The Best of Kerrigan Lowdermilk PDF

FIVE AND A HALF MINUTES
from The Woman Upstairs
Words and Music by

KAIT KERRIGAN
and BRIAN LOWDERMILK
Gently (q = 102)
# 4
& 4
G5
C sus2
# 4
j
& 4 ..
p folk groove
?# 4
j
j
4
..
-
&
&
#
#
?#
8
&
&
#
#
pedal freely
G5
C sus2
five and a half min - utes,
..
?#
-
..
-
the u - ni - verse
C sus2
..
-
G5
. ..
-
j

-
ex - pands
..
-
j

-
blink,
an - oth - er
..
-
four
miles.
Ev- ry
j
j
-
j

ev-ry time I
G5
And
C sus2
G5
w
..
-
C sus2
child en - ters the world.
..
-
j
-
Copyright 2011 BKLK Music (ASCAP)

All Rights Reserved
Prepared exclusively for Maya Deschenes.
The world
has
kerrigan-lowdermilk.com
Five and a Half Minutes 2

11
&
&
#
#
..
.
half bil - lion peo - ple
?#
&
j j

G/B
# .
?#
ple
in
# j
&
A m7
17
&
?#
20
&
right
cit
now,
j j

this
is
how
sit - ting
here.
..
-
here,
C sus2
right
..
-
j

-
but
..
-
G5
peo -
land,
G5
youre
lion
j j

j
.
G/B
w
w
p
w
mil
- ..
j

.

P

C5
on
some
y,
eight
j
.
j j

and there are
A m7
G/B
year,
C sus2
?#
-
this
J
j
this
& ..
-
# j
&
14
six and a
6
C /9

23
&
&
#
#
?#
26
&
&
#
#
G5
may
&
&
#
#
not
..
P
-
&
ev - er catch
my
breath
G5
..
-
.
- .
no mat - ter
ry
sin - gle
..
-
day
watch - ing
?#
we
breathe
6
C /9
# - .
& ..
your
rise
chest
may
nev - er
twen - ty
G/B
and
how
thou
fall,
the
times.
j
.
Be - cause
A m7
j j

num - bers
dont
up
j j

sand
ev
un - der - stand
three
..
-
j j

try.
G5
C sus2
how
And
?#
31
C sus2
?#
28
C sus2
add

34
&
D sus4
when
# .
& ..
?#
36
&
&
&
38
&
G/B
all
#
#
#
D 13
#
& J
&
nerves,
>
>
bones,
>
and
>
G/B
?#
ares
five
or - gans,

>
j

>
of
blood,
>
D sus4/C
dred
D (add4)
two
hairs,
mi - les
of
nerves,
>
j
j
thou - sand miles of
tril - lion cells,
for - ty - five
thou - sand
.
..

..
dred
A m7
quarts
hun
and six - ty
hun
flowing
C sus2
&
.
..
nerves,
# .
man - y
we
six
>
#

&
40
? # >
hun - dred and
C sus2
and
too
C sus2
G/C
ar - ter - ies.
We
..
.
dim.
.

43
&
A m7
G sus2/B
must - ve
P
?#
- .
been
j
-
made
45
&
&
#
#
C sus2
us
? # .
48
&
&
&
G/B
# .
j
.
# >
&
f
? # .
.
>
is
that
And
cause
seen
> .
..
j
.
.
>
j
would
swear
wo
man
would - ve
j
-
I don't know
j j
.
this
>
j
.
.
.
>
j
.
.
that
I'm
means.
All
> .
j
..
F
>
some
what
scene
made
j j

D sus4
D (add4)
6
C /9
ly.
A m7(add4)
G/D
ic
Ive
C sus2
- .
>
>
j

j
J
>
know
man
D sus4
e - co - nom
?#
51
more
by
&
cresc. poco a poco
>
.
.
>
years
>
G sus4
.
J
.
.
>
a - go.
j j

> >
watch - ing
>
from the
stands.
j
-

54
&
&
C sus2
G sus4/A
>
? # .
.
>
#
& J
sec - ond
#
&
>
? # .
.
>
60
&
&
old
#
& J
&
G/D
no
? # .
.
be
j
.
fore
beau ty.
ev - i
> .
..
>
C sus2
scripts
w
ww
p
j j
.
dence,
.
J
know
j
.
Feels like
its
some
colla voce
ww
w
j

...
F
.
.
>
A m11
6
C /9
>
hand.
her
G sus4/B
swear
&
but the
Theres the
j
.
for
would
w
w
.
J .
reach
D sus
j j

