Академический Документы
Профессиональный Документы
Культура Документы
SURVEY OF
NUMISMATIC RESEARCH
2008-2013
General Editors
Carmen Arnold-Biucchi Maria Caccamo Caltabiano
Sub-editors
Roger Bland, Hubert Emmerig, Stefan Heidemann, Miguel Ibez Artica,
Hortensia von Roten, Marguerite Spoerri, Tuukka Talvio, Franois Thierry, Julio
Torres, Lucia Travaini, David Wigg-Wolf, Bernward Ziegaus
___________________________________________
2015 - Arbor Sapientiae Editore S.r.l.
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ISBN: 978-88-97805-42-7
TA B LE OF C ON TE N TS
TABLE OF CONTENTS
Preface
Arne Kirsch, Eric McFadden
IntroduzIone generale / general IntroductIon
Maria Caccamo Caltabiano and Carmen Arnold-Biucchi
IX
XI
ANTIQUITY
IntroductIon / eInleItung
Marguerite Spoerri Butcher and Bernward Ziegaus
Monetary InstruMents In antIquIty before coInage
John H. Kroll
la Pennsula IbrIca
Manuel Gozalbes
MassalIa, PenIsola ItalIca, Magna grecIa
Renata Cantilena
sIcIlIa
Lavinia Sole
balkanrauM und nrdlIches schwarzMeergebIet
Ulrike Peter und Vladimir F. Stolba
greece froM the archaIc through the hellenIstIc PerIod
Selene E. Psoma
asIa MInor In the archaIc and classIcal PerIods
Koray Konuk
lasIe MIneure hellnIstIque
Marie-Christine Marcellesi
cyPrus
Evangeline Markou
the levant
Danny Syon
les sleucIdes
Frdrique Duyrat
the coInage of arabIa before IslaM
Peter G. van Alfen
battrIana e PartIa
Fabrizio Sinisi
the PtoleMIes
Catharine Lorber
carthage et lafrIque du nord
Laurent Callegarin
the roMan rePublIc
Bernhard E. Woytek and Richard B. Witschonke ()
froM augustus to coMModus
Richard Abdy
de PertInaX la reforMe de dIocltIen (193-294)
Vincent Drost
late antIquIty (294-491)
David Wigg-Wolf
les Monnayages ProvIncIauX : les ProvInces occIdentales
Laurent Callegarin, Suzanne Frey-Kupper et Vincent Genevive
ProvIncIal coInages: eastern ProvInces
Dario Calomino and Marguerite Spoerri Butcher
kelten
Stefan Krmniceck, Virgil Mihailescu-Brliba, Jir Militk, Sylvia Nieto-Pelletier
und Bernward Ziegaus
2
5
8
17
28
39
59
83
93
107
111
126
132
135
142
152
161
180
195
210
220
228
244
280
281
298
303
305
310
313
328
333
341
359
380
397
402
414
419
421
424
426
428
436
442
453
460
469
472
476
478
496
496
497
502
508
512
514
521
525
529
531
531
533
533
534
535
535
535
535
536
536
536
537
538
594
595
607
611
MEDALS
IntroductIon
Tuukka Talvio
denMark
Else Rasmussen
sweden
Marie-Astrid Voisin-Pelsdonk
fInland
Outi Jrvinen
norway
Anette Sttem
great brItaIn and Ireland
Henry Flynn
belgIuM, the netherlands and luXeMbourg
Jan Pelsdonk
france
Ins Villela-Petit
Portugal
Maria Rosa Figueiredo
esPaa
Javier Gimeno
ItalIa
Valentina Casarotto & Valeria Vettorato
deutschland
Martin Hirsch
swItzerland suIsse
Gilles Perret
sterreIch
Elmar Frschl
Poland
Witold Garbaczewski
czech rePublIc
Tomas Kleisner
hungary
Lajos Pallos
croatIa
Ivan Mirnik
serbIa
Marija Mari Jerini
russIa and the cIs countrIes
Lidia Dobrovolskaya
unIted states and canada
Alan M. Stahl
oceanIa
Walter R. Bloom
622
623
624
626
628
630
634
646
650
653
660
678
686
690
696
701
704
709
713
716
725
728
GENERAL
the hIstory of nuMIsMatIcs and collectIons
Christian Edmond Dekesel
analyses lMentaIres, MtallograPhIques et IsotoPIques
Maryse Blet-Lemarquand & Sylvia Nieto-Pelletier
Museen und saMMlungen
Hortensia von Roten
nuMIsMatIc lIterature and the Internet
Thijs Verspagen
nuMIsMatIcs, coMPuters and the Internet
Daniel E.J. Pett
734
743
751
757
761
PREFACE
IX
could serve as models for other countries where much valuable information is being lost unnecessarily
through the lack of appropriate incentives to inders.
