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MUZIEKHANDEL SAUL B. GROEN

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THE HIGH RENAISSANCE 1490-1560

SECULAR MUSIC

© 2006 by MEINDERT C. DE HEER, MUZIEKHANDEL SAUL B. GROEN. All rights reserved.

VOCAL MUSIC TO c. 1825

first version, 2006

This catalogue follows the same principles as the one of instrumental music which was issued in 2002 and of which a completely revised and updated version is in preparation: it tries to link information on the sources (manuscripts and early printed editions) to all currently available modern editions, not only of the calibre of the Opera Omnia, but also all those practical ones of more modest scope. However, in the vocal section manuscripts hold much more the spotlight, as all music up to about 1500 has come down to us in hand-written form; only since the 1530s-1540s the printing presses flooded the market with editions for a much larger public than before.

Manuscripts in alphabetical order of the RISM-library sigla which are listed here under the tab "Sources"; they have been selected from the complete RISM-list, readily available in "RISM-Bibliotekssigel. Gesamtverzeichnis" (1999). To make things easier you will find a complete list (again under: "Sources") of all manuscripts described here, specifying call names and sections where to find them. After the description and inventory of each manuscript are to be found the editions (in facsimile or in transcription) of the complete or partial contents of this ms., editions of anonymous works, and concordances with other mss. Other editions of works ascribed to a composer (or several composers) can be traced in the section "Composers A-Z" where the lists of sources refer back to the manuscripts and early prints.

Early Prints in chronological order of publication After the description and inventory of each early print are to be found the editions (in facsimile or in transcription) of the complete or partial contents of this print, editions of anonymous works, and concordances with manuscripts and other early prints. Other editions of works ascribed to a composer (or several composers) can be traced in the section "Composers A-Z" where the lists of sources refer back to the manuscripts and early prints.

Modern Collections in alphabetical order of titles All compositions ascribed to a composer are also included in the section "Composers A - Z".

Composers Organization differs as per composer:

a) Complete list of works; all editions refer to the numbers in that list.

b) Opera Omnia available; all other editions refer to the description of it.

c) No complete work list and no Opera Omnia:

1. editions in chronological order of early prints 2. each publication with a description of its sources

Endless Beginnings This is a first tentative version of the vocal catalogue. As a sort of "completion" will be a matter of a longer time, I decided to issue this intermediate state of affairs. It is a house still in the scaffoldings, one room nicely decorated, some staircases missing, the doorstep scrubbed but the hall still half bare; and the attic

Noli me tangere?

I will be grateful for every sensible correction and for information concerning publications I might not have noticed;

this last remark is also meant for all those small scale music publishers who do not normally advertise their issues in

the music magazines.

Thanks

I am very grateful to Saul B. Groen who gave me the opportunity to start this crazy work and who sustains through all these years.

Orders Orders to sponsor all this work will be very welcome. Please see: "Order Information".

Help! The lists of vocal music in this catalogue form by far the most extensive and complicated section of the whole project. Particular care has been taken to be as clear and explicit as possible. In case you cannot find the right path or are doubtful about something, please let us know! Last but not least: we hope that this catalogue will be of help to you and that you will enjoy browsing through it.

Meindert de Heer

• = new title or section

º = edition * = choral work only available from a minimum number of copies

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THE HIGH RENAISSANCE 1490-1560

A-Wn 18810

SECULAR

MUSIC

This section contains 4 lists:

A. MANUSCRIPTS

B. PRINTS

C. MODERN COLLECTIONS

D. COMPOSERS

A - Z

A.

MANUSCRIPTS

(on alphabet and number of the library sigla)

Austrian National Library, ms. 18 810

Manuscript from the possession of the Fugger family and sold in 1655 to empe- ror Ferdinand III; written in the 1530s. Collection of 86 German, French and instrumental pieces. NB: the ms. gives only short titles, no full song texts; many pieces have therefore of late been published as instrumental works. Composers include: A. Agricola, P. Alamire?, N. Bauldeweyn (2), J. Blancken- mueller (2), A. Brumel, H. Finck, J. Herbaut, P. Hofhaimer (8), H. Isaac (16), Josquin (3), P. de La Rue (6), J. Le Brung, A. Rener (3), L. Senfl (25), B. Singer, H. Sygler, J. Walter; 12 anonymous works. (concordances after titles in parentheses; see list of abbreviations)

1. A. Rener: Ach ainigs ain

2. P. Hofhaimer: On frewdt verzer ich

3. B. Singer: Ain diernlein zart

4. N. Bauldeweyn (or Grefinger?): Ach got wem soll ichs clagen (HAu; Kk; Mu; Rp 891; W; WGL; 1536/8; 1556/29)

a4

a3

(Mu)

(Mu; As)

a3

a5

5. L. Senfl: Alles regres

a4

(Mu)

6. Josquin: Entre je suis

a4

(As; Br; Bu 1-4;Co; Flor BN 164-7;

C 2439; Mu; 1535/11; 1535/13)

7. Senfl: Carmen / Lamentacio

a4

8. Senfl: Carmen in la

a4

9. Senfl: Carmen in re

a4

10. P. de La Rue: Carmen in la (Secretz regretz)

a4

12. Senfl: Carmen in re (Tag und auch Nacht)

13. anonymous: Brich nit an mir

14. P. Hofhaimer (or Isaac): Die prunlein die da vliessen

11. P. de La Rue: Carmen in re (Leal schray tante)

a4

(Mu)

a4

(Rp 120) (Mu; Rp 120)

a3

(Bu; Her; Mu; 1538/9: Isaac); 1541/2: Isaac; 1560/1; Isaac)

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15. Josquin: Plus mils regres a4 (As; Br; Bu 1-4; Flor BN 164-7; Flor C 2442 Mbs 1508; Mbs 1516; Pn 504; Rp 120; 1535/14; 1540/7; 1549/2)

16. H. Isaac: Wolauff gut gsell von hinnen

a3

(Mu)

17. anonymous: Ways nit a4

18. Senfl: Jetz schayden pringt mir schwer

a4

(Berlin 40092; Mbs 3156; Mu; 1544/20)

19. Isaac (or Hofhaimer): Carmen in soll

20. A. Rener: Mein hoechste frucht

21. anonymous: O venus pandt a4 (Mu)

22. Senfl: Ob glueck hat neyd

23. Isaac: Zart liebste frucht a4 (Bu 1-4)

24. H. Finck: Greiner zanner a5 (Mu)

25. anonymous: Mir leÿt ser an a4 (Mu)

26. Isaac: Hab mich lieb a4 (Mu; 1504/3)

27. A. Rener: Jetzt hat volbracht

28. P. Alamire: Tannernac a4 (Kk; WGL: T only)

29. anonymous: Ich hab ain fraintlich lieb erwelt

30. H. Sygler: Wes ich mich leyd

31. Isaac: Zwischen perg und tieffe tal a4

a3

(Mu; 1542/8: Erst weiss ich)

a4

(Mbs 3155; Mu; 1512/1; 1519/5)

a4

(Berlin 40092; Mu; 1535/10; 1535/13)

a4

a4

(Mu ;1512/1)

a4

(Berlin 40098; Mu)

(As; Berlin 40092; St Gallen 463; Mu; 1512/1)

32. anonymous: Vil glueck und hayl a4

33. anonymous: Plus oultre pretens a4 (Mu)

34. Isaac: Christ ist erstanden a4 (Bu 1-4; Mu)

35. Isaac: La la hoe hoe

36. Isaac: Lombre a4

37. anonymous: Es wolt ain maydlin waschen gan

(Mu)

39. La Rue: Carmen in sol

40. Isaac: Carmen in fa a4 (Mu)

41. La Rue: Ain froelich wesen

42. P. Hofhaimer: Unwirdiger Ritter / In Gottes namen faren wir

43. anonymous: Carmen hercules

44. P. Hofhaimer: Unschuldiger Ritter / Carmen in re

45. Josquin: Qui belles amours a4 (Bu 21; Mu)

46. Isaac: Maudit soÿt a4

38. Isaac: Bruder conrat super fortuna

a4

(Hradec; Mu)

(Mu: Carmen in re; 1538/9)

a4

a4

a4

(Bu 26; Mu)

(Flor NB 178; Flor BN 229; Mu)

a4

a4

(Flo 2439; Rp 120; Trient 1974/4)

a4

(Mu: Carmen in fa)

a4

(Mu)

(Mu)

(Flor BN 229; Mu; Rom Cap Giu; Flor BN 107bis)

47. Isaac: Las rauschen

48. P. Hofhaimer: Fro bin ich dein. das erst a3

49. P. Hofhaimer: Fro bin ich dein. das ander

50. Hofhaimer: Fro bin ich dein. das dritt

51. Isaac: File vos

a4

a4

(Mu)

(Bu 10: B only; Mu) (Mu)

a4

a4

(Bo Q 17; Cortona 95/96; Flor BN 178; Rom Cap

Giu; Rp 1018: Wie sol ich mich; St. Gallen 463: Ave sanctissima: SA)

52. A. Agricola: Carmen (Oublier venil tristisse)

53. Hofhaimer: Carmen in sol a4 (Mu)

a3

(Flor C 2439; 1538/9)

54. Isaac:

Carmen in fa

a3

(Mu)

55. Isaac:

Carmen in fa

a4

(Mu)

56. J. Herbaut: Von hertzen dein a4

57. Isaac (La Rue?; Agricola?): Guretzsch (Si dormiero)

(Flor C 2439: Rue:

Si dormiero; Greif; Heil X,2; Zw 78/3; 1538/9: Si dormiero)

58. anonymous: Carmen Ad aequalea a4

59. N. Bauldeweyn (La Rue?, Josquin?): Ach hulff mich layd (Bu 1-4: Pirson; Mu: T missing?; St Gallen 462; W)

60. A. Brumel: Tanndernac a3 (Mu)

a4

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61. anonuymous: Noch ways ich ain schoene junckfraw

62. La Rue: Jam sauche (Joyssance vous)

a4

a4

(Bu 17-20; Bu 59-62; Mbs 1501; Rp 940/41; Torun)

63. La Rue: Tous les regres

a4

(Br 228; Br 11239; Bu 1-4; Flor C 2442:

B missng; Rp 120: Josquin; Rom 11953; 1502/2)

