Reporting on migration: How the media is shaping the conversation | ...

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What should be the role of news organisations and social media in making sure the
refugee crisis is portrayed fairly and accurately?
Posted: 12 February 2016 By: Mdlina Ciobanu (/search/s396/?boolMode=true&searchConfigID=default&qAll=&
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Credit: By jeanbaptiseteparis (http://www.flickr.com/photos/jeanbaptisteparis/) on Flickr. Some rights reserved

(http://creativecommons.org/licenses/by-sa/2.0/) .

"The controversy around the words 'migrant' and 'terror' has become part of the
story, but this issue is now wider, influencing and informing all sorts of geopolitical
arguments, in the UK and Europe," said Charlie Beckett, director of Polis, the
journalism think tank at the London School of Economics.
Beckett chaired a discussion hosted by Polis and the London Press Club on
Thursday evening, about the role of social media and journalists' responsibility in
delivering fair and accurate reporting on the ongoing refugee crisis in Europe.
He was joined on the panel by Lindsey Hilsum, international editor at Channel 4,
Yasmin Alibhai-Brown, columnist at The Independent, William Wintercross, photo
and videojournalist at The Telegraph, Matthew Price, correspondent for BBC Radio
4 and Rossalyn Warren, senior reporter at BuzzFeed News.
"Humanising the story"
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Speaking about the public's reaction to her coverage of refugees' journey across
Europe last summer, Hilsum said she has "never received as much online abuse"
on Twitter and Facebook for any of her previous stories, even though her main
focus in reporting on the issue was to "make the stories human and not talk about
masses".
Several guests on the panel said they had been accused of trying to soften the
issue by deliberately portraying the struggle of women and children, at a time
when most of their audience thought refugees were predominantly young and
male.
Alessandro I

Follow

@_Alex_Iaco_

@BBCMatthewPrice You sometimes see only women and children

in pictures - but that's because the men have already gone ahead
first #PolisLPC
9:56 PM - 11 Feb 2016

"These people were very alarmed by the humanising of what they previously saw
as a mass," Hilsum explained.
"No wonder people are afraid, because we think history is something that happens
somewhere else.
"But this is a big piece of history that is happening here, now, and that is why it's
so compelling to report and so difficult to get right."
Wintercross said he has been asked numerous times about why the image of the
Syrian toddler who drowned and was found on a beach near Turkey, resonated
with people and captured their attention more than other coverage had.
"This was a beach where European tourists go and anybody could have gone
there, so it was no longer an unpronounceable name.
"Suddenly, there was a personal connection made, which hadn't happened prior to
that, and it made people sit up and listen," he explained.
Engaging with the audience on social media
BBC Radio 4's Price said public reaction to his reporting on the crisis drastically
changed in the space of a few months most of the responses he received
initially, when he was tweeting about the Lampedusa boat tragedy, were positive.

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But they became increasingly negative as he covered the refugees' arrival in the
Greek island of Lesbos and later, when the Paris attacks occurred although that
did not deter him from engaging with readers on social media.
"We live in a multicultural society and I am not saying that we should excuse those
viewpoints, but we do have to understand and engage with them," he said.

Denise Baron

Follow

@BaronDenise

So far, all of the journalists on this #PolisLPC panel (who cover the
refugee crisis) have cited Twitter trolling that follows their stories
9:29 PM - 11 Feb 2016
1

"A blind spot in British media"

The Independent's Alibhai-Brown argued that media coverage on the refugee
crisis "has not communicated nearly enough that people moving is an eternal
human story," which has affected how people perceive these ongoing events.
"Newspapers sometimes dehumanise these stories and make migrants, as a
whole, into this unnamed threat," she said.
"I think television coverage has been very effective and affective, because it
portrays the human story very well, but it ends up making people feel helpless."
Warren said "there is a massive blind spot in British media where we are not fully
taking these stories to the people", to help them understand the issue easily in
their communities and on their chosen platforms.
In December, she published a piece called 'A Syrian refugee shared his struggle to
reach Europe in real-time on WhatsApp' (http://www.buzzfeed.com/rossalynwarren
/a-syrian-refugee-used-whatsapp-to-share-his-journey-through#.bkKGQVLgqD) , which
combined the more traditional format of a written feature with images and
screenshots of the conversation she had with a refugee named Abdul on the
messaging platform.
"I could have done it as a feature, but I wanted to break it up visually for people.
"At BuzzFeed, we try to do a mix of on the ground reporting and tweeting, looking
at ways to cover the story in an accessible, not patronising way," she said.

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Lewis Jones

https://www.journalism.co.uk/news/reporting-on-migration-how-the-m...

Follow

@LMJ_112

.@RossalynWarren says the biggest concern is Facebook views

against TV views and sharable content on the migrant crisis...
#PolisLPC
9:29 PM - 11 Feb 2016

Reporting from the frontline a challenge going ahead?

In November, 148 journalists, activists and coders from 27 countries met in Rome
as part of The 19 Million Project (/news/the-migration-crisis-how-the-19-million-projectaims-to-bypass-borders-and-narratives-/s2/a584989/) , an initiative launched by Chicas
Poderosas, Fusion and the Italian Coalition for Civil Rights and Freedoms (CILD)
to reflect on the implications of the migration crisis, and develop ideas and
approaches to shape future coverage.
CILD also launched Open Migration recently, a bilingual website (http://en.ejo.ch
/media-politics/open-migration-data-and-analysis-to-understand-the-refugee-crisis) in
English and Italian that provides analysis and fact-checking on issues relating to
refugees.
Other similar initiatives (/news/how-the-migrants-issue-is-shaping-journalism-in-europe
/s2/a565637/) include Migranti, developed by crowdsourced platform Valigia Blu,
and The Migrants Files, a pan-european data journalism project that monitors the
number of deaths that have occurred in the last 15 years.
Answering a question from the audience on how news outlets will cope with
disaster fatigue when continuing to report on the crisis over the next few years,
Hilsum said her main concern is that it is becoming increasingly harder to get
access to the places where these events are happening.
"I believe in being an eyewitness and it's becoming incredibly difficult to be one
now, and go to places like Syria," she said.
"That's the most difficult thing how do you tell the story when you can't see it with
your own eyes?"

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1 Comment

Dai

YAB is one of the most biased of the journalists who annoy Indy readers with their pro-mass
migration narrative and fantasy reporting.

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