Академический Документы
Профессиональный Документы
Культура Документы
GMX110/GMX112/GMX210/GMX212/GMX1200H
User Manual
A50-21113-00005
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H
Important Safety Instructions
Caution:
Warning:
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H
Foreword
Table of contents
Dear Customer,
welcome to the team of
BEHRINGER users, and
thank you very much for
expressing your confidence in us by purchasing the BEHRINGER
V-TONE.
Writing this foreword
for you gives me great
pleasure, because it
represents the culmination of many months
of hard work delivered
by our engineering
team to achieve a very
ambitious goal: to develop four outstanding
guitar amps that are at
the forefront of what is
technically possible and that can be used in many different
applications. Our guitar amps offer you strong performance,
their sound is amazingly clear, and they are easy to use both as
direct recording amps as well as stage amps. The task of designing
our new V-TONEs certainly meant a great deal of responsibility,
which we assumed by focusing on you, the discerning user and
musician. Meeting your expectations also meant a lot of work
and night shifts. But it was fun, too. Developing a product usually
brings a lot of people together, and what a great feeling it is
when all who participated in such a project can be proud of
what theyve achieved.
It is our philosophy to share our enjoyment with you, because
you are the most important member of the BEHRINGER team.
With your highly competent suggestions for new products youve
made a significant contribution to shaping our company and making
it successful. In return, we guarantee you uncompromising quality
as well as excellent technical and audio properties at an extremely
reasonable price. All of this will enable you to give free rein to
your creativity without being hampered by budget constraints.
We are often asked how we manage to produce such highquality devices at such unbelievably low prices. The answer is
quite simple: its you, our customers! Many satisfied customers
mean large sales volumes enabling us to get better purchasing
terms for components, etc. Isnt it only fair to pass this benefit on
to you? Because we know that your success is our success
too!
1. Introduction ............................................................... 4
1.1 The concept .................................................................... 4
1.2 Dynamizer technology and analog modeling ................. 4
1.3 Before you get started ................................................... 4
1.3.1 Shipment ................................................................ 4
1.3.2 Initial operation ....................................................... 4
1.3.3 Online registration ................................................. 5
3. Applications .............................................................. 7
3.1 Practice setup with playback ......................................... 7
3.2 Recording setup with an external effects device ......... 7
3.3 Live setup with a MIDI foot controller ............................. 8
3.4 Wiring the GMX1200H ..................................................... 8
5. Tuner ........................................................................ 13
5.1 Tuning your guitar ......................................................... 13
5.2 Setting up the a reference tone ................................. 13
6. Installation ............................................................... 13
6.1 Audio connections ........................................................ 13
6.2 Speaker connection ...................................................... 13
6.3 MIDI connection ............................................................. 14
7. Appendix ................................................................. 14
7.1 MIDI implementation ....................................................... 14
7.2 Effect presets ............................................................... 15
8. Specifications ......................................................... 16
9. Warranty ................................................................. 18
I would like to thank all of you who have made the V-TONE Series
possible. You have all made your own personal contributions,
from the developers to the many other employees at this company,
and to you, the BEHRINGER user.
My friends, its been worth the effort!
Thank you very much,
WARNING!
Uli Behringer
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H
1. Introduction
Thank you for the trust that you have placed in us by buying your
V-TONE. You have gotten your hands on a latest-generation
guitar amp that sets completely new standards when it comes to
analog modeling.
Thats why weve equipped all V-TONE Series amps with our
unique Dynamizer preamplifier circuitry. It guarantees a lively
sound with a lot of punch, even when the amp is pushed to its
limits. Combine that with our V-TONE analog modeling, and not
only do you have amazingly authentic tube sounds at your
fingertips, you also get the dynamic performance typical of the
respective amp type. Crystal-clear guitar tones come through
with transparency, warmth and the compression typical of tube
amps. Even as distortion increases, the sound remains lively
and full of power, without losing any of its assertiveness.
All along, you have full control over the volume. Plainly talking,
you can take the same sound you are used to at your practice
room and replicate it in your bedroom at much more reasonable
volume levels, or you can even record yourself while playing.
The fuse retainer near the power cord connector has three
triangular markings. Two of these triangles point in opposite
directions. Your V-TONE is set up for the voltage indicated near
these markings, and can be altered by turning the fuse mount by
180 degrees. ATTENTION: This does not apply to export
models built for 120 V, for example!
1.3.1 Shipment
Power is delivered via the cable that was delivered with the
V-TONE. All mandatory safety precautions have been adhered
to.
