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Three Thousand

GOODWIN

Ago

vA*

LOVERS THREE THOUSAND


YEARS AGO

LOVERS

THREE THOUSAND YEARS AGO


AS INDICATED BY

THE SONG OF SOLOMON

REV. T

A.

GOODWIN,

D. D.

CHICAGO
THE OPEN COURT PUBLISHING COMPANY
1895

copyright by

The Open Court Publishing


chicago, ill., 1895.

Co.

PREFACE.

THE

author of this

little

book does not claim

covered that the Song of Solomon

is

to

have

That was suggested by Bible-scholars many years

ago,

and

been very generally accepted by the scholarship of to-day.


all

the literature

upon the

whether

subject,

just dis-

a love-story in verse.

in the

it

has

But

in

form of mono-

graphs, or of articles in magazines, or reviews, or encyclopaedias,


there

is

not found a single presentation of

allow

it

to

in

be read

in its real character.

it

in a

form which would

These discussions are

all

the form of critical expositions of the text, so that in most of

them the

text

appears only in fragments.

to eliminate all textual criticism

and

The

plan of this book

to restore the text to the

is

form

which made the poem a treasure with the ancient Hebrews, and
which, when thus read, will make

day as

it

was when

first

it

as dear to every true lover to-

read and recited three thousand years ago.

CONTENTS.
PAGE

The

Historical Import of the

The Character
The Song

of

of the

Songs

Poem

Poem

n
21

THE HISTORICAL IMPORT OF THE


POEM.
r

O THE common reader of the Bible,

*
the

to the careful Bible student, the

Song

of

Solomon is

and little less

book known as

Not seem-

a perpetual enigma.

ing to meet any of the supposed purposes for which

many good men,

the Bible was written,

many whose
if

ever read

business
it

few hold that


is

to teach Bible truth,

it is

as they read other Scriptures,

when we

It is

to

call

opinion of what the Bible

found

in

seldom

and not a

incorporation into the sacred canon

its

somebody's blunder.

for this,

including

not

difficult to

account

mind the once prevailing


is

and what

it is

for.

Being

that collection of histories and prophecies

and songs, which by the way of pre-eminence we


the Bible, and which

is

learned Christians and


correct doctrine

seeming

and

to contain

call

held sacred by devout and

Hebrews

as the repository of

of safe rules of

nothing that

conduct

and

may be regarded

as

either doctrinal or didactic, Bible students as well as

the

end

common

Bible reader have been put to their wits'

to find a place for

it.

LOVERS THREE THOUSAND YEARS AGO.

During the Middle Ages the dogma


inspiration of the Scriptures

of the plenary

was promulgated with

such pertinacity, that long after the Bible became the

common

property of the

place in their thoughts.

King James
translators

this

was

whom

people this figment held a

Even

as late as the days of

the case to such an extent that the

he had chosen

prepare an author-

to

Timothy

ised version so rendered Paul's language to

as to read, "All Scripture

God."

common
Book

is

given by inspiration of

This practically settled the question with the

of

reader, so that the

Song

Ruth were placed on

of

Solomon and the

a level with the proph-

and Daniel and the writings

ecies of Isaiah

and of David, as being designed

Moses

of

to teach doctrine or to

administer reproof, or to instruct in right living.


All

down

the ages following, individual scholars

protested against this rendering, but their protests

went unheeded, as unworthy

of

of the opinion of the learned

commission

who,

in the

acceptance

popular thought, were

of the king,

little if

spired than the sacred writers themselves.


pelled Bible scholars to adapt the

in the face

any

This com-

"Song"

general purpose of inspired Scripture, so that

be profitable

in

for correction,

some way "for

and

to
it

the

might

doctrine, for reproof,

for instruction in righteousness."

One can hardly review with complacency


schemes

less in-

of Bible teachers to bring this

the

book

many

into line

with Isaiah and Daniel and the Psalms, so that with

them and other inspired books

it

may refer

to the

Mes-

THE HISTORICAL IMPORT OF THE POEM.


siah,

and may instruct the Church

By some

in things spiritual.

has been regarded as an allegory, by oth-

it

ers a parable,
at, if

whose hidden meaning might be guessed

not comprehended. In keeping with this thought

almost from the

first

edition of the authorised version,

the editors of the several editions have

seemed

to vie

with each other in ingenious suggestions as to the signification of this or that sentence or

paragraph

and

preachers, from the unlearned rustic, in ministering to


his

uneducated and emotional

flock, to the

profound

doctor of divinity in his city pulpit, preaching to


of culture,

have found

passages as "

men

spiritual "instruction" in such

have put

off

my

coat,

how can

on?" "Thy teeth are like a flock of sheep."


head upon thee is like Carmel." "We have

put

it

"The
a

little

and she hath no breasts."

sister

The sermons may all have been good enough and


may have conveyed important lessons to the hearers,
but they might have been " founded " as well upon

some passage
upon

these.

in

Not the

Song, or parts of

Who

Milton or Shakespeare or Dante as

it,

least objectionable use of this


is

made by hymn-writers.
hymns that find their chief

that

can enumerate the

attraction in poetic changes

upon the Rose

of

the Lily of the Valley, the Turtle Dove, the

Sharon,

One Alto-

gether Lovely, or some other similar phrase in this

book?

If all

the

hymns which

are inspired by

some

passage from the Song of Solomon were expurgated

from some collections of hymns there would be

little

LOVERS THREE THOUSAND YEARS AGO.

4
left

worth singing.

Many

of

them

are beautiful, but

their beauty does not consist in the thought of the text

as

stands in

it

It

is

proper meaning.

its

positively ludicrous,

tion of the

Song be the

if

the following exposi-

correct one, to read the head-

ings of the chapters and the running

mon

titles in

our com-

family Bibles, which are intended to give a clue

to the

meaning

They run thus: "The


"She confesseth her de-

of the text.

Church's love for Christ,"

formity," "Christ directs her to the Shepherd's tent,

and showeth His love to her," "Having a


Christ's love,

is

taste of

sick of love," and so on, calling the

lover's passionate description of his affianced,

showing the graces

of the

"Christ

Church, and His love towards

her," though elsewhere they have the Church confessing her deformity.
It

book,

is

plain that any intelligent exposition of this

or, for

Scriptures,

that matter, of any part of the sacred

must be along the

line

which repudiates

the figment of Plenary Inspiration, at whose doors

most,

if

Song

of

ble

not

all,

Solomon

the obscurity which


lies,

as well as

envelops this

do many indefensi-

dogmas, which have the same paternity. Not only

does the Bible nowhere make such a claim for

itself,

but the structure of the book as a whole, and of

its

contents taken separately, are evidences against the

assumption.

