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Preface
iii
Preface
formatted for single-sheets. If you wish to print doublesided, format your printer for short-edge binding, two
sheets per page.
If you take this book to a commercial printer, chances
are that their software will try to extract the pages from
the PDF file, which is a protected function. For best
results, have your printer print the book using Adobe
Acrobats built-in options for booklet or multiple page
printing. Should a commercial print service deny you a
printed copy due to copyright issues, refer them to the
copyright page in this book.
What if You Lose the Book?
Honestly, Im not responsible for how you choose to
back up your files. If you purchased this book as an
electronic download, I strongly recommend making a
back-up copy onto a CD or DVD. Treat this book just as
you would any other book in your library. The authors
are not liable for hard drive failures!
System Requirements
This eBook is in Adobe PDF format, and requires Adobe
Reader for the best viewing experience. Adobe Digital
Editons is not supported.
v
vi
Preface
Other PDF eBooks by Jason P. Odell
The Photographers Guide to Capture NX2
The Photographers Guide to Digital Landscapes
The Photographers Guide to Silver Efex Pro 2
The Photographers Guide to HDR Efex Pro (with Tony Sweet)
Field Notes: A Photographic Journey
vii
Contents
About This Book
iv
Introduction 14
Nikon 1 System Camera Comparison
Objective of This Book
1: Getting Started
20
23
26
2: Still Images
Still Image Mode
Choosing a Shutter Type (V1)
Frame Advance Modes
Focusing the Camera
viii
84
85
87
91
94
Preface
Focusing Scenarios: Combining AF Area Selection with Focus Modes
The AF Assist Lamp
Controlling Exposure
Shutter Speed and Image Sharpness
Aperture and Depth of Field
Camera Sensitivity: ISO Settings
Noise Reduction
Metering Modes
Matrix Metering
Center-weighted Metering
Spot Metering
Exposure Modes
Program Auto Exposure Mode (P)
Aperture-priority Auto Exposure Mode (A)
Shutter-priority Auto Exposure Mode (S)
Exposure Compensation and Auto Exposure
Locking Exposure: The AE/AF-L Button
Manual Exposure Mode
Active D-Lighting
White Balance
Changing Camera Settings Between Camera Modes
Scene Auto Selector Mode: The Ultimate Point and Shoot Option?
Scene Modes
Limitations of Scene Auto Selector Mode
Timer and Remote Options
Setting the Self-Timer
Using the ML-L3 Infrared Remote
Advanced: Interval Timer Shooting
Reviewing Still Images
Handling the Nikon 1 Cameras
Recommended Settings for Still Images
103
106
107
110
112
116
120
124
124
125
125
126
127
128
131
134
135
137
145
147
154
155
155
158
159
159
160
163
166
166
169
ix
170
Reviewing Images
171
Deleting Images
175
Rating Images
179
In-Camera Image Editing Options
183
Resizing Images
183
Cropping Images
184
D-Lighting 186
Presenting Your Images
186
Slide Shows
186
Using a Television Monitor for Playback
188
Printing Images From Your Camera
190
Direct Printing
190
DPOF Print Orders
191
Transferring and Viewing Images on Your Computer
192
5: Movies
Movie Mode
Capturing Movies
Shooting (Movie) Menu
Exposure and Metering Options when Capturing Video
Focusing in Movie Mode
Recording Sounds
Slow Motion Video Capture
Capturing Stills While in Movie Mode
Picture Controls and Movies
Fade In/Out Options
In-Camera Movie Editing Options
Clip Editing
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199
204
206
207
208
210
214
216
217
219
221
221
222
222
223
Preface
Movie Playback
Using a Television Monitor for Movie Playback
Recommended Settings for Movie Mode
6: Motion Snapshots
Capturing Motion Snapshots
Limitations of Motion Snapshots
Playing Motion Snapshots
Recommended Settings for Motion Snapshots
7: Flash Photography
Deploying the Built-in Flash (J1)
Connecting the SB-N5 (V1)
Controls & Software Menus
Fill Flash Modes
Slow Sync Flash
Flash Control Menu (V1)
Flash Photography and the Dual Exposure Concept
Flash Compensation
Common Flash Scenarios
Scenario #1: Outdoor Fill Flash
Scenario #2: Dragging the Shutter
Scenario #3: Creating Subject Isolation With Flash
Other Flash Settings
Choosing ISO Settings With Flash
Bounce Flash With the SB-N5
Advanced: Triggering Off-Camera Speedlights With the SB-N5
Motion Snapshots and Best Image Selector
Troubleshooting the SB-N5 Speedlight
225
226
227
228
229
231
231
233
234
235
236
237
237
239
242
243
245
246
246
249
250
251
251
253
254
255
256
xi
9: Troubleshooting
Troubleshooting Common Symptoms
Problems with the Camera Display
Problems During Image Capture
Exposure Warnings
Resetting the Menus
Resetting the Camera
Warning Dialogs
Mapping Hot Pixels
Troubleshooting Lenses
Battery/Charger Issues
Memory Card Errors
Cleaning the Image Sensor
Sending Your Camera to Nikon For Service
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258
259
263
264
271
271
275
275
276
277
277
278
279
280
282
282
282
284
284
284
285
290
290
291
292
293
295
Preface
Index 298
Appendix 312
Recommended Settings for Still Images
SB-N5 Maximum Range
J1 Built-in Flash Range
Hyperfocal Distances for the Nikon 1 System (meters)
Hyperfocal Distances for the Nikon 1 System (feet)
Nikon 1 Exposure Characteristics with Auto ISO
313
314
314
315
316
317
xiii
Introduction
Welcome to the Nikon 1 System.
