carmichael
Medium Difficult
$37.00
Cat: SMP-608
This arrangement is one of the simpler charts, but it is beautiful. The original
arrangements were written for 4 trumpets, 4 mellophoniums, 4 trombones, tuba,
keyboard, bass, drums and auxiliary percussion. Also included are saxophone parts
which take the place of the mellophonium parts. From Kentons Merry Christmas.

SANTA BABY

[VOCAL]

Transcribed by Alan Glasscock


Easy
$65.00
Cat: LL-2015
A cheeky and fun vocal number, originally by Eartha Kitt, though later covered by
Madonna. This arrangement draws inspiration from both, without losing any of the
essence. Whilst predominantly used as a Christmas song, this chart is good in any set,
any time of the year! There are some sax doubles: altos 1 & 2 and the baritone are
on clarinets throughout, with both tenors staying on tenor. Baritone players are not
famous for clarinet skills, so an extra sax 4 part (turning the baritone into the 2nd
tenor part) has been included so that one of your tenor players can take the
clarinet part instead. Female vocal range: Ab3-Ab4; Vocal Key: Db

SANTA CLAUS IS COMING TO TOWN [VOCAL]


Arranged by Dave Wolpe
Medium Difficult
$40.00
Cat: SS9001
Youd better watch out, because Dave Wolpes up-tempo arrangement of this
holiday favorite really brings Santa to town! This one features the vocalist in a
special way and includes a tenor sax solo part which can be substituted for the
vocal part. Key of G.

SANTA CLAUS IS COMING TO TOWN


Arranged by Mike Lewis
Medium Easy
$40.00
Cat: JEM03011
Mike Lewis has taken this tune and placed it at the ability level of the young jazz
player. Logical swing figures, written out or ad-libbed solos for tenor sax and piano,
along with lots of ensemble make this chart essential. Toss in a few modulations and
you have the perfect holiday swing chart that is accessible.

SILENT AND MIDNIGHT


Arranged by Rob McConnell
Medium Difficult
$65.00
Cat: 62530
This chart begins with a cappella brass, later joined by 4 flutes and a bass clarinet.
Written out lead in alto 2. Silent Night is where the rhythm section joins in with a
jazz waltz feel. Guitar has solo fills and a solo section. Recorded by Rob McConnell.

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

COMPLETE PO S ONLINE!

SILENT NIGHT
Arranged by Tom Kubis
Advanced
$55.00
Cat: 62515
This powerful and pretty ballad features the lead trumpet player. The extreme high
notes on the solo part towards the end may be played down an octave.

SILENT NIGHT
Arranged by Mike Crotty
Difficult
$53.00
Cat: 62504
Ballad feature for flugel with double time solo section. Alto sax 1 and 2 double clari,
tenor 1 doubles flute and clarinet, tenor 2 doubles clarinet, bari doubles bass clari.

SILENT NIGHT

[VOCAL]

Arranged by Bob Curnow


Medium
$42.00
Cat: SMP-806
This arrangement moves through many variations of this most lovely of melodies.
This is not difficult to play, and it has a very hip, sophisticated, lush harmonic sound.

SILENT NIGHT
Arranged by Mark Taylor
Medium
$40.00
Cat: 30925113
Outstanding holiday programming! This setting is both reverent and contemporary.

SILVER BELLS
Arranged by George Stone
Medium
$40.00
Cat: 7010070
Heres a great sounding Latin treatment of one of the best holiday songs ever
written.This chart features creative harmonies and very reasonable technical demands.

SLEIGH RIDE
Arranged by Mike Lewis
Medium Difficult
$50.00
Cat: JEM00022
Mike has used a rhythm section pedal note pattern behind the melody, giving this
classic a brand new life. This chart moves along at a bright swing tempo, yet the brass
demands are very reasonable with 1st trumpet to D and lead trombone up to A. A
big shout chorus and no jazz solos-just ensemble and section work galore keeps
your band thinking, playing and swinging together throughout this exciting chart.

SUGAR RUM CHERRY


[FROM NUTCRACKER SUITE]

HOLIDAY ARRANGEMENTS
WE THREE KINGS
Arranged by Mike Crotty
Difficult
$53.00
Cat: 62506
Straight-ahead 3/4 featuring the ensemble. Solos are for guitar and trombone. Alto
1 doubles soprano, clarinet, and piccolo; alto 2 doubles clarinet; tenor 1 doubles
flute and alto flute; tenor 2 doubles clarinet; and baritone doubles bass clarinet.

