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m- Hair
Disorders
Nina Madnani,
Kaleem Khan1
P. D. Hinduja National
Hospital, Mahim, Mumbai,
1
Dr. Madnanis Skin and
Hair Clinic, Colaba,
Mumbai, India
Address for correspondence:
Dr. Nina Madnani,
P.D. Hinduja National
Hospital, Veer Savarkar
Marg, Mahim - 400 016,
Mumbai, India.
E-mail:
ninamadnani@gmail.com
ABSTRACT
The hair cosmetic
industry
has
undergone
a
revolutionary
change over the last
two decades. The
focus
has
dramatically veered
from
merely
cleaning to repair,
increasing
the
tensile
strength,
reducing
oxidative
damage,
and
stimulating growth.
Newer
shorter
procedures to make
hair look naturally
more
lustrous,
smooth,
and
manageable
have
evolved. Specialized
grooming products
have
been
formulated
to
cleanse, calm, and
condition the hair,
and are tailored for
different hair-types,
for example, dry,
dry-damaged,
oily,
colored, and gray
hair. Other products
are formulated to
Hair
cosmetics
Key
words:
INTRO
DUCTI
ON
good
volume,
and with
no
evidenc
e
of
balding.
[1]
To
achieve
this, the
hair-care
industry
has
provided
us with
a
A
healthy
head of
hair
is
describe
d as hair
that has
luster, is
smooth,
long and
silky,
bouncy,
with
plethora
and
of
restore
products
(if
to
possible
beautify
)
the
,
natural
enhance
hair
,
integrity
strength
.
Hair
en, and
dressing
nourish
has
our
evolved
tresses.
from
Most of
just
the
cutting,
products
to
work at
altering
the
the
cuticle
color,
level of
texture,
the
and
exposed
health
hair
of
the
shaft. A
hair.
few can
Frizzy
enter
hair can
the
be
cortex.
straight
Some
ened
hair
and
procedu
straight
res like
hair can
coloring,
be
perming
curled.
,
Underst
straight
anding
ening,
the
and the
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structur
DOI:
al
10.4103/0378-6323.116734
damage
.
Speciali
zed
structur
products
al
then
compon
have to
ents is
be used
essentia
to repair
l
to
underst
anding
hair
care.
STRUC
TURE
AND
PHYSI
CAL
CHARA
CTERIS
TICS
OF
HAIR
Healthy
hair
is
pigment
ed,
smooth,
glossy,
and
flexible
yet
strong,
with the
ability to
withstan
d
shearing
forces.
The hair
gloss
depends
upon
the
smooth
layering
of
the
cuticle,
while
the
strength
depends
on
the
integrity
of
the
cortex,
which is
made
up
of
15%
hard
keratin
(skin
contains
2%
keratin).
Hair
cosmeti
cs
act
on
the
part of
the hair
shaft
that
projects
beyond
the
scalp
surface.
The hair
consists
of
a
cortex
surroun
ded by a
multilay
ered
complex
cuticle
with/wit
hout
a
central
medulla.
The
cuticle
has
a
very
importa
nt role
to play
in
regulati
ng the
entry
and exit
of
chemica
ls/water
to
and
from the
cortex.
It
provides
protecti
on from
external
environ
mental
factors,
and
when
intact,
keeps
the hair
surface
smooth
and
glossy.
The
cuticle
is six to
eight
layers
thick
and
closely
adheren
t to the
inner
cortical
layer of
the hair
shaft. It
is
damage
d
in
procedu
res that
require
disruptio
n of the
cortex,
such as,
bleachin
g,
coloring,
and
Madnani
and Khan
perming
.
The
individu
al
cuticular
cells are
made
up
of
proteins,
lipids,
and
polysacc
harides.
The
cells are
colorless
and
arrange
d in an
overlapp
ing, roof
tile-like
pattern,
providin
g for an
impenet
rable
barrier
to
external
environ
mental
damage
.
The
open
ends of
the
overlapp
ing tiles
are
directed
away
from the
scalp,
toward
the
growing
tip. The
adjacent
hair
grows
and
moves
outward
in
relation
to each
other.
This
arrange
ment
facilitate
s
the
lifting
up
of
dirt and
scales,
helping
for easy
removal.
[2]
The
cells
overlap
such
that
only
onesixth of
each
surface
is
exposed
.
The
outermo
st layer
of cells
forming
the
cuticle
is called
the
epicuticl
e,
a
hydroph
obic
layer,
providin
g for the
first line
of
defense
against
water.
Immedia
tely
below is
the
Alayer,
which is
high in
cysteine
content.
The thiol
groups
of
adjacent
cysteine
residues
undergo
oxidatio
n
to
form
disulfide
bonds.
This
crosslinkage
confers
structur
al
strength
and
rigidity
to
the
cuticle.
The
subsequ
ent
layers
have
progress
ively
less
cystine
content
and
correspo
ndingly
less
rigidity.
The Blayer or
the
exocutic
le
lies
immedia
tely
below,
followed
by
the
endocuti
cle. The
endocuti
cle has
the least
cystine
content
and
is
much
softer.
S100A3
is
an
importa
nt
protein
compon
ent
of
the
endocuti
cle, and
is
released
during
harsh
chemica
l
procedu
res
resulting
in
instabilit
y of the
hair
structur
e.[3] It is
this
layer
that
absorbs
water
and
swells
up,
allowing
for
change
is
the
physical
properti
es
of
hair.
