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BONDS
or
LOVE
50
r,:>/),J
.{n
(/t'; .O )
CH
PTEI~
\~
M_a s t e r and
S l ave
r.
IH 12
BONOS OF LOVE
52
53
M a ~ ter
an d SI ave
THE B OND S OF LO VE
S4
55
M a !>HT :11\(1
:::.1 :I"C
T HE B ONOS OF I OVr
S6
d e si re for submIssion. But the narrative also makes clear that the desire
fo r submissio n represents a peculiar transposition of the de Sire for
recognition . O's ph y sical humiliati on and abu se represent a search for
an elusive sp iritual or psychol ()gica l satisfaction. Her maso chism is a
search for recognition throu gh an other who is powerful enough to
b estoW thi s recogniti on. This other has the power for which the self
lo ngs, and thro ugh his recognition she gains it, though vicariously.
At th e begi nnin g of Story of OJ the heroine is, without w arning,
brough t by her love r to Roissy Castl e, an estab lish m ent organized by
m en for the ritua l violation and su~jl1gati o n of women. There she is
g i ven spcci fic in structi ons:
Y o u arc here to serve your masters.... At the first word or sign
fr om anyo ne YO ll w ill drop wh atever you arc doin g and ready
i o ursel f for what is rea lly your one and only duty:
to lend
yo urself Your hands are not your own, nor arc yo ur breasts, no r
m ost especially , any of your orifices, wh ich we m ay explore or
penetr:lte at w ill. . . . You hav e lost all rig ht to pri vacy or
concealment ... you n11)st never look any of us in the face. If
th e cos tum e w e wear ... leaves o ur sex exposed, it is not for
th e sake of conve ni elYt .. but for the sake of insolence, so your
eyes will be directed there upon it and nowhere else so that you
may learn that there resid( ,o your maste r. . . . [Your] be ing
w hipped . .. is less for o ur pleasure than for your enlightenment.
... Both thi s flo ggi ng an d the chain attached to th e ring of yo ur
collar .. . are intended less to make you suffer, scr eam or shed
tears than to make yo u feel, through this sufferin g, that you are
n ot fr ee but fettered, and to teach you that you ar e totally
dedicated to som ething o utside yourself.>
A g reat deal is contained in these several lines. First, 0 is to lose all
subjectivity, all possibility of using her body for action; she is to be
merel y a th in g. Second, she is to be continu all y violated, even when
57
J\1:lQl'r an d SI:w,
she is not actuall y bein g used. T he ma in tran sg ression o f hl'f hlllilld 3rie
consis ts o f her hav in g to he alway\ ;w aihbk and 0pcn . ' I hHll. he
masters are to be recognized by her In an ind irec t !'urll1 . r he pel1l
represents their desire, and throu g h thi s indi recr r e l.1f e~llll<1ti\ll1 the::
will maintain th eir sovereig nty . Bv interposin g it bel \\'l'C n her anc
them th ey establish a subjectiv ity th at is distan ced, inde pen dcnt ('If hl'
recogni tion. Ind eed , they claim tha t th eir ab u \e of hlT i, ll1() rc t~)r he
"en li ghtenment" than their pleasurl. so rh:H even in u , i n~ hn tlll'V d(
no t a ppe:J r to need h er. Th eir acts arC" carefull y contwlkll: l"ICh Jet h;l
a goal that expresses th eir rational in ten tions. Thei r sad l\[I(' rlca<;llr
cons ists not in direct enj oyment of her pain . bu t in lhC" kJ1()\\' 1cd ~c n
theIr p o wer over her- the fac t tin t their p o we r is vi,iblc. that It i
man ifested by outward si gns, that it icav<:s ma rks.
W hy must th ey fm d enj oyment mo re in the ir c\)IllIl1:l1ld t h all 111 llt'
se rvice, and why must it b e distanced, that is, sy m bolized hy the pcni<
Because in order to maintain th eir separate subj ec tivity , the y rnll!
scrupulou sly deny th e ir depend ency on he r. O tl ((?rwi"l' the\' \\iml
suffer the fa te of H egel's m aste r, who, in bc cmm ng depe ndent nn h
slave , gradu all y lo ses subycti v ity to him. A fur ther d:tll ~c r for t\
master is that the subject always beco meo; th e obj ect he consumes. 13
nega ti ng her will, th ey turn he r into an o bj ec t. An d whcn her o~it'(
tifl catio n is complete, when she ha~ no more w il L they C.1ll no long!
usc her without becomin g fdled w .i th her thing-lik e na tu re. '\ hu~ the
must pe rform their violation rati 0 na lly and ri tu a ll y in ord er W lllalT
tain their boun da rie s and to make he r will- n ot only her bndy-d
obj ect of their will.
