Gerlach en Koop - Choses Tuees

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Gerlach En Koop - Choses Tuees

ROMA Publications 2015 ISBN 9789491843488 Acqn 25737
Pb 21x29cm 118pp 20col ills 22.50
Working as a collective since 2000, the artists gerlach en koop apply repetition, copying, or reuse
to render things visible. Through displacement and misplacement, omissions, erring, and making
mistakes, they enact their fascination with the minute differences between two identical things.
The smaller the distance, the more interesting a thing can be. Using objects, readymades,
architectural interventions, sculptural or graphic images, words or gestures, they create works
that are both straightforward and sophisticated. This book is the first volumes in a series, and is
published on the occasion of the eponymous exhibition at de Appel arts centre in Amsterdam in
fall 2015.
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Irene Kopelman Entanglement

Pb 21x28cm 99ills 8col 21.50
Irene Kopelmans work explores the parallel worlds of artists and researchers. In 2012, she
applied for a Smithsonian Artist Research Fellowship, an opportunity that could ignite endless
ideas. This book is the result of the work she produced during visits to the Smithsonian Tropical
Research Institute in Panama. Without formal scientific training, Kopelman hoped to achieve an
understanding of methods in field biology, and contacted three researchers to assist as
interlocutors: Stuart J. Davies (forest ecology), Owen McMillan (adaptive variation), and Bill
Wcislo (animal behaviour). She replicates the forms of woody vines, mangrove roots, and
randomly scattered crab pellets.
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Jennifer Tee - The Soul In Limbo

Pb 21x28cm col ills 27
The Cobra Museum of Modern Art presents The Soul in Limbo, a solo exhibition by Jennifer Tee
(b. 1973, the Netherlands) in the framework of the 6th edition of the Cobra Art Prize. The Soul in
Limbo comprises a variety of works set within an exhibition architecture developed by Tee. The
exhibition highlights various thematic aspects of her work over the past decade including the most
recent developments. The exhibition's title derives from Andr Bretons novel Nadja(1928) and
refers to a recurrent subject in Tees works: the state of being in-between, on the border between
the here and the possible. During the exhibition, several performances will take place. In addition,
Kunstverein Amsterdam, in collaboration with the artist and the Cobra Museum, presents Jennifer
Tee meets Cobra.
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Zachary Formwalt - Three Exchanges

Pb 17x23cm 300pp col ills 28.75
In three recent video installations, Zachary Formwalt focuses on the architecture of OMAs new
Shenzhen Stock Exchange and the Amsterdam stock and commodities exchange by H.P.
Berlage. Although our economy is dictated by financial transactions, the activity of trading itself
has become increasingly remote, without actual human encounter. The architecture of the two
buildings serves as a starting point for a investigation into the limitations of photography to
represent global capital and into the interrelationships between financial capitalism and imagemaking.
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Politics Of Installation
Pb 20x27cm 64pp 60ills 25col 18
In the spring of 2015, two exhibitions under the title Politics of Installation were made by Belgian
artists Hans Demeulenaere and Bas van den Hurk. The title refers to a text by Boris Groys, in
which he claims that installations made by artists reveal a sovereign world. Within these worlds
there is not one dominant perspective, but rather an exchange of multiple perspectives. An
important part of the project was to include art historical lines based on architectural elements.
Demeulenaere refers to the work of architect Aldo van Eyck, and Van den Hurk to the
architecture of Juliaan Lampens.
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Seth Siegelaub - The Xerox Book - Andre Barry Huebler Kosuth Lewitt Morris Weiner
Pb 21x28cm 372pp ills 26.50
This exhibition in book form was originally published by American curator and art dealer Seth
Siegelaub in 1968. Organised to show work outside of the gallery setting, the book presents
several artists associated with Siegelaubs curatorial practice, and applies unconventional modes
for the exhibition and distribution of art. Siegelaub asked each participating artist to create 25
pages of work that responded to the photocopy format, which was new at the time. A pivotal
exhibition for conceptual art in the 1960s, it has now been republished in a second edition
through a collaboration by Roma Publications, Stedelijk Museum Amsterdam, De Appel arts
centre, and Egress Foundation.
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Surrealism in Belgium - The Discreet Charm of the Bourgeoisie

