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Chaky<h ps://commons.wikimedia.org
Rule of Thirds
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We might as well start with the basics of cinematography! The rule of thirds simply breaks your frame down into a three-by-three grid. This gives you nine equal parts to compose your frame
with and the lines are where you place your prominent elements in the shot. Usually the lower third of the image is used as a horizon line, while the primary focus will sit on an intersect point.
Lawrences right eye is the focal point where two lines intersect
Golden Spiral
This one will be a strange tool to use with Lawrence of Arabia, because it was shot in Super Panavision 70<h p://news.doddleme.com/equipment/taran no-walks-the-walk-gets-70mm-lm-projectors-for-the-hateful-eight/>. The golden spiral
has an approximately 1.6:1 ra o, and doesnt really t the 2.20:1 edge-to-edge of Super Panavision. However, if you place it inside the the frame, you can s ll create some great images by just centering it.
I wont get into the math or the ancient greek history of the spiral, but its seen everywhere in nature, from seashells to galaxies, which is what makes it pleasing to the human eye; were hardwired to no ce it subconsciously.
The focal point will roughly be where the spiral starts, and then corkscrews away from.
Golden spiral
Quadrants
This is fairly similar to to the rule of thirds, but instead of breaking your frame down to a three-by-three grid, you split it in half along the ver cal, and half along the horizontal. This type of framing will give you a bit more of a
split-screen-like framing than you would get out of the rule of thirds.
Quadrant
Diagonals
Up to this point, weve been using mostly parallel and perpendicular lines which makes for fairly rigid framing in cinematography. With diagonals you can separate foreground and background in a very striking way especially
if you juxtapose it in edi ng with any of the previous tools.
To split your frame into a diagonal, you generally start at one corner of the frame and then move at an angle near the opposing corner. Rarely will both these corners touch meaning you can split the image into more than
four parts.
Diagnol
The Center
One of the trends you may have no ced in this cinematography how-to is that the center of the frame has been avoided. However, that doesnt mean it always has to be avoided and some mes it will help quite a bit. Almost
all of Mad Max: Fury Road was center framed<h ps://vimeo.com/129314425> so that even with the extremely quick cuts in the ac on the eye doesnt have to wander and try to make sense of the ac on thats why the
geography of the ac on in that lm work so well.
Center
Apply the rule of thirds with green lines, and you can see how the frame is actually split into three columns with the center devoid of anything interes ng to look at. Youll also no ce that neither character in the foreground
is located on a rule of thirds line, but rather in the center of their respec ve columns.
The two characters in the frame are actually pushed to the edges (represented with the yellow line) to create a much wider space between them
and makes the desert look immense.
Edges
Now you probably no ce that we can even take this even further: the image is actually two mirrored (the dividing line in yellow) rule of thirds (in purple) images in the same frame.
Mirror
The point is that frame composi on rules are actually not as strict as they rst appear as long as there is a sense to the structure even if youre unbalancing the image. Understanding all of these rules will help you break
them and adapt them to your own needs.