No fewer than ten IAPN member irms act as publishers of numismatic books as an adjunct to their
primary business as numismatic auction houses. Without their continued support, much numismatic
scholarship would never be published. The IAPN directly supports numismatic research through its
publications program, annual book prize, and funding of the Survey of Numismatic Research since
1979. The IAPN also seeks to suppress the trade in forgeries and reports stolen coins to its members
so they can be recovered. Its forgery research has worked best when done in close collaboration with
institutional numismatics. It is our hope that the cooperation shown in this area can be extended to
the area of cultural patrimony and that all parties will work together to create acceptable standards
advancing the study and appreciation of historical coins and the preservation of archaeological context.
More about the IAPN may be found on the internet at http://www.iapn-coins.org.
Arne Kirsch
President
Eric McFadden
Immediate Past President
XI
XII
XIII
XIV
pubblico. Alla sua comunicazione contribuiscono oggi in misura notevole le crescenti presenze
in rete delle Collezioni di importanti istituzioni
Museali, sia pubbliche che private, che offrono
ricchezza di documentazione ed immagini di
alta qualit. Il ine ultimo sar quello di porre
in connessione i dati numismatici con documenti
di natura diversa, per facilitarne il confronto e
consentirne lo studio globale. Il futuro della Numismatica passa oggi dallapplicazione di metodi conoscitivi a carattere multidisciplinare, ma
anche dallutilizzo dei pi aggiornati strumenti
tecnologici, esso ci appare quindi soprattutto in
mano ai pi giovani. Laccresciuta pubblicazione di dissertazioni dottorali nel nostro campo di
ricerca ci consente di bene sperare anche sulla
loro adeguata preparazione scientiica.
* * *
Gli Editori Generali desiderano esprimere la
loro gratitudine a tutti i Coeditori e agli Autori
per aver reso possibile la pubblicazione del presente volume, grazie al loro faticoso lavoro e alla
loro puntualit. Ringraziamo anche la IAPN per
il suo costante sostegno al Survey of Numismatic
Research e gli editori di Arbor Sapientiae.
XV
GENERAL
During the course of the last seven years two major numismatic symposia dominated the study
of the history of numismatics and collections. In addition a signiicant number of Italian researchers,
more or less independently, unearthed major historical facts concerning the history of numismatics.
Finally the topic of numismatic auction catalogues of the past has come into focus.
The Dresden Congress 2009: Numismatik und Geldgeschichte im Zeitalter der Aufklrung - Numismatics and Monetary History in the Age of Enlightenment
dekesel, in co-operation with dekesel-de ruyck, (18,19,20,21) open the proceedings with a general survey of 18th century numismatic publications in which they presented the vast number of numismatic publications, more than 6,000, in a structured fashion. They added a number of statistically
relevant data in order to offer a better understanding of the whole picture.
One cannot stress enough the importance of individuals for the development of a science. This was
made clear by the following contributions about collectors, dealers and scientists.
luIJt (39) analyses the life and work of Nicolas Chevalier (1661-1720), a merchant who not only
traded in coffee and tea but also in all sorts of artefacts such as medals, etc. He even produced medals
for special occasions and published them. He is a perfect example of the clever business man who
exploited the growing interest in commemorative medals.
SarMant (53) examines the psychological, sociological and intellectual reasons why so many people of all walks of life showed an interest in coins and medals in the 17th and 18th century. In France the
role of the royal household and the academies was instrumental in the elevation of numismatics to the
level of a proper science with its own specialized publications. An intellectual and social elite emerged
and a platform was created where the rich bourgeois, the nobleman and the merchant could meet each
other at a more-or-less equal level, and discuss their new acquisitions.
