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A Rocket To The
Halie Loren,
Maura Kennedy, Moon
TWLOHA,
& More!
Very good!
And sharing your thoughts and comments about the issues and
articles with me? Well, that’s good too! I look forward to hearing
from you! Thank you for reading! Thank you for sharing! : )
Allen
a1foster@aol.com
Songwriter's Monthly Feb. ‘10 Cover Girl http://www.vh1.com/
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Ryan and Axelles (aka The
Drama-Ramas), on VH1’s TOUGH
LOVE COUPLES debut episode.
Thornley is in impressive
company with Lady Gaga and
Boys Like Girls whose music also
helps provide the soundtrack for
the spirited reality show
concerned with testing the
strength of relationships.
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LIVE AT KNEBWORTH
Touted as “The Best British Rock Concert Of All Time,” this benefit
for Nordoff-Robbins Music Therapy and the Brit School Of
Performing Arts featured a cornucopia of stellar talent. Tears For
Fears, Cliff Richard, Eric Clapton, Robert Plant, Dire Straits,
Genesis, Elton John, Paul McCartney and more all performed free
of charge to support both charities on June 30, 1990 at the famed
Knebworth House in Hertsfordshire, England.
Not only is the sound astonishingly clear and crisp, but the
recording manages to capture the enormity of the event — you
can actually hear the ever-present, expansive magnitude of the
venue, just crank it up and you will feel like you are standing
outside on the stately grounds of Knebworth. The photography
included in the packaging is simply electric, worthy of a coffee
table book.
Nick
Santino
A Rocket To The Moon is a smart
young pop/rock quartet with hints
of country influences. The guys are
having an absolutely stellar year.
They released their debut album,
O N Y OUR S IDE , on Fueled By
Ramen a little over six months ago
and are already touring with
groups like Cobra Starship, Boys
Like Girls, Motion City Soundtrack,
Mayday Parade and The Maine. If
you want to find out just how loved
these guys are, ask the nearest
young teen if she’s ever heard of
ARTTM and chances are she’ll need
a moment to calm down after
Songwriter’s Monthly - May ’10, #124 - http://www.scribd.com/SongwritersMonthly
f ra n t i c a l l y s c r e a m i n g a n d n e a r l y YOUR SIDE, is a highly detailed work
hyperventilating while she rattles off a about two vastly different girls:
list of favorite songs and describes “Annabelle” and “Dakota.” Yet for all the
vocalist Nick Santino in great detail vivid images and wonderfully
using an excessing amount of descriptive passages generously
complimentary adjectives. scattered throughout the lyrics, the girls
aren’t “real” people, they are much
There’s no denying that A Rocket To The more universal concepts of different
Moon has already achieved an enviable types of girls pieced together from a
position in pop culture. But with all the combination of firsthand experiences,
other bands out there, what makes stories from friends and remarkable
these guys so special? songwriting skills.
The answer is simple: The writing. Nick “The album actually isn’t really about a
and his co-writer Justin Richards really particular girl or girls,” Nick confirmed.
understand what it takes to not only “It was mostly just Justin, our guitar
w r i t e a g r e a t , c a t c hy s o n g t h a t player, and I writing the songs for the
immediately engages the listener, but record. We had this song around for a
they get the concept of keeping the little while — kinda like your regular
music universal. The debut album, ON love song about a girl named Dakota —
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developed the story with Annabelle and When asked about the clever lines and
Dakota being the two characters.” wordplay used to describe the
characters and situations, Nick divulged
However, some of the best ideas aren’t an interesting fact, especially for a
realized until after most of the work has young rock band: “We’re big country
been already done. Making the album music fans!”
about two opposite types of girls was
not something that happened when Nick “If you listen to a lot of country music
and Justin first began writing songs for — actually any country song — they all
Songwriter’s Monthly - May ’10, #124 - http://www.scribd.com/SongwritersMonthly
“If you listen to the song ‘Give a
The Story Behind Damn,’” Nick continued, “You’ll hear it’s
The “Baby Blue Eyes” Lick full of little things like ‘She loves the
taste of Captain Morgan and cigarettes,
oh, she adores them.’ If we use detail
At the beginning of the tender “Baby
and imagery like that, then it gives
Blue Eyes” there is a brief guitar lick
people more of a story they can relate
that, given the writers’ love for
to. ‘Like We Used To’ lists all those little
country, sounds like a tribute to Taylor
things that you remember doing with a
Swift. However, that is not the case at
person and I’m sure if somebody who
all. “That was coincidental,” Nick
has gone through a breakup recently
remarked cheerfully. The band had
listened to that song, they could relate,
written and recorded the track without
“Oh, I used to dance around the living
hearing Swift’s song. “Afterward,
room with my ex-girlfriend and sing her
when we heard it, we were like, ‘Oh,
music and watch her favorite movies
that sounds like Taylor Swift!’ So what
and I miss all of those things.’”
