Art July 2015 II

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Tachibana Sayume Artworks

Kawade Shobo Shinsha 2015 ISBN 9784309275772 Acqn 25191
Hb 20x26cm 144pp 103ills 50col 32.50
Text in Japanese
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Takehito Moriizumi - Kafka's " The Castle " And Other Stories
Kawade Shobo Shinsha 2015 ISBN 9784309275758 Acqn 25193
Hb 19x26cm 82pp 82ills 13.50
Text in Japanese
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Grzegorz Kowalski Questions

Mundin 2015 ISBN 9788364353079 Acqn 24828
Hb 17x23cm 220pp 102ills 2col 21.50
Warsaw-based artist and educator Grzegorz Kowalskis practice has consistently sought to erase
the boundary between art and life. In the 1970s, he was active at Warsaws Repassage gallery,
where art was used as a means of gaining knowledge about oneself and fellow humans,
becoming a tool for communication. Artists (and non-artists) participated in each others projects,
working for and with one another. Kowalski demonstrates a preoccupation with existential issues:
the human being, notions of life and death, and interpersonal relations. From these areas arose
the three actions/questions around which this book and the works within are structured.
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Harun Farocki - One Image Doesn't Take The Place Of The Previous One
Ellen Art Gallery 2015 ISBN 9782920394759 Acqn 24922
Pb 20x27cm 224pp 30ills 20col 24
The first publication in North America devoted to the installation work of the German filmmaker
Harun Farocki. Various aspects of Farockis work, including his artistic process, his use of the
museum space, his vision machines and the influence of Dziga Vertov on his work are discussed
in a series of essays by Harun Farocki, Rembert Hser, Michle Thriault, David Tomas and
Volker Pantenburg.
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Christien Meindertsma - Bottom Ash Observatory

Thomas Eyck 2015 ISBN 9789081865210 Acqn 25061
Hb 30x42cm 160pp 125col ills 78
Following a tour through the largest and most energy-efficient waste-to-energy plant in the world,
Dutch artist and designer Christien Meindertsma became intrigued with the dark residue leftover
by the process of incinerating municipal solid waste. Using a 25-kilo sample of raw bottom ash,
as it is called, she demonstrates the rich properties and versatility of this resource by successfully
gleaning numerous materials from it by hand among them valuable reusable ones such as zinc,
aluminium, copper, and silver. Meindertsma commissioned photographer Mathijs Labadie to
document every step of this exhaustively precise process in a surprisingly scientific inquiry.
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Erik Van Der Weijde - Paradiesvogel (Birds Of Paradise 2)

4478Zine 2015 no ISBN Acqn 25139
Pb 20x28cm 48pp 67ills 7.95
Self-published through Erik van der Weijdes own imprint, this magazine-style book contains an
inventory of heavily rasterized reproductions taken from a publication on German tanks.
Ostensibly gathered together as aesthetic objects, the images also signal a broader narrative
through their focus on mass-produced, weaponised vehicles and their innate capacity for
violence. Implicit in the images is a social and historical commentary on the unity of technology
and aggression symbolised by the tanks.
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Andre Butzer
Holzwarth Publications 2015 ISBN 9783935567664 Acqn 25160
Hb 34x32cm 64pp 31ills 29col 26
German painter Andr Butzer (born 1973) is known for his roughly executed figure paintings in a
style he once labelled "sci-fi expressionism." This book highlights his recent black-and-white
colour-field paintings that explore two anti-geometrical rectangles and their balancing act between
motion and stasis. Text by Philipp Schwalb. Interview by Daniel Mendel-Black.
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Mona Hatoum
This catalogue accompanies a vast survey of the work of Mona Hatoum (born 1952) at Kunsthaus St.Gallen in Switzerland. The pieces range from the artist's body-centred early
performances of the 1980s, through large sculptures of threatening household objects, to more
recent, politically charged installations. Text by Konrad Bitterli, Nadia Veronese.
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Albert Oehlen Interieurs

This book presents a recent series of large-format collage paintings by German artist Albert
Oehlen (born 1954), utilizing cheerily cheap advertising posters. The compositions reveal
themselves as interiors only on second gaze: edges of walls and floors, the elegant curve of a
designer chair. Text by Michael Bracewell.
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Albert Oehlen
Pb 22x28cm 28pp 9col ills 14.95
This catalogue of recent paintings was published to accompany the exhibition of Oehlens work at
Galerie Max Hetzler, Paris 2014.
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Yoshitomo Nara - Self-selected Works- Paintings

