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Editing Checklist
Student Weekend Writing Assessment
Writers Reflection
Conference/Recordkeeping Sheet
Notebook Checklist
Monthly Minilesson Planning Sheet
Weekly Minilesson Planning Sheet
Flowchart: What Im Trying to Say
Craft Study
Structure Templates
Responding to Poetry
Poetry Study Chart
Knowing My Taste in Poetry
Poetry Reflection
Feature Article Study Chart
From Notebook Entry to Feature Article
Feature Article Assessment
Getting Inspired by a Good Picture Book
Picture Book Study Chart
Picture Book Assessment
Open-Choice Investigation Topic Chart
Editing Checklist
SPELLING
1. I have found misspelled words and tried spelling them in the margin.
TRICKY WORDS
2. I have checked to see if I used the correct homophone.
which, witch
then, than
could have
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
Week of _____________________________
Peer Signature___________________________
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
Name_______________________________________
Writers Reflection
The notebook entry I chose to publish was about ______________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
As I drafted and developed the idea, I realized that what I was really trying to say was _________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
The craft strategy I used to lift the quality of my writing was _______________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
My favorite part of this piece is ___________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
It is my favorite part because _____________________________________________________________
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___________________________________________________________________________________
___________________________________________________________________________________
One thing I have learned about good writing that I will apply to all my future writing is ___________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
A P P E N D I X D : CO N F E R E N C E / R E CO R D - K E E P I N G S H E E T
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
A P P E N D I X E : N OT E B O O K C H E C K L I S T
Notebook Checklist
1
Thoughtfulness do you
_________________________________________
Checklist date
Writers Response
Do you agree with my evaluation?
_________________________________________
teacher signature
_________________________________________
writers signature
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
DAY 3
DAY 2
WEEK:
WEEK:
WEEK:
WEEK:
WEEK:
DAY 1
FOCUS FOR THE WEEK
DAY 4
DAY 5
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
A P P E N D I X G : DAY- TO - DAY M I N I L E S S O N P L A N N I N G S H E E T
Focus:
MINILESSON FOCUS:
Teaching Points
TEXT/MATERIALS:
Practice
Homework
Share
DATE:
MINILESSON FOCUS:
Teaching Points
TEXT/MATERIALS:
Practice
Homework
Share
DATE:
MINILESSON FOCUS:
Teaching Points
TEXT/MATERIALS:
Practice
Homework
Share
DATE:
MINILESSON FOCUS:
Teaching Points
TEXT/MATERIALS:
Practice
Homework
Share
DATE:
MINILESSON FOCUS:
Teaching Points
TEXT/MATERIALS:
Practice
Homework
Share
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
A P P E N D I X H : F LOWC H A RT: W H AT I M T RY I N G TO S AY
Lead
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_________________________
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Craft
_________________________
_________________________
_________________________
_________________________
_________________________
Craft
_________________________
_________________________
_________________________
_________________________
_________________________
Craft
Ending
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
A P P E N D I X I : C R A F T S T U DY
CRAFT STUDY
TEXT/
AUTHOR
EXAMPLE FROM
MENTOR TEXT
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
A P P E N D I X J : S T R U C T U R E T E M P L AT E S
Structure Templates
A. Vignette
LEAD
EXAMPLE
Repeated line
EXAMPLE
Repeated line
EXAMPLE
EXAMPLE
ENDING
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
A P P E N D I X J : S T R U C T U R E T E M P L AT E S CO N T I N U E D
Structure Templates
C. Circular
BEGINNING
(Same)
ENDING
D. Basic Story
CRESCENDO OR
TURNING POINT
ING
NN
I
BEG
END
IN G
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
A P P E N D I X K : R E S P O N D I N G TO P O E T RY
Responding to Poetry
After you have chosen a mentor poem, fill in as much of the following as you can in the space provided. Attach it to
a copy of the poem and keep it in your poetry folder.
TITLE OF POEM_________________________________________
POET_______________________
3. When you reread it, what else did you understand about it?
6. What do you think the poet wanted you to get from his/her poem?
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
LENGTH
AUTHOR/EDITOR
TITLE
POET
ANTHOLOGY TITLE
TOPIC
MOOD
CRAFT
A P P E N D I X L : P O E T RY S T U DY C H A RT
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
A P P E N D I X M : K N OW I N G M Y TA S T E I N P O E T RY
2. What are you noticing about the topics or content of the poem? Do you tend to gather poems that are
more story-like, about nature, etc.? Try to name what you choose most.