1. Introduction
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H
(yet still sophisticated) sounds can be dialed up if you
select CALIF.(ORNIAN); perfect for lead sounds!
(16) The FX control adjusts the mix ratio between the original
and the effect signal.
(17) The LEVEL control adjusts the volume of the respective
channel. Adjust LEVEL to achieve the desired volume
balance between both channels.
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H
2.2 Rear panel
(21) Connect the stereo jack connector of the provided
footswitch to the FOOTSWITCH connector. The footswitch
has several functions: it lets you switch between two
channels, and it also lets you activate/deactivate an effect.
Additionally, the tuner can also be activated using the
footswitch. To do that, keep the CHANNEL key pressed for
about 2 seconds.
(22) MIDI IN. This connector lets you remotely control your
V-TONE via MIDI. You can activate/deactivate effects or
switch between channels. You can use effect bypass via
program changes and parameter edits as well as edit the
presets via controllers (also see sections 6.3 and 7.1).
(23) You can connect two external loudspeakers (L/R) to the
LOUDSPEAKER connectors (GMX212 and GMX1200H).
The outputs deliver 60 W into 8 W per channel. For optimum
performance, please only connect loudspeakers with a
minimum impedance of 8 W each (see also section 6.2).
When these connectors are used the internal loudspeakers
are automatically disconnected.
(24) The PHONES connector lets you monitor the signal from
your V-TONE with standard headphones. The BEHRINGER
HP series is well suited for this, for example. When the
PHONES connector is used, the internal loudspeakers and
speaker outputs are disconnected.
(25) Those signals that are connected to the SLAVE IN
connectors are directly routed to the V-TONEs power amp.
This way, you can connect an external guitar preamp or
modeling amp (e. g. V-AMP 2 or V-AMP PRO) without using
the internal preamp on your V-TONE.
(31) Your V-TONE features a serial insert loop that can be used
to connect external effects (e. g. a wah-wah pedal).
Connect the SEND connector on the V-TONE to the input
of your effects unit. The SEND connector is tapped into
directly before (i.e. pre) the digital signal processor (DSP)
of your V-TONE. Connect the output of your external effects
unit to the RETURN connector of your V-TONE.
(26) You can take the stereo signal of your V-TONE at the
TAPE outputs (RCA) and record it, for example.
(27) The TAPE inputs (RCA) let you feed an additional stereo
signal into your V-TONE. You can play along to the beat of
a drum computer or play to music from a CD or MD player.
(28) You can take the stereo signal of your V-TONE at the LINE
outputs to record it or route it to a P.A. system. This output
is independent from the MASTER control and does not
render the AUX signal. Additionally, its frequency response
is corrected (speaker simulation).
(29) Use the AUX IN control to adjust the volume of the signal
that is fed in via the AUX IN connectors (e. g. drum
computer, playback).
(30) The AUX IN lets you feed an additional stereo signal into
the amp. This way, you can play to a backing track that
supports you on-stage but should not be audible via the
LINE outputs connecting the GMX210/GMX212 to the P.A.
system. Additionally, you can use AUX IN together with the
INSERT SEND as a parallel insert loop. To do that, connect
the INSERT SEND to the input of your effects device;
connect the AUX IN (TAPE IN on the GMX110 and GMX112)
to the output of your effects unit (the INSERT RETURN
connector should not be in use!). This way, the signal flow
in your V-TONE is not interrupted. With the AUX IN control,
you can determine the extent to which the external effects
unit alters the original signal. Keep in mind that the effects
unit should be set up to 100% effects signal (100% wet).
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H
3.2 Recording setup with an
external effects device
3. Applications
The V-TONE features many different connectors, allowing you
to adapt to all kinds of application challenges. We have listed just
a few examples to show the flexibility your V-TONE.
3. Applications
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H
3.3 Live setup with a MIDI foot controller
3. Applications
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H
4. Effects processor
Effects are the icing on the cake when it comes to creative
sound designs. On the one hand, direct recordings (i.e. recordings
without a microphone, which is possible with the V-TONE) are
all about placing the guitar sound in an artificially created space
since no natural ambience is possible. On the other, effects
such as delay, chorus, flanger and tremolo are an integral part
of the modern guitar sound. For this reason, weve equipped the
V-TONE with an effects processor that lets you create a
professional-grade sound that you are used to hearing on your
favorite recordings. This way, you are one giant step closer to
emulating your fave sounds without having to schlep a rackfull
of effects everywhere you go.