Overbeck (47 ) focuses on the personality of Johann Alexander Dderlein (1675- 1745). Dderlein
grew up in a family closely related to the Protestant Church. He was educated as a clergyman but became a teacher and later rector of the Latin Gymnasium in Weissenburg. He never regarded himself
as a numismatist. He was nevertheless instrumental in studying the coin-inds in the Limes region of
Franken. His work on bracteates from this area proved to be instrumental in the identiication of these
as coins. All his publications were based on real coin-inds, which he analysed and compared. In doing
this he set the foundations for the scientiic study of medieval numismatics.
ThoMPson (62) presents the igure of Thomas Snelling (1712-1773) who was both a coin-dealer
and a publisher of books about coins. He was mainly concerned with the growing interest in coins
and medals amongst the new intellectual classes and he tried to satisfy their desire for knowledge by
publishing books about these artefacts. He was also the irst person in England to show some interest
in the coinage of Europe.
Woytek (65) examines the life and work of Sigebert Havercamp (1684-1742). Havercamp followed a typical educational track. First he studied theology, only to move at a later stage to Greek
philology. Despite starting his professional career as a clergyman, he kept in contact with university
circles in Leiden. This lead to his promotion to university lecturer for Greek at the age of 36. He came
to numismatics via his philological interests, illustrating his texts with coins. He was also heavily involved with a number of numismatic publications culminating in the publication of the coin collection
of Queen Christina of Sweden in 1742.
SteguweIt (59) presents the portrait collection of Peter Berghaus. Peter Berghaus was the irst to
recognize the importance of the study of numismatists for the history of numismatics. He collected
their portraits, published several articles about their private and public life, and was the instigator of
734
several symposia about the history of numismatics. It was the privilege of the Mnzkabinett of the
Berliner Staatliche Sammlungen Preussischer Kulturbesitz to acquire the Berghaus collection which
can now be the subject of further study.
Numismatics is not a science which is studied in an isolated area. From the start the study of numismatics was always incorporated in a wider framework of culture, trade, art and history. Within the
framework of this congress, attention has been paid to the development of numismatic science in two
major centres of European intellectual activities, i. e. Paris and Vienna.
guIlleMaIn (29) examines the inluence of the Jesuits on the development of numismatics in
France. From their numismatic publications we see that they were active throughout Europe. There
were no national or language borders for the members of the order as they had educational establishments all over Europe and moved freely from one to the other. They did not leave us very important
numismatic collections but all their educational centres had small numismatic collections used to illustrate their teaching. The Jesuits promoted an interest in numismatics among their pupils, so spreading
a general interest among the population in both ancient and modern coins as well as in medals.
SzaIvert (61) illustrates the role of the scientiic study of numismatics in Vienna. Again Jesuits
played a signiicant role. Both in their colleges and at the University of Vienna they were involved in
the study of numismatics. In secondary schools coins and medals were used to illustrate and explain
historical facts. This often became the basis for further interest and study.
Numismatics is a science that is in its irst phase heavily dependent on the direct study of coins and
medals. In the second phase it relies on the publication of that basic material in an organized form.
In order to be able study numismatics a great number of coins and published tracts must be brought
together by a collector or by a public institution. During the course of history nearly all private collections were dispersed or incorporated into public collections. This process led to enormous national
collections which form the backbone of scientiic numismatic research today. This is further helped by
the fact that many countries nowadays have treasuretrove laws which ensure that inds are registered
and documented within the framework of national institutions.
DarnIs (16) analyses the role of the Monnaie de Paris in the progressive assignment of irst-class
artists in the production of coins and medals. The high artistic standards of the Monnaie de Paris in the
ield of medallic art gave many great sculptors the chance to realize their designs. These artists were
then also asked to get involved in the design of coins, which led to landmark efigies which determine
our view of the French coinage.