Marot 2015 ISBN 9782930117430 Acqn 25202
Hb 27x31cm 160pp 250ills 125col 43.95
From the start, the Belgian Surrealists--among them Ren Magritte, Paul Delvaux, Paul Noug,
E.L.T. Mesens and Marcel Marin--distinguished themselves from their Parisian counterparts with
their dry wit, brilliant conceptualism and knack for combining the fantastical and the everyday
(e.g., Magritte's bowler-hatted men, or Marcel Marin's iconic single-lensed spectacle), and their
disinclination to issue Breton-style manifestos.
This revelatory volume celebrates the Surrealist movement in Belgium through a group of more
than 250 paintings, drawings, photographs, prints and books by artists such as Rachel Baes,
Paul Delvaux, Camille Goemans, Jane Graverol, Tom Gutt, Jacques Lacomblez, Ren Magritte,
Marcel Marin, Jacques Matton, Edouard (E.L.T.) Mesens, Paul Noug, Gilbert Senecaut, Louis
Scutenaire, Max Servais, Armand Simon, Andr Stas Raoul Ubac, Louis Van de Spiegele, Rogier
Van de Wouwer and Robert Willems.
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Whistler and the World

Colby College Museum Of Art 2015 ISBN 9780972848411 Acqn 25206
Hb 23x31cm 320pp 345col ills 39.95
In his "Ten O'Clock Lecture" in 1885, American James McNeill Whistler (1834-1903) presented
himself as an artist set apart from the public, bearing no relation to the historical moment in which
he lived. However, the myth of artistic independence that Whistler developed was but one part of
a complex and highly significant relationship he had with the world around him. As a painter,
printmaker, designer, traveller and performer, Whistler engaged with a variety of places, people
and ideas that stretched from the United States to London, Venice and Japan. Drawn entirely
from the Lunder Collection, this comprehensive catalogue places Whistler in a dynamic
international and cosmopolitan context.
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Brakhage's Childhood
Granary Books 2015 ISBN 9781887123839 Acqn 25228
Pb 17x23cm 350pp 35ills 31.95
Brakhage's Childhood recounts the story of visionary American filmmaker Stan Brakhage's (19332003) life up to age 12. In 1983 Stan and Jane Brakhage began a series of interviews wherein
Stan described his life and Jane took notes. Each session yielded a chapter and each chapter
usually a place. After each interview Jane organized, wrote and edited the stories. After two years
they had 23 chapters in 100,000 words. "He had the most amazing memory I had ever
encountered," says Jane, who writes: "This is a biography of a child, taken from the memory of
that child grown up. I can only assume that we stopped the interviews, stopped the book, stopped
the marriage, at exactly the right moment. Stan and I worked together a lot in his medium; this
time, we worked together in my medium." "In the end," writes Tony Pipolo in the afterword,
"[Jane] created a masterly fiction about a fiction that reveals undeniable truths, assuming an
autobiographical posture at once commanding and equivocal, a chronicle of semi-Dickensian
misery offset by plainspoken observations about an American childhood bearing the mark of its
author's writing style, demonstrated in books written during and after her life with Stan Brakhage."
Brakhage's Childhood is a remarkable achievement conceptually, intellectually and aesthetically,
and provides crucial insight into the early life of one of America's most inspired and complex
experimental filmmakers.
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Performa 13
Gregory R. Miller & Company 2015 ISBN 9781941366066 Acqn 25229
The fifth volume in the acclaimed series by performance art historian RoseLee Goldberg,
Performa 13 features projects from more than 120 of the leading artists working in performance
today, in collaboration with more than 100 curators and arts institutions--works that broke down
the boundaries between visual art, music, dance, poetry, fashion, architecture, graphic design
and the culinary arts. Participating Performa 13 artists included Pawel Althamer, Malik Gaines,
Martha Graham, Rashid Johnson, Joan Jonas, Christopher Knowles, Ryan McNamara,
Alexandre Singh, C. Spencer Yeh and many others who premiered major new works.
This catalogue presents documentation of the festival in photographs, scripts and storyboards,
along with contributions from curators, writers and the artists themselves, elaborating on the
themes of the festival. Performa 13 stands not only as a beautiful document of a remarkable
biennial, but also an invaluable reference guide for the performance art of our time.
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Roni Horn - The Sensation Of Sadness At Having Slept Through A Shower Of Meteors
Kukje Gallery 2015 ISBN 9780983446576 Acqn 25248
The Sensation of Sadness at Having Slept Through a Shower of Meteors brings together new
works by American artist Roni Horn (born 1955), continuing her 30-year artistic exploration of
time, memory and perception. Horn's captivating yellow-green cast glass sculptures,
simultaneously evoking land and sea, are juxtaposed here with her major photographic series
You Are the Weather, Part 2, completed in 2011. Consisting of 100 photographs of a woman
bathing in the hot springs and pools of Iceland, You Are the Weather, Part 2 documents the
subtle shifts in her countenance over short periods of time.
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Koizumi Meiro - Trapped Voice Would Dream Of Silence