Introduction
As a photographer with a family, my camera is either
a source of pleasure or a source of conflict. Any time I
go on a family trip, Im forced to make a decision. Do
I bring the DSLR and one or two zoom lenses, or do I
bring my compact camera? While compact cameras
have certainly improved over the years, they almost
always compromise image quality and performance for
simplicity. With a family trip coming up, I thought about
the trade-offs Id have to make between my DSLR and a
traditional compact camera:
Form factor: Big and Heavy vs. Small and Light
Sensor size: Large (36 x 24 mm) vs. Small 1/1.7 (7.6 x 5.7 mm)
File Format: RAW or JPEG vs. JPEG only
Autofocus Performance: Fast vs. Slow
Shutter Lag: Imperceptible vs. Noticeable
Lenses: Interchangeable vs. Fixed
Low-light Performance: Excellent vs. Average to Poor
Ease of use: Complex vs. Simple
16
Introduction
those special moments. And while I was willing to
accept lower image quality with a compact camera,
there was always that nagging voice in the back of my
head asking if I should have just packed the DSLR after
all.
When Nikon announced its 1 System, a new line of
compact cameras with interchangeable lenses, I was
frankly less than impressed. I was originally hoping
that the rumors of Nikon developing a mirrorless,
interchangeable lens camera would materialize into
a compact camera with a relatively large sensor and
features friendly to DLSR users like myself. Instead,
Nikon announced that their mirrorless compact would
have a new sensor format smaller than micro four-thirds,
and I concluded that the 1 System cameras were not for
me. And then a funny thing happened. I tried one.
Nikon describes the 1 System as an Advanced Camera
with Interchangeable Lens. It has no mirror box or
pentaprism viewfinder, so it is much smaller than
any DSLR. The Nikon 1 sensor is CX format, with
dimensions of 13.2 x 8.8 mm. This is significantly
smaller than what other manufacturers use in their
mirrorless compacts, but seems huge when compared to
17
18
Introduction
Comparison of Nikon Cameras
Nikon D700
Nikon 1 V1
Coolpix P7100
Dimensions
(W x H x D)
147 x 123 x 77
mm
113 x 76 x 43.5
mm
116.3 x 76.9 x
48.0 mm
Weight
(body only with
battery)
995 g
383 g
395 g
Lens
Nikon F mount
(interchangeable)
Nikon 1 mount
(interchangeable)
or Nikon F
mount (with
adapter)
Fixed
Sensor Size
Nikon FX format
(24 x 36 mm)
Nikon CX format
(13.2 x 8.8 mm)
1/1.7 format
(7.6 x 5.7 mm)
Resolution
(Megapixels)
12.1
10.1
10.1
ISO Range
(standard)
200-6400
100-3200
100-3200
Maximum
Frame Advance
Rate (standard)
5 fps (RAW or
JPEG)
5 fps (RAW or
JPEG)
RAW format
NEF (12-bit
compressed)
NRW (8-bit)
Flash
Built-in or shoemount
Built-in or shoemount
Video
No
19
20
Introduction
Comparison Between Nikon 1 System Cameras
Feature
J1
V1
Ramification(s)
Viewfinder
Rear LCD
panel only
Shutter
Electronic
Electronic &
Mechanical
Battery
EN-EL
20 (1020
mAH)
EN-EL 15
(1900 mAh)
Built-in
Optional
SB-N5
TTL
TTL or Manual
(SB-N5)
Accessory
shoe
None
Yes
Accessory
Ports
USB/HDMI
USB(AV)/
HDMI/
Microphone
Infrared
Receiver
Front only
Flash
Flash Modes
21
J1
Buffer
Capacity
19 NEF, up
to 88 JPEG
44 NEF, up to
100 JPEG
V1
Ramification(s)
The V1 is better suited for
burst shooting of action
subjects, especially in RAW.
Multimedia
Connectivity
HDMI only
HDMI or AV
connection.
Available
Colors
Black,
white, red,
pink, silver
Black only
22
Introduction
24
Introduction
want you to know when to use Shutter Priority mode
instead of Program Auto mode. I want you to know
when to choose the electronic shutter and when to
use the electronic viewfinder on the V1. Youll also
get a refresher course in the fundamentals of digital
photography, because knowing about your cameras
features is one thing, but knowing how and when to use
them is quite another.
25
1: Getting Started
In this chapter, well take a look at the controls and
features of the Nikon 1 cameras, and how to set them
up for initial use.
Getting Started
Lens
Infrared receiver
27
Lens Release
Button
28
Infrared receiver
Getting Started
Rear View (V1)
Electronic Viewfinder
Feature Button
Eye Proximity
Sensor
Display Button
Mode Dial
Playback
Button
Multi Selector
OK Button
Menu Button
Delete Button
Rear Infrared Receiver
29
The rear panel of the Nikon 1 J1 is nearly identical to that of the V1. The biggest
differences are the lack of EVF and the flash pop-up release button. Image
courtesy of Nikon USA.
30
Getting Started
Top View (V1)
Accessory Shoe Port
(covered)
Speaker
On/Off Button
Camera Power
Status Lamp
Record Button
Electronic Viewfinder
The top controls (on/off button, shutter release, and Record button are identical
between the V1 and J1. The J1s pop-up flash is located where the V1s accessory
port resides, on the top left of the camera.
31
Microphone Jack
Type-C HDMI port
Micro USB/AV
Port
The interface ports on the V1 are on
the left side of the camera.
32
Tripod Socket
Getting Started
Side View (J1)
The Nikon 1 J1 has its interface ports on the right side of the camera, and lacks a
microphone jack. Image courtesy of Nikon USA.
33