Jensen (35) makes it clear that the 18th century was the real starting point of the Danish national collection. During that century many private collections and parts of the royal collection
were added to the national collection of coins, medals and gems. The collection of Greek coins is
one of the largest of Europe thanks to the contribution of King Christian IX who, due to inancial
dificulties, was forced to leave his collection to the nation. The continuous support of Danish
collectors also contributed greatly to the stature of the national Danish coin-cabinet as it is today. Horsnaes (34) gives an insight into the construction, design and development of the Danish
Royal Coin Cabinet at Rosenborg Castle in Copenhagen. The coin cabinet was built in the 1780s
with the aim to house the royal collection of coins, medals and gems. Special cabinets were designed to exhibit the treasures. Now the whole collection belongs to the National Museum, but is
still partially housed at the castle.
hassMann and WInter (30) elaborates on the situation of the Imperial Coin Cabinet in Vienna in
the 18th century that housed, already then, an enormous collection. It was typical for the attitude of
the imperial household that internationally renowned numismatists were invited to study its contents
and publish the collections. Carl Gustav Herae (1671-1725) and Valentin Jamerey Duval (1695-1775)
followed each other as directors of the Imperial Cabinet. After the dissolution or suppression of the
Jesuits, it was the former Jesuit Joseph Hilarius Eckhel (1737-1798) who took over the direction of
the cabinet and revolutionised the study of ancient numismatics with his monumental publication
Doctrina numorum veterum.
WallensteIn (63) illustrates the role and function of the dukes of Saxony-Gotha-Altenburg in the
establishment of the coin cabinet of Friedenstein Castle in Gotha in the irst part of the 18th century.
735
Through a systematic policy of buying not only single coins but whole collections which were offered
for auction, the coin cabinet acquired an enormous amount of classical and contemporary coins and
medals which made it the third greatest collection in Europe, after Paris and Vienna. Much attention
was paid to the publication of its contents by Christian Sigismund Liebe (1687-1736) in 1730. This
publication was used by the dukes as a public relations tool. It was given to important visitors and
friends, so contributing to the status of the cabinet and its owners.
Grau (27) points out that not only the traditional universities contributed to the study of numismatics in the 18th century. The Bergakademie of the mining university of Freiberg also held an extensive
coin-cabinet, with an adjoining numismatic library, mainly thanks to the Illuminate Abraham Gottlob
Werners (1749-1817). He left his complete collection to the university where it is still housed and
studied. In the 18th century it was mainly used as a didactical instrument for the study of metallurgy
and mineralogy.
arnold (1) analyses the use of the coin and medal cabinet by the Electors of Saxony, who later also
became kings of Poland. Like all ruling families, the Electors of Saxony needed some kind of representative Wunderkammer which was irst used to show off power and wealth but became, during the course
of the 18th century, the subject of scientiic and historic study. This resulted in a number of publications
which put the Dresdner collection at the centre of scientiic numismatic study in Europe. The need for
a bibliographical research instrument led to the publication of a numismatic bibliography in 1801 by
Johann Gottfried Lipsius (1754-1820), who was the director of the Dresdner cabinet at the time.
During the 18th century the study of numismatics developed rapidly. New geographical areas were
explored and the attention of numismatists was drawn towards new periods of time. The methodology
used also changed signiicantly, mainly due to the publication of new inds which led to new insights
concerning the relationship and meaning of coins.
GorInI (26) identiies the discovery of Greek coin hoards in Sicily as the start of the study of Greek
numismatics in Italy. It was Gabriele Lancillotto Castello, Prince of Torremuzza (1727-1794) who played
a key role in this development. At the end of the 18th century Domenico Sestini (1750-1832) proposed a
new geographical order for the description of Greek coins, but his system, which was in competition with
that of Joseph Hilarius Eckhel (1737-1798), was not accepted by other numismatists in Europe.
holsteIn (32) draws attention to a group of coins struck by the Samnitici which were regarded as
unidentiiable Roman coins until the 18th century. Thanks to the publications of Sigebert Havercamp
(1684- 1742), Annibale Olivieri degli Abate Giordani (1708-1789), John Swinton (1703-1777), Joseph Pellerin (1684-1782) and Joseph Hilarius Eckhel (1737-1798) it was possible to identify these
coins and to pinpoint the places where they were minted.
de callata (7) offers extensive written evidence from the 17th and 18th century to prove that Seleucid coinage was seriously studied in the 18th century. Both Jean Foy-Vaillant (1632-1706) and Erasmus Froelich (1700-1758) devoted some of their publications to the study of that coinage. Although
they committed some errors of allocation and chronology, they were nevertheless the irst to point out
the importance of the coinage for the study of the history of the region.
saccoccI (52) rightly mentions that the study of medieval numismatics started quite late in Italy.
