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Centre for Philosophy of Natural and Social Science, London School of Economics,
Houghton Street, London WC2A 2AE
Published online: 09 Jan 2014.
To cite this article: Nicholas Humphrey (2000) Now You See It, Now You Dont: Commentary by Nicholas Humphrey
(London), Neuropsychoanalysis: An Interdisciplinary Journal for Psychoanalysis and the Neurosciences, 2:1, 14-17, DOI:
10.1080/15294145.2000.10773275
To link to this article: http://dx.doi.org/10.1080/15294145.2000.10773275
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Nicholas Humphrey
Now You See It, Now You Don't: Commentary by Nicholas Humphrey (London)
15
Sensation, taken by itself, implies neither the conception nor belief of any external object. It supposes a
sentient being, and a certain manner in which that
being is affected; but it supposes no more. Perception
implies a conviction and belief of something external-something different both from the mind that perceives, and the act of perception. Things so different
in their nature oUght to be distinguished [Reid, 1785,
Vol. 2, chapters 16 & 17].
For example, Reid said, we smell a rose, and two
separate and parallel things happen: we both feel the
sweet smell at our own nostrils and we perceive the
external presence of a rose. Or, again, we hear a hooter
blowing from the valley below: we both feel the booming sound at our own ears and we perceive the external
presence of a ship down in the Firth. In general we
can and usually do use the evidence of sensory stimulation both to provide a "subject-centred qualia-rich
representation of what's happening to me," and to
provide "an objective, affectively neutral representation of what's happening out there" (Humphrey,
1992).
Now, what Crick and Koch are identifying as the
core phenomenon of consciousness is clearly meant
to be the first of these: sensation, not perception. Yet,
one reason why they-and all of us-need to be so
careful is that it is so easy to muddle the two up.
Reid again:
[Yet] the perception and its corresponding sensation
are produced at the same time. In our experience we
never find them disjoined. Hence, we are led to consider them as one thing, to give them one name, and
to confound their different attributes. It becomes very
difficult to separate them in thought, to attend to each
by itself, and to attribute nothing to it which belongs
to the other. To do this, requires a degree of attention
to what passes in our own minds, and a talent for
distinguishing things that differ, which is not to be
expected in the vulgar, and is even rarely found in
philosophers [Reid, 1785, Vol. 2, Chapter 17].
To repeat: sensation has to do with the self, with
bodily stimulation, with feelings about what's happening now to me and how I feel about it; perception has
to do with judgments about the objective facts of the
external world. Things so different in their nature
ought to be distinguished. But rarely are they.
Sigmund Freud was surely looking to make just
this crucial distinction when he contrasted his two
principles of mental functioning, the "pleasure" and
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But, then, the obvious test case would seem to be an
ambiguous picture, such as the Necker cube or the
duck/rabbit, where, while the visual image and hence
the raw sensation of "what's happening to me" remains constant, the perception of "what's happening
out there" may radically alter.
At the London conference Searle challenged me
directly about such cases, saying that, for example, it
was perfectly obvious to him that the Necker cube
seen in one way is a consciously different phenomenon from the same cube seen the other way-thus
proving that we can be conscious of what is perceived
as well as of what is sensed.
Well, can we? I admit on the evidence of introspective observation the answer must be Yes. When
the cube reverses in depth there is surely something
that consciously changes. And it is certainly not at the
level of sensation of the visual image (which, qua
represented image, does not even have a depth dimension to reverse).
What is this something, then? When the cube reverses, is there, as Searle would want to say, a change
in some aspect of nOllsensory perceptual consciousness-perhaps the coming and going of "cube-qualia"? (Just as, with the duck/rabbit, he might want to
postulate the coming or going of "duck-qualia" or
"rabbit-qualia"? I am not joking: some theorists are
really prepared to talk this way. V. S. Ramachandran
and Hirstein [1997], for example, write of "dog qualia"). If so, our argument is lost.
Or, is there perhaps another possibility? When
the cube reverses, is there a change not in nonsensory
qualia nor in visual qualia but in sensory qualia of
another nonvisual kind? I believe there are in fact two
ways that this could be happening.
One way of understanding it would be to take up
an idea of Mark Solms (which he himself attributes
to Freud), and to suggest that conscious experience is
comprised not only of the five basic modalities of sensory qualia but also of an additional dimension of affect. "Affective qualia," Solms writes, "(which are
calibrated in degrees of pleasure/unpleasure) are
wholly equivalent to the qualia of vision, hearing,
smell, etc., and are irreducible to them" (Solms, 1997,
p. 773). So, whenever we experience a sight or a sound
or a taste, etc., perhaps the conscious experience is
likely to consist both of the specific sensory qualia
and of whatever affective qualia are being activated.
But, while the sensory qualia are fixed solely by the
sensory stimulus, the affective qualia may be influenced not only by the stimulus but also by what is
being perceived. With an ambiguous figure, then, even
Nicholas Humphrey
though the visual sensation remains constant, when
the perception changes the affective qualia may
change too.
I think this is a nice idea, and in some cases it
might be correct. But I am not sure it will do in general. Different affective feelings for ducks and rabbits?
Well, why not. But different feelings for the two versions of the Necker cube? Unlikely.
The other way would be to take up an idea of my
own (Humphrey, 1992) and also of Patrick Wall
(Wall, 1999), and to suggest that what is crucial is not
so much affect as action. Suppose that whenever we
perceive anything (and sometimes even when we
merely think of things) we always implicitly formulate
a plan of action-for example a plan to reach out and
take hold of it. And suppose that such action, even
when implicit, always has a small but noticeable qualitative feel to it-either on its own account via somatic
sensation or through modeling of the sensory feedback
that would be expected.
Let's call this additional dimension the dimension of "agentic qualia." Then, whenever we experience a sight or a sound or a taste, etc., the conscious
experience can be expected to consist not only of the
sensory qualia appropriate to the particular sensation
but also of whatever agentic qualia are being called
into being.
This solves the problem of the Necker cube. For,
now we can postulate that, even while the visual sensation remains constant, there may be a covert change
in action plan when the perception of the cube reverses, and so a slight change in the overall sensory
qualia.
Unfortunately I suspect that Crick and Koch are
not going to like this last suggestion entirely. For I
have to note that it would complicate and maybe undermine one of the main planks of their empirical
approach to looking for the neural correlate of visual
consciousness. The reason is that Crick and Koch believe that one of the best ways to find the neural correlate of visual consciousness might be to identify
changes in the activity of the visual pathways of the
brain that are correlated with changes in the perception
of just these ambiguous figures; for example, the
Necker cube (e.g., Crick, 1994, p. 218).
But now this looks like being a mistaken effort.
For if I am right about the role of agentic qualia, or
for that matter if Solms is right about affective qualia,
then when the perception changes, the crucial change
in consciousness is not being generated by activity in
the visual pathways at all-it is almost certainly being
generated much further forward in the region of the
brain that controls action and affect.
References
17
Schactel, E. G. (1963), Metamorphosis. London:
Routledge & Kegan Paul.
Sohns, M. (1997), What is consciousness? 1. Amer. Psychoanal. Assn., 45:681-703.
Methodology