The Bar at the FoliesBergere (1882)

Claude Monet
One of the founders of
the impressionist
movement along with
his friends Auguste
Renoir, Alfred Sisley
and Frederic Bazille.
Most prominent and
Most influential in the
group
Best known for
landscape paintings
La Promenade (1875)
The Red Boats,
Arguenteuil (1875)
Bridge over a Pond of
Water Lilies (1899)
Irises in Monets
Garden (1900)
Auguste Renoir
One of the central
figures of the
impressionist
movement
Broke away from the
impressionist
movement to apply a
more disciplined,
formal technique to
portraits of actual
people.
Dancer (1874)
A Girl with Watering
Can (1876)
Mlle Irene Cahen
dAnvers (1880)
Luncheon of the
Boating Party (1881)
Post Impressionism Artists
Paul Czanne
French Artist
Post-impressionist
Artist
19th Century
impressionism
Hortense Fiquet in a
Striped Skirt (1878)

Impressionism
Coined from the title of a
work by French Painter,
Claude Monet, Impression,
soleil levant (in English,
Impression, Sunrise)
impression of an image
Emerged in the second-half of
19th Century
Quite Short (<20 years)
Not intended to be clear or
precise, but more like a
fleeting fragment of reality on
canvas
One major influence was the
work of the French Painter
Eugne Delacroix, The Barque
of Dante, which is based on a
fictional scene from Dantes
Inferno, showing Dante and
the poet Virgil crossing hells
River Styx while tormented
souls struggle to climb aboard
their boat.
BREAKED PAST PAINTING
TRADITIONS they used
broken strokes, conveyed
more visual effect, ventured
into capturing scenes of life
around them, painting
outdoors, moved away from
being formal
Impressionist Artists
Edouard Manet
One of the firsts to
depict moden-life
subjects
Key figure in the
transition from
realism to
impressionism.
Argenteuil (1874)
Rue Mosnier Decked
with Flags (1878)
Caf Concert (1878)

Still life with

Compotier (1879-1882)
Harlequin (1888-1890)
Boy in Red Vest (1890)
Vincent Van Gogh
Works were
remarkable for their
strong, heavy brush
strokes, intense
emotions.
Sheaves of Wheat in A
Field (1885)
The Sower (1888)
Still life: Vase with
Fifteen Sunflowers
(1888)
Bedroom at Arles
(1888)
Starry Night (1889)
Wheat Field with
Cypresses (1889)
Expressionism
More emotional force, rather
than realistic or natural
images.
Distorted outlines, applied
strong colors, and
exaggerated forms
NEOPRIMITIVISM
An art style that
incorporated elements
from native arts of
South Sea Islanders
Wood Carvings of
African Tribes
Head by Amedeo
Modigliani (1913)
Yellow Sweater by
Amedeo Modigliani
(1919)
FAUVISM
A style that used bold,
vibrant colors and
visual distortion. Its
name was derived
from les fauves (wild
beasts)
Henry Matisse
Blue Window (1911)

Woman with Hat

(1905)
DADAISM
Characterized by
dream fantasies,
memory images and
visual trick and
surprises
Rebelled against
established norms and
authorities
Coined from the
childs term for
hobbyhorse, dada, to
refer to their new
non-style
Melancholy and
Mystery of a Street by
Giorgio de Chirico
(1914)
I and the Village by
Marc Chagall (1911)
SURREALISM
Style that depicted an
illogical, subconscious
world beyond the
logical.
Its name came from
the term super
realism
Many surrealist
depicted morbid or
gloomy subjects
Persistence of
Memory by Salvador
Dali (1931)
Diana by Paul Klee
(1932)
Personages with Star
by Joan Miro (1933)
SOCIAL REALISM
Expressed the artists
role in social reform.
Artworks are used to
protect against
injustices and
inequalities.

Miners and Miners

Wives by Ben Shahn
(1948)
Guernica by Pablo
Picasso (1937)
Fact: Guernica was
recognized as the
most monumental and
comprehensive
statement of social
realism against the
brutality of war.
Cubism elements of
the emerging style.
ABSTRACTIONISM
Had the same spirit of
freedom and
expression and
openness that
characterized life in
the 20th Century.
Differed from
Expressionism
Logical and Rational
Involved analyzing,
detaching, selecting,
and simplifying.
Representational
Abstractionism still
recognizable images
Pure Abstractionism
no recognizable
subject
CUBISM
o Pablo Picasso
o Three
Musicians
(1921)
o Girl before A
Mirror (1932)
FUTURISM
o Gino Severini
o Armored Titan
(1915)
MECHANICAL STYLE
o Fernand Lger
o The City (1919)
NONBOJECTIVISM
o Piet Mondrian

New York City

(1942)
ABSTRACT EXPRESSIONISM
Action Painting
o Jackson
Pollock
o Autumn
Rhythm (1950)
Color Field Painting
o Mark Rothko
o Magenta,
Black, Green,
on Orange
(1949)
o Barnett
Newman
o Vir Heroicus
Sublimis (1950
1951)
o Adolph
Gottlieb
o Forgotten
Dream (1946)
o Lee Krasner
o Abstract No.2
(1948)
NEODADAISM
Made use of
commonplace, trivial
and nonsensical
objects
POP ART
o Andy Warhol
o Marilyn
Monroe (1967)
o Twelve Cars
(1962)
o Roy
Lichtenstein
o Whaam! (1963)
o In the Car
(1963)
CONCEPTUAL ART
o Questioned
the idea of art
as objects as
to be bought
and sold.
o Joseph Kosuth
o

One and Three

Chairs (1965)

OP ART
o A form of
Action
painting with
the action
taking place in
the viewers
eye. Like an
optical
illusion.
o Bridget Riley
o Current (1964)
INSTALLATION ART
A contemporary art
form that uses
sculptural materials
and other media to
modify the way the
viewer experiences a
particular space.
Usually life-size
Roberto Villanueva
o Cordillera
Labyrinth
(1989)
Santiago Bose
o Pasyon at
Rebolusyon
(1989)
Sid Godez Hildawa
o Go to Room
117 (1990)
Edgar Talusan
Fernandez
o Four Masks
(1991)
PERFORMANCE ART
Form of modern art in
which actions of an
individual or a group
at a particular place
and a particular time
constitute the work.
Can happen anytime.
Four Basic Elements:
o Time
o Space

Performers
Body
Relationship
between
audience and
performer