Esoteric meanings of Slavic alphabet and numerology.

Names and duodecimal numerical values of Cyrillic letters.

Slavic alphabet Cyril and Methodius occurs from the Greek alphabetic system and
Phoenician writing. Therefore some Cyrillic letters have similarity with Greek and
Phoenician alphabetic symbols. But however Slavic alphabet has other order of
letters within circular matrix of numbers or numerical signs of duodecimal
numerology rather than orders of alphabetic characters of the Ancient Greece or
Phoenicia, that is shown on the chart.

As it is possible to see in the Cyril's Slavic alphabetic system there are 43 letters
that differs from 22 symbols of Phoenician writing or 33 letters of contemporary
Russian alphabet which precisely correspond with circular numerical matrix of

duodecimal numerology. But however eleven numerical axes and four circles form
44 positions or key points, that is near to number 43 and is comparable to letters of
Slavic alphabet, but one position is empty.
In some sources of information it is possible to find data on 44 characters in the
Slavic alphabet, namely about alphabetic sign
which in essence is a variant
of letter
. Or about alphabetic sign
which is a variant of letter
.
But however number of Cyrillic letters is not casual as Slavic alphabet has sacral
sense which forms metalinguistic azbuka, and consequently it is necessary to
consider 43 alphabetic characters, and to consider one empty position within
circular matrix of numerical signs of duodecimal numerology.
Different colors on the chart notes positions according to which Cyrillic letters
form symmetric and regular spatial geometrical figures.
Blue color notes Cyrillic letters
which form spatial figure which is
symmetric concerning first numerical axis of circular numerological matrix.
Letter
means SPIRIT or not created and general source of all real in the
context of Slavic alphabet.
Letter
means WOMB or organic realization of SPIRIT.
Letter
means INNERMOST or evidential sphere of actuality existing outside of
physical world in metaphysical space where objective reality of universe opens.
Combination of three philosophical meanings or names of three Cyrillic letters
explains mystical sense of SPIRIT which exists outside of physical reality, but has
manifestation as a result of organic embodiment.
Yellow color notes letters
which form geometrical figure which is
symmetric concerning tenth numerical axis.
Letter
means FATHER or one of three persons of divine Trinity in which there
is existence of SPIRIT and SON who correspond with names or mystical meanings
of Cyrillic characters
and .
Letter
means HIDDEN or limiting veil which separates visible material world
from hidden space of metaphysical or supernatural reality.
Letter
means ETERNITY.
Combination of three philosophical meanings or metalinguistic values explains
mystical sense of FATHER who is eternal and hidden, or otherwise to tell
incomprehensible for human understanding.
Green color notes Cyrillic letters
which form symmetric spatial
figure concerning eleventh numerical axis of circular matrix of duodecimal
numerology.
Letter
means SON or generating spiritual beginning which is the third person of
divine Trinity.
Letter
means SPIRITUALIZATION or overcoming of limiting veil between
visible world and metaphysical supernatural reality.
Letter
means BELIEF.
Combination of three philosophical values explains mystical sense of SON who is
the key person of divine Trinity, because the Christ personifies BELIEF which
allows to overcome limiting veil between physical world and metaphysical reality.
In total shown symmetric and regular figures are formed by letters

which correspond to three persons of divine Trinity. And also by letters

which specify mystical characteristics or esoteric qualities of divine or sacral
Trinity of the God.
INNERMOST SPIRIT - secret existence of spiritual source of all real.
HIDDEN FATHER - incomprehensible existence of divine essence.
SON SPIRITUALIZATION - realization of divine essence.
Letters
in aggregate with
form common spatial
figure which is symmetric concerning eighth numerical axis, that specifies
essential mystical values of letters
. In particular spatial position
of the letter
WORD on the eighth numerical axis has mental associations
with the first lines of the gospel from John: "In the beginning was the Word, and
the Word was with God, and the Word was God".
Besides the shown symmetric figures are formed by Cyrillic letters
and
which are on the tenth and eleventh numerical axes, that too specifies
essential mystical values. In essence each letter on these numerical axes makes
symmetric figures with letters
.
Letters
on the tenth numerical axis are interconnected
with
and
that specifies divine qualities of FATHER.
Letter
means NAME that is possible to consider as unpronounceable
denomination of the God.
Letter
means REASON or sphere of human ideas which are incorporated by
indivisible divine consciousness.
Letter
means INTEGRITY or SANCTITY that is equivalent to indivisible and
absolute integrity of the God.
Letter
means ETERNITY that is equivalent to divine eternal infinity.
Letters
and empty position of circular matrix are interconnected
with
and
that specifies divine qualities of SON.
Letter
means TRUE that can be considered as truth which became obvious in
resurrection of the Christ.
Letter
means BELIEF or trust without rational substantiations, that is
equivalent to the basic Christian principle according to which belonging to
Christianity is the sufficient condition of eternal life and understanding of true.
Letter means GREATNESS that can be considered as glory and eminence of the
Christ.
Empty position of circular matrix symbolizes future kingdom of heaven or celestial
Jerusalem.
Besides in the shown circular matrix of Cyrillic letters it is possible to see other
interesting spatial figures. For example, pay attention on geometrical figure which
is symmetric concerning second numerical axis, and which is formed by
letters
and vowel sounds or phonemes , , , and in essence which
are accordant or conformable each other, and consequently which are
interconnected not only by philosophical values and mystical senses of alphabetic
names but also by sounding phonetic characteristics.
It is possible to think that positions of letters in the Slavic alphabet and also other
alphabetic systems in space of circular matrix of numbers of ancient duodecimal

numerology and scale of mathematical notation are caused by volition and reason
of people which created writing characters of human civilization. But also it is
possible to assume that positions of letters are caused by mentality which are not
connected with volition of people, namely which is initiated by celestial
consciousness or otherwise to tell divine reason according to which universal laws
of world reality and rules of cosmic harmony have been displayed in graphical
symbols of various alphabetic systems of mankind. In essence it is possible to
assume that heavenly beings by means of letters have created sacral cithers or
esoteric codes in which not only phonetic values and acoustic parameters of human
speech but also divine principles and mystical purposes of a human life are fixed.

()
()

[2]

[2]

2
3

7
8

10

10

20

20

30
40

50

30

60

40

70

50

60

80

70

90

80

90

100

100

200

200

300

300

400

400

500

500

600

600

700

700

800

900

900

1000

90


()

800

900

400

Svako slovo ima svoje ime

Iz pisma Borivoja D. Zhivkovic'a, poverenika Udruzhenja za zashtitu
c'irilice za Shvedsku, Vechernjim novostima, februara 2004. g.

Az Buki Vedi ...

Srpsko pismo c'irilica od prvog razreda Osnovne shkole uchi se
iz knjige BUKvar , a kao prvo uchi se AZ BUKa . Daleke 1933. godine, u
sedmoj godini zhivota bio sam poshao u Osnovnu shkolu i uz pripremne
vezhbe za pisanje, zvane Kosa tanka i Uspravna debela izvodjene na

tablicama bejasmo uvodjeni u tajne i veshtine lepog pisanja, chitanja i

razumevanja, shvatanja i prihvatanja. U tome, kao najvec'a radost, stizhe
i BUK var . Prva knjiga. Pa i u mojoj (sadashnjoj) 77. godini najdrazha
knjiga. AZ BUKa i BUK var i danas su mi chvrsti temelji, a gradio ih
je uchi te lj (uchi
te
ljubavi).
Josh
tada
sam
nauchio BUKvicu (AZBUKu ).
I
josh
tada
sam
saznao,
zahvaljujuc'iuchitelju , da...
Tumachenje slova glagoljice (i kirilice) (1)

Slovo

Tumachenje

Latin

Prevod

1) Tumachenje slova glagoljice po rechniku prasrpskog Jezika Majke autora Ruzhice M.

Borisavljevic' (izdanje IPA Miroslav, Beograd. (E-poshta: <mirmi@EUnet.yu>))
*) Slovo A (Az) ultimativno se prevodi kao JA. A dalje mozhe po tekstu: Ja, Prvi Tvorac (ili,
jednostavnije Tvorac). Slovo S (Zelo; DZelo) uglavnom se prevodi kao mnogo tj. vrlo. Prevod kao Sila
bio bi malo isuvishe slobodan.
**) Nisam video pismo Borivoja ni original Jezika Majke ali znam da ova slova treba da se pishu
tako kako je ovde napisano. Po ugledu na crkvenoslo(a)venski (pra-, stari-, drevni- ili novicrkvenoslo(a)venski) na kome se i danas pishu crkvene sluzhbe. Ovi termini bi mogli da se razumeju kao
sinonimi za prasrpski. I josh, ne mogu u jednom pismu da budu dva ista znaka / slova. (prim.: D. Mladich)

A (*)

az

ego

Prvi Tvorac

buk (Bog)

deus

Bog Sveznajuc'i

vid(i)

Vitus

vidi

glagolje

loquor

rechi

dobro

bonum

dobre (.)