3. Did you find yourself choosing poems you understood or related to easily or did you try to push yourself
beyond your comfort zone? Explain.
4. How do most of the poems you have selected leave you feeling?
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
A P P E N D I X M : K N OW I N G M Y TA S T E I N P O E T RY CO N T I N U E D
5. What are the specific crafting strategies that seem to attract you to a poem?
6. Which type of poetry seems to inspire you to write more poetically? Name the poem and say how it has
inspired you.
7. Have you collected poems by totally different poets or are you attracted to one poet in particular? If so,
what is it about that one poets style that you like?
8. How will your conclusions influence your future inquiry? How will you decide to push yourself toward
poems that are different or beyond your comfort zone? Will you focus on similar types? What do you
think would be a good challenge for you now?
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
A P P E N D I X N : P O E T RY R E F L E C T I O N
Poetry Reflection
Name ____________________________________
As a result of this study, comment about how youve changed as a reader of poetry.
___________________________________________________________________________________
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___________________________________________________________________________________
___________________________________________________________________________________
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Comment on how the process you use to write original poems has evolved as a result of this study.
___________________________________________________________________________________
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2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
A P P E N D I X N : P O E T RY R E F L E C T I O N CO N T I N U E D
For each of your poems, identify the qualities of the poem you feel best about.
Title__________________________________________________
Comment ____________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
Title__________________________________________________
Comment ____________________________________________________________________________
___________________________________________________________________________________
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___________________________________________________________________________________
Title__________________________________________________
Comment ____________________________________________________________________________
___________________________________________________________________________________
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___________________________________________________________________________________
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___________________________________________________________________________________
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
A P P E N D I X O : F E AT U R E A RT I C L E S T U DY C H A RT
LEAD
POINT THE
ARTICLE MAKES
PERSPECTIVE
OR STANCE
KINDS OF
INFORMATION
INCLUDED
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
CRAFT
A P P E N D I X P : F RO M N OT E B O O K E N T RY TO F E AT U R E A RT I C L E
DESCRIPTION
OF NOTEBOOK
ENTRY
POSSIBLE FEATURE
ARTICLE TOPIC
STANCE/ANGLE/
PERSPECTIVE
RESEARCH NEEDS
(STATISTICS)
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
A P P E N D I X Q : F E AT U R E A RT I C L E A S S E S S M E N T
It __________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
It __________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
A P P E N D I X Q : F E AT U R E A RT I C L E A S S E S S M E N T CO N T I N U E D
The qualities of good writing that I think I used well in my article are: (name the quality and then quote the lines
from your article)
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
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___________________________________________________________________________________
After publishing this feature article, I can say that the most important thing I learned about writing is __________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
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___________________________________________________________________________________
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
A P P E N D I X R : G E T T I N G I N S P I R E D BY A G O O D P I C T U R E B O O K
Author _______________________
Topic _______________________________________________________________________________
Type of Illustrations _____________________________________________________________________
3. Reread your notebook. Did you revise an entry? How did this picture book inspire you to revise
your entry the way you did?
4. Did you write a new entry? How did the picture book inspire you?
5. Do you have an idea for a picture book of your own yet? If so, how do you imagine it might go?
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
OTHER CRAFT
REPETITION
LEAD
TITLE/AUTHOR
STRUCTURE
USE OF TIME
ENDING
ILLUSTRATIONS
A P P E N D I X S : P I C T U R E B O O K S T U DY C H A R
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
A P P E N D I X T: P I C T U R E B O O K A S S E S S M E N T
The characteristics of my picture book that make it most comparable to other picture books weve studied are:
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
___________________________________________________________________________________
Author: ____________________
Title: ___________________________________________________
Author: ____________________
Title: ___________________________________________________
Author: ____________________
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
A P P E N D I X T: P I C T U R E B O O K A S S E S S M E N T CO N T I N U E D
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.
A P P E N D I X U : O P E N - C H O I C E I N V E S T I GAT I O N TO P I C C H A RT
FACTS
QUESTIONS
OPINIONS
POSSIBLE FORMS
FOR PUBLISHING
2003 by Judy Davis and Sharon Hill from The No-Nonsense Guide to Teaching Writing. Portsmouth, NH: Heinemann.