Finally,
the
cellular
membra
ne
complex
(CMC)
separat
es each
cell from
the one
below.
18methylei
cosanoic
acid
(18MEA) is
an
importa
nt lipid
compon
ent
of
this
hydroph
obic
layer. In
many
ways,
the
cuticle
is
similar
to
the
stratum
corneu
m of the
epiderm
is.
An
intact,
wellorganize
d cuticle
is
represe
ntative
of
healthy
hair.
The
cortex
lies
immedia
tely
beneath
the
cuticle
and
forms
the
major
compon
ent
of
human
hair.
It
consists
of
fusiform
spindle
cells
approxi
mately
100
microns
long,
arrange
d
longitudi
nally.
Each
spindle
cell has
microfib
rils and
macrofi
brils
within a
cystinerich
matrix.
The
cells are
held
together
by
an
intercell
ular
substan
ce and
have
complex
keratins
numberi
ng 1-17.
Disulfide
bonds
between
the
cysteine
residues
within
the
cortex
are the
stronges
t
and
structur
ally the
most
importa
nt bonds
that
hold the
keratin
proteins
together
.
They
are
responsi
ble
for
the
ultimate
shape of
the hair.
These
bonds
have to
be
dissolve
d during
the
procedu
res that
change
the
shape of
the hair.
Hydroge
n bonds
exist as
weaker
bonds
that can
stretch
during
simple
wetting
of hair.
The Vander-Waal
forces
and
Coulom
bic
interacti
ons
(saltlinks)
are the
Hair
cosmetics
weaker
bonds
present.
The
cells of
the
cortex
contain
melanos
omes
that are
responsi
ble
for
the
color of
the hair.
Hair
color is
almost
complet
ely
dictated
by
the
presenc
e
of
either
pheomel
anins
(red) or
eumelan
ins
(brown/
black)
within
the
melanos
omes.
Interesti
ngly,
the
melanos
omes
are
more
densely
arrange
d in the
outer
layers of
the
cortex
than at
the
central
core.
The
medulla
is at the
core of
the hair
fiber. It
is highly
variable
in
human
hair and
is made
up
of
specializ
ed cells
with air
spaces
in
between
. It is
rich
in
glycoge
n
and
citrulline
. It is
present
only in
the thick
dark
hair
of
the
scalp
and
is
lost
in
the
aging
gray
hair. Its
function
is
not
known.
The
structur
e
of
unproce
ssed
hair
is
perfectl
y
designe
d and its
outermo
st layer
remains
smooth,
wellprotecte
d, dries
quickly
when
wetted,
and
resists
diffusion
of water
into the
cortex.[4]
This
maintai
ns
the
structur
al
integrity
.
WEATH
ERING
OF
HAIR
The hair
surface
in
untreate
d
hair
has
a
pH
of
4.5
to
5.5. This
acidic
pH helps
to keep
the
cuticular
cells
closely
opposed
to
the
cortex.
Damage
to
the
cuticle
results
in
structur
al
changes
to
the
hair
shaft
over
a
period
of time
and
constitu
tes hair
weatheri
ng.
As
the
scalp
hair
of
women
grows
over
long
anagen
periods,
the hair
is
exposed
to
several
years of
cumulati
ve
damage
from
external
factors
[Figure
1a]. The
contribu
ting
factors
include
chronic
ultraviol
et
exposur
e,
excessiv
e
wetting,
repeate
d harsh
chemica
l
procedu
res
[Figure
1b], hot
combs,
blowdrying,
and
even
simple,
but
repeate
d
activitie
s, such
as rough
combing
and
brushing
.[5,6] Loss
of
cuticle
or
liftingup
of
the
cuticular
plates
Figure 1: (a and b)
Naturally
weathered
hair,
Weathered
following
cosmetic
procedures
Madnani
and Khan
exposes
the
cortex
that
is
then
readily
suscepti
ble
to
damage
resulting
in split
ends
(trichopt
ilosis)
and
frayed
tips.
Weather
ed hair
loses
moistur
e more
rapidly
than
normal
hair,
and
hence,
looks
dull and
dry.[7]
Weather
ing
is
not
a
common
occurren
ce
in
men
(except
those
with
long
hair
styles)
as their
hair are
constant
ly
cut,
which
helps
the
damage
(if any)
to
be
trimmed
off.
Hofbaue
r
Tsamba
os,
Spycher,
and
Trueb
have
reported
that the
excessiv
e
weatheri
ng seen
in areas
of
androge
netic
alopecia
is due to
a
low
threshol
d
to
damage
caused
by
changes
of
acquired
pili
annulati.
[8]
Environ
mental
dust,
dirt,
sebum
accumul
ation,
and hair
products
build up
on
the
hair
making
it sticky,
dull, and
often
unmana
geable.
This
is
termed
as
a
bad
hair
day.
Copper
from tap
water in
copper
water
pipes
gets
deposite
d on the
hair
during
washing
. Being
a
catalyst,
it
liberates
free
radicals
and
causes
the hair
to
become
dull and
damage
d.
Fortunat
ely
in
India,
we
do
not
have
copper
water
pipes.
Water
from
wells
also has
a
very
high
mineral
content,
which
can get
deposite
d on the
hair
shaft.
Hair
washed
with
such
water
can also
damage
the hair.