64. anonymous (La Rue?): Jam sauche, secundus

a4

65. Senfl: Lust hab ich ghabt zur musica von

a4

66. Senfl: Unseglich schmertz entpfindt mein

a4

(1540/7)

67. Senfl: Kain sach mir nye auff erden hat

68. J. Blanckemüller: Inn stetter hut leyb er und gut ich

a5

(1540/7)

a4

69. J. Blanckemüller: Kain clag hab ich dann das ich dich

a4

70. Senfl: Nasci pati mori / Fortuna

a5

71. Senfl: Ich stund an ainem morgen haimlich / Fortuna

a5

(1534/17)

72. Senfl: Helena desiderio plena orabat cum / Fortuna

73. Senfl: Virgo prudentissima quo progrederi / Fortuna

74. Senfl: Die prunlein die da fliessen die sol

75. anon. (J. Le Brung): Naves pont

76. Senfl: Warhafftig mag ich sprechen wol was

77. Senfl: K. dein bin ich du frewest mich fuer. Das esrst

78. Senfl: Ich sag und clag vergangen tag. Das ander

a5

a5

a6

(canon)

a5

(1572/7: Le Brung: N'avons point)

a4

(1534/17)

a4

a5

79. Senfl: M. dein bin ich / Es taget vor dem walde. Das tritt

a5

80. Senfl: M. dein bin ich / Es taget vor dem walde. Das viert

a5

81. C. Rupsch jr ( = J. Walter?): Nun bitt wir den hayligen gayst (also in J. Walter's: Geystliche Gesangbuechlin, 1525)

a5

82. Senfl: On allen schertz ist mir mein hertz

a4

83. Senfl: Dem ewigen got

a4

84. Senfl: Albrecht mirs schwer und gros leid

a4

85. Senfl: Inlieb und freid hab ich mein

86. Senfl: Ich armer mann / mein hertz ist alles / ach got wem soll ichs Sources of Concordances:

a4

a)

Manuscripts:

a5

As = D-As 2° Codex 142a Berlin 40092 = D-B mus.ms. 40092 Berlin 40098 = D-B mus.ms. 40098: Glogauer Liederbuch Bo Q17 = I-Bc Q 17 Br 119 = B-Br 11239: Chansonnier de Marguerite d'Autriche Br 228 = B-Br 228: Album de Marguerite d'Autriche Bu 1-4 & 10 & 17-20 & 21 = CH-Bu mus.ms. F.X.: 1-4 & 10 & 17-20 & 21 Bu 26 = CH-Bu ms. F.VI.26 F Bu 59-62 = CH-Bu mus.ms. F.IX.59-62 Co = I-CT 95/96 & F-Pn n.acq.fr. 1817 Flor BN 107 & 164-167 & 178 = I-Fn Mag.XIX: 107 & 164-167 & 178 Flor BN 229 = I-Fn Banco Rari 229 Flor C 2439 & 2442 = I-Fc Basevi 2439 & 2442 Greif = D-GRu 4° 67 Eb 133 HAu = D-HAu ED.1147 Heil X/2 = D-HB X/2 Her = D-HRD FUE.9822 Hradec - CZ-HKm II A7: Speciálnik Codex Kk = DK-Kk 1872/4 LEu = D-LEu Th.-K. ms. 49/50 Mbs 1501 & 1508 & 1516 & 3154 & 3155 & 3156 = D-Mbs mus.ms. :

1501 & 1508 & 1516 & 3154 & 3155 & 3156

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Mu = D-Mu mus.ms. 3156 Pn 504 = F-Pn Rés. Vm7 504 St. Gallen 462 & 463 = CH-SGs 462 & 463 Rom Cap Giu = I-Rvat Cap. Giulia mus. XIII.27 Rom 11953 = I-Rvat Lat.ms. 11953 Rp 891 & 940/941 & 1018 = D-Rp A.R.: 891 & 940/941 & 1018 Rp 120 = D-Rp C. 120: Pernner Codex Torun = PL-Tm 102680/4.29-32 (supplement) Trient 1947/4 = I-TRc 1947/4

b) 1502/2 = "Canti B", Venice, Petrucci

1504/3 = "Canti C N° cento cinquanta", Venice, Petrucci

Prints:

1512/1 = "Aus

Kunstlicher

Art

",

Augsburg, E. Öglin

(1519)/5 = "In dissem Buechlyn

",

Köln, A. v. Aich

104.R6

105.R6

B-Br 228

1534/17 = "Der erst Teil. 121 Newe Lieder", Nürnberg, Formschneider 1535/11 = "Reutterliedlin", Frankfurt a/M, C. Egenolff

(1535)/13 - "Gassenhawer und Reutterliedlin", Frankfurt a/M, C. Egenolff (1535)/14 = ("Lieder zu 3 & 4 Stimmen"), Frankfurt a/M, Egenolff (1536)/8 = "65 teutscher Lieder", Strasbourg, Schöffer & Apiarius 1538/9 = "Trium vocum carmina", Nürnberg, Formschneider

1540/7 = "Selectissimae

1541/2 = "Tricinia", Wittenberg, G. Rhau

1544/20 = "115 guter newer Liedlein", Nürnberg, J. Ott 1549/2 = "Trente sixiesme livre contenant xxx chansons", Paris, P. Attaingnant

1556/29 = "Der fuenffte Theil

(1560)/1 = "Selectissimorum triciniorum", Nürnberg, Montanus & Neuber 1572/2: "Mellange de chansons", Paris, Le Roy & Ballard Editions:

see also under names of composers

• nos. 1-86:

° Facsimile edition (boxed set of 4 partbooks); introduction and list of concor- dances by M. Schneider

• no. 21: anonymous: O Venus bant, a4; in:

cantiones",

Augsburg, M. Kriesstein

teutscher

Liedlein", Nürnberg (ed. G. Forster)

° O Venus bant; 2 anonymous settings a4; ed. B. Thomas (set of 4 socres)

"Album de Marguerite d'Autriche"

Brussels, Royal Library, ms. 228; c.1520.

€ 90,--

€ 7,--

58

works: 40 French chansons, 7 motet chansons (Fr/Lat), 1 Dutch song, and

11

motets:

1.

Verdelot or La Rue: Ave sanctissima Maria

a6

2.

La Rue: Tous les regretz

a4

3.

La Rue: De l'oeil de la fille du roy

a4

4.

La Rue: Ce n'est pas jeu

a4

5.

La Rue: Secretz regretz

a4

6.

Dueil et ennuy

a5

7.

La Rue: Trop plus secret

a4

8.

La Rue: Autant en emporte le vent

a4

9.

La Rue: Il est bein heureux

a4

a4

11. Ce m'est tout ung

12. La Rue: Pour ce que je suis

13. Quant il survient

10. La Rue: Pourquoy non

a4

a4

a4

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14.

J. Ockeghem: Je n'ay dueil

a4

 

15.

La Rue: Mijn hert altijt

a4

16.

M. Pipelaere: Fors seulement

a4

 

17.

A. Brumel: Du tout plongiet / Fors seulement

a4

 

18.

A. Agricola: Revenez tous regretz / Quis det ut veniat

a4

19.

A. Agricola: Je n'ay dueil / Car Dieu voulut

a4

20.

J. Prioris: Dueil et ennuy / Quoniam tribulatio

a4

21.

Maria, mater gratie / In dyapason: Fors seulement

a5

23.

F. Strus: Sancta Maria, succurre / (O werder mondt)

a4

24.

Soubz ce tumble

a4

25.

Josquin: Plus nulz regretz

a4

26.

Josquin: Entrée suis en pensée

a4

 

27.

La Rue: Vexilla regis prodeunt / Passio Domini

a4

 

28.

M. de Orto: Dulces exuvie

a4

29.

Fama malum

a5

30.

Josquin?: Quant il advient

a7

31.

Proch dolor / Pie Jhesu Domine

(canon a3)

 

32.

C'est ma fortune

a4

33.

Las, hélas

a4

34.

Hélas, fault il

a4

35.

La Rue: Doleo super te

a4

36.

Cueurs desolez / Dies illa, dies ire

a5

37.

Plusieurs regretz

a4

38.

Changier ne veulx

a4

 

39.

Aprez regretz

a4

40.

Me fauldra il

a4

41.

Il me fait mal

a3

42.

G. van Weerbeke: Anima mea

a4

 

43.

Josquin: Plaine de duel

a5

44.

La Rue: Pour ung jamais

a3

45.

La Rue: Tous nobles cuers

a3

46.

La Rue: A vous non autre

a3

47.

L. Compère: Va t'ens, regret

a3

 

48.

L. Compère: Sourdez regretz

a3

49.

L. Compère: Plaine d'ennuy / Anima mea

a3

50.

Se je souspire / Ecce iterum novus dolor

a3

51.

Josquin: Ce povre mendiant / Pauper sum ego

a3

 

52.

L. Compère: O devotz cueurs / O vos omnes

a3

53.

A. Agricola or Hayne van Ghizeghem: Se je vous eslonge

a3

54.

A. Agricola: L'eure est venu / Circundederunt

a3

 

55.

Je ne scay plus

a3

56.

Je ne dis mot

a6

57.

J'ay mis mon cueur

a3

 

58.

Triste suis

a3

103.R5

sb.154

B-Br 11239

Editions:

• nos. 1-58:

° Facimile edition (hardback) with an introduction by Martin Picker

• no. 56:

° included in: "Music for crumhorns", volume II; ed. B. Thomas

The Chansonnier of Marguerite of Austria

€ 89,--

€ 17,--

Brussels, Royal Library 11239; copied ca. 1500 (before Margaret of Austria's

100.R4

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CG-SGs 461

marriage to Philibert II of Savoy in 1501); 24 chansons; 4 of them incomplete due to the loss of a double leaf and an entire gathering.

