You are on page 1of 72

q = 125 Eres Fiel letra y musica: Israel Houghton

Integrity's praise Music/bmi

 
x3
    
  D A/D C/D G/D
intro. 

 D  
          
5

  
A/D C/D G/D
a

   
 D 
           
9
A/D C/D G/D

           
13
Gadd9 Aadd9/G Gm7 C/G

17
 D
B                 
A C Gadd9

21
 D
                
A C Gadd9/B

25
 D
                
A C Gadd9

29
2nd vez a D
 Dsus2/F# Am7
               
Bbadd9 C

33 Dm7

C                 

37 Dm7 Dm7 C

            
unisono x 8 veces

         
1. 2-7
41

(las 2 ultimas solo brasses)
F2/Bb F2/A
D    

     
   
Educanzion Copyright 2004
Transición
2
F2/A D

8

  

47
      
F2/Bb A/D C/D G/D
  

     
52
 D
   
A/D C/D G/D

           
56
Gadd9 Aadd9/G Gm7 C/G

E
60
 D
                
A C Gadd9

64
 D
                
A C Gadd9/B

68
 D
                
A C Gadd9

72
Coda
 D2/F#
                 
Am7 Bb C

Bb/D Gm7 Am7


   
76 C/E

                   


Fill Drums


80

 
D

eres fiel.......... Educanzion Copyright 2004


Digno de Gloria Cindy Cruce ratcliff, Israel houghton,
Aaron Lindsey 2001 cruse ministries publishing

                   
G2/B C D/F# G2 G2/B C D/F# G2 Em7 Dm7 C

    


          
6 D/F# G2 Em C/A G2/B G/C Am/D G/E Am/D G/B C

   

 
Coro
                  
10 D/F# G G/B C D/F# G Em7 Dm7

    


               
14 C D/F# G Em11 Am7 G/B G/CAm/D G/E Am/D G/B C

 

    
G 1. 2.

                 
18 D/F# G G/B C D/F# G/B C G


Verso

    
           
23 C D D/E G/E C D G/B

  

                

27 C D B/D# Em7 Am7 G/B Dm7 C#7#9

  

    
           
31 C D D/E G/E C D G/B

  


  
       
   
   
   
35 C B7 D#dim Em7 Am7 G/B Bbm7 Ab/C Db

    

Coro

          
       
  
39 Db Eb/G Ab Ab/C Db Eb/G Ab Fm7 Ebm7 Db

 

      
         
43 Eb/G Ab Fm11 Bbm7 Ab/C Ab/Db Bbm/EbAb/F Bbm/Eb Ab/C
 

Educanzion Copyright 2004


2
Eb/G Ab

       
            
47 Db Ab/C Db Eb/G Ab

Verso

       
 
     
    
51 Db Eb Eb/F Ab/F Db Eb Ab/C


                     
55 Db Eb C/E Fm7 Bbm7 Ab/C Ebm7 D7#9

  

               
    
59 Db Eb Eb/F Ab/F Db Eb Ab/C

 

           
    
  
 
   
  
63 Db C7 Edim Fm7 Bbm7 Ab/C Bm7 A/C# D

     
Coro

         
       
  
67 D E/G# A A/C# D E/G# A F#m7 Em7 D


                  
1.
A/DBm/E A/F# Bm/E A/C# D 2.

 
  
71 E/G# A F#m11 Bm7 A/C# A/C# Cm7

 


             
    
76 Bb/D Eb E7+ Eb

 

            

 
  
  
80 Db/Bb Bb/Ab Bb/G Ebmaj7 Dm7 Gm7 Cm7 Bb/D F7sus4

 
 
Puente

               
 
  
85 Bb9 A9

Abmaj7/Bb Bb9

            
89 Ab9 Cm7 Bb/D Eb F#9 Abmaj7/Bb

Ab9

    
Educanzion Copyright 2004
3

                 
Abmaj7/Bb

   
93 Abmaj7/Bb Gmaj7/A

 


1.

