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172:141.78
Community of non-belonging *
Abstract: In the first part of this article, Togethernes: Selfconflicted closeness, I propose a complex intervention on the
persistence of the concept of community, on the perverse mode
in which it maintains itself, even in the most radical forms of its
emptying. I try to reconstruct, and deconstruct, too, the collapse
of the political concept of community. I search for its conceptual
origins and historical destination. I pay special attention to the
overdramatized philosophical discourse on the end and death
of community. This kind of narrative was connected, from the
very begining, with a homogenizing idiom of community, which
was rejected and replaced by the singularity paradigm of community of those who are without a community.
Keywords: community, unity, togetherness, closeness, isolation,
singularity, Jean Luc-Nancy, Jacques Derrida, Giorgio Agamben,
Roberto Exposito, Franz Kafka, Walter Benjamin, Gilles Deleuze, Flix Guattari
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the National Centre for Contemporary Art (NCCA), Moscow, for their welcoming hospitality. I came to this conference with the deep conviction that
Moscow is really the proper place to articulate the most painful testimony
of the modern world, the testimony of the dissolution, the dislocation or
the conflagration of community. In some sense, Moscow may represent the
final political destination of the unstoppable and ongoing process of dissolution of the collective desire for unity, for a unified community. Endorsing
Boris Groyss ironic comment, the real community was a new, collectivistic practice of togetherness, of total restriction of the personal, intimate
life, and a total revocation of the private property. During the 1930s every
kind of private property was completely abolished. [] One could eat communistically, house and dress oneself communistically or likewise noncommunistically, or even anti-communistically. (Boris Groys, The Communist Postscript, 2010: 16). In a later evaluation of the historical explosion
of communist anger, Peter Sloterdijk refers to Groyss insight with the following comment: To the communists in power, taking satisfaction in the
philistine joy of expropriation and longing for revenge against private property was, overall, always more important than any spreading of new values.
(Peter Sloterdijk, Rage and Time: A Psychopolitical Investigation, 2010:
34). There is no longer anything enigmatic in the socio-historical collapse of
the totalitarian community. Yet, despite the crumbling of dictatorial immanentism, the communist utopia of togetherness still functions as a political
banner of leftist communitarianism. This renewed discourse of community
as unified brotherhood becomes, however, un-operative at the very moment
it is transformed into the unworkable ideology of work. Communism was the
last giant failure predicated on a dream of harmonious socialistic life. The
manifest collapse of what it promised upon the emblem of Communism is
inseparable from the self-evident betrayal of community understood as political unity, as a unified political community.
Let me here clarify briefly what may be a cause for confusion. To my mind,
Communism was, and still is, an ontological proposition, not a political option. As Jean-Luc Nancy apparently argued,
Communism means it wants to say, it has worn itself out trying to express,
to yell, to bring out, to prophesy this ... (and this is what all has to be said
over, completely differently) communism wants to say that being is in common. It wants to say that we are, insofar as we are, in common. That we are
commonly. That each one of us, from between us, is in common, commonly.
Between us: what is it that is between? What is there between, in the between, as between. This is what it is all about.1
The socio-historical and politico-ethical analysis of the very notion of community calls for a rigorous analysis, and for responsible interpretations. Such
an analysis must be open toward concepts that are deeply embedded in the
extensive history of the community. Therefore, the intolerable question of
the death and the end of community, even of crime in, and by, the community
was broadly articulated by an impressive group of thinkers (from Blanchot
and Nancy to Agamben and Esposito) who shaped a new philosophical interrogation into the deadly concept of community. What is strange is that
these thinkers are uncompromising in dealing with a speculative, thanatoontological conception of community but they never work on the empirical,
or really existing community, as has been articulated by Zygmunt Bauman,
for instance. Nominally, of course, the philosophers have accepted a nonmetaphysical approach to community: Philosophers start to think precisely
the community of being, and not the being of community. Or if you prefer:
the community of existence and not the essence of community. (Georges
Van Den Abbeele, Community at Loose Ends, 1991: 32). Technically, they
affirm the pre-eminence of speculative discourse on the self-destructive
community, a discourse that starts to function as philosophical narrative on
the work of death. The main task of such alarming and alarmist discourse
is to bear witness and testify to the collective practice of killing. In a sense,
these over-dramatized discourses on the end, and death, of community represent a radical tendency (I am quite aware of the understandable reservations
that today could be expressed regarding the felicity of the term radical)
inside contemporary totalitarian debates. This line of thinking favours a
genealogy of community based on an act of crime. Its main assault on the
community comes from the popular theory of foundational crime: according to this tradition Crime presides over the birth of any community, either
secret or public one. (Frank Tannenbaum, Crime and the Community, 1957:
12). The discourse on community has survived these philosophical attacks,
extensively transformed, although its theoretical reputation and influence are
much diminished. The reluctant question proposed by Benedict Anderson,
Why is the idea of community so powerful that it is possible for its members to willingly die for such limited imaginings? is evidence that the long
celebration of an idea of heroic self-sacrificing for the homeland is reasonably dead.