Finally, the symbolization of male master y th roug h the Pelll~ m
pbasizes the difference betw een them and h er. It si gni fle_\ the demal,
co m m o nality that gives them the ri g ht to v iolate her. Each act tI
master takes against 0 estab lishes his separateness, his dil1erellcc fro
her. H e continually places him self o u tside her by say in g, in effect,
am no t you." The rational fu nctio n (calcula tio n, o bjc((lviry, 31
co ntro l) is linked to [his d j ~tance . T he pen is sy mbolize~ the rn.IStc'
- H E BONDS OF L O V I
58
59
fo r R ene. He is the person in v.r hose eyes Rene wants t o b e rccngn izcd;
g iving Sir Stephm his lover is a form of "obeisance." and Ren e is
obvilusly "pleased th at [Si r Stephen] d eig ned to u k e ple :l~u r(' ill
something he had given him." Ind eeel, 0 rea lizes t h~t th L' t\\.(1 m en
share something "mysterio us . .. m ore acute, m o r e int ense than amt'l
rous communion" from which she is excl uded, even t h ou~h , he i-; th e
m edium for it. R ene's del1v cry of 0 to Si r Step h en 1-" a way of
surrendering himself sexually to the mo re powe rful m an. "Wh:lt each
of them would look for in her would be the o ther' s m ark. the trace
of the other's passage." Indeed, for R ene . Sir Step hen 's pmsC's~i () n ot
o sanctifJes her, leavin g " th e mark o f a god." 7
R ene's relationsh ip with Sir Stephen calls fo r a rcinrcrp H'rarinn ("If
the story up to this po int: \ve now ~ec th at the ol-:j cctiflcnioll of the
woman is inspired bo th by the need to :1ssc rr d iffere nce fro m her, ;l nd
by th e desire to gain prestige in th e fathers ey es. T hu s R ene bL'gin~
to relinquish his love for 0, the tend e r and compassio n ate idl,nt ifi ca
tion that moved him wh en she fmt surrend ered, ro r the sake (~ f hi!
identifIcation and alliance with the father. W e mtght say that rhe d esi re
for recog ni tio n by the father wholly overtakes the love o f the mo t he
it becomes anoth er moti ve for domination. (This shift in alleg ian ce
shows how the roo ts o f do mination li e not on ly in th e p n:(~c di pa
drama of moth er and child, but al so in the ()ed ipal tri;1 d. :lS ch aptc1
4 will discu ss in detail) . O's unimportance to eithe r m an by compJ.ri.
so n with their bond to each other be comes a furt her :lSpcct (If hel
humiliati o n and negation.
D espite the narrative's attempt to create mo re dram atic tension. thl
story eventually becomes heav y with O's inexo rab le loss of subJcctiv.
ity. Playing the complementary part to her maste rs, 0 relin quishes al
sense of difference and separateness in o rder to remain- a t ;d l costs
connected to them. O's d eepest fears of abandon m ent an d scpararl0J
emerge as h er tie to Rene is gradually disso lved by h er bondage c(
Sir Stephen . Briefly left al one , sh e beg ins to bel icv" she has lost Rene'
love; she feels that her li fe is abst,l u tely void. She thin ks, paraphras in!
a Protestant text she had seen as a child, "It is a fearful thing to b,
GO
cast out of the hands of the living God." 0 is the lost soul who can
only be restored to grace by putting herself in th e hands of th e ideal,
omnipotent other.
As the story continues, 0 's d es ire fo r connecti on increasin gly as
sumes the sy mbo lic and ritllal character of a devotion: now it is her
task to live according to her new lover's will, to serve him whether
he is present or not. H er lover is like a god,-and her need for him can
o nly be sa tisfIed by o bedi ence, which allows her to transcend herself
by becoming an instrument of his supreme will. In this way, O's Story,
with its th emes of de vo tion and transcendence, is suggestiv e of th e
surrender of the saints. T he torture and outrage to which she submi ts
is a kind o f martyrdom, seeming "to her th e very red emption of her
sins." 8 O's gre at lo ng in g is to be knol/JIl, and in this respect she is lik e
anv lover, for the secret of love is to be known as oneself. But her
de~ire to be know n is like that of the sinner who wants to be known
by God. Sir Stephen thrills her because he know s her instantly; he
knows her to be bad, want o n, revelin g in her debasement. However,
this knowin g can only go so far, because there is progressivel y less of
o th e subject left to be known.