         
          
97 Gbmaj7/Ab C7#5 F7#9 G9 Ab9 A9 Bb9
 
    

      

2. Gbmaj7/Ab

      
101 Cm7 Bb/D Dbm7 F#7#9
 
  

 Amaj7/B
               
   
104 Amaj7/Cb Abmaj7/Bb Gmaj7/A

 


1.

Gmaj7/A

                
 
  
108 C#7#5 F#7#9 Ab9 A9 Bb9
Amaj7/B

   

          
2.
 Gmaj7/A 
   

 
112 C#m7 B/D# Dm7 C/E F

 
Coro

         
          
115 F G/B C C/E F G/B C Am7 Gm7 F

 

     
   
       
119 G/B C Am11 Dm7 C/E Fmaj7(9)

  
 

   
 
      
123 Am9 Dm7 C/E C/F Dm/G C/A Dm/G C/E F

 
 

       
1.

 
F

             
127 G/B C C/E F2 G/B C2 C/E F2

 

       
2.

        
131 C Am7 Dm7 C/E C/F Dm/G C/A Dm/G C

 
Educanzion Copyright 2004
Cosas Poderosas
Letra y Música: Coalo Zamorano
Intro
Solo Brass
Dm9 G13 Dm9 G13 A7+
           

Dm9 G13 Bbmaj7 Gm7 Asus4 A7(#5)


                       
6

                
11
Dm9 G13 Dm9 G13

A7(#5)
Dm9 G13 Dm9 G13
  
            
15

   

A 19
G13 A7(#5)
                  
19 Dm9 G13 Dm9

                
23
Dm9 G13 Dm9 G13

B
C Bb
                         
27 Bb(add2) Am7 Gm7 Dm7 Am7 Gm7 Asus4 Eb7(9)

B 32
Bb(add2) Am7 C Bb
                       
32 Dm7 Am7 Gm7 Asus4 Eb7(9)

Educanzion Copyright 2004


2
Bridge
37 Dm9
  C13
 Dm9  
        
      
 
 
  
 

40 C13 Eb   Dm9  
           

C13 Dm9
  Ebmaj7

42

           

B 45
Dm7 C Bb Am7 Gm7
                         
45 Bb(add2) Am7 Gm7 Asus4 Eb7(9)

Ending
G13 G13
                
50 Dm9 Dm9

G13 G13
                
54 Dm9 Dm9

G13 G13
                
58 Dm9 Dm9

G13
        
62 Dm9
      
Educanzion Copyright 2004 
intro
Mi vida eres Tu
E E
 
    

E Bsus4 A Bsus4 E Bsus4 A Bsus4



5

                

  
E Bsus4 A Bsus4 E Bsus4 A Bsus4

               
9


A E
 
            
13 Bsus4 A Bsus4 E Bsus4 A Bsus4

   
  
17 E Bsus4 A Bsus4 F#-7 E/G# A Bsus4

           

   
        
21 E Bsus4 A Bsus4 E Bsus4 A Bsus4

   

   
  
25 E Bsus4 A Bsus4 F#-7 E/G# A

           

B C#-7 D D
 (half-time)
29

                
 BE Bsus4 A Bsus4 E Bsus4 A Bsus4

33

                

C#-7 B A Bsus4 E

37 Bsus4
                

E Bsus4 A Bsus4 E Bsus4 A Bsus4

41

                
Bsus4  E
2

C#-7 F#7 E7(#9)

                  
45
 

   
C E7(#9)
 
A13 E7(#9) 1. A13 D E

                              
49 2.