CLASSI
FICATI
ON OF
HAIR
COSME
TICS
The
various
compon
ents of
hair at
the
molecul
ar level
regulate
the
efficacy
of
various
hair
cosmeti
c
products
,
allowing
their
classific
ation as
follows:
Categor
y 1:
Those
that
length
work on
of their
the
hair and
exocuticl
many
e
had
Categor
plaited
y 2:
hair
Those
reaching
that
upto
work on
their
the
knees.
cortex or
Maintain
altering
a
the good
structu
scalp
ral and hair
integrit
hygiene
y was
of
a
the very
hairimporta
shaft.
nt part
to
Catego
healthy
ry 1
hair. The
These
concept
hair
of
hair
cosmeti
cleanser
cs
s used
include
in
shampo
ancient
os,
India
conditio
gave
ners,
rise
to
serums,
the
hair
word
sprays,
shampo
waxes,
o
gels,
(India:
mousses
Champo
.
).
Hair
cleanser
Shampo
s were
os
made by
Tradition
boiling
ally, the
soapnut
beauty
(Reetha;
of Indian
Sapindus
ladies
Mukoros
was
si) with
measure
Indian
d by the
goosebe
Detergents
Anionic
Cationic
Amphoteric
Non-ionic
Natural
rries
(Aamla;
Phyllant
hus
emblica)
and
shikakai
(Acacia
concinna
)
in
water
and
using
the
strained
water to
wash
the hair.
The
other
option
was
using a
paste of
Fullers
earth
(multani
matti)
on
the
scalp
and
rinsing it
off with
water.
The
Fullers
earth
would
adsorb
the
grease,
which
was
then
rinsed
off.
These
natural
cleanser
s
left
the hair
dry, and
Hair
cosmetics
hence,
people
moved
onto
using
shampo
os
formulat
ed with
better
conditio
ning
properti
es.
Shampo
os
are
formulat
ed
for
cleansin
g
the
hair.
Althoug
h
historica
lly, that
was
their
only
function
, today
specializ
ed
benefits
are
expecte
d,
almost
magical,
where
shampo
os
are
expecte
d to give
shine,
volume,
easy
Foaming
agents
Conditioners
Thickeners/
opacifiers
Additives
combabi
lity,
protecti
on
of
colored
hair
from
fading,
ultraviol
et
protecti
on, and
so
on.
The
media
hype
has
been
responsi
ble
for
these
heighte
ned
expectat
ions
from a
product,
which in
the past
merely
served
to clean
the hair.
These
are
surfacta
nts that
combine
and
emulsify
and
wash off
the
grease
and dirt
(soil).
Various
types of
surfacta
nts are
formulat
ed
to
cleanse
different
types of
hair
[Table
2]. The
most
popular
in
use
are
sodium
Table 1:
Constitu
ents
of
shampoo
s
All
shampo
Lauryl/lau
os have
reth
certain
basic
sulfates,
ingredie
sarcosines
[9]
nts
,
like [Table 1]
:
sulfosucci
1.
Detergent
nates
2.
Foaming agents
Amino
3.
Conditioners
esters,
4.
Thickeners
long chain
5.
Opacifiers
amino
6.
Sequestering
acids
agents
Imidazolin
7.
pH adjusters
iums,
8. . Preservatives
sultaines,
9.
Additives
betaines
Detergents
Polyoxyet
hylene
fatty
Natural:
alcohols/s
Plant
orbitol
extracts,
esters
almond
Soap
extract,
bark,
balm mint
agave,
oil, egg
soapwort
yolk,
Polyoxyet
chamomil
hylene
e, citrus,
sorbitol
clove,
esters,
basil
polyoxyet
Collagen,
hylene
vitamins,
fatty
ceramides
alcohols,
, and
alkanolam
glutamic
ides Soap
acid
nut,
Methyleico
acacia
sanoic
concinna
acid, PEG:
Lauramin
Polyethyle
e oxide,
ne glycol
lauramide
MEA,
cocamide
MEA,
cocamido
propyl
hydroxysu
ltaine,
polysorba
te 20
Fatty
alcohols/e
sters
Vegetable
/mineral
oils
Hydrolyze
d animal
protein
Aqueous:
Cellulose
gum, guar
gum, PEG,
methylcell
ulose,
clays Nonaqueous:
Organocla
ys,
polyethyle
nes,
trihydroxy
stearin,
fumed
silica
MEA:
Madnani
and Khan
Surfactants and hair types
Surfactant
Amphoterics, anionics
Anionic
Cationic
Cationic, amphoteric
Amphoteric
Amphoteric
laurel/la
ureth
sulfates
,
ammoni
um
lauryl/la
ureth
sulfates
,
triethan
ol
amine
lauryl
sulfate,
diethan
ol lauryl
sulfate,
and
sodium
olefin
sulfate.
Also, a
deterge
nt,
to
be very
effectiv
e
in
cleansin
g
the
hair,
would
also
strip
the hair
of
sebum,
leaving
them
dry.
Foaming
agents
These
are very
popular
in
shampo
os,
as
historic
ally,
people
equate
efficacy
with
foaming
of
the
shampo
o.
Greasy
hair will
require
repeate
d
washing
with
shampo
o, until
the
shampo
o foams
properly
.
Conditio
ners
An
effectiv
e
cleanse
r
will
strip
the hair
of
all
grease,
thus
leaving
it
dry
and
dull.
Hence,
shampo
os
incorpor
ate
various
ingredie
nts that
can
coat the
cuticle
to
improve
shine,
slip,
and
easy
combab
ility.
Thickene
rs
and
opacifier
s
These
appeal
to
the
aestheti
c
sensibili
ties of
the
user,
but do
not add
to
the
cleansin
g effect.