The integrated multi-effects processor offers the same audio
quality found in our 19" effects unit VIRTUALIZER PRO, known
for being used in studios. You get 31 different groups of firstclass effects at your disposal, for example reverb, chorus,
flanger, delay, pitch shifter, compressor, expander, Wah
variations, various combination effects and even tube and
speaker simulations. All in all, there are 99 presets you can use,
offering you a wide variety of different-sounding effects. You
can edit one parameter on each preset directly on the V-TONE
and three parameters via MIDI. Additionally, the multi-effects
processor lets you mix and match different effects with different
speakers, depending on each preset. Presets can be overwritten
with your own creations.
The multi-effects processor works basically in stereo, whereby
only the TAPE and PHONES outputs are influenced in the case of
the GMX110/GMX112. Both signals (left and right) are added up
for the speaker and the mono power amp of the GMX110/
GMX112. However, you can still use stereo effects for recording
purposes by utilizing the TAPE OUT or by playing with a second
amp in stereo. The GMX210 and GMX212 can produce the effects
in stereo because they have two built-in speakers. Stereo
reproduction is also possible with the GMX1200H when the
speakers are connected to it in stereo.
V
4. Effects processor
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H
4.2 The effects
10
71-74 Auto Wah: Depending on the attack time, the Auto Wah
effect lets the lower frequencies pass through and more or less
suppresses the highs. The sensitivity value of the filter can be
adjusted via the FX MIX control. If you primarily play low-end
sounds, dial up a lower value. The higher the frequency of the
sound you create, the higher the FX MIX value should be.
4. Effects processor
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H
4.3 MIDI control
75-81 Pitch Shifter: This effect modifies the pitch of the input
signal. Musical intervals and harmonics are created, and the
propagation of a single voice can be adjusted. You can create
signals that are majorly out of tune (e.g. signals shifted upward
by several half-tones), such as the strange-sounding voices
often used in cartoons. There are several default intervals
already built into the presets.
82-85 Pitch Shifter/Reverb: The signal first goes through a
pitch shifter with various transpositions in half-tone increments
(or smaller). A reverb follows. Adjustable parameter: pitch shifter
mix.
4. Effects processor
11
Effect
Preset No.
Parameter 3
CC 12
Parameter 2
CC 13
Parameter 1
CC14
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H
REVERB
0 - 16
Reverb
Time
Mix
DELAY/
REVERB
17 - 20
Delay Time*
Delay Mix
Reverb
Mix
DELAY
21 - 29
Delay Time*
Feedback
Mix
30 - 33 LFO Speed*
34 - 37 LFO Speed*
Feedback
Depth
Reverb
Mix
Depth
Mix
Chorus
Mix
Chorus
Mix
Depth
PHASER
CHORUS
CHORUS/
REVERB
CHORUS/
DELAY
FLANGER
FLANGER/
REVERB
FLANGER/
DELAY
TREMOLO/
REVERB
TREMOLO/
DELAY
ROTARY
SPEAKER
ROTARY
DRIVE
AUTO WAH
REVERB
AUTO WAH
DELAY
PITCH
SHIFTER
38 - 42 Reverb Time
43 - 47
Delay Time*
48 - 51 LFO Speed*
52 - 56 Reverb Time
Delay Mix
Resonance
Reverb
Mix
Depth
57 - 61
Delay Time*
Delay Mix
Depth
62, 63
LFO Speed*
Reverb
Mix
Tremolo
Mix
Tremolo
Mix
64 - 66 LFO Speed*
Delay Mix
67, 68
LFO Speed*
Reverb
Mix
Depth
69, 70
LFO Speed*
Delay Mix
Depth
71, 72
Reverb Mix
Depth
Sensitivity
73, 74
Delay Mix
Depth
Sensitivity
75 - 81
Pitch Mix
Reverb
Mix
Pitch Mix
Delay Time*
Delay Mix
Pitch Mix
Delay Time/
Rev Time
Rev Time/
EXPANDER 92, 93
Delay Time
Delay Time*/
GUITAR
94 - 99
Rev Time
COMBO
*) Tap tempo: MIDI Control No. 64
) depends on Variation
Delay Mix/
Rev Mix
Rev Mix/
Delay Mix
Delay Mix/
Rev Mix
PITCH
SHIFTER/
REVERB
PITCH
SHIFTER/
DELAY
COMPRESSOR
82 - 85 Reverb Time
86 - 89
90, 91
Sensitivity
Threshold
Drive
12
4. Effects processor
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H
5. Tuner
V
6. Installation
Fig. 6.2: 1/4" stereo TRS connector for AUX and PHONES
6. Installation
13
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H
Since SPEAKER and LOUDSPEAKER outputs are
7. Appendix
Transmitted
Function
Note
Number
Note ON
Note OFF
After
Keys
Touch
Channels
Pitch Bender
X
X
X
X
X
X
X
X
X
X
X
X
Control
System Exclusive
Basic
Channel
Mode
Default
Changed
Default
Messages
Altered
True Voice
Velocity
Progr.