Story of 0 concl udcs with a note that proposes two possible endin gs
to the story. In the flfSt, Sir Stephen returns 0 to R o issy and abandons
her there. In the second, 0, "seein g that Sir Stephen was about to leave
her, said she vvo uld prefe r to die. Sir Stephen gave her hi s consent."
This is her fmal gesture of hero ism, her last opportunity to express her
lover's will. The gesture is in keepin g with O's paradoxical hope that
in complete surrender she will fmd her elusive self. For this hope is
th e other sid e of O's devotional servitude: in perfor min g the tasks her
masters se t her, 0 seeks affirmati on of herself. 0 is actually willing
to risk compl ete annihilation of her person in o rder to continue to be
the obj ect of her lo ver's desire-tO be recognized.
O's fear of loss and abandonment points to an important aspect of
the questi on of pain . The problem of masochism has been oversimpli
fIed ever since Freud's paradoxical assertion that the masochist takes
pleasure in pain. 9 But current psychoanalytic th eory appreciates that
61
\':J~((~ I"
*As Masud Khan has pointed ou t, Freud la cked a rn nceptlOn ()f p~y (hi l p.lIn . ,In,'f Jl
is th e pro pert y of the self, fo r which he ~ l ~o lacked a wn cepr. Kha n d i\cm\cI rhe
importan ce of fmding a witness for one's psyc hic p ai n , a w irnc,sml' rh .ll" .tllow<. the
person to achieve a deep sense of self. H e also deSCrIbes th e ca~e Or.1 wuman t(lr whom
the immcrs io n in a compelJin g sad om asoc hi stic relations hip seemed [(\ be th e .llr('rn~ttvc
to p~ y chi c breakdown . Thi s fo rm
palO substit uted for a del' p deprcs,ioll t.;l,..d on vfry
early abandonm ent and 10SS . 11
or
62
63
(1f
is a
necessary part of his dialectic, and th ercfc' rc each subj ect \\i nds lip
embody in g only o ne side of th e tensioll . In psychoa n:t1 y tl( tcrl11~. thi .
breakdown o f w holeness I S ulld ersto~)d as "spli tri n g ."* W h,,!cncss can
on ly exist b y maintaining contradiction, but this is nor ('.IS\ . In sp lit
ting , the two sides are r cprcsented as OppOS ite' ,lIld di st in ct It'ndellcle".
so that thcy are available to the <;U~Ject only as altern atives. T he' ,uhJect
can play onl y one side at a time, projecting the op posite si de ~)n tl' th ..:
other. In o the r word s, in the subj cc t' s min d, sel f an d l)thl'r .1 [C re prc
sented not as equall y balanced w holes, bu t as sp li r into It.alv es. BlJ[ i
the splitting assumed by H egel incvitab le ? Is th e t> rea k dc\\\'11 (If rcnsiol"
inescapable?
George 13ataille ha s directl y appli ed the H ege lian di ;d (,ct lc t(\ ero tic
violation . His work enables liS to look mo re cl ose ly :It .'lIMy 0/ U , to \C'
how splitting and brcakdow n assumc an eroti c furm. J nd i\,IJ ll .1 I l'x i~
tellce for Bataillc is a statc of separation and isob ti on: wc :I re as isi:tnch
connec ted yet separated by a sea of death . E roticism is rh e reri l Oll!
cross in g of that sea. It o p ens the way o ut o( iso la tion by expming 115 tr
"death . .. th e denial of o ur indi vid ual liv es."I' The bodv "t a n d~ f O I
bound ari es: discontinuity, ind ivid uali ty , a nd Ijfe. COll ,cqllcmh- th e
vio lation of the bo dy is a transgression o f the boundary bctWL'C 1l Ii le <Ull
dea th, even as it brea ks thro ugh o ur di sco ntinu ity (rom the oth er. T lll'
break, this crossing of boundar ies, is (or Bar:lille t he secret of a!