Gendaikikakushitsu Publishers 2015 ISBN 9784773815108 Acqn 25488
Pb 17x26cm 96pp 85ills 40col 24.95
Meiro Koizumi is a multifaceted visual artist working in the fields of collage, drawing, photography,
and video. This introspective catalogue to an eponymous exhibition at Arts Maebashi presents a
diverse selection of works exploring notions of Japanese identity, wherein the artist examines the
boundaries between the private and the public, a domain of specific importance to his native
culture. In the process, he also addresses the innate cruelty and violence of human nature.
Koizumi describes art-making as recognising ones own subconscious violence and cruelty
through a process of identifying with gazes how one looks at others or at tragedy.
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Parasophia - Kyoto International Festival Of Contemporary Culture 2015

Kyoto International Festival 2015 no ISBN Acqn 25527
Pb 19x22cm 352pp 175ills 100col 16.95
The Parasophia Project began in 2013 in order to plan the Kyoto International Festival of
Contemporary Culture in 2015. This catalogue is conceived as a concept book and is arranged
differently from the exhibition. Containing a large number of texts related to the participating
artists, many of which have been previously published and were chosen in close consultation with
the artists themselves, it works to establish an open platform for thought and creativity that
involves both locals and international specialists. Among the 40 participating artists are William
Kentridge, Dahn Vo, Tatsu Majima, Jean-Luc Vilmouth, Hong-Kai Wang, Ragnar Kjartansson,
Susan Philipsz, and more.
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Public Domain - Edition Digital Culture 3

Christoph Merian Verlag 2015 ISBN 9783856166571 Acqn 25671
Pb 11x18cm 300pp 10ills 14.95
Seventy years after the death of the originator, his or her works become public intellectual
property; they are in the public domain and so belong to the public. This affects not just medieval
texts, but also 20th century books and works. Thanks to digitisation the treatment of these works
has taken on a whole new dynamism. For museums, libraries, archives and galleries, the public
domain is a challenge, but also an opportunity. This book explains the copyright fundamentals of
the public domain and discusses the difficulties involved in implementing it in the everyday
functioning of cultural institutions.
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David Claerbout - Shadow Pieces

Les Presses Du Reel 2015 ISBN 9782940159642 Acqn 25672
Pn 23x27cm 192pp 120ills 60col 27
Thierry Davila presents an innovative study of Belgian artist David Claerbouts work, following the
dark logic that structures many of his films with duration and slowness, as well as a number of
invisible photographs. Claebouts works are marked by an interrogation of time as an artistic
medium. Inspired by phenomenology and the writings of Gilles Deleuze on the image and
cinema, he has developed a kind of photography in movement, into which he introduces
narrative elements. Looking at his work means spending enough time waiting for things to
happen, causing a reconsideration of what narration and storytelling can be when dealing with
current technologies.
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Yaacov Kaufman Figurines

Yaacov Kaufman 2015 ISBN 9789659086214 Acqn 256743
Pb 15x23cm 320pp 300ills 250col 35.50
Israeli industrial designer Yaacov Kaufman is noted for work that evokes a sense of dealing with
ready-made. In fact, he creates each piece as part of a study of nuances an embodiment of
his search for simplicity and abstraction through minimal intervention. Each of his pieces of wood,
metal, glass, and other miscellaneous materials is endowed with an individual identity and
anthropomorphic qualities, implying a historical and archaeological tradition dating to prehistory.
The figurines seem to be ritualistic talismans or shamanistic objects, and thus begin to take on
lives of their own. Published in conjunction with an exhibition of Kaufmans intriguing figurines in
Tel Aviv.
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Alex Hubbard - Eat Your Friends

DoPe Press 2015 ISBN 9780991180431 Acqn 25725
'Eat Your Friends' includes an essay on Hubbard's work in video by Jay Sanders; a poetry lesson
in four parts created for Alex by poet Tan Lin; and a comprehensive conversation on the artist's
practice with Debra Singer. Featuring a sequence of video stills printed on transparent inserts,
created by the artist especially for the publication.
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Raphael Hefti
Fondation Vincent Van Gogh 2015 ISBN 9791094966020 Acqn 25771
Pb 24x33cm 112pp 75col ills 27
Raphael Heftis fascination with industrial processes and materials began with experimentations
the workshop, particularly with what can happen when things dont go as planned. Using heavy
metals, coated glass, and even moss spores, his surprisingly colourful and dynamic works blur
the boundaries between natural and industrial, abstract and representational. The Fondation
Vincent van Gogh Arles invited Hefti to create a permanent installation on the roof of its glazed
extension in 2014, transforming the buildings entrance lobby into a subtle, constantly shifting
chromatic environment. This book presents the process of its creation, and an overview of other
recent work by the artist.
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David Hockney - The Arrival Of Spring