WHAT AREYOU DOING NEWYEARS EVE [VOCAL]


Arranged by Jon Harpin
Easy
$65.00
Cat: LL-2105
This lovely ballad arrangement features lush band voicings, with muted brass throughout.
The 4th trumpet is really a solo obligato part, behind the vocal where appropriate.
The 1st alto had a couple of bars of clarinet double in the intro, but apart from that
there are no other sax doubles. The brass ranges are very moderate, and the vocal
would suit most male or female vocalists. The vocal key is Eb to E.

WHAT CHILD IS THIS (GREENSLEEVES)


Arranged by Mike Crotty
Difficult
$60.00
Cat: 62505
Tremendous feature for guitar. Rubato opening and closing for 1 or 2 guitars. Tempo
changes from easy groove to jazz waltz. Solos are for guitar & alto. No doubles.

WHAT CHILD IS THIS? (GREENSLEEVES)


Arranged by Steve Herold
Difficult
$55.00
Cat: 62512
This is a very fast swing. The tempo should be as fast as possible. Arrangement
centers around the alto and tenor soloists. Each soloist gets an extended section by
themselves, then they trade 16s, 8s, etc. Solo section can be easily altered to feature
only one soloist. Strong soloists and rhythm section are a must.

WHITE CHRISTMAS

[VOCAL]

Arranged by Roger Holmes


Medium
$40.00
Cat: 7500043
You cant go wrong with one of the best holiday songs ever written. This chart will
bring out the best in your vocalist, and will bring smiles to your audience. Key: B flat.

WHITE CHRISTMAS

Transcribed by David Berger


Medium
$50.00
Cat: JLCM03006
From the Jazz at Lincoln Center Library collection. This transcription is direct from
the recordings of Duke Ellington, and they are not only authentic, they are perfect
for your jazz ensemble. Features information about the original recording, rehearsal
notes from Jon Faddis and Brent Wallarab, and performance suggestions from
Wynton Marsalis. This was recorded in 1960 and is from the Nutcracker Suite.
Instrumentation: 5/4/3/2 - no piano or guitar parts. Saxophone 3 doubles on
clarinet.

Arranged by Mark Taylor


Medium
$40.00
Cat: 30925091
Enhance any holiday concert with Marks smooth light bossa treatment.

TWELVE DAYS OF CHRISTMAS

YO, TANNENBAUM

Arranged by Ralph Carmichael


Medium Difficult
$52.00
Cat: SMP-610
This arrangement is one of the more complex charts on Kentons Christmas album.
It goes through a series of meters and textures and ends up with a no-holds-barred
swinging section at the end. A great chart! The original arrangements were written
for 4 tpts, 4 mellophoniums, 4 tbns, tuba, keyboard, bass, drums and aux. percussion.
Also included are saxophone parts which take the place of the mellophonium parts.

WINTER WONDERLAND
Arranged by Dave Wolpe
Medium
$50.00
Cat: JE9924
This chart includes solos for tbn, tpt, & tenor. The ensemble writing is superb. It
sounds a lot harder than it plays, and it will come together with little rehearsal time.

Arranged by Gordon Goodwin


Medium Difficult
$53.00
Cat: 62531
From the pretty opening chorale, to the Basiesque statement of the theme, to the
fast bebop variations and a cappela horn solis, this chart will showcase precise
ensemble work. Some sax doubles.

WE THREE KINGS
Arranged by Tom Kubis
Advanced
$55.00
Cat: 62516
This is a hard and fast Jazz waltz. Recorded by the Tom Kubis Big Band.

WE THREE KINGS
Arranged by Ralph Carmichael
Medium Difficult
$52.00
Cat: SMP-611
This arrangement swings like crazy! The original arrangements were written for 4
trumpets, 4 mellophoniums, 4 trombones, tuba, keyboard, bass, drums and percussion.
Also included are saxophone parts which take the place of the mellophonium parts.