(j)est

est

On Jeste

Zh

zhivit (od)

vivere (de)

zhiva

S (*) (**)

sila

fortia

sila

zemlje

terrae

zemaljskog

izhe

sputium

prostora

I (**)

et

je

sapere

zna

kako (kao)

sicut

kako

Lj

ljudi

viri

ljudi

mislite

cogitare

misle (.)

nash

nostra

Nash

on

illud

Oche Nebeski (Bozhe)

Tumachenje slova glagoljice (i kirilice) (1)

Slovo

Tumachenje

Latin

Prevod

pokoj

requies

Svemira

reci

dic

reci

slovo

litteram

slovo

tvrdo

fortiter

potvrdnog

uk
sapientia
uchenja (.)
Imena slova chitana redom daju sledec'i smisao: Prva misao
posvec'ena je BOGU . Druga misao se odnosi na najvec'i dar, koji choveka
uzdizhe iznad svih drugih zhivih bic'a, a to je RECH . A rech je DOBRO, ona
potiche od Boga i kao takva mora da se poshtuje; ona je istovremeno radost,
jer olakshava odnos choveka prema choveku. Drugo ljudsko dobro
jeste ZEMLJA , od chijih plodova treba da se ZHIVI . No chovek nije na
zemlji samo zato da zhivi fizichki, kao zhivotinja, vec' u prvom redu zato,
da chovechanski MISLI , a chovechanski misliti i dobro govoriti, to
donosi unutrashnji mir spokojstvo . A chovek chovechan, spokojan i
oplemenjen lepom rechju, koju prati uzvishen osec'aj pripadnosti jednoj
produhovljenoj zajednici, takav chovek drzhi do svoje rechi, koja mora
biti chvrsta . Iznad svega toga stoji u neku ruku kao kruna ono, shto je
formulisano
s
prve
tri
rechi: AZ BOG VID ,
koji
sve
to VIDIM , chujem i osec'am ,
pa

prema
tome
znam ; VID predstavlja vrhovno saznanje o SVEMIRU , u kome
je ZEMLJA i dotle, dok chovek bude poshtovao svojom MISHLJU i
svojom rechju zakone, koje je sam on ustanovio i nad kojima
on(a?) bdije, sve c'e biti DOBRO . Medjutim, uzmakne li se pred silama
mraka, ne poshtujuc'i vishe ni BOGA , ni RECH , ni MISAO , niZEMLJU ,
koja donosi plodove kroz predan rad chovechanstvo c'e se duhovno
strmoglaviti...
Kroz prastaru srpsku azbuku, dakle izrazhena je cela filozofija
srpskog choveka: njegov odnos prema Bogu, prema ljudima, koji su svi za
njega bili brac'a, njegov odnos prema ZEMLJI, majci hraniteljki... (Srbi...
Narod Najstariji, Prof. Dr Olga Lukovic'-Pjanovic', tom 2, str. 269-270,
Beograd: Dosije, 1990.)
Molim uvazhenu gospodu chlanove Odbora, koji su uchestvovali u
kritikovanom radu da pored svih shkola koje smo zavrshili ne zaboravimo i
ono chemu su nas roditelji i praroditelji uchili i usvojili kao sastavni deo
nashe ljudske lichnosti. Za ovakvo znanje zahvaljujem svojoj prababi Savki,
koja me je po dolasku iz shkole uvek podsec'ala na potrebu da uchec'i ne
gubim pamet koju shkole ne daju. Jer po jednom od najvec'ih Srba

Svetom Nikolaju Devichkom (Velimirovic'u) ... Narod ne zna mnogo, ali

zna glavno.
Ne menjajte narodno saznanje, ako zhelite da budemo bolji nego shto
smo sada.

Sacral azbuka of Saints Cyril and Methodius.

Metalinguistic formula and letters of Slavic alphabet.
The metalinguistics is fantastical or mystical understanding of letters and words, as
alphabetic symbols are considered as graphic signs which designate not only
sounds of speech but also philosophical concepts and categories. Namely letters of
alphabet from the view point of metalinguistics are elements of language or logic
signs which mean esoteric or otherwise to tell supernatural sense of human speech.
And words in the context of metalinguistics are alphabetic combinations which
specify not only dictionary semantic meanings but also complex philosophical
concepts and categories, or mystical values existing besides ordinary linguistics.
Philosophical categories and mystical values of letters are names which form sacral
azbuka or metalinguistic construction of formula according to which the structure
of alphabet is systematized.
Alphabetic signs have no names in contemporary Russian alphabetic system, but
primary letters of Slavic alphabet or Cyrillics possess denominations and form the
alphabet in which consecutive intelligent statement or phrase is included. Namely
set of symbols in Cyrillics forms the systematized combination of literal names
which form the metalinguistic formula or sacral azbuka and esoteric system of
alphabet.
Names of letters in the Slavic alphabet are not casual and possess intelligent values
which form sacral statement or phrase.
Constantine (Cyril) the Philosopher and Methodius from Salonika (Thesaloniki in
contemporary Greece) have created Slavic alphabet for translation of biblical texts
into languages of Slavs, and for this purpose it was necessary to fix phonetic
system of Slavonic languages by means of alphabetic signs which are organized
according to divine laws. As it was necessary that sacral structures of words in the
Bible has not been broken as a result of translation.
Therefore Cyril and Methodius have created the alphabet which is unification of all
languages of Slavs by means of uniform phonetic construction. And also Cyril and
Methodius have coordinated Slavic letters with phonetic system of the Greek
alphabet by means of which translation of the Bible from Aramaic into language of
ancient Greece earlier has been executed. And also Cyril and Methodius have
included in Slavic alphabetic system the sacral formula or otherwise speaking the
sacred statement which expressed mystical values of divine laws.
Below the table shows graphic symbols or characters and names of letters of the
Slavic alphabet, and also phonetic parameters and philosophical categories which
form sacral azbuka or otherwise to tell alphabetical metalinguistic formula.

The azbuka of Cyril and Methodius (Cyrillic alphabet).

LETTERS
Characters.

1.

NAMES
Denominations.

PHONETICS AND MEANINGS OF

NAMES
Phonetic parameters and philosophical
categories.
The first letter of alphabet. Occurs from the
Greek "alpha" and Phoenician "aleth".
Means the pronoun I or
EVERYONE
.

2.

Occurs from the Greek "beta".

Means the word LETTERS
and has
common origin with the third letter
of
Slavic alphabet.

3.

Occurs from the Greek "beta".

Means the word KNOW
and
has phonetic ratio with 21st and 43rd
letters
and
of Slavic alphabet.

4.

Occurs from the Greek "gamma".

Means the word SPEAK
and has some variants of pronunciation in
different Slavonic languages.

5.

6.

Occurs from the Greek "delta".

Means words KIND or
KINDNESS
. With letters
and in some Slavonic languages is used in
sound combinations
and which are
sonant or sonorous conformity of and .
The sound in the Serbian alphabet has
special alphabetic sign which has the
name
or
that corresponds with
26th letter
of Slavic alphabet.
Macedonian language for designation of
sounds , ,
has the character which
corresponds with 4th letter
in the
Slavic alphabet.
Occurs from the Greek "epsilon".
Means words NATURE or CONSCIENCE or
HONOR
.
This letter corresponds to the iotated sound
in Russian but in most Slavonic languages
means ordinary , that specifies phonetic ratio
with 35th letter iotated of Slavic alphabet.

7.

8.

9.

10.

There are no analogues in the alphabet of

ancient Greece.
Means the word LIFE
.
In some Slavonic languages is used in the
sound combination
which has phonetic
ratio with 26th letter
of the Slavic
alphabet.
The sound combination
in Serbian
language has writing designation by means of
special graphical character which reminds 25th
letter
in the Slavic alphabet.
Occurs from the Greek "digamma" and has
phonetic ratio with the letter
but is the
designation of transitive phoneme between
sounds and , or between and .
Means the words RATHER or
CONSIDERABLY
.
And also it is possible to assume semantic
meaning of the word CONSENT
which is similar for
SETTLEMENT
.
Occurs from the Greek "zeta".
Means the word GROUND or EARTH
and in the contemporary Russian alphabetic
system is incorporated with the previous 8th
letter of Slavic alphabet.
Occurs from the Greek "eta" or in the
Byzantine pronunciation "ita".
Means the linguistic
conjunction
which is not used
in contemporary Russian language. Or means
the word TRUE
and has phonetic ratios with next and 30th
letters
and .
The letter
in some contemporary
Slavonic languages is absent and is replaced by
the next alphabetic character
, but Russian
alphabet has
.
From the letter
in Russian language
occurs which actually has phonetic ratio
with
which is the source of iotated
vowels.
Southern Slavs use Latin letter J which forms
iotated vowels and is similar to graphical
character
.

11.

12.

13.

14.

15.

16.

17.

Occurs from the Greek "iota" and Phoenician

"yodh".
Means the linguistic conjunction
which is
not used in contemporary Russian language.
Quite possible that the letter
corresponds
with soft and long sound of speech, and the
letter
corresponds with short sounding
near to phoneme .
Occurs from the Greek "kappa" and has
conformity with 40th letter
of Slavic
alphabet.
Means the interrogative pronoun HOW
or
affirmative word collocation THAT AS or IT
AS
.
Occurs from the Greek "lambda".
Means the word PEOPLE
.
Some Slavonic languages use only soft
phonetic variant of this letter, that is caused by
influence of Latin speech where hard sound L
is absent.
Occurs from the Greek letter "mu".
Means the word IDEA or THOUGHT

Occurs from the Greek "nu".

Means the word OURS
.
In some Slavonic languages there are special
alphabetic characters for variants of soft
sound and nasal phoneme which is similar to
the English NG.
Occurs from the Greek "omicron".
Means the demonstrative pronoun THAT
ONESELF (VERY MAN
WHO)
or the word
IT
.
Forms part of duplicate digraph
which
is resemblance of 24th Slavic letter
which means the word FATHER
.
Occurs from the Greek "pi".
Means words REST or
PACIFICATION
has conformity with 41st letter
alphabet.

and
of Slavic

18.

Occurs from the Greek letter "rho".

Means words SPEAK or
SPEECH
.

19.