"The psychoanahtic conccpt of splitting, hke that (If r.:prcSSlon . h 3' l narrow . technlc;1
as well as ~ broader mcrapsyci1o l'Jf!; lcal and mctJ plw ri c f11 cJnin~ . .111" J \ repn's,i",
became a paradigm fo r a large r Clil tur JI pr"ccss, Sf) I11 I ~ht splitttng [,l' \1I~~l"S[)VC nr
only for individual psychic pr oc c~sc~ but als(l for supr;Jll1div j du~1 P ill', . r t'c hnlolh
splitting n:f<:f1 to .1 defense aga inst aggrcs~ i ()ll . all dfo rt to prNcCI tht' "~I'('Id " "b.in
by splming o ff its "h:ld" aspects thar have IncurreJ aggre:;Slon . 1)U I III 11' hrna.lrr ,t'n"
sp litting means any breakdown of the who le, in wh ich paris of ,,If (' r " the! .tr~ ,pi
off and projected elsewhere. In both usc, it indi cares;] p" h n7 HII ~ n, 111 wlm h "pr,l\!fC\
espcciallv good and bad--can no l on ~cr be inccgr:ltcd: in v..h,,h <lilt sill. i, ,kqlm'(
the otha idealized. and each is prolected onto d ifrercnt obll'cts. I
liSt'
64
TH E BONOS OF LO V E
M:l~ ter
65
and S La\'l~
shou ld be no ted, however , that the break must never really diss01 ve the
boun da.r ies- else d e:lt h results. Excitement resid es in the risk of death ,
are meant to upho ld the d iffe rence betwee n Violator ;md \'i nhtcd .
simul tan co usly br ea.k through and pr eserve the boundaries: in the
ration al and in control, while the other loses her self. Put another way,
"safely" abandon herself. W hen both partn ers dissolve the boundary,
both experience a fundamental sense of breakdown, a kind o f primary,
him faced with isolatio n as the onl y altern a tiv e tel being engulfed h:'
the dehumanized o ther. Tn e ith er case, the nu ster is <lCn d lv .1ll1ne.
because the p erson he is with is n o person at :111. A nd likL\\, I\l. (Ilr her
part, the slave fear s that the nus ter w ill a.b.m d on her t el <lII I Dl'm's~ \\ IV'I!
It
seeks
16
she does not exist, that she is without will or desire , that ,he h.s
life apart from the other. Indeed, once the te nsion between subjtH~atlnn
and resistance disso lves, dea th o r aband o nm en t is the incvnahll' end III
the story, and, as we h ave Sl:cn. Story r( n is d cltbnatc l:-: Idr open t()
tha.t m akes for his thrilling mac hismo. The pl easure, for both p artners,
is in hIS mastery . His intentions, with their sacramental formality, take
11r'
the fact th at he docs it "less for [his] pleasure than for [the masochist's]
chi st the intolerable end is aband o nment, w hil e fo r the sadi st It i~ the
death (or murder) of the oth er. whom he destro ys. A pa ra ll cl dVll<ll11 ic.
enlighte nm ent, " offers containm ent and protection. This protective
pow er con stitutes the all-important aspect of authnritv, without which
the fantas y is not satisfying.~' This autbority is what inspires love and
transform s violence into an oppr)rtunity for voluntary submission.
In
,li her
:1I1V
T HE
SO N DS
or
LOVE
66
67
or
or
or
10r
T I l E BON D 'i OF L O V E
68
tion not of the death instinct toward zero tension, but of the break
down of recognition between self and other. Domination presumes a
subject already caught in ,lTTmi potence, unable to make "liven contact
with outside reality, to experience the other person's su bjectivity. But
this apparent fmt cause is itself the result of an earlier breakdow n
between self and other-which, though pervasive, is not inevitable.
Insofar as domination is an alienated form of differentiation, an effort
to recreate tension through distance, idealization, and objectification,
it is destined to repeat the original breakdown unless and unSil the
other makes a difference.
Win nicott's idea of destruction is about the difference the other can
make. Destruction, after all, is a way of differentiating the self-the
attempt to place the other outside one's fantasy and experience him as
external reality. I suggest that erotic domination expresses a basic
differentiating tendency that has undergone a transformation. As we
have seen, the fate of this tendency depends on whether it is met with
the other 's ca pitulation/retaliation or survival. In intersubjective
terms, violation is the attempt to push the other outside the self, to
attack the other's separate reality in order finally to discover it. The
adult sadist, fo r example, is searching for a surviving other, but his
search is already prejudiced by his childhood disappointment with an
other who did not survive. Likewise, the adult masochist continues to
fmd an other who survives, just as she did in childhood, but again loses
h erself in th e bargain.