The study of ancient, Greek and Roman coinage dominated for ages. It was only in the 18th century
that the study of medieval coinage gained respectability in Italy due to some remarkable inds and to
publications on medieval coins in other European countries.
dykes (23) points out that it was due to the deplorable state of the regal coinage in the fourth quarter of the 18th century that the English population had a need for a small denomination currency for
their daily business. Some enlightened businessmen illed in that need by producing a great variety of
copper tokens which proved so popular that they were taken up by other entrepreneurs and soon were
used all over the country. It was only in 1797 that new regal copper coins were produced by Matthew
Boulton. The new coins gradually replaced tokens, which became sought after collectors items.
As the statistical analysis of 18th century publications makes clear, there were a certain number of
geographical centres of numismatic studies in Europe. These were mainly linked to existing learned
societies or academies in which the members or fellows entertained each other with their latest indings and with the theories they developed from them.
736
burnett (5) and Pagan (48) point out the inluence of the Society of Antiquaries of London for
the history of numismatics. To prove his point Pagan analyses the minute-books of the society which
show that during certain periods of the 18th century numismatic items were discussed at almost every
weekly meetings of the society. It was also the society which took the initiative to publish the tract on
English gold coins by Martin Folkes (1690- 1754) in 1736.
catallI (11) presents the importance of the Accademia Etrusca for the study and circulation of
numismatic studies. The Accademia published a great number of tracts on numismatics in its periodical publication. Some of these publications were later extended into proper books. The Accademia
had many foreign members, of which the majority were numismatists.
eMMerIg (24) examines the numismatic activities of the Churfrstlich-baierische Akademie der
Wissenschaften. Established in 1759 this academy attracted all kinds of people, some of them numismatists. Numismatics was not the main subject of the academy but a considerable number of its members got directly or indirectly involved with numismatics in their general historical studies. Prominent
members such as Philipp Wilhelm Ludwig Fladt (1712- 1786) and Georg Gottlieb Plato (1710-1777),
alias Wild, were well known in the numismatic world.
callegarI (8) explored the role of numismatic publications in the Republic of Venice during the
Enlightenment. The fact that a great number of coin collectors and famous coin collections were to be
found in the Venetian Republic was a driving force behind the production of monumental numismatic
publications there. The University of Padua played a considerable role as well, since it acted as the
University of that Republic. Another reason for the enormous production was the presence of a great
number of printers. Trade relations between the Venetian Republic and the rest of the world led to the
worldwide distribution of Venetian publications thus presenting the Republic as a centre of learning.
Numismatic bibliographies paved the way for progress in numismatic research. Germany played a
key role in that ield. It was there that the major numismatic bibliographies of the 18th century by Franz
Ernst Brckmann (1697- 1753), Johann Christoph Hirsch (1698-1780) and Johann Gottfried Lipsius
(1754-1820) were published. These numismatic bibliographies offered a survey of numismatic research available, and promoted the study of numismatics.
dekesel and dekeselde ruyck (22) examine the life and work of Julius Carl Schlaeger (17061786), who was director of the library and coin cabinet of the dukes of Saxony-Gotha-Altenburg in Friedenstein Castle from 1744 till 1786. He left a considerable number of numismatic manuscripts, including
an extensive numismatic bibliography, but none of them are known to the numismatic world as they were
never published. Schlaeger owned a private numismatic library holding over 6.000 titles, which he sold
to duke Ernst II for 4,000 talers in 1773. He incorporated his former library into the numismatic library
of the ducal coin cabinet, so creating the most important numismatic library of the 18th century.
grund (28) examines the life and work of Johann Gottfried Lipsius (1754-1820), who had the typical career of a scientist working in the collections of the Electors of Saxony. After becoming director
of the Dresdner coin cabinet, he devoted most of his time to the library catalogue of the coin-cabinet.