Occurs from the Byzantine letter "sigma

lunata".
Means the noun WORD
.

20.

21.

22.

23.

24.

25.

Occurs from the Greek "tau".

Means words STEADFAST or
RELIABLE
.
In some Slavonic languages there is phonetic
ratio with letters and .
It is digraph of letters
and
that
corresponds to vowel sound , but sometimes
corresponds with the letter
or with
sounding like English phoneme W.
Means words SCIENCE or
SKILL
.
Occurs from the Greek "phi".
Means the word BELIEF
and has
conformity with 42nd letter
in the Slavic
alphabet.
Sound of this letter absent in the old Russian
language, but this alphabetic character was
applied to record of phonemes and .
Occurs from the Greek "chi".
Means the word SPIRIT
, that is
comparable with linguistic prefix HIER
(divine) in words of Greek origin.
The sound in some Serbian words disappears
at pronunciation and reduces into sounding of
breath.
The modern Russian abusive swear-word
has other sense rather than primary Slavic
semantic meaning. Namely abusive modern
meaning is distortion of the valid mystical
value.
These alphabetic characters corresponds to the
Greek "omega" and vowel sound at 16th
letter
in the Slavic alphabet.
Means the word FATHER
.
This alphabetic characters has possible
analogies with the Aramaic "tsadhe".

Means the word SON

ratio with next letter

26.

27.

28.

29.

30.

and has phonetic

.

Occurs from the Greek "qoppa" and is

connected with the Aramaic "tsadhe".
Means words WORM or
BELLY
.
In the Serbian language there is phonetic ratio
with letters
and
.
This alphabetic characters is similar with the
Aramaic "shin".
Means demonstrative pronoun JUST WHO or
THAT WHICH
and has phonetic
ratio with next 28th letter
.
Occurs from connections of alphabetic
characters
and
which are identical to the
letter and sound combinations
in
the contemporary Russian language.
In Serbian alphabetic system there is ratio with
additional letter
which designates
sounding and corresponds with 5th and 9th
letters
and
in the Slavic
alphabet.
This alphabetic character is big which exists
in Russian and Bulgarian alphabets as hard
sign and corresponds to unpronounceable
vowel sound.
Means the word LATENT or
HIDDEN
.
The name of this character is similar to 23rd
letter
.
This sign is digraph of 29th and 11th
letters
and
that corresponds to
vowel sound in the contemporary Russian
alphabet.
Means the word SPIRITUALIZED or
WINGED
that
is caused by similarity to 23rd and 29th
letters
and
.
Sounds and coincide in contemporary
southern Slavic languages.
Ukrainian language instead of letters and
has alphabetic characters and .

This alphabetic character is small or the soft

sign in contemporary Russian alphabet where
has no own acoustic values but is
unpronounceable vowel sound which changes
sounding of previous letters.
The name of this character is similar to 23rd
and 29th letters
and
that means the
word SECRET or
INNERMOST
.
Ukrainian language uses this character in the
combination
which corresponds to Russian
letter (JO).

31.

This alphabetic character corresponds with

average sound between
and
which
is absent in contemporary Slavonic languages
but has phonetic ratio with
letters
.
Means words ENTIRE or
SACRED
.
Pay attention that 29th, 30th, 31st, 32nd letters
of the Slavic alphabet have similar forms,
namely derivative graphical symbols or
geometrical figures, and accordingly they have
mystical values which specify gradation of one
common philosophical concept in which words
HIDDEN, SPIRITUALIZED, SECRET,
SACRED are incorporated.
And also combinations of philosophical
concepts and mystical values are ciphered in
correlations of graphical forms and
geometrical figures of other Slavic letters,
namely alphabetic characters have formal
ratios besides phonetic proportions.

32.

Occurs from combination of Greek letters IOY.

Means the word GREATNESS or
GLORIFICATION
as
union of 11th and 16th letters
and
.
Probably, this letter can be named iotated but
phonetic value corresponds to the sound
iotated in contemporary alphabets.

33.

iotated
34.

This alphabetic character corresponds with

vowel sound
which is iotated variant
of .
Means words TO HAVE NAME
because of phonetic ratio with letters
and
.

iotated
35.

small

Nasal vowel sound which has phonetic ratio

with letter
.
Nasal vowel phonemes are now kept in
contemporary Polish language.

big

Nasal vowel sound

with letters and

small iotated

Nasal vowel sound

ratio with letters

which has phonetic

and
and iotated.

big iotated

Nasal vowel sound

ratio with letters

which has phonetic

and and
.

36.

37.
38.
39.
40.

41.
42.

43.

This alphabetic character corresponds with

vowel sound which is iotated variant of .
Means the word PERSON or
APPEARANCE
because of
phonetic ratio with letters
and
.

which has phonetic ratio

.

Occurs from the Greek "xi" and corresponds to

sound combination which has phonetic ratio
with letters
and
.
Occurs from the Greek "psi" and has phonetic
ratio with letters
and
.
Occurs from the Greek "theta" and has
phonetic conformity with letters
and
.
Means words RELIABLE AND
FAITHFUL
.
Occurs from the Greek "upsilon" and
corresponds with vowel sounding but
sometimes corresponds with consonant sound
.
Combination of letters
corresponds with vowel sound .
Means the word ETERNALLY
.

Phonetic parameters of letters in the table are not detailed, as there can be realized
more significant linguistic analysis of Slavonic languages which have been put in
the basis of alphabetic system of Cyrillic azbuka, that I cannot do, as I am not an
expert in the field of scientific linguistics.
And also philosophical categories of letters or otherwise to tell mystical values of
words in the table are prospective. As names of letters can be interpreted
differently according to ambiguous or unknown semantic meanings in a context of

forgotten old Slavonic languages.

However if to consider prospective philosophical categories or mystical values in
the table then sacral esoteric sense of Cyrillic azbuka or metalinguistic formula of
Slavic alphabet is expressed in the next statement.

1 Everyone letters know and speak kindness.

Know letters everyone and speak kindness if to read according with rules of
English language.
2 With conscience live in the consent (much) on the Earth.
3 Truly, how people think - that their peace is.
4 Speak the word reliably with understanding of belief to the Spirit, Heavenly
Father and Son.
5 The worm, which is spiritualized (winged), is innermost and sacred.
6 Majestic human name is if righteous Soul is entire.
7 Spoken word is true eternally.
Words of 1st-5th lines are interpretation of names of Slavic letters.
Words of 6th line correspond to letters from 33rd to 39th, and interpretation is
hypothesis .
Words of 7th line correspond to letters from 40th up to 43rd.
It is actually possible to consider letters within the Cyrillic Slavic alphabet as
elements of logic construction in which names of alphabetic symbols are
interconnected as numbers in mathematical equations. Namely it is possible to
interpret philosophical categories of letters as mathematical signs or logic elements
which are interconnected by complex correlations of semantic senses and phonetic
ratios in numerological system of alphabet. Or are interconnected by formal ratios
of graphical symbols or geometrical forms by means of which letters are
designated.
For example, phonetic ratio of 42nd letter
with
and
allows to
interpret mystical value as derivative of words BELIEF and ASSERTION, that
from view point of semantic meanings can has understanding as something TRUE
or RIGHT.
Look additional information about semantic senses and phonetic correlations, and
also about formal geometrical ratios of graphical symbols in the Slavic alphabetof
Cyril and Methodius on pages of this website in section which has the name letters
of gods.
It is necessary to tell that except for Cyrillic azbuka there is another Slavic
alphabetic system which has the name Glagolica or Glagolitic alphabet. It is

possible to assume that Glagolitic alphabet is symbolical designation of a knot

writing which was known to Slavs. Namely graphical characters of Glagolitic
alphabet are not azbuka which has been created by Cyril and Methodius.
Slavonic nations before Cyrillic alphabet used "carving strokes" as writing signs
or scripts, that is similar to runes or runic characters. And also Slavs applied a
knitted knot writing as written language, as quipu or khipu or talking knots in the
region of Andean South America, but Cyril and Methodius have created the
alphabet in which symbols were similar with Greek letters and consequently were
comprehensible to translation of the Bible into Slavic languages.
The alphabet of Ancient Greece was "cradle" in which contemporary civilization
has arisen, if to consider that Greek language is a basis of philosophy and other
sciences, and also astrology and numerology, because Greeks or Hellenistic people
accumulated knowledge of all nations. The Greek Septuagint or translation of the
Bible from Aramaic into language of Ancient Greece has been executed on 2
century B.C. in Alexandria Egyptian, and consequently Greeks or Hellens knew the
biblical Scripture before birth date of the Christ. Apostles spoke and Gospels have
been written by language of Ancient Greece. And also Coptic texts of Gnostic
Christianity have been written by means of Greek alphabet which was adapted for
the Egyptian language. Therefore Cyril and Methodius have coordinated Slavic
and Greek letters for translation of the Bible into languages of Slavs.
Besides it is possible to assume that Cyril and Methodius during creation of the
Slavic alphabet considered sacral numbers which were known in the context
ancient esoteric knowledge and numerology. Because mathematical sum of Slavic
and Greek letters 43+27=70 is equal to quantity of playing elements in the set
ofsquare dominoes with four-digit combinations of ciphers from 0 to 3, that
corresponds with geometrical matrixes of numbers which conform to levels of step
pyramids of ancient Egypt and Mayan civilization in Central America, that is
written on pages of other website www.dominoopen.64g.ru.
-

Esoteric sense of contemporary Russian alphabet.

