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liberals and the centre about the violence of right extremists; the right, centre and liberals about the violence of
political activists talk about structural violence , police and politicians about
violence in the `street', and all together about the violence in our society. Similarly, Westerners
leftist extremists;
talk about violence in the Balkans, Western citizens together with their generals about the violence of the Serbian
and anti-racist analyses, or under the name of psychological violence. Here violence is recognized by the victims
and defined from their perspective - an important step away from the catalogue of violent acts and the exclusive
evidence of material traces in the object. Yet even here the focus tends to be on the effects and experience of
violence, either the objective and scientific measure of psychological damage, or the increasingly subjective
Feminist critique, as well as other political critiques, has analysed the preconditions of violence, the unequal power
relations which enable it to take place. However, under the pressure of mainstream science and a sociological
perspective which increasingly dominates our thinking, it is becoming standard to argue as if it were these power
question, `Does pornography cause violence?') The circumstances identified may differ according to the politics of
the explainers, but the method of explanation remains the same. While consideration of mitigating circumstances
has its rightful place in a court of law trying (and defending) an offender, this does not automatically make it an
adequate or sufficient practice for political analysis. It begs the question, in particular, `What is considered to be
part of the circumstances (and by whom)?' Thus in the case of sexual offenders, there is a routine search - on the
part of the tabloid press or professionals of violence - for experiences of violence in the offender's own past, an
understanding which is rapidly solidifying in scientific model of a `cycle of violence'. That is, the relevant factors are
sought in the distant past and in other contexts of action, e a crucial factor in the present context is ignored,
namely the agent's decision to act as he did. Even politically oppositional groups are not immune to this
mainstream sociologizing. Some left groups have tried to explain men's sexual violence as the result of class
oppression, while some Black theoreticians have explained the violence of Black men as the result of racist
Whiteness is a social location of power, privilege, and prestige . It is a "an invisible package of
unearned assets." As an epistemological stance, it sometimes is an exercise in denial. Whiteness is an identity, a culture, and an
often colonizing way of life that is largely invisible to Whites, though rarely to people of color. Whiteness also carries the authority
Whiteness
thus is many-faceted and pervasive. I believe it lies at the center of the problem of race in this
society. The papers that make up this symposium reflect the diversity of the topic. One finds here discussions of subjects
within the larger culture it dominates to set the terms on which every aspect of race is discussed and understood.
ranging from the disposition of human remains to dreaming to standardized testing in schools; from patterns of informal affiliation in
Senegal to self-presentation practices of individuals and of universities to September 11. Nevertheless, these seemingly dissimilar
topics are linked by the strands of Whiteness as metaprivilege that run throughout. By "metaprivilege" I mean the ability of
Whiteness to define the conceptual terrain on which race is constructed, deployed, and interrogated. Whiteness sets the terms on
proposition now well-established by geneticists: there is no such thing as biological race. Race is wholly socially constructed; the
precise contours of racial differentiation and meaning vary from culture to culture and within a given culture over time. In the United
The
metaprivileges of Whiteness are those aspects of this construction that function as
stabilizing agents; they ensure the maintenance of White supremacy . Whiteness and Racial
Identity/ubr /> The first metaprivilege of Whiteness is the ability to control the social
construction of racial identity. Whiteness has the authority not only to define who is
and is not White, but also to delineate the boundaries of non-White racial identities.
The long reach of Whiteness' privilege even extends to the performance of nonStates, Whiteness is a largely transparent construction that constitutes the dominant site of power and privilege.
Whiteness generates
uniquely White narratives that become definitive cultural stories. David Roediger examines
reinforced by and through the No Child Left Behind legislation. Whiteness and Cultural Narrative
self-representation practices of "historically white" colleges and universities that appropriate images of persons of color to advance
White objectives. At the University of Wisconsin, for example, an image of a Black student was superimposed on an otherwise allWhite scene, in an attempt to portray racial diversity. Here the authoritative narrative of self-representation obscures "the
exclusionary past and present of such institutions." Thus "diversity" itself serves the hidden interests of Whiteness. Tom Ross
explores the Whiteness of the cultural narrative concerning September 11, 2001, as it has developed in the presence of a declining
White population and against the backdrop of racially-laden nationalist narratives associated with John Harlan and Theodore
Roosevelt. He observes that "the essential face of the victims was White," and notes that in consequence "the suffering of those
outside the narrative of 9/11 has receded even further from the public consciousness." The story of September 11--the attack on
"us"--is one that reflects "quintessentially White" anxieties and uncertainties. Whiteness and Privilege/ubr /> Stephanie Wildman
interrogates the persistence and resilience of White privilege. In addition to material forces that both constitute and shore up White
colorblindness rhetoric and "individual-group sleight of hand"--as well as Whites' socialization to, and insistence upon, social
identities. Whiteness not only has control of valuable resources, but has the ability to limit access to those resources to those who
reflect its own image. Whiteness not only constitutes a distinct perspective on events, but has the authority to generate definitive
cultural narratives. And Whiteness not only is a set of unearned privileges, but the capacity to disguise those privileges behind
structures of silence, obsfucation, and denial. Whiteness creates, and exists within, a conceptual framework in which human agency
is presented as absolute, the individual is the constitutive unit of agency, and White antiracist work is understood to be optional.
Seemingly creating a space for meaningful transformation of White race consciousness, these axioms of Whiteness constitute core
metaprivileges of Whiteness, and they provide a final layer of defense in the maintenance of White supremacy. Whiteness Presents
Human Agency as Absolute/ubr /> In one sense, this is so. Human action is not fully determined by conditions external to the actor.