They
have to
be
compati
ble with
the
surfacta
nts.
Althoug
h
alkanol
amides
were
the
early
agents
used,
they
have
been
replace
d with
various
aqueou
s
and
nonaqueou
s
agents.
The
consum
er
equates
thickne
ss with
a better
aestheti
c
look
and
efficacy.
Betaine
s
combin
e with
the
anionic
surfacta
nts
to
make
large
micelles
,
and
also
contribu
te
electrol
yte salt
that
increas
es the
viscosit
y of the
product.
Sequest
ering
agents
A
deterge
nt,
when
used
with
hard
water,
leaves a
sticky
residue
on the
surface.
This
scum
renders
the hair
dull and
unmana
geable.
This is
often
seen
when
soap is
used to
cleanse
the hair.
Sequest
ering
agents
prevent
the
formati
on
of
this
scum
by
chelatin
g
the
calcium
and
magnes
ium
ions
from
hard
water.
pH
adjusters
Damag
ed hair
can
swell
with
alkaline
deterge
nts.
Hence,
when
formula
ting
suitable
shampo
os
for
such
hair, an
acidic
pH
adjustm
ent
is
done.
The
substan
ces
used
includes
citric
and
lactic
acid.
Hair
cosmetics
Additives
Various
addition
al
agents
are
added
to
shampo
os
to
either
give
better
conditio
ning or
to term
them as
a
natural
or
a
herbal
shampo
o.
Dependi
ng upon
the
nature
of
the
deterge
nt used,
shampo
os
are
targeted
for
various
hair
types.
Proper
shampo
oing
involves
wetting
the hair
complet
ely,
taking a
good
amount
of
shampo
o in the
palm
and
then
applying
it along
the
head
and
length
of hair.
Hair
should
not
be
piled up
on
top
of
the
head
before
applying
the
shampo
o as this
can lead
to
matting
of hair.
[10]
Conditio
ners
Conditio
ners
fulfill
the
need for
hair
shaft
protecti
on and
are
agents
either
incorpor
ated
into
shampo
os
or
used
after
cleansin
g,
on
slightly
damp
hair.
After a
shampo
o wash,
the
cuticles
get
slightly
lifted,
and the
hair
develop
s
a
negative
charge
causing
the hair
to repel
each
other
and
appear
rough
and
uncomb
ed.
Conditio
ners
flatten
the
cuticles
and seal
the gaps
that
could
expose
the
importa
nt
cortex
to
environ
mental
damage
.
Conditio
ning
agents
incorpor
ated
into
shampo
os
(labeled
as
conditio
ning
shampo
os/ dry
hair
shampo
os/hair
fall
shampo
os)
include
mineral
oils,
vegetabl
e
oils,
fatty
alcohols
/esters,
humect
ants,
hydrolyz
ed
animal
proteins,
glycerin
e,
stearalk
onium
chloride,
propylen
e glycol,
silicones
(dimethi
cone,
simethic
one),
and
natural
products
like
bees
honey
(an
emulsio
n
of
proteins
sugars
and
lipids),
vinegar,
wheat
germ
oil,
panthen
ol,
collagen
,
and
placenta
.
Silicone
s have
become
very
popular
as they
provide
good
slip
and
luster,
and
retain
moistur
e in the
hair, but
silicone
oil
is
hydroph
obic and
it does
not get
absorbe
d
onto
the hair
very
easily.
Sebum
is
a
natural
conditio
ner for
the hair.
By
capillary
action,
the
excreted
sebum,
coats
only the
proximal
1.5 inch
of
the
hair
shaft. It
is
the
process
of
combing
that
helps to
distribut
e
the
sebum
distally
and coat
the hair
evenly.
An ideal
conditio
ner, if it
did
exist,
would
need to
match
the
compon
ents and
natural
properti
es
of
sebum.
Hence,
they
would
need to
have a
combina
tion
of
free
saturate
d/unsat
urated
fatty
acids,
squalen
e,
choleste
rol, and
triglycer
ides.
The
practice
of using
hair oil
in India
since
ancient
times is
akin to
using
conditio
ners
today.
Coconut
oil, but
not
sunflow
er
or
mineral
oil, can
penetrat
e
the
hair
shaft
and
reduce
protein
loss.[11]
Commer
cially,
Madnani
and Khan
conditio
ners are
availabl
e
as
rinses,
instant,
leaveon,
serums,
and
professi
onal
conditio
ners.
Rinses
or
instant
conditio
ners are
applied
to
washed
and
toweldried
hair, left
on
for
two
to
five
minutes,
and
rinsed
off. They
serve
only to
improve
the
combabi
lity
of
the hair.
Leaveon
conditio
ners are
applied
to
washed
and
dried
hair,
and
remain
on
till
the next
shampo
o. They
smoothe
n down
the
cuticle
and
protect
the hair
from
weatheri
ng. They
are
conveni
ent and
popular.
They
contain
cationic
deterge
nts,
water,
lipids,
and
thickene
rs. They
may be
availabl
e in thin
or thick
formulat
ions.
Their
effect is
shortlived.
Leave-in
condition
ers
These
are
products
used for
curly or
unmana
geable
hair
prior to
styling
or blow
drying
and on
hair that
has
been
damage
d
by
chemica
l
process
es.
As
they
contain
mineral
and
vegetabl
e
oils,
petrolat
um, and
silicone,
they
impart
gloss to
the hair
and trap
in
moistur
e. These
are not
suitable
for fine
hair.