The advent

of the revised version, the product of

a ripe scholarship that cannot be gainsaid, has greatly

THE HISTORICAL IMPORT OF THE POEM.

aided in the proper understanding of this Song, as well

many other

as of
is

There

parts of our sacred Scriptures.

a far-reaching difference between "All Scripture

is

given by inspiration of God," as the authorised version has


as

and "Every Scripture, inspired

it,

appears in the revised version.

it

this treatise

difference.

It is sufficient for its

and

The scope

does not require the elaboration of

the plain inference


period,

God,"

of

is

that Paul

of

this

purpose to state that

and the Jews

of his

of course the Christians also, held that

some portions

of the sacred writings, as they then pos-

sessed them, were not so inspired as to be specially

printable for doctrine or for reproof, or for instruction


in righteousness.

The assumption

Solomon was himself

that

author of the Song has very


called the

it is

which

is

Song

it.

That

of

Songs,

little to

He

to

could not

unless the remorse which possessed

it,

him towards the


him

sustain

Solomon, or the Song

Solomon's, proves nothing.

have written

led

of

the

close of his misspent

pronounce that

life

life,

and which

a failure, implied

The author was


The whole poem is a

more

than remorse usually does.

not even

a friend of Solomon's.

scathing

rebuke to

all

his social

and domestic methods.

quite as likely to be the product of

man

a hundred years or

time,

and more

likely to

more

later

than Solomon's

be that of a

woman than of a
of many portions

man, judging from the tender pathos


of the

poem which

It is

some man or wo-

very few

men

could exhibit.

The

LOVERS THREE THOUSAND YEARS AGO.

author, whether male or female, whether living near

Solomon's time or much

later,

gave birth to this un-

dying poem and then died leaving nothing else worth


preserving, not even a name.
It

was probably founded upon some

fact in the life

which had been transmitted

of that lecherous king,

through generations by authentic history or by tradition or both, out of

which the

gifted poet built this

most admirable production as Longfellow

built his

Miles Standish out of the traditions and history of the


early pilgrim fathers.

Its

Solomon no more proves

mon was

its

being called the Song of

or even suggests that Solo-

author than will the Song of Hiawatha

prove or suggest three thousand years hence that Hia-

watha was the author


tion

of the

poem which

this genera-

knows was written by another.

Neither

is it difficult

Books

sacred canon.

to account for its place in the

in those

days were few and only

those that struck the popular heart had the distinction of a reproduction through the expensive process
of being copied

by hand

second edition, much

hence few ever reached the

less a general circulation

through

multiplied copies, so as to be preserved through suc-

ceeding ages.

When

Ezra and Nehemiah returned

after the long captivity in

of course to

Babylon

to

Jerusalem

their first duty

was

provide for immediate physical wants

hence they addressed themselves heroically

to the re-

building of the temple and the reconstruction of the

THE HISTORICAL IMPORT OF THE POEM.

When

walls of Jerusalem.

this

had been done they

found another work of not less piety and patriotism,

though so much

mention

less ostentatious as hardly to find

in the annals of the

they and those

who

Hebrew

When

people.

followed them looked around they

found that most of the literature of their nation had

To

been "lost by reason of the war."

much

as possible

seems

Nehemiah, hence he

set

to

recover this as

have been a chief aim

about "founding a

of

library,

gathering together the acts of the kings and the writings of the prophets, and of David and the epistles of

the kings" (2
It

Mace,

needed not

to

2,

13).

be specifically mentioned by the

historian of that period that this lover of the literature of the fathers included other songs than the songs
of

David, for others are included in the collection of


In their quest they

pious songs called the Psalms.

fouad among other books

this

poem, and

it,

too,

incorporated into the national library, and thus

it

was

was

preserved through the succeeding ages, and thus

has come
It

less

down

it

to us.

had then been preserved through probably not

than four hundred years in manuscript alone, and

had probably been recited during

all

those years of

tribulation, in which, according to the prophet,

the

nation had been "scattered and peeled and meeted


out and trodden down."

From

the Assyrian captivity

ten of the tribes never returned sufficiently organised


to retain their tribeship.

Finding

this

book thus pre-

LOVERS THREE THOUSAND YEARS AGO.

served they gave


it

became

der.

it

a place in their collection and thus

a part of the Sacred Writings.

had vindicated

It

read or recited as the


before

it,

it

could not

lineates the

ments
all

It

of all significance,

to interest every true heart.

triumph

de-

It

of true love over all the allure-

wealth and lust in such a manner as

of

pure

fail

When

Hebrew people read and recited

had been allegorised out

it

And no won-

right to immortality.

its

men and women

to strike

as above praise.

was never claimed by those compilers or

them by others

until

for

long after the coming of Christ

that all these books were inspired in the sense inspiration

is

used

in

modern theological

discourse.

It

was

only a collection of history and prophecy and song.

was the beginning

of a public library

means completed during the

It

which was by no

lives of its founders, but

was continued through succeeding generations by the


Great Synagogue.
collection as a

that whatever
of a

"Thus

At no time was

whole that
it

it

it

claimed for this

had such divine sanction

contained should have the authority

saith the

Lord."

In the time of the Maccabees this library was to be

"read with favor and attention


siasticus),

and we

any time down

to

"

(Prologue to Eccle-

have no record that as a whole at

and including the times

of Christ

it

had any other sacredness than that veneration which


is

due

to

any collection

of ancient writings.

Hence

the significance of Paul's distinction in his letter to

Timothy, between the Scriptures which were given by

THE HISTORICAL IMPORT OF THE POEM.


inspiration and those that

when speaking

of

what

make no

matters nothing one

claim to that origin,

profitable for doctrines

is

reproof and instruction which


It

way

and

righteousness.

is in

or the other that neither

Christ nor any of his disciples ever quoted from this

book, so far as the meagre records of their sayings

show;

for

many

other books of Ezra's canon are in the

same category and some


historic importance.

of these

books are

much more

It is

of

much

significant as

relating to the question cf inspiration that they quoted

from books then

in

common

use,

no copy

of

which has

come down to us, among our Sacred Writings. No book


is

extant which details the contention between Moses

and Jannes and Jambres, nor have we any part

Prophecy

of

Enoch from which Jude quoted

of the

as some-

thing with which the people of his time were familiar.


It is

even more significant

in

relation to the plenary

inspiration of the sacred writings of apostolic times

when Christ opened the understanding of his two


disciples who met him on their way to Emmaus, that
that

they might understand the Scriptures that he quoted


only from "the law of Moses and the Prophets and
the Psalms."

