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l Fall 2005 - Spring 2007
Axonometric Veiw and Sections
Not to scale
Sara Berg
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Index
Introduction Statement
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Contact Information Fifteen
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Introduction
Architecture Professional Practices, Spring 2007
Alfred State College
Critic: William Dean
Design Statement
The essence of identities transform through many vast points and eras, creating new and exciting changes. The
identity of Architecture is a continuing changing and developing field. It is a field that combines form and function to
create spaces for use. The field of architecture has developed in such a way to not only be oriented to ornate beauty,
but it also creates developing concepts to generate new exciting forms.
The first day I walked into Architecture school I was told to forget everything I had been taught about
architecture. From the design courses I have taken, I have learned that Architecture is a development of concepts.
These concepts are constantly being redefined and reworked. These concepts are developed into designs. Through
each step of design development, it is important to carry through concepts while still editing the concept. It is also
important not to forget where, why and how the ideas have formed. Even after a design has turned into a “finished”
design it is important to have had the concepts carry through. When the concepts carry through then someone can
point back to any piece or part of your work and ask where this came from and you will be able to explain how the
design aspect came about. Perhaps you will even be able to go back and add further editing of your work at a later
point. This understanding of conceptual design has become very influential with the projects I have created. I develop
and study concepts as much as possible to allow for these concepts to create a spaces, keeping in mind the
importance of form and function.
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Enclosing Structure
Technics, Fall 2005
Pratt Institute
Critic: Che-Wei Wang
Project Description
Analysis of enclosing structures by creating a moving modular
shape that can be connected to another of the same without
the use of adhesives. Structure must support itself.
Project Solution
The last structure was created after many iterations of smaller
study models were created. The signaler modular came from an
origami method to create a duck’s beak out of paper. The folding
method was modified to allow for the structure to be assembled
together to be part of the larger system. The modular was flexible
and able to be bent, in the same way if in a group or by itself.
The assembled project was folded over to create an interesting
enclosed space.
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Final Model
Single Modular Opened
Modular Site Furniture
Architectural Problems, Spring 2007
Alfred State College
Critic: Rex Simpson
Project Description
Design a kit of parts which can be used as part of a whole that
can be assembled into site furniture with simple connections.
Explore how the site furniture can be changed, repeated, and
be placed in different arrangements using the least amount of
elements.
Final Model
Study Model
Project Solution
A grid projected into the third dimension was created; using
tension members the flexibility of the grid became sturdy. The grid
was changed into a triangular modular system that could be
attached by a joint that was designed to be flexible. The modular
was set up in a way to be flexible and dependent on tension used.
The structure was also designed to continue indefinably if
necessary. The scale of the structure could be changed to sit
under or to sit on as a seat.
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Perspective Renderings
A Volume of Jointed Tails
Design Studio I, Fall 2005
Project Description
A map of moves of a chess game is recorded with a graphic
Pratt Institute language of your own creation. A word joint is to be created
Critic: Chi-Fan Wong next with the inclusion of a noun and a verb. The word joint with
the graphic language of the chess game is developed into a
wood joint. The planes of the chess game are then rotated into
three dimensions. The word joint develops into a larger
description; a new wood joint is created from the chess moves
using a new wood phrase, creating a Volume of Jointed Tails
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Project Description
Cubes with a corner cut off are rolled onto a 24”x24” area, the
cubes are then moved to the center of the area to be
condensed into a 6”x6” area. The movement of the cubes are
recorded using drawing techniques. The cubes in the 6”x6”
area are drawn to scale, in elevations, sections, axonometric
views, for the final drawing a shadow study is created.
Primary Cube
Project Solution
One cube was marked as the primary cube this cube was noted
with a darker line weight than the other cubes. As time passes in
the drawings the line weight gets darker noting which cube was
moved first, the path of movement is noted with light
construction lines. A notation of lines facing the direction the
elevation and section drawings were used in notating which
section/ elevation view came from. Later in the semester the
section view was changed, this change let the section appear
directly from the section line in the cube to form an array shape.
Lastly a shadow drawing was created to study the movement of
shadow, and the way shadows fall onto other objects. Axonometric of One Cube Section Array
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Project Description
A piece of packaging foam was cut in half. Plan and elevation
views were drawn in AutoCAD. The packaging foam was cut
into multi-sections; these sections were then drawn. A concept,
which could change the sections, was then added. This
concept would change the sections by stretching the sections
out at points. The stretched out sections are then placed into
Packaging Foam an axonometric shape in Adobe Illustrator, a skin is then added
to this form. The form is then sectioned, and elevations/plans,
of the form are made using the tools in Illustrator. For the final
Ballet Concept Drawing Stretched Foam Sections on Points The “Skin” Added
layout of the project, each step of the drawing must be
connected to each other.
Project Solution
To develop a concept I used a video of a ballet dancer doing a
plié (bending of the knees) combination. I drew the dancer’s
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moves at intervals of 3 seconds, cross-hair points were then i
placed on the drawings on joints that the ballet dancer moved. x
The sections from the foam were then stretched through a series
of the ballet dancer’s moves. From there the process of building
the form and then drawing the form in other views was continued.