Change
True #
Aux
Messages
Local ON/OFF
All notes OFF
Active Sense
Reset
Remarks
OFF, 1 - 16
OFF, 1 - 16
1, 2
X
X
X
X
X
X
X
X
X
memorized
X
X
X
X
X
X
O
O
0 - 99
123
124
127
X
X
X
X
X
X
X
X
X
X
X
X
X
X
Song Pos.
System
Song Sel.
Common
Tune
System
Clock
Real Time Commands
Recognized
123 = Channel 1
124 = Channel 2
127 = Tuner
Notes
O = YES, X = NO
Mode 1:
OMNI ON
Mode 2:
OMNI OFF
Display Range
Midi
Control
Number
Control
Value
Range
Volume Controller
0 .. 127
Channel Select
Channel 1 = 0
Channel 2 = 1
10
0, 1
Effect Bypass
OFF = 0
ON = 1
11
0, 1
Parameter Name
Parameter 3
depends on effect *
12
0 .. 127 (max.)
Parameter 2
depends on effect *
13
0 .. 127 (max.)
Parameter 1
(MIX)
depends on effect *
14
0 .. 127 (max.)
Wah / Modulation
Controller
27
0 = off
1 .. 127
21
0/127
22
0/127
23
0/127
Tap Tempo
64
value > 63
Tuner Bypass
Volume
82
0 .. 127
14
7. Appendix
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H
0
REVERB
1
SPRING
REVERB
2
3
STUDIO
4
5
CHAMBER
6
7
STAGE
8
9
CONCERT
10
11
PLATE
12
EARLY
13
14 REFLECTIONS
15
AMBIENCE
16
17
DELAY /
18
REVERB
19
20
21
22
23
24
STEREO
25
DELAY
26
27
28
29
30
31
PHASER
32
33
34
35
CHORUS
36
37
38
39
CHORUS /
40
REVERB
41
42
43
44
CHORUS /
45
DELAY
46
47
48
49
FLANGER
50
51
40
25
25
40
40
30
30
35
40
40
40
50
50
50
50
40
40
40
45
40
50
60
70
50
70
75
80
60
70
100
25
50
25
90
60
70
60
30
40
40
20
50
40
70
50
50
30
40
90
127
60
60
52
53
FLANGER /
54
REVERB
55
56
57
58
FLANGER /
59
DELAY
60
61
TREMOLO /
62
REVERB
63
64
TREMOLO /
65
DELAY
66
67
ROTARY
SPEAKER
68
69
ROTARY
DRIVE
70
71
AUTO WAH
REVERB
72
73
AUTO WAH
DELAY
74
75
76
77
PITCH
78
SHIFTER
79
80
81
82
PITCH
83
SHIFTER /
84
REVERB
85
86
PITCH
87
SHIFTER /
88
DELAY
89
90
COMPRESSOR
91
92
EXPANDER
93
94
95
96
97
GUITAR
COMBO
98
99
Variation
ultra
slow
medium I
medium II
fast
ultra
medium I
slow
medium II
hold
Slow
Fast
slow (with reverb)
ultra (with reverb)
medium (with reverb)
slow (with reverb)
fast (with reverb)
slap back
spinning echo
fast
slow
distortion
clean
-12
-5
+3
+4
+7
+4 %
+8 %
-12
+3
+4 %
+8 %
-12
-5
+4
+7
fast (with Delay)
slow (with Reverb)
fast (with Ambience)
slow (with Delay)
Crunch (with Delay)
Edge (with Delay)
Overdrive
(with Reverb)
Distortion 1
(with Delay)
Distortion 2
(with Delay)
Distortion 3
(with Reverb)
Default
Mix
Mix
Mix
Mix
Mix
Mix
Mix
Mix
Mix
Mix
Mix
Mix
Mix
Mix
Mix
Mix
Mix
Reverb Mix
Reverb Mix
Reverb Mix
Reverb Mix
Mix
Mix
Mix
Mix
Mix
Mix
Mix
Mix
Mix
Depth
Depth
Depth
Depth
Mix
Mix
Mix
Mix
Chorus Mix
Chorus Mix
Chorus Mix
Chorus Mix
Chorus Mix
Chorus Mix
Chorus Mix
Chorus Mix
Chorus Mix
Chorus Mix
Depth
Depth
Depth
Depth
Effect
FX MIX
medium Pre-Delay
short Pre-Delay
long Pre-Delay
short Pre-Delay
long Pre-Delay
short Pre-Delay
long Pre-Delay
short Pre-Delay
long Pre-Delay
short Pre-Delay
long Pre-Delay
short Pre-Delay
long Pre-Delay
min. Density
max. Density
min. Reflections
max. Reflections
Model
Model
Model
Model
Model
Model
Model
Model
Model
Model
Model
Model
Model
fat
slow
stereo
stereo
ultra
slow
medium I
medium II
fast
ultra
slow
medium I
medium II
hold
-
Preset-No.
