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Born
Died
Nationality
American
Known for
Architect, Designer
Notable work
1 Biography
4 Exhibitions
5 References
6 Sources
7 Further reading
8 External links
Biography[edit]
Beginning in 190809, Kiesler studied at the Technische Hochschule in Vienna. From
191012, he attended painting and printmaking classes at the Akademie der bildenden
Knste, both in Vienna. He did not finish the architecture curriculum at the Technische
Hochschule.
He married Stefanie (Stefi) Frischer (18961963) in 1920, and they moved to New York
City in 1926, where he lived until his death. Kiesler collaborated there early on with
the Surrealists, including Marcel Duchamp. His writing was extensive, and his theoretical
work embraced two lengthy manifestos, the article "Pseudo-Functionalism in Modern
Architecture" (Partisan Review, July 1949) and the book Contemporary Art Applied to the
Store and Its Display (New York: Brentano, 1930).
In 1964, the year before his death, Kiesler married Lillian Olinsey, his longtime secretary. In
May 1965, he traveled to Jerusalem for the inauguration of the Shrine of the Book; seven
months later he died in New York City.
as those about "correalism" or "continuity," which concern the relationship among space,
people, objects and concepts.[2]
For his object designs, such as the biomorphic furniture in his Abstract Gallery room
of Peggy Guggenheims The Art of This Century Gallery art salon (1942), for example. For
it, he sought to dissolve the visual, real, image, and environment into a free-flowing space.
He likewise pursued this approach with his Endless House, exhibited in maquette form in
195859 at The Museum of Modern Art. The project stemmed from his shop-window
displays of the 1920s and his Film Guild Cinema in New York City, mentioned above.
Pursuing display and art-gallery work, he was a window designer for Saks Fifth
Avenue from 1928 to 1930. Earlier in his career in Europe, Kiesler invented the 1924 L+T
(Leger und Trager) radical hanging system for galleries and museums.
His unorthodox architectural drawings and plans that he called "polydimensional" were
somewhat akin to Surrealist automatic drawings.
He designed some intriguing furniture, a few pieces of which were featured in the yearbook
of the short-lived American Union of Decorative Artists (AUDAC); he was a founding
member of the organization in 1930. Some models of the furniture none of which was
reproduced in numbers as intended have been posthumously manufactured in limited
quantities by various firms in Europe since 1990. The most popular has been the castaluminum "Two-Part Nesting Table" (1935).
Exhibitions[edit]
"Friedrick [sic] Kiesler", Whitney Museum of American Art, New York City, 1989
Kiesler drawings and reproduction furniture, Jason McCoy Gallery, New York City,
199091
"Frederick Kiesler: Endless", Jason McCoy Gallery, New York City, 2008