Deep
condition
ers
Popular
as
a
parlor
procedu
re,
these
are
creams
or
oils
applied
and left
on
for
20 to 30
minutes,
with or
without
a
steamer
,
and
then
rinsed
off. They
contain
concentr
ated
conditio
ning
agents
(protein,
quatern
ary
ammoni
um
salts).
They
provide
more
smoothe
ning of
the
cuticle,
and
hence,
better
gloss.
Anti-hair
loss
condition
ers
These
actually
contain
deep
conditio
ning
agents
that seal
the split
or
frayed
ends to
reduce
damage
and
brittlene
ss, and
thus,
indirectl
y reduce
hair fall.
Generall
y
consider
ed safe
for
regular
use, few
cases of
adverse
events
like
contact
dermatit
is have
been
reported
with the
use
of
both
shampo
os[12,13]
and
conditio
ners[14-16]
Shampo
os can
cause a
flare-up
of
childhoo
d
eczema
s.[17]
Hair
styling
product
s
The hair
industry
has
provided
us with
numero
us
products
to
use
before
or after
a
physical
hair
styling
procedu
re
like
curling
with
rollers,
ironing,
backcombing
,
and
the like.
These
products
help in
changin
g
the
texture
of
the
hair or
in
holding
the hair
in
a
particul
ar style
for long
wear.
Most of
them
can be
washed
off with
a
shampo
o
or
even
with
water.
Hair
cosmetics
The
popular
products
are hair
sprays,
gels,
waxes,
pomade
s,
and
mousses
.
Hair
sprays/fi
xatives
These
are
products
in
aerosol
form,
which
when
sprayed,
create
stiffness
and
hold
between
hair.
They are
employe
d after
styling
the hair
to hold
the style
for
an
extende
d
period.
The
main
constitu
ent
is
polyviny
lpyrrolid
one,
which is
water
washabl
e.
An
addition
of vinyl
acetate
make
the
sprays
longer
lasting
(highhold),
but
difficult
to
shampo
o
off.
Newer
softer
hair
sprays
contain
methacr
ylate
copolym
ers.
Hair gels
These
are
useful
products
for
individu
als with
diffuse
hair
thinning
,
as
when
applied
to
the
damp
hair, can
be
styled to
give
a
lift from
the
scalp,
giving a
semblan
ce
of
volume.
They
also
give
a
gloss to
the hair.
The
constitu
ents are
similar
to hair
sprays
and can
be used
for
styling
or
sculptin
g
the
hair
[Figure
2].
Hair
gives a
more
natural
look,
with less
hold.
waxes
Pomades
These
are
availabl
e as a
wax
containi
ng
copolym
ers,
which
are
softer
and can
be
evenly
spread
over dry
hair for
styling
and can
give an
oily
look.
and
Hair
mousses
These
are very
popular
because
of their
ease of
use.
Availabl
e as a
foam in
aerosoli
zed
cans,
they
contain
a
soft
copolym
er that
brilliantin
e
Very
popular
with
AfricanAmerica
n people
as
a
styling
aid.
These
are
products
that
contain
vegetabl
e/
Madnani
and Khan
mineral
oils,
petrolat
um,
lanolin
and
waxes,
and help
in
styling,
moisturi
zing and
conditio
ning the
hair.
They are
comedo
genic.
Brillianti
nes are
liquid
pomade
s
and
newer
formulat
ions
have
better
slip, as
they
contain
silicones
.
Shine'
sprays
These
contain
silicones
,
hydrolyz
ed
animal
proteins,
and
cationic
amino
acid
derivati
ves, and
leave a
shine
when
sprayed
on
damage
d
hair.
These
are very
useful
for hair
that has
become
dry and
lusterles
s.
Heat
protectiv
e'
products
Hair
styling
treatme
nts
using
thermal
energy
can
easily
damage
the hair,
especiall
y when
wet.
Speciali
zed
products
have
been
designe
d
to
address
this
particul
ar
problem
.
They
contain
conditio
ning
polymer
s
such
as
silicon,
petrolat
um, and
mineral
oil,
which
function
primaril
y
by
forming
lightweight
films.
These
act
as
thermal
barriers
and
offer
some
degree
of
protecti
on.
Camoufl
age'
products
Patients
with hair
loss
have a
decreas
ed
quality
of
life
(QoL)
and as
treating
physicia
ns,
dermato
logists
should
address
this
aspect
of
hair
loss.[18]
Several
cosmeti
c
products
are
availabl
e to be
used by
the
individu
al
to
conceal
the
alopecia
,
for
example
, Toppik
(keratin
fibers)
and
Hairous
e
(cellulos
e
fibers).
These
come in
various
shades
of brown
and
black,
and can
be
sprinkle
d on the
bald
areas.
Static
electricit
y make
the
fibers
adhere
to each
other
and the
hair on
the
scalp,
thus
effective
ly
conceali
ng the
bald
area.
Similarly
, cover
sticks
made of
cosmeti
cs that
work on
the
cortex
or alter
the
structur
al
integrity
of
the
hair
Figure 3: (a and b)
Cosmetic camouflage
with
a
cover-stick:
Before
and
immediately
after
application
waxes
and
pigment
can be
used by
individu
als who
wish to
conceal
the
gray
show
between
two
sessions
of
hair
coloring
[Figure
3].
Catego
ry 2
These
include
hair
shaft
and
include
hair
colors,
bleachin
g
agents,
straight
ening,
and
perming
agents.
