Вы находитесь на странице: 1из 3

Nymph (Articles)

1.Sharon Joy Worley (2010). Philipp Otto Runge and the Semiotic Language of
Nature and Patriotism. The European Legacy 15 (1):15-33.
2. David L. Boyer (1983). R. Lucas, Kurt Godel, and Fred Astaire. Philosophical
Quarterly 33 (April):147-59.
3. Phyllis Pray Bober (1977). The Coryciana and the Nymph Corycia. Journal of
the Warburg and Courtauld Institutes 40:223-239.
4. David Lewis (1969). Lucas Against Mechanism. Philosophy 44 (June):231-3.
5. C. Whitely (1962). Minds, Machines and Godel: A Reply to Mr
Lucas. Philosophy 37 (January):61-62.
6. G. Lee Bowie (1982). Lucas' Number is Finally Up. Journal of Philosophical
Logic 11 (3):279-85.
7. K. A. Sheedy (1990). Attic Late Geometric Iconography Theodora Rombos:
The Iconography of Attic Late Geometric II Pottery. (Studies in Mediterranean
Archaeology and Literature, Pocket-Book 68.) Pp. 578; 78 Plates. Jonsered:
Paul strom, 1988. [REVIEW] The Classical Review 40 (02):418-419.
8. S. N. Ghoshal (1978). Elements of Indian Aesthetics. Chaukhambha
Orientalia.
9. Andrew D. Irvine (1983). Lucas, Lewis, and Mechanism -- One More
Time. Analysis 43 (March):94-98.
10. Ibn Gabirol (1987). The Fountain of Life =. Sabian Pub. Society.
Bibliography
1932 Friedlnder, Max J. and Jakob Rosenberg, Die Gemlde von Lucas Cranach.
Berlin, 1932: 89, no. 324, repro. (Rev. ed. The Paintings of Lucas Cranach.
Amsterdam, 1978: 150, no. 403, repro.
1959 Rosten, Leo. "Cranach--The Impish Nude." Look (20 January, 1959): repro.
(Repr. in The Story Behind the Painting. New York, 1962: 52, color repro. 53).
1965 Summary Catalogue of European Paintings and Sculpture. National Gallery
of Art, Washington, 1965: 34
1967 Talbot, Charles W. Jr. "An Interpretation of Two Paintings by Cranach in the
Artist's Late Style." Studies in the History of Art 1967 (1968): 68, 78-85, fig. 8.
1968 European Paintings and Sculpture: Illustrations (Companion to the Summary
Catalogue, 1965). Washington, 1968: 27, no. 1497, repro.
1968 Liebmann, Michael. "On the Iconography of the Nymph of the

Fountain." Journal of the Warburg and Courtauld Institutes 31 (1968): 436.


1968 Galvan, Jose Maria Moreno, ed. Galleria Nazionale di Washington. Madrid,
1968: 35, fig. 5, 26.
1974 Bonicatti, Maurizio and Claudia Cieri. "Lucas Cranach alle soglie
dell'Umanesimo italiano."The Journal of Medieval and Renaissance
Studies 4 (1974): 280, n. 42.
1975 European Paintings: An Illustrated Summary Catalogue. National Gallery of
Art, Washington, 1975: 86, repro. 87.
1975 Walker, John. National Gallery of Art, Washington. New York, 1975: 165, no.
189, repro.
1976 Koepplin, Dieter and Tilman Falk. Lukas Cranach: Gemlde, Zeichnungen,
Druckgraphik. Exh. cat. 2 vols. Kunstmuseum, Basel, 1976: 2:638, under no.
547.
1977 Brsch-Supan, Helmut. "Cranachs Quellnymphen und sein
Gestaltungsprinzip der Variation." In Akten des Kolloquiums zur Basler
Cranach-Ausstellung, 1974. Basel, 1977: 21.
1983 Wolff, Martha. German Art of the Later Middle Ages and Renaissance in the
National Gallery of Art. Washington, 1983: unpaginated, repro.
1984 Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984:
165, no. 183, color repro.
1985 European Paintings: An Illustrated Catalogue. National Gallery of Art,
Washington, 1985: 105, repro.
1985 Gregory, Clive, ed. "Cranach." In The Great Artists: Their Lives, Works, and
Inspiration 41. 4 vols. London 1985: 2:1304-1305, repro.
1991 Circa 1492: Art in the Age of Exploration. Exh. cat. National Gallery of Art,
Washington, D.C., 1991: 259-260, no. 158, color repro. 260 (the painting was
not in the exhibition).
1992 National Gallery of Art, Washington. National Gallery of Art, Washington,
1992: 71, repro.
1993 Hand, John Oliver, with the assistance of Sally E. Mansfield. German
Paintings of the Fifteenth through Seventeenth Centuries (The Collections of
the National Gallery of Art Systematic Catalogue). Washington, 1993: 34-40,
color repro. 37.
1995 Lcher, Kurt. Review of German Paintings of the Fifteenth through
Seventeenth Centuries, by John Oliver Hand with the assistance of Sally E.
Mansfield. Kunstchronik 43 no. 1 (January 1995): 15.
1996 Apostolos-Cappadona, Diane. Encyclopedia of Women in Religious Art. New
York, 1996: 87, fig. 27.
2000 Schoon, Peter and Sander Paarlberg, eds. Greek Gods and Heroes in the
Age of Rubens and Rembrandt. Exh. cat. National Gallery/Alexandros
Soutzos Museum, Athens; Netherlands Institute, Athens; Dordrechts
Museum, Dordrecht, 2000-2001: 110, fig. 88 (the painting was not in the
exhibition).
2004 Hand, John Oliver. National Gallery of Art: Master Paintings from the
Collection. Washington and New York, 2004: 132-133, no. 100, color repro.

2004 Noll, Thomas. Albrecht Altdorfer in seiner Zeit: Religise und profane
Themen in der Kunst um 1500. Munich, 2004: 396-397, 575 fig. 187.
2010 Depoorter, Matthias. "De onbekende wereld van Lucas Cranach." Review
of De wereld van Lucas Cranach: Een kunstenaar in de tijd van Drer,
Titiaan en Metsys. Exh. Paleis voor Schone Kunsten, Brussels 2010.
In Openbaar kunstbezit vlanderen 48, no. 5 (October-November 2010): 2224, color repro.

Вам также может понравиться