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### 4
& 4
D
? # # # 44
j
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j .
A sus2
j
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F #m
j
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&
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D sus2
j
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j .
A2
j
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F #m
j
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&
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D2
j
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j .
j
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&
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D sus2
j
.
F # m7
j
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F #m
A sus2
j
.
j
.
j
.
j
.
j
.
3. Same pattern with 2 added to the major chords and the 7 added to the minor.
7
j
.
j
.
&
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&
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? ###
&
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? ###
&
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F #m
F #m
25
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F #m
F #m
A sus2
..
.
F #m
..
.
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D2
F # m7
A2
j
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j
j
.
.
.
28
&
&
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F #m
12. Same arpeggiated pattern but adding the inversion on the 2nd half of the measure.
34
&
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F #m
D
A
F m
###
&
37
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14. Broken chord from top to bottom using inversions on the 2nd half of each measure.
D
A
F m
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&
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40
&
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F #m
? ###
&
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F #m
19. Broken pattern in the RH, but notice the bass - root, 5th, 8th, 9th, 10th... a highly useful pattern!
D
###
F #m
49
? ###
D sus2
###
&
F # m7
A sus2
46
F #m
&
? ###
55
&
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&
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F #m
F #m
&
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ggg www
gg w
? ###
D
### .
.
&
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.
.
.
23. Simple syncopated pattern with the middle note left out of each chord.
67
F #m
F #m
.
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24. NO PIANO (Give it a rest and let the guitar carry it alone sometimes and vice versa)
70
&
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