1. Hayne van Ghizeghem: Alles regretz

a3

2. L. Compère: Venes regretz

a3

3. L. Compère: Va t'en regret

a3

4. Les grans regrets (ascribed to A. Agricola, but probably by Hayne)

5. A. Brumel: Tous les regretz

a4

6. P. de La Rue: Tous les regretz

a4

7. A. Agricola: Revenes tous regretz / Quis det ut veniat

8. Josquin: Belle pour l'amour

9. La Rue: Vexilla regis / Passio Domini

10. A. Bruhier: Vrai dieu qui me confortera

11. H. Isaac: Et qui la dira dira

12. La Rue: Pourquoy non

13. J. Ockeghem: Petite camusette

14. La Rue: Pourquoy tant

15. La Rue: Il viendra le jour

16. La Rue: Ce n'est pas jeu

17. anonymous: Fortune qu'a tu faict

18. Ninot le Petit: Mon seul plaisir

19. L. Compère: Plaine d'ennuyt / Anima mea

a4

a4

a4

a4

a4

a4

a4 (S and T only)

a4 (2nd page, and AB only)

a4

a4 (first page and ST only)

a4 (first page and AB only)

a4

a3

20. anonymous: Ne vous chaille

21. anonymous: En doleur en tristesse

22. Josquin: In pace in idipsum

23. A. Agricola: Si dedero

24. J. Obrecht: Si sumpsero

Editions:

° see under names of composers ° Facsimile edition (hardback); introduction by M. Pciker

a3

a3

a4

a3

a3

a3

Liber Fridolini Sichery

€ 46,--

This codex, copied c.1510, contains 49 compositions; it came 1545 in the pos- session of Fridolin Sicher. Texts: only incipits; a3, unless otherwise indicated. a) Pieces ascribed to a composer:

A. Agricola:

Ales regres

Lhome banni

double canon

a4

J.

Agricola:

Fors seulement

a4

A.

Brumel:

Fors seulement

a4

Vray dieu d'amours

A. Busnois:

Graveuse / Mon mignault

L. Compère:

a4

 

Barisés moy

Se meulx

J.

Ghiselin:

Fors seulement

a4

La Alfonsina

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H. Isaac:

 

En l'ombre = Una musquet

a4

E qui le dira

a4

La mi la sol

a4

Jacobus Romanus:

 
 

Fors seulement

a4

J.

Japart:

Ve mozza mia Josquin:

a4

 

Cela sans plus Fors seulement

a4

Se je perdu mon amy

 

J.

Obrecht:

Fors seulement

a4

Helas mon bon Tsat ein meskin was junck canon

a4

J.

Ockeghem:

Fors seulement

(SAB)

Fors seulement Malor me bat

(ATB)

M. de Orto:

 

La mi la sol

a4

Se je perdu mon amy

M. Pipelaere:

Fors seulement

a4

a4

Pirson ( = P. de La Rue?):

Fors seulement

J. Stokem:

a4

Brunete a5 Helas ce n'est pas

a4

b) 17 anonymous pieces:

Adieu madame Adiue naturlich leven mein

Als ic anschowe dat vrolch gsich (Barises moy) Benedictus Bon tamps En l'ombre du busonet

Fors seulement

a4

(ATTB)

Fors seulement

a4 (SATB)

Gespenst licht my so vast un quelt

Hor oriens

Se je perdu mon amy

Mari de persamez pourquoy

a5

a4

( by Ph. Basiron)

Vray dieu d'amours

a4

3 untitled pieces Edition:

a4

° ed. by F.J. Giesbert in 2 volumes:

101.R4

volume I

€ 11,--

102.R4

volme II

€ 11,--

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CH-SGs 462

The Song Book of Johannes Heer from Glarus

Mostly compiled in 1510 by the owner; additions in 1512, 1514 and 1530;

88 pieces: Latin motets, chanson motets, French chansons, German Tenorlieder, some Italian pieces and instrumental carmina; all anonymous; attributions to composers through concordances. The pieces are a4, unless otherwise indicated. * = only beginning of text; ** = without textwithout text

1. J. Prioris: Dulcis Maria

2. J. Compère: In nomine Jesu

3. O praeclara virginum

4. *Adam von Fulda: Ach, ulf mich leid

5. Ach, hulf mich leid

a3

6. *Fortuna desperata

7. *Fortuna desperata

a1

8. *H. Isaac: VBenedictus qui venit

9. Ach, unfalls gewalt

10. Fründlichen gruoss

11. Fründlichen gruoss

12. Fuogs, hoster hort

13. Ich sünfz und klag

14. Vil hinderlist

15. Min herzigs hert

16. J. Heer?: Verlangen hart

17. Ganz kurz davon

18. Ich bin verirrt

19. L. Senfl?: Min herz leidt schmerz

20. Zuo trost erwelt

21. Ach Gott, wie weh

22. Ob aller schOn

23. On freud verzer

24. Min höchste zart

25. Exultanti tempus

26. Es lieng guot tröscher

27. Die vollen brüedern

a3

Von tugend wild

28. a3

29. Tres sunt in carne sua

30. Es sass sein meitlin

31. Zum nüwen jar

32. J. Obrecht?: Ein frölich wesen

33. J. Heer?: Ien frölich wesen

34. *In friem wesen

35. Erhör mich lieb

36. Unfall, wie tuost

37. Hans der hat

38. Cupido

39. A. Agricola: Si dedero somnum

40. H. Isaac: Tristitia vestra

41. A. Agricola: Belle sur tout / Tota pulchra

42. C. Rigo de Bergis: Cum audisset Job

43. Nigra sum

44. *L. Compère?: Je ne fais plus

a3

a3

a3

a3

a3

a3

a3

a3

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45. *Josquin: Allez regretz

46. L. Compère: Adieu mes amours

47. *L'amour de moi

48. *L'amour de moi

49. Le Jardinet

50. L. Compère: *La saison en est

51. Je ne suis pas

52. Si j'aime mon ami

a3

a3

a3

a3

53. Adieu soulas

a3

54. *Magie danger

a3

55. *On doibt bien aymer

56. Josquin: Guillaume se va chauffer

57. La gran pena

58. J. Prioris: *Consumo la vita

59. *O du armer Judas

60. Christus surrexit

61. **H. Isaac: Der Hund

62. A. de Févin: Sancta Trinitas

63. Us herzen grund

a3

a3

a3

64. L. Compère: Circumdederunt me

a3

65. O werder mund

66. Mins herzen kron

a3

 

67. Blib an mir stet

68. Wir möcht ihr frölich werden

69. J. Heer?: Herzlieb gloub mir

70. Wach uf, herzliebster schatz

71. Nach allen wunsch

 

72. *H. Isaac: Erkennen

73. Jetzund fart har

a3

74. Unser meister

a3

75. *Pour vos plaisiers

a3

 

76. *A. Agricola: Caecus non indicat

a3

77. *H. Isaac: La mora

78. *Ein frölich wesen

79. **Cantilena iucundissima

80. **A. Brumel: Duum

81. Adam von Fulda: Ach Jupiter

82. Adam von Fulda: Apollo, aller kunst

83. P. de La Rue: Ach, hulf mich leid

84. *Ach, hulf mich leid

85. **(Carmen in sol)

86. **(Carmen in ut)

87. L. Senfl: Was will es sdoch

88. S. Dietrich: Nur nerrisch sinn

Editions:

see also under names of composers • nos. 1-88:

a3

a2

a3

a3

149.R5

° Facsimile of the manuscript; hardback

€ 125,--

110.R5

° ed. A. Geering & H. Trümpy; Schweizerische Musikdenkmäler, volume V

(1967); hardback

€ 107,--

D-B 40021

Codex Berlin 40021

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D-B mus.ms. 40021; c.1485-c.1501; 296 ff. containing 151 works: 30 mas- 150 Works: masses, mass sections, introits and other Office movements, magnificat settings, hymns, sequences, antiphones, responsories, motets, Latin and German songs, and songs without text Contents: a) by composer; b) alphabetical list of titles of the anonymous works. Numbers in parentheses = order of the codex (see catalogue by M. Just) The works are a4 unless otherwise indicated • a) 26 COMPOSERS:

Adam von Fulda: In principio erat, a3 (14); Te laudamus deus noster (16); Magnificat quinti toni, a3 (35); Dies est laetitiae (42); Missa Seit ich dich Herzlieb (59); Wohlauf, wir wollens wecken, a2 (70); Mi fa mi re mi ut, a3 (81); O diva sollers / O Jupiter (119)

A.

Agricola: Missa Re fa mi re fa (2); A la mygnonne de fortune, a3 (3); Adieu fillette, a3 (10; by Isaac?); Regali quem decet laude, a3 (17; by Isaac?); Magnificat quarti toni (46; by Brumel?); A solis ortus cardine (47); Ave maris stella (52); Virgo sub aetheriis, a3 (62); Ave quae sublimaris (64); Jam fulsit sol (75; by Agricola?); Salve regina (107)

J.

Aulen: Missa Auleni, a3 (13)

J.

Barbireau: Phoenix Arabiae, a3 (100)

J.

Beham: Komm heiliger Geist I (141); Christ ist erstanden (142); Komm heiliger Geist II (143)

A.

Brumel: Magnificat quarti toni (46; by Agricola?)

A.

Busnois: Dieu quel mariage (24)

L.

Compère: Magnificat sexti toni (27); Ave Maria gratia plena (103)

P.

Congiet: Je cuide, a3 (113; by Japart?)

H.

Finck: Lieber Herr St. Peter (57); Miserator dominus (66); Ave Jesu

Christe (67); Natalis domini cantica (73); Invicto regi jubilo (93); Gloria, laus, et honor (115) Flor (= Flordigal?): Corde et lingua rogamus (91) Gerstenhans (= N. Gerstmann?): In civitate domini (19)

J. Ghiselin: O sacrum mysterium (20); Inviolata (82)

"B.H.": Magnificat sexti toni, a3 (28); Te deum laudamus, a3-a4 (49); Jesu

corona virginum, a3 (49); Gloria, laus, et honor (53); Regina caeli laetare, a3 (84); Gaude dei genitrix (85)

P.

Hofhaimer: Ave maris stella, a3 (77)

H.

Isaac: Missa Una musque (1); Adieu fillette, a3 (10; by Agricola?); Missa Et trop penser my font (11); Regali, quem decet laude, a3 (17; by Agri- cola?); Ecce dilectus meus (21); Ave amator casti, a3 (23; by J. Martini?) Salve regina (32); Missa Quant j'ay au cueur (56); Salve regina (79); Vocum modulatio, a5 (92); Allahoy (110); Sanctissimae virginis votiva festa (144); In Gottes Namen fahren wir (150)

J.