Hair
cosmetics
Hair
colors
Youth is
represe
nted by
absence
of gray
hair.
Graying
b|
-j_____________________________________________|
A, Semi-permanent
-
- -________________|q
^Permanent
' C i' -I . ^
become
s
obvious
when at
least
20% of
hair
loses
pigment
. In the
quest
for
looking
young,
research
has
focused
on
providin
g
us
with
several
options
for
covering
gray
hair/cha
nging
hair
color
tempora
rily
or
perman
ently.
Hair
coloring
molecul
es are of
different
sizes,
with the
larger
molecul
es
mainly
getting
deposite
d on the
hair
shaft as
a
tempora
ry
or
semiperman
ent
color. In
order for
a
hair
dye
to
be
termed
perman
ent the
molecul
es
should
be
capable
of
penetrat
ing into
the
cortex
and
remaini
ng
there.
Gradual
hair dyes
These
are
homeuse
products
, which
give the
desired
color
after
several
days of
use. The
product
has
to
be
applied
daily on
the hair
till
the
desired
shade is
reached.
The
patient
then
stops
the
applicati
ons, but
would
need to
restart
once the
shade
starts
fading
off. The
gradual
hair
colors
contain
salts of
metals
(lead,
silver or
bismuth
) in a
liquid
form,
which
when
applied
to
the
hair,
leave
behind
the
metallic
salts as
sulfides,
oxides,
and
suboxid
es.
Complia
nce
is
not very
good
because
of
the
messine
ss
of
applicati
on, but
these
are
useful
for
individu
als who
are
allergic
to paraphenyle
nediami
ne
(PPD).
The end
result is
dull hair
with
a
notperfect
shade of
color,
which
fades off
faster
and
requires
constant
reapplic
ation. In
addition,
hair that
has
been
colored
with
these
gradual
dyes
cannot
be
subjecte
d
to
chemica
l
perming
or
straight
ening
procedu
res.
Some
example
s
of
gradual
hair
dyes
availabl
e in the
Indian
market
are
Vegetal
(nonPPD)
and
Godrej
Kesh
Kala
(PPDcontaini
ng).
Temporar
y
hair
dyes
These
are
useful to
brighten
the
original
hair
shade,
to add a
tint, or
enhance
dyed
hair.
They
get
washed
Madnani
and Khan
off with
water
and
barely
last till
the next
hair
wash.
They
use
textile
acid
dyes
(FDC
and DC
dyes).
Their
large
molecul
ar size,
keeps
them
outside
the
cuticle,
keeping
the
cortex
and
medulla
unaffect
ed
[Figure
4].
Silver
shampo
o is an
example
of
a
tempora
ry
dye
used by
women
with all
gray
hair to
give
a
silver
hair
look.
The
purple
and blue
dye
colors in
the
silver
shampo
o,
camoufl
age the
dull
yellow
stain,
which
these
hair
develop
when
combine
d
with
sebum
and
sweat.
Semipermane
nt
hair
dyes
These
are
water
soluble,
nonionic,
low
molecul
ar
mixtures
of preformed
dyes,[19]
the
number
s
of
which
vary
dependi
ng
on
the
shade
required
. These
do
not
require
hydroge
n
peroxide
.
They
are
usually
anthraq
uinone,
aromati
c
amines
or
aminoni
trobenz
enes,
and may
contain
up to 18
compon
ent dyes
to
obtain
the
required
shade.
The
product
is
applied
to
shampo
oed and
toweldried
hair, left
on
for
20
minutes
and
then
rinsed
off.
A
conditio
ner
is
used
postshampo
oing.
The
color
gets
reduced
with
each
shampo
o and is
complet
ely
washed
off in six
to eight
shampo
os.
A
patch
test
is
required
prior to
the use
of these
dyes.
Demipermane
nt
hair
colors
These
are
gentler
on
the
hair
than the
perman
ent
colors
as they
do
not
contain
ammoni
a,
and
have a
lower
concentr
ation of
hydroge
n
peroxide
(2%) as
compare
d
to
perman
ent hair
dyes
(6%).[20]
Hence,
the
irritation
to
the
scalp
and
damage
to
the
hair
shaft is
reduced.
They are
effective
in
covering
gray
hair, but
not
in
lightenin
g
the
hair
shade.
Permane
nt
hair
dyes
Perman
ent hair
colors
are the
most
common
ly used
hair
colors,
because
of their
longevit
y, ease
of use,
and
ability to
have a
range of
color
shades.
These
are also
superior
for gray
cover,
as
the
result is
perman
ent and
does not
get
washed
off. This
is
an
oxidatio
n
reaction
that
requires
the
combina
tion
of
para
dyes
(paraphenyle
nediami
ne,
paratoluene
diamine,
and
paraaminoph
enol,
known
as
the
primary
interme
diaries)
with
hydroge
n
peroxide
[Table 3]
to
liberate
oxygen.
This
process
couplers
takes
,
Hair
place
cosmetics
Table 3: Concentration
inside of Hydrogen peroxide used as a developer in
hair colors
the
Effectivity
cortex
and the
Used to darken hair for same level of color
entry is
To lighten hair color up to two levels
facilitate
To lighten hair color up to three levels
d
by
ammoni
which
a.
In
are
ammoni
aniline
a-free
dyes, to
hair
produce
dyes
the
this
require
work is
d color
perform
molecul
ed
by
es.