That such
of

book should be placed

in the

Ezra and Nehemiah and be preserved

succeeding centuries

wonder

is

no wonder.

that centuries later,

when

we

"Library"
it

Neither

through
is it

any

the Christian fathers

were compiling their collection "to


the things which

in

set forth in order

believe," this thrilling

book should

LOVERS THREE THOUSAND YEARS AGO.

IO

be retained, though not conspicuously adapted to doc-

The Bible

trine, or reproof, or instruction.

to

human

feet along every pathway of

incomplete without

We

it.

of faith in the story of

story of

Job

of

filial

life

as a light

would be

have the personification

Abraham

of patience, in the

love, in the story of

durance, in the story of Moses

Ruth

of en-

and here we have a

photograph of ardent conjugal love, the most holy


sentiment of humanity, in the story of a humble shepherdess and her equally humble and faithful lover

constant rebuke to that pietism which teaches that


ardent conjugal love

is

only a sensual passion which

must be foresworn or tethered

if

one would attain the

highest type of moral character


heresy.

a most

detestable

THE CHARACTER OF THE POEM.


r

I A

*"
is

is

true place in literature for this

that of a

Love Story

hardly to classify

yet
is

HE

it

of

Songs

call

drama

intelligibly to

it

popular thought,

partakes of most of the elements of a drama, and

it

more

drama than anything

of a

belongs to the drama family.


build a

would

word out
call

it

If

else.
it

when read

It certainly

were allowable to

of recognised material at hand,

While

a drama-et.

it

touches which are necessary to adapt


yet

Song

To

in verse.

lacks the scenic


it

to the stage,

or rendered even in the less pretentious

form of a dialogue

it is

necessary to change time and

place and the dramatis persona, in order to catch

its

significance.

In the following rendering

main the

have followed

more nearly the meaning

of the original,

the metrical arrangement

is

But

in

in the

text of the revised version as bringing out

comparing even

and because

more suggestive

of poetry.

this with the original the Bible

student feels at every step, as he feels a thousand

times elsewhere in such a comparison, that the revisers

were too much handicapped by a well-meant

LOVERS THREE THOUSAND YEARS AGO.

12

agreement

phraseology of

at the start, to retain the

the authorised version wherever possible without too

much

Here

injury to the sense of the original.

where they have confessedly often

as else-

failed to give the

best possible rendering, perpetuating thereby not a

few incorrect notions

if

not also in some cases

some

doubtful doctrines.

While
changes

therefore scholars readily recognise

many

Song by

for the better in the rendering of this

the revisers, they also detect not a few instances where


the meaning might have been greatly improved by a

Take, for ex-

departure from the old phraseology.

ample, Chapter

7,

verse

2, in

the Song.

It

me

matter of delicacy merely which induces


tute the

word waist

body for the

word

for the

belly.

word

There

is

alone to suggest a round goblet


the aid of a
it.

Neither

that

word

little
is

heap

of

all

words

tors

wheat encircled with

in the original

also waist

lilies,

now used to
of the human

is

easily suggest the figure used.

have given as

mean

suggest

English speaking peo-

include the central and principal parts

several

may

there anything in the belly alone, as

ples, to suggest a

may

and the word

wine, while, by

full of

while a well-formed body, as that word

frame,

not a

nothing in the navel

poetic fancy, the waist

now used by

is

navel,

is

to substi-

mean what

These

the transla-

their English equivalents, but they

and body respectively.

am

sure that

the reader will appreciate the change.

Again, the

Hebrew

text

can never be translated

THE CHARACTER OF THE POEM.


into our

language

be

literally so as to

intelligible.

For

that matter no dead language can, and very few living

languages; hence in

all

translations explanatory

words

are frequently used of necessity.

In the following

have availed myself of

this necessary pre-

rendering

and prepositions and other

rogative, supplying adverbs

words that seem necessary

to bring out the

meaning

by making the text correspond with the

of the original

idiom of the English language. For example at Chap-

made

ter 2, verse 6, the heroine is

old and in the

my
is

head and

no verb

new

versions

his right

hand

in the original

" His

doth

to say
left

both

hand

is

in the

under

embrace me. " There

from which our

is

can be ob-

tained and the tense of the verb to be supplied can as


well be in the future as in the present; besides,

it

avoids

a false statement not justifiable even by poetic licence,


for as a

matter of fact no

left

hand was under her head

nor was any right hand embracing her.

change

of tense

still

leaves the

But even

rather leaves the sentence meaningless.

herdess

this

meaning obscure, or

The shep-

protesting against the caresses of the lecher-

is

ous Solomon and saying of her shepherd lover: "Only


his left

hand

hand

shall

shall sustain

my

head and

only his right

embrace me;" meaning that none but her

virtuous Shulammite shepherd shall be allowed the


liberties of a lover

the tense
In

all

hence, in addition to changing

have supplied the necessary adverb.

cases

have omitted such distinctive marks

as italics and quotations.

The

curious reader

may

LOVERS THREE THOUSAND YEARS AGO.

14
easily

compare the

revised version
I

if

text here given with the text of the

he wishes to see how

have departed from

may compare
to see

the

what

it

of the

and wherein

while the scholarly reader

Hebrew

with the original

liberties

meaning

it

far

have taken

poem.

if

he wishes

in order to bring out

have also wholly ignored

the artificial chaptering and versing of the text.

In

no other way can the connexion be preserved which


is

necessary to a right understanding of the book.

be observed that

It will

suggestions of those

making

it

have not followed the

who would

dignify the

drama and introducing

To so construe
One of these is so

acts

poem by

and scenes ac-

many

involves too

cordingly.

it

culties.

great that no two of those

who have attempted

to divide

it

into acts

diffi-

have ever

agreed where one act ends and another begins, neither

can they agree as to the dramatis persona.


ply sought to restore

it

to its original

have sim-

form as nearly as

many cencommon people,

that can be ascertained after the lapse of so


turies, as

it

was read or

recited

by the

three thousand years ago, whether they were captives

by the rivers

of

Babylon or

of Assyria, or

were slaves

on the banks of their own Jordan, with only such

equipments as might be improvised


by slaves and captives.
tentious dialogue places

mon

people,

Classifying
it

for the occasion,


it

with the unpre-

within the reach of the com-

who could read

or recite

expensive paraphernalia of the theatre.

it

without the

THE CHARACTER OF THE POEM.

The scene opens

gorgeous country seat of

in the

the wealthy and dissipated King Solomon, where were

houses and vineyards and orchards and gardens, with

much silver and gold and cattle and men servants and
women servants and all the peculiar wealth of kings,
including many women and much wine.
It was early
famous monarch.

in the reign of that

had only

that time

sixty

His harem

women who posed

at

as wives,

and only eighty who were classed as concubines, whatever the difference between them
ter these

may have

been. La-

were increased to seven hundred wives and

three hundred concubines.