J
www
w
D 7sus4
you
And
.
.
>
C/D
>
mov - ie
D 7sus4
j j

w
?#
63
G/B
j j

C sus2
57
no
good
a tempo
more
facts,
and
G/B
the
girls
j
.
but
there
wont
# j
&
# -
& J
66
A m11
ev - er
?#
69
&
&
&
?#
75
&
>
you
do
#
& P
?#
-
find
..
ence
or
you
colla voce
G/D
G sus
find
>
mea - sure
keep
opt.
love.
j

> >
>
soaring
j .
>
>
C sus2

j

> >
C/D
j
.
or
mea - sure
ww
way
C sus2
the
>
.
.
>
or
or
G/B
>

>
>.
>
w
w
C/D
of
keep
A m7
sci
G/B
72
j j

A m7
#
&
P
?#
-
be
G/B
E m/B
.
>
U
G5
love?
U
w
U
w
>
j
.
>
>
How
j j
.
>
FREEDOM
from The Unauthorized Autobiography of Samantha Brown
Words and Music by

KAIT KERRIGAN
Freely
B (add4)
#### 4
&
4
KELLY:
#### 4
&
4 ww
gg ww
g
f gggg
? # # # # 4 gggg
4 gg w
Tgg w
F # m11
#### 6 .
&
4
# ## 4
& # 4
A maj7
#### 4
&
4 w
? # # # # 44
w
w
Let's
go.
6
4
46
6
4
w
w
high - way's
call
get in the car
j j

ing.
G # m11
j j
.
colla voce
Let's
The
www
w
j j
#### 6
&
4 w
www
F
? #### 6
4 w.
w.
5
freely
The sun
ww
ww
F #/A #
#w
#w
shin
4
4
ing.
4
4
4
4
w.
w.
B (add4)
and just re - mem - ber.
is
j j
.
www
ww

All Rights Reserved
pick up in tempo
Lets
www
U
w
go.
&
####
Country Driving (q = 152)
E5
with attack
####
&
? ####
&
? ####
18
&
&
####
####
E5

.
.
>
She
and keep
? #### .
A sus2
>
all
of
>

ning
Theres no

>
>
our
road

w
w
to
the
...
>.
stop - ping
E/G #
til
trips.
high - way.
>
list
driv - ing.
drove on

.
>
j
.
be - lieved in
>
SAM:
E sus4(add2)
####
Kel - ly
####
&
15
>
12
&
E sus4(add2)
# ##
& #
P
? ####
####
Freedom 2
You
Kel - ly
B 7sus4
.
.
start
.
.
j
.
driv - ing
>
>
says youve
B sus4
ar - rived.
&
Freedom 3
KELLY: Youre not doing it right.
SAM: Doing what?
D sus2
. .
. .
# # # # . .
&
21
p
# ## n w
& # ww
KELLY: Youre not in it.

SAM: What are you talking about?
legato
. . . . . .
ww
w
ww
w
A Maj7
ww
w
SAM: What did it feel like?

KELLY: You remember.
KELLY: Youre not in the moment, Sam.

Talk about what it felt like.
B 7sus4
. .
. .
# # # # . . . . . . . . . . . . . . . . . . . . >
&
25
&
29
&
&
####
####
####
? ####
33
&
&
####
####
? ####
ww
w
E
j j
j

KELLY:
Feel - ing the

.
>
P
j

>
wind
>
KELLY:
Pick - ing a
>
road

. >
blow - ing
>
j
j j

j
j

your
groove
ww
w
hair.
>
>
B 7sus4
>
j

>
j
j

ing
KELLY: You're not even trying.

SAM: I am. KELLY: Try harder.
B 7sus4
j .
and go
ww
w
>
j

>
>
KELLY: Remember the biker bar?

SAM: Oh, God.
an - y - where.

. >
>
j
.
.
.
>
j

J
j
Freedom 4
##
& ##
37
E(add2)
#### .

&
? #### .
&
####
&
####
40
? ####
####
? ####
46
&
be
west.
Were
ing
F # m7
dont
know
much.
####
.
>
j
#### .
w
&
? ####
ww
>
j

.
Dont read
ww
>
the
A/B
Were
road
j

ing
mak
j

up
C # m9
j

J
A sus2
south.
head
We
43
&
####
&
KELLY:
KELLY: And the biker.

C # m7
Tear
up
KELLY:
Or
may -
the
rest.
the
at
j
.
-
las.
ww
p
ww
j
.
signs.
ww
j

.
..
Freedom 5
49
&
####
Emaj9
##
& # # ..
.
>
P
? ####
.
>
Driv - ing
F # m9
# ##
& # .
53
&
####
free
j .
j
.
j
..
.
for
the
J .
>
- dom.
&
####
E5
#### .
..
&
>
? ####
.
>
####
j - .
.
>
A/B
SAM:
Free
w
w
p
ww
w
j
.
y
j
..
.
.
>

dom.
where.
Thats
KELLY: What bug do

you have up your ass?
.
.
.
>
KELLY: Do you even realize how epic this weekend is going to be?
.
.
>
A 5/B
>
E5
>
.
>
.
.
>
A 5/B
>
KELLY: Theres like six parties and Im taking this lecture called Sex and you have to come.
>
j
F # m/B
>
>
..
- .
E/B
SAM: Im on break. I dont really feel like going to class.