However, agency effectuates itself within sets of conditions that constrain, often severely, even if they do not entirely control. Thus
agency is a complex amalgam of possibilities and constraints, material and ideological conditions and consequences. Agency is a
fluid phenomenon, conforming like hot glass to forms impressed upon it by societal structures. In its congealed form, agency is at
she has not brought into being, and thus systemic dominance and subordination are
beyond the scope of (individual) moral obligation . However, the notion of responsibility envisioned by
White privilege is quite a shallow one. As Joyce Trebilcot has explained, one can adopt a larger notion of responsibility, exemplified
by the phrase "to take responsibility for": Notice first that to take responsibility for a state of affairs is not to claim responsibility for
having caused it. So, for example, if I take responsibility for cleaning up the kitchen I am not thereby admitting to any role in
creating the mess; the state of the kitchen may be the consequence of actions quite independent of me. . . . In taking responsibility
a woman chooses to make a commitment about a specific state of affairs. Similarly, Whites can take responsibility for the systemic
maintenance of White supremacy. Whiteness Sees White Antiracist Work as Optional/ubr /> If the individual human agent is
absolutely free to act or not, and to choose the forms of action that are to be undertaken, no particular act is inevitable. In this
sense, White people can elect whether or not to engage in action that contributes to the dismantling of White supremacy. However,
because choice is socially structured, meanings attributed to action by any particular actor are not dispositive, nor are
interpretations ascribed by White privilege. The social significance of choices made by Whites is socially given, so that neither the
material or ideological consequences of chosen acts are fully determined by Whiteness. Whites do not absolutely control the
character of antiracist work. The Axioms of Whiteness Contribute to the Maintenance of White Supremacy/ubr /> The
conception of individualized responsibility adopted by Whiteness enables Whites to evade engagement with systemic structures of
the rhetoric of "White innocence" that is featured prominently in the debate over affirmative action
its very
obvious of whats happening here. Black people are talking about race, white people
are uncomfortable. And what was very interesting to me, is that the liberal white people were
the most uncomfortable. These are people that I considered allies, right? And for them to be having this
started looking at it, and went back and looked at some of the Loiusville footage, and I was like, oh
reaction to these students, I was like something is going on here. And so, as I looked at the situation what I began
to realize was how,
In the vast literature on new techniques and practices of surveillance, the panoptic tower looms large. It emerges as
a central point of comparison from which the singularities and social effects of techniques as diverse as databases,
virtual reality and Closed Circuit Television are evaluated (Bogard, 1996; Gandy, 1993; Lyon, 1994, 2001, 2003;
Norris and Armstrong, 1999). We believe, however, that, besides the description of the Panopticon, other theoretical
propositions of Foucaults are helpful in the study of new practices and technologies of surveillance. The snew
surveillance literatures focus on the Panopticon may overestimate technological features in the explanation of
historical changes and excessively emphasize the surveillance of them upon us. One central tenet of Foucaults
power is that it cannot be located; it is everywhere and therefore also inside us (Foucault,
Power relations produce the subject or, to be more precise, they instill in the individuals a
historically determined relation with themselves (Rose, 1999: 243). In fact, any practice of
surveillance entails self-surveillance as its historical counterpart and it is this simultaneity that
accounts for the acceptance and legitimization of power relations. This article proposes an
enlargement of the concept of self-surveillance. Self-surveillance is usually understood as the attention one
conception of
1997b: 108).
pays to ones behavior when facing the actuality or virtuality of an immediate or mediated observation by others
whose opinion he or she [they] deems as relevant usually, observers of the same or superior social position. But
we propose to open the concept to include individuals attention to their actions and
thoughts when constituting themselves as subjects of their conduct. The enlargement of
the concept of self-surveillance implies associating it with practices of the care of
the self. These practices require the stipulation of the part of the individuals that must be cared for and worked
upon, a movement which corresponds to the production of an ethical substance (Foucault, 1985). In other words,
individuals usually problematize their thoughts and behaviors through beliefs held as true in
those who exercise power attain legitimacy by presenting
themselves as helping us in caring for this part of ourselves that threatens
our constitution as subjects. After all, they only intend to prevent us from
straying away from the correct path (Foucault, 1997d). Moreover, as the part of the self that
demands care is problematic, ones constitution as a subject entails an adversarial relation.
Individuals must struggle against themselves in order to act according to truth
is that
practices of surveillance as our object of investigation. Our major concern is inquiring into the kind of subjectivity
produced today by new practices of surveillance. We will focus on the widespread practices of self-surveillance
induced by the concept of risk factor, a concept constitutive of contemporary medicine. Our argumentation begins
by highlighting a theoretical difficulty found in the usual reading of Foucaults description of the Panopticon. The
difficulty lies in how to conceive the nature of self-surveillance induced by the panoptic tower. We contend that selfsurveillance does not depend only on an invisible but unverifiable power (Foucault, 1979: p. 201), but also on
normalizing judgment. In the second section of this article, centered on a discussion of normalizing power, we will
stress a sparsely discussed element of Foucaults conception of a productive power: that of the production in
These
dividing practices (Foucault, 1997e: 326) define the part of modern individuals that must
be cared for. Our historical framework is the passage from norm to risk as the basic concept with which
reality of an impersonated ethical negativity such as the delinquent, the madman or the sexual pervert.