Variation
Default
Effect
FX MIX
Preset-No.
Depth
50
Depth
50
Depth
50
Depth
40
Depth
40
Depth
60
Depth
80
Depth
50
Depth
20
Depth
65
Tremolo Mix 65
Tremolo Mix 45
Tremolo Mix 45
Tremolo Mix 40
Tremolo Mix 30
Depth
70
Depth
100
Depth
40
Depth
90
Sensitivity
50
Sensitivity
50
Sensitivity
60
Sensitivity
30
Pitch Mix
40
Pitch Mix
30
Pitch Mix
25
Pitch Mix
30
Pitch Mix
20
Pitch Mix
25
Pitch Mix
20
Pitch Mix
60
Pitch Mix
10
Pitch Mix
20
Pitch Mix
30
Pitch Mix
50
Pitch Mix
20
Pitch Mix
20
Pitch Mix
20
Sensitivity
60
Sensitivity
50
Threshold
10
Threshold
25
Drive
60
Drive
50
Drive
80
Drive
126
Drive
70
Drive
70
7. Appendix
15
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H
8. Specifications
GMX110
Audio Inputs
GUITAR IN
Input impedance
INSERT RETURN
Input impedance
GMX112
GMX210
SLAVE IN
Input impedance
approx. 30 k unbalanced
AUX IN
Input impedance
TAPE IN
RCA connector
Input impedance
approx. 10 k unbalanced
Audio Outputs
INSERT SEND
Output impedance
approx. 1 k unbalanced
LINE OUT
" TS jack
Output impedance
+8 dBu unbalanced
> 1 k unbalanced
RCA connector
Output impedance
approx. 3 k unbalanced
+9 dBu unbalanced
" TRS jack
PHONES OUTPUT
Max. output level
SLAVE OUT
Output impedance
Loudspeaker output
Type
" TS jack
System data
Peak power
1 x 30 W / 4
MIDI interface
Type
Digital processing
Converters
Sampling rate
46.875 kHz
Display
Type
Loudspeaker
Type
1 x 10"
Model
Power supply
Power consumption
max. 70 W
max. 150 W
T 2 A H 250 V
T 3.15 A H 250 V
T 1 A H 250 V
T 1.6 A H 250 V
approx. 2 k unbalanced
1 x 60 W / 4
1 x 12"
2 x 30 W / 4
2 x 10"
Physical/weight
16
Dimensions (H x W x D)
Weight
8. Specifications
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H
GMX212
Audio Inputs
GUITAR IN
Input impedance
INSERT RETURN
" TS jack
Input impedance
SLAVE IN
approx. 10 k unbalanced
" TRS jack (tip = input)
Input impedance
approx. 30 k unbalanced
" TRS jack
AUX IN
Input impedance
TAPE IN
Input impedance
Audio Outputs
INSERT SEND
Output impedance
LINE OUT
Output impedance
Max. output level
GMX1200H
approx. 10 k unbalanced
RCA connector
approx. 10 k unbalanced
" TS jack, low-impedance, line-level
approx. 100 unbalanced
" TS jack
> 1 k unbalanced
+8 dBu unbalanced
TAPE OUT
Output impedance
RCA connector
approx. 3 k unbalanced
+9 dBu unbalanced
PHONES OUTPUT
Max. output level
SLAVE OUT
Output impedance
Loudspeaker output
Type
2 x " TS jack
System data
Peak power
2 x 60 W / 8
MIDI interface
Type
Digital processing
Converters
Sampling rate
46.875 kHz
Display
Type
Loudspeaker
Type
Model
2 x 12"
BUGERA Vintage Guitar Series
Power supply
Power consumption
max. 200 W
T 5 A H 250 V
T 2.5 A H 250 V
Mains connector
2 x 60 W / 8
Physical/weight
Dimensions (H x W x D)
Weight
BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts, modifications may be made from time to
time to existing products without prior notice. Specifications and appearance may differ from those listed or illustrated.