Fondation Vincent Van Gogh 2015 ISBN 9791094966013 Acqn 25772
Pb 24x32cm 88pp 65ills 40col 27
This catalogue is published on the occasion of an exhibit of recent work by David Hockney at the
Fondation Vincent van Gogh Arles. Thematically, it demonstrates how, in many respects, the
particular quality of light in Arles, so loved by Van Gogh, is reminiscent of that in Los Angeles,
where Hockney returned to live and work in 2013. Hockney spent time in Arles in the 1980s,
fascinated both with Van Goghs art and way of seeing a crucial connection that has lasted until
the present. Featuring iPad drawings and depictions of British country lanes, the collection
reflects how Hockney at once embraces and questions classic genres of art. Includes a
conversation with the artist.
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Barry Van Der Rijt - Exquisite Errors Dmco-1

Eriskay Connection 2015 ISBN 9789492051134 Acqn 25775
Pb 16x21cm 288pp 250col ills 27
Nowadays, every movie or film we see is digital. In order to view them, a codec is needed
something that encodes or decodes, compresses or decompresses data but the motion picture
can still be briefly distorted, depending on various factors, from signal glitches or frequency
interference to faulty files. These distortions are called codec errors. This guide has collected
images from these exact moments of significant digital disturbance or dysfunction in order to
classify them according to the Codec Order concept. The resulting images are vibrantly
coloured, unfathomably pixelated and blurred in a confused digital lexicon that is beyond our
grasp to comprehend.
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Barry Van Der Rijt - Exquisite Errors Postcards

Eriskay Connection 2015 ISBN 9789492051110 Acqn 25774
Pb 17x10cm 18pp 18col ills 10.75 +VAT
18 postcards taken from Barry van der Rijt's 'Exquisite Errors' series.
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Neke Carson - Works On Art And Rectal Realism

Rollo Press 2015 ISBN 9783906213149 Acqn 25791
This is a book about one artist and how he addressed the gallery system in the 70's. He basically
took the art he found in galleries and turned the paintings and sculptures into "Readymades". He
didn't go to the hardware store to look for "found objects". He went to Leo Castelli's and found art.
He would sell the art by putting red dots near the work or he would hit the art with a tuning fork to
get the sound off art and much more. The end result of all this was the birth of a new way of
seeing and a brand new way of painting.
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Jan Schoonhoven
nai010 publishers 2015 ISBN 9789462082496 Acqn 25353
Hb 24x28cm 192pp 160ills 120col 36
For nearly 40 years, Jan Schoonhoven worked on developing his reliefs (made of papier-mch,
paper and cardboard) alongside his job as a civil servant at the Dutch Post Office. For the first
time, this monograph places Jan Schoonhoven in an international context, as an active and
influential player in the European post-war developments in art. The early years are covered in
detail: the influences of, for example, Paul Klee and Jackson Pollock, and his participation in the
Nederlandse Informele Groep during the late 1950s. Schoonhovens involvement in the Dutch
Nul group and the international ZERO movement is also highlighted.
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Richard Long Gravity

Ivory Press 2015 ISBN 9780955961397 Acqn 25440
This publication includes 45 mud works by Richard Long, produced especially for the book and
accompanied by texts written by the artist. Long, a sculptor, photographer and painter, is one of
the leading figures in the Land Art movement that emerged in the 70s. His sculptures and walks,
which sometimes lasted days and took him to remote areas such as the deserts of Africa, as well
as Australia, Canada, Japan, Switzerland and Norway, brought him international fame in that
period. Since 1981, he has also been experimenting in painting using mud and applying it by
hand, establishing a dialogue between the primitive gesture of leaving a handprint and the formal
elegance of his work.
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Gerlach en Koop - Choses Tuees

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ART

Gerlach En Koop - Choses Tuees

Irene Kopelman Entanglement

Jennifer Tee - The Soul In Limbo

Zachary Formwalt - Three Exchanges

Surrealism in Belgium - The Discreet Charm of the Bourgeoisie

Whistler and the World

Koizumi Meiro - Trapped Voice Would Dream Of Silence

Parasophia - Kyoto International Festival Of Contemporary Culture 2015

Public Domain - Edition Digital Culture 3

David Claerbout - Shadow Pieces

Yaacov Kaufman Figurines

Alex Hubbard - Eat Your Friends

David Hockney - The Arrival Of Spring

Barry Van Der Rijt - Exquisite Errors Dmco-1

Barry Van Der Rijt - Exquisite Errors Postcards

Neke Carson - Works On Art And Rectal Realism

Richard Long Gravity

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