I’ve been doing on this last tour, when
we play “Baby Blue Eyes,” at the end
But Santino is quick to point out that
of the song we add the first little verse
not all details are good. Using “Captain
of the Taylor Swift song and the girls
Morgan” just puts a title on the idea
laugh. It’s fun, we kind of play on it
that the girl likes hard alcohol, it
because we know that it kind of
doesn’t limit the ability for the listener
sounds like the song. Those five notes
to relate to the story. However, giving
could be anything, but when you hear
the girl in question a specific name like
them, you think of Taylor Swift.”
Sarah Patterson, “You’re like, Sarah
Patterson? I don’t know a Sarah
have witty little clever tag lines and the Patterson?!”
songs are full of imagery,” Santino
noted. “I feel like that just grabs the
listener a lot better. Instead of writing, “We were over-
‘I love you and I want to grow up with
you and be married to you’ — which is prepared going
kind of boring — you say, ‘I take her out
and drop her off on the outskirts of our
into the studio, we
town and leave a trail of roses that knew exactly what
leads back home’ [from “She’s Killing
Me”] for example, it kind of makes you we wanted to do
think and it gives you a mental picture
of what that song’s about because you
going into it.”
have things like dropping a person off
on the outskirts of town and then Nick also added, “Lyrics are my favorite
‘leaving a trail of roses’ . . . We just part of writing and putting together a
really had a lot of fun with imagery and record. It’s always fun to end a chorus
telling a story.” with a line like, ‘I love her half to death,
“I do think of it as a
p r o g r e s s i o n ,” t h e
dynamic young woman
declared, “because it
seems like everything
I did kind of built upon
what went before. It is
kind of interesting that
I’m doing so much jazz
now since that’s really
a full circle thing for
me. I was doing jazz
way before I was doing
the music that you
heard me doing when I
was 16. Jazz was kind
of my starting point.”
Roughly a decade ago, Songwriter’s “It’s not like I made a plan to have my
Monthly stumbled upon a sophisticated music, my career and my style take the
teen named Halie Loren who could belt course that it has taken,” she reflected.
out a tune with the style, confidence “It’s not like at 16 I wrote out that this
and finesse of a seasoned pro. She had
range, power, control and a remarkable, “It’s not like I
innate sense of phrasing. In April, she
celebrated the release of her critically made a plan to
acclaimed live album entitled STAGES.
She is also enjoying her recent spike in
have my music,
popularity overseas — Loren has my career and
consistently ranked as one of the top
artists at HMV.com (many times my style take the
holding the number one spot!).
course that it
But being so talented at such a young
age, and having had so many options in
has taken . . .”
front of her, it took Halie a little bit of is where I want to be when I’m 25, I
searching and trying out different had entirely different thoughts of where
genres till she found a direction that felt I was going to be when I was 25. But it
“ n a t u r a l .” S h e h a s n o r e g r e t s seems this is where I was meant to go.”
When asked if there was anything she background vocals, Mark Schneider on
wanted to mention, that hadn’t been bass, Brian West on drums, and Tim
covered, Halie responded, “I always like McLaughlin on trumpet.”
http://www.myspace.com/discocurtis
Disco Curtis:
4/25/10
Philadelphia,
Disco
Curtis
Live!
My Plea For
The CD
I’m a firm advocate of the CD. In fact, challenge these reasons in an attempt
my house is practically littered with to lure you back into CD fandom.
them. They fill desks, boxes, shelves,
really any space I can fit them . . . I The convenience of MP3s is undeniable
have so many CDs that I literally made – instead of making a special trip out to
a Word document on my computer to a record store to get your fix of music,
keep tabs on them all – it’s 13 pages all you need to do now is get online.
long. In this day and age, especially With the click of a button, your MP3s
among my peers, I’ve begun to realize are purchased, downloaded, and ready
that the enthusiasm I have for CDs is to go. There’s no worry about the music
not a characteristic I share with many you want being out of stock, and no
people. Why is that? pressure if you’re under time
constraints. But with this convenience,
We’re reaching an age where the CD is you also have to give something up.
becoming irrelevant, and in its place are
MP3s. I’ve been trying to figure out how The sound quality of music takes a hit
this could have happened for a long when you choose MP3s over CDs, and
time, and to be honest, I’ve really only to me, this isn’t worth it. CD quality
come up with two flimsy reasons – music is 192 kbps (kilobits per second),
convenience and price. I will now whereas the average MP3 is only 128
Songwriter’s Monthly - May ’10, #124 - http://www.scribd.com/SongwritersMonthly
kbps. While it ’s claimed that the
“untrained ear” can’t hear the difference,
Behind The Song:
I beg to differ (my ear is as “untrained” http://click.linksynergy.com/fs-bin/stat?