The contro lled practice of sadomasochism portrays a classic drama
o f destruction and survivaL The thrill of transgression and the sense
of comp lete fr eect o m for the sadist depend on the masochist's survivaL
When the masochist endures his unremitting attack and remains intact,
the sadist experiences this as love. By alleviating his fear (guilt) that
h is a~grcss ion wil l annihilate her, sh e creates for him the fmt condition
Master ~nJ
69
51.1'"
move ment of intern alintion turns a ~!! rCSllOn il1 l0 scx u.t! fa ntasY : [h:\! is,
111
rurnll
in\\"~rcl, a g:~ r('ssio n IS " a ll o yed '" wi tb sex uality, Whe ther the f allr:lIY 15 ;I CtlVC ('r r ;lS'1\
rh e act of "fantasmatization " is d eCIS ive: indeed , It Jcw "ll" c() m ri wtc\ scxu,l li tv al1,1 1
Ul1con~ClO liS. Sexuality, by whi ch Laplanche me ans thl' r(".l lm of ~(-x tla l f"~ nt :l.~ Y j, [
opPQ, itc 0F Ero s, a kind of " fren et ic ~nt i-li fl' . " c', F. r o ~, If wr r~-clll [' rellcl\ ll,;l ~('
dlrec[ c~ p utw ard, to w ard [he other-hence [h e 0 PP C'Sltc'
sian th:n
lS
,'f rhe
IIlstinc[s IS n" t bet ween Ero s and death , bu t Eros :lnd at;~rc"i"l1 , rh,- LHte r <"'t
~ppc ari n t;
In
to
nc~a[i n g ~nd recognl z.in g t he orhn _ Jnelced , Lapl.lnche"s lei",] "," rh,- in tern all
tion o f ag?; rcssioll as ~'x ll,,1 t.1I1raw 1\ c("mparablc to Wl1 lnicott 's idea rh :H w
between
destru cti on cannot be directed row:m.l rh e other. th e <u hleet rema ins caught
omni pote nce. Hi s Idea of til<:
If1 nK1
70
Tf-l E BON OS OF l O V E
M:I~[l'r
71
alld S laVl'
analys t Sheldo n Bach descr ib C's it, whe n th e self fecls absnlutc. :\ loss
~imi l ar to ~r innicott's distinction betw een hav in g an int t: r ~ction with th e o utsi de 0lhcr
Jnd relat ing tt) thr.' o bject as onc's mental product- a tw o-person v ersu.~ a one-person
cx perience.
llf all
hlllna11
In
in vo lved in the process o f des truction is li ke lcaru, fl yi ng tflO l1l' J.f the
sun. W hen th e parent sC' ts limits, she is actuall y protcc (in ~ t he child
from t he disso lution that occurs when the abs() lute sel f has m \vay. Of
course, as w e will see in our discussion o f ma so chism, the child who
is never all o wed to d estroy can nl'\'l'r assumc the power lO Av or
di sco ver his lim its.
The con ve rsion from assertion to agg r e~~ i on, fro m intcractlon (t)
mental control, work s in tandem. Wh('n th in gs a rc no t resolved " (lllt
side," between self and other, t he in teractio n is transferred into t he
world of fantasy; this includes identify in g with th e o ll e we h;mn . The
drama of reversible violator and v ictim disp laces
ti o n w ith the o the r. This drama now occurs withi n th l' (l mn ipL'tcncc
of mental life, the encapsu lated sp here o f th e intrapsych ic. In successfu l
destruction (when the o ther sur v ives), the d istin cti on be tween men tal
acts and w ha t happens out th ere in "reality" b ecornc.~ more th an a
cog n iti v e aw aren ess; it becomes a fe lt exper ience. The dl~tinction
between my fantasy o f you anJ yo u as a real person is the ve r y c~smce
o f co nnecti on.
