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ASSIGNMENT
INTRODUCTION
FREE HAND SKETCHING
COLLAGE
SEAL DESIGN
COMPOSITION ON PATTERN_ OAT FLOORING
POTENTIAL OF A LINE
LINE TRIANGLE
MONO CHROMATIC MONO SHAPE_ TRIANGLE
LINE RECTANGLE
MONO CHROMATIC MONO SHAPE_ RECTANGLE
MONO CHROMATIC MONO SHAPE_ SQUARE
LINE CIRCLE
MONO CHROMATIC MONO SHAPE_ CIRCLE
MONO CHROMATIC MULTI SHAPE_ COMPOSITION
MULTI CHROMATIC MULTI SHAPE_ COMPOSITION
COMPOSITION OF TEXTURES
COMPOSITION ON EMPHASIS_ MURAL DESIGN
COMPOSITION USING RHYTHM_ BOUNDARY WALL DESIGN
COMPOSITION USING REPETITION_ JAALI DESIGN for Partition
FUNCTIONAL COMPOSITION_ BOOK COVER DESIGN
The problem
Take an A 3 size sheet make the standard border and seal.
Go carefully through the news papers(4) you have.
Look at the pictures carefully.
Think of an idea or theme which can be represented by the
pictures available.
Cut out the appropriate pictures (without using any instrument) keeping
in mind the space available on your sheet.
Compose the pictures such that the composition makes a
statement for the viewer.
There are no limitations to the number of pictures, or the
shape of the pictures.
Besides pictures single words or letters can also be used for
highlighting the idea, but these should be used very
sparingly.
The constraint is just that the composition should be
pleasing to the eye and should make a statement to the
viewer.
Roughly arrange the pictures and show the composition to
the teacher and get the composition approved before pasting
the pictures.
What is Pattern?
A pattern is made by the arrangement of many unit designs;
So, to get a pattern one has to make a design first and then
arrange that unit design in the combination of many.
There is also need of understanding the concept of spaces, the
filled spaces and blank spaces i.e. the positive spaces the
negative spaces respectively.
In the actual fabrication of the design there will be a number of
constraints like the material and construction issues but at this
stage it is expected that the major effort will be made in the
aesthetic component.
The problem
Take a A3 size size sheet draw the regular borders and seal.
On the remaining sheet leave the margin of 1cm on all sides.
Take remaining size as the size of BLACK paper.
On this Black sheet draw a pattern based on your design
unit.
You are required to make an aesthetically pleasing pattern.
Try a few rough patterns based on the unit design. Feel free
to experiment just keeping in mind the fact that the design
will be seen on a surface that is horizontal.
The Problem
Take a A3 size sheet draw the regular borders and seal.
Divide the remaining sheet in four equal parts.
In each of these compartments, draw triangles to create a
visually exciting composition.
In the first quadrant use only equilateral triangles,
in the next use only isosceles triangles,
in the next use scalar triangles and
in the last use a combination of all these types of triangles.
You can use a maximum of twelve triangles in a composition.
Title the composition with the name of the triangle type used
in the compartment.
There are no limitations to the sizes of the triangles; You can
choose equal triangles or these can be of different sizes.
These can be placed on an edge alignment, a vertices
alignment or an axial alignment.
Look at the space available, try to sketch a few rough
arrangements of triangles on a rough sheet of paper before
finalizing the arrangement that you find most fascinating
before finally drafting it.
Feel absolutely free to express your ideas.
Try using different composing methods for different
compartments.
If you have given deep thought to your idea and the
composition, you cannot go wrong.
place circles of varying sizes separated from each other. In the last
quadrant use a combination of all these types keeping in mind the general
principles of composition. You can use a maximum of twelve circles in a
composition. Title the composition with the name of the principle of
relationship type used in the compartment.
There are no limitations to the sizes of the circles. These can be placed
such that the hidden lines joining their centers are a shape by itself or
forms a fluid line. Try a few rough arrangements of circles on your system
(at least 4) before finalizing the arrangement that you find most fascinating
before finally freezing it for printing. Feel absolutely free to express your
ideas. Try using different composing methods for different compartments. If
you have given deep thought to your idea and the composition, you cannot
go wrong.
varying sizes separated from each other. In the last quadrant you must cut
and paste the circles of the size that you drew for the overlapping
composition in the previous exercise of line circles. This is necessary to
appreciate the difference between overlapping line and filled forms in a
composition.
There are no limitations to the sizes of the circles. These can be placed
such that the hidden lines joining their centers are a shape by itself or
forms a fluid line. Try to sketch a few rough arrangements of circles on a
rough sheet of paper before finalizing the arrangement that you find most
fascinating before finally drawing it using your drawing equipment. Feel
absolutely free to express your ideas. Try using different composing
methods for different compartments. If you have given deep thought to your
idea and the composition, you cannot go wrong.
After having seen the behavior and properties of the different pure shapes,
it will be worthwhile to see their behavior when these are placed in
conjunction with each other. Our visual world is made up of many complex
forms having varying surfaces, masses and seen under differing lighting
conditions. For a designer it is important to understand the complexity of
composing differing shapes within the same visual frame.
The visual relationship of shapes of the same kind placed next to one
another is governed by the hidden line of their geometry and the edges of
the shapes. The relationship of unlike shapes placed next to one another
becomes more complicated because of the mismatch of the edges. In such
compositions it becomes necessary that a subtle relationship be
established between the shapes such that the whole composition follows
an underlying theme. The theme could be of symmetry or asymmetrical
balance, rhythmic repetition, with a center emphasis or any such idea. The
composition will generally not be beautiful if it is not based on a theme or
an explainable idea.
When monochromatic shapes are used specially in contrast to the
background, the background also forms a pattern. This pattern must also
be kept in mind when the composition is being created.
Your eye and your aesthetic perceptions will be an excellent judge in
helping you decide the best composition. Still it may help if you were to try
some rough sketches on the full scale, with reasoning for the arrangement
and take comments of the teacher before cutting and pasting the shapes
on your final sheet.
The Problem
On a A 3 size sheet draw the regular borders and seal. Divide the
remaining sheet in four equal parts. In each of these compartments,
compose the shapes to create a visually exciting composition. In the first
quadrant use shapes of the same size separate from each other but
aligned by a theme. In the next you may overlap the shapes of equal size
or place them adjacent to each other but still the relationship must have a
theme. In the next quadrant you can place shapes of varying sizes
separated from each other. In the last quadrant you may cut and paste the
shapes of the different sizes such that the shapes are touching or
overlapping one another.
There are no limitations to the sizes of the shapes. Try to sketch a few
rough compositions on a rough sheet of paper before finalizing the
arrangement that you find most fascinating before finally using it as a final
scheme. Feel absolutely free to express your ideas. Try using different
composing methods for different compartments. If you have given deep
thought to your idea and the composition, you cannot go wrong.
by a theme. In the next you may overlap the shapes of equal size or place
them adjacent to each other but still the relationship must have a theme. In
the next quadrant you can place shapes of varying sizes separated from
each other. In the last quadrant you may cut and paste the shapes of the
different sizes such that the shapes are touching or overlapping one
another.
There are no limitations to the sizes of the shapes. Try few rough
compositions (at least 4) before finalizing the arrangement that you find
most fascinating before finally using it as a final scheme. Feel absolutely
free to express your ideas. Try using different composing methods for
different compartments. If you have given deep thought to your idea and
the composition, you cannot go wrong.