Jacobit: Magnificat octavi toni (29)

J.

Japart: Je cuide, a3 (113; by Congiet?)

Josquin des Prez: Verbum incarnatum (18); Missa Una musque (98); Magnifi- cat tertii toni (105); Mente tota tibi supplicamus (106)

J.

Martini: Ave amator casti, a3 (23; by Isaac?)

S.

Nachtigal (?): Alle dei filius (140)

"E.O." (= E. Öglin?): Da pacem domine (30)

J.

Obrecht: Missa N'auray-je (68); Missa Fortuna desperata (74); Missa Mal- heur me bat (97); Wat willen wij metten (111); Missa Je ne seray plus, a3

A.

M.

(117; here anonymous)

(?) Rener: Magnificat octavi toni (147)

Volckmar: Stabat virgo / In exitu Israel (102)

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G. van Weerbeke: Missa O Venus banth (7) • b) ANONYMOUS COMPOSITIONS:

A solis ortus cardine (40)

A solis ortus cardine, a3 (120)

Alleluia, a3 (37b)

Alleluia. Angelus Michael, a3 (132) Amen (31) Argentum et aurum (109) Assunt festa jubilaea (48) Ave Christi caro (9) Ave maris stella (55) Ave regina aegrotantis mundi, a3 (87) Ave splendor patris (45) Benedicta semper sancta (80)

Da pacem domine, a3 (112)

Descendi in ortum nucum (22)Dies est laetitiae, a3 (86)

Exalta est sancta Dei genitrix, a3 (26) Exsurge domine (125)

Fa mi fa re ut (8)

Festum nunc celebre magnaque (65)

Foderunt manus meas a2-a4 (126) Gaude Dei genitrix quam, a3 (130) Gaude virgo gloriosa (83)

Gaude visceribus

I (44)

Gaude visceribus

II (50)

Gloria in excelsis (5)

Gloria, laus, et honor, I (39) Hymnun cantet plebs (134)

Ich stund an einem Morgen (108)

Illuxit dies, a3 (78)

In grandi coenaculo (145)

Isti sunt agni, a3 (128)

Jam insignis oritur laetitia (88)

J'abandonne le souhaitier, a3 (37) Kyrie Paschale (6) Laetabundus exsultet (131) Loquebar de testimoniis (139) Magnificat quarti toni (34) Magnificat quarti toni (43) Magnificat septimi toni (36) Magnificat sexti toni (118) Mein Herz in hohen Freuden (69)

Mi la sol fa re ut (95)

Missa Filia subtilia, a3 (58) Missa Se une fois, a3 (4) Missa Ut mi fa sol, a3 (104) Naturae genitor (25) Nunc dimittsi servum (63) Nurenberg extolleris (136)

O

crux benedicta, a3 (127)

O

quam glorifica luce (65)

Os justi meditabitur (137)

Pange lingua gloriosi (99)

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Plaudat aula regina (135) Posuit coronam capiti, a3 (129) Praefationes, a5 (133) Quattuor (72) Quem terra pontus: only Discantus (12) Recordare, virgo mater, a3 (90) Regia stirpis soboles, a3 (138) Regina caeli laetare, a3 (122) Salve corpus Christi (96) Salve festa dies (60) Salve festa dies (61) Salve festa dies (71) Salve regina (41) Salve regina (146) Salve regina (149) Sancta Maria wohn uns bei, a3 (123) Trium, a3 (94) Urbs beata Jerusalem (38) Urbs beata Jerusalem (51) Ut mi fa re ut, a5 (89) Ut mi fa sol, a3 (15) Ut re mi fa, a3 (114) Veni creator spiritus, a3 (121) Veni in ortum meum (148) Victimae paschali laudes (76) Vita sanctorum (116) Vita sanctorum, a3 (124) Vulnerasti cor meum (101) Editions:

• nos. 1-151:

103.R4

° ed. M. Just in 3 vols. (hardback); Das Erbe deutscher Musik, vols.76-78; including "Kritischer Bericht"

€ 955,--

• nos. 8, 72,81, 94, 95 and 108:

104.R4

° 6 textless pieces: 5 anonymous a4 (nos. 8, 72, 94, 95 and 108) and Adam von Fulda a3 (no. 81); ed. in score and parts by B. Thomas

€ 13,--

• nos. 52 and 55:

105.R4

° in: "Ave maris stella": 5 settings a4 from D-B 40021 and D-LEu 1494; ed. B. Thomas (set of 4 scores)

€ 7,--

D-Mbs 260

Bayerische Staatsbibliotheek, mus.ms. 260 (1540s)

101 Bicinia: duo sections from masses of the Josquin generation, and French, German and Italian secular pieces, gathered for pedagogical purposes and for the pleasure of music making. Four German chorales a4 follow the bicinia. Untexted duos are indicated by "*"; no composer's name means: anonymous

1. Se dire ie l'osoye dont me vient

2. (A. Barbe): Summi regis sponsa digna

3. Salvatoris mater pia

4. *Canon duo in carne vale

5. (A. Barbe): Inter spinas flos fuisti

6. Salvatoris mater pia

7. Ave Virgo Virginum

8. (Josquin): Per illud ave prolatum

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9. Pleni sunt caeli

10. Benedictus from: Missa Domina intemerata virgo

11. Crucifixus

12. Agnus Dei

13. (J. Prioris): Benedictus (from: Missa de venerabile sacramento)

14-17. (J. Mouton): Domine fili ingenite / Crucifixus / Pleni sunt caeli / Agnus Dei (all from: Missa Verbum bonum)

18-19. (J. Prioris): Pleni sunt caeli / Agnus Dei (both from: Missa de venerabi- le sacramento) 20-22. (Josquin): Agnus Dei / Benedictus / Agnus Dei (all from: Missa Pange lingua)

23. Pleni sunt caeli

24. Agnus Dei

25. Crucifixus

26. (M. Gascongne): Agnus Dei

27. Pleni caeli

28. Benedictus

29. Agnus Dei

30. (J. Mouton): Benedictus (from: Missa Alma redemptoris mater)

31. Et iterum venturus est

32. Pleni sunt caeli

33. (C. Rein): Crucifixus

34. (C. Rein): Agnus Dei

35. (-)

36. Et iterum venturus est

37-41. (M. Gascongne): Domine Deus, Agnus Dei / Crucifixus / Et resurrexit / Pleni sunt caeli / Agnus Dei (all from: Missa Es hat ein sin)

42. (Josquin): In principio erat Verbum (from: Verbum caro factum est)

43. Qui edunt me adhuc esurient

44. (A. de Févin): Et resurrexit (from: Missa Sancta Trinitas)

45. (A. Agricola): Benedictus (from: Missa Malheur me bat)

46. (P. de La Rue): Agnus Dei (from: Missa de feria)

47. Esurientes implevit bonis, from: Magnificat quarti toni

48. Benedictus

49. (La Rue): *Le renvoye

50. (A. Brumel or maistre Jhan): Agnus Dei

51. Benedictus

52. Agnus Dei

53. Agnus Dei

54. (A. Divitis): Pleni sunt caeli (from: Missa super Si dedero)

55. Sicut cervus

56. (Josquin): Agnus Dei (from: Missa Malheur me bat)

57-58. (A. de Févin): Benedictus / Pleni sunt caeli (from: Missa Mente tota)

59. *In mynen In heb ic

60. *Ric god wien sal ic claghen

61-63. Agnus Dei

64. (La Rue): Pleni sunt caeli (from: Missa de sanctissima virgina Maria)

65. (A. Agricola): Esurientes implevit bonis (from: Magnificat quarti toni)

66. *Plaisir nay plus

67. *Joyssance vous donneray

68. (A. Gardane?): *Le cuer de vous

69. *Le content est riche

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70. (A. Gardane?): *Amys souffres

71. *Duo

72. *Ich seg adieu

73. Sicut locutus est from: Magnificat primi toni

74. *De mon triste et desplaisir (descant only)

75. (G. Le Heurteur): Amour partes

76. (C. de Sermisy): Damour ie suis desherite

77. (A. Gardane): Content desir

78. (A. Gardane): Ces facheux sont

79. (A. Gardane): De mon amy ie suis absente

80. (A. Gardane): Vivre ne puis content

81. (A. Gardane): Disant hellas, fortune

82. (A. Gardane): Si iay eu du mal ou du bien

83. (A. Gardane): Las fortune de toy ie fais

84. (A. Gardane): Une sans plus ie veulx aymer

85. (Le Pelletier): Si mon malheur

86. (Le Pelletier): Souvent amour

87. (A. Gardane): Ta bonne grace

88. (A. Gardane): Il me convient

89. (Le Heurteur or de Sermisy): Mon petit cueur

90. (A. Gardane): Las voules vous

91. (A. Gardane): Robin viendra tu

92. (A. Gardane): Navray ie jamais

93. (A. Gardane): Entre vous gentilz gallans

94. (A. Gardane): De jour en jour

95. My lares vous tousjours languir

96. (C. de Sermisy): Ayez pitie du grant mal

97. (A. Gardane): Qui la vouldra souhaitte

98. (A. Gardane): Grace vertu beaulte bonte

99. (A. Gardane): Or vray dieu

100. (A. Gardane): Joyssance vous donneray

101. *Son ma donne le bruict

102. Puisque iay mis

103-106.Four 4-part German chorales: Icu ruff zu dir; Gelobet seist du Jesu Christ; Gelobet seist du Jesu Christ; In dich hab ich gehoffet • nos. 1-106:

° ed. with introduction and list of concordances by B. Bellingham and E.G. Evans jr.:

114.R5

score

€ 98,--

115.R5

part for SS bicinia

€ 15,--

116.R5

part for SA bicinia

€ 15,--

117.R5

part for ST bicinia

€ 15,--

118.R5

part for AT bicinia

€ 15,--

119.R5

part for TB bicinia

€ 15,--

D-Mbs 3154

Codex of magister Nicolaus Leopold

Choirbook; paper; ff.473; written in 42 different hands; Tirol, c.1465-c.1510. Many fascicles (48 layers); 3 fascicles of D-Mbs mus.ms. 3154 show the owner's sign of magister Nikolaus Leopold from Innsbruck. 189 compositions a3-a8; many without ascription and concordances.