KELLY: Well, what do you want to do?
E sus2
an
..
.
w
w
- .
.
>
F
? ####
j
>
61
driv - ing
j j .

SAM: I dont have a bug up my ass!
of
w
w
sake
? #### w
w
57
C # m11
...
>
E
j .
>
j

j
F # m/B
>
..
- .
E/B
SAM: I dont know.

KELLY: Samantha Brown. Do you see that fork up ahead?
B 7sus4
j
j
j
j
. . . . . . . . . . . . . . . .
P
.
ww
..
? # # # # ww
.
w
.
65
&
Freedom 6
SAM: Yeah.
KELLY: Well, one way leads to my school and the other leads somewhere else.
##
& # #
F
? ####

.
C #m
69
KELLY: Which way do you want to turn?

SAM: I dont know.
KELLY: If you dont choose, were gonna hit that house. Left or right?
SAM: Hold on. Im looking at the map.
&
KELLY: Maps are for brain-deads. Left or right!
>
>
# # # # . . . . . . . . . . . . . . . . . . . . . .
&
B 7sus4
73
&
####
w
w
w
w
SAM: Ah... Left!

KELLY turns the car fast. A horn honks.
She flips the guy off.
####
&
-
77
? #### .
####
&
E
81
&
####
w
w
KELLY: Very slow, Brown.

SAM: So where are we going?
.
.
>

J
..
safety
.. .
j j

KELLY:
Count - ing
####
&

> .
F
stronger
? ####
j
>
the
miles

.
>
KELLY: I have no idea.
> > >

3

> > >
3
. ..
.
..
.
.
.
>

J
>
as
we
..
w
w
go
>
B 7sus4
past.
j

SAM:
The

.
>
>
>

> >
tank
is
full.

.
>
Freedom 7
84
&
####
#### j
&

##
& ##
? ####
j j

The
sun
>
&
B 7sus4
####
be
>
# ##
& #
90
# ##
& #
&
####
? ####
Know - ing

.
>
is
high.
>
our
j j

that
j
.
ev

.
>
ry
mile

.
>
E2
>
could
last.
# ##
& #
? ####
#### j
&

87
E5
Just
back.
back.
>
C # m7
look
watch

.
>
look
We
KELLY:
ing
the day
go
..
>.
by.
.
.
SAM:
er
We
We
nev
nev
er
wont
will.
will.
We
wont
Weve
come
F # m7
####
&
93
#### j
j
&

####
&
? ####
too
>
far.
Well drive

. >
>
A 5/B
E5
&
&
####
dom.
####
dom.
? ####
>
#### .
&
101
&
####
dom.
#### .
..
&
>
? ####
dom.
.
>
j

>
j
Free
.
.
>
>
Nash
>
..
- .
...
>
.
>
j .
>
j

>
j
Free -
> >
>
F # m/B

> >
Free -
dom.
dom.
A 5/B
ville.
E5
j

>

.
. >
ville.
j
.
E/B
j
.
>
>
Free
B sus4
Nash
hit
..
..
>
.
>
F # m/B
j
j
til we
#### .
&
97
Freedom 8
Free -
Free -
.
.
>
>
E/B
j
.
j
.
>
..
- .
>
#### w
&
105
&
####
? ####
KELLY: So what do you want to do now?
>

.
>
&
####
A sus2
? # # # # ww
j
.
SAM: (chord) I want the deafening sound

of driving fast with the windows down.
KELLY: More!
B (add4)/C #
#### U
&
gg wwww
gg
gg
#
? # # # gggg U
gg
gg w
Tgggg w
112
E/G #
# # #
& # Tgggg
.
? ####
120
&
&
####
####
E5
? #### w
subito
SAM:
And
Im
P
ww
ww
ww
freely
KELLY: Bigger.
F # m11
KELLY: Good. I want Arbys.

.
.
KELLY: I want to go skinny-dipping in the ocean.
j
w .
gTg
gg
.
a tempo
ww
ww
B (add4)
gg wwww
gg
gg
gg U
gg
gg
gg w
Tgggg w
SAM: Make a right?
SAM: Uh I dont know - I want to get my license.
SAM: (chord) I want to

break rules and do
something unexpected.
SAM: I want to hold on to this moment right now.
116
.
.
KELLY: In life, Sam. Think big. What do you want?
109
Freedom 9
E5
(SAM:)
.
.
>
6
A /9
Tgggg .
.
j
al - most
start
>
>
ing
..
>.
SAM: I want to drive forever!