It

was

in the process of

multiplying these wives that the incidents of the story


belong.

The heroine of the story is a beautiful sun-burnt


maiden, who had been brought from her country-home
in

Northern Palestine to

To assume,
by a band
harem,
nature.

harem
flee for

of

is

as

some

accumulation of splendors.

do, that she

of brigands

to

this

had been captured

and taken by force

to the king's

do violence to every known law

of

human

Unwilling captives would soon transform a


into a hell from

dear

life.

which the would-be lord would

Not one

of the possible pleasures

such an accumulation of the means of sensual en-

joyments could be found there.


wise even

in his

Solomon was too

most abandoned moods

violence to every law of lust.

to

do such

The harem was not

prison for unwilling captives, to be obtained or retained by force, but a place with such attractions as

LOVERS THREE THOUSAND YEARS AGO.

l6
to

make

a desirable

it

home as compared with


women of Palestine

the or-

dinary home-life of the


time.

We

must not form our estimate

at that

of the lot of a

second or a second-hundredth wife of that period by


our views of polygamy to-day.
tating wars

made

Frequent and devas-

the disparity in

numbers between

males and females very great, and the honor

of

moth-

erhood removed from a multiplicity of wives most of

what now makes polygamy abhorrent.

The harem was


procurers,

replenished through the agency of

whose business

was

it

country and induce handsome

Human

mates.

nature

methods

day.

through the

become

we need suppose

of these procurers

from the methods of

to

in-

not so changed in these

is

three thousand years that

to travel

women

were

that the

essentially different

men and women

of their class to-

Possibly in no case was their purpose fully dis-

The hard lot of women, especially


in the rural districts, made it easy then, as it is too
easy now, for a plausible man or woman to persuade
closed at the

first.

young women

to

and hard work


king's palace.

exchange
for the

Once

their country surroundings

easier lot of an inmate of a

there,

under whatever induce-

ment, they were put into the hands of governesses,

whose duty

it

was

to gain their consent to yield to the

lust of the king, either as a wife or concubine.

domestic duties and luxurious living


until

the consent

was obtained

Light

were combined

the king himself

taking no prominent part in these preparatory pro-

THE CHARACTER OF THE POEM.

ceedings, probably knowing nothing of the novitiate


until her consent

had been obtained

to

become

his

wife.

Our heroine was


not most agreeable.

been detailed

to the

a rustic girl

whose hard

life

was

In her earlier girlhood she had

duty of guarding the family

flock.

This had brought her into the company of neighboring


shepherds,

between

among whom was

whom

handsome young man,

and her there had grown a strong mu-

tual attachment.

She had two half-brothers who were


Nothing

displeased with this love-affair.


effectual, in order to
sister

break

it off,

else proving

they transferred their

from the flocks to the vineyard, subjecting her

to exposure to the hot

dressing the vines.


oppression, she

was

sun and to the harder work of

While
visited

in rebellion against this

by one or more

curers for Solomon's harem.

It

was not

of the pro-

difficult,

un-

der the circumstances, to persuade her that in the


palace of the king she would find better treatment

and more satisfactory remuneration than she was


ceiving as a vine-dresser.

new home when

her
ter
in

it

How

re-

long she had been in

the story begins, need not mat-

had been long enough

for those

who had

her

charge to venture to unfold to her the ultimate

purpose

for

which she had been brought into the

king's family.

The next most important


story, is the

of the

person, the hero of the

Shulammite shepherd, the devoted lover

brave young woman,

who

so persistently re-

LOVERS THREE THOUSAND YEARS AGO.

fused to abandon him, and to exchange his love for

what was proposed

to her as a wife of the lecherous

king.

The next most important

characters are a trio of

middle-aged women, from among the wives of the


king, the governesses to

committed, who are called

whose charge she had been


in the

poem "Daughters

Jerusalem," or "Daughters of Zion."

This young

shepherdess was from the tribe of Issachar. Her

was

far

The country

away.

and abounded

in

of

was

of her birth

home

fertile,

vineyards and flocks, but her people

were humble, though

thrifty;

hence the splendor

of

the city-life, and especially of the king's palace, could

but have a charm for them, which


the

woman who wore

entitled

to

made them regard

a part of these splendors as

such distinction as

is

implied in those

titles.

We

may

readily suppose that in ordinary cases the

task of these

was so

little

women was not


in the humdrum

There

a difficult one.
of

domestic

life

in the

country to satisfy the laudable aspirations of a spirited

woman and

so

the court that

many
it

attractions in the surroundings of

must have been an easy task

under the loose notions

of that period

usually,

concerning the

sacredness of marriage, to gain the consent of the new-

comer

to the conditions of her

remaining

hence the

stubborn and persistent resistance of this Shulammite


shepherdess was a surprise to them.

THE CHARACTER OF THE POEM.


This

is all

poem

beautifully set forth in the

as well

the honorable womanly course of the trio towards


when they comprehend her situation.
The progress of inauguration into this new life was
simple one. The new victim, who had been allured

as

is

her

under the impression that she was

to the palace

to

have some honorable and remunerative employment


about the extensive establishment, was clothed in bet-

and fed on better food, and regaled on

ter raiment,

more and
to, until

better wine than she

forever abandon her country


tions

and lover

the palace

its

usually did the

some

home and

the associa-

of her childhood, for the

The

splendors of a queen.

as

had been accustomed

her governesses had gained her consent to

baths,

its

work hence

do, that

pomp and

luxuriant appointments of
tables,
it is

and

its

wardrobes

untenable to assume,

Solomon himself

any time ad-

at

dresses the maiden in words of adulation or entreaty,


or addresses her at

all.

Solomon himself plays but a passive and merely


coincidental part in the poem.
sonally unconscious of what
half in the palace.

He

is

He is made
going on

in his

be per-

to

own

be-

appears in the distance in a

royal pageant, but not in any sense for the purpose of

women
women readily seize upon
supplement their own arguments. He

settling the question

under discussion by the

and the maiden, though the


the event to

was carried
by one

in his splendid car of state,

of his queens,

accompanied

and was greeted with loud plaud-

LOVERS THREE THOUSAND YEARS AGO.

20

What

its.

effect this

had upon the shepherdess ap-

pears in the poem.

The

half-brothers of the shepherdess play a sorry

part in the
ing,

affair,

both

at the

beginning and

and the neighbors turn out

at the

end-

to congratulate the

lovers on the successful issue of the struggle

when

they return to the scenes of their earlier courtship.

