What is Mayonic Science?

What is Mayonic Science and Technology?

Mayonic Science and Technology is a body of knowledge that springs from two esse
ntial texts: The Pranava Veda and the Aintiram. Both of these text were cognized
and composed by an ancient Rishi named Mayan more than 12,000 years ago. Mayan
hails from a landmass that was overcome by the oceans during the melting of the
icecaps that occurred due to the global warming that stopped the advancement of
the ice sheets in 15,000 B.C. This land mass was called Kumari continent and it
was situated below the Indian sub continent. There was a mass exodus from Kumari
continent by thousands of ancient people. They migrated to the Mid-East, East A
sia, and to lands throughout the world. Mayan, along with many others, migrated
to India during this time. The language among those Kumarians was a form of anci
ent Tamil. Mayan himself refined that language to what exists today among the Ta
mil people.
In Mayan s cognitions, he perceived that there was an infinite source of energy th
at sought to manifest itself as the material world. He observed that this manife
station was accomplished in an orderly fashion and resulted in a numerical order
. He observed that based upon specific aspects of the numerical order, various q
ualities of material form existed. In other words, all material form vibrates wi
th specific qualities based upon the mathematics of its waveform. Mayan realized
that we humans could mirror that manifestation process in our created forms (mu
sic, sculpture, dance, architecture, and poetry, blacksmithing, jewel smithing,
carpentry and wood working) thus, we could determine the qualities of the form a
s well as its effects on humans and the environment. The ancient art forms and c
ultural artifacts of India have these principles as their foundation. They have
taken on various names such as Carnatic music, Natya dance, iconography and Vaas
tu architecture or traditional Indian architecture. The underlying concept that
Mayan put forth is that artisans could create forms that would bring abundance,
wellbeing and spiritual bliss to humanity. Over time, the spiritual and scientif
ic principles behind Mayan s teachings were lost and thus, many of the art forms l
ost their true significance and fell into concepts that reflect only superstitio
n. In architecture for example, because few people understand its underlying pri
nciples, the energy of a Vaastu house is thought to be derived from the sun and
other planets. Nothing could be further from the truth.
Over the past twenty years, Dr. V. Ganapati Sthapati has diligently sought to co
rrect the many misunderstandings propagated by modern writers and teachers. He h
ails from a family of traditional architects and builders who have a lineage of
thousands of years. His family tradition survived alien rule of the Moguls and t
he British. When the Pranava Veda and Aintiram were re-discovered, Dr. Sthapati
was quick to realize their significance and began propagating their spiritual an
d scientific truth.
In 2006 Dr. Sthapati appointed Dr. Jessie J. Mercay as Chancellor of the America
n University of Mayonic Science and Technology in order to widely propagate this
knowledge to the western world in a systematic and dignified way.
This is a broad body of spiritual and scientific knowledge that goes beyond any
one form thus it is called Mayonic Science and Technology. AUM S&T presently foc
uses on building architecture based on the spiritual and scientific principles o
f Mayan. Other arts are discussed but the main focus is architecture.
Mayan cognized a number of specific principles that formed the basis of his teac
hing - here are some of them.
Mayonic Principles
1. Nothing is created - it is manifested from the One Source.
2. The Originating Source is sometimes called Moolam, Brahman (Quantum Field)

3. It constantly creates (manifests) so that it may forever savor and enjoy its
own Ultimate Beauty. That is, the Originating Source found itself to be so beaut
iful and perfect, and in love with that beauty and perfection that it manifested
itself in different material forms in order to experience and savor that beauty
eternally.
4. This Originating Source or spiritual center is Moolam (meaning source), Maiyy
am (meaning center) and Pulli (meaning point)
the central source point of consci
ousness pure energy.
5. All objects of nature are unified entities (forms) of energy and matter.
6. The free space is the unified field of energy and matter and source of all fo
rms that we see in material world.
7. There are two OMs: OM Light and OM Sound, the former is the source of all vis
ible objects and the latter, the source of all aural forms.
8. All material forms of the universe are musical forms or have taken shape on m
usical rhythm or musical scale.
9. Time creates, sustains, and destroys all, so created.
10. The primal manifest form of the unmanifest is square (primal wave pattern).
11. The primal square pattern is designated as the diagram of embodied energy
Va
astu Purusha Mandala.
12. The free space is packed with cubical atoms of energy. They are building blo
cks of the structure of the universe.
13. The cube is micro-abode called Sittravai/ Chittrambalam (mini hall in Tamil)
.
14. Within the hall there is a vertical luminous shaft called Brahma Sutra (Oli
nool).
15. This Olinool/Brahma Sutra is a shaft of consciousness also called Moolathoon
/ Moolasthambham.
16. This shaft of consciousness vibrates in a particular order called rhythm. Th
is is the order of nature.
17. This rhythmic vibration of the shaft of consciousness is the dance of Shiva,
the Space.
18. The micro space, in the cubical shape is foetus, Garbha or Bindu. This is kn
own as Vinkaru in Tamil.
19. This micro abode is the repository of light and sound.
20. The free space is Light and the Light is Moolam or source of the universe an
d universal forms. Light is Brahman, Atman, Vastu Brahman Nun porul in Tamil.
21. The embodied energy is Vaastu Brahman/Vaastu Purushan. The space enclosed in
a building is Prasada Purushan energized building Building is a living organism
, built of musical units of measure.
22. Architecture is the supreme achievement of mathematics.
23. Mathematics is rooted in the dynamism of Absolute Time.
24. Time is the vibration of Space.
25. Time and Space are equal.
26. Time is one of the subtle elements of Space (akasa).
27. Time is the causal element of all objects of the Universe.
28. The microcosmic structure is in total identity with macrocosmic structure.
29. The supreme space is throbbing every moment to express itself out.
30. Through the power of inner consciousness, the knower of Vastu should know ab
out light aspects and sound aspects of OM pertaining to both inner and outer spa
ce.
31. Those who do not realize the creative dynamism of inner space cannot know th
e dynamism of outer space.
These thirty-one principles form part of the foundation of the spiritual science
s called building architecture of Sthapatya Veda, Vaastu Shastra and Traditional
Indian Architecture. The technical material taught in Mayonic Science and Techn
ology is preceded by a theoretical understanding of the manifestation process. W
ithout this understanding of the dynamics of inners Space one cannot hope to tru
ly understand how to use the technical notes on architecture and building articu
lated within.