  (rEPITE

E7(#9) A13 E7(#9) A13

           
54

            
X3)

                          
E7(#9) A13 E7(#9) D E

58

 
D E Bsus4 A Bsus4 E Bsus4 A Bsus4

62

                
E Bsus4 A Bsus4 E Bsus4

66 Bsus4
              

D.C. al Coda

E
         
Bsus4 A Bsus4 E Bsus4 A Bsus4 e

               
70

 
Quien Como el Señor Israel houghton
integrity´s hosanna music

                  


Fmaj9 Am11 C2 Dm11 C Fmaj9 Am11 C2 Dm11 Gm9 C13

              


                             
 
6 Fmaj9 Am11 C2 Dm11 C Fmaj9 Am11 C2 Dm11 Gm9 C13

           

 
 
                         
10 Fmaj9 Am11 C2 Dm11 C Fmaj9 Am11 C2 Dm11 Gm9 C13

          
Coro

  
 
                         
14 Fmaj9 Am11 C2 Dm11 C Fmaj9 Am11 C2 Dm11 Gm9 C13

          

                     
18 Fmaj9 Am11 C2 Dm11 C Fmaj9 Am11 C2

        

                
21 Dm11 Gm9 Am7 Bbmaj7

  
Verso

    
           
24 Bbmaj9/C C7 Bbmaj9/C C7 Eb7 D7 C7 B7#11

  
       
 

 
Abmaj7/Bb

      
28 Bb7 C7#9/E F6 D7b9 G13

   
         
30 Bbmaj9/C C7 Bbmaj9/C C7 Eb7 D7 C7 B7#11

   
       
 

            
Abmaj7/Bb


  
34 Bb7 C7#9/E F6 D7b9 G7(#9) Gb7#11

 
   
2 Puente

                
37 Fmaj9 Eaug7 Am7 Gm9 C7b9

                
41 Fmaj) Eaug7 Am7 D7#11 Gm9 B7b13 C9

                
45 Fmaj) Eaug7 Am7 D7#11 Gm9 C9

            
49 Fmaj) Eaug7 Am11 Bbmaj7 G7b13

    
53 C13 Bb5

      
      

                   
57 Bb5 C5 Bb5 C5 Bb5

  
1.2. 3.

      
59 C5 Bb5

  
           

                      
62 C11 Bb11 Eb6 Dm7b5 G7b13 C11 Bb11 Eb6 Dm7b5 G7b13

                  
 
66 C11 Bb11 Eb6 Dm7b5 G7b13 C11 Bb11 Eb6 Dm7b5 G7b13 Bb5

                    


70 Bb5C5 Bb5 C5 Bb5 C5



               
73 Bb5 Bb5 C5 Bb5 C5 C5 B5 Bb5

     
 
3

       


76 Bb5 Gb7#11

       

                      
80 Fmaj9 Dm9 Fmaj9 Bm7b5 C9 Fmaj9 Am11 C2 Dm11 Gm9 C13

      

 
 
                         
84 Fmaj9 Am11 C2 Dm11 C Fmaj9 Am11 C2 Dm11 Gm9 C13

          

 
 
                  
88 Fmaj9 Am11 C2 Dm11 C Fmaj9 Am11 C2

        

                   
91 Dm11 Gm9 C13 Fmaj9 Am11 C2

       

 
Am11

                  
93 Dm11 C Fmaj9 Am11 C2 Dm11 Gm9 Bbmaj7

      
Con Humildad letra y musica: coalo zamorano

  
           
B/E Esus2 B/E Esus2 B/C# Esus2/C# B/A A

     

 
           
5 B/E Esus2 B/E Esus2 B/C# Esus2/C# B/A A

    

   
A E A/E E A/E

   
9

            

C#m7 A Bsus4

13

                

E A/E E A/E

17

                

C#m7 A Bsus4 Bsus4 G#m7



21

                  

B A E/G# A C#m7

25

                

A E/G# Bsus4 Bsus4 



29

                

 
             
33 B/E Esus2 B/E Esus2 B/C# Esus2/C# B/A A

     
 B/E Esus2
 
         
37 B/E Esus2 B/C# Esus2/C# B/A A

    

 
        