THE SONG OF SONGS.


/

TA HE poem begins abruptly.


-*

ers,

had

The women, her keep-

just feasted her at the family table of

Wine had

the King's household.

spicuous part of the

bill

of fare,

constituted a con-

and the women had

praised the luxuries which the King's family enjoyed,


contrasting

among
was
for

it

with the simple fare of a vine-dresser

the hills of Issachar

assuring her that

which she had been enticed

and from the shepherd youth

now

for the first

all this

The purpose
from her country home

at the service of a wife of the

King.

whom

she loved, was

time broached to her.

It

was not

to

be a domestic in the King's palace, but to become one


of his wives, already

promptly rebelled.
lustful

embraces

of

numbering

sixty.

At

this she

She would never consent


one

whom

to the

she could not love,

though he be a king, and informing the women she

had a lover among the shepherds


out

of

Shulam she breaks

" Let him kiss

me

with the kisses of his mouth."

Then turning to the lover himself who in the


logue is made to be opportunely present she says

dia-

LOVERS THREE THOUSAND YEARS AGO.

22
'
'

For thy love is

better than wine.

Thine ointments have a goodly fragrance,

Thy name

is

as ointment poured forth,

Therefore do maidens love thee.

Draw me after thee, let us run


The King hath brought me into

We will
We will

his harem,

greatly rejoice in thee,

esteem thy caress more than wine,

Rightly do the maidens love thee."

Addressing the
" I

am

black but

women
am

she continues

comely,

O, ye daughters of Jerusalem

Like the tents of Kedar,


Like the pavilions of Solomon.

me

Despise

not because I

am

swarthy,

Because the sun hath scorched me,

My

half-brothers were incensed against me,

They made me keeper


Mine own vineyard

of the vineyards,

have not kept."

Again addressing the lover, she says


'
'

Tell me, thou

Where

whom my

thou feedest thy

soul loveth,

flock,

where thou makest

it

to rest at

noon,

For why should

be as a

woman

veiled,

Beside the flocks of thy companions

'

The answer

of love

and

of the

women

fidelity is a

"
?

to this frantic outburst

compliment to the woman-

heart that had survived

all

royal household.

once awakened recollections

of earlier

It

at

the blandishments of the

days when the voice and society of some

THE SONG OF SONGS.

was

rustic lover

23

the world to them, but from

all

whom

they had been allured by the displays of ease and lux-

ury in the King's palace, and whose love they had

away

bartered

for the

dubious honors and the unsatis-

and the King's

fying pleasures of the King's court

Moved

chamber.

and

to her lover

to

sympathy by her appeals

and

in their

to

them

woman-hearts wishing

she might escape the fate that had befallen themselves,


they reply
'

thou knowest not,

If

'

Get thee again

And

among women

thou fairest

to the footsteps of thy flock,

feed thy kids beside the shepherd's tent."

The shepherd now addresses

his lover, returning

the personal compliment she had so handsomely paid

him

"

have compared

To
Thy
Thy

a steed in

love

neck with strings of jewels."

to her

"We will

to neutralise the effect of this compli-

beauty interpose, saying


make

With studs

The

my

cheeks are comely with plaits of hair,

The women,
ment

thee, O,

Pharaoh's chariots.

thee plaits of gold,

of silver,

if

thou become a queen."

shepherdess, addressing the women, pays her

lover this beautiful compliment


'
'

While the King

My
But

sat at his table,

spikenard sent forth

my

beloved

is

unto

its

me

fragrance.
as a bundle of myrrh,

LOVERS THREE THOUSAND YEARS AGO.

24

That

My

lieth

From

The

between

beloved

is

unto

my

breasts

me

as a cluster of campbire,

the vineyards of Engedi."

following playful interchange of compliments

between the two lovers cannot be excelled


story, nor often

Behold thou

'
'

in real life.

He

extravagant.

begins

art fair,

It is

in

any love

both delicate and

my

love,

behold thou art

fair,

Thine eyes are as doves' eyes."

To
'
'

this she replies

Behold thou

art fair,

Also our couch

is

my

beloved, yea, very pleasant,

green."

In answer to this allusion to the place of their out-

door courtships he refers to the cedars and

which they
'
'

The beams

And our

There
"

am

is

of our house are cedars,

a spice of

humor

in her self-praise

a rose of Sharon,

But he

is

the valley."

equal to the occasion and turns her


to

good account by accepting

it

self-

with em-

"As
So

a
is

lily

my

Turning
to

under

rafters are firs."

lily of

compliment
phasis

firs

sat

among

the thorns,

beloved

among

to the

women

the daughters."

the shepherdess continues

compliment her lover and avow her

fidelity to

him

THE SONG OF SONGS.


" As an apple-tree

So
I

my

is

He

the trees of the forest,

beloved among the sons.

under his shadow with great delight,

sat

And

among

25

his fruit

was sweet

me

brought

to

my

taste.

to his wine-house,

banner over me was love.


me with grapes, comfort me with apples,
For I am sick of love.
Only his left hand shall sustain my head,
And only his right hand shall embrace me.

And

his

Stay

adjure you,

By

the roes and

That you
Until

stir

daughters of Jerusalem,

by the hinds

not up nor

of the field,

awaken

love,

please."

it

This appeal to the

women

to not

attempt to force

both pathetic and philosophic.

Love finds
own time and object without the intermeddling
others.
The shepherdess continues abstractedly:
love

is

'
'

The

my

voice of

beloved

behold he cometh,

Leaping upon the mountains, skipping upon the

My

beloved

Behold

is like

a roe or a young hart.

he standeth behind our

He cometh in at the
He peepeth through

My

my

the winter

love,

my

For

lo

The

rain

The

flowers appear

The time

And
The

the lattice.

beloved spake and said unto

Rise up

is

wall,

window,

fair one,

me

and come away,

is past,

over and gone

upon the

earth,

of the singing of birds has

the voice of the turtle


fig-tree ripens her figs

is

come

heard in our land.

hills,

its

of

LOVERS THREE THOUSAND YEARS AGO.

26

And

the vines are in blossom

They

Turning
"Arise,

my

shepherd again, she says

to the

my

my

love,

dove

me

thou art in the clefts of the rocks, in the covert

see thy face, let

For charming

Take us the

'
'

me

hear thy voice,

thy voice and thy features are lovely.

is

foxes, the little foxes that ruin the vineyards,

For our vineyards are

Turning

and come away,

fair one,

of the steep place

Let

give forth their fragrance."

in blossom."

address the women, she continues

to

My

beloved

He

feedeth his flocks

mine and

is

am

among

his,

the

lilies

Until the day be cool and the shadows flee away."

