Академический Документы
Профессиональный Документы
Культура Документы
PLEASE NOTE
AMPEG is a registered trademark of LOUD Technologies, Inc. used under license
SVX is a trademark property of IK Multimedia Production.
All other product names and images, trademarks and artists names are the property
of their respective owners, which are in no way associated or affiliated with IK
Multimedia. Product names are used solely for the purpose of identifying the specific
products that were studied during IK Multimedias sound model development and
for describing certain types of tones produced with IK Multimedias digital modeling
technology. Use of these names does not imply any cooperation or endorsement.
Table of Contents
I Contents
Chapter 1
1.1
1.2
1.3
1.4
1.5
1.6
1.7
1.8
1.10
5
5
6
7
8
9
10
11
12
13
Chapter 2
2.1
2.2
2.3
2.4
2.13
Amplifiers
BA-500
B-15R Portaflex Flip Top
SVT-Classic
SVT-4PRO
Amplifier Model List
15
15
16
17
18
19
Chapter 3
3.1
3.2
3.3
3.4
3.5
3.6
3.13
Cabinets
BA-500
B-15R
BXT-410H
PB-212H
SVT-410H
SVT-810E
Cabinet Model List
21
21
21
22
22
23
23
24
Chapter 4
4.1
4.2
4.3
4.4
4.5
4.6
4.10
Microphones
Dynamic 20
Dynamic 57
Dynamic 421
Vintage Dynamic 20
Condenser 87
Condenser 414
Microphone Model List
25
25
25
26
26
27
27
28
I - Contents
I - Contents
1.6 Compressor
This effect is modeled after a vintage compression stomp pedal and can
deliver a strong sustain and powerful compression with lots of character.
Controls:
Output: sets the output level for the effect from inf to 0.00 dB.
Sensitivity: sets the sensitivity of the compression from 0 to 10.
On/Off: sets the mode of the virtual pedal.
10
11
1.8 Volume
This is a virtual stomp that emulates a traditional volume pedal.
Controls:
Minimum (min): sets the minimum volume when the pedal is fully
down. The range goes from 0 to 10.
Pedal Position: controls the volume effect from 0 to 100%.
12
13
14
Chapter 2 Amplifiers
2.1 BA-500
The BA-500 is a high quality solid-state bass amp, with a sonic fingerprint
that will deliver a big and detailed sound in any musical situation. Thanks
to its powerful preamp sound shaping controls, this amp model will be great
on all musical genres and styles. Its natural cabinet match is the BA-500
cabinet, but you can get interesting sounds experimenting with all the
included cabs options.
Controls:
MUTE: is linked with the Amp Module Peak/Mute light. Essentially, it mutes the
signal at the Amp input.
PAD: reduces the gain of the preamp by 15dB.
PEAK/MUTE LED: this LED turns on when the Mute button is pressed or the
preamp is overloaded.
GAIN: controls the gain of the BA-500 preamp from 1 to 10.
BASS: boost and cuts the low frequencies of the amps EQ stage from 1 to 10.
ULTRA MID: boost and cuts the mid frequencies of the amps EQ stage from 1
to 10.
TREBLE: boost and cuts the high frequencies of the amps EQ stage from 1 to 10.
MASTER: controls the volume of the DSP power amp stage from 1 to 10.
LIMIT: enables the limiter in the power amp and is linked with the right side
yellow light. This limiter acts only when the master level is very high and the
power amp is pushed at its limit.
EQ ON: turns on the graphic EQ when pressed.
EQ ON LED: turns on when the graphic EQ is enabled.
GRAPHIC EQ SLIDERS: sets the gain for each graphic EQ band from -10 to +10 dB.
POWER SWITCH: turns On or Off the amplifier and it is linked to the Bypass
button in the Amp module.
POWER LED: turns on when the Power switch is on 1.
2 - Amplifiers
15
Controls:
ULTRA HI/LO: these two switches control the timbre shaping of the
B-15R preamp.
GAIN: controls the gain of the B-15R preamp from 1 to 10.
BASS: boost and cuts the low frequencies of the amps EQ stage from
1 to 10.
MID: boost and cuts the mid frequencies of the amps EQ stage from 1
to 10.
FREQUENCY: selects a frequency band from 1 to 5 positions. Intervention
center-frequencies are: 200, 400, 900, 1.5k or 2.5kHz.
TREBLE: boost and cuts the high frequencies of the amps EQ stage from
1 to 10.
MASTER: controls the volume of the power amp stage.
60W / 100W SWITCH: sets the power of the power amp stage. The virtual tubes visually represent the master value.
POWER SWITCH: turns On or Off the amplifier and it is linked to the
Amp Module Mute button. When ON the mute is Off, and the Amp emits
sound. When Power is in the lower position the amp is MUTED and the
Mute switch lights up (on the top frame).
STANDBY: is linked to the Amp Module Bypass button on the top frame.
When bypassed the Amp section is not affecting the sound.
ON/OFF: sets the mode of the Amp.
16
2 - Amplifiers
2.3 SVT-Classic
This is the authentic and classic Ampeg tube sound. This all-tube bass head
delivers a warm, harmonically rich and punchy sound that is a trademark for
the rock bass sound, both live and in the studio. The SVT-Classic is the amp
that created the rock bass sound. Its natural speaker match is the SVT-810E
or the SVT-410H.