T h e u nd erly ing them e of sad ism i ~ th e arrcm p r
[0
brcrik th rough to
THE
BONDS OF LOV E
72
73
\1a~rtr <1l1d
Slavl'
E BO N DS Of L OV E
74
7S
*Despirc wOl1l cn 's uni v<"rsa l ro le a.~ p rim .try care takers "f ,ma ll lhl ldren, rilt'n: I~ C!n:.1t
variati on in the 0rg am za ti on of c hil drc,l ri n ~. On ly in ' N estlT ll mHJdlt'-cl.l ~' bmtlll"
til)
Lw n ne It'lle l1l(lchcr. T hm o ur rhnlry, IIl1lc\<
a m ended . mi{!hr strictl y apply !U suc h fam ti ll's. Dn the nrh l'r hanJ , pa[[n m ",. Lhi ldrc.H
lng have been chang in~-tn favor ot" palrrnal P:lrr lc il'Jt lOll- in thnc LU1ll11l.,.
we see th e typi cal parrcrn o fb ah ics ~m'ndrd
TH E BONDS OF LOVE
76
attac hed. This process of disid entific ation 32 explains the repudiation of
the mother that underli es conventional masculine identity formation,
and results in a kind of "fault lin e" runn ing through the mal e achieve
m en t of individuality .
The tendency of erotic love to become erotic domination can be
seen as a casualty of this characteristically male form of establi shing
separation. The need to sever th e identification with the mother in
orde r to be confmned both as a separate person and as a male person
and for the boy these are hard to distinguish-often prevents th e boy
from recognizing his mother. She is not seen as an independent person
(another Sll byct), bu t as something other-as nature, as an instrumen t
or obj ect, as less than human. Th e premise of hi s independ ence is to
,ay, "1 am nothin g like she who cares for me." An objectifying attitude
comes to replace the earlier intera ctio ns of infancy in which mutual
recog nition and proud assertion could still coexist. Mal e identit y, as
N ancy Chodorow points out, emphasizes only o ne side of th e balance
of differentiati on- difference over sharing, separati on over connec
tion, boundaries ove r communi on, self-suffici ency over dependency. ))
In breaking th e identificati on with and dependency on mother, the
boy is in dan ger of losing hi s capacity for mutual recognition alto
gether. The emoti o nal attunemcnt and bodil y harmony that character
ized his infantile exchange with mother now thr ea ten his identity. H e
is, of course, able cognitively to accept the principle that the other is
separate, but without the experience of empathy and shared fe eling
that can unite separate subJectivities. Instead, th e other, especially the
female other, is related to as object. When this relationship with the
other as object is generalized, rationality substitutes for affective ex
change with the other.)~ This rati onality bypasses real recogn ition- of
the other's subjectivity. The process might be called "false differentia
.
tlOp.
"
tion, assert in g absolute difference from ltsobJ ect, an obj ect we can now
sec as representing the m oth er. 35 A fantas y of m a ternal power, of bei ng
reabsorbed , underlies this curious method of asserting djfference. Th e
77
M;)S(cr ann S I ~
*Of co urse, as we have sce n , the inllnt is neve r iitcrall y one with mother , hUf rill' r~ r
ident ificati on is retro acti ve ly called (rC'p rcsl"ntcd m t r~ pwchi ca lly a,) "')ll<"ne.. ~. " I.e.. rI
absence of a fundamental differen ce. The derm se agai ns t I)n cn C5S cl evl'lops Kcord in g
a pri nciple of reversal: I will do to y"' u what I perceive you a rc dO lllg tn Ille, If J r crcl'I'
as comp lem entarit y is no lo n ger temp e red bv co m m ona lity. "on cll<'<~ "
mor e absolute and thr ea.tening.
arr:'ar \
I.' v,
78
79
las t!.'r ~ 11 ,I
S by('
THE DONDS
or
LO V E
RO
that has dogged psychoana l yttC deba te sin ce Freud' s co ncept of "femi
nine masochism" was elaborated by Mari e Bonaparte and Hc!ene
D e utsch to include the notion that masochism is an inev itabl e compo
n ent offemale sexuality, chIldbea rin g, and motherhoo d .4 'J Und ema bly,
femininity and motherhood as we know them h ave been tainted wi th
submission, self-abnegation, and helple ssness. This is true even when
submission works to con ceal or delly the power that women as mothers
do exercise.