CALL NOW TO ORDER! 1-518-587-1102

OR ORDER BY FAX: 1-518-587-2325

109

DAVE PELL OCTET ARRANGEMENTS


TITLE
42ND STREET
ACROSS THE ALLEY FROM THE ALAMO
ALL THIS AND HEAVEN TOO
ANGEL EYES
ARENT YOU GLAD YOURE YOU
ARKANSAS
BALLIN THE JACK
BETTER LUCK NEXT TIME
BEWITCHED
BLUE ROOM
BLUES MY NAUGHTY SWEETIE GAVE ME
BOPLICITY
BY THE RIVER SAINT MARIE
CAMPTOWN RACES
CANT WE BE FRIENDS
CAST YOUR FATE TO THE WIND
CAYUGAS WATERS
CHANGE PARTNERS
CHEEK TO CHEEK
CHEERFUL LITTLE EARFUL
CONTINENTAL, THE
CRESCENDO DATE
DANCE FOR DADDY
DAYS OF WINE AND ROSES, THE
DEEP IN THE HEART O TEXAS
DESAFINADO
EAST OF THE SUN
EYES OF TEXAS
FIGHT ON (USC)
FLY ME TO THE MOON
G TUNE
GAL FROM GALICO
GO YOU NORTHWESTERN
GREY FLANNEL
HAIL PURDUE
HAVE YOU MET MISS JONES
HE AINT GOT RHYTHM
HOW ARE THINGS IN GLOCCA MORRA?
I FOUND A NEW BABY
I HAD THE CRAZIEST DREAM
I KNOW WHY (AND SO DO YOU)
I USED TO BE COLOR BLIND
I WANNA BE AROUND
IDA SWEET AS APPLE CIDER
IF I COULD BE WITH YOU
IF I HAD YOU
ILL STRING ALONG WITHOUT YOU
ILLINOIS LOYALTY
IM AN OLD COWHAND
IM PUTTING ALL MY EGGS IN ONE BASKET
IMAGINATION
INDIANA OUR INDIANA
IOWA CORN SONG
IT NEVER ENTERED MY MIND
IVE GOT A CRUSH ON YOU
IVE GOT A FEELING IM FALLING
IVE GOT FIVE DOLLARS
JAVA JUNCTION
JAZZ GOES TO SIWASH
JAZZ ME BLUES
JAZZ WAGNER
JUST MY LUCK
KATE
KLUMP JUMP
LADY IS A TRAMP, THE
LETS DO IT
LETS FACE THE MUSIC AND DANCE
LETS HAVE ANOTHER CUP OF COFFEE
LITTLE BIRD
LONDON IN JULY
LOVE AND THE WEATHER

110

ARRANGER
ARRANGED BY SHORTY ROGERS
ARRANGED BY BILL HOLMAN
ARRANGED BY JACK MONTROSE
ARRANGED BY MARTY PAICH
ARRANGED BY WES HENSEL
ARRANGED BY BILL HOLMAN
ARRANGED BY HARRY BETTS
ARRANGED BY SHORTY ROGERS
ARRANGED BY ANDRE PREVIN
ARRANGED BY SHORTY ROGERS
ARRANGED BY BOB FLORENCE
ARRANGED BY BILL EVANS
ARRANGED BY JOHN WILLIAMS
ARRANGED BY JERRY FIELDING
ARRANGED BY MARTY PAICH
ARRANGED BY BOB FLORENCE
ARRANGED BY MARTY PAICH
ARRANGED BY JERRY FIELDING
ARRANGED BY MARTY PAICH
ARRANGED BY MARTY PAICH
ARRANGED BY JIM EMERSON
ARRANGED BY MARTY PAICH
ARRANGED BY MARTY PAICH
ARRANGED BY BOB FLORENCE
ARRANGED BY JACK MONTROSE
ARRANGED BY HARRY BETTS
ARRANGED BY JACK MONTROSE
ARRANGED BY MARTY PAICH
ARRANGED BY JOHN WILLIAMS
ARRANGED BY BOB FLORENCE
ARRANGED BY PAUL MOER
ARRANGED BY MED FLORY
ARRANGED BY MED FLORY
ARRANGED BY MARTY PAICH
ARRANGED BY BILL HOLMAN
ARRANGED BY MARTY PAICH
ARRANGED BY SHORTY ROGERS
ARRANGED BY MARTY PAICH
ARRANGED BY JOHNNY MANDEL
ARRANGED BY ANDRE PREVIN
ARRANGED BY BILL HOLMAN
ARRANGED BY BILL HOLMAN
ARRANGED BY HARRY BETTS
ARRANGED BY MARTY PAICH
ARRANGED BY JACK MONTROSE
ARRANGED BY MARTY PAICH
ARRANGED BY MARTY PAICH
ARRANGED BY MED FLORY
ARRANGED BY SHORTY ROGERS
ARRANGED BY SHORTY ROGERS
ARRANGED BY SHORTY ROGERS
ARRANGED BY MED FLORY
ARRANGED BY JOHN WILLIAMS
ARRANGED BY MARTY PAICH
ARRANGED BY JIM EMERSON
ARRANGED BY MARTY PAICH
ARRANGED BY SHORTY ROGERS
ARRANGED BY MARTY PAICH
ARRANGED BY BILL HOLMAN
ARRANGED BY HARRY BETTS
ARRANGED BY SHORTY ROGERS
ARRANGED BY MED FLORY
ARRANGED BY WES HENSEL
ARRANGED BY MARTY PAICH
ARRANGED BY MARTY PAICH
ARRANGED BY SHORTY ROGERS
ARRANGED BY MARTY PAICH
ARRANGED BY SHORTY ROGERS
ARRANGED BY HARRY BETTS
ARRANGED BY SHORTY ROGERS
ARRANGED BY SHORTY ROGERS