western human beings problematize what they are and what they might be. The third section of this article,
lifestyle and self-control, provides evidence to sustain our diagnosis of this historical change. It also situates our
perspective on the relevance of risk in contemporary society in relation to the works of Beck, Douglas and
Foucauldian scholars discussing new practices of government. In the fourth section, Epidemiological risk, we
suggest some historical lines of development that account for the relevance and subjective effects of the concept of
risk factors in contemporary medicine. This section focuses on the creation of a temporal gap between the
diagnostic of an illness/disease and its subjective symptoms. This gap opens up a space for individuals action in the
shaping of their futures. The modern experience of health-care implied that individuals started to care for their
health only once they felt sick. As this feeling was the subjective aspect of an impairment of vital norms, individuals
became patients and readily accepted restrictions in their behaviors in order to recover. Today, on the contrary,
individuals accept restricting their behavior in order to care for their health even and principally when they
experience well-being. Contemporary medicine is producing the strange status of individuals at risk (Lupton, 1995;
Ogden, 1995, Novas and Rose, 2000; Petersen and Bunton, 2002), who can be viewed in fact as patients before
their time (Jacob, 1998: 102). We will thus argue that the alleged amplification of individual capacity to determine
the shape of their future constitutes, in fact, a limitation to our freedom. In the concluding section, we will briefly
address the problem of adopting a critical stance in which care and power are inseparable. Assuming the historicity
of care, we contend that a critical stance is made possible by acknowledging, first, that there are numerous ways in
which human beings inhabit time and, second, that the future as risk undermines the futures status as an alterity
to the present, as a reserve for imagination and hope. The Panopticon and self-surveillance In order to argue for the
inextricability of power relations and care, it is useful to begin by questioning a dystopic reading of Foucaults
depiction of the Panopticon. In this dystopic reading, it is possible to locate a separation between surveillance and
individual identity, a separation that is responsible both for the emphasis on surveillance of others and for the
radical separation between care and power. This dystopian reading suggests, for instance, a proximity between the
panoptic tower and George Orwells Big Brother (Lyon, 2001; Norris and Armstrong, 1999). Both would supposedly
be watching over us all the time. But what is the reason for this persecutory apprehension of the Panopticon? Let
us, once again, present the architectural principles of the Panopticon. Through an arrangement of light and shadow,
Bentham conceived a semi-circular prison in which each inmate was placed in an individual lit cell visible from a
tower located at the center of the semicircle. The high tower had windows from which a possible surveillant could
watch every cell. Thanks to an ingenious design of these windows, no prisoner was able to ascertain if he or she
was actually being observed or even if there was anyone in the tower (Foucault, 1979: 200). The prisoners in the
cells knew that they were always subjected to virtual observation without ever being able to confirm its actuality.
The majority of authors that deploys the panopticon as a historical background for new surveillance techniques
quotes or rephrases passages in which Foucault defines the major effect of the panoptic tower. One often cited
passage refers to the major effect of the Panopticon: () to induce in the inmates a state of conscious and
permanent visibility that assures the automatic functioning of power (Foucault, 1979: 201). In another passage,
Foucault wrote: He [sic] who [whoever]
the strange proximity between the Panopticon and the BigBrother is rooted in the understanding of self-surveillance not as care of the self, but as
self-monitoring (Lyon, 2001: 114) or, as Norris and Armstrong ingeniously put it, as habituated anticipatory
at stake here. We believe that
conformity (Norris and Armstrong, 1999: 6). Putting ourselves in the prisoners situation may be the best way to
shed light on the theoretical problems posed by these readings. What would it mean to comply with power through
anticipatory conformity? We would certainly try to act according to what power expects from us, but we would
only do so because we would be aware of the possibility of being observed. We would act differently if given the
opportunity to escape powers eye. We would resemble docile bodies, but our docility would only be apparent, a
mask that we carried as long as we thought we were being observed. To put it differently, we would internalize
powers eye but we would not identify with its values. In reality, instead of an unfolding of ourselves in
consciousness and its object, our conduct, we would experience a threefold partition of our interiority. We would
distance ourselves from our behaviors and look at them with powers internalized eyes. However, there would be an
We would wish
to live differently but we would be unable to do so because society would be a
prison at large. Worse, if contemporary practices of surveillance are to be seen as an extension and
Discipline and Punish, we would have reason to experience disciplinary society as totalitarian.
intensification of the panopticon principles, we would be running the risk of living in a totalitarian age today. This
interpretation of Foucault is not totally absent of grounds. There are moments in Discipline and punish in which
Foucault appears to assert that modern individuals were constantly under powers surveillance. For example, he
rhetorically asks his readers, Is it surprising that prisons resemble factories, schools, barracks, hospitals, which all
resemble prisons? (Foucault, 1979: 228) Foucault also wrote that the Panopticon was a diagram polyvalent in its
applications, a pure function detached from any specific use and, thus, capable of spreading throughout numerous
institutions (Foucault, 1979: 205). However, reading these passages as implying that anticipatory conformity is
diffused through society is an easy but huge leap that collides frontally with two main arguments put forth by
force that keeps us on the straight and narrow; it is conscience (Hacking, 1986: 236). Perceiving that the thesis that
the individual is the bearer of power relations requires more than self-monitoring, some authors have pointed that
internalizing powers eye also entails identifying with its values (Bogard, 1996; Gandy, 1993;
Gilliom, 2001). Gandy, for example, indicates that there are () more subjective forms through
which the individual actively participates in transforming himself or herself into a
disciplinary subject (Gandy, 1993: 10). Nonetheless, when explaining how this participation is induced, he
recurs to Mary Douglas suggestion that human beings have an extraordinary readiness to fall
into socially produced slots (Gandy, 1993: 10). It is clear that this recourse to a tendency to occupy slots
does not go very far in explaining how techniques of surveillance may concur to the production of subjectivity. The
connection between internalization and identification hinges on the functioning of
the normalizing judgment. The reason for this dependency may be contemplated through a religious
analogy. As it is widely known, the principles of the Panopticon allow it to be framed in terms of the topic of
secularization. The panoptic tower can be viewed as a technological transposition of the belief in an omniscient and
omnipotent God: the inmates knew they could be observed any time and that power would be deployed in the
occurrence of a transgression. But if the individuals belief is limited to this kind of devious and secularized
omniscience and omnipotence, the relation between the technological parody of God and its believers is
conflicting. God must be also a God of love, assuring the faithful both that there is a reward for their good
behavior and that His path entails an intimate and subjective struggle. People have to believe that there is a
disorienting force within them that could turn them into sinners unless they made an effort to confront it.
