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red review, praising its charming recombination of the styles of Thomas Pynchon and
Boris Vian and its tender, childlike depiction of heterosexual love. Jack figures the
Kirkus reviewer must be a woman, probably
studying French, unduly influenced by Wills
touched-up author photo. Then comes a review in the New York Times, which begins by
commending the novel for its exact and
shimmering prose and its well-observed
characters, but adds that some readers may
break out in hives after such a prolonged
exposure to whimsy. Still, the reviewer concedes that Will has talent and that his
very next book could easily be a roaring (and
not another treacly) success.
Wills next book never arrives. He marries the heiress, moves to Westchester, and
takes a job writing annual reports for corporations. As his prospects sag, so does the
narrative, which gets mired in the details
of Wills unhappy marriage. Will starts having affairs, and gets back in touch with
Jack, who has graduated from the desperation of the closet to the glamour of life as a
gay high society tag-along. For a time, Will
moves in with Jack as each tends to a much
younger lover. Their experiment in inter-
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