After its completion he embarked on a much larger project, a general bibliography of all numismatic
publications. Using the numismatic bibliography of Hirsch published in 1760 as his point of departure,
he accomplished a major publication which he called Biliotheca Numaria, published in two volumes
in 1801. The recently discovered third volume shows that he continued to work on the bibliography,
but political circumstances prevented him from publishing the supplement. Lipsius deserves our admiration and gratitude due to the simple fact that his work remained a numismatic bibliographical
authority for a period of two hundred years.
Berlin Symposium 2011: Translatio nummorum Rmische Kaiser in der Renaissance
Organizing a Symposium, bringing together the ine-leur of numismatists and art historians, is
a major feat; having the papers published by a consortium of supporting institutions is a miracle. 25
contributors did their utmost best to present their indings and views upon the use of imperial portraits
of Roman emperors during the Renaissance: Peter & weIsser (50).
In the introduction PfIsterer (51) examines the attitude of the French painter Jean-Simeon Chardin
(1699-1779) whose famous paintings of learned monkeys depict a monkey studying coins. Did Char737
din want to ridicule the antiquaries or to popularize the study of coins and medals? Pisterer shows
us how the image of the coin collector changes over the centuries. Accordingly he can be art-lover,
scholar or just a lonesome young man as depicted by V. Hammershi in his painting the coin collector from 1904.
Based on the extended correspondence of Andreas Morell (1646-1703) with other European numismatists, kept at the library of Schloss Friedenstein in Gotha, Mulsow (45) analyzes the topics which
kept them occupied. The footnote apparatus of this contribution supersedes the basic text and makes
the reading of it rather complex. ChatzIdakIs (12) examines the inluence of Greek coin images on the
interpretation of antique art in Renaissance drawings. He stresses and illustrates the relationship between
general archeology and numismatics. Kagan (36) also departs from the theme of the symposium by discussing the study of Greek coins in the Renaissance. He points out that Hubertus Goltzius knowledge
of Greek coins was more accurate than that of Roman coins, and sees Golzius as an artisan and not as
scholar. HolsteIn (33) offers an in depth analysis of the coins in Hubertus Goltzius Fasti. His comparative analysis is exemplary, but his belief in the accuracy of the so-called list of 970 numismatists who
Goltzius encountered during his travels leads him to some misinterpretation. Goltzius did not meet most
of the people he listed, and he certainly had no coin collection; the detailed inventories of both his houses
in Antwerp and Bruges bear witness to that. Wrede (66) proves that the Latin Goltzius used was not the
classical type; this supports the point Kagan made that Goltzius was not a scholar. Goltzius was a clever
artisan who was trained by his father in Venlo as a painter and by Lambert Lombard in Lige as an engraver. In Antwerp he learned the printing trade and set up a shop in antiquities together with Abraham
Ortelius. It was Marcus Laurinus, a real scholar, who lured him to Bruges, inanced his printing business
and his travels, and was responsible for most of the texts of his numismatic publications. CaMPbell (10)
and SerafIn, (55) both base their contributions on the manuscripts of Pirro Ligorio (c.1513-1583), a
painter and illustrator who used images of coins on architectural illustrations.
de Callata (6) presents the life and collecting habits of Laevinus Torrentius (Lievin Van der
Beke 1525-1595). Van der Beke was a cleric, who became bishop of Antwerp and was later appointed
Archbishop of the Low Countries, but died before he was inaugurated. All items relating to his coin
collection, inventory, books and letters are still kept at the Royal Library in Brussels. De Callata can
follow the coin collection well into the 19th century. Some of the coins found their way into into the
famous collection of the Prince de Ligne, which still exists today.
Cunnallys (14) introduces us to a collection of numismatic drawings based on the magniicent
coin collection of the Venetian patrician Andrea Loredan. Loredans coin collection was sold to the
Bavarian duke Albrecht in 1567, but seems never to have arrived in Munich, or else disappeared there.