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

CAT #
DP-1080
DP-1108
DP-1067
DP-1017
DP-1066
DP-1109
DP-1037
DP-1077
DP-1110
DP-1056
DP-1041
DP-1141
DP-1081
DP-1111
DP-1028
DP-1090
DP-1112
DP-1071
DP-1050
DP-1083
DP-1046
DP-1012
DP-1047
DP-1099
DP-1107
DP-1092
DP-1044
DP-1113
DP-1114
DP-1095
DP-1033
DP-1115
DP-1116
DP-1025
DP-1117
DP-1019
DP-1079
DP-1100
DP-1022
DP-1002
DP-1021
DP-1075
DP-1098
DP-1043
DP-1118
DP-1049
DP-1086
DP-1119
DP-1120
DP-1070
DP-1069
DP-1121
DP-1122
DP-1059
DP-1123
DP-1124
DP-1057
DP-1015
DP-1024
DP-1039
DP-1001
DP-1068
DP-1073
DP-1006
DP-1060
DP-1125
DP-1051
DP-1076
DP-1096
DP-1104
DP-1072

- NOTES ON THE DAVE PELL


OCTET ARRANGEMENTS We are very pleased to be able to offer
these historic, classic Dave Pell Octet
arrangements. These charts are reproductions of the actual ones that were
used on his famous recordings.
All arrangements feature the classic
Dave Pell Octet instrumentation of:
- Tenor Saxophone
- Baritone Saxophone
- Trumpet
- Trombone
- Piano
- Bass
- Drums
- Guitar
Arrangers include: Shorty Rogers, Jack
Montrose, Marty Paich, Johnny Mandel,
Andre Previn, Bill Holman, Harry Betts,
Bob Florence,Wes Hensel, and others.
Please note that these are self-produced
by Dave Pell himself and are photocopies of the originals.

ALL DAVE PELL


ARRANGEMENTS:
$25.00

COMPLETE PO S ONLINE!

DAVE PELL OCTET ARRANGEMENTS


TITLE
LOVE FOR SALE
LOVE IS THE SWEETEST THING
LOVE ME OR LEAVE ME
LULUS BACK IN TOWN
MANHATTAN
MEDITATION
MEMPHIS IN JUNE
MIKES PEAK
MINNESOTA ROUSER
MOUNTAIN GREENERY
MY HEART BELONGS TO DADDY
MY HEART IS A HOBO
NAPS DREAM
NAVY BLUE & GOLD
NOTRE DAME
OH, DIDNT HE RAMBLE
OKLAHOMA HILLS
ON A SLOW BOAT TO CHINA
ON THE GOOD SHIP LOLLIPOP
ON THE ISLE CAPRI
ON WISCONSIN
ONE MORE CHANCE
ONE NOTE SAMBA
OUR DAY WILL COME
PAPER DOLL
PARIS IN THE SPRING
PEOPLE IN LOVE
POOPSIE
PROM TO PROM
RAMBLIN WRECK FROM GEORGIA TECH
REMEMBER ME
SANDY SHOES
SAY IT WITH MUSIC
SHI MA SHA WABBLE
SHIP WITHOUT A SAIL, A
SHUFFLE OFF TO BUFFALO
SIGMA CHI
SING FOR YOUR SUPPER
SOMEONE IN LOVE
SOUTH OF THE BORDER
SPRING IS HERE
STAR EYES
SUDDENLY ITS SPRING
SUGAR FOOT STRUT
SUMMER NIGHT
SUNDAY IN SAVANNAH
SUZE BLUZE
TEN CENTS A DANCE
THE VICTORS
THEM THERE EYES
THERELL BE SOME CHANGES MADE
THIS YEARS CROP OF KISSES
TIME AFTER TIME
TISHOMINGO BLUES
WALK RIGHT IN
WALKIN MY BABY BACK HOME
WALKIN SHOES (TENTET)
WAVE THE FLAG
WAY YOU LOOK TONIGHT, THE
WERE IN THE MONEY
WHAT DOES IT TAKE
WHEN I TAKE MY SUGAR TO TEA
WHEN THE SAINTS GO MARCHING IN
WHITE CLIFFS OF DOVER, THE
WHO WALKS IN
WHY DO YOU SUPPOSE
WOOL OVER MY EYES
WOULD YOU LIKE TO TAKE A WALK
YOU ARE TOO BEAUTIFUL
YOUNG AND HEALTHY
YOURE MY EVERYTHING

