Академический Документы
Профессиональный Документы
Культура Документы
Keliwali by Ustd Mohammad Omar from Ustad Mohammah Omar: Virtuoso from
Afghanistan
http://www.smithsonianglobalsound.org/containerdetail.aspx?itemid=2810
Raga Yaman by Homayun Sakhi from Homayun Sakhi: The art of the afghan rubb
http://www.smithsonianglobalsound.org/containerdetail.aspx?itemid=3117
DVD of Rubb by Homayun Sakhi for Homayun Sakhi: The art of the afghan rubb,
(with purchase of the CD)
http://www.smithsonianglobalsound.org/containerdetail.aspx?itemid=3117
Other Resources:
Information about censorship of music: http://www.freemuse.org/
Baily, John (2001). Can you stop the birds singing?: The censorship of music in
Afganistan from http://www.freemuse.org/
Information about the Rubb: http://en.wikipedia.org/wiki/Robab
Information about the Tabla: http://en.wikipedia.org/wiki/Tabla
Instruments: Guitar & Hand Drum
Other: Maps of Central Asia (Afghanistan, Pakistan, India)
National Standards: (2) (3) (6) (9)
2) Performing on Instruments
3) Improvising
6) Listening, Analyzing, Describing
9) Understanding Relation to History and Culture
Experiences:
Keliwali by Ustd Mohammad Omar
o Listen to recording
As you keep a steady beat with your feet, identify rhythm patterns used by
the Rubb and the Tabla
Play one of these patterns softly on a hand drum
o See the liner notes from Ustd Mohammah Omar: Virtuoso from Afghanistan
(pgs. 8 9) and Homayun Sakhi: The art of the afghan rubb (pgs. 15 & 27) for a
description of Rubb and the Tabla and DVD of Homayun Sakhi: The art of the
afghan rubb Interactive Glossary
Discuss the anatomy of the instruments
List materials used to construct the instruments
o View the DVD Homayun Sakhi: The art of the afghan rubb Art of the Afghan
Rubb starting at 20:40
Discuss performance practices for both instruments
Emen/Tintal by Ustd Mohammad Omar
o Listen to recording (this is a long piece you may want to only use sections of it)
This Afghan classical piece uses the melodic mode of Emen (Yeman) and
rhythmic mode of Tintal (16 beats)
o It starts with an improvisatory introduction called a shakal
o Followed by the naghma four sections
- astir principle melody
- antara melody on ni
- bog new short melody repeated in several different
rhythmic settings
- sanchai another short melody
o Play the melodic mode Yemen C D E F# G A B C on the guitar
The Yemen mode is represented by the Indian solfege syllables
Sa, re, ga, ma, pa, dha, ni (analogous to do,re,me,fa,sol,la,ti).
The yemen mode uses a raised fourth degree.
o Play the Yemen melody as transcribed below. See Emen/Tintal by Ustd
Mohammad Omar (pg. 11)
o Improvise a short melody on the guitar using the pitches from the Yemen mode
Reflect on the performances of the improvised pieces
o Use of the correct pitches of the mode
o Ability to imitate the style
o Use of similar rhythms
Censorship in Afghanistan - Worldwide
o Liner notes from Ustd Mohammah Omar: Virtuoso from Afghanistan (pgs. 2 - 3)
and Homayun Sakhi: The art of the afghan rubb (pg. 10) for information on
censorship
o Baily, John (2001). Can you stop the birds singing?: The censorship of music in
Afghanistan from http://www.freemuse.org/
Define censorship
Discuss censorship of Afghan music by Taliban See materials above
Discuss censorship in the US Worldwide
Raga Yaman by Homayun Sakhi
o Listen to recording
Discuss similarities and differences between Homayun Sakhis Yaman
(Yeman) and Ustd Mohammad Omars Yeman (Yaman)
Define Ustd-shagird (master-apprentice) relationship see liner notes from
Ustd Mohammah Omar: Virtuoso from Afghanistan (pgs. 4-5) and
Homayun Sakhi: The art of the afghan rubb (pg. 12-13)
Trace the musical lineage of Homayun Sakhi
o Homayun Sakhi from his father Ghulam Sakhi
- from Ustd Modammah Omar
- from Ustd Ibrahim
- from family lines of the classically trained musicians of
North India brought to Kubal by Amir Sher Ali Khan
(1860s)
Trace the geographical locations of Homayun Sakhis musical lineage on a
world map
o Homayun Sakhi Fremont, California (present home)
- from Khalil House in Peshawar, Pakistan
- from Kucheh Kharabat area in Kabul, Afghanistan
- from Northern India
Identify some possible influences on Homayun Sakhis music from the
Ustd-shagrid experience and geographic re-locations
Transcription of the melody melodic mode of Emen by Ustd Mohammad Omar
C D E F# G A B C
sa re ga ma pa dha ni sa
do re mi fe sol la ti do
1
G
2
G
3 4 5 6
G F#E G G
1 2 3 4 5
B B B BB C
6
C
7
G
8 9 10
GF# A A
7
G
8
G
9
E
11 12 13
A F#G E
14 15 16
E BC DE
10 11 12 13 14
E BC DE B B
15
C
16
C