As
other
these
alkaline
color
agents
molecul
like
es are
sodium
large,
carbona
they
te
and
cannot
ethanola
pass
mine.
out
The
through
primary
the
interme
cuticle,
diaries
and
are
remain
smaller
firmly
molecul
bound
es that
in
the
can
cortex.
pass
A
through
change
the
of
cuticular
shade
cells.
from
Once
dark to
inside
light
the
and the
cortex,
reverse
they
is
combine
possible
with
.
The
color
remains
in
the
hair,
and
a
touchup
of
roots
may be
require
d after
six
to
eight
weeks
dependi
ng
on
the rate
of
growth.
It
is
importa
nt
for
the
touchup
process
to treat
only the
new
growth,
as the
older
hair
shaft
color
may
darken
due to
reapplicat
ion. As
PPD
derivati
ves can
cause
allergic
reaction
s,
a
patch
test is
necessa
ry
before
using a
perman
ent hair
dye. Of
late,
PPD is
being
incorpor
ated
into
henna
to give
a
deeper
color
and
is
markete
d
as
black
henna
(kali
mehendi
).
Perman
ent hair
colors
are
availabl
e
as
liquids,
gels,
and
creams.
A
homeuse
pack
contain
s
two
bottles
that
contain
colorles
s liquids
(hydrog
en
peroxid
e and a
primary
interme
diary in
combin
ation
with
surfacta
nts,
conditio
ner, and
so on).
The two
are
mixed
in equal
proporti
on and
applied
immedi
ately to
the hair.
Any
leftover
mixture
must be
discard
ed. The
proporti
on
of
combin
ation is
1:1.
Some
homeuse
packs
are
availabl
e
in
powder
form,
which
has to
be
reconsti
tuted
with
water.
Here,
the
oxidizin
g agent
is either
sodium
or
potassi
um
perbora
te
in
powder
ed
form.
The
final pH
achieve
d is 8-9.
Patch
test for
semiperman
ent and
perman
ent hair
colors
The hair
dye test
can be
an
open
test or
one
using
the
epicuta
neous
patch
test.
Open
test: On
a clean
area
behind
the ear
or
on
the
forearm
just
below
the
elbow,
the dye
mix
is
applied
with a
cotton
swab
and
allowed
to dry. If
there is
no
reaction
in 48 to
72
hours,
the dye
mix can
be
safely
used on
the
scalp.
The
epicuta
neous
patch
test is
the gold
standar
d. This
is done
with 2%
PPD in
petrolat
um. The
result is
read at
24
hours. A
1+
to
3+
indicate
s
allergy
to PPD.
Recentl
y, an in
vitro
assay
using
patient
s
periphe
ral
blood
mononu
clear
cells
has
been
develop
ed with
a
sensitivi
ty
of
100%.
[21]
Madnani
and Khan
Cross
reactions
Patients
sensitiv
e
to
PPD
may
possibly
cross
react
with
compou
nds
listed in
Table 4.
Safety
regulatio
ns
for
paraphenylen
ediamine
The
Europea
n
Commis
sion
Directiv
e 2009
regulati
on
directs
that the
maximu
m
concent
ration
of hair
dye
substan
ces
in
oxidativ
e
hair
dyes
should
not
exceed
2%.[22]
This
may be
true for
hair dye
regulati
ons, but
studies
attempt
ing
to
quantify
the
percent
age of
PPD in
decorati
ve
henna
tattoos
have
shown
alarmin
g levels
varying
betwee
n
164%.
[23,24]
Sideeffects
of
hair
dyes
Most
reaction
s to hair
dye are
due to
the PPD
content.
The role
of
ammoni
a is to
facilitat
e
dye
penetra
tion,
and
ammoni
a-free
dyes,
althoug
h
gentler
to
the
hair
shaft,
do not
prevent
PPD
reaction
s. Hair
dye
reaction
s most
commo
nly
present
as
allergic
or
irritant
contact
dermati
tis.
Some
patients
may
experie
nce
photoall
ergic
dermati
tis.[21]
Dyeinduced
depigm
entation
is
not
uncom
mon[25]
and
tends to
run
along
the
hairline.
With
subseq
uent
exposur
es,
there
may be
a more
widespr
ead
present
ation.
Hair
dyes
change
the
texture
of
the
hair by
strippin
g
off
the 18MEA
layer,
and
thus,
making
it
coarse
and
dull.
PPD in
perman
ent hair
dyes
induces
apoptos
is
of
cells
and
thus
contribu
tes
to
hair fall.
[26,27]
Uncom
mon
reaction
s
include
lympho
matoid
reaction
,
erythe
ma
multifor
me,[28]
and
even
anaphyl
axis[29]
followin
g
hair
dye
applicat
ion.
Hair dye
and
cancer
risk
There is
conside
rable
debate
on the
associat
ion
betwee
n
the
use of
hair dye
and
develop
ment of
cancer.
It
started
in
the
1970s,
with the
observa
tion
that
perman
ent hair
dyes
contain
certain
chemic
als that
were
structur
ally
similar
to
aromati
c
amines
known
to
cause
bladder
cancer.
[30]
This
was
especial
ly true
for hair
dyes
manufa
ctured
before
1980,
when
there
were no
restricti
ons on
the
manufac
turing
process.
After the
US Food
and
Drug
Administ
ration
(FDA)
placed
regulato
ry
guidelin
es
on
hair dye
formulat
ion
in
1980,
there
has
been a
significa
nt
change
in
hair
dye
composi
tion.