Controls:
GAIN: controls the gain of the SVT head preamp from 0.0 to 10.0.
ULTRA HI/LO: these two switches control the timbre shaping of the SVT
Classic preamp.
BASS: boost and cuts the low frequencies of the amps EQ stage from 0
to 10.
MIDRANGE: boost and cuts middle frequencies of the amps EQ stage
from 0 to 10.
FREQUENCY: selects the center frequency for the Midrange control from 1
to 5 positions. The numbers correspond to the following center frequencies as indicated:
1=220Hz
2=450Hz
3=800Hz
4=1.6kHz
5=3kHz
TREBLE: boost and cuts high frequencies of the amps EQ stage from 0
to 10.
MASTER: controls the volume of the DSP power amp stage from 0 to 10.
STANDBY/POWER: is linked to the Amp Module Bypass button on the top
frame. When bypassed the Amp section is not affecting the sound.
POWER SWITCH: turns On or Off the amplifier and it is linked to the Amp
Module Mute button. When its on 1 the mute is Off, and the Amp emits
sound.
2 - Amplifiers
17
2.4 SVT-4PRO
This is a real all-round high end bass amplifier. It combines a fully featured
tube preamp that can really cover any sound need with a tight solid state
power amplifier. The SVT-4PRO sound spectrum is wide and rich. You can
get from extremely neutral and transparent sounds to powerful unique
tones. Experiment with the SVT-4PRO settings and create your own custom
sounds.
Controls:
MUTE: cuts the signal at the Amp input and it is linked with the Amp
Module Mute button.
-15dB: reduces the gain of the preamp.
GAIN: controls the gain of the STV-4 preamp from 1 to 10.
PEAK LED: when the preamp is nearing its clipping level this led turns
on.
COMPRESSION: sets the SVT preamp internal compressors compression
level from 0 to 10. At 0 there will be no compression at all.
ULTRA HI/LO: these two switches control the timbre shaping of the
SVT-4 preamp.
BASS: boost and cuts the low frequencies of the amps EQ stage from
0 to 10.
MIDRANGE: boost and cuts the mid frequencies of the amps EQ stage
from 0 to 10.
FREQUENCY: selects the center frequency for the Midrange control
from 1 to 5 positions. The numbers correspond to the following center
frequencies as indicated:
1=220Hz
2=450Hz
3=800Hz
4=1.6kHz
5=3kHz
18
2 - Amplifiers
TREBLE: boost and cuts the high frequencies of the amps EQ stage from
0 to 10.
LIMIT DEFEAT: disables the limiter of the Power amp section.
LIMIT LED: turns on when the power amp Limiter starts limiting.
BRIGHT: when enabled adds a more lively top end response to the input
signal.
MASTER: controls the volume of the power amp stage.
GRAPHIC EQ SLIDERS: sets the gain for each graphic EQ band from -12
to +12dB.
GRAPHIC EQ LEVEL SLIDER: sets the gain for the graphic EQ stage from
-12 to +12dB.
POWER LED: turns on when the power switch is in its upper position,
and the Amp is ON.
ACTIVE LED: (in the graphic EQ section). Normally, this LED is on.
Clicking on it will disable/enable the Graphic EQ section and turns Off/
On the LED.
POWER SWITCH: linked to the Amp module Bypass button.
2 - Amplifiers
19
20
2 - Amplifiers
Chapter 3 Cabinets
3.1 BA-500
This model is based on the Ampeg BA-500 2x10 Cabinet with adjustable
HF driver.
3.2 B-15R
This model is based on the Ampeg B-15R 1x15 Cabinet with adjustable
HF driver.
3 - Cabinets
21
3.3 BXT-410H
This model is based on the Ampeg BXT-410H 4x10 Cabinet with adjustable HF driver.
3.4 PB-212H
This model is based on the Ampeg PB-212H 2x12 Cabinet with adjustable
HF driver.
22
3 - Cabinets
3.5 SVT-410H
This model is based on the Ampeg SVT-410H 4x10 Cabinet with adjustable HF driver.
3.6 SVT-810E
This model is based on the Ampeg SVT-810E 8x10 Cabinet.
3 - Cabinets
23
24
3 - Cabinets
Chapter 4 Microphones
4.1 Dynamic 20
This mic model is based on the Electro-Voice RE-20 and recreates a
smooth reaction across a wide spectrum of frequencies, especially attractive in the low area. This means that the Dynamic 20 is a great selection for
acoustic and electric bass.
4.2 Dynamic 57
This mic model is based on the Shure SM-57, one of the most popular
small diaphragm dynamic microphones. Its bright, edgy sound has made it
a widely used guitar amp mic.
4 - Microphones
25
26
4 - Microphones
4.5 Condenser 87
This is a model of one of the most popular large diaphragm mics ever, the
Neumann U87. It can be found in any large recording studio mic locker.
Because of its excellent frequency response curve, the 87 has become the
go-to mic when needing a clean, flattering sound.
4 - Microphones
27
28
Based on
Electro-Voice RE-20
Shure SM57
Sennheiser MD-421
AKG D-20
Neumann U-87
AKG C-414
4 - Microphones
in cooperation with
PN: MNU-ATCS-AM01