Sacral azbuka of Russian language.
Contemporary Russian alphabet has no azbuka as letters have no names, but
alphabetic symbols occur from Slavic graphical characters. Therefore it is possible
to consider phonetic conformity of Russian and Slavic letters, and as a result
symbols of contemporary alphabetic system can have names which Cyril and
Methodius have given letters.
In the contemporary Russian alphabet there are 33 letters, that differs from number
of symbols in Cyrillics as phonetic structure of language has changed and some
phonemes were not kept, or have been transformed according to historical changes
of speech. But however modern letters possess continuity with symbols of
Cyrillics, and consequently sacral azbuka of the Slavic alphabet is projected on

contemporary alphabetic system of Russian language.

Namely logic order of modern letters can be considered as metalinguistic formula
which is projection of sacral Slavic azbuka and possesses esoteric senses or
mystical values which correspond with names of Cyrillic alphabetic symbols.
Below look graphic symbols or characters of contemporary Russian alphabet are
compared to primary Slavic letters And also look philosophical meanings or
otherwise to tell categories which correspond to names and esoteric senses of
letters in Cyrilic azbuka.

The sacral esoteruc azbuka of Russian alphabet.

LETTERS

PHILOSOPHICAL CATEGORIES

1.

EVERYONE.
Person (carrier of knowledge).
Human subject (unit of existence).
Individuality (unique originality of each human
being).

2.

LETTERS.
Elements of language (marks of human dialogue).
Symbols (multiple-valued semantic structures).
Semiotic sign systems.

3.

KNOWLEDGE.
Knowledge of self consciousness.
Interrelation of language with functions of
thinking.
Intelligence (associative perception of validity).

4.

SAY (VERBS).
Communicative words which are directed on
understanding and dialogue between people.
Coordination tools of human activity.
Verbal expression of will.

5.

KINDNESS.
Moral benevolence.
Decency of consciousness.
Ethical principles.

6.

CONSCIENCE.
Self-estimation of acts.
Duty and responsibilities of behavior which is
determined by obligations.

7.

HUMILITY.
Submissive consent with destiny.

Aware or unaware necessity of obedience.

Meekness and resignation to people.

8.

LIFE.
Existential life (embodiment subsistence).
Stimulus (aspiration to creation).

9.

EARTH.
Biosphere.
Manned space of existence (coexistence) and
ability to live.
Physical substance of material life.

10.

NAME.
Names of people.
Nominal word (influence of calling name).
Nominative identification (personal image).

11.

TRUE.
Objective truth (comprehended prototype of
original life).
Aspiration to veritable rightfulness.

12.

QUALITY.
Qualitative characteristics of processes.
Motives of human behavior and reasons of vital
interests.

13.

PEOPLE.
Collective assembly of people (civilization).
Mutual unification (emotional merge) of people.
Integration of common interests.

14.

IDEA.
Ideological thinking.
Public communications of human ideas (customs).
Common opinion (mass consciousness in attitudes
of people to events and facts).

15.

NATION.
Social continuum (society).
State population.
Common property and national values
(commonwealth).
Traditions.

16.

COMMON SELF.
Image of perfect governor (prototype of ideal
world power).

Cathedral generality.
Pay attention that in the Slavic alphabet for the
letter O there correspond words HE and FATHER,
and consequently mental image of ideal world
power is accession of the Divine law to the Earth.

17.

PEACE.
Law (fair coexistence of people).
Pacification and public rights (normative
regulation of human actions).
Foundations of mutual relations.

18.

SPEECH.
Reference appeal to people.
Formulating (rational) address in which ideas are
organized.
Substantiation of public saying.

19.

WORD.
Coordination of words with ideas of people.
Perceived word which has understanding and
recognition among people.
Approving of words.

20.

STATEMENT.
Valid (creating) word.
Due (establishing or initiating) word which
influences consciousness of people.

21.

REASON.
Noosphere.
Sphere of human ideas (concentration of
knowledge).
Education.

22.

BELIEF.
Trust without direct rational substantiations.
Steadfast convictions of reason.

23.

SPIRIT.
Eternal and general initial beginning of the world.
Absolute source of all real.

24.

SON.
Realization of spiritual beginning.
Implementation of spirit.

25.

WOMB (CHILD).
Organic (actual) embodiment of alive essences.

Birth origin of people.

26.

SUBSTANCE.
Alive substance (vital forms which are capable to
modifications).

27.

TRANSFORMATION.
Conversions of a matter (psycho-physiological
changes of substances).

28.

IMPLICIT.
Hidden veil which hides supernatural reality.
Illusion which covers subjective (apparent) world.

29.

ENLIGHTENMENT.
Overcoming of border between implicit and
obvious worlds.

30.

EXPLICIT.
Objective reality existing outside of subjective
empirical world.
Core essence of things and phenomena.
Universe (generality of world spaces).

31.

GREATNESS.
Clearing.
Genuine comprehension of true.

32.

ESSENCE.
Transcendental life.
Predetermination of human life by the divine
foresight.

33.

SOUL.
Absolute complete life.
Connection of people with the spiritual beginning.

According to the listed philosophical categories of letters it is possible to do

diverse verbal statements or logic phrases which express esoteric senses of words
in Russian language. Namely it is possible to form statements which express
supernatural metalinguistic senses or mystical values existing in words outside of
usual semantic meanings.
For example, letters of Russian alphabet in the word
FATHER correspond to
philosophical categories
HE -

STATEMENT - CONSCIENCE (NATURE) - SON that can be a basis of diverse

logic phrases which express metalinguistic or esoteric senses of this word.
Also according to philosophical categories of letters it is possible to do logic
statements which express metalinguistic esoteric senses of human names.
It is necessary to consider that the listed philosophical categories are terms which
mean abstract general and not universal concepts, that is terminology can vary
according to outlook and conclusions of different persons. But however structural
building of alphabet is universal logic system according to which letters form
sacral formula, and also correspond with numbers in numerology, and in essence
correspond with the global mathematical construction of world space, and
consequently have mystical coordination with esoteric principles and rules which
are determined by general divine laws of universe.
It is possible to tell that each person can understand philosophical categories of
alphabetic symbols from own view point of individual outlooks on life and nature,
but however logic system and construction of alphabet is universal cosmological
scheme within which letters correspond with mathematical and numerological laws
of the world validity, or otherwise to tell correspond with esoteric senses which are
included in the sacral formula or azbuka of Cyrillic alphabetic system.
Actually the system of alphabet symbolizes mythological "world tree" or "heavenly
ladder" which specifies evolutional way or spiritual development levels of human
SOUL, that is comparable to three sides of metalinguistic triangle which is shown
on the chart.
Letters of
alphabet on
sides of the
shown
metalinguistic
triangle are
compared to
numbers
according to
which it is
possible to
calculate
numerical
word
meanings or
human names
in the context
of
numerology,
that is in
detail
described on
following web
pages in this

part of
website.

Left side of metalinguistic triangle symbolizes evolution of individuality, namely

human personality at this stage of development realizes TRUE or otherwise to tell
own genuine calling or mission, and also gets public QUALITY or identification
with society.
Bottom side symbolizes evolution of public personality, namely psychophysiological development of a person at this stage consists that human personality
reaches BELIEF and corresponds with SPIRIT.
Right side symbolizes spiritual evolution, namely immortal human SOUL can be
formed according to this stage of development.
The left side of metalinguistic triangle can be named as descending, that
corresponds with physical birth of a PERSON and downstream movement in the
material world, or otherwise to tell with divine origin of personal conceiving
monad which proceeds from the God and as a result of psycho-physiological
developments reaches individual consciousness, and also realizes itself as a part of
society.
The bottom side of triangle can be named as surface or horizontal, that corresponds
to social development and identification of individual thinking with collective
consciousness of people, that as a result conducts to comprehension of divine
reason which is general but exists irrespective of public mind.
The right side of triangle can be named as ascending, that corresponds with
ascension of individual consciousness to top of divine reason.
The descending way of development corresponds with concepts of idealistic or
subjective philosophy according to which human consciousness does not depend
on being.
The horizontal way of development corresponds with concepts of materialistic or
social philosophy according to which being determines human consciousness.
The ascending way of development corresponds with concepts of transcendental
philosophy according to which consciousness determines being.
Or in aggregate three stages of development are comparable to concepts of
existential philosophy according to which individual consciousness and social
being are indivisible.
And also three stages of evolutional development of human personality and three
sides of metalinguistic triangle can be correlated to concepts of occult hermetic
philosophy which is system of secret esoteric knowledge in ancient books written
on behalf of Hermes Trismegistus or the Thrice-Greatest. As in 12th line of the
well-known Emerald Tablet, also known as Smaragdine Table or Tabula
Smaragdina it is written: "Therefore I am named as Trismegistus because I own
three parts of universal philosophy". Or other translation: "Hence I am called
Hermes Trismegistus since I have the three parts of the wisdom and Philosophy of
the whole universe".
But it is necessary to consider that occult doctrine and esotericism of hermetic
philosophy are not high-grade from view point of theological concepts of Gnostic

Christianity. Because in the apocryphal Book of Jesus Christ's Wisdom or Sophia

of Jesus Christ or one of many Gnostic tractates from the Nag Hammadi codices it
is written: "All philosophers told that the LAW is directed on three ways. Some
people speak about the world that it goes itself. Others speak that the foresight
directs world. The thirds speak that destiny. But neither first, nor second or third".
Or other translation: "All philosophers said that ordering of the world is directed in
three ways. Some of them say about the world that it is directed by itself. Others,
that it is providence (that directs it). Others, that it is fate. But it is none of these".
And also in the apocryphal Gospel of apostle Phillip it is written: "wisdom is
fruitless without the SON".
Namely it is possible to tell conditionally that philosophers reach BELIEF on the
horizontal side and correspond with SPIRIT on the right side of metalinguistic
triangle, but do not comprehend the SON and consequently cannot reach
immortality of SOUL. Or it is possible to tell that philosophers do not consider
theological concepts of Christian religious philosophy which allows to do the highgrade description of human personality unlike other occult philosophical doctrines.
And as a result philosophers do not realize original QUALITY of human
personality and immortality of mankind SOULS.
More detailed information on ratio of three sides of metalinguistic triangle with
concepts of different occult doctrines and esoteric teachings, and also religiousphilosophical directions of minds I shall try to publish in the future.
And also look information on philosophy of human personality on pages of other
website: www.emotions.64g.ru.
Following page speaks about mathematical system of Russian and Slavic
alphabets, and also about numerology of other alphabetic systems and writings.
Namely about numerology of ancient alphabets.
Besides on following pages in this section of website look information about
mantic alphabetic systems of ancient alphabets and Slavic azbuka, numerological
numbers of letters and phonemes of English language, geometrical perception of
words and speech sounds with colors, decimal and duodecimal numerical values.