ARRANGER
ARRANGED BY BOB FLORENCE
ARRANGED BY MARTY PAICH
ARRANGED BY MARTY PAICH
ARRANGED BY MED FLORY
ARRANGED BY JOHN WILLIAMS
ARRANGED BY HARRY BETTS
ARRANGED BY MARTY PAICH
ARRANGED BY SHORTY ROGERS
ARRANGED BY BOB ENEVOLDSEN
ARRANGED BY MARTY PAICH
ARRANGED BY MARTY PAICH
ARRANGED BY BILL HOLMAN
ARRANGED BY MARTY PAICH
ARRANGED BY BILL HOLMAN
ARRANGED BY BOB ENEVOLDSEN
ARRANGED BY BILL HOLMAN
ARRANGED BY JACK MONTROSE
ARRANGED BY SHORTY ROGERS
ARRANGED BY WES HENSEL
ARRANGED BY WES HENSEL
ARRANGED BY BILL HOLMAN
ARRANGED BY MARTY PAICH
ARRANGED BY BOB FLORENCE
ARRANGED BY BOB FLORENCE
ARRANGED BY MED FLORY
ARRANGED BY SHORTY ROGERS
ARRANGED BY MARTY PAICH
ARRANGED BY SHORTY ROGERS
ARRANGED BY MARTY PAICH
ARRANGED BY MARTY PAICH
ARRANGED BY MARTY PAICH
ARRANGED BY MARTY PAICH
ARRANGED BY SHORTY ROGERS
ARRANGED BY MED FLORY
ARRANGED BY SHORTY ROGERS
ARRANGED BY SHORTY ROGERS
ARRANGED BY BOB ENEVOLDSEN
ARRANGED BY SHORTY ROGERS
ARRANGED BY BOB ENEVOLDSEN
ARRANGED BY MARTY PAICH
ARRANGED BY WES HENSEL
ARRANGED BY JACK MONTROSE
ARRANGED BY MARTY PAICH
ARRANGED BY BILL HOLMAN
ARRANGED BY MARTY PAICH
ARRANGED BY WES HENSEL
ARRANGED BY MARTY PAICH
ARRANGED BY SHORTY ROGERS
ARRANGED BY MARTY PAICH
ARRANGED BY BILL HOLMAN
ARRANGED BY MARTY PAICH
ARRANGED BY WES HENSEL
ARRANGED BY BILL HOLMAN
ARRANGED BY JOHN WILLIAMS
ARRANGED BY BOB FLORENCE
ARRANGED BY BILL HOLMAN
ARRANGED BY GERRY MULLIGAN
ARRANGED BY BILL HOLMAN
ARRANGED BY BILL HOLMAN
ARRANGED BY BILL HOLMAN
ARRANGED BY SHORTY ROGERS
ARRANGED BY JERRY FIELDING
ARRANGED BY MARTY PAICH
ARRANGED BY JOHNNY MANDEL
ARRANGED BY JACK MONTROSE
ARRANGED BY MARTY PAICH
ARRANGED BY MARTY PAICH
ARRANGED BY SHORTY ROGERS
ARRANGED BY WES HENSEL
ARRANGED BY BILL HOLMAN
ARRANGED BY MARTY PAICH

CALL NOW TO ORDER! 1-518-587-1102

CAT #
DP-1094
DP-1126
DP-1014
DP-1085
DP-1042
DP-1089
DP-1102
DP-1003
DP-1127
DP-1031
DP-1007
DP-1063
DP-1010
DP-1128
DP-1129
DP-1040
DP-1130
DP-1101
DP-1008
DP-1105
DP-1131
DP-1132
DP-1093
DP-1097
DP-1038
DP-1103
DP-1013
DP-1004
DP-1027
DP-1133
DP-1087
DP-1032
DP-1074
DP-1034
DP-1055
DP-1134
DP-1135
DP-1058
DP-1064
DP-1136
DP-1061
DP-1005
DP-1030
DP-1036
DP-1088
DP-1106
DP-1023
DP-1062
DP-1137
DP-1020
DP-1029
DP-1078
DP-1011
DP-1026
DP-1091
DP-1052
DP-1138
DP-1139
DP-1009
DP-1082
DP-1065
DP-1048
DP-1035
DP-1018
DP-1140
DP-1053
DP-1141
DP-1084
DP-1054
DP-1045
DP-1016