Most
recent
studies
and
reviews
of
the
Table 4:
Crossmetareactivity
with PPD
analysis
aine
Local anesthetics
do
not
ic
Found in sunscreens, shampoos, and
support
cosmetic products
causal
lic
Anti-tuberculosis a
drug
relations
Food and medication
hipcolorant,
semi-permanent and permanent dyes,
between
gasoline and diesel oil, ballpoint pen ink
personal
Drugs
hair dye
ugs
enediamine
use and
Hair
bladder
cosmetics
maligna
ncies.
[31,32]
Howeve
r,
hairdres
sers still
remain
at
a
higher
risk.[33]
Few
reports
link an
increase
d
incidenc
e
of
Follicula
r
Lympho
ma
(a
variant
of NonHodgkin
s
Lympho
ma
(NHL))
in
patients
using
perman
ent hair
dyes,
but this
is again
true for
those
using
hair
dyes
prior to
1980.
[34,35]
Also, it
has
been
propose
d that a
possible
genetic
variatio
n in the
Nacetyltr
anfefera
se
enzyme
may be
an
underlyi
ng
predispo
sing
factor
for
develop
ment of
NHL in
certain
groups
of
patients
applying
hair
dyes.[36]
Use
of
hair
colors
does not
appear
to
increase
the risk
of
develop
ment of
breast
cancer.
[37]
Indian
hair dyes
Several
hair
dyes are
availabl
e
in
India for
home
use, for
example
, Bigen,
Godrej
Hair
Color,
LOreal
excellen
ce,
Garnier
ammoni
a-free,
and for
salon
use,
Wella,
Majirel,
Inoa,
and so
on. Most
of these
have
PPD as
an
active
ingredie
nt and
sensitivi
ty
testing
is
recomm
ended
for most
of then
before
every
use.
Bigen
contains
2-nitroPphenyle
nediami
ne
Sulfate
and
4nitro-Ophenyle
nediami
ne
sulfate
as PPD
derivati
ves,
with
sodium
perborat
e as the
oxidizin
g agent.
It
is
mixed
with
water
and
then
applied.
The
percent
age
of
PPD
is
not
more
than
0.98%
when
mixed.
Various
homeuse
formulat
ions
(containi
ng PPD)
are
availabl
e, some
as
surfacta
ntbased
and
some
are with
addition
al
conditio
ning
agents.
The
Godrej
hair
color
althoug
h
labeled
as
herbalbased,
recomm
ends a
skin
sensitivi
ty test.
It is a
powder
formulat
ion,
which
when
mixed
with
water,
has
a
PPD
content
of
not
more
than
1.5%. In
this
case,
herbs
are
added
for
improvin
g
the
quality
of
the
hair
[Figure
5].
Vegetabl
e dyes
A
number
of
herbal
and
Ayurvedi
c dyes
are
availabl
e
in
India
under
various
trade
names
such as
Black
Rose
hair dye
herbal
(claims
herbal,
but
advocat
es
sensitivi
ty test),
Optima
Hair dye
(PPD
and
ammoni
a-free,
but
contains
paratoluene
diamine
sulfate),
Khadi
dye
(contain
s
henna),
Vegetal
(contain
s henna
and
other
herbs),
and
Indus
Valley
hair
color,
among
others.
Henna
(Lawsoni
a alba),
is
a
natural
organic
substan
ce,
which is
popular
in India
for
decorati
ve
tempora
ry
tattoos
and for
coloring
gray
hair. The
active
ingredie
nt
Figure 5: Locally available herbal-based permanent hair dye containing para-phenylenediamine. (a) (Inset) [close up
image showing the para-phenylenediamine content declaration]
is
2-hydroxy
1,4
napthaquinone.
The
active
purposes.[40]
Hair cosmetics
Hair bleaching
This is a process used when the individual is
unhappy with the existing hair color, and wants to go
lighter (all scalp hair), or wants to get hair
highlighted in streaks (small sections of hair). It
involves two steps, namely, stripping hair of all
eumelanin, and then using a toner to get the
required shade. This process is capable of only
bleaching eumelanin and not pheomelanin. A mix of
hydrogen peroxide and ammonia (with/ without
ammonium/potassium persulfate as a booster) is
used for opening up the cuticle and stripping the
eumelanin from the cortex. When extreme color
change is done, that is, from black or dark brown to
blonde, the process requires boosters that can result
in severe damage to the hair shaft. Hair bleaching is
a time-bound process where the hairdresser checks
the color of the hair every 10 to 15 minutes. The
total duration depends on the final color required.
The hair is then washed with a specialized shampoo.
The next step is the application of the hair color that
Hair highlighting
Highlighting is a process by which isolated sections
of hair are either lightened or darkened. This is done
by the foil method, where strands of hair are
separated by a comb and laid over an aluminum foil
sheet, and then painted with a mixture of hydrogen
peroxide and pigment [Figure 6a]. The foil is then
folded, and the contact time depends upon the
shade required. Every 10 to 15 minutes, the foil is
unfolded to check the degree of lightening. The
remaining steps are as mentioned earlier. The result
is an enhanced esthetic appearance [Figure 6b].
Peters reported a burn following hair highlighting
using foil.[43] Often darker hair has to be bleached
Figure 7: Dip - dyeing is a new trend for hair color among the youth
Figure 6: (a) Silver foil used to isolate strands of hair for highlighting / bleaching (b) End result of the highlighting
process
CONCLUSION
Newer products are in the pipeline, making the hair
industry
a
continuously
evolving
one.
As