Again addressing the shepherd, she says


"Turn,

Upon

She
"By
1

my

beloved, and be thou like a roe or a young hart

the mountains of Bether."

relates a
night,

on

dream
my

him whom my

bed, I sought

sought him but

found him

now and go about

I said I will rise

soul loveth,

not,

the city,

In the streets and in the broad ways,


I will seek

him whom my

sought him in

The watchmen
I

said to them,

was but a

When
I

soul loveth

my dream

but

found him

that go about the city found

saw ye him

little

whom my

found him

whom my

Until he had brought

chamber

not.

me

me

to

soul loveth

let

him go

my

mother's house,

of her that

gave

me

soul loveth

passed from them

caught him and would not

Into the

birth."

THE SONG OF SONGS.


Again, turning to the
to

attempt

you,

the roes

That ye
Until

At
It

it

daughters of Jerusalem,

and the hinds

of the field,

not up nor awaken love

stir

please."

this point a royal cortege is

seen in the distance.

had no necessary connexion with the work

of recon-

the proposed

new con-

ciling this

pure country

ditions, but

posed

it

girl to

offered a

new argument,

hence they called attention

to the fact that

the King of

one

all

its

of the

to

it

as they sup-

and especially

queens was a partaker with

magnificence.

of the frequent parades of the

As

it

was only one

King they sought

to ex-

her womanly love of display by the assurance that

cite

a like honor awaited her

come
to

she charges them not

to force love.

"I adjure

By

women

27

by asking

it

'
'

One

a queen also.

Who

is this

of

if

she would consent to be-

of the

women

calls attention

cometh up out of the wilderness

that

smoke ?

Perfumed with myrrh and frankincense,

With

all

second

" Behold

the powders of the merchant

woman

it is

the litter of

Three-score mighty

men

Of the mighty men of

They

all

?"

Solomon
are about

it,

Israel.

handle the sword and are expert in war,

Every man hath


Because of fear

his

sword on his thigh,

in the night."

like pillars

LOVERS THREE THOUSAND YEARS AGO.

28

The
'

'

third

woman

takes

it

up

King Solomon made himself a car of

Of the wood

He made

of

Lebanon.

the posts thereof of silver,

The bottoms

thereof of gold, the seat thereof of purple.

In the midst thereof

From

sits

a sparkling beauty

the daughters of Jerusalem."

The shepherdess's answer

to all this is

finest

touches in the whole poem.

prose

it is

equivalent to saying

they do not
*

Go

move me

forth,

With

the

The
no

in the

it

Reduced

to plain

such splendors have


to

them

all,

for

daughters of Zion, and behold King Solomon


his

mother crowned him

in the

his espousals

day of the gladness of

his heart."

following rhapsody of the shepherd lover has

rival in

with

if

one of the

crown wherewith

day of

And

you are welcome

attractions for you,

'

state

any language

Compared

for hyperbole.

Shakespeare's most famous,


"But

you,

you,

So perfect and so peerless are created

Of every creature's best,"

seems quite tame.

It

is

such touches

of nature that

preserved this poem through those centuries of war

and captivity and which ultimately gave

it

a place in

the sacred literature of the restored Hebrews, and


later, a

place

among

the sacred books of Christians

and now, after three thousand years

headed

sire will

read

still

it

and

many

a gray-

recall the time in his

own

THE SONG OF SONGS.

2g

experience when, as far as he was able, he indited just

such a sonnet to a pair of dove's eyes and scarlet

lips,

and a pretty neck with teeth and temples to match.


"

Behold thou

my

art fair,

love,

behold thou art

Thine eyes are as dove's eyes behind thy

Thy

hair

That

lie

is

as a flock of goats

along the side of Gilead

Thy teeth are like a flock of sheep newly


Which come up from the washing,
Whereof every one

And

fair,

veil,

of

not one of them

them hath

is

shorn,

twins,

bereaved.

Thy lips are like a thread of scarlet


And thy mouth is comely
Thy cheek is like a side of a pomegranate
;

Behind thy

Thy neck

veil.

is like

the tower of David, builded for an armory,

Wherein there hang a thousand bucklers

And

the shields of mighty men.

all

Thy two

Which

The

breasts are like two twin fawns of a roe

feed

among

the lilies."

shepherdess, pretending with true

affectation to desire
to interrupt

womanly

no more of such adulation, seeks

him by saying

"Until the day be cool and the shadows lengthen,


I will

And

get

me

mountain of myrrh

to the

to the hill of frankincense."

But he was not

to

be silenced.

only intensified his speech.

Beginning

beginning as before he becomes


'
'

Thou

And

art fair

there

is

my

love,

no spot

in thee.

The

interruption
at the

much more

same

violent

"

LOVERS THREE THOUSAND YEARS AGO.

30

Come

me from Lebanon, my

with

spouse,

With me from Lebanon.


Look upon me from

From
From
From
Thou
Thou

the top of

the top of Senir and

Amena,

Hermon,

the depths of the lion's den,


the mountains of leopards.

hast ravished ray heart,


hast ravished

With one

my

my

sister,

my

spouse,

heart with one glance of thine eyes,

of the ringlets that encircle thy neck.

How pleasant is thy love, my sister, my spouse


How much better is thine embrace than wine

And the odor of thy perfumes than all manner of spices.


Thy lips, O my spouse, distil odors as the honey-comb,
Honey and milk are concealed under thy tongue,
And the fragrance of thy garments is like the fragrance

of

Lebanon,

A
A
A

garden enclosed,

is

my

sister,

my

spring shut up, a fountain sealed


paradise,

spouse,
;

where the pomegranate blossoms, together with

precious fruits,

Camphire with spikenard


Spikenard and

plants,

saffron,

Calamus and cinnamon with

all

manner

of sweet-smelling

plants,

Myrrh and

Thou

aloes with all the chief spices.

art a fountain of gardens,

well of living waters,

And

flowing streams from Lebanon.

Awake,

north wind and

Blow upon my garden


out

come thou

south,

that the fragrance thereof

may

flow

THE SONG OF SONGS.

31

The shepherdess answers


"Let my beloved come

And

into his garden,

eat his precious fruits."

The shepherd
'

my garden, my sister, my spouse,


my myrrh and my spices,
eaten my honey-comb with my honey
drunk my wine with my milk.

have come into

have gathered

'

have

have

Eat,

friends,

Drink, yea, drink abundantly."

The shepherdess,

that she

her keepers, the women, that

may

it

the more impress

was cruel

to separate

her from her devoted lover, relates another recent

dream
'
'

was

asleep, but

my heart was awake,


my beloved. As he knocked,
me, my sister, my love, my dove, my

was the voice of

It

He

open

said,

fect

For

my

to

one

head

is

covered with dew,

My

locks with the drops of the night.