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The prevailing philosophical critique of the Life and Death of, in, and by,
with community is particularly based on the idea of a conceptual break, an
epistemological rupture at the heart of the very notion of community, a community that is separated from, and confronted with, itself.
That this confrontation with self may be a law of being-in-common and its
meaning, this is what is on the task sheet for the work of thought immediately
accompanied by this other project of thought: that the confrontation, in grasping the fact of itself, grasp the fact that mutual destruction destroys all the way
along to the very possibility of confrontation, and with that destruction the
possibility of being-in-common or being-with.3
2
3
What is especially challenging today for the debate over the destiny of the
political notion of community is the surprisingly effective argument that we
can imagine a community without essence neither people, nor nation
nor indeed destiny.
In any case, Nancys answer is tentative and suggestive: in our political programs, he argues, the properly common character of community disappears
- that is, being-in-common, or with or the together that defines it. In contrast
to the immanentism of the subject and of the commonor, as he also calls it,
the generalized totalitarianism in which the individual is absolutely closed off
from all relation, and in which being itself is absolute in the form of the Idea,
History, the Individual, the State, Science, the Work of Art, and so on - Nancy
proposes that singular plural beings only exist in an original sociality, insofar
as finite being always presents itself together, hence, severally.4
4
5
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ences, and alterity options that are ultimately unsuitable for straightforward
communal identification. Collective identity is broken down and incommensurable singularities are privileged.
There is no essence to the relation between singular beings; they depend on the
existence of a relation and are defined by it, yet there is no communality that
could describe in it any definite manner. There is sharing between singularities
but no essential being in common. [] Freedom is this relation without relation, the coexistence of singular being and the absence of communal essence.
[] Singularity is not only multiple in terms of its relations with other singularities but also plural within itself.6
I could not follow the main traces of the restoration of community, the singularisation of a deconstructed concept of community because I am not quite
sure that such a concept is really valid, or even possible! It is well known
that Derrida openly expressed his deep suspicion, even animosity, toward the
very notion of community. As Derrida explicitly states:
I dont much like the word community; I am not even sure I like the thing. If
by community one implies, as is often the case, a harmonious group consensus,
and fundamental agreement beneath the phenomena of discord or war, then I
dont believe in it very much and I sense in it as much threat as promise. There
is doubtless this irrepressible desire for a community to form but also for it to
know its limit and for its limit to be an opening.7
Community never played a central role in the history of Derridas deconstructive interventions, and he never engaged or participates in actual valorisation, sustained valorisation, of community itself. Simply speaking, Community does not hold the conceptual resources to undermine what it already
6
7
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had never flowed before, initiated and established the possibility of imagining
a community of pure blood, and enforcing it by law.9
9
10
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This explains why the exponential violence of masses has always come with
exalted communities, with national brotherhood in the moment of mass euphoria and collective autohypnosis. I cant comment here the brilliant analy-
11
sis offered by Elias Canetti, who tray to explain how a normal community
can transform into wild, erupted crowds. But I can stress here that Canettis
sobering formulations can help us to understand the self-cannibalization
of community itself. (Elias Canetti, Crowds and Power [New York: Farrar,
1960]) The discourse of self-immunized community, a narrative of permanent violence against itself, of deadly violence, always required an endless
responsibility toward lucid affirmation of a death that is coming, always
already there, impossible to anticipate. On the horizon of new justice to
come, as Derrida pleads, we need new, endless responsibility before the
ghost of those who are not yet born or who are already dead (Jacques Derrida, Learning to Live Finally, 2007: 13), before those who died from, and for,
our community. This eternal responsibility toward a defeated humanity of
togetherness (Only absolute inhumanity can testify for humanity Primo
Levi) is revealingly present in the colossal fictional works of Franz Kafka,
one of the best thinkers of the very notion of (post)humanity.
I shall focus provisionally on Kafkas fictional writings, on the ghostly structure of private, as well as public life. It is well known that Kafkas literary
universe was structured around the idea of the claustrophobic community (all
Kafka characters feel eternal anxiety, either in private or in public life). All of
his novels and short stories are set within an inescapable constellation of imprisonment. His characters are constantly trapped by parents and family, or
imprisoned by state institutions (Kairina Kordel, Freedom and Confinement
in Modernity: Kakfas Cages, 2011: 12). The traumatic fear of the brutality
of the external world demands a Sisyphean labour on the part of Kafkas
characters, an escape from this dehumanized world. As Kafka himself says,
the problem is not that of liberty but of escape from the unacceptable obscenity of communal life, the possibility of fleeing from any form of compulsive
familiarity and closeness.