1. Christi corpus ave / Verus homo

a5

(Ct, T and part of B only; also in- complete in D-Mbs Clm 29775-5)

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2. (Forest?): Anima mea liquefacta / Tulerunt / Filie Ierusalem I-TRmp 90: no. 127)

3. O plebs quae

a4

a2-a4 (ascr. in

4. O beata infancia / O presepe splendidum

a4

(cf. I-TRmp 89: no. 126)

5. Virgo iustorum decus / Nostra cantorum

a4

6. Kyrie Pascale

7. (J. Pullois): Agnus dei

8. Kyrie fons bonitatis = no. 88b

9. (Gloria) Et in terra

10. Gaudeamus omnes in domino / Eructavit cor meum

11. Kyrieleyson de beata virgine

a3

a2

(also in I-TRmp 87, 90 and 93)

a3

(also in I-TRmp 88: no. 162)

a2

a3

(I-TRmp 88: no. 271)

a3

12. Non ex virili (= Veni redemptor gentium)

a3

13. (Kyrie) Angelicum

a3

14. Kyrie pascale

a3

(I-TRmp 90: no. 87)

15. (Magnificat primi toni) Et exultavit spiritus

a4

(I-TRmp 89: no. 241)

16. (Magnificat octavi toni) Et exultavit spiritus

a4

(I-TRmp 91: no. 175)

17. (Magnificat sexti toni) Et exultavit spiritus

a4

18. Gaude Maria virgo / Dum virgo Deum / Dei genitrix intercede

a4

19. En lectulum Salomonis / Egredimini et videte

a4

20. (Paulus de Roda): Ave salveo gaude / Ave celum deitatis

a4

(ascr. in

D-LEu 1494: Vulnerasti cor meum) a4 (variants in the Glogauer Liederbuch)

a4

a4 (I-TRmp

(I-TRmp 89: no. 153)

a4

a4

21a. (Paulus de Roda): without text

21b. (Paulus de Roda?): without text

22. (A. Busnois): In ydraulis quondam / Hec oggeghem cunctis 91: no. 18)

23. Ave mundi spes (In Gottes Namen fahren wir) a8

24. Regina celi letare / Resurrexit sicut dixit / Ora pro nobis

25. O quam pulchra / Quoniam et apud

26-27. without text

28. O beatorum supernorum

29. Gaude flore virginali

a4

a5

a4 (7 movements: nos. 4, 5, 7: loco Offertorii, Sanctus, Agnus)

30. Natus sapientia veritas

31a. without text; pars I

a3

a4

(8 movements; nos. 1, 3, 4, 5 loco Introitus, Credo, post elevacionem, Offertorii) (see no. 39 for pars II)

31b. De tous biens

a3

(C = C of Hayne van Ghizeghem's chanson)

32. So stee ich hie

a4

33. Ich sachs eins mals

a4

(c.f. = c.f. of nos. 47, 53 and 189 in the Glo- gauer Liederbuch)

34. Gespile liebe gespile

a4

35. Tanhauser Ir seit mir

a3

36. Es sassen höld

a3

37. (Josquin or van Weerbeke): O venus pant

38. (Pauls de Roda): without text

39. pars II of no. 31a

40. Johannes de Salice: without text

41. without text

42. Beata dei genitrix Maria / Ora pro populo

43. Alma chorus Domini / Os verbum splendor

44. O Iesu clementissime

45. Rex regnum Christe

46. Ista est speciosa odor / Et beatissimam te supplex

47. Salve mundi gloria / Pietatis oculos

a3

a3

(see: Glogauer Liederbuch)

a4

a4

a5

a4

(2nd part incomplete)

a5

a4

a4

a4

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48. Der pawr in dem graben rock

a5

49. (A. Agricola): Gaudent in celis

a3

50. H. Isaac: Argentum et aurum

a4

(also in D-LEu 1494: Apel Codex)

51. (H. Isaac): Ecce sacerdos magnus

52. (H. Isaac): Inviolata integra et casta

a4

(also in the Apel Codex) fragment: only Ct and B (see:

(a5)

"Motetti a 5 libro primo", Venice, 1508)

53. without text

54. (Credo octavi toni) Patrem omnipotentem

55. (Nicasius de Clibano): (Credo quarti toni) Patrem omnipotentem

a4

a4

a4

(ascr. in "Fragmenta missarum", Venice, O. Petrucci, 1505 as: Credo Vilayge; also I-TRmp 89: no. 247)

56. G. Dufay (?): Salve regina misericordiae

a4

(also in I-TRmp mss.;

probably composed by a German master)

57. (J. Martini): Salve regina misericordiae

58. Salve regina misericordie

59. Cornelius de Veÿe: Alma redemptoris mater / Surgere qui curas

60. A. Févin: Salve regina misericordie

61. Regina celi letare

62. (A. Agricola): Regina celi letare a4 (also: A-Wn 18825 and I-Rvat CS 42)

63. Salve regina misericordie

64. (Magnificat sexti toni) Et exultavit spiritus

65. without text

66. L. Compère: Magnificat sexti toni

67. J. Martini: (Magnificat quarti toni) Et exultavit spiritus

a4 (also in I-Rvat

a4

a3

a4

a4

(see: Opera omnia: no. 39)

a4

(also in the Apel Codex)

a3

a3

a4

(B incomplete)

a4

Cap. Sistina 15)

68. J. Martini: (Magnificat secundi toni) Anima mea dominum

a4 (also in

I-Md 2269 and I-VEcap 759)

69. J. Martini: (Magnificat sext toni) Anima mea dominum Cap. Sistina 15)

70. J. Martini: (Magnificat octavi toni) Anima mea dominum

71. Salve regina misericordie

72. Phi. Hol.: Missa je ne vis oncques

a4

(also in I-Rvat

a4

(incompl.)

a3

(in hobnail script)

a3

(Kyrie and Agnis 3 only; prob.

on the chanson of Binchois)

73. Sanctus Iste puer magnus

74. Missa III. toni

75. (Josquin): Ave Maria

a4

a3

virgo serena

a4

(also in D-Mbs 19 and in

"Motetti A", Venice, Petrucci, 1502)

76. O propugnator miserorum (1484?)

77. without text

78. J. Martini: Festum nunc celebre

79. Veni creator spiritus (Thanhauser Ir seit mir lieb)

80. Tantum ergo sacramentum ( = Pange lingua gloriosi)

81. Ibant magis quam ( = Hostis Herodes impie)

82. Iste confessor domini

83. J. Martini: Ave maris stella

84. Jhesu corona virginum (Ein frischen puelen muss ich haben)

85a. Hodie deus homo / Gaude visceribus mater

a4

a4

a4

a4

a4

a4

a4

=

no. 105

a4

a4

a4

85b. Quem terra pontus

a4

(fragment: only B; also in Apel Codex)

86. Domus mea Domus

a4

87. Resurrexi et adhuc / Domine probasti me

88a. Missa paschalis (without Credo)

89. Christus surrexit mala / Alleluia. Des sol wir alle

a4

a4

a4

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90. Regina celi letare

91. Victime pascali luades

92. (Josquin): Missa Fortuna desperata

93. H. Isaac: Missa Wol auff gesell ( = Missa Comment poit avoir)

94. (H. Isaac): (Credo sexti toni) Patrem omnipotentem

a4

(also in I-TRmp 91: no. 70)

a3

a4

(also in the 1502 print)

a4

(also in

D-Mbs mus.ms. 13)

a4

95. (Magnificat sexti toni) Et exultavit spiritus

a4

96. Missa O oesterreich

a4

97. G. Jung: Jhesu fili patris / O Venus krafft

a4

98. Missa De tous biens

99. J. Obrecht: without text

100. Missa I. toni (without Credo & Agnus)

101. (H. Isaac?): Salve sancta parens / Sentiant omnes tuum / Gloria patri

102. (J. Obrecht): Missa Rose playsante

103. J. Obrecht: Missa Scoen lief

104. J. Obrecht: Missa Beata viscera

105. (J. Martini): Ave maris stella

106. Concentu parili hic

107. (L. Compère; here ascr. to Josquin): Missa L'homme armé

108. Missa I. toni

109. Aliud officium. Missa I. toni

110. Mihi autem nimis / Domine probasti me

111. Kyrie / Et in terra (= Gloria sexti toni)

112. Missa Petite camusette

113. Regina coeli letare

114. Et adhuc tecum ( = Resurrexi et adhuc)

115. Missa paschalis

116. Alleluia. Pasca nostrum immolatus

117. Victimae paschali laudes

118. Pascha nostrum immolatus

119. Viri gallilei quid / Omnes gentes plaudite

120. Alleluia. Ascendit deus in iubilatione

121. Summi triumphum regis

122. Psallite domino cum

123. Spiritus domini replevit / Confirma hoc deus

124. Alleluia. Veni sancte spiritus reple

125. Veni pater pauperum ( = Veni sancte spiritus et emitte)

126. H. Isaac: Cibavit eos ex adipe / Exultate deo adiutori

a4

a4

a3

a4

(on T of Hayne van Ghizeghem's chanson)

a3

a4

(New Obrecht Edition XVII: no. 30)

a4

( =

a4

a4

a4

(fragment of Osanna only)

a4

(incompl.)

no. 83)

a4

a4

(fragment only)

a3

a3

(Gloria incompl.)

a3

a3

a4

a3

a4

a4

a3

a4

a4

a4

a4 (from:

a4

a3

Choralis Constantinus: no. 57)

a3

127. H. Finck: Alleluia. Caro mea vere

a4

128. W. Raber: Qui manducat carnem

(a4?)