To

tease
it

him

I said, I

have put

off

my

coat,

how

shall I put

on?

my feet, why should I soil them ?


my beloved withdrew his hand from the latch,
And my bosom quivered thereat.
I then rose up to open to my beloved,
And my hands dropped with myrrh,
And my fingers with liquid myrrh
I

have washed

At

per-

this

Overflowed upon the handle of the lock.

LOVERS THREE THOUSAND YEARS AGO.

32

When

opened

Behold

my

(When

my

spake to him

sought him, but

beloved,

was bereft

of reason.)

could not find him

but he gave

I called,
I

to

beloved had withdrawn himself, and was gone.

me no answer

dreamed the watchmen

that go about the city found

me

They smote me, they wounded me,

And
I

the keepers on the wall took

adjure you,

away my

veil

ye daughters of Jerusalem,

if

ye find

my

beloved,

His mouth

That you

is

his person

most sweet, yea,

him

tell

am

is

altogether lovely.

dying of love."

Again the enthusiasm

of the

young shepherdess

who had

aroused the sympathy of the women,


gotten experiences in their

own earlier lives not

not forgreatly

unlike this, hence, instead of longer persisting in at-

tempts

to

persuade their ward to consent to become

such as they were, they


least,

they wish to

she had

left

"What

hence they ask

the young

man

thy beloved more than another beloved,

thou fairest

What

know more about

behind
is

offer assistance to her, or, at

among women

thy beloved more than another beloved,


"
That thou shouldst so adjure us ?
is

This gave the shepherdess occasion to describe him


as she viewed him, and, unless love

worthy her love


4

My

beloved

The

fairest

His head

is

is

white and ruddy,

among

ten thousand,

as the most fine gold,

was

blind,

he was

"

THE SONG OF SONGS.

33

His locks are curling and black as a raven,


His eyes are as doves' eyes, reflecting

Washing

milk and sitting in

in

full

in the water-brooks,

streams,

His cheeks are as a bed of balsam, as towers of perfumes,


His

lips are as lilies,

dropping liquid myrrh,

His hands are as rings of gold

set with beryl,

His reins are as ivory work overlaid with sapphires,

His legs are as

pillars of

His appearance

Such

is

my

is

marble

on pedestals of

set

gold,

as Lebanon, beautiful as the cedars,

beloved, such

is

my

friend,

daughters of Jerusalem."

This enthusiastic description of the absent lover


only increased the interest which the
their ward,

women

felt in

and they wish to hear more about him

hence they ask


'
'

Whither

thy beloved gone,

is

thou fairest

Whither

is

among women

thy beloved turned aside,

That we may seek him with thee

The shepherdess
'
'

My

beloved has gone

down

to his

garden

to the

beds of

balsam,

To
1

feed his flocks in the garden and to gather

am my

My

beloved's and he

beloved

who

The shepherd

is

feedeth his flocks

"

among

much

that he

Thou

art beautiful,

Charming

the lilies."

again praises the beauty of his spouse,

repeating, as would be natural,

before

lilies.

mine,

O my

as Jerusalem,

love, as Tirzah,

had said

LOVERS THREE THOUSAND YEARS AGO.

34

army

Terrible as an

Turn away

in battle.

thine eyes from me,

For they have overcome me.

Thy

hair

a flock of goats

is like

Lying along the side of Gilead.

Thy

teeth are like a flock of sheep

Which have

been washed,

just

Whereof every one hath

twins,

And none is bereaved among them.


Thy cheek is as a slice of pomegranate
Behind thy

To show

veil."

the great wrong there would be in press-

ing one so dear to

him

into a

harem already crowded,

he says
"

There are

in the

household of Solomon already three-score

queens, and four-score concubines,

And young maidens

My

my

dove,

without number.

perfect one,

but one

is

She

is

the only one of her mother

She

is

the choice one of her that gave her birth.

The young saw her and

The queens and


her saying

Who

is

called her blessed,

the concubines saw her and they praised


:

she that looketh forth like the morning

Fair as the moon,

Clear as the sun,


Terrible as an

army

in battle

The shepherdess here


" In fancy

went down

"
?

narrates a reverie

to the

garden of nuts,

To see the green plants of the valley;


To see whether the vine budded,
And

the pomegranates were in flower.

THE SONG OF SONGS.


was aware, my

Before

Among

the chariots of

The

interest of the

me

desire set

my

35

people."

women

absent lover was

in the

so aroused that they desire to see him, hence they say:


"Return,

Shulammite shepherd,

Return, return, that

we may

see thee."

The shepherdess rebukes

their idle curiosity

by

saying
'
'

Why

wish ye

to look

As upon the dance

upon the Shulammite,

of angels at

The scene of the following


The women, notwithstanding

Mahanaim
is in

"
?

the ladies' toilette.

the sympathy they had

expressed for the unwilling victim of their scheme, de-

termined to make one more


jections.

effort to

This time they resort

her personal beauty.

She had

overcome her ob-

to flattery

just

by praising

come from

the

bath and had put on only her slippers, when they began, hoping to so arouse her vanity that she would at

once discard her country lover


'
'

How

beautiful are thy feet in sandals,

prince's daughter

Thy round thighs are like ornaments,


The work of the hand of a cunning workman.
Thy waist is like a round goblet,
Wherein aromatic wine

Thy body

is like

Encircled with

Thy two

is

abundant.

a heap of wheat,

lilies.

breasts are like two fawns

That are twins

Thy neck

of a roe.

is like

a tower of ivory.

'

LOVERS THREE THOUSAND YEARS AGO.

36

Thine eyes are

like the pools of

Heshbon by the gate

of

Bathrabbim

Thy

nose

Which

is like

the side of the tower of Lebanon,

Thine head upon thee

And

is

like Carrael,

the locks of thine head are like threads of purple

The King

How

fair

will

be held captive

and how charming

love, for delights

Thy
And

Damascus

looketh towards

stature

is like

in the tresses thereof.

art thou,

a palm-tree,

thy breasts are like to clusters of grapes."

The shepherd

interposes with his claim to

all

these

charms
'
'

I said I will
1 will

climb up into

my

me

Thy

breasts shall be to

And

the odor of thy breath like apples

And

thy

mouth

Causing the

as clusters of grapes,

and she consents

am my

beloved,

the appeal of the

women,

to the proposition of the lover, thus

settling the question


I

my

for

lips of those that are asleep to speak."

The shepherdess answers

And

as the best of wine,

That goeth down sweetly

"

palm-tree,

take hold of the branches thereof

by saying

beloved's,

his desire is towards me.

