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There are many history and meaning about art and culture.. now, i want to
discusse about art and culture in our country.. first ill tell you little about
history of art in indonesia. There are many art in indonesia like Music,
Dance, Material Art, Theater, Painting, Sculpture, Crafts, Literature, Sport,
Architecture, Radio, Cinema, Cuisine. Indonesian culture included Religion,
Dance
Indonesian dance reflects the diversity of culture from ethnic groups that
composed the nation of Indonesia. Austronesian roots and Melanesian
tribal dance forms are visible, and influences ranging from neighboring
Asian countries; such as India, China, and Middle East to European
western styles through colonization. Each ethnic group has their own
distinct dances; makes total dances in Indonesia are more than 3000
Indonesian original dances. However, the dances of Indonesia can be
divided into three eras; the Prehistoric Era, the Hindu/Buddhist Era and the
Era of Islam, and into two genres; court dance and folk dance.
There is a continuum in the traditional dances depicting episodes from the
Ramayana and Mahabharata from India, ranging through Thailand, all the
way to Bali. There is a marked difference, though, between the highly
stylized dances of the courts of Yogyakarta and Surakarta and their
popular variations. While the court dances are promoted and even
performed internationally, the popular forms of dance art and drama must
largely be discovered locally.
During the last few years, Saman from Nanggroe Aceh Darussalam has
become rather popular and is often portrayed on TV.
Martial Art
The art of silat was created and firstly developed in the islands of Java and
Sumatra. It is an art for survival and practiced throughout Indonesian
archipelago. Centuries of tribal wars in Indonesian history had shaped silat
as it was used by the ancient warriors of Indonesia. Silat was used to
determine the rank and position in old Indonesian kingdoms.
Contacts with Indians and Chinese was further enriched silat. Silat
reached areas beyond Indonesia mainly through diaspora of Indonesian
people. People from various regions like Aceh, Minangkabau, Riau, Bugis,
Makassar, Java, Banjar, etc. moved into and settled in Malay Peninsula and
other islands. They brought silat and passed it down to their descendants.
The Indonesian of half-Dutch descent are also credited as the first to
brought the art into Europe.
Silat was used by Indonesian freedom fighters during their struggle
against the Dutch colonists. Unfortunately after Indonesia achieving their
independence, silat became less popular among Indonesian youth
compare to foreign martial arts like Karate and Taekwondo. This probably
because silat was not taught openly and only passed down among blood
relatives, the other reason is the lack of media portrayal of the art.
Efforts have been made in recent years to introduce and reintroduce the
beauty of silat to Indonesian youth and the world. Exhibitions and
promotions by individuals as well as state-sponsored groups helped the
growing of silat's popularity, particularly in Europe and United States.
Indonesian 2009 Silat movie Merantau is one of Indonesian efforts to
introduce silat to international scene.
Another martial art from Indonesia is Tarung Derajat. It is a modern
combat system created by Haji Ahmad Drajat based on his experience as
a street fighter. Tarung Drajat has been acknowledge as a national sport
by KONI in 1998 and is now using by Indonesian Army as part of their
basic training.
Painting
Indonesian painting before the 19th century are mostly restricted to the
decorative arts, considered to be a religious and spiritual activity,
comparable to the pre-1400 European art. Artists name are anonymous,
since the individual human creator was seen as far less important than
their creation to honor the deities or spirits. Some examples are the
Kenyah decorative art, based on endemic natural motifs such as ferns and
hornbills, found decorating the walls of Kenyah long houses. Other notable
traditional art is the geometric Toraja wood carvings.
Under the influence of the Dutch colonial power, a trend toward Westernstyle painting emerged in the 19th century. In the Netherlands, the term
"Indonesian Painting" is applied to the paintings produced by Dutch or
other foreign artists who lived and worked in the former NetherlandsIndies. The most famous indigenous 19th century Indonesian painter is
Raden Saleh (1807-1877), the first indigenous artist to study in Europe.
His art is heavily influenced by Romanticism.[1]
During the 1960s, new elements were added when abstract expressionism
and Islamic art began to be absorbed by the art community. Also during
this period, group of painters that are more concerned about the reality of
Indonesian society began to appear, taking inspiration from the social
problem such as division between the rich and the poor, pollution, and
deforestation. The national identity of Indonesia was stressed by these
painters through the use of a realistic, documentary style. During the
Sukarno period this socially-engaged art was officially promoted, but after
1965 it lost popularity due to its presumed communist tendencies.[3]
Three art academies offer extensive formal training in visual art: Bandung
Institute of Technology founded in 1947; the Akademi Seni Rupa Indonesia
(Indonesian Fine Arts Academy) or ASRI, now known as ISI, in Yogyakarta
was inaugurated in 1950; and the Institut Kesenian Jakarta (Jakarta Arts
Institute) or IKJ, was opened in 1970.
Sculpture
Indonesia has a long-he Bronze and Iron Ages, but the art-form
particularly flourished in the eighth to tenth centuries, both as stand-alone
works of art, and also incorporated into temples.
Most notable are the hundreds of meters of relief sculpture at the temple
of Borobudur in central Java. Approximately two miles of exquisite relief
sculpture tell the story of the life of Buddha and illustrate his teachings.