Seigensha Art Publishing 2015 ISBN 9784861524905 Acqn 24912
Hb 24x29cm 160pp 107col ills 34.95
Published to mark three decades of his artistic activity, this collection contains approximately 100
works selected by Yoshitomo Nara himself, including new paintings. Most of his works depict a
single, seemingly innocuous subject, often pastel-hued, large-eyed children or stylised animals.
The looks that characterise many of his child-like subjects are especially peculiar, appearing at
once mischievous, irritated, or accusatory. Others simply seem benign, patiently waiting until the
observer moves on to the next one. This compilation of paintings is undoubtedly an essential
volume for Naras devout fans, as well as newcomers to his work.
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Darren Almond / Carl Blechen - Landschaften / Landscapes

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Art In The Periphery Of The Center

Sternberg Press 2015 ISBN 9783956790775 Acqn 25155
Pb 20x26cm 632pp 140ills 120col 18.95
Contributions by Marie-Luise Angerer, Christoph Behnke, Ana Bogdanovi, Larissa Buchholz,
Sabeth Buchmann, Kathrin Busch, Bettina von Dziembowski, Daniel Falb, Paul Feigelfeld, Ulrike
Gerhardt, Monica Greco, Erich Hrl, Cornelia Kastelan, Stefanie Kleefeld, Valrie Knoll, Roman
Krussl, Susanne Leeb, Hannes Loichinger, Sven Ltticken, Julia Moritz, Volker Pekron, Pierre
Pnet, Dieter Roelstraete, Bettina Roggmann, Stefan Rmer, Steffen Rudolph, Michael Sanchez,
Magnus Schaefer, Stefanie Sembill, Christophe Spaenjers, Paul Stenner, Jeannine Tang, Olav
Velthuis, Ulf Wuggenig
Peripheries are profoundly ambiguous regions. While trying to build a relationship with the center,
the periphery often finds itself excluded both on a structural and actor-related level, no matter if
the center-periphery model is defined in terms of space or along relations of power. However,
beyond static perspectives of such struggles, in a dynamic and globalized artistic field
increasingly transformed by the digital revolution, temporary mobility deserves our attention. This
publication attempts to shift practices of thought toward both critical realism and new materialism.
It is neither committed to todays wishful thinking regarding horizontal networks and
deterritorialized structures, nor does it fix itself to determinist approaches. In contrast to twentiethcentury constructivist approaches and their epistemic fallacies, materialized verticalities and
matter-based, infrastructural spaces are brought to the forewhich even today are multiplying.
Works by Art Club 2000, Patterson Beckwith, J. St. Bernard, Angela Bulloch, Daniel Buren, Merlin
Carpenter, Gordon Castellane, Diego Castro, Nicolas Ceccaldi, Jeremiah Day, Stephan
Dillemuth, John Dogg, Maria Eichhorn, Jana Euler, Loretta Fahrenholz, Rene Green, Karl
Holmqvist, Gilta Jansen, Monika Jarecka, Tobias Kaspar, Carola Keitel, Jackie McAllister,
Josephine Meckseper, Dirk Meinzer, James Meyer, Shana Moulton, nOffice, Christodoulos
Panayiotou, Fabian Reimann, Carissa Rodriguez, Megan Francis Sullivan, Katja Staats, Simon
Starling, Buffy Summers, Jan Timme, Daniela Tbelmann, Niko Wolf, Amelie von Wulffen, Phillip
Zach.
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Marta Minujin Minucodes

Americas Society 2015 ISBN 9781879128378 Acqn 20319
Pb 17x21cm 110pp 45col ills 18.50
Marta Minujin was a prominent figure of the late-1960s avant garde in Argentina. Her 1968
environment Minucode, commissioned by the Americas Society, explored social codes among
four groups of leading figures in the arts, business, fashion and politics in New York through a
series of cocktail party happenings. This volume is the first scholarly publication on Minujn's.
Edited by Gabriela Rangel. Text by Alexander Alberro, Ines Katzenstein, Eliseo Veron, Gabriela
Rangel.
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ART
Eyal Weizman - The Roundabout Revolutions. Critical Spatial Practice 6