(C and T only)

129. Missa Maria zart

(without Agnus)

a3

130. Iubilate deo omnis terra servite

a4

131. (Ninot le Petit): Si oblitus fuero

a4

(only beginning; see several ms.

sources, and "Motetti C", Venice, 1504)

132. Ecce concipies et paries / Et vocabis nomen / Hic erit magnus

133. Que corda nostra ( = Sancti spiritus assit)

134. Archangeli angeli vos (= Omnes sancti seraphin)

135. Ecce Maria genuit / Ecce agnus dei

136. Grates nunc omnes / Huic opportet ut canamus

137. Gaude dei genitrix quam / Et quorum participem

138. Viderunt omnes fines

139. Alleluia / Laudate pueri dominum

a5

a4

a4

a4

a4

a4

a4

a4

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140. Alleluia / Laudate pueri dominum

141-142. Lux perpetua lucebit; Iusti autem in perpetuum / Gloria patri

143. Iustorum autem animae

a4

a4

a4

144-145. Sancit tui domine benedicent; Exaltabo te domine

a4

146. Ego vos elegi

a4

147. Alleluia. Gaudete iusti in domino

 

a4

148. Alleluia. Ascendit deus in iubilacione

a4

149-150. Alleluia. Dominus in Sina

a4

151. Kyrie fons bonitatis

a4

152. Hodie deus homo

a5

152a. Gloria laus et honor

a4

153. (J. Obrecht): Missa Je ne demande

a4

(incomplete)

154. Missa I. toni (without Agnus)

a4

155. Benedicite domino omnes angeli / Benedic anima mea

a4

156. Missa Salve regina

a4

(incomplete)

 

157. Missa III. toni

158. Es wolt eynn Maidlenn nach grasse gann

a3

(incomplete)

a5

159. (J. Aulen): Missa II. toni

a3

(incomplete)

160. Salve regina misericordie

a4

161. Vita dulcedo et spes (= Salve regina misericordiae)

161a. without text; canon

162. part of no. 160

163. Agnus redemit oves (= Victimae paschali laudes)

164. Benedicta Semper sancta

165. Alleluia. Vox exultationes et salutis

166. Archangeli angeli vos (= Omnes sancti seraphin)

167. De Sancto Martino Alleuia

168. De omnibus sanctis vel de angelis: Benedicite domino omnes angeli

169-170. Gaudent chori angelorum (= Super salutem et omnem) / Paradisi

a4

a4

a4

a4

(also in the Apel Codex)

a4

a4

porta per Evam

a4

a4

171-172. Calicem domini biberunt (= Fuerunt sine querela) / Tradiderunt cor-

pora sua / Gloria patri

a4

173. In patientia vestra

174. Ecce ego mitto

175. (Magnificat octavi toni) Et exultavit spiritus

176. Sancte Anne devotus

177. (Th. Stoltzer): De S. Elizabeth: Gaude Syon quod

a4

a4

a4

a4

a4

178. Deus in tua virtute

a4

179. without text

a3

180. Virgo dei genitrix

a3

181. Gaude virgo mater

182. without text

183. Da pater omnipotens

184-185. without text

186. J. Obrecht: Missa Si dedero somnum

187. H. Isaac: Missa Wohlauf Gesell (= Missa Comment poit avoir) (fragment; see also no. 93)

188. Ave mundi spes / O dulcedo virginalis

189. A. de Févin: without text

a3

a3

a3

a4

a5

a6

(see Opera omnia: no. 43) Editions:

a4

• nos. 1-189:

° ed. Th. Noblitt; Das Erbe deutscher Musik, volumes 80-83 (hardback):

(contents counted somewhat differently from list above)

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volume I: nos. 1-59

 

€ 319,--

105.R3

volume II: nos. 60-99

€ 319,--

106.R3

volume III: nos. 100-129

€ 319,--

107.R3

volume IV: nos. 130-174; Kritischer Bericht; Verzeichnisse

€ 423,--

 

• no. 7:

 

°

see: J. Pullois: Opera omina, ed. Gülke; no. 1e

 

• nos. 29 and 30:

 

108.R3

° transcr. in Th. Noblitt's dissertation: "The motetti missales of the late 15th century" (1963; p. 270 and 305)

 

€ 115,--

• nos. 32-36, 41 and 84:

 

107.R5

° 7 Lieder a3-a4 with optional tenor voice; ed. B. Thomas (set of 4 scores)

 

€ 11,--

• nos. 49 and 62:

 

°

see: A. Agricola: Opera omnia, nos. 109 and 24 (vols. V and IV)

 

• nos. 60 and 189:

 

°

see: A.de Févin: Opera omnia (nos. 39 and 43)

 

• nos. 66 and 107:

 

°

see: L. Compère: Opera omnia (nos. 2 and 14)

 

• no. 93:

 

°

see: Isaac: Opera omnia, ed. Lerner: volume VIII (no. 4)

 

• no. 94:

 

°

see: Isaac: Opera omnia, ed. Lerner: volume V

 

• no. 131:

 

° see: Ninot le Petit: Opera omnia (no. 6)

° see: Prints 1504: "Motetti C", Venice, O. Petrucci

 

• no. 157:

 

°

see: J. Aulen (ed. F. Blume)

 

D-Usch 123

Schermar Library, Ulm, Misc. 123

 
 

D-Usch Misc. 123: consisting of:

 

a) the printed partbooks of C. de Rore's "Il primo libro de madregali a 4 voci; novamente per A. Gardano con ogni diligentia ristampati", Venice, A. Gar- dano, 1557

 

b) the printed partbooks of C. de Rore's "Il secondo libro de madregali a 4 voci, con una canzon di Gianneto sopra di Pace non trovo con 14 stanze

",

 

Venice, A. Gardano, 1557

 

c) Manuscript supplement containing:

 
 

1. (G. Dressler): Ecce quam bonum / Quod descendit / Quoniam illic

a4

2. (G. Dressler): Coniugium tibi sit blandum

a4

3. (P. Nitzsch): Christ, der du bist der helle tag

a4

4. (P. Nitzsch): Ich danck dir lieber herre

a4

5. (P. Nitzsch): Aller augenn o Herr auff dich halten

a4

6. (P. Nitzsch): Dancket dem herren den er ist

a4

106.R6

° Facsimile of the printed partbooks of books 1-2 of de Rore's madrigals a4,

 

and the manuscript supplement

 

€ 119,--

 

D-Usch 236

Schermar Library, Ulm, Misc. 236 A - B

 

D-Usch Misc. 236. Two sets of 4 partbooks, bound together, written around 1566-1567, containing Lieder, chansons, madrigals and motets. NB: except for nos. 81, 85 88-92, 96, 102, 120, 139 and 141 the names of the composers have not been mentioned in the manuscripts. Ascriptions from concordances etc. have been taken from Gottwald's Schermar catalogue.

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a4, unless otherwise indicated Manuscript A

1. G. Brack: Ich reu und klag

2. Viel glück und heil (in 1551/20)

3. M. Wolff: So wünsch ich ir ein gute nacht

4. L. Senfl or W. Grefinger: Wol kompt der May (1534/17: Senfl; 1539/27:

Grefinger)

5. P. Hofhaimer: Ach lib mit leid

6. Mag ich unglüg nicht widerstan

7. G. Schönfelder: Von edler art

8. L. Senfl: Kein (Mein) vleis und müh

9. Mich freut ein bilt

10. Mich zwingt darzu

11. Hochwerde frucht

12. Th. Stoltzer: Man sicht noch wol

13. Th. Stoltzer: Entlaubet ist der walde

14. Ungnad beger ich nit von Ir

15. W. Grefinger: Schwer langweilig ist mir mein Zeit

16. L. Senfl or W. Grefinger: Ach megdlein rein (1534/17: Senfl; 1539/27: Gr.)

17. P. Hofhaimer: Hertzliebstes bilt

18. P. Hofhaimer: Mein einiges A

19. B. Ducis: Elend bringt pein

20. S. Dietrich: Nur nerrisch sein

21. H. Isaac: O weiblich art

22. P. Hofhaimer: Trostlicher lib

23. M. Wolff: Ach unfals neid

24. L. Senfl: War (Was) wirt es doch

25. Zart schone frau

26. Adam von Fulda: Ach hulf mich laidt

27. Rosina wo was dein gstalt

28. Von schwartz ist mir ein kleid

29. P. Hofhaimer?: Erwelt hab ich auf erden

30. Betrübnis thut mich vorlassen

31. L. Senfl: Ich armes megdlein klag mich sehr

32. H. Isaac: Es hat ein paur ein tochterlein

33. Th. Stoltzer: Ich wünsch allen frauen ehr

34. L. Senfl: Ach Jupiter häst du gewalt

35. Der ehlich stand ist billich genant

36. H. Isaac: Wann ich des morgens (früh aufsteh)

37. L. Senfl: Ich het mir ein medlein fürgenomen

38. L. Senfl: Sie Bauren Knecht las mir die Roslein

39. L. Senfl: Es taget für dem walde

40. L. Senfl: Es taget für dem walde

41. P. Wüst: Wer wolt dir nicht

42. H. Isaac: Insbrug ich mus dich lassen

43. A. von Bruck: Elend ich rief und seuftz su tif

44. Th. Stoltzer: Irs gleichen lebt auf erden nit

45. Ey wie so gar freuntlich

46. S. Dietrich: Nu grüs dich got mein truserlein

47. H. Eytelwein: Sie ist der art von tugent zart

48. L. Lemlin: Es ist ein frag und grosse klag

49. C. de Sermisy: Chzey ze pomnieti ( = Mauldicte soit la mondaine richesse)

50. C. de Sermisy: Smutne srdze Zialostive ( = Las que crains tu, amy)

(1536/8: Senfl; 1539/27: Stoltzer)

a5

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51. La bella

52. L. Senfl: Ich stund an einem morgen

53. P. Moulu: Ammiso fres ( = Amy souffrez que je vous ayme)

54. C. de Sermisy: Cest a gront (tort)

55. E. Lapicida: Die mich erfreut

56. Ach höchster hort du edles blut

57. Th. Stoltzer: Es müt viel leut die peut

58. P. Hofhaimer?: Der hund mir für dem licht umgat

59. Dich als mich selbs herzlib alein

60. G. Botsch: Oft wünsch ich ir aus hertzen gir

61. H. Finck: Ach herziges hertz mein schmertz 1536/9; (in Forster anon.)

62. Th. Stoltzer: Es dringt daher mit sorg und gfehr

63. P. Hofhaimer?: Mein hertz hat sich mit lib verpflicht

64. G. Forster: Vorgangen ist mir glüg und heil

65. G. Forster: Ich habs gewagt hertzlibste mein

66. E. Lapicida: Gut ding mus haben weil

67. P. Hofhaimer: Meins traurens ist

68. W. Grefinger: Ich stel leicht ab von solcher hab

69. Freundlicher grus mit pus

70. P. Hofhaimer: Nach willen dein

71. M. Wolff: Glüg mit der Zeit

72. E. Lapicida: Ach edles N

73. P. Hofhaimer: Ich klag und reu

74. L. Senfl: Patientiam mus ich han

75. Machinger: Wer sehe dich für ein solche an

76. H. Eytelwein: Ich weis nit wei ichs halten sol

77. E. Lapicida: O hertziges S. wie hoch mich des

78. Es war ein mol ein stolczer knab

79. Th. Stoltzer: Heimlich bin ich (in Treuen dein)

80. Der Polnisch tantz

81. B. Schwertfeger: Des Königs von Polen tantz

82. des Königs tantz

83. J. Clemens non Papa: Frais guillard unus ( = Frisque et gaillard)

84. C. Janequin: La muniere de vernon

85. Ung doulx ian ian une vespree

86. Th. Crecquillon: Amour parthie ( = Amour partez je vous)

87. Th. Crecquillon: Au dieu damours

88. J. Clemens non Papa: Rossignolet qui chantes

89. Th. Crecquilon: Orsus à cop

90. P. de Manchicourt: Ung diable blanc

91. C. Canis: Mamie a eut de dieu

92. J. Clemens non Papa: Jeune gallant qui den (vieulx)

(instrumental)

(instrumental)

(instrumental)

93. O bella sopra (tutte l'altre belle)

(A is lacking)

a4?