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Finn
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Riggins
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http://vimeo.com/10732598 http://vimeo.com/10732598 http:// as they perform
vimeo.com/10732598 http://vimeo.com/10732598 http://vimeo.com/ while strolling
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“Don’t Ask My Neighbor” is a sultry slow jam that offers a glimpse at the
http://www.myspace.com/rachelbrownlive
sizzling side of this passionate artist. Her rich tone, impressive flexibility
and remarkable control bring to mind
some divine hybrid of Mariah Carey
and Anita Baker.
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you-think-this-is-love%252Fid306648216%253Fi
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“Everyone
has their
dark side.”
All photos by Jeff Fasano
Maura Kennedy is probably best known transmutes mere wood, steel and sound
for her many years of recording and into gold.
performing with her husband Pete as
the folk-rock duo The Kennedys. Her But Maura’s background is multifaceted,
captivating siren-sweet voice is the more like a gem than a stone, with
Philosopher’s stone for the alchemy that some surfaces brightly reflecting light
Songwriter’s Monthly - May ’10, #124 - http://www.scribd.com/SongwritersMonthly
while others are much darker. Her first
solo album, PARADE OF ECHOS, displays
those many facets with exquisite detail “I don't like to
and engaging depth. Kennedy’s innate
pop sensibilities sparkle within an
actually write the
ominous and, at times, unnervingly song until it is
Gothic atmosphere, to create an awe-
inspiring world that is at once wholly easy to write the
realized yet as intangible as the
ethereal feathers of a dream. lyrics.”
While on the road, traveling to a gig
with her husband, Maura agreed to Maura Kennedy: All the songs on The
answer a few questions about her Kennedys records are co-written. But
impressive solo debut. the songs on “Parade of Echoes” are all
songs I wrote by myself, with the
Songwriter’s Monthly: What made exception of one verse in “Shadows
these songs need to be on a solo album? With The Lonely.” Also, The Kennedys
songs are typically universal
songs, or what we call
Jungian . . . not always, but
largely. The songs on “Parade of
E c h o e s ” a r e ve r y p e r s o n a l ,
Freudian type songs. I think they
can still be universal in a personal
way, but they're mostly songs
about emotions, rather than large
shared universal concepts.
SM: In “Chains” you question a love SM: Possibly my favorite line on the
that makes you feel “wrapped in chains, album is in “Just The Rain” when you
“but you don’t really comment on if it’s describe rain with the phrase as the
good or bad. Is it good to feel that way, “smell of minerals.” That is such an
or is that an unhealthy experience? unexpected way to describe it, but I
Songwriter’s Monthly - May ’10, #124 - http://www.scribd.com/SongwritersMonthly
totally smell rain the instant I hear that D e b u s s y, P a t s y C l i n e , a n d R o y
line, it is very powerful. Do lyrics come Orbison . . . an eclectic mix of music, I
easy for you? know, but that's always been the way I
like it.
MK: Yeah, I like that line a lot, too. And
you're right . . . it's an instantly SM: Which is your (current) favorite
recognizable image — that spring/ track . . . or which is the track that
summer rain smell! I'd never heard
anyone describe that in a song
before. When I write a song, I like
to think about it a lot. I dream
about it and I meditate on it and I
live with the concept a while before
I write. Because I don't like to
actually write the song until it is
easy to write the lyrics, if that
makes sense. In other words, I
don't usually sit down with a
notebook and write lines and
scribble them out and re-write. I
do most of that in my head, more
in a meditative trance first, then
sometimes I can't write it down
fast enough when it all comes to
me. And I've always found that
lyrics have their own inherent
melody, like if you speak a line,
your voice would carry it along in a
natural cadence of rising and falling
pitch. Most usually all my lyrics
follow what seems obvious to me
as their natural inherent melody.
M K : Ye s , l o t s o f m u s i c a l
influences. I was listening to Bat For means the most to you? Why is it
Lashes and Kate Bush, and if you think important?
about that, you'll be able to hear it in
“The Thing With Feathers.” I was also MK: That's always a tough one to
listening to Nicole Atkins, Alison Krauss, answer. They're all like children to me
Tegan and Sara, The Mates of State, and they each have their own value.