41 B/E Esus2 B/E Esus2 B/C# Esus2/C# B/A A

    
2 C
A E/G# A C#m7

45

                
A E/G# Bsus4 Bsus4 G#m7

49

                 

A E/G# A C#m7

53

                
A E/G# Bsus4 Bsus4

57

                

 
              
61 B/E Esus2 B/E Esus2 B/C# Esus2/C# B/A A

    

 
              
65 B/E Esus2 B/E Esus2 B/C# Esus2/C# B/A A

    

E

69

  
Venimos a Adorarte
Intro cindy cruce ratcliff, Israel houghton

           
2001 cruce ministries publishing

   
Eb Bb/D Db Ab2/C Bb2/C F2

   
Verso

       
 
          
6 F Am7 Dm11 Gm7 C B7#11

                 
10 Bbmaj7 Am7 Dm11 Gm7 Bb/C

 

                 
14 F Am7 Dm11 Gm7 C B7#11

 

            
       
18 Bbmaj7 Am7 Dm11 Gm7 C F

 
 Coro 
                          
22 Am Dm Gm C Eb/F F9Bbmaj7 A7 Dm11 Dbmaj9

Bb


1.

         
       
28 Gm11 Am7 Bb Gm7/C Ebadd9
  

2.
Al verso

                
33 Dbmaj9 Eb/Db Dbmaj9 Eb/Db

D.S.al Coda
 
              
37 F/C Bb/C F/C Cm7 Bb

 
 Coda
    
Gm7/C

            
41 Dbmaj9 Am7 Bb Gm7/C
Gm11

 

         
44 Ebadd9


2 Puente

     
        
        
47 Eb/F Bb/F F Eb/F Bb/F F Eb/F

 
  
1.2. 3.

                   
51 Bb/F F Eb Bb/D Bb/C F Eb/F

   
4.

              
       
55 Bb/D Bb/C F Eb Bb/D Bb/C F Eb

            
    
59 Bb/D Bb/C F Eb Bb/D Db2

 

      
62 Ab/C Bb2/C F2

  
letra y musica: Israel Houghton
Eres Fiel Integrity's praise Music/bmi

   
  gliss.
   
Trombon     

    
  
10      gliss.
   

     1. gliss.  3 
      
23
     

 3 
          
2. gliss.
28
  
      

         gliss.        
gliss.
34 
      

39              gliss. 


      3 

          
47
       

 gliss.        gliss.
        
53
     

58              
 
 
    

        
      
64

  
2
69               
  
x4

74

                   

     

                       
79


   

.
                  
s
 glis
        
82
  

    
  
86
 
3
     

  
102
         
   

   
    
        
107
   

           
       
111
  

116
     

121      

   
Eres Fiel letra y musica: Israel Houghton
  
 
Integrity's praise Music/bmi
  
 
Tenor Sax    

9
  liss. 
g  
       

   liss.       iss.


21 1. gl

g
               

   
2.
  3 
27
   
      
3 

       


32


 gliss.           gliss. 

37
  gliss.                      
 

41
  ss.
gli  3
               

50
  gliss.     
            

56
    
gliss          
    
.
  

61
   
        
     
2
          
68
     

x4
       
73
            

        
77
           
  

        
81

                          

           3
84

          

99
 
              


105
  
         
 

      
             
110

   

    
114
  
     

  
        
119


Eres Fiel letra y musica: Israel Houghton
 
 
Integrity's praise Music/bmi
 
 
Sax Alto
Substituto       
1ra voz

9

   liss. g

             

   gliss.  gliss


1.

21
          
       . 
  


2.

27
            
3 3
       

     


32 g
liss.
        gliss.
     

                      
gliss.