Both of them (Proust and Kafka, O.S.) seek to avoid, through letters, the specific sort of proximity that characterizes the conjugal relationship But to
get rid of proximity, Kafka maintains and guards spatial distance, the faraway
position of the loved one: he too presents himself as a prisoner (prisoner of
his body, of his room, of his family, of his job) and multiplies the obstacles
that prevent him from seeing or rejoining his beloved. In Proust, in contrast,
the same exorcism takes place in an inverse way: one reaches the imperceptible, the invisible, by exaggerating proximity, by making it a captive proximity Prousts solution is the strangestto overcome the conjugal conditions
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Perhaps the most astonishing discovery is found in Kafkas idea that there
is nothing sacred in community, and that it is not exclusion that produces
human suffering, but the opposite: inclusion itself, insofar as it goes hand in
hand with a fetishisation of being-in-common, of togetherness. Let us consider the Kafkaesque allegory on friendship, the unavoidable paradox of
mutual exteriority in being together and of existing separately, alone. In his
autobiographical short story, Fellowship, Franz Kafka describes in ironic,
almost humoristic way, how a neighbourly community can be built only
through the discrimination of the newcomer. I will take a small risk and
describe the figure of the newcomer as the guests who arrive always to
early or too late, even if they are on time. Let us consider how Kafkas allegorical narrative demystifies the dominant, self-limiting practice of built
togetherness.
We are five friends, one day we came out of a house one after the other, first
one came and placed himself beside the gate, then the second came, or rather
he glided through the gate like a little ball of quicksilver, and placed himself
near the first one, then came the third, then the fourth, then the fifth. Finally we
all stood in a row. People began to notice us, they pointed at us and said: Those
five just came out of that house. Since then we have been living together, it
would be a peaceful life if it werent for a sixth one continually trying to interfere. He doesnt do us any harm, but he annoys us, and that is harm enough;
why does he intrude when he is not wanted? We dont know him and dont
want him to join us. There was a time, of course, when the five of us did not
know one another, either, and it could be said that we still dont know one another, but what is possible and can be tolerated by the five of us is not possible
and cannot be tolerated with this sixth one. In any case, we are five and dont
want to be six. And what is the point of this continual being together anyhow?
It is also pointless for the five of us, but here we are together and will remain
together; a new combination, however, we do not want, just because of our
experiences. But how is one to make all this clear to the sixth one? Long explanations would almost amount to accepting him in our circle, so we prefer not
12
to explain and not to accept him. No matter how he pouts his lips we push him
away with our elbows, but however much we push him away, back he comes.13
13
14
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Western political tradition for so long. For example, his short story The
Great Wall of China (separately published as A Message from the Emperor:
Eine kaiserliche Botschaft, 1919) can alert us to Kafkas narrated distrust, his
deep suspicion toward very close neighbours, as well as most distant strangers. In the famous story about the Imperial Wall, narrated in the form of a
legend, Kafka turns back again, once more, and always more than once, to
the hidden mechanism of public life. The nominal reason for building the
Wall is to protect the Empire from exterior enemies, but in fact, to shield the
kingdom from within, to protect it from its own, disloyal citizens:
In the end, the Great Wall is built not to defend the empire against its enemies
there are no enemies, Kafka tells us, or if they do exist they can easily bypass
the Walls piecemeal structure. Instead, the Wall is built so as to defend the
empire against its own people, against their self-consciousness as archogenetic
agents, as autonomous beings. In order for this self-defense - or rather - defense against the self - to be effective, enemies from the North (or wherever)
must be invented. The Great Wall of China is really the constitutive object of
fantasy that holds a societys imaginary together.15
Kafkas gigantic work represents a pure satiric affirmation (Vladimir Nabokov), one of the most painful experiences in modern time: the dramatic collapse of the communal as well as of private life. He discovered pure emptiness, even banality, in the face of promised intimate life: (Temporary and
constantly changing human relationships, which never come from the heart
Metamorphosis, 1915). Kafka was more than conscious of the death of
community, a death that is coming, always already there, impossible to anticipate or predict. There is one specific moment of autoaffection in Kafkas
fictional discourse that can be the result of the sorrowful narrative of (self)
isolation and avoidance: Links with others are cut, I isolated myself from
the world, I withdraw into sadness and this unbinding that has cut me
15
off from the world will end up cutting me off from myself.16 As Benjamin and Adorno once proposed, Kafkas allegoric discourses illuminate the
deep structure of the ruined world in non-arbitrary and non-illustrative ways.
Quite the opposite, in allegory the observer confronts a petrified, primordial
social and political reality. Kafkas allegory on separation the gesture
of one who has escaped from the family reveals history in the form of a
desert. Max Brod has commented: The world of those realities that were important for Kafka was invisible. What Kafka could see least was the gestus.