94. Madonna tu mi fai lo contignuoso

(A is lacking)

a4?

95. Il a diunt ung

96. C. de Rore: Rejouyssons nous à cest heure

97. Ph. Verdelot: Madonna (per voi ardo)

98. Item Herr Bischoff

99. Alles souspirs plus

100. J. Clemens non Papa: Jouons beau jeu tout curient

101. J. Clemens non Papa: Il ia mon (non) a si a

102. Th. Crecquillon: Alix avoit au(x) dens la ma

103. J. Arcadelt: Ochi miei lassi

(A is lacking)

a4?

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104. J. Arcadelt: Ancidetemi pur grevi martyri

105. J. Arcadelt: Felice me se de i bei lumi

106. J. Arcadelt: Il bianco e dolce cigno cantando

107. J. Arcadelt: Ahi, se la donna mi(a)

108. J. Arcadelt or J. de Berchem: Pungent dardo (che 'l mio cor)

109. J. Arcadelt or J. de Berchem: Ragion'e ben (ch'alcuna volt')

110. J. Arcadelt or F. Corteccia: Io vorrei pour fuggir

111. J. Arcadelt: Voi ve n'(andate al cielo)

112. J. Arcadelt: Nova donna (m'apparve)

113. C. de Sermisy: Multi to fort ( = Mauldicte soit = no. 49)

114. C. Festa?: Pastorella (Quando ritrovo la mia pastorella)

115. Dal bel giardin che si mi

116. Fiamma amorosa

117. L. Senfl or H. Isaac: Wolauff, Jung und Alt

118. J. Meiland: Gantz wehr betrübt ist mir mein hertz

119. Wach auf du allerschönste keiserinne Manuscript B

120. O. de Lassus: Fertur in conviviis

121. Non eadem facies anni

122. J. Clemens non Papa: Inclita stirps Jesse / Est haec virga dei

123. Laudate dominum omnes gentes / Gloria patri

124. Deus stat in congregatione / Ego dixi dii estis

125. J. Clemens non Papa: Domine Jesu Christe respice digneris

126. G. Dressler: Vespera nunc venit

127. Nesciens mater virgo

128. P. Sandrin: Dulcis memoria ( = Doulce mémoire)

129. M. Kinner von Scherffenstein: Viri diligite uxores vestras

130. Quos deus et concors

131. J. Walter: Deus qui sedes super thronum

132. In te domine speravi / Quoniam fortitudo / I te domine speravi

133. J. Arcadelt: Miserere mei deus quoniam in ( = O s'io potessi donna)

134. J. Maillard: In me transierunt irae tuae

135. Optima virtutum sophia

136. D. Köler: (O du edler Brunn der Freuden)

137. (Jauchzet dem Herren alle Welt)

138. (Wacht auf ihr Christe alle / Gelt gut kan uns nit büssen)

139. J. Hedler: (Kennt ihr mich nicht)

140. L. Paminger: Der Herr ist mein Hirt / Und ob ich schon wandert

141. Chr. Hollander: Ist keiner hie der spricht zu mir / Mich durst so ser

a6

a5

Editions:

see also under composers

• nos. 1-141:

120.R5

° Facsimile of the 4 partbooks of the manuscripts; hardback

€ 145,--

• nos. 3-8, 12, 13, 15-19, 21-24, 42-48, 55-77:

°

see: Prints 1539: "Ein ausszug guter alter und newer teutscher Liedlein" nos. 1-3, 5, 7, 15, 16, 18, 24, 29, 35-37, 39, 41, 43-45, 57, 61-63, 65, 66, 68, 69, 78, 80, 82, 84, 91, 92, 97, 98, 100, 101, 104-106, 108, 115, 123, and 127-130).

• nos. 3-5, 12, 17, 18, 22, 43, 44, 55, 57, 62, 66-68, 70, 72, 73, 79:

 

°

see: Collections: "Das deutsche Gesellschaftlied in Öesterreich, 1480-1530"

• 36 numbers, especially anonymous pieces:

 

121.R5

° in: A. Wendel: "Eine studentische Musiksammlung der Reformationszeit. Die Handschrift Misc. 236a-d der Schermar-Bibliothek in Ulm";

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Collection d'Études Musicologiques, vol. 85

• nos. 31-40 and 79:

° see: Prints 1544: "Hundert und fünfftzehen

• nos. 34 and 39:

Liledlein" (ed. J. Ott)

° see: L. Senfl: Complete Works: volume II

• nos. 4, 8, 16, 35, 52, 74:

° see: L. Senfl: Complete Works: volume IV

• nos. 12, 31, 37, 38, 40:

° see: L. Senfl: Complete Works: volume V

• no. 47 and 117:

° see: L. Senfl: Complete Works: volume VI

• nos. 1, 3, 5, 7, 22, 25, 41, 56, 67 and 70:

€ 168,--

° see: Prints 1535: "Gassenahwerlin und Reutterleidlin" (nos. a: 9, 16, 18-21, 25, 26, 33 and 38)

• nos. 5, 17, 22, 29, 63, 69, 70, 75:

° see: Prints 1512: Öglin's Liederbuch

• nos. 1, 26, 56, 68, 73:

° see: Prints 1519: von Aich's Liederbuch

• nos. 83, 88, 92, 100, 101, 122, 125:

° see: J. Clemens non Papa: nos. 234, 242, 243, 245, 248, 249 and 349

• nos. 103-112:

° see: J. Arcadelt: Madrigals: nos. 2, 5, 15, 18, 26, 35, 36, 41, 49, 59

D-Usch 237

• nos. 49, 50, 54:

° see: C. de Sermisy: nos. 23, 93 and 107

• no. 2:

° see: Prints 1550: "Bergkreyen"

Schermar Library, Ulm, Misc. 237

D-Usch Misc. 237; set of 4 partbooks which seem to have been written between ca. 1515 and 1540 in Bruges; 102 motets, chansons and Lieder.

No ascriptions to composers are to be found in these partbooks; all names of composers and all concordances mentioned are taken from C. Gottwald's catalogue of the music in the Schermar Library.

1. Josquin: (Ut Phoebi radiis soror / Latius in numerum)

2. Josquin: Ave Maria

3. J. Ghiselin: Anima mea liquefacta est / Tulerunt pallium meum

4. H. Isaac: Anima (mea liquefacta est) / Invenerunt / F(iliae Jerusalem)

5. Josquin: Ave regina coelorum / Gaude (gloriosa)

6. motet a4 without text

7. Josquin: (Vultum tuum deprecabuntur) / Sancta dei genitrix / Intemerata virgo / O Maria nullam grafem / Mente tota / Ora pro nobis (prima pars is missing)

8. Josquin: Gaude virgo mater Christi

9. Josquin: Missus est Gabriel

a4

virgo

serena

a4

a4

a4

a4

a4

a4

10. Josquin: (Ecce tu pulchra es) amica mea

11. C. de Sermisy: Le content (est riche)

12. C. de Sermisy: Beatus vir (qui non abiit) / Non sic impii

13. P. de La Rue: Min hertz (heeft altijds verlanghen)

14. J. Barbireau: Eyn vroelich wesen

15. Myn hertz ys alle Zyt verlangen

16. A(dieu mes amours?)

17. Hayne van Ghizeghem: D(e tous biens plaine)

a4

a4

a4

a4

a3

a3

(also anonymous in 1538/9)

a3

a3

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18. V(

19. Roellrin: (F)reund und moitt a3 (in E-SE s.s.: Vrucht en moet is gar dahin)

20. En a4

21. Sampson: (I)ch hadd so schoene vrouwen

22. Myn synn synt myr entzogen

23. (H)ellas a4

24. (E)n non schachant

25. (T)ant ravi suis

26. Josquin: (J)e ris (et si ay larme)

27. (Amour sy fort)

28. Ninot le Petit: Cest don(c) par moy

29. (P)ensen ende truren

30. H. Isaac: Benedictus (from: Missa Quant j'ay au cueur)

31. (Du bon cueur / Du bon du cueur ma chere dame)

32. A. de Févin: On a mal dit de mon amy

33. M. Pipelaere: Myn liefgyens bruyn ougen

34. (I)ck loop ick drave

)

a3

a4

a4

a4

(is not the work by Josquin)

a4

a3

a4

a3

a3

(also in 1542/8 and D-Mbs 1502)

a3

a3

a3

a3 (also in 1538/9)

a3

35. (N)och wyll van aventuyren

a3

36. Myn synn synt myr untzoegen

a3

37. A. Brumel: Vra(i) dieu damours

38. Als der wynter van hynnen gaet

39. Et qwam eyn schafyrgen uyt safoyen

a3

a3

40. Ick seck adieu

a3

41. Ich seck adieu

a3

a3

42. Der mey brenckt uns de blomen

43. Rich got wem sol ich klagen

44. Nu noch nimmerme sal ick van ju scheyden

45. Faulte dargent

46. Sampson: Pater a nullo est factus

47. Noch Lust

48. Undas thespiadum

49. J. Vinders: Domini est terra / Haec est generatio

50. J. de La Fage: Quae est ista quae processit

a3

(also in 1542/8)

a3

a3

a3

a4

a3

a3

a3

a3

51. Josquin: (Cum) sancto spiritu (from: Missa De beata virgine)

a4

52. Sampson: (T)antum ergo sacramentum

(incomplete; T only)

a?