KaMPManns (37) contribution is based on the correspondence of Hans von Schellenberg (1552-1609),
an archeologist and coin collector. He only added a coin collection to his other art collections to be
taken seriously as an antiquarian.
Peter (49) clariies that Roman coins were collected and studied to understand historical events.
She uses the publications of Sebastiano Erizzo (1525-1585) to prove her point. MIttag (42) deals with
contorniate medallions in the history of numismatics and he analyses their role in numismatic books
from 1559 to 1722.
Burnett (4) covers the role of numismatic imagery in the ornamentation of buildings in Northern
Italy in the ifteenth century. Stahl (58) demonstrates how ancient coins inluenced the design of modern coins in the Renaissance. Korbacher (38) presents the role of portraits of Roman emperors in the
art of Pisanello and Leonardo da Vinci.
ChIaI (13) investigates the way several Renaissance authors copied Roman imperial portraits from
each other, irrespective of whether they were genuine or not. EydInger (25) identiies statues, freezes
and engravings of ancient Gods with the help of their efigies on coins. According to AsolatI and CallegarI (2) numismatic illustrations in manuscripts from the Seminario Vescovile of Padua and from
the Biblioteca Querini Stampalia of Venice were not only used to illustrate numismatic books, but also
to produce Paduan medals. Struck (60) refers to the 1555 publication of the Discorsi by Enea Vico
(1523-1570) as the starting point of a critical analysis of the style which was used to represent Roman
emperors and their entourage.
738
MIssere fontana (40) opens a new avenue by stressing the fact that the coin illustrations in books
and manuscripts in the Renaissance were also responsible for the production of a myriad of false coins,
or so-called Paduan copies, which were then used to illustrate other numismatic books. HelMrath
(31) refers to the fascination of both the serial character of coins and of imperial portraits on coins as
a source for the study of classical antiquity and of artistic creativity in the Renaissance. DahMen (15)
goes in the same direction by examining the role of Vittore Pisano (Pisanello) (1390-1455) in the recreation of these ancient portraits. Schulz (54) examines the use of the symbols of the Brutus cult, a
hat and two daggers, throughout the numismatic history as symbols of tyranny and freedom.
The book closes with a short numismatic bibliography of Renaissance numismatic literature (50).
It is clear from the index that some contributions surpass the initial era of the title of the symposium.
This makes the book even more valuable but at the same time more complex. One is confronted with
an abundance of information and superb illustrations. Some contributions, with their overwhelming
amount of footnotes, could easily be turned into fully ledged books.
The Italian factor
Italian scholars play a signiicant role in the study of the history of numismatics. Geographically
one can identify Genoa, Naples, Florence and Padua.
In her book on a Genovese family of merchant-collectors, BedocchI (3) starts off her research with
the famous list of 977 names published in 1563 as an addendum to Hubertus Goltzius book on the
coins of Julius Caesar. Analyzing the role played by that Genovese family, Bedocchi proves that the
famous Goltzius list was more ictional than most people would like to believe. Based on archival material she makes the point that there was no contradiction between trade and culture in the 16th, 17th and
18th century. NaPolItano (46) turned her attention to Hubertus Goltzius (1526-1583) and the role he
played in initiating the study of Greek coins in Magna Graecia. The reasons why Goltzius importance
in this ield has been ignored until recently lies in the fact that his work on the subject lay hidden in a
manuscript deposited at the Plantin-Moretus Museum in Antwerp. NaPolItano was the irst to analyze
it in detail, proving beyond any doubt Goltzius importance for the study of that subject.
In Florence we ind a very active group of numismatic researchers: MIsserI fontana, BaraldI and
zannInI (41) and MolInarI and wIllIaMs (43,44,64) bring to our attention the contents of the Florence
National Museum and the role played by collectors and former curators.
gorInI with his team of numismatic researchers, callegarI and MancInI (9) discovered the will of
Charles Patin. They were able to reconstruct in great detail his art collection and his library. By doing
this they proved that Charles Patin was a real erudite and numismatist.
Finally SPRING (57) offers survey of the great numismatic auction catalogues from 1880-1980,
1880 being the year that numismatic photographs began to appear.
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