Each gesture is an event one might even say a drama in itself. (Walter
Benjamin, Illumination, 2007: 121).
On the other hand, Deleuze and Guattari suggested that Kafkas hyperrealistic narrative reconnected isolated individuals and operative collectivities
into some machined assemblage: The highest desire, desires both to be
alone and to be connected to all the machines of desire. A machine that is
all the more social and collective insofar as it is solitary, a bachelor, and
that, tracing the line of escape, is equivalent in itself to a community whose
conditions havent yet been established. (Gilles Deleuze and Felix Guattari,
Kafka: Toward a Minor Literature, 1986: 71). If I understand this promising speculation correctly, Kafkas humoristic discourse (Kafkas Laughter)
operates as a detector for the comic structure of a prudent, self-isolated life.
I agree with this opinion that Kafkas literature is not a voyage through the
past but one traveling into an enigmatic future. At the same time, I am more
than sceptical about the political promotion of a minor literature as a new
modality of togetherness, inseparable from active solidarity: It is literature
that produces an active solidarity in spite of skepticism; and if the writer is
in the margins or completely outside his or her fragile community, this situation allows the writer all the more the possibility to express another possible
community and to forge the means for another consciousness and another
sensibility! (Gilles Deleuze and Felix Guattari, Kafka: Toward a Minor Literature, 1986: 30). Does it mean that Kafkas main character K. functions as
16
Tina Chanter, Ewa Ziarek, ed., Revolt, Affect, Collectivity (New York:
SANU Press, 2005), p. 3. Critical comments on debates on the role of affected narrative in the formation of modern political community are present in the recent book: Patricia T. Clough, Autoaffection: Unconscious
Thought in the Age of Technology (Minneapolis: University of Minnesota
Press, 2012). On affective turn in Community studies see book: Patricia
Clough, Jean Halley, ed., The Affective Turn: Theorizing the Social (Durham Duke University Press Books, 2007).
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Works cited
(This extensive bibliography of quoted books covered three different
chapters of text: additional two chapters will to be published successively
in the coming issues of the Journal).
1. Adrian Little, The Politics of Community, Edinburgh UP, Edinburgh,
2002.
2. Alphonso Lingis, The Community of Those Who Have Nothing in Common, Indiana University Press, Bloomington, 1994.
3. Andrew Mason, Community, Solidarity and Belonging: Levels of Community and Their Normative Significance, Cambridge University Press,
Cambridge, 2004.
4. Andrew Norris, Politics, Metaphysics, and Death, Duke UP, Durham,
2005.
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50. Roberto Esposito, Bios: Biopolitics and Philosophy, University of Minnesota Press, Minneapolis, 2008.
51. Roberto Esposito, Terms of the Political: Community, Immunity, Biopolitics, Fordham University Press, New York, 2012.
52. Samuel Weber, Benjamins abilities, Harvard University Press, Cambridge, 2010. Scott Durham, Phantom Communities, Stanford UP, Stanford, 1998.
53. Stathis Gourgouris, Dream Nation, Stanford University Press, Stanford,
1996.
54. Suzanne Keller, Community: Pursuing the Dream, Living the Reality,
Princeton University Press, Princeton, 2003.
55. Tina Chanter, ed., Revolt, Affect, Collectivity, SANU Press, New York,
2005.
56. Vivian Liska, When Kafka says We, University of Indiana Press, Bloomington, 2009.
57. Walter Benjamin, Illumination, Shocked Books, New York, 2007.
58. William F. Whyte, Street Corner Society, University Of Chicago Press,
Chicago, 1993.
59. Will Kymlicka, Liberalism, Community, and Culture, Oxford UP, Oxford, 1989.
60. Zygmunt Bauman, Community: Seeking Safety in an Insecure World,
Polity Press, Cambridge, 2001.
TO BE CONTINUED
Obrad Savi is Director of Center of Media and Communications, Faculty of Media and Communications, University Singidunum, Belgrade. He
worked as research fellow and lecturer at the School of Fine Art and Cultural
Studies, University of Leeds, UK, Visiting Lecturer at American University
in Kosovo (AUK), department of the Rochester Institute of Technology, NY,
USA. He has also been Editor-in-chief of a many journals: Theory, Philosophical Studies, Text, Belgrade Circle, and guest editor of Parallax, London,
UK. Published and edited many books/collections, and more than hundred
texts on various topics: Pornography of the Past: Construction of National
Memory (forthcoming); Community of Memory, 2006 (with Ana Miljanic);
Balkans as a Metaphor, 2005 (with Dusan Bjelic); Politics of Human Rights,
2002; Charles Taylor: Invoking Civil Society, 2000.
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