Mathematics and numerology of alphabetic systems.

Numerological numbers and letters of ancient alphabets.
Letters of alphabets from the view point of linguistics are designations of
phonemes which are caused by articulation and possess acoustic parameters,
namely alphabetic characters form phonetic range of sounds which can be said or
told by means of physiological speech organs. In essence acoustic phonemes of
human speech are sound waves from the view point of physics, and consequently
possess physical characteristics which submit to laws of mathematics as any
natural phenomena are subordinated to universal mathematical laws.
Hence, letters or characters of alphabets can be considered not only as linguistic

symbols but also as mathematical signs which designate sound waves. Actually
letters of alphabets can be considered as symbols of physical phenomena which
possess mathematical sizes, and also correspond with numbers in numerology. Or
otherwise to tell correspond with numerical sizes which mean universal principles
and global laws according to which global space of the world validity is organized.
Quantities of letters in different alphabets are not equal. But in any case alphabetic
systems can be considered as sets of written signs which designate sounding of
acoustic waves and physical parameters of human speech sounds, that allows to
correlate letters to numbers in numerology or otherwise to tell with nominal
symbols of sacral mathematics of world space. Though different alphabetic
systems are necessary for correlating to different mathematical scales of notation
which from the view point of numerology mean different ratios of numbers with
global laws of universe, as each alphabet possesses own individual order or set of
letters.
Slavic alphabet of Cyril and Methodius has 43 letters, that is unique and sacral
number as if to sum 43 and 21 or quantities of alphabetic signs in Cyrillic and
primary Latin alphabets then will be 43+21=64, that is equal to quantity of
hexagrams in the ancient Chinese canon of changes i-jing which too is sign system
of symbols having esoteric connection with global structures of world space.
Look detail information on letters of Latin alphabet further on this page, also look
data on the sacral sum 21+43=64 and hexagrams of the ancient Chinese canon of
changes i-jing on pages of other website: www.emotions.64g.ru/apf/apf1en.htm.
The sacral sum 21+43=64 is very interesting from the view point of linguistics and
numerology, as there is an opinion that hexagrams in the Chinese Book of Changes
i-jing are symbols of very ancient or unknown esoteric alphabet, and in essence
are alphabetic numerical system.
Also pay attention that number 21 corresponds with quantity of playing tiles of the
Chinese dominoes, short of repeating digital combinations. As game set of the
Chinese dominoes develop of 21 basic combinations of digits from 1 to 5, and
eleven additional playing tiles with digital combinations which are repeating for
some basic, namely 21+11=32.
Besides pay attention to the sums 21+21+1=43 and 21+11+11=43 at which too
there are sacral numbers, and in particular number 11 which is establishing for
ancient Phoenician writing which has 22 characters (11+11=22), and also for
contemporary Russian alphabetic system which has 33 letters (11+11+11=33).
And also pay attention that sacral number 11 is astronomical duration of
chronological cycles of solar activity.
It is impossible to assert that Cyril and Methodius were guided by sacral numbers
and esoteric knowledge about numerological laws of world space during creation
of Slavic alphabet, but nevertheless they have as a result unique quantity of letters.
It is possible to assume that Cyril and Methodius calculated letters not only
according to sounds of speech in Slavonic languages, but also they considered the
calendar period which called as Septuagesima and now is known in Catholic
liturgy, and consequently the number of letters in Slavic alphabetic system has
been established sacral. Namely Septuagesima is the ninth Sunday before Easter or

the third Sunday before the beginning of Great Lent. Total three weeks or 3x7=21
days up to the Great Lent and six weeks or 6x7=42 days of the Great Lent in the
sum have duration 21+42=63. If to consider one day of Easter then calendar period
from Septuagesima till Easter includes 63+1=64 days, that is equal to number of
hexagrams in the ancient Chinese canon of changes i-jing.
Hence, Cyril and Methodius have compared letters of Slavic alphabet to six weeks
of the Great Lent and one day of Easter (42+1=43). And three weeks from
Septuagesima up to the Great Lent (3x7=21) they have compared with Latin
alphabetic system, that has proved numerological coordination of Latin and Slavic
alphabets, and also validity of translation of the Bible on languages of Slavs.
Now the liturgical periods of Orthodox and Catholic churches differ. Because
liturgical Easter period proceeds 70 days in orthodox Church, namely 3 weeks
before the beginning and 6 weeks of the Great Lent, and plus Holy Week, but
during creation of Slavic alphabet in the ninth century of new era there were no
distinctions between Orthodox and Catholic Churchs.
Besides sacral number 43 corresponds with the calendar period which consists of
six weeks (6x7=42+1=43), that corresponds with time from Great Friday or Jesus
Christ's Crucifixion till Ascension Day (40 days after Easter Resurrection).
Namely 3 days before and 40 days after Easter Resurrection till Ascension Day,
and in aggregate sacral number 43.
Now in the Latin alphabet there are 26 letters: A B C D E F G H I J K L M N O P
Q R S T U V W X Y Z, but original or initial alphabetic system had 21 characters:
A B C D E F Z H I K L M N O P Q R S T V X.
Letter Z was excluded on 312 BC but then in 1st century BC was added together
with Y for records of the Greek origin words.
Letter G was added on 234 BC.
Letters J and U were added in the sixteenth century AD.
And also contemporary Latin alphabetic system has letter W which is necessary for
German and English languages.
If to consider that Cyril and Methodius created Slavic alphabetic system on 9
century of new era then Latin alphabet at that time had 23 letters: A B C D E F G
H I K L M N O P Q R S T V X Y Z among which 21 were own or otherwise to tell
original, and two Y and Z were necessary for records of Greek origin words.
Therefore Cyril and Methodius considered 21 Latin letters during linguistic
coordination with the created Slavic alphabet, and did not consider two Greek
alphabetic characters. Namely Latin alphabet occurs from alphabetic system of the
Ancient Greece and consequently two Greek letters were not considered as Latin.
The Greek alphabet is basic or establishing for Latin and Cyrillic alphabetic
systems, and is derivative from the ancient Phoenician writing which can be seen
in the table.

The table shows graphic symbols and names of 22 Phoenician letters, and also
numerical values which correspond to ancient duodecimal system of mathematical
notation which differ from contemporary scale of decimal numbers. Namely signs
X and Y designate duodecimal ciphers which are absent in modern decimal
mathematical scale, and also absent in classical numerology of nine numbers.
It is possible to assume that in ancient Phoenicia there was duodecimal notation
and numerology in which there were eleven numbers, namely 22 letters was not
only alphabetic signs but also numerical symbols. Top horizontal row of 11 letters
in the table designated duodecimal digital units, and bottom row designated dozens
which differ from units by zeros, though zero as graphical sign in ancient
numerical systems was absent as numbers had writing by letters.
Now we know nothing about ancient Phoenician scale of mathematical notation.
But there are bases to assume that in the ancient world there were systems of
calculations in which there were 11 numbers as Phoenician writing has 22 letters.
Namely as actual in contemporary mathematics and numerology we have decimal
numerical system (nine ciphers and zero) which is indirectly connected with
quantity of fingers on human hands, and in essence corresponds with quantity of
cells in the magic square which has three verticals and horizontals, namely 33=9.
But however there are facts which specify existence of duodecimal (eleven ciphers
and zero) mathematical scale.
All letters of Phoenician writing are consonants, but ALETH and AIN can
designate vowel sounds of speech.
Greeks adopted Phoenician writing, but have added letters for vowel phonemes
which are necessary for Greek language. And also Greeks have compared
alphabetic symbols with decimal numerical notation, that is shown in the following
table.
Also the table shows Slavic letters which have been compared by Cyril and
Methodius to the Greek alphabetic symbols.