Individuals holding this belief would be internally torn between God and the devil, between good and evil
throughout their lives (Nietzsche, 1968: 528). Normalizing power Although normalizing judgment can be understood
as an infra-penalty that partitioned an area that the law had left empty the vast domain of gestures, attitudes,
quotidian activities, tasks, discourses, uses of time, habits, etc. its real novelty resides in the fact that these
Besides
constructing the dangerous bridge between fact and value and thus associating
knowledge with power, the normalizing judgment also operates the passage from
action to being, extracting from individuals behavior the identity of each and
everyone. The norm is an immanent law an observed regularity and a proposed
regulation (Foucault, 1979: 179). In schools, for instance, the average time spent by students to conclude a task
micro-penalties are not addressed so much at what one does, but at who one is (Foucault, 1979: 178).
is first observed and later becomes a rule: those who are too slow fail. This failure does not concern only the
inobservance of a rule; it also concerns the value of individuals, conferring upon those who have failed an identity
Sexuality I. The production in reality of an impersonated ethical negativity is a major tenet of Foucaults conception
of power because it directly contradicts its traditional, repressive conceptions. If power were repressive, the actions
it tried to suppress as it spread throughout society would asymptotically tend to disappear from sight. However, as
Foucault asserted while describing the modern concern with the sexuality of children: The childs vice was not so
much an enemy as a support; it may have been designated as the evil to be eliminated, but the extraordinary effort
that went into the task that was bound to fail leads one to suspect that what was demanded of it was to persevere,
Always relying on
this support, power advanced, multiplied its relay and its effects, while its target
expanded, subdivided, and branched out, penetrating furthe r into reality at the
same pace (Foucault, 1980: 42). This paradoxical relation between modern power and its object is
to proliferate to the limits of the visible and the invisible, rather than to disappear for good.
foregrounded in Discipline and punish when Foucault argues that the supposed failure of the prison the fact that it
increases recidivism and forges the delinquent was part of the general strategy of disciplinary power. The
production of delinquents by prisons legitimized an increasing intervention of the police in society: instead of a
failure, it supported the propagation of power. In addition, the existence of delinquents in reality was a means to
differentiate illegalities,
people. Thus, some forms of contestations of capitalism, exactly those that had a potential of rapid and
dangerous spread (Foucault, 1979: 278), were deemed as delinquency and, consequently, popular movements of
contestation refrained from adopting them: () The exemplar effect once expected of the spectacle of the scaffold
was now sought not so much in the rigor of the punishments, as in the visible, branded existence of delinquency
itself: while differentiating itself from other popular illegalities, delinquency serves to keep them in check (Foucault,
These peripheral beings, these marginal and exterior existences produced by power
relations constituted the interiority of the normal individuals. As they tried to ascertain
their nature and value, they compared themselves to the incarnated abnormal. The norm
possessed a feedback mechanism: if a norm of behavior comes to exist in reality, it
is reinforced by the fact that no one desires to be outside it (Hacking, 1990: 5).
Individuals, then, fear potential abnormality not only in others but also within
themselves, and thus refrain from doing what would characterize them, in their own
eyes, as abnormal. The norm becomes the object of individuals desire instead of being
1979: 279).
only externally imposed. After all, where can the norm extract its value if not from that which it tries to negate? For
instance, where would the merits of a sexuality confined to the limits of genitality reside if the pervert, as a sick
resides in its deeds and sensations. Risk, Lifestyle and self-control While presenting the perverse implantation in
History of Sexuality I, Foucault offers a clue on how to diagnose a major historical change through transformations
in specific social practices. In a regime of power centered on legitimate alliances, the focus of social disquiet fell
upon the sexuality of the couple: the sex of husband and wife was beset by rules and recommendations
(Foucault, 1980: 37).
interpellation. My point here is that as she lives her body in freedom, as she challenges the white racialized and
racist world, its discourses and power relations, as she attempts to forge new habits and new forms of selfknowledge, she does not live her body outside of history. There is no nonracial Archimedean point from which she
can unsettle racism. Hence, while a process of constant destabilization that cracks away at whiteness is
indispensable as a value and a form of praxis, there is the realization that "a cartography of race would better
describe a white race traitor as 'off center,' that is, as destabilizing the center while still remaining in it.,,67 So, even
as the newcomer conceivably extends her hand across the color-line, reaching out to the young W. E. B. Du Bois,
thus throwing her whiteness off center and situates herself in that space of liminality, she will, at some point, leave
the classroom and be thrown back into the serious world of whiteness where the rich possibilities of ambush are
Bailey's distinction
between privilege-cognizant and privilege-evasive white scripts proves
helpful. Within the framework of this discourse, the newcomer must constantly reaffirm her
commitment to enacting a privilege-cognizant white script , that is, she must remain
covered over. Concerning the insidious forms of whitely modes of being,
If "race is constituted
through the repetition of acts, verbal and nonverbal, that continue to communicate
difference," then whites must engage in counterstylized iterative anti-whitely
acts. 7o It is not easy to discern the subtle and yet pervasive ways in which the
privilege-cognizant whites are committed to "doing whiteness differently. ,.69
human
Whiteness makes tyrants out of human beings. The white elides "the subjectivity of his [her]
choice" through the constitution of whiteness as an absolute value that "is being asserted through him [her]."
