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Draw On, Sweet Night

John WIlbye
(1574-1638)

SSATTB a cappella
1

SOPRANO I
(CANTUS)

Draw
SOPRANO II
(QUINTUS)

on, sweet

night,

draw
z

Draw

on,

ALTO
(ALTUS)

X

Draw

Draw
8 E

TENOR
(TENOR)

"

BASS
(BASSUS)

on, sweet

8 E

ALTO or TENOR
(SEXTUS)

on, sweet

 

night,

best

friend

night,

best

un

friend

un -

on, sweet

X

night,

draw

on,

sweet

night,

night,

-to

those

cares,

best

sweet

friend

-to

those
z

draw

on, sweet

X

cares,
z

 

night,

best

friend

night,

best

on, sweet
z

draw

on, sweet

Draw
"

night,

draw
z

Copyright 1999 by the Choral Public Domain Library (http://www.cpdl.org)


Edition may be freely distributed, duplicated, performed, or recorded.

un

friend

un z

ed. 3/25/99

13

un

to

those

cares,

that

best

friend

un

to those

that

do

a -

to

those

cares,

cares,

13

13

on, sweet

cares,

best

Draw

Draw

night, best

on, sweet

on, sweet

best friend

Draw

night,

X

cares,

friend un

on, sweet

-to those
"

night,

-to those
8

X

friend

un

night,

best

friend

un

to those

un -

to those

20

do

-rise

from

pain

rise


from

pain

ful

ful

me

ly,

from

me - lan - cho

lan - cho - ly,

pain - ful

me - lan

rise

cho

ly,

20

20

"

those

cares,

un

cares,

that

do

rise,

rise

cares,

-to

X

to

those

cares,

that

do

that

do

that

do

rise

from

from

a - rise

rise

pain

27

from

pain - ful
X

from

pain

me

lan

- ful

me

lan

cho - ly,

cho - ly,

My life

so

ill

through

27

27

pain

pain
"

ful

from pain


me

ful

me

-ful

me

lan

lan

lan

ly,

so

ill

through

ly,

ly,

My life

cho

My life

cho

cho

lan - cho


ful me

so

ill

through

ly,

34

My life

want

of

com - fort

so

ill

through

want

of

com - fort

fares,

fares,

34

34

want

of

"

com - fort

want

of

fares,
z

com - fort
z

My life

so

ill

through

want

of

My

life

so

ill

through

want

of

com - fort

com - fort

X

fares,


fares,

That

fares,
z

My life

so

ill

through

want

of

com - fort

fares,

40

That

un - to thee, to

thee

con - se - crate

That un - to

D
,

thee,that

un - to

thee I

40

un - to thee,

"

that

That un - to

thee

un - to

thee

That un - to

thee, that un - to

thee,

That

D
,

un - to thee, to

un - to thee I

thee

ly,

ly,

That

it

whol

ly,

it

whol

it

That un - to

ly,

That

whol

ly:

con-se - crate


,

whol- ly, That un - to

K


ly,

se-crate it


,

con

whol

whol

con - se - crate

it

it

con - se - crate

con - se - crate


,

con - se - crate it whol

46

D 

K


con - se - crate

40

Sweet

it whol

ly:

46

46

thee

con - se - crate it whol - ly,


z

That
8

"

thee

D 

con - se - crate it whol

un - to thee, to

thee

That
 D 
,

un - to thee,
K

un - to thee, to
X

thee

ly,

con - se - crate it

it

whol

ly:

Sweet

con - se - crate it whol

whol - ly:

whol - ly: Sweet

con - se - crate it

ly:

52

night draw

on,

Sweet night draw

Sweet

on, O sweet

night draw

night draw

on,

on,

Sweet

52

52

night draw

X

X

on,

Sweet

Sweet
8

night
"

draw

on, Sweet

on,

X

night

draw

on,

Sweet
z

night draw

on, Sweet

on,

night draw

night draw
z

night draw

on,

59

Sweet

night draw

night draw

on,

on,

Sweet

Sweet

night draw

on,

59

59

OX

Sweet

on,

Sweet

on,

draw
z

night draw

Sweet night draw

night draw
z

on, draw on,

Sweet
"

night draw

Sweet night draw


8

on, Sweet

on,

X

night draw

Sweet

on,

on,

Sweet
X

Sweet

Sweet

night

draw

on,

66

night draw

on,

Sweet

night draw

on,

66

66

night draw

X

on,

Sweet

night,

Sweet
z

night draw

"

on,

night draw
8

draw

on,

they

they

be

My

griefs

when

on,

My griefs when

on,

My griefs when

X

night draw

73

My griefs when
z

My griefs when

 

they

be

they

told

X

be

told

To shades and
z

73

73

be

told

z
X

My

griefs

when

they

be

told

they

be

told

To shades and
z

told
"

To
z

80

dark

ness,

find

some

ease from pain

ing,

To

shades and dark

ness, find some

80

80

To

dark
8

find some

shades and dark - ness,

ease from pain

find

some

ease

from

pain

shades and dark

- ing,

"

ness,

to

shades and dark - ness,

find

some
z

ness, find some

ing,

86

ease from pain

ing,

86

86

ease

from

pain

ease

from
z

ing, to shades and

dark

ness,

find some

ease from pain

pain - ing,
z

To shades and
"

To

dark

ness,

find some

shades and dark - ness,

ease from pain

find

some

ease

from

92

And while thou


while thou all

in

si

And

en

lence dost

all

in

si - lence

fold,

92

X

92

ing,

And while thou

And while thou


8 

"

all

in

all

in

si

dost

en

si - lence

lence

en -

fold,

in
z

- ing,

pain

ing,

And while thou

99

dost

en

fold, in si

lence dost en - fold,




And while thou

all in

si

and while thou

lence dost

en - fold,

and

all

in

while thou all

in

si -

99

99

fold,

and

lence

dost

en

all

in

si
8

And while thou


"

all

in

si - lence

while thou

all

in

si-lence

dost

all in

si

fold,

and

while thou

si - lence

dost

dost

en

en

fold,

and

fold,

en

- fold,

lence

dost

en -

while thou all

in

si - lence

and

while thou

all

in

106

si

lence

dost en

-lence

dost

en

fold,

then shall have

best time

for

fold,

106

106

all in

si - lence

dost

en

dost

en

lence

have

best

have

best

time for my com

time for my com -

fold,

fold, I then shall

en

si

dost
"

I then shall

-fold, and while thou


8

fold,

112

my

com - plain -

ing,

I then shall

have

best

time for my com D

then shall have

best time

for

112

112

-plain

-plain - ing,
8

for

for
"

ing, for

my com - plain

my com - plain
 

my

ing,

ing,

com - plain

then shall

have

best

ing,

I then shall

have

best

time for my com -

10
118

-plain -

ing,

for my

com - plain

my com-plain

ing,

ing,

then shall have




have

best

I then shall

118

118

then shall have

I
"

D 

then shall have

-plain

for

my

best

time

for

ing,

my com - plain

ing,

com- plain

my com- plain

best time for

time
8

ing,

- ing,

best time

have

best

for

my

then shall

124

com

plain

ing.
7

time for my com - plain - ing,

then shall have

best time for

X

my com - plain

124

for

124

my com - plain

I
8

"

have

best

time

for

SOURCE: English Madrigal School, Vol. 7 (ed. Edmund Fellowes, 1916)


originally published in Second Set of Madrigals for 3 to 6 voices (1609)
Transcribed by Rafael Ornes

best time for

for

my com - plain

ing.


7
X

ing.
7

my com-plain

then shall have

time for my com - plain

ing,

ing.
7

my com - plain

ing.
7
X

I then shall

ing.