Apparently in the table, the classical alphabet of Ancient Greece includes 27

letters, that differs from contemporary Greek alphabetic system which has 24
graphical symbols. Characters DIGAMMA, QOPPA, SAMPI in the contemporary
alphabetic system are absent, but they are necessary in the classical or ancient
alphabet that letters could be signs of decimal scale of mathematical notation.
Namely 27 letters make three groups which correspond to units from 1 to 9, tens
from 10 to 90 and hundreds from 100 to 900.
Letters of Slavic alphabet in the table are compared with Greek alphabetic symbols
and have similar numerical values which too form mathematical scale of decimal
notation.
Now alphabetic signs do not use for mathematical calculations, but numerical
values of letters have sense in numerology. As letters in words or names of people
from the view point of numerology are not only alphabetic symbols but there
correspond to numbers, that allows to consider not only semantic meanings of
word and names, but also esoteric metalinguistic senses which are caused by
mystical values of numbers.
For correct numerological calculations it is necessary to use regular or rectilinear
alphabetic numerical matrixes according to which letters correspond with numbers.
One of regular and authentic is the numerical matrix of classical or ancient Greek
alphabet, in which letters correspond to numbers of decimal scale of notation. As
27 letters coincide with 27 cells which are formed by 9 verticals and 3 horizontals
of numerical matrix. Namely 27 alphabetic symbols correspond with nine
numerological numbers on verticals, and also with three horizontals which
correspond to units, tens and hundreds.
Other alphabets too require regular numerical matrixes which allow to correlate
letters with numbers in numerology correctly.
If quantity of letters in any alphabet mismatches 9 verticals and 3 horizontals of
decimal numerical matrix then it is possible to use other systems of mathematical

notation. Or it is possible to unite letters in cells of numerical matrixes, or to

correlate combinations of letters with numbers.
For example, 33 letters of contemporary Russian alphabet can be correlated with
the matrix of decimal numbers as shown in the table.
The shown table differs from the alphabetic
numerical matrix which is applied in modern
"popular" numerology and is widespread in the
occult literature, but the expediency of application
of this or that systems of calculation remains on
your discretion.
Look information on the "popular" numerical
matrix for characters of Russian and English
alphabets on pages of other website.
Russian: www.numeralgame.64g.ru/num/num9.h
tm.
English: www.numeralgame.64g.ru/num/num9e
n.htm.

Look logical principles and linguistic rules for arrangements of Russian letters in
the shown alphabetic-numerical matrix on parallel Russian page of this website.
Actually it is necessary to consider ratio of letters with acoustic parameters of
speech sounds that alphabetic symbols could be correctly correlated with numerical
sizes which mean universal physical and mathematical laws according to which the
world space is organized. And the shown table is only prospective comparison of
contemporary Russian alphabet with numerological matrix of classical Greek
alphabetic system.
Look other prospective ratio of modern Russian alphabetic symbols with decimal
numbers and classical characters of the Greek alphabet on pages of this website
in section which has the name: letters of gods.
Similarly letters of other languages and alphabets can be compared with classical
Greek alphabetic matrix if it is necessary for calculations of numerical values and
analysis of metalinguistic senses of words or human names in a context of
numerology.
For example, combination of letters SH in the context of English language can be
included in order of alphabetic symbols and can be compared to the Slavic
character . As a result 26 English characters and combination of letters SH can be
compared to 27 cells of classical Greek alphabetic matrix and numbers of decimal
scale of mathematical notation.
The English alphabet is derivative from ancient Latin alphabetic system in which
designations of numbers or otherwise to tell Roman ciphers are only some letters,
namely IVXLCDM. But it is possible to correlate Latin letters and combinations of
graphical characters with classical alphabetic matrix of the Ancient Greece for
calculations of numerical meanings of words and names in numerology.
Or 21 letters of the primary Latin alphabet can be correlated with numerical matrix

which is formed by numbers of octal system of mathematical notation, that is

shown in the following table.
The shown matrix has
seven verticals which
correspond to
numbers from 1 to 7,
and also three
horizontals which
correspond to
extensions or powers
of numbers, or
otherwise to tell with
units, tens and
hundreds.
Tens and hundreds in
the context of octal
scale of mathematical
notation have no
special names.
Seven numbers of
octal notation in the
shown matrix are
compared to symbols
of planets which
correspond with seven
days of week in the
context of astrology.
In essence the octal
scale of mathematical
notation and also 21
letters of the primary
Latin alphabet can be
considered as
astrological system, as
numbers and
alphabetic symbols
correspond to planets
in astrology.

Besides this table shows 22 graphical characters of the Jewish alphabetic system,
and also names and numerical values according to which Hebrew letters form socalled Kabalistic or Cabbalistic alphabet.
Numerical values of Jewish or Hebrew letters correspond with decimal scale of
mathematical notation, but are located within numerical matrix of octal system of
calculations, that allows to see logical contradictions or otherwise to tell discords
of numbers. And also it allows to see absence of regular and correct ratio of Jewish

alphabetic system with symbols of astrological planets which in essence are

identical to seven numbers of octal scale of notation, and consequently we can
consider relations of Kabalistic or Cabbalistic alphabet with planets as doubtful.
Namely in the occult doctrine of Cabbala or Kabala it is possible to find
coordination of 22 Cabbalistic letters with planets in astrology. And also it is
possible to find coordination of 22 major Arcana of Tarot fortunetelling cards in the
occult literature with Cabbalistic letters and astrological planets, but it is not
correct from the view point of astrology and numerology. As in the shown
numerical alphabetic matrix it is possible to see that letters of Cabbalistic alphabet,
and also major Arcana of fortunetelling cards of Tarot mystical system do not
possess regular and correct ratio with octal numbers, and in essence cannot be
placed in 21 cell of the shown numerical matrix, and consequently cannot be
compared to astrological planets.
Actually 22 letters of the Jewish or Hebrew alphabet are derivatives from
alphabetic symbols of ancient Aramaic language and Phoenician writing which
correspond to duodecimal scale of notation, and consequently ratios with decimal
or octal numbers are doubtful from the view point of numerology.
There is information that in an antiquity there was ancient Hebrew alphabet having
27 graphical signs which can be correlated with numerical matrix of the Greek
alphabetic system, and as a result Jewish letters can be coordinated with nine
decimal numbers of classical numerology. But 22 graphical characters of
contemporary Jewish alphabet, and also alphabetic symbols of Cabbala are
necessary for correlation with numbers of duodecimal mathematical notation.
And also 33 letters of contemporary Russian alphabet are necessary for correlating
to numbers of duodecimal scale of mathematical notation, because ratio with
decimal numerical signs are doubtful from the view point of numerology.
To operate with duodecimal scale it is necessary to add two additional ciphers or
figures to natural numbers from 1 to 9, that is unusual for mathematics and
numerology, but is essential from the view point of global mathematical laws
according to which construction of the world space and validity is organized. As
according to 11 numbers of duodecimal scale it is possible to see numerical laws
and esoteric mystical rules which can not be taken into consideration in the
classical decimal mathematics and numerology.
Now in the USA and in the Great Britain there is a duodecimal society. Namely
The Dozenal Society of America or Great Britain which use Roman symbol X for
designation of tenth cipher, also upside-down turned and mirror reflected symbol
of decimal number 3 for eleventh cipher, that actually corresponds to graphical
forms of letters TAV and SHIN of ancient Phoenician writing. But also for
recording of duodecimal numbers it is possible to use letters of contemporary
Russian alphabet. Or it is possible to use graphical symbols which are shown on
pages of other my website


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Rod Work: Decoding the Glagolitic Script

Glagoljica Uglata Istria, Croatia

The Glagolitic script is the first known Slavic system of writing. It predates the
Cyrillic alphabet by a couple hundred years, and was originally thought to have
been developed by Methodius, the brother of St Cyril, creator of Cyrillic.
However, new studies of the Carpathian Rovas (Slavo-Sarmatian runes),
which date from the seventh century, exhibit phonetic and ligature patterns
similar to Glagoltic. Glagolitic itself doesnt appear on the scene until 862
when it was developed by Methodius monks at the behest of Prince Ratislav
in Great Moravia. This was presumably done to aid the Christian conversion of
his subjects but was in fact a more pragmatic political maneuver to provide
catholic liturgy in the native tongue as a means of weakening the influence of
Frankish priests in the area. Glagolitic was thought to have, at first, been
developed to serve the Slavic speakers of Bulgaria and Macedonia since Cyril
and Methodius were both from Thessaloniki. It took on greater significance in
Bohemia however. Such a controversy it became that it resulted in the
imprisonment of latter brothers disciples. Those that remained free fled south
to Bulgaria in the late 9th century. Here King Boris I faced a similar political
situation. He welcomed the learned students of Cyril and Methodius and
encouraged them to write missiles in the native Slavic language as a means of

checking the influence of Byzantine power. Over the next two hundred years
Glagolitic once again spread northward. It made its way to the court scribes of
Vladimir I and the newly established monasteries of Kievan-Rus in 990. In
1248, Pope Innocent IV granted the Croatian the clergy of
southern Dalmatia the unique privilege of using the script to write Roman
Rite liturgy. Here an angular version of Glagolitic called Uglata was
developed. This is the script I will be referencing here in this analysis.
As many of you know, I am a Slavic heathen and witch. That said, my
heathenry and my craft is informed primarily by the west Balkan experience.
Naturally, the unique preservation of the Glagolitic script in this region has
always fascinated me. I felt compelled to explore this in greater depth. Like the
the hebrew aleph-beth or germanic runes, Glagolitic is a system full of
esoteric symbolism and magical potential. Each letter is both a word and a
number. The task of decoding the letters seemed dauntingly confusing
however. First, there are several variations of the script (Bulgarian,
Macedonian, Croatian, Ukrainian, ect), some with up to forty characters or
more. Nevertheless, I had this topic on my to-do list for well over a year but
had no clue how to approach it. At some point I recall sitting down and praying
for guidance. I opened up my secret book where I had hand drawn the letters
along with their phonetics, meanings and correspondences. I noticed the
Rider-Waite Tarot deck tucked away in the corner. There I caught a moment of
inspiration. I thumbed through each letter in the book and recalled the
corresponding Tarot card, beginning of course with the major arcana. Slowly a
pattern began to emerge. Spellbound I continued to pour over the symbols,
cross-referencing, analyzing and reanalyzing. Something visceral was
suddenly emerging like I had awoke to find myself having fallen asleep atop
an endless pile of gold only to notice the piercing eye of a massive dragon
starring at me as I pan back my field of vision. Could Glagolitic contain the
secrets of a long forgotten, Slavonic christian mystery tradition?