This
hermeneutic horizons.
to
struggling against racial, sexual, heterosexual, and class oppression and see as our particular ask
black women we see black feminism as the logical political movement to combat the manifold and simultaneous
oppressions that all women of color face. -The Combahee River Collective in A Black Feminist Statement Many
radical movement builders are well-versed in the theory of intersectionality. Feminists, queer theorists and activists,
critical race scholars, progressive activists, and the like owe much to our Black feminist sisters, like The Combahee
River Collective, who introduced us to the reality of simultaneityas a framework for assessing the multitude of
interlocking oppressions that impact the lives of women of colorin A Black Feminist Statement (1978). Their voices
and politics presaged Kimberl Crenshaws very useful theoretical contribution of intersectionality to the
feminist toolkit of political interventions in 1989. Since its inception, many have referenced the termsometimes
without attribution to the black feminist intellectual genealogy from which it emergedas a form of en vogue
am certain that I am not the only person who has heard a person use language embedded with race, class, gender,
lens to assess the problematics of the interrelated, interlocking apparatuses of power and privilege and their
inequity remains status quo. And if white people dont acknowledge that they benefit from racism, they are
marginalized race), he must also unlearn his internalized white supremacy. Otherwise, his internalized sexism and
racism begin to layer in how he moves through the world. Make sense? Mainstream feminist and anti-racist
organizing emerged in the 20th century as responses to the systematic denial of male and white supremacy: Hey,
of feminist passage. Dismantling white supremacy isnt a core element of high school social studies, nor a given in
feminists by the name of the Combahee River Collectiveissued a statement that would become a core canon of
black feminist thought and a required text within intersectional feminism. Their statement expressed that the
major systems of oppression are interlocking. The synthesis of these oppressions creates the conditions of our
lives. In a lesser-cited excerpt, however, the Collective stated, We realize that the only people who care enough
about us to work consistently for our liberation are us. We repeatedly hear the voices of feminists of color calling
out a persistent whitewashed feminism that erases their experiences as people of color. This is not new. This has
Because of internalized
dominance, being marginalized in one way doesnt necessarily translate to honoring
the marginalized experience of those who are different from you. More simply: Identifying
been going on for over a century. So where are the white anti-racist feminists?
with feminism doesnt mean that I dont perpetuate white supremacy and the same goes for you. Consider this:
As a feminist, how many times have you heard the following? Maybe if women didnt dress like that, they wouldnt
get sexually assaulted. Thats reverse sexism. Youre just a man hater. Its not all about gender, you know. Women
are sexist toward each other, too. Why dont you ever talk about mens issues? Men are victims to violence, too. I
cant be sexist. Im a [marginalized identity]. Youre just dividing people. Why are you so angry? #NotAllMen I
imagine youve heard at least one of those things before, if not all. How did you respond? How did you feel? As an
anti-racist feminist, how many times have you heard the following? Maybe if people of color didnt commit crimes,
they wouldnt get arrested. Thats reverse racism. It sounds like you just hate white people. Its not all about race,
you know. People of color are racist toward each other, too. Why dont you ever talk about the struggles white
people face? White people are arrested, too. I cant be racist. Im a woman. Youre just dividing feminists. Why are
you so angry? #AllLivesMatter Similarly, I imagine youve heard at least one of those things before, if not all. How
dominance, white feminists can silence the experiences of people of color just as men can silence the experiences
of women. Shifting Toward a Self-Aware Accountability Many anti-racist feminists rightfully mistrust an anti-racism
that is outward looking the type that believes that as a white feminist, I should learn about the experiences of
people of color in order to help them. I should promote diversity and inclusion. Instead, as a white feminist,
I
need to first study my white privilege, unlearn my internalized white supremacy,
and emotionally connect to the ways in which I perpetuate oppression . In sum: I had
those eight free years of color-ignorance, but its time I learned about my whiteness. When I commit to selfawareness, its not very hard to identify the ways in which my whiteness shows up in the world. For example, I can
emotionally connect to many times when men have spoken over me. Examining my whiteness, I can also map that
emotional experience onto times when I have spoken over people of color. I can emotionally connect to reading
disparaging statistics about communities I belong to and wishing our strengths were publicized instead. Examining
my whiteness, I can also map that emotional experience onto a time when I read disparaging statistics about a
community of color and attributed those statistics to the community itself. I can emotionally connect to being called
angry and polarizing for speaking up around gender and cissexism. Examining my whiteness, I can also map that
emotional experience onto a time where I felt a person of color was being oppositional around race and racism. I
dont feel proud of my whiteness, no. But I have to acknowledge my oppression and my capacity to oppress if I want
to inhabit a feminism that truly dismantles not just my oppression, but also the whole thorny system of oppression.