The temple was originally home to 504 statues of the seated Buddha. This
site, as with others in central Java, show a clear Indian influence.
Architecture
For centuries, the most dominant influences on Indonesian architecture
were Indian, although European influences have been particularly strong
since the nineteenth century and modern architecture in Indonesia is
international in scope.
As in much of South East Asia, traditional buildings in Indonesia are built
on stilts, with the significant exceptions of Java and Bali. Notable stilt
houses are those of the Dayak people in Borneo, the Rumah Gadang of
the Minangkabau people in western Sumatra, the Batak people in northern
Sumatra, and the Tongkonan of the Toraja people in Sulawesi. Oversized
saddle roofs with large eaves, such as the homes of the Batak and the
tongkonan of Toraja, are often bigger than the house they shelter. The
fronts of Torajan houses are frequently decorated with buffalo horns,
stacked one above another, as an indication of status. The outside walls
also frequently feature decorative reliefs.
The eighth-century Borobudur temple near Yogyakarta is the largest
Buddhist temple in the world, and is notable for incorporating about 160
relief panels into its structure, telling the story of the life of the Buddha.
As the visitor ascends through the eight levels of the temple, the story
unfolds, the final three levels simply containing stupas and statues of the
Buddha. The building is said to incorporate a map of the Buddhist cosmos
and is a masterful fusion of the didactic, the monumental and the serene.
The nearby ninth-century temple complex at Prambanan contains some of
the best preserved examples of Hindu temple architecture in Java. The
temple complex comprises eight main shrines, surrounded by 250 smaller
shrines. The Indian influence on the site is clear, not only in the style of
the monument, but also in the reliefs featuring scenes from the Ramayana
which adorn the outer walls of the main temples, and in the votive
statuary found within.
Crafts
Several Indonesian islands are famous for their batik, ikat and songket
cloth. Once on the brink of disappearing, batik and later ikat found a new
lease of life when former President Suharto promoted wearing batik shirts
on official occasions. In addition to the traditional patterns with their
special meanings, used for particular occasions, batik designs have
become creative and diverse over the last few years.
Literature
Pramoedya Ananta Toer was Indonesia's most internationally celebrated
author, having won the Magsaysay Award as well as being considered for
the Nobel Prize in Literature. Other important figures include the late
Chairil Anwar, a poet and member of the "Generation 45" group of authors
who were active in the Indonesian independence movement. Tight
information controls during Suharto's presidency suppressed new writing,
especially because of its ability to agitate for social reform.
In the book Max Havelaar, Dutch author Multatuli criticised the Dutch
treatment of the Indonesians, which gained him international attention.
Modern Indonesian authors include Seno Gumira Adjidarma, Ayu Utami,
Gus tf Sakai, Eka Kurniawan, Ratih Kumala, Dee, Oka Rusmini. A few of
their works have translated into other languages.
Poetry
There is a long tradition in Indonesia, particularly among ethnically Malay
populations, of extemporary, interactive, oral composition of poetry. These
poems are referred to as pantun.
Cuisine
The cuisine of Indonesia has been influenced by Chinese culture and
Indian culture, as well as by Western culture. However in return,
Indonesian cuisine has also contributed to the cuisines of neighboring
countries, notably Malaysia and Singapore, where Padang or Minangkabau
cuisine from West Sumatra is very popular. Also Satay (Sate in
Indonesian), which originated from Java, Madura, and Sumatra, has gained
popularity as a street vendor food from Singapore to Thailand. In the
Cinema
The largest chain of cinemas in Indonesia is 21Cineplex, which has
cinemas spread throughout twenty-four cities on the major islands of
Indonesia. Many smaller independent cinemas also exist.
In the 1980s, the film industry in Indonesia was at its peak, and
dominated the cinemas in Indonesia with movies that have retained a
high reputation, such as Catatan Si Boy and Blok M and actors like Onky
Alexander, Meriam Bellina, Nike Ardilla and Paramitha Rusady. [8] However,
the film industry failed to continue its successes in the 1990s, when the
number of movies produced decreased significantly, from 115 movies in
1990 to just 37 in 1993.[9] As a result, most movies produced in the '90s
contained adult themes. In addition, movies from Hollywood and Hong
Kong started to dominate Indonesian cinema. The industry started to
recover in the late 1990s, with the rise of independent directors and many
new movies produced, such as Garin Nugroho's Cinta dalam Sepotong
Roti, Riri Riza and Mira Lesmana's Petualangan Sherina and Arisan! by Nia
Dinata.[8] Another form of recovery is the re-establishment of the
Indonesian Film Festival (FFI), inactive for twelve years, and the creation
of the Jakarta International Film Festival. Daun di Atas Bantal (1998)
received The Best Movie award in the 1998 Asia Pacific Film Festival in
Taipei.[10]
Radio
The state radio network Radio Republik Indonesia (RRI) was founded in
1945. It consists of a network of regional stations located in all thirty-three
provinces of the archipelago. In most cities and large towns there are also
many commercial stations. Since 2006, several digital radio stations have
been based in Jakarta and Surabaya, using Digital Audio Broadcasting
(DAB) and Hybrid HD-Radio.