53. Homo quidam fecit coenam / Ite ergo ad exitus

54. R. Pathie: Cesse mon (yeul)

55. Venerantes a3

56. Pater noster

57. Jacotin: (D)educ me domine / Inclina domine aurem tuam

a4

(also in F-CA 125-8)

a3

a4

a3

58. Magdelain: Sans liberté

a4

(also in 1538/10)

59. J. Conseil: Fleur de beaulté

a3

59a-e: inserted:

59a. A. Brumel: Benedictus (from: Missa sine nomine) 59b. Josquin: Agnus dei (from: Missa De beata virgine)

a2 (SB only) a2 (SB only)

59c. Jacotin: A qui direlle sa pense (Numque vixisti o pauper)

a2 (SB)

59d. sine nomne

a2 (SB only)

 

59e. Jacotin: A(u pres de vous secretement demeure)

a4

60. Au fort quant dieu plaisir

a4

(SB are lacking)

61. Maître Jhan: Ambulans Jhesus iuxta mare / At illi continuo

a5

62. J. Richafort: Jherusalem luge / (D)educ quasi torrentem

inserted:

62a. (O) crux ave spes unica

a4

(canon)

a5

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63. N. Gombert: (D)ulcis amica dei a4

64. Qui confidunt in domino / Benefac domine bonis a4

65. M. Lasson: (V)irtute magna / Repleti quidem spiritu a4

66. (O)perarius ebriosus a4

67. Jacquet de Mantua: (S)pem in alium a4

68. N. Gombert: (J)ubilate deo omnis terra / Populus eius a4

69. N. Gombert: (F)ac tibi mortales / O clemens geniti a4

70. N. Gombert: (C)ur quisquam corradat a4

71. Jacquet de Mantua: (U)num cole deum / Non sis occisor a4

72. N. Gombert: (Q)ui seminant in lachrimis / (Qui parce seminant)

73. P. Moulu: (Vulnerasti cor meum) / (Et vox tua dulcis) a5

74. (A) solis occasu usque ad solis / (H)uic coelum obsequi a5

75. (P)raecursor domini venit / (H)ic est enim propheta a5

76. J. Lupi: (V)idi speciosam sicut columbam / (Q)uae est ista a5

77. (V)idi speciosam sicut columbam / (Q)uae est ista a5

a4

78. L. Hellinck: (I)n te domine speravi / (Q)uoniam fortitudo

a5

79. N. Gombert: (S)urge Petre et indue / (A)ngelus domini a4

80. N. Gombert: (A)spice domine / (M)uro tuo inexpugnabili

a4

81. J. Gallus: (A)ngelus domini descendit a4

82. (E)legi abiectus esse in domo a4

83. N. Gombert: (D)omine pater et deus vitae a4

84. L. Piéton: (L)audem dicite deo nostro a4

85. (E)cce nunc tempus / (I)n omnibus exhibeamus a4

86. N. Gombert: (B)eata mater et innupta virgo / (I)n prole mater / (S)ub tuum

praesidium / (S)ub tuam protectionem

a4

87. N. Gombert: (H)ortus conclusus est a5

88. N. Gombert: (V)ita dulcedo / (Salve regina) a4

89. (S)urgens Jhesus / (S)urrexit dominus a5

90. N. Gombert: (M)on petit cueur helas a6

91. J. Larchier: (D)Amors my plait (= D'amorus me plains) a6

92. (

93. Roquelai: Grace et vertu a4

94. Acoutrons nous a4

95. Ph. Verdelot: Si liet' e grata morte a4

96. J. Arcadelt: Ragion'è ben ch'alcuna volta a4

97. J. Arcadelt: Non ch'io non voglio mai a4 Editions:

see also under composers

)ous

(nous?)

a6

 

nos. 1-97:

 

122.R5

° Facsimile of the 4 partbooks; hardback

€ 115,--

 

°

ed. D. Klöckner of the unica and unpublished works in these partbooks:

 

(sets of scores):

123.R5

Vol. I:

Pieces a3:

124.R5

nos. 15, 16, 18, 19, 27-29, 31, 34-36, 40-48, 50, 55, 56, 59, 59d Vol. II: Pieces a4:

€ 21,--

125.R5

nos. 20, 24, 25, 49, 58, 60, 62°, 66, 64, 81, 82, 85, 93 Vol. III: Pieces a5-a6:

€ 27,--

 

nos. 61, 74, 75, 77, 89, 91, 92

€ 14,--

 

no. 15:

 

° see: Prints 1538: "Trium vocum carmina" (no. 74)

E-SE s.s.

Segovia Chansonnier

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This manuscript, supposedly copied during the journey in 1502 of Philippe le Beau and Juana of Castile with their Netherlandish court chapel (including A. Agricola, P. de La Rue and J. Clibano) through Spain, consisted of 228 folios of which 20 are now lost. Repertoire: 204 compositions a2 - a6: masses (9), mass sections (4), magnificats (4) motets (55) and secular works in French (48), Flemish (36), Italian (7) and Spanish (39, incl. 38 early villancicos). Main composers: Obrecht (31), Isaac (21), A. Agricola (19), Compère (15); other composers with ascriptions: Adam? (2), Anchieta (9), Barbireau, Brumel (7), Busnois, (2), Caron, P. Eline (4), "Ferdinandus et frater ejus", Ffarrer, Hayne de Ghighem (5), J. Joye, Josquin (7), J. Martini (4), Marturia, Pipelare (4), Roellrin (3) and Tinctoris (7); composers represented without ascriptions:

J. del Encina, J. Urrede, F. de la Torre, A. de Mondejar, A. de Alva, J. Perez de Gijon, P. de Lagarto. The repertoire contains 69 unica , among them are:

2 magnificats (Brumel, Josquin), 19 sacred and secular works by Obrecht,

5 chansons by Tinctoris, 7 chansons by Agricola, 16 unattributed motets and 23 Spanish villancicos. Texts: often titles only.

I. List of Contents

II. List of Concordances

III. Editions

I. List of Contents

Unica indicated by: *

1. (H. Isaac): Missa (Wol auff gesell von hynnen)

a3-a6

incomplete

2. Josquin: Missa (L'homme armé, sexti toni)

a4

3. J. Obrecht: Missa Libenter gloriabor

a4

4. J. Obrecht: Missa (Adieu mes amours)

 

a4

5. J. Obrecht: Missa Rosa playsante

a4

6. J. Obrecht: Missa Fortuna disperata

(without Agnus)

a4

7. H. Isaac: Missa (Quant j'ay au cor)

8. M. Pipelare: Missa (sine nomine)

9-10. J. de Anchieta: Missa (de Beata Virgine)

11a-d. Isaac: Salve regina / Ad te clamamaus / Eya ergo / O clemens

12. *Obrecht: Salve regina (Vita dulcedo / Benedictum fructum) a4

13. A. Agricola (or A. Brumel?): Magnificat (quarti toni) a4

14. *Josquin: Magnificat a4

15. *Obrecht: Inter praeclarissimas virtutes a4

16. Obrecht: Mille quingentis ("Requiem") a4

17. Josquin: Ave Maria

18. Josquin: O intemerata virgo a4

19. Isaac: Salve virgo sanctissima a4

20. *Obrecht: Omnis spiritus laudet a5

21. *Obrecht: Benedicamus in laude Jesu a4

22. M. Pipelare: Exortum est in tenebris a4 ( = "Fors seulement")

23. *Obrecht: Cuius sacrata viscera a4

24. *J. Ffarrer: Domine non secundum peccata nostra a4

25. Isaac: Ave regina celorum a4

26. J. de Anchieta: Domine Jhesu Christe qui hora Dei a4

27. J. de Anchieta: Virgo et mater a4

28. *J. de Anchieta: Domine ne memineris a4

29. *anonymous: Kyrie eleyson

30. (A. d'Alva): Veni Sancte Spiritus / Veni Creator Spiritus a4

31. *anonymous: O crux ave, spes unica a4

32. *anonymous: Kyrie eleyson

a4

a4

a4

virgo

serena

a4

Qui expansis

qui passurus

a4

a4

a4

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33. J. de Anchieta (by L. Compère?): O bone Jhesu a4

34. *anonymous: Te Dominum confitemur a4

35. *anonymous: Juste judex Jhesu Christe a4

36. Obrecht: T'meisken was jonc wel van passe a4 ( = "De tusche in busche")

37. *Obrecht: Sullen wij langhe in drucke moeten leven

38. (L. Compère): Sancte Michael, ora pro nobis

39. J. Martini (Busnoys?): Jay priis amours

40. *anonymous: Fortuna vincinetta

41. Busnoys: Je ne demande a4

42. A. Agricola: Je nay deul / Je ne demande a4

43. Caron: Elaes (que pourra devenir) a4

44. Isaac: Fortuna disperata a4

45.* J. Tinctoris: Le souvenir

46. *Isaac: Fortuna disperata / Sancte Petre / Ora pro nobis

47. anonymous (Isaac): Jay priis amours

48. *M. Pipelare: Morkin ic hebbe ter scolen gheleghen a4

49. *Obrecht: Laet u ghenoughen, liever johan a4

50. Obrecht: Wat willen wij metten budel spelen, ons ghelt es uut a4

51. Obrecht: Tsat een clein meiskin al up een blocskin a4

52. *Obrecht: Waer sij dij han / Wie roupt ons daer a4

53. *Obrecht: Lacen adieu wel zoete plye a4

54. *Roellrin: Zart reyne vrucht a4

55. *Obrecht: Den haghel ende die calde snee a4

56. L. Compère: Veci la dancha barberi a4

57. *Obrecht: Weet ghij wat mynder jonghen herten deert a4

58. L. Compère: Mon pere ma done (donné) mari a4

59. Josquin: Vergironette (Bergerette) savosienne a4

60. *Obrecht: Ic hoerde de clocskins luden a4

61. *Obrecht: Als al de weerelt in vruechden leeft