OR ORDER BY FAX: 1-518-587-2325

111

CUSTOMER SERVICE
Ordering Info:
ORDER BY PHONE:
1-518-587-1102
We will be happy to assist you
9 a.m. to 6 p.m. EST, M-F

ORDER ONLINE:
Visit www.ejazzlines.com to view our complete catalog online. You will be able to
check out sale items that dont appear in our printed catalog. We offer a secure and
private environment in which to browse and purchase. In addition, there are full
descriptions, sound samples, and score samples for the items listed in this catalog.

ORDER BY FAX:
1-518-587-2325
To use our 24-hour fax order line, just complete the order form, including payment
information, and fax it to us. There is no need to phone us to confirm your order. If
you provide an email address on your fax, on request we will send you an email
confirming your order and then another one when your order is shipped.

PAYMENT METHODS:
We accept checks, money orders, credit cards (Mastercard,Visa, Discover, and American
Express) and purchase orders from U.S. institutions. All credit card information that
you provide is kept strictly confidential and is processed in a secure environment. If
you are paying by check, please allow 7 business days for your check to clear.

DO YOU ACCEPT PURCHASE ORDERS?


Yes, we accept purchase orders from recognized U.S. institutions. Please complete
the order form with your selections as well as your purchase order number.
Additionally, you can fax or mail your own completed official purchase order form to
us. Please make sure you indicate both billing and shipping addresses.

WHEN WILL MY ORDER BE SHIPPED?


We make every effort to process orders as quickly as possible; indeed, many go out
the same day as placed. Usually, orders containing readily available items will be
shipped within 2 to 3 business days, while most orders containing out-of-stock
items will ship within 7-14 days, with some exceptions as detailed below. For all
orders placed online we will always let you know within five business days when you
can expect your order if it has not already been shipped.
We try to make as many jazz-related items available as possible. Many of our
arrangements are either imports or are self-produced by the arranger. Due to this,
shipping times for some items may depend on the availability and/or travel schedule
of the arranger. All of these arranger/musicians are actively working and touring so
there may be a delay in re-stocking their arrangements. If there will be a significant
delay in shipping an item you have ordered, we will let you know.

WHAT IF I WANT SOMETHING THAT I


DONT SEE LISTED ANYWHERE, OR
SOMETHING THAT ISNT JAZZ?
We have a wide network of suppliers for arrangements, CDs, videos, books, and all
types of sheet music, ranging from the million-sellers to the most obscure. Please let
us know if you did not find what you were looking for.

SHIPPING RATES:
ejazzlines.com packages all orders by hand using the utmost care, and utilizing carefully selected, custom-sized, and many recycled and recyclable materials. Everything
is always guaranteed to arrive in the condition you expect. We offer USPS and UPS shipping options, which are listed below; please call, email, or check our website
for all overnight and international shipping prices: we offer many choices. UPS shipping includes a tracking number and insurance. Also please note that for all orders
shipped to PO boxes, USPS must be used. Time of delivery is from when items are shipped, not from when an order is placed. See above for shipping time information.

Amount of Order

$24.99 AND LESS


$25.00 TO $49.99
$50.00 TO $99.99
$100.00 TO $149.99
$150.00 TO $199.99
$200.00 AND OVER

112

USPS Media Mail


(4-14 days for delivery)

$3.50
$4.50
$5.50
$7.50
$9.00
$11.00

USPS Priority Mail


(2-3 days)

$5.50
$7.00
$8.50
$11.00
$13.00
$16.00

VISIT US ON THE WEB: WWW.EJAZZLINES.COM

UPS Ground
(2-6 days)

$7.00
$8.00
$9.50
$12.00
$14.50
$17.50

COMPLETE PO S ONLINE!

O R D E R

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F O R M

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FOR MORE COMPLETE INFORMATION


ON THE ITEMS IN THIS CATALOG,
PLEASE VISIT OUR WEBSITE AT
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CALL NOW TO ORDER! 1-518-587-1102

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113

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PO BOX 1236
SARATOGA SPRINGS NY 12866
USA

114

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