Baka Tablet, Church of St. Lucy in Jurandvor, Croatia

Like the Bogomils, dual-believers, old believers, witches and other heretics
before them, many of our Slavic ancestors went to great lengths to preserve
the indigenous European religious gnosis by shrouding it in the imagery and
discourse of the new Christian doctrine. Could this Slavic system of writing
reveal something timeless about our native faith that we might not otherwise
know? I caught shivers contemplating the possibilities. Then, like most fleeting
moments of incredible revelation, I became overwhelmed by the enormity of
the task set before me by the gods. I didnt muster the strength to revisit the
subject for another three months. Plus I wasnt sure it would be worthwhile to
pursue something that seemed so far out. That said, its not like we dont know
the names of most of the letters and a thorough study of the ligatures slowly
reveals its aesthetic concepts, which in turn reveal patterns. This aside, having
a template, or rosetta stone, with which to cross-reference my cursory
analysis would be helpful, and that is where the Major Arcana of the Tarot
comes in. The Tarot is thought to have been brought to Europe by Mamluk
Egyptians in the 14th century but was no doubt disseminated by the nomadic
Romani people who carried it from the east to the west in their caravans. The
largest Romani communities are in the Carpathian basin in countries like
Romania and Slovakia. Thus Slavic folk magicians would have been well
aware of the system at the beginning of the early modern period.
Since the Glagolitic runes are much older (presumably) than the tarot, I will not
suggest the formers development was pattered in any way by the latter, and
knowing this, perhaps the rosetta stone metaphor used in the previous
paragraph is an exaggeration. A better metaphor would be a mirror. The the
Major Arcana is visual template that reflects the visceral nature that lies behind
our intrinsic reality. The cards tell the tale of the cyclical journey of the
individual, as he or she travels from blithe ignorance towards the vistas of self
knowledge and cosmic wisdom. The Tarot appeals to our sense because its
imagery is archetypal and recognizable by all (note: I am not suggesting here
that the Gods/spirits are archetypes!) Over the course of my analysis of
Glagolitic, where relevant, I make note of similarities between the letter and its
corresponding card in numerical order. These correspondances are purely
coincidental (or synchronistic, if you prefer that word). Where there are no

apparent similarities with the Tarot, I point that out too. I did not attempt to
locate a card correspondence for each and every letter, as it is not my
intention to graft the Tarot onto Glagolitic. My area of focus was determine
whether or not Glagolitic possessed the element of magical intent. If so, it
surely has a narrative of its own, perhaps one colored in a unique way by the
people who first conceived of it. Please refer to the Rider-Waite deck as that is
the one with which I make reference to.
Glagojlica Uglata

Az | A (Eng. I) Tarot: The Fool

The first letter Az is an ancient Slavic word for I. Like the Fool, it might
represent the ego-self that naively dances toward the cliff, whereby he or she
embarks upon a heros journey. Like Shiva of the ancient Indo-European
religion, the trident shape of this letter could signify the tree worlds inside each
of us. This may also represent the god Rod united to Rozhanitsa, the triple
goddess of fate who dwells below. Rod was first among the gods. He churned
the cosmos into being (notice the butter churn-like shape?).

Buka | B (Eng. sound, noise) Tarot: The Magician

The magician masters the arcane art by conjuring various spirits using
incantations, charms and words of power. Buka means sound. There are four
arms here, and the Magician possesses power over the four elements. To me
this is symbolic of the first magician, the divine blacksmith Svarog. He created
the cosmos and separated the worlds of gods and men by building the 12
pillars. He is the demiurge who created all the other gods through the loud
clash of his hammer upon the great stone.

Vedi | V (Eng. view; see) Tarot The High Priestess

Priestesses like the sibyls and vlvas were the great seers of old whose
prophetic visions are the stuff of legend. Vedi means to see, but not merely in
the optical sense, rather in the ability to understand things that are hidden to
most others. This letter is about esotericism. Interestingly enough, in northern
Croatia a class of large, hairy forest spirit are called vedi. These are no
different than the leshy known elsewhere in the East. The letters shape could
signify two eyes. It also bears resemblance to the columns of Jachin and Boaz
seen in the High Priestess card.

Glagoljo | G (Eng. verb; words; ripples) Tarot The Empress

The Empress is seated amid a lush garden full of vegetative life representing
creation and abundance. Glagolje are action words, specifically verbs. The
word is derived from the much older Slavic word for ripples, which is amazing
considering the Empress is depicted in front of a stream of water rippling at
her feet. This could represent the effect half of the law of cause and effect.
Notice the flower shape of the letter? This brings to mind Jarila (Lada) who is
the goddess of the summer harvest.

Dobro | D (Eng. right; good) Tarot The Emperor

The Emperor is about leadership, right action and logic. Its interesting then
that the Slavic word for right stands across from this card. This letter kind of
looks like an Emperors throne. It speaks to me as belonging to Perun (notice
the ax-head shape?). Perhaps it belongs to the original Deus Pater of protoSlavic religion.

Jest | E (Eng. exists; is) Tarot The Heirophant

Questions of an existential nature are the purview of priests and religious
leaders like the person depicted in the Heirophant card in the Tarot deck. To
denote that a thing exists the word jest is used. It is also the emblem for the
Euro, the currency of exchange in the European Union.

ivite | Zh (Eng. to live) Tarot The Lovers

ivite means to live, and as such, the Lovers here seems appropriate. Life is
about the relationships and interactions between various lifeforms, and
certainly it takes two to recreate life. This brings to mind the divine twins of the
northern European fertility cults. Here we think of Freyr and Freya, LJelj and
Ljelja, ect. Notice the dualism in the letters shape. This letter might also
associate with the goddess iva.

Dzelo | Dz (Eng. work; action) Tarot The Chariot

The Chariot card is about momentum and will power. The potential
correspondences with the Major Arcana become quite striking
now. Dzelo means work or action and the letters trifold character with the
top ligature reaching forward mirrors the symbolism of the charioteer
commanding the two sphinxes. This could represent the solar chariot
of Dabog, which seems coherent given the letters phonetics.

Zemlja | Z (Eng. earth) Tarot Strength

Zemlja is the Slavic word for earth. She is also the oldest known Slavic
Goddess. In the imagery of the Strength card a maiden gently opens a lions

mouth. Here we find a fine motif for the regenerative power of the earth that
simultaneously gives and takes life away. Notice too that the infinity symbol,
present in the Tarot card, is reflected diagonally in this Glagolitic letter. The
curved ligature at the bottom indicates that an infernal power resides below
the terrestrial power.

Ie | I (Eng. behind; beyond) Tarot The Hermit

The Hermit appears as an old, bearded sage who shines a light upon a dark
path. Ie is an article word in most Slavic tongues meaning behind or
beyond. Like the Hermit himself, this may represent a central figure, well
balanced enough to see the wisdom of both sides of an issue, hence the
shape. The letter has a very mercurial feel to it, reminding me very much of
the horned god Veles.

I | Y (Eng. and; or) Tarot The Wheel

This word means and in all Slavic languages, which would make sense when
juxtaposed against the Wheel in the Tarot deck and its association with time.
Hense the hourglass shape. This might be a symbol for our life in Jav. Every
action has its corresponding consequence. This also brings to mind the South
Slavic Fates called Suenica, or the female spirits elsewhere called Doyla and
Nedoyla, an animist conception for the binary nature of fortune.

ervo | J (Eng. wood; timber) Tarot Justice

Wood provides curious imagery for the twelfth letter in the Azbuka. Lady
Justice holds a sword and scales, and the ligatures reflect that if you look
closely. Wood is a symbol of civilization and was the principle building material
in heathen culture. Wherever urbanization occurred, laws followed to maintain
the social order. Here I recall the goddess Dzevana, the wild, virgin huntress of
the forest from which wood is procured. I am also reminded of the Wendish

goddess Zaria, who like Lady Justice, wielded a sword, and to whom warriors
are said to have made sacrifices at dawn. Together they symbolize the liminal
boundary between night and day, as well as the metaphorical hedge
separating urban civil and rustic wild societies. Both goddess were
associated with the planet Venus and together they may well represent
the Zoryas as understood in Russia; personifications of the morning and
evening star.

Kako | K (Eng. how) Tarot The Hanged Man

Kako means how in all Slavic languages. This letter is perhaps the most
peculiar of all. It almost resembles a door hinge or a lever of some kind.
Although there are no obvious symbolic or visual connections to the Hanged
Man (aside from say, a crude depiction of a broken neck), the hows of things
are those ordeals and sacrifices that have shaped our overall view of the
world.

Ljudije | L (Eng. people) Tarot Death

This letter is named after the Slavic word for people. Of all the creatures on
earth, we humans have gained conscious awareness of self and are thereby
cognizant of our imminent death. The implications of this knowledge is the
source of most human suffering. That said, it is also the source of human
ingenuity, hence the binary shape of the letter. It is fitting then that the people
in question here, the Slavs (slava meaning glory) viewed death as a glorious
act of sacrifice, wherein one could continue to support the living from the other
wold.

Mislite | M (Eng. to think) Tarot Temperance

In order to make sense of the mysteries of life and death it is necessary to

think using our capacity for reason and intuition alike. Mislite reflects the
balanced flow and integration that we see in the image of the Temperance
card. The M shape even gives the appearance of the folded angel wings upon
a central figure. The letter has a very flowing, feminine appearance bringing to
mind the grain goddess Moko. She taught the art of weaving linen and flax to
Slavic women. Her name is etymologically related to mokhri, an old Slavic
word for wet. The other half of Mislite could then represent the goddess
Morena, whos bitter winters froze the waters and made life difficult for people,
but whos role was necessary for the renewal of grain crop in spring.