'

Thereupon the lover proposes that they leave the


palace and go forth

"Come, my

beloved,

Let us lodge

let

us go forth into the

fields,

in the villages,

Let us get up early and go to the vines.


Let us see whether the vine-stalks have budded,

THE SONG OF SONGS.


And

37

the tender grapes appear.

Whether
There

the pomegranate be in flower

will I give thee

The mandrakes

And

Which

have

caress.

give forth fragrance,

our gates are

at

my

laid

The shepherdess,

manner

all

up

for thee,

feeling

tionalities of the times,

of fruits, both

!"

beloved

new and

old

/7fifl

hampered by

the conven-

which did not allow her

to

em-

brace her lover in public, yet tolerated the osculation

and caressing
"

of a brother, replies

O that thou wert as my brother,


Who nursed at the breast of my
So

that

when

mother,

should meet thee without

could embrace

thee,

And none would


I

Where thou

And
Of

Only

And
I

would cause thee

to the

my

into

mother's house,

to drink of spiced wine,

my

pomegranates."

women, she says

hand

his left

adjure you,
stir

The women
her to

therefor!

shall sustain

my

head,

only his right hand shall embrace me.

That ye

ace in

me

mightest instruct me,

the sweet wine of

Turning
"

despise

would lead thee and bring thee

daughters of Jerusalem,

not up nor

at last

awaken

love, until

it

please."

consent to her leaving the pal-

company with her shepherd lover, who escorted


the home of her mother. The neighbors seeing

them returning, ask

"Who

is

this that

cometh up from the wilderness,

Leaning upon her beloved

?"

"

LOVERS THREE THOUSAND YEARS AGO.

38

moment

Before reaching the house they stop a

un-

der the apple-tree, which had often listened to their

mutual avowals
rustic seat they

'

Under

there, seated

had so often occupied, he


and says

at that sacred spot,

meetings
'

Once

of love.

this apple-tree I first

upon the

recalls other

aroused thy love.

Then, pointing to the house beyond the garden, he


says

"In yonder house thy mother conceived


There she was

Now

set

me

in travail

upon thine

as a seal

thee,

and there she gave thee birth


heart, as a bracelet

upon

thine arm,

For love

is

strong as death

Jealousy

is

cruel as the grave,

Its

flames are flames of

Its

arrows the

fire of

fire,

Jehovah.

Great waters cannot quench love,

And

rivers cannot

overwhelm

it."

Then, delicately alluding to the

late experience of

his faithful lover in resisting the blandishments of the

King's palace, he adds


"If a

He

man would

offer all his

substance for love

would only reap confusion."

The two
none

half-brothers

now

appear.

They had

of their opposition to this love-affair.

they had sought to break

it

off

by taking

At

lost
first

their sister

from the care of the sheep, which afforded too many


opportunities for the lovers to meet each other, and

putting her to the harder work of dressing the family

THE SONG OF SONGS.


vineyard.

This

39

they had connived

failing,

at, if

had not suggested and promoted, the scheme


For

ting her into Solomon's harem.

they

of get-

their sister to

be

was much

a wife of the King, though only one of many,

preferable, in their minds, to her being the wife of a

humble shepherd, even

some personal grudge against


young neighbor had not something to do in the

their

But

case.

in this they

once more

find her

if

were again

than ever to her rustic lover.

ments.

and

Their

last

to postpone,

hope now
if

is

not to en-

marriage, by alleging that she was

tirely prevent, the

too young, and

and they

family home, more devoted

in the

to belittle their sister,

baffled,

by insinuating other and grave impedi-

They derisively ask what

shall

be the wedding

presents in the case of a marriage, as well as insinuate

They

unfitness for wifehood.


'
'

say:

We have a little sister,


And she hath no breasts
What shall we do for our

In the day
If

will inclose

Her answer
what she

bride of one
:

be spoken for

build upon her a turret of silver

nising that she

says

sister
?

she be a door,

We

for

shall

she be a wall,

We will
If

when she

is

her with boards of cedar."

both womanly and defiant.

is in

is,

who

no sense under obligations

and what she hopes


will

to

Recogto

them

be soon, the

be to her a wall of defence, she

LOVERS THREE THOUSAND YEARS AGO.

40
"

have been a

wall,

And my

breasts have been towers,

Hence

was

in ray lover's eyes as a

Solomon had a vineyard

He

Every one

to bring, as rent, a

vineyard

Thou,

And

Baal-hamon

that finds peace-

out the vineyard to keepers,

let

My

at

woman

is

in front of

thousand of

silver.

me.

may have the thousand,


may have two hundred."

Solomon,

thy keepers

The shepherd
'
'

Thou that dwellest in the gardens,


The companions are listening to thy
Cause me to hear it."

The shepherdess
"

Make

haste,

my

And be thou

Upon

voice,

beloved,

like to a roe or a

young hart

the mountain of spices."

Ordinary love stories end in the marriage of the


chief characters.

This does not, but

it

is

easy to see

that such constancy on the part of each, under such


,

inducements
after

to unfaithfulness,

can end no otherwise

reaching the point where the

Though when read as an allegory,


meaningless yet when read as a
;

no pure man or woman can


out having been benefited.

rise
It

immortality.

love story in verse,

from

its

reading with-

touches at

the experience of true lovers in


its

poem leaves them.


this poem is utterly

all

many

points

the ages, and hence

THE SONG OF SONGS.


Inevitably, a
in

poem

41

of so great antiquity,

must contain many

Orientalisms,

graphic, and social allusions, which

abounding

historic,

not impossible, to understand to-day.

geo-

difficult,

is

it

if

All parts of

Hebrew Scriptures are in the same category.


What if we cannot understand what was meant in its
time by "the dance of angels at Mahanaim," or why
the old

it

was

interesting to be looked

den or the mountains

of leopards

upon from the


It is

lion's

sheer folly to

seek a meaning for these in allegory or parable.

But,

given the instinctive drawings of a virtuous youth and


a virtuous maiden of congenial tastes,
to this inimitable

we have

the key

Though therefore we may


when we read it as a

poem.

not understand

all its allusions,

poem intended

to set forth a victory of faithful love in

the form of a dialogue, which

amateurs,

we

may

easily be acted

are compelled to concede

its

by

right to a

place in our sacred collection of the books which constitute

to all

our Bible.

pure minds.

It

can never cease to be of interest

No

better lesson

is

taught in any

Bible story, nor ever can be, while the

human happiness
true love reigns

teaches

is

is

found only

supreme

in

maximum

and not the

least lesson

the unchanging elements of love

three thousand years ago as now.

of

households where
it

the same

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