8. Specifications
17
V-TONE GMX110/GMX112/GMX210/GMX212/GMX1200H
9. Warranty
1 Other warranty rights and national law
1. This warranty does not exclude or limit the buyers statutory
rights provided by national law, in particular, any such rights
against the seller that arise from a legally effective purchase
contract.
2. The warranty regulations mentioned herein are applicable
unless they constitute an infringement of national warranty law.
2 Online registration
Please do remember to register your new BEHRINGER equipment
right after your purchase by visiting http://www.behringer.com
and kindly read the terms and conditions of our warranty
carefully. Registering your purchase and equipment with us helps
us process your repair claims quicker and more efficiently. Thank
you for your cooperation!
3 Warranty
1. BEHRINGER (BEHRINGER International GmbH including all
BEHRINGER subsidiaries, except BEHRINGER Japan) warrants
the mechanical and electronic components of this product to be
free of defects in material and workmanship for a period of one
(1) year* from the original date of purchase, in accordance with
the warranty regulations described below. If the product shows
any defects within the specified warranty period that are not
excluded from this warranty as described under 5, BEHRINGER
shall, at its discretion, either replace the product by providing a
new or reconditioned product or repair the product using suitable
new or reconditioned parts. In the case that other parts are used
which constitute an improvement, BEHRINGER may, at its
discretion, charge the customer for the additional cost of these
parts. In case BEHRINGER decides to replace the product, this
warranty shall apply to the replacement product for the remaining
initial warranty period, i.e one year* from the date of purchase of
the initial product.
6 Warranty transferability
Technical specifications and appearance are subject to change without notice. The information contained herein is correct at the time
of printing. All trademarks (except BEHRINGER, the BEHRINGER logo, JUST LISTEN, V-TONE, and ULTRABASS) mentioned belong to
their respective owners, and such use neither constitutes a claim of the trademarks by BEHRINGER nor affiliation of the trademark
owners with BEHRINGER. BEHRINGER accepts no liability for any loss which may be suffered by any person who relies either
wholly or in part upon any description, photograph or statement contained herein. Colors and specifications may vary slightly from
product. Our Products are sold through authorized dealers only. Distributors and dealers are not agents of BEHRINGER and have
absolutely no authority to bind BEHRINGER by any express or implied undertaking or representation. This manual is copyrighted. No
part of this manual may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying
and recording of any kind, for any purpose, without the express written permission of BEHRINGER International GmbH.
ALL RIGHTS RESERVED. (c) 2007 BEHRINGER International GmbH. BEHRINGER International GmbH, Hanns-Martin-Schleyer-Str.
36-38, 47877 Willich-Muenchheide II, Germany. Tel. +49 2154 9206 0, Fax +49 2154 9206 4903
18
9. Warranty
V-TONE
GMX110/GMX112/GMX210/GMX212/GMX1200H
FEDERAL
COMMUNICATIONS
COMMISSION COMPLIANCE INFORMATION
V-TONE
GMX110 / GMX112 /
GMX210 / GMX212 / GMX1200H
Address:
Phone/Fax No.:
V-TONE GMX110
V-TONE GMX112
V-TONE GMX210
V-TONE GMX212
V-TONE GMX1200H
complies/comply with the FCC rules as mentioned in the following paragraph:
This device complies with Part 15 of the FCC rules. Operation is subject to the following two conditions: (1) this
device may not cause harmful interference, and (2) this device must accept any interference received, including
interference that may cause undesired operation.
Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant
to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful
interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy
and, if not installed and used in accordance with the instructions, may cause harmful interference to radio
communications. However, there is no guarantee that interference will not occur in a particular installation. If
this equipment does cause harmful interference to radio or television reception, which can be determined by
turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the
following measures:
= Reorient or relocate the receiving antenna.
= Increase the separation between the equipment and receiver.
= Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
= Consult the dealer or an experienced radio/TV technician for help.
Important information:
Changes or modifications to the equipment not expressly approved by
BEHRINGER USA can void the users authority to use the equipment.
19