What this means is that my accountability to anti-racism as a white person is as integral to my feminism as gender
itself is. Sometimes more so given the work of unlearning I must continue to do. Moving Forward Mindfully If you
have come here to help me, you are wasting our time. But if you have come because your liberation is bound up
we are well overdue to place a collective emphasis on noticing andlearning about our whiteness as it relates to our
desire to be anti-racist. This isnt just a call to learn about the unique struggles encountered by women of color in a
white supremacist society, but to really study your whiteness. This is the only way to genuinely address white
privilege in a way that lends itself to a humble and focused anti-racism. Study your words, your thoughts, your
feels. Find what is yours and what you have been taught. Examine the things that you feel entitled to, or situations
in which you do not experience barriers. And when you find your privilege is checked, or witness another
responding to their privilege being checked, notice the response. Specifically, have an honest conversation with
your heart and witness whether you experience the silencing tools of oppression not only the ones that erase the
lives of women, but also the lives of people of color.
critical work? For instance, when we talk to our students about current events in class (i.e., the lynching-style
murder of James Byrd, Jr., the beating-execution of Matthew Shepard, or the shooting death of Amadou Diallo on the
social system of heterosexism, homophobia, and straight supremacy? Can we see the death of Diallo not as an
isolated instance of racial violence, but as part of a larger social system that has produced deaths in places like
that is, both aesthetic and reiterative. Thus, we seek to understand difference (specifically race) as a performative
construct that is always already aesthetic (that is, constructed for an audience or public) and reiterative (that is,
repeated and ongoing). By focusing on race as one form of oppression, we examine whiteness as a systematic
production of poweras a normative social process based upon a history of domination, recreating itself through
we address
whiteness, in particular, as a system of power and privilege, such an exploration helps mark the
naturalized everyday actsmuch like heteronormativity or misogyny. Though in this writing
unmarked (Phelan)making visible the workings of a number of oppressive social relationships. To render whiteness
visible requires careful analysis and constant critique of our takenfor-granted norms. But, as our students question,
asking how
systems of power are reiterated and reaffirmed through our collective
communicative, performative, and aesthetic interactions. The foundation of critical race
to what end do we do what we do? We both base our courses, at least in part, in critical race theory,
theory and cultural studies means that we infuse all course content with issues of power, refusing to allow matters
of race and difference to be marginalized. These courses look at education, theatre, and everyday communication,
as well as other sites such as popular culture or identity. The seemingly simple question we are often asked stands
now as the premise of this essayif these theories and critiques are useful, then where does that leave us in terms
of sketching out visions of hope and change? As one student said, if you just tear down social norms, then where do
we all stand? This essay is our standit is a documenting of how we are making a particular, ongoing research
project matter in our lives (and we hope, as a result, in the lives of others). It is a documenting of performancebased researcha mode of research that asks students and other participants to enter into the space of
performance and seek possibility as they are engaging in critical theory. What we document here is a problemposing performance workshop, based in the critical work of Paulo Freire and Augusto Boal, that seeks to intervene in
the reiterative process of whiteness. It is a response to bell hooks and others who have asked for a critical
examination of whiteness not only through the bodies and voices of people of color, but through white experiences
as well. It is, in the end, a search for new ways of engaging in a politics of hope.
Blind(ing) Privilege: Whiteness as Performative In the last ten years, a variety of cross-disciplinary scholars have
by examining
whiteness as a cultural, political locationas an identity created and maintained
through our everyday communication.1 In some of these studies, whiteness is revealed as a
strategic rhetoric, a means by which people, working in concert and often
unreflectively, levy power and cultural influence. For example, communication and film scholars
illuminated (and, in that effort, sought to deconstruct) racial privilege and disadvantage
examine rhetorical constructions of whiteness (see Crenshaw; Dyer; Nakayama and Krizek; Shome). While this
perspective may help us understand the role of language (and how social systems and individuals work in concert
to create racial oppression) recent efforts by scholars to maintain a focus on the white subject have underscored
Warren, Performing). Autoethnographers, because they plumb their lived experience for particular details and
contradictions about how they create and are created by culture, have constituted a rich repository for the study of
how each of us works to understand his or her own ethnic identity (Clark and ODonnell; Pelias; Warren, Absence).
Studies in education have also created a critical context for understanding how whiteness permeates our
classrooms (see Giroux; Hytten and Adkins; McIntyre); such work functions to remind us of the power of pedagogy
to help us see and re-see the actions we take, challenge, or leave unquestioned. In an earlier essay, one of us
organized, from across the variety of disciplinary perspectives, four key scholarly approaches to the study of
whiteness to help create a nuanced understanding of this seemingly inescapable and overwhelming political and
cultural thicket (Warren, Whiteness). First, scholars have analyzed whiteness in order to promote antiracism. For
example, Ruth Frankenberg, in her classic book White Women, Race Matters, deconstructs white womens talk in
order to uncover (and to help them discover) how racism and whiteness saturate their talk. Second, many
researchers have investigated how whiteness is embedded in literature, film, and scholarship. Such works explore
how taken-for-granted sites, including popular cultural texts or scholarly research, are never politically neutral. For
instance, in Playing in the Dark, Toni Morrison uncovers how writers of American literature almost always assume a
white reader to the exclusion of other ways of seeing or interpreting a text or series of events. Third, scholars who
advocate an understanding of whiteness as a rhetorical construct have shifted researchers attention from
whiteness as a stable identity (i.e., this person is or is not white) to whiteness as a discursive way of levying power
(i.e., whiteness as a discursive space, existing in our communicative interactions). For instance, communication
scholar Christina W. Stage explores how a small-town celebration discursively invokes and rewards whiteness
through a series of powerful communication strategiesthat is, through the re-historicizing of the community,
members recreate the past and locate that past within the discursive space of white power (e.g., settlement
narratives that locate the beginnings of the town within a white subject). The fourth and final research trend
involves reading whiteness as a performative construct. Judith Butlers analysis of Nella Larsens Passing provides a
thought-provoking example of how whiteness as an identity is communicatively reproduced through our everyday
actions. In her analysis, white identity is considered a discursive construct that is made and remade through our
reiterative patterned communication choices. We draw strength from each of these modes of analysis as they
function to call out whiteness as a political and social force. However, what is often absent from the extant
literature are strategies for actively and publicly deconstructing and undermining whiteness as the cultural center.
