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4/20/16, 10:44 AM
Its time to stop questioning every part of your performance and tap into a better emotional state
says Ron Browning.
The crumbling performance is a scenario that all singers dread, as it is a thief of inspiration and
throws confidence and self-esteem into a state of flux.
Here are a few tips that I have shared with singers who want to know how to get a tougher
control on their emotional state when it comes to performances, auditions, recording, and
competitions.
I do not guarantee that attention to these points will up your performance level any, but I have
not seen failure so far from any singer who has mastered these.
http://www.voicecouncil.com/5-ways-to-be-emotionally-prepared-for-your-performance/
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intervals in the melody and notice how they follow the dramatic action. This will allow you
to phrase better, but more importantly, it makes you feel as if you are contributing
something of value because your heart is in it. It is the first step in feeling true
confidence because you are really present.
http://www.voicecouncil.com/5-ways-to-be-emotionally-prepared-for-your-performance/
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3. Think Positively
Affirmations can be extremely helpful for some performers in focusing energy in the right
direction. Affirmations like, I surrender myself every moment to be the best that I can be
with my music. If you say it enough, you start believing it and eventually youll start
doing it. Write it on Post-it notes and place them everywhere. Always try to see the glass
as half full. Never half empty! Remain hopeful! Avoid being self-critical, especially when
you are in artist mode. There is no time for the critic when its time for you to be
creative! Also, visualizations can be a powerful tool for the performer. Spend time
everyday imaging what you want. See it! Believe it! Have it!
http://www.voicecouncil.com/5-ways-to-be-emotionally-prepared-for-your-performance/
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http://www.voicecouncil.com/5-ways-to-be-emotionally-prepared-for-your-performance/
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phrasing more, until they spark. Allow the words to be more percussive instead of so melodic
by keeping all the words down in front of the teeth and lips. If a consonant can make noise,
then let it, play it, like castanets or finger cymbals. Dont be afraid to stress a special word here
and there. That will keep the listener pulled into the story. Get into the juicy details! But the
main thing islet those words dance in a Latin-kind-of-way. Take advantage of all the fun
syncopation. You might consider practicing at a much slower tempo so you can work out the
rhythms with the guitar so you are better in sync. And have fun! Let us feel your joy when you
sing, paper or no paper.
Ron Browning is internationally known as the Voice
Coach to the Stars. His clients include all levels of
singers from beginners to Grammy-winning celebrities in
all genres of music. Ron works with the major record
labels producing vocals and preparing artists for radio,
concert tours, and special television appearances. He is
a voting member of the Grammy Foundation and the
CMA Awards. Ron has been seen and heard on
Entertainment Tonight, The Voice, Oprah Network, and
BBCs Simply Classics, to name a few. He is a
successful songwriter, jazz pianist, painter, and is
currently writing a series of voice and performance
manuals, which will include interviews with many of his
students and celebrated clientele. His solo jazz piano CD, In a Sentimental Mood, is available
on iTunes and CD Baby.
Website
| CD Baby
http://www.voicecouncil.com/5-ways-to-be-emotionally-prepared-for-your-performance/
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