And this fact, that women participate in th eir own submission, has
often embarrassed critics of psychoan alytic theory . Some feminist
critic s, who feel that \\'Ol11en have unjustl y borne the burden of their
v ictimjza tio n, have insisted th at women are simpl y u nw illin g con
scripts in an erotic fantasy formed by and for men- v ictims of the
m ale porn og raphic imagi nation. Susan Griffin, for example, argu es
that the subjuga tion of wo men can be equated with th e repression of
natUfe.41 But, in fact, women arc not the embodiment of llature,
althou gh they have long been captives of that metaphor. Ind eed , in
accepting that equation, women once again participate in their ow n
subjugation. \Vomen , like men , are by "nature" social, and it is the
repression of th eir sociabil ity and social agency-the repress ion of the
social , intersubject ive side of the self _. that is at issLle. The equatio n
woman = tnothcrhood = nature is a sy mptom, not a cure. Fmbrac in g
this equati on, femini sts have become cau gh t in a contradiction: ex alt
ing women's maternal "nature" while di sclaiming wom en's masochis
tic "nature."
Ar guing from a different standpoint, the psychologist P aula Caplan
has renewed the battle against the psychoanal yti c positio n that women
are "innately" masochistic. Caplan attacks the idea of " pleasure in
pain" in g reat detail , but, unfortunatcl y, sides teps th e issue of su bm is
sion. Her exp lanation for m asochism is that w ha t is "called m asoch ist ic
has tended to be the very essence of train ed feminini ty in W estern
culture."42 H er argument implies that social learning of a cultural
myth abo ut w omanhood suffices to explain the presence of masochistic
fantasi es in women , or that the asso ciati on of femin inity with maso
81
chism is the res ult merel y of a p er joratlve vie w o f l1l <l tcmall1l1rtllfance
and altruism. Caplan is ri g ht th at the a~~o ci ,Hi o n o f fcmin i111ty wah
masochism persists in th e cult ure; bur the ('xpia n:ltion for that persis
tence cannot be soug ht in soc.ial lrarnin~
. .H
~
TH E
BONDS OF LOVE
82
RJ
"i l ;t'\'~
This vis ion is importallt to a fcminist crJtiq ul' o f~ nc il' ty l'spt'Clal ly now
that m ale and female roles arc n o l ~' nge r as bind in g as t hey ',111Cl' were.
Toda y wo men in som e sertor~ of soci ety may :lclo pt t he S:lmL' L'm ph:uic
autonom y, the same " fa lse " diffe rentia ti on at the ('xpeme llf rca l
recogni t ion and attunement, that has hern c,[orc characterized the ideal
of mascu line individuality . The stCfeo ty pe of the " ca reer v\'nman" i\
th 3t she is able to be as detached and imptrsnnal "as a 111:111 ." Hut rhi~
individuation based on d en ying th e need for others is h:1rd ly lib<.r.lt iot1 .
Story ~r 0 supports our suspicion that this k ind of individu;mon ,
rather than d issolving domin at ion, f()sters it. 0\ <; tnry i\ no o..imrlc
h o usewi fe 's ta lc; it is rather that o f the "new wom:l1l" V,. lll) emer ged
in th is century. 0, herself a fashion photographer, is as much a prc'
ducer o f o bjectifICati o n as its v ictim . Thus 0 is not ~o diffl'rC'll t Cwm
the m asochist of a more recent novel. Pat C lli fl a's jl'ssic, a thllnlughl)
independ e nt woman, wh o descr ibes erotic v iola ti0n as fm allv r c l ea~ i ng
her fr o m " the bubble o f the self, the prison of the min d. " 11 To repeat.
erotic domination, fo r both sid es, dra ws its appea l in p:lrt from its offer
to break the encasement of th t: isola ted se lf. to ex p lod e the llu mbnes<;
that comes o f "false" differenri ati on . It i, a rea ction to the p redica rn cn l
of solitary confinement- being unable to get th roug h to the other. ('Ir
be gotte n through to-w hich is our particu larl y m odern form of
bondage. The castl e of Roissy marshals the old f0rms
bOl1 tb gc-thc
ritual trappings of male domi nion and fema le 'u bmi$$ i()n -.~~ if rhey
could red eem us from the ster ility of modern ra ti o Tlalit\ ,. ~o in nur
era of sex u al equality and liberation, the fantJs y o f crotlc dOlnin.nioll
returns like the repressed. But th is return docs not si~na l an end to
confinement, only a further twistin g in the chains, a te!itim0llY to t he
persistence o f splitting and gen d er polaritv in our stru cture
i 11
di v id uality.
To uncover this persistence is to co nFro nt the o ri gina l ,in p(dl'n ytng
or
or
TH
BONDS OF LOVE
84
CH A PTER
T H R E E
WOIIl a n 's
Desir e