37

    

41

  
g
liss.
 3    
           

3   3       
  3    
49

      

  liss. g
      
54

         

           


59   
          
 
2
        
65

         

 
71

               


x4 (ultima 8 arriba)
   
76

                    

                   
80

----tacet 4 time----
 
 
          
s.
glis
                    
  
  
83
3
    

          
99
3  
 3    3 
   

         
104
          
  

   
109
             
    

            
115
 
       




120

            
Eres Fiel letra y musica: Israel Houghton

      
Integrity's praise Music/bmi

   
Trompeta    

          gliss. 
10
 

  

           
23 1.
 3 
gli
   ss.    

  3       


2.
28
    gliss. 
     

34
     
         gliss.   gliss.    

39
           liss. g  3
        

  
47
3     
3
       
3
  
 

52
           
          

57
  gliss.              
  


                
63

  
2

          
68
     

x4 (ultima 8 arriba)
       
73
            

         
77 ----tacet 4 time----
      
       

        
81

                           

          
s.
3
84 glis
          


100
      
3 3
   
3
     
   

 
105
    
              

        
              
111

  

     
116    
   



        
121
 

Gloria a Dios Cindy Cruce ratcliff, Israel houghton,
Intro      
Aaron Lindsey 2001 cruse ministries publishing

Trombon
       
    

            
7 Chorus
        

 
             
13

       

   
18 1.   
            

22 2.
   
Verse
   
         

      
   
30
        

     
Chorus
35
                   
   
41    
  
         
     

46
    
    Verse

     
      

51         
     
      

   
59
      

        
2
64
       
          

    

67     
1.
               

73
       2.         Chorus
 
  
       

77       
                
Bridge
82
          
               
  

86
       
                           

             
89
   
  

  
 

          
 
95 1.
   
                
 
2.

101
    
    
 
          

 
         
105
       
1.
  

       
 2. 
111

             
        
3
  
    Chorus

      
115
      

    
       
119

           

124

                       

        
1.
128      
         

132 2.  
          
        
Gloria a Dios Cindy Cruce ratcliff, Israel houghton,
   2001 cruse ministries publishing

Aaron Lindsey
      
Intro
Tenor Sax           

  
 Chorus

 
7

      
    
13
    
                  


18

1.
    
                 

22
    
2. Verse


         
 

    
30
            
   
  
Chorus

35

                       

       
41
              


46 Verse
      
           

51
       
         

59  
            
       
  
2
      
65
         


       

            
1. 2.

70
     
 
     

          
75 Chorus
   
      
    

80
  Bridge

                   
 
85
            
    
                
    
  
  

 
88
    
                  


93
     
1.
                   

   
98
 
            
              

         
102

                 

1.
        
105

              

                  


109 2.

        
      
Chorus 3
        
113
    
      


117
                      
  

122
         
                 

 
                             
1.
126

   
2.

         
130
    
        
Gloria a Dios Cindy Cruce ratcliff, Israel houghton,

    Aaron Lindsey 2001 cruse ministries publishing



    
Intro
Sax Alto
Substituto            
1ra voz

            
Chorus
 
7

       
13
         
             

  
18
  
1.   
          

22
 
2. Verse

             

  
       
30
      
   

     
Chorus
  
35
              
  
41
        
                

46
       Verse

            

51
      
             

   
59
     
             
2
                     
65 
   

              
69 1.

           

             
2.

74 Chorus

         

    
   
79

          
Bridge
                       
84

           
  

                
     
87
        

      
     
  
91 1.
        

           
   
2.
97
       
     

  
    
      
103
    
       


108
                      
1.

    
 


    Chorus
  
 2.       
112
      
             
  3

116          
      

     
  
121

             

         
125
        


      

   
1.
 
129 
             

   

132 2.
           
      
 
Gloria a Dios Cindy Cruce ratcliff, Israel houghton,

  
Intro  
Aaron Lindsey 2001 cruse ministries publishing

             
Trompeta   

   
Chorus
 
7

            


13   
                     

 
18 1.

                   
  
22
 
2. Verse

        
     

  
30
  
        
     

    
Chorus

35

                    
41
                    
    
46 Verse
              
     
 
51 
               
   
59   
        
         
    
2
         
65
       

   

1.
       