That is, these microanalyses provide hope and incisive critique, but lack sufficient theorizing to change our
behavior. In this way, all the approaches here are ways of seeing and critiquing, but few are actively documenting
progressive action with others. Alice McIntyre, an education scholar, perhaps comes closest with her actionresearch-oriented teacher groups in which she debates and teaches about whiteness as she draws her dissertation
research data from them; however, the members of the research team have long disbanded by the time the book is
out and combat whiteness: a series of workshops for white students (although nonwhite students were not
excluded) that asked them to move past apologia and guilt for their ethnic identity, toward the development of
the frame and method for our workshops in Freires Pedagogy of the Oppressed, employing his methodology for
Performative
pedagogy demands that students think about identity as performative to place the
question of identity in the space of performance . Performative pedagogy, while still an
responsibility and agency in their own learning. (Warren, Performative Pedagogy 95)
undertheorized site of investigation (and pedagogical practice), has groundings in various fields ranging from dance
and theatre to English and communication studies. Our commitm ent
to performative pedagogy
emerges from traditions of oral interpretationa field of study where researchers
and teachers feel one can develop a thoughtful and complex understanding of a
literary or popular text, such as a poem, by performing that text, by reading that
text through the body. Wallace A. Bacons work on the potential of performance is indeed persuasive: The
performing act comes as close, perhaps, as we shall ever get to the transcendence of self into other. It is a form of
knowingnot just a skill for knowing, but a knowing. [. . .] If the engagement is real, not simply pretended, the self
grows (73). While Bacon here discusses the transcendence of self into the other, his work is a possible way of
thinking through whitenesswhere whiteness is so invisible to the perceiving white subject that his own racial
identity is effectively othered. Thus, the engagement with whiteness is an engagement with the other,
redefinition as educational poetics, play, process, and power (15). In Educational Poetics, the banking mode of
education characterized by traditional information dispensing into waiting students is reframed into an educational
enterprise [that is] a mutable and ongoing ensemble of narratives and performances (10). Educational Play
resituates pedagogy in the body, asking students and teachers to engage in corporeal playa mode of
experimentation, innovation, critique, and subversion (15). Educational Process, on the other hand,
acknowledges that identities are always multiple, overlapping, ensembles of real and possible selves who enact
themselves in direct relation to the context and communities in which they perform. (15) Here, Pineau locates
identity as a performative process, noting how selves are accomplishments of reiterative performative practices.
Educational Power, the last of Pineaus definitional categories, solidly situates performances as always politically
and historically situated, such that they may be viewed as ongoing ideological enactments (18).
subversion is not as simple as it seems. One might easily misread subverting, imagining we endorse a view of
whiteness research that suggests one can simply undo racism by undermining whiteness to such an extent that it
ceases to be the cultural center (see Ignatiev and Garvey; McLaren). While such a vision of the world is well
intentioned, it is an enabling fiction at best and a dangerous myth at worst; in effect, such a rhetorical move allows
white identified/appearing people an easy out, an easy dismissal of the power of whiteness in our lives and in our
actions. Rather than embrace this easy sense of subversion, we take subverting as an active verb, in which we
grapple with whiteness in an attempt to unmask it. This is to say, these workshops are a way for participants to see
and think about whiteness in ways they have not done before. By pointing out whitenesss power and discursive
machinery, we hope to subvert its naturalness, or rather, participate in the process of racial subversion. While we
do not think a single two-hour workshop will transform these participants into antiracists, we hope to create spaces
for us all to re-envision how race matters (as well as how race comes to matter) in our lives. Workshopping
Whiteness A young, white, male student in an introductory level communication course has been struggling with
the question of whether racism existstrying to advocate that racism was a thing of the past, an Affirmative Action
trick to get more money and jobs for people of color who havent earned them. This argument is not new, not
surprising in any way. However, Matt is a good studentyoung, thoughtful, and highly skeptical. We include him
in the workshop, asking him to set aside his struggles, his disbelief and engage the ideas as if the theories we had
been reading were true. To be open, even if just for today. He agrees, but has suspicion in his eyes. In Pedagogy of
Freire outlines a method for challenging oppressive systems of power. In this method, he
works from the voices and stories of those oppressed to build an effective pedagogy
with his participants. It was in Freires participatory, ethnographic method that we found an engaging way of
incorporating the body into theories of liberation, enfleshing whiteness. Freire argues that any effort
to effect social change must be an engaged action with (not to or for) the
people. Freires method emerged from his work with illiterate farm laborers in Brazil. He wanted to investigate
the Oppressed, Paulo
and identify their needs, their interests; then, he worked with them to create an effective pedagogy from those
findings, to construct an action plan that aimed to help them undermine the power structures that were keeping
them from fulfilling their goals. In our workshops, we sought to build upon Freires method, adapting and making it
meaningful it to the context of US higher education. Workshops are a particularly appropriate means for engaging
Freires method, as they are not bound by the conventional requirements of the classroom (e.g., syllabi, state
standards for student learning outcomes, etc.). We scheduled each workshop to last approximately two hours,
which allowed for plenty of discussion and activity. Workshop participants differed depending on the context; that is,
sometimes we were invited into undergraduate or graduate courses in communication, theatre, or education
classrooms. When the workshop was part of a class, we often asked students to do reading prior to our meeting.