The final drawing was done in a way that actually allowed
drawings to overlap each other which creates an interesting
overall view of the project. Oblique Drawing Section Sections
Topographical Stories
Design Studio II, Spring 2006
Pratt Institute
Critic: Adam Dayem
Project Description
Geological processes are studied the function of their
movement is recorded with drawings. Word phases are used
to defined the geological processes, connection nodes are
made to describe these processes. The connection nodes are
further studied to create a landscape, a north direction is then
decided on the landscape, a shadow study is created from
this information. A program is added to the landscape, the
landscape is changed to allow for simple programic functions.
Weathering
Downfall, sloping,
smooth, cracking,
slow change,
disintegration,
breakdown,
crumbling,
dissolution,
terminating,
downward,
lessening,
reduction,
outward, external.
Movement,
Faulting
pressure,
tension,
compression,
sliding,
quick,
descending,
uplifting,
elevating,
moving, Landscape Model
effecting
Succession,
series,
sequence,
s rotation,
e building up,
v dense,
e conforming
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Internal Interface
Sleeping
Reading
Sitting
Reading
Reading
Internal Interface
Sitting
Restriction
Private Passage
Rotation
Hygine
Restriction
Private Passage
Restriction
Private Passage
Internal Interface
Internal Interface
Internal Interface
Group Area
Group Passage
Rotation
Group Area
Rotation
Group Area
Restriction
Engagement
Internal Interface
Programic Model
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Group, Social, and Hygiene Area Group and Social Area Reading and Circulation Area
Programic Model
Rem Koolhaas Façade Project
Architectural Design Methods, Fall 2006
Alfred State College
Critic: Terry Palmiter
Project Description
A façade of a building was created in the style of Architect
Rem Koolhaas’s project. The model of the building should be
designed in a way to wear the model on a person’s head.
Final Model
Shape of Floors
Project Solution
By studying Rem Koolhaas’s architecture, I noticed that he used
the process of superimposing and skinning to create many of his
projects. I created a shape that would allow a head to be fit in
the center for the scaled model. I superimposed the shape on top
of the shape before by rotating the shape and moving it slightly
off center. The model then had a skin of a window grid system
added to connect the shapes which are defined as stories.
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Rendering
Shape of Floors
Entry and Façade Design
Architectural Problems, Spring 2007
Alfred State College
Critic: Rex Simpson
Project Description
Create a façade of an office building. The concepts used are to
create an office building, by exploring the use of different
materials, historical systems of portion and scale, and to keep
in mind transition from outside to inside.
Concept Sketches
0
TREES
W
ILD
10
LIF
1807.3 CLO E
18 SE
TREE VIEW
LINE TOW
ARDS
1809.0
WELL
1816.5
1811.0
ITC 1811.4
H
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1815.3 1813.1
ERS
48
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WIN
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1748.9 Y/ OF
1
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79
G ROOM
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PHONE, ELECTRICITY, 1751.1
SUG HEN
E 1,365,000
AND CABLE LINES E KITC
E 1,364,600
AG
AR H STOR
DINN
ING
ILL R ROOM
OAD 1751.3
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1753.2
ER
BATH
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E 1,365,200
1753.0 PATI
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1755.0
18
1755.2
0 0
1756.9
N
NOISE FROM TOWN
SUMMER SUNPATH1756.7
WINTER SUNPATH
1763.4
1768.5 PROPOSED SITE PLAN: Concept:
Sketch Model-with rearrangeable spaces SCALE: 1/64”=1’0”
SARA BERG Path through house travels from public areas to
17
The house is placed near back corner of property private areas. As the ares become more private
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on higher elevation of slope, due to a decrease in wind amount, the level of the floor becomes higher.
views from higher elevation are easier to see from all sides of house,
it is away from the road so sound from the road will not bother
the occupant.
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The orientation of rooms in house (along with being based from private
to public), are placed so that sun light will enter the rooms at times in LEAST PUBLIC
0 the day when they are to be in use.
80
1770
174
M
ROO
BED
AGE CE
GAR
Y/ OFFI
STUD
M
G ROO
LIVIN
Project Description
ING
SCALE: 1/8”=1’-0”
DINN
ROO
M
MOST PUBLIC
SARA BERG
Through this section it can be seen how the house elevates with the PATIO
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ELEVATIONS
SCALE 3/16”=1’-0”
SARA BERG
Elevations
Interiorior Perspective View
Exterior Perspective View
Project Solution
The site the project was located on was on a mid-sloped hill.
After the site was analyzed the placement of the building was
decided on to be in a spot with the least amount of wind and
sound, that would also have a nice view to look towards. The
building was designed to step up from most public area to most
private area.
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Axonometric Veiw and Sections
Not to scale
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Sara Berg v
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Project Description
Create a 3’ lateral structure out of 1/8” basswood (wood can
not be laminated together) that, while spanning can support one
brick (not to support more than one brick also), and will not
break under the pressure of one brick.
Project Description
A pod is a transportation unit that can be driven with controls,
or when on a highway will be controlled by a computer and will
not need to be manually controlled until the occupants have
arrived near their destination. Due to this a person, or many
people. will spend many hours in this pod. A space that would
be comfortable for long trips involving sitting and complemented
by various activities that conformed to the space was designed
by studying anthropometrics involved with sitting.
Final Model
Top View
Front View
Isometric View
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Windows Change into Veiwing Screens
The Use of Track
Final Board
Contact Infomation
My Contact Information
Sara Berg
90 Main Street
PO Box 764
Candor, NY 13743
1-607-743-0814
sberg@alfredstate.edu
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