What is the basis of all of these vibrant structures forms? Is there an underlyi
ng principle or set of principles that guide their creation? These are the topic
of this University. The following is a brief summary of some of the relative id
eas. These summaries are taken from homework and exam answers of students of The
American University of Mayonic Science and Technology.
a) Vaastu science, applied in India since time immemorial, is the basis of other
architectural sciences such as Feng Shui. It was spread throughout the world by
ancient Rishis many thousands of years ago. It was spread to Western scholars d
uring the colonial period even while it was degraded in India. Today it has unde
rgone a popular revival although it is often mal - practiced and its true scient
ific basis is not well understood.
b) The Vaastu and Agamic scriptures are today erroneously associated with the re
ligious rituals of Hinduism even though the original texts written in Tamil or P
rakrit pre-date the emergence of Hinduism. The Aintiram is the grammar of creati
on written by Mayan and presented to the first Sangam 10,000 years ago.
c) Western science is the study of matter to derive energy for the material bene
fit of mankind. Vaastu science is the study of energy to derive material form fo
r the spiritual and material benefit of mankind.
d) There are three subtle elements-sound, light and vibration (time) and five gr
oss elements of which space is the most significant.
e) Self-awareness and vibration are the tools of human manifestation for both so
und and light. Manifestation occurs in inner and outer space simultaneously. Lig
ht and sound energies exist as inseparable within the space atom called microabo
de.
f) The experience of meaningful form causes a luminous form to erupt from Om lig
ht. From this luminosity caused by the vibration of inner light comes OM light a
nd Om sound. That inner vibration or pulsation is Kaalam(time therefore time is
the source of all forms of the phenomenal world.
g) The unified field or Akasham (Cosmic Space), through experiencing, vibrates t
hus creating numerical measure then measured form. Worldly form is a manifestati
on of this inner form or vision.
h) A building, like a human being, is manifest space and is alive. A temple, bei
ng supremely manifest space, is worship worthy. The Vaastu Purusha Mandala is th
e perfect rhythm based spatial form.
i) Rooms should be cubical because The cube represents the peaceful and tranquil
state of the energy which in turn will bestow peace and bliss to the indwellers.
j) The primary elemental energies are concentrated in the corners of the built s
pace. If the space in a dwelling is allocated according to the subtle energetic
qualities associated with that space then the occupants will dwell in harmony wi
th that subtle nature. These subtle qualities are: NE-coolness- water, SE-heat-f
ire, SW-heaviness-earth, NW-movement-air. The Brahmapadam or Brahmasthanam shoul
d be left open to the sky because it is a receptacle for the luminous space to e
nter into the core of the building from above and below. The Brahmasutra, emanat
ing from the center of the Brahmastan is the thread of energy combining inner an
d outer space.
k) The energy waves that permeate a structure have numeric measure and there is
a resonance when the numeric measure of these energy waves is in harmony with th
e energy waves of the occupant.
l) The front door or Yoni is a point of entry for the life force or Kaala Shakti
. The alignment of front and rear entry should cross the Brahmasthan.
m) The square, octagon and circle are the three basic patterns of manifestation
embodying the gunas of peace/tranquility, dynamism and gross respectively.
n) Primal manifestation occurs when the Ekapadam goes in to self - spin due to t
he expression of consciousness and manifests as the 8x8 grid.
o) The Anandamaya bindu at the center (of a building) is where experience occurs
.
p) There are diagonal flows of energy within the Vaastu Purusha Mandala. Their i
ntersections should not be built upon. These intersect at grid lines at the 4 co
rners of the Brahmasthan. These 4 points are called marma points.

q) The 8x8=64 grid called Manduka pada literally means substance created by time
units. Because the 8x8 grid transforms into a 9x9 grid of the same area the for
mula 8=9 is a truism. The 9x9 grid called Paramasayika Vaastu Mandala denotes ma
terial form. It represents the order of human beings in the gross world. The two
grids are called Mayaneri meaning the order established by Mayan.
r) The various padas are associated with specific luminaries or devatikas. The p
ositioning of the main entry will have great impact because of its association w
ith the luminary ruling that pada.
s) The objective of Vaastu based architecture is to eliminate bad effects and al
low good effects such as wealth, prosperity and spiritual bliss.
(Summary by Rob Sofio (Architect), Paula Baker Laporte (Arcitect and author) and
Irl Rickman (Arborist, Advanced Students and graduates of The American Universi
ty of Mayonic Science and Technology)
At AUM S&T we explore the significance of all of these principles as they apply
to building architecture that is spiritual in nature and contributes to the well
being of the inmate.