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called Orientalism from Europe to America, but also a change in its focus.
Malhotra argues that the American orientalists are not studying Sanskrit to
understand India, but in order to sanitize the language from what they
perceive as its inherent ills and abuses and, thereby, become agents of
socio-political change in the 21st century India. For them, the roots of
Indias socio-political and economic challenges lie in Indias Sanskrit
based Paramarthika or Dharmik tradition. Therefore, the goal is a secular India,
completely separated from its Paramarthika or Dharmik tradition, and fully
aligned with the ideals ofWestern Universalism. But, there is more to it.
According to the author, if Edward Saids Orientalism had put European
Indologists on the defensive for being racist and for having used their scholarship
to back colonial exploitation, Sheldon Pollock is providing the Indologists a new
lifeline by arguing that it was actually the Brahminical India that fed British
Imperialismand German Fascism. The argument being fostered is that
Sanskrit is where Europeans learnt it all, to be elitist, exploitative and
ruthless, so the blame lies squarely at the door of Sanskrit inspired
Hindu traditions and, therefore, the need to secularize the language to
trigger a socio-political change in India. Thats a serious allegation.
Malhotra responds by mapping Pollocks works, laying out his assumptions and
positions on critical issues, pointing out to the gaps to offer counter arguments.
The most interesting being how experiences from American Frontier, including
the systematic development and usage of atrocity literature, combined with the
European colonial view developed in India, may have led to what the author calls
American Orientalism that is determined to attack
Indias Parmarthika or Dharmik tradition.
In the third chapter, The Obsession with Secularizing Sanskrit, onwards
Malhotra focuses on Pollocks works to bring out the specifics. The first and
foremost charge Malhotra makes is that Pollock ignores theParmarthika aspect of
the Sanskrit tradition, unique to Indian civilization, as being irrelevant, because he
thinks it has no real usage. Secondly, Pollock creates an artificial divide
between Parmarthika, the transcendental and Vyavharika, the mundane aspects
of Sanskrit to arrive at conclusions that suit his socio-political objectives. Thirdly,
Pollock represents the Vyavharika aspect in a self-serving manner, especially
when, having decided to look at only written texts, that too only Kavya, the
literature, and not Vedas andShashtras, he argues that it is only after the Buddhist
intervention that Sanskrit gets its literature that reflects historicity and some
degree of progressive change. Pollocks key accusation is that
the Parmarthika aspect makes Sanskrit regressive and forecloses the
possibility of any creativity and innovation, and supports