69

                  
 

 
2.

74 Chorus

   
                 

  
79
 
    
       
Bridge
84
 
     
                    
               
87
                     
         

         
91 
        
1.
 
97        2.          
            

          
103
  
              

108
        1.       

            

     2.
Chorus
   
112
          
                 
3
        
116

            

   
121
             
  

           

           
125


 

  
1.
129
       
      
   
132 2.
   
        
          
Cosas Poderosas

   
gliss.
             
            
Trombone 
3

      
3
   
4
      
  
 
Tbn. 

          
      
3
6   
       


Tbn. 
       3
       
3


9 verse 7
Tbn.
  

   
verse
12
  
 
       
         
Tacet 1st Time

          
Tbn. 

       
         
16 HIt and of three 1st time
   
Tbn.           


   
    
play both times
20
     
Tbn.          
3 3


           
24
      
      
Tbn. 
3

        
bridge
           
28

Tbn.       

32
           
                  
   
Tbn. 
                    
2 3
35    
Tbn.
   
  

  
            
      
37
   
Tbn.     
3
 
             
PLay 3 times
 
       
41

tacet 1st time


Tbn.  

                   
  
45
 
Tbn.         

48
              
         
Tbn. 
Cosas Poderosas Letra y Música: Coalo Zamorano

                          
tenor saxophone    
3 3
      
    
4

   

6

          
3        
          



       3 3    
   

verse
  
9
  7
     

    
play 1st time
Tacet 1st Time   
13 verse
 
                     

    
play both times

17
                    
 

3
 
       
 
21

         


3
 
 
25
       

           
3
  
29
  
bridge
  
     

     
                    
32
   
 

                         


35 3

  
2

             
38 Chorus
  

           
3

  
  tacet 1st time
PLay 3 times
42
           
 
       

 
46
            


    

48
                 
       
Cosas Poderosas
Letra y Música: Coalo Zamorano

         
3
           
   
Sax Alto
SUbstituto        
1ra voz
3
4
 
 
           

     
      
6
    3


      
  

9
        3   
3 verse    


7
    

 
 
13
verse
      play 1st time

 
               


Tacet 1st Time

 
 
       
play both times
17
        
    
       


3

21        
            


3
   
     

25


          
3

29
        
bridge

      

32
                  
              
3
   
         
35
                   

2 

 
    
38 Chorus
  
                
PLay 3 times 3
tacet 1st time 
      
  
42
             

      
 
 
46
        
         

48
          
                
 
Cosas Poderosas
Letra y Música: Coalo Zamorano

                             
trompeta    
3

3
                    
4

   

        
      
6 3

           



       3 3  
   
verse
   
9
  7
     

    
play 1st time
Tacet 1st Time   
13 verse
 
                     

    
play both times

17
                    
 

3
21
      
            


3

            
25
 
          
3

     
29 bridge
    
    

     
                    
32
   
 

                         


35 3

  
2

            
38 Chorus
          

   
3

    
PLay 3 times
42
       
tacet 1st time
      
      

 
46
         
    

   

               
48

          
MI vida eres Tu Cindy Cruce ratcliff, Israel houghton,
Aaron Lindsey 2001 cruse ministries publishing
 

    
 
Trombon 

Tacet 1 vez
23  lg is 
s.    
       

 
31           1.  
  

58        
          

 
x3
63        

     

69       gliss.  
          
   

           
        
84

         
   
x3
    
93

 
MI vida eres Tu Cindy Cruce ratcliff, Israel houghton,
       Aaron Lindsey 2001 cruse ministries publishing

Tenor Sax       

 
Tacet 1 vez
s.
 
23
lg is 
           

 
 
31    1.  
          

      
58

              

  
x3
63

              

      gliss.  