Any Trouble, The Submarines, Claude That said, I'm still really into “The Thing
Songwriter’s Monthly - May ’10, #124 - http://www.scribd.com/SongwritersMonthly
With Feathers” because I've never Every shoot is in a different location,
written anything like that, and I'm and I meet really interesting people
proud of the way the vocal layering every time. I watch professionals work
worked out. I'm also really proud of in front of the camera (and behind), and
those instrument tracks. When I it's all very new to me. How does it
recorded the percussion, I put a mic at compare to music and songwriting? I
knee level, and did a combination foot never thought about it that way. I really
stomp/thigh slap rhythm. It sounds so don't see the point in comparing.
good to me. So I sort of went off the They're both completely different
board, technique-wise in the recording experiences. I mean songwriting is
studio (i.e. the bedroom of a sublet something you do on your own and you
apartment, with this one). can take all the time in the world, and
you don't need any real gear to do it,
SM: One final, kind of bonus question. and you don't need to book time to do it
Besides performing musically, you also or have other people relying on you.
do a bit of acting. How long have you The acting thing is the polar opposite.
been acting and how does it compare to And they're both immensely enjoyable
music/songwriting? to me.
MK: I did a little bit of it in high school Maura Kennedy’s debut solo album,
and college, but even then I knew I PARADE OF ECHOES, is a fearless plunge
wasn't any good at it. I couldn't get into the rarely explored regions of the
over my lack of confidence at that stage artist’s vast waters. At times clear and
in my life. By now, though, I've spent tranquil, but often murky and turbulent,
so many years in front of audiences that every song is an adventure. For more
confidence isn't a problem at all for information, visit:
me. So I decided to get back into it with
this learned experience at my http://www.maurakennedy.com
disposal. I started out with mostly doing
extras work and since last July I've
been in 25 TV shows and movies strictly
as an extra. But I have started going
out on auditions and realize that
confidence isn't everything! I have a lot
to learn about acting, and so I just
registered for a week-long intensive
acting class at the New York Film
Academy, just to test the waters. My
hope is that I'll be able to develop my
acting talent enough to get a small
speaking part or two in the next year.
I've really been enjoying it all so far.
Really, I started doing it as a way to
experience more New York City life.
Songwriter’s Monthly - May ’10, #124 - http://www.scribd.com/SongwritersMonthly
The
Reality
of Silence
Jamie
Tworkowski
Maybe you’ve seen the shirt that simply t h e m e s s a g e s p r e a d s . G ra d u a l l y
reads “To Write Love on Her Arms?” awareness of To Write Love on Her
That’s the way it usually happens, you Arms ripples outward and the dialogue
see the shirt and you start asking starts. When you finally understand
questions: What does that mean? Is it a what the shirt means, what it
band? Why are you wearing it? Etc. represents, you get chills.
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S t e ve Q u e l e t ’s s e a s o n e d
vocals provide all the comfort
of a stroll along a familiar
dusty trail. In contrast, Eppie with the lines, “There is a face on
Bailey’s tone is crisp and pure like a my ceiling/Delights in telling me I’ll
die before I wake.” Bailey revealed,
“I thought it would be “I wrote the song because there
really is a face on my bedroom
cool to poke fun at ceiling and I thought it would be
having all these cool to poke fun at having all these
negative imaginary negative imaginary 'friends' —
'friends' — which I think which I think many artists have.
But we're creative folk, so I
many artists have.”
thought, ‘Hey, we can just make up
— Eppie Bailey some NEW ones!’”
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www.abbyahmad.net
www.myspace.com/abbyahmad
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Issu Issue
Apr. ’10 Feb. ’10 Jan. ’10 Dec. ’09
Featuring: Abby Featuring: Beth Featuring: Arika Fe a t u r i n g :
Ahmad, Cathy Thornley, Paige Kane, Jason B r i g i t t e Za r i e ,
Wa g n e r, L a u r a Nichols, Melissa Castro, Local Lisa Lisa, Beru
B e l l B u n d y, Ferrick, Sarah Natives, Abby Revue, Marty
Straight No DeLeo, Ryan Pa r k s , At l a n t i c Paris, Billy Idol,
C h a s e r, J a m i e Hammer, Little Records’ CEO, Ro s a n n e C a s h ,
Lynn Noon, Mic Boots, Winston Wallace Collins, and more!
Etiquette and Gay, Haldjas, and and more!
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