However, we presented other workshops at theatre and education conferences, including an annual meeting of
Pedagogy and Theatre of the Oppressed. In each of these sessions, participants entered with varying knowledges of
the content we were offering, creating a need for us to begin by introducing the members to the literature on
whiteness and racism. The workshop structure itself, drawn from Freires method, consisted of four parts. First, we
asked participants to investigate whiteness as a cultural phenomenon. Here, participants would work from
introductory texts such as their previous reading and/or our opening presentations. Depending on the audience, one
of us might open with a performance designed to draw out a discussion of whiteness. From these texts, workshop
members formed small groups, creating generative themes, or a list of basic assumptions behind whiteness. For
example, one group might note the seeming invisibility of whiteness, of the ways the power and privilege stemming
from white ethnic identity appear unearned, and so on. Second, participants chose one theme and engaged in a
codification of the theme, in effect breaking it down into its fundamental parts.2 At this stage, a group that has
chosen to work with the notion of whiteness as invisible or natural might begin to think about the mechanisms that
make it invisible (i.e., historical, social, economic conditions that regulate the production of racial power). Third, we
all engaged in a decoding dialogue, raising and entertaining ideas and critical insights. For instance, other groups
might challenge the notion of whiteness as invisible, or they might articulate a sense of whiteness as a stable
natural identity. These sessions were important in order to collectively reveal misunderstandings about ethnic
identity (e.g., the misconception that racism is an individual trait rather than the result of a social system that
privileges some at the expense of others), as well as to come to new ways of seeing how whiteness works. Finally,
each group created and presented recodifications or reconstructions of their theme for the larger group. That
group would then create an image (often a static image of their bodies carefully positioned) to illustrate that theme
to the rest of the participants. For example, students might represent ideological struggle with a frozen embodied
illustration of two people arm wrestling, demonstrating two figures locked in tension. Then the groups presented
performances in which participants illustrated how they worked to interrupt the ways whiteness harms themselves
and others. In these performances, each group shared, via their own lived bodies, the basic or fundamental element
of each theme as a problem or question for the general group. We used the remaining time after each performance
to describe and process each groups work. Ethnographic Investigations: Theme Generation Matt interacts with his
group, but does so leaning back in his desk chair, arms crossed, with an expression that says, I dont buy this. We
want to pull Matt out of the room, tell him to open his eyes, to see the world he lives in with critical eyes. He can
see if he just lets go of the doubt, the suspicion bred from growing up in this culture of color-blindness that still
spreads the myth of meritocracy. Freire argues, the starting point for organizing the program content of education
or political action must be the present, existential, concrete situation, reflecting the aspirations of the people (76).
For him, we must begin with the peoplethat any effort to undermine power structures through a pedagogy of the
oppressed must begin with the life situations of the people that are implicated in the power struggle. He argues for
a dialogical method, one that works from the thematic universe of people in an effort to allow education to be a
practice of freedom. With this beginning in Freire, we decided to begin our workshops from the life situations of
peoplepeoples stories about or experiences with racism and violence. Thus, a workshop in whiteness had to
begin with collected narratives of struggle, narratives of people in real-life contexts and their engagements with
whiteness. To begin with stories of whiteness meant that our effort would ask the participants in the workshops to
take seriously the life experiences of others in an effort to search out possibility within their life circumstances. In
this way, we begin our workshops by asking the participants to conduct a micro-ethnographic investigation of their
encounters with whiteness. By ethnographic investigation, we mean that we ask the participants to explore
whiteness in order to find common themes and patterns. Common themes or struggles participants often articulate
are: their inability to discern their own deployment of whiteness, the need to explore research trendsfor instance,
whiteness as terror (that is, bell hookss metaphor of whiteness that captures the effect of a legacy of racism on the
black imagination), or how whiteness is critiqued through performance texts like Anna Deavere Smiths Twilight: Los
Angeles, 1992. We do this in several ways, each an attempt to provide texts or sites from which participants can
begin to draw together material in order to generate meaningful themes. We often begin the workshops with brief,
aesthetic (i.e., stylized or heightened) performances. There are two central texts that we have found particularly
useful as a way to set the tone, for drawing the participants into the conversation surrounding white privilege. Many
times we begin by performing our own autoethnographic work, foregrounding our own struggles with coming to see
whiteness (e.g., Warren, Absence; Warren and Fassett). In this sort of performance, we try to unfold and explore
an everyday event in order to see how whiteness plays out and protects our own social position or privilege. A
second work we frequently draw from is a small piece from Leslie Marmon Silkos Ceremony, in which Silkos
speaker narrates how white people came to be. The piece is rather violent, describing whiteness as dominating and
disconnected from the earth, and particularly useful for the workshop because it demands that we consider
whiteness from the view of the Other (i.e., decentering a white perspective). Though we have pointed to two sorts
of texts here, there are no doubt countless other texts that would serve to illuminate whiteness; for instance, works
by Gloria Anzalda, Toni Cade Bambara, bell hooks, Maxine Hong Kingston, Richard Rodriguez, Amy Tan, and Alice