69
  
             
 

        
84 
          

               
x3
 
93

       
MI vida eres Tu Cindy Cruce ratcliff, Israel houghton,
       Aaron Lindsey 2001 cruse ministries publishing
    

Sax Alto
Substituto   
1ra voz
Tacet 1 vez

 
23  s.  
 
is
   
gl 
    

 
 
31           1.  
   

 
58        
            

  
x3
 
63
   
        

 
69        gliss.  
                

 
84
              
  

     
   
x3
   
      
93

   
MI vida eres Tu Cindy Cruce ratcliff, Israel houghton,
       Aaron Lindsey 2001 cruse ministries publishing

Trompeta       

Tacet 1 vez

lg is 
s.
 
23   
          

 
 
31    1.  
          

      
58

              

  
x3
63

              

      gliss.  


69
  
             
 

        
84 
          

               
x3
 
93

       
Quien Como el Señor Israel houghton
 glis
s.  gliss.
      
integrity´s hosanna music

Trombon
       

 glis
          s.                
8


Chorus 1
         gliss.
       
12
       

18
    
        

      
Verse 1
23
   
           

          
28
             


      
32
   
    
              

36 Chorus 2
     
gliss.
          

42
       Verse 2    
  
      



           
47
 
       


52               
            
2

Bridge
       
56
            
   

65      
     
      

 
gliss
71
     . 
       

78
          
         


82
          
                  


86
               
          


90
           
         

101
           
               

          
105
             
     

          
109 Chorus 3
           

114
             
      
3
121
     
              

    
123
        
 
Quien Como el Señor Israel houghton

        integrity´s hosanna music

  s.  gliss.      
Tenor Sax glis

8    
         gliss.          
  

Chorus 1
12
     
 
             gliss  
 .

18
   
           


23
Verse 1
                   
  

    
28

                 
 
32
   
     
             
      
36
   
Chorus 2

        gliss.      
 
Verse 2
  
43
     
            

   
48
                
       
53 
                
    

2

Bridge
                
57

   
  
66
       
      
73
 
     gliss.      


          
78

        

 
        
82

                  
 

         
86

          
  

        
        
90

      

101
           
                

  
105
      
                 

109 Chorus 3
      
            
 
114
   
                   

3
         
121
    
      

123
     
         
Quien Como el Señor Israel houghton

   glis
s.  gliss.     
integrity´s hosanna music
Sax Alto
Substituto         
1ra voz
8
         liss.  
g       
        

Chorus 1
 gliss. 
12
         gliss.
         
  

18
      
      

      
Verse 1
23
     
         

             
28

         

   
         
32

                

36
   
Chorus 2
 
     
gliss.
    


42
        Verse 2   

     


              
47
 
  


                    
52

     
2 Bridge Solo Trompeta (Harmon)
56
    
     
            
D9

C#AUG7

 


61 Solo Piano
F#-11 E9 A7 D9 C#AUG7 F#-11 E9 A9
       

68
    
gliss.

         


          
78

        

 
            
82

              

 
            
86
          

 
90
            
       

      
             
101

       

        
  
105
           
      

Chorus 3
   
       
109
        
 

     
 
114


                 
3
 
         
121
      


  
123
       
   
Quien Como el Señor Israel houghton
  gliss.  integrity´s hosanna music
  s.
  
Trompeta  
glis
       

8
       gliss.    
  
            

Chorus 1
12
   gliss.  
              gliss.  
 
18

        
      
23
Verse 1
                   
  
28
     
               


  
32
     
           
          

36 Chorus 2
    
        gliss.  