Na | N (Eng. ours) Tarot The Devil

This is the Slavic word for our. Here it stands opposite the Devil of the Tarot.
Its interesting to note that Dzelo (work) and ervo (wood) both contain this
ligature. These correspond to the Chariot and Justice cards, and more
importantly, connect to the relationship between Dabog and his daughters,
the Zoryas. This letter deals with karmic destiny. The Devil might then
represents the terrestrial fire of the Serbian folk deity Dabog, whom the West
Slavs worshiped under the name Svarozich (little Svarog). This is about the
attachment and possessiveness that influence or alter destiny and karma
(Rod). Nearly everything we claim as ours is in fact something impermanent.
The heathen expression We are our deeds comes to mind as the ideal
answer to this quandary.

On | O (Eng. his; hers) Tarot The Tower

On(a) means his or hers. Here we find an expression of the individual self
as something more than mere matter. The Tower comes next here which might
seem like a peculiar placement. It represents sudden change and calamity, yet
the life we live as individuals is directly shaped by such moments.

Whereas Na (ours) says we are our deeds, Onseems to add the caveat we
are our wounds. Who are you really? This might correspond to Stribog, the
destructive side of Perun, whose lightening bolts could take life at a moments
notice, perhaps causing catastrophic fires.

Pokoj | P (Eng. peace; room; space) Tarot The Star

Like Mislite, this ligature resembles (somewhat) its Latin phonetic equivalent.
Its meaning, the South Slavic word for peace, fits well with the hopeful
imagery of the Star card. After the doom and gloom of the previous three
cards there is at last a bit of optimism. Peace is the reward for perseverance.
This letter may also connect to the Zorje, but more specifically to Zvjezda
Danica, the morning star. Interestingly enough, the word pokoj in other
contexts means room or space which fits well in the context of stars
residing in the empty expanse of the night sky.

Rei | R (Eng. say; tell) Tarot The Moon

Rei means to say or make words. It is unclear to me how this might
connect to the Moon in the Tarot deck. That said, words are perhaps the first
ways humans learned to communicate through abstraction. The moon is a
great symbol for abstraction. Mesyats is a rather obscure Slavic god
associated with the moon of whom we know little about. I see this letter more
as pregnant woman. The phonetics might suggest a connection to the
Rozhanitsa who were called to aid in childbirth and were said to have
pronounced the fates of newborns. As the womb gives birth to life, so does the
mouth give birth to words and ideas. The moon is symbolic of how our words
can be used to both build and destroy.

Slovo | S (Eng. letter; sign; script) Tarot The Sun

Slovo means letter or sign. This is the clear visual abstraction that
corresponds to the previous audible one. The sun then seems appropriate
here and the top ligature has a very solar appearance. Although Dabog is
considered the chief solar god, the sun-fire itself was called Sunce. She was a
female deity in Baltic religion, though it seems Dabog supplanted her in this
role among Slavs during the migration period. What sign or symbol is more
iconic than the sun?

Trvdo | T (Eng. hard; solid) Tarot Judgement

The Slavic word for solid stands across from the Judgment card as we near
the end of the Major Arcana. The twin pillars we saw in Vedi (to see/
understand), Zivite(to live) and Ljudje (people) reappear here in Trvdo.
Perhaps this speaks to the idea of human destiny. Our understanding and
lived experiences shape us in a unique way unlike any other species on the
planet. We have the unique ability to understand, create and communicate
through the use of abstraction. The things we create, whether ideological,
technological or otherwise have reshaped the natural word in unparalleled
ways. This letter seems to represent the finished product of that human
creativity, whatever that may be.

Uk | U (Eng. end, abolish) Tarot The World

This letter is of uncertain etymologic origin but the most popular interpretation
is that is derived from the South Slavic root word uk, from SerboCroatianukinuti, meaning to abolish. This fits well with the World, the last
card of the Major Arcana, whose symbolism implies completion of a cycle. The
shape of the letter is actually a combination of the Glagolitic
letters On (his/hers) and I (and), which we linked to the Tower and the Wheel
respectively. As the Tarot would suggest, this letter indicates that an individual
has reached the completion of a cycle. The tower then is our ego-self, or Um,
meaning mind (note the phonetic symmetry!). Therefore this letter might

represent our Um as it is attached to the cycle of time known as Jav. This is

the element that makes us unique as individuals.

Frt | F (Eng. ?)
This letters translation is uncertain, but what is certain is its identity. It is
identical to the Cyrillic letter F and the Greek letter Phi and thus was likely
borrowed from these alphabets at a later date. This may be due in part to the
fact the original Slavic language had very little use for this letters phonetics
and many of the F-words (no pun!) that appear in Slavic languages today are
in fact loan words from other languages. (My comparative analysis of
Glagolitic with the Tarot ends here)

Hjer | H (Eng. caprice)

This letter is of uncertain translation as well, but may be connected to the
Serbo-Croatian root word hir, meaning caprice or whimsy. If this is so, it
might imply spontaneous action, perhaps even spiritual revelation of some
kind. Notice that this letter is nearly identical to the letter Glagolju which we
connected to the Empress and the summer fertility Goddess Jarila (Lada).
Logically Im inclined to identify this letter with Jarilo, the summer aspect of the
fertility god Svantevid. The fact that spiritual revelation might be connected to
this letter makes even more sense given what we know about the cult of Saint
Vitus in the middle ages, whos rites were accompanied by music and ecstatic
dance.

Ot | (Eng. from)
This letter means from in most Slavic languages and the circular shape is no
different from its Cyrillic, Latin and Greek counterparts, save from its stylized

presentation here. The interpretation is pretty straight forward then; this is

about origin. This might also connect to the god Rod, or perhaps the archaic
ideas of a cosmic egg so well preserved in Slavic Easter traditions, specifically
the ritual making of pzanki, which is also the word for loop in the SerboCroatian language.

ta | Scha (Eng. what)

This is the word for what in most modern Slavic languages. The letter bears
resemblance to its Cyrillic equivalent. Esoterically, the question of what?
might suggest we are getting closer to identifying the source of the great
Slavonic mystery. The letter is a combination of Az (I), Buka (sound),
and Slovo (word), which we connected to Rod and the Fool, Svarog and the
Magician, and Dabog and the Sun respectively. Therefore this letter might
represents the three generations of the gods in one unit, a Slavic Trimirti
perhaps, like Shiva, Brahma, and Vishnu. Notice though that they are still
tethered to a lower ligature identical to the lower half of I (and), the Wheel,
which is to say time. Slovo (signs), the Sun, is also tethered to this same
ligature, the sun being, in essence, the first clock.

Ci | Ts (Eng. ??)
Ci is of uncertain translation but some have connected it to the word
tsar which is a Slavic appellation of the Latin caesar, meaning ruler. Since
the Croats have a heavy Alanic influence their native equivalent kralj is
etymologically linked to the Persian language, so I am unsure about this
translation. Looking at the shape we find the curved, tear-drop ligature present
on many of the Glagolitic letters such
as Glaglju (sound), Zemlja (earth),Dzelo (many), erv (wood), Na (our), On (
his/her), Rei (speak) and Uk (end). Beyond these observations, I can find no
obvious esoteric interpretation.

rv | Ch (Eng. worm)
This letter means worm in most Slavic languages. It appears similar to ta in
a lot of ways with the middle ligature split in two, fanning to either side like the
forked tongue of a snake creating an enclosure within the trident. The base
resembles Ot and thus the snake/ouroboros symbolism is obvious. I connect
this letter withzmaje, the dragons of Slavic folklore. These are the monsters
who threaten the order imposed by the gods of the Slavic Trimirti.

a | Sha (Eng. with; handful)

If ta represents the Slavic Trimirti tethered to time, a shows the three gods
standing alone in their own element, free of time. For me this represents the
three gods of the three worlds in one; Rod, Svarog, and Dabog gloriously
unified in one single cosmos.

Jer | Yeh (Eng. because)

Jer is the word for because in Serbo-Croatian. It is pronounced YEH and is
used to spell words like yesterday. This is essentially the letter I that we
connected to the Wheel of the Tarot deck, with an added ligature on the lefthand side. Perhaps this letter speaks to the why? question of the Slavonic
mysteries. To me this is the symbol for Nav.

Jerj | Yuh (Eng. by)

Jerj might connect to the Serbo-Croatian word for by. It is pronounced YUH
and is used to spell words like lasagna. Again, this is the letter I with a
ligature on the left-hand side except it forms a box. This letter might speak to
the who? question of the Slavonic mysteries. This, to me, is a symbol
for Prav.

Jat | Yah (Eng. flock)

Jat means flock in many Slavic languages. It is pronounced YAH and used
to spell words like yacht. I have seen other renditions of this letter that look a
lot like erv (wood/tree). This brings to mind the Vila and Vensa spirits of the
forest that were welcomed with cakes and milk upon the arrival of migratory
birds in spring. This letter could also represent the Alknost or Firebird of Slavic
folklore. The truncated pyramidal shape seems to be about renewal and new
projects.

Jus | Yoo (Eng. ??)

Jus is of uncertain meaning. It is pronounced YOO and is used to spell
words like milieu. Its shape resembles an inverse a enclosed at an angle.
If a symbolizes the unadulterated emanation of the Slavic Trimirti, might this
represent the harnessing, or drawing down of said holy powers? Just a
thought