Sternberg Press 2015 ISBN 9783956790980 Acqn 25273
Pb 11x15cm 120pp 66ills 11col 10.95
With Blake Fisher and Samaneh Moafi. Edited by Nikolaus Hirsch, Markus Miessen. Featuring
photography by Kyungsub Shin.
One common feature of the wave of recent revolutions and revolts around the world is not
political but rather architectural: many erupted on inner-city roundabouts. In thinking about the
relation between protest and urban form, Eyal Weizman starts with the May 1980 uprising in
Gwangju, South Korea, the first of the roundabout revolutions, and traces its lineage to the Arab
Spring and its hellish aftermath. Rereading the history of the roundabout through the vortices of
history that traverse it, the book follows the development of the roundabout in Europe and North
America in the early twentieth century, to its subsequent export to the colonial world in the context
of attempts to discipline and police the chaotic non-Western city. How did an urban apparatus
put in the service of authoritarian power became the locus of its undoing? Today, as the tide of
revolt that characterized the Arab Spring seems to ebb, when nations and societies disintegrate
by brutal civil wars and military oppression, the series of revolutions might seem like Dantes
circles of hell. To counter this counter-revolution, Weizman proposes that the immanent power of
the people at the roundabouts will need to find its corollary in sustained work at round tablesthe
ongoing formation of political movements able to enact political change.
The sixth volume of the Critical Spatial Practice series stems from Eyal Weizmans contribution to
the Gwangju Folly II in 2013, an exhibition curated by Nikolaus Hirsch with Philipp Misselwitz and
Eui Young Chun for the Gwangju Biennale. Weizman and the architect Samaneh Moafi
constructed a folly composed of seven roundabouts and a round table in front of the Gwangju
train station, one of the central points in the events of May 1980.
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ART
Harun Farocki & Trevor Paglen - Visibility Machines

Center for Art, Design UMBC 2015 ISBN 9781890761196 Acqn 24597
Hb 17x24cm 160pp 89ills 87col 15
Visibility Machines explores the unique roles that German filmmaker, video artist and author
Harun Farocki (1944-2014) and American artist and author Trevor Paglen (born 1974) play as
meticulous observers of global military operations. Investigating forms of surveillance, espionage
and weaponry, Farocki and Paglen both examine the ways in which military activities transform
and politicise our relationship to images and the realities they appear to represent. The
publication contains a number of newly commissioned essays by esteemed scholars who
approach the work from diverse thematic perspectives, in addition to texts by Farocki and Paglen,
as well as three exclusive visual essays exploring themes emerging from a dialogue between
their work.
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ART
Tomma Abts - Mainly Drawings

Aspen Art Press 2015 ISBN 9780934324663 Acqn 24619
Pb 19x27cm 108pp 60col ills 27
German artist Tomma Abts (born 1967) creates her paintings and drawings using a rigorous
process that combines the rational with the intuitive. Starting with no external source material and
no preconceived idea of the final result, Abts makes complex abstract compositions that
ultimately take as their subject the process of their own creation. This publication accompanies
her exhibition at the Aspen Art Museum, which is the first to survey the artist's extensive drawing
practice. It features 41 works from 1996 to the presentmany never before exhibitedand
includes new works created specifically for the exhibition. The catalogue also features essays by
Bob Nickas, Katy Siegel and Heidi Zuckerman.
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ART
Hayley Tompkins
Aspen Art Press 2015 ISBN 9780934324687 Acqn 24647
Pb 17x22cm 130pp 61col ills 35
This monograph presents five of Glaswegian artist Hayley Tompkins' (born 1971) major
exhibitions from 2011 to 2013, including Scotland + Venice and her show at Aspen Art Museum
(both 2013), alongside recent works in her Digital Light Pool series.
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Art July 2015 II

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ART

Tachibana Sayume Artworks

Grzegorz Kowalski Questions

Christien Meindertsma - Bottom Ash Observatory

Erik Van Der Weijde - Paradiesvogel (Birds Of Paradise 2)

Albert Oehlen Interieurs

Yoshitomo Nara - Self-selected Works- Paintings

Darren Almond / Carl Blechen - Landschaften / Landscapes

Art In The Periphery Of The Center

Marta Minujin Minucodes

Eyal Weizman - The Roundabout Revolutions. Critical Spatial Practice 6

Harun Farocki & Trevor Paglen - Visibility Machines

Tomma Abts - Mainly Drawings

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