Verse 2

42

           
      


47
           
   

    


   
52
                  
     

2 Bridge Solo Trompeta (Harmon)
56
        G9 F#AUG7
 
         
  
61 Solo Piano
 B-11

A9

D7

G9 F#AUG7

B-11

A9

D9

68
    liss. 
g
       


           
78

        

         
82

                   
 

         
86

          
  
90
        
              

      
101

                  
  
105
       
                
  
109
 
Chorus 3
   
               

114
    
 
                  
 
 
3
121   
          
     
123
  
          
 
Con Humildad Letra y Música: Coalo Zamorano
         
Trombon
          

7         
       
 

33          
   

             
42
    
 
               
48
  

  

54
  
             
  

   

  
 
       
59

  
 
68
                
      

  
              
73

  

78
  3      
3 3
 
3

 
     
84
       

Con Humildad Letra y Música: Coalo Zamorano

    
                  
Tenor Sax 
7
                  
  

  
33     
        

 
42
       

           

           
48
      
    

         
54
 
       
       

  
  
59
        
  

  
68
   
              

  
73      
     
3
    

 
79 3   
 3
  3   
    

 
        
84

        
Con Humildad Letra y Música: Coalo Zamorano

            
Sax Alto
Substituto           
1ra voz
7
  
               
  

  
33  
       
   

       
42
   
        

                 
48


   

                 
54
         
 

     
  
59
    
   
  

  
68
         
         

  
73
    
            
 

   3   3  
  3   
78
  3 
 

        
84       
 
Con Humildad Letra y Música: Coalo Zamorano

    
                  
Trompeta 
7
             
       

 
33  
            

 
42

                  

        
48
      
       

  
         
54

              

        
 
59  
       

  
68  
                 

 
73

                  

   3 
78
 
3 3 3
       

 
    
84
          
 
Venimos a Adorarte cindy cruce ratcliff, Israel houghton

    
2001 cruce ministries publishing
 
Trombon
         

   
     
8

   

   

44  gliss.       
 
   

52
         gliss.
    

  
62       
   

      
70      
    

83
       gliss.  gliss.      
     

        
     
89
  

3
to 
      
95
             

 

101      
     3

  
 
109
     3  
     
2
         
115 gliss. gliss.
       

   
      
125     
   

   
 
131
1.2.
  3.
   
        
 
3

        
136
        


146             
       

 
152
          
   
   

   
         
163

 

      
168               

    

      
173
           
  

177          


     

Venimos a Adorarte cindy cruce ratcliff, Israel houghton
 
2001 cruce ministries publishing

Tenor Sax  
            

8  
          


44
     gliss.   

 
      

52
       gliss.
     

62
   
        

      
 
70

       

83     gliss.
 gliss.  

           

    
    
89
       

3
to 
            
95
     

   

101   3
        

109
     3    
      
2
115      gliss.
 gliss.
          

    
125   
      
  

      
  
     
131 1.2.

3.
 

  
3

      
     
136
 
   


          
146

        

 
152
        
 
   
    

       
163
      


                   
168

    

     
173
         
   


177
          
     
Venimos a Adorarte cindy cruce ratcliff, Israel houghton

     
2001 cruce ministries publishing
Sax Alto
Substituto            
1ra voz
8
    
      

     
  gliss. 
44
     
    

52       gliss.
   
   

62
        
  

70
    
          

 gliss.
 gliss. 
83 
      
         

             
89
   

3
to 
95
                
 

      

101
        
   

 
108
  3    3 
      
2
   gliss.
     
114
      

 gliss.     
123
 
         

            3.   
129 1.2.
     


3

        
135
       
 
 

145
           
     

 
150       
     
   

160
        
          

  
167 
         
      

172  
 
                     

177


              

Venimos a Adorarte cindy cruce ratcliff, Israel houghton
 
2001 cruce ministries publishing
        
Trompeta  
    

8 
          


  gliss. 
44

 
            

52       gliss.
      

62
 

        

70      
          

83
 gliss.
 gliss.  
     
          

89 3

                

to 
    
95

         
           
101

            

108
3   
3 
   
   


 
2
114
   gliss.
             

123
 gliss. 
              

        
129 3
   
1.2. 3.
         

    
 
135
 
          

   
145

             

 
150
      
      
 

160       
           

167
          
       


  
172
  

       


177

                