A/B
B sus4
>
...
to
feel
it.
Freedom 10
122
&
####
####
&
Asus2
####
&
? ####
How she took
cresc. poco a poco
B sus4
####
&
j
# ##
& #
? ####
The cheap
>
Free
&
####
####
The long
high - ways.
j
-
>
dom.
min - ute
.
.

> >
get
lets
go.
^j
j
..
.
>
>
molto rall.
in
ww
ww
-
j

-
the
car and lets go.
ATTN: New tempo & groove!
w
w-
A sus2
spe - cial.
A Maj7/B
The last
-
>
j
j .
>
^
^j j
&
..
.
>
f strong backbeat
? ####
>

> >
KELLY:
Oh,
dom.
SAM:
rest stops.
..
.
C # m9
KELLY:
A sus2
New Tempo: Slow Hip-Hop (q = 90)
128
and made it
day
Free
B 7sus4
####
&
125
E/G #
KELLY:
C # m9
>
>
Lets
^j
j
..
.
>
>
Freedom 11
131
&
####
A sus2
# ##
& #
? ####
>
####
&
####
&
? ####
&
go.
>
####
An - y road
####
? ####
C # m11
..
.
>
>
ed
no
>
^j
fan
way.
j.
..
>
>
house,
>
E m aj9
No
col
..
.
no
>
no.
>
^j
it
>
Live
lege,
..
.
>
go.
Lets
go.
j
..
.
>
>
>
A (add#4)
cy
..
.
high - way.
^j
Lets
B 7sus4
>
>
C # m9
.
my
Pick
>
road.
phi - lo - so - phies.
kids,
go - ing
A sus2
? #### ^
####
&
is
com - pli - cat
137
Pick
^j
j.
.
>
>
# ## ^
& #
&
A sus2
133
135
C # m9
ca
up
j
..
.
>
>
>
reer,
no
with no
j j
..
.
>
>
>
Freedom 12
139
&
&
####
B 7sus4
####
KELLY:
An - y road
# ##
& #
>
? ####
>
141
&
####
# ##
& # .
# ##
& # ..
>.
? ####
>
####
&
&
####
B5
kids,
..
.
driv
ww
? #### w

ing
no
col
SAM:
.
in
to

lege,
no
..
.
lege,
>
F#m
Driv
mort - gage.
>
>
mort - gage.
no
straight
No
..
.
>
on.
>
col
kids,
No
scream - ing
were
scream - ing
143
but the one
C # m11
E m aj9
Driv
..
- .
the
ing
an
ing
an
dawn.
no
"
"
"
ca
ca
reer,
reer,
>
.
y
..
.
Thats
free
no
.
-
no
,
,
where.
Just
where.
U
-
dom.
&
Freedom 13
145
&
####
Freely (q = 120)
SAM:
#### w
w
&
w
p
# ##
& # ww
####
&
148
Kel - ly
&
out
on
the
high - way
&
####
&
####
Just
..
two
girls
with
shot - gun.
ww
with no
road
no
>
>
?
J
>
where
.
.
cou - ple
and
no
girls
cur - few.
Asus2
>
>
(slower than m.9)

E
to
dom.
be.
B sus4
KELLY:
we have
Country Driving (q = 134)
Free
>

B (add4)
B5
map
Just
w
w
grad. accel.
B5
ww
ww
E sus4
ww
w
rid - ing
..
####
&
&
me
E/G #
151
####
driv - ing,
colla voce
()
#### w
www
&
####
E5
Now shes laugh - ing.
cresc. poco a poco
Freedom 14
####
&
154
&
&
####
####
&
&
####
dom.

- -
B sus4
# ##
& #
>f
? ####
>
like
>
>
the
sun
j

-
####
&
&
And
? #### .
- .
####
Its
so
real
and
so
found
is
C # 7sus4
#### #
#
>
>
so bright

- -
that
j

-
F #5
#### #
#
>
#### #
#
>
dom.
Im
squint - ing.
.
.
>
And
-
>
>
#### #
# .
-
mem - o - ry.
.
- .
free
Amaj9
Free
like

>
>
piu mosso
160
( )
#
# #
& # w
dom.
start laugh - ing.
C # m add9
####
And
B sus4
Free
? #### .
157
E/G #
it
feels
j

>
C # 7sus4
>
KELLY:
Free
>
.

.
.
>
Free
...
.
>.
Freedom 15
F #5
# ## #
& # # .
163
C # 7sus4
#### #
& # .
dom.
#### #
& #
>
? #### #
#
>
dom.
Yeah.
>
#### #
& #
166
#### #
& #
## #
& # ##
di - o
#### #
& #
yeah.
? #### #
#
F
w
o - pen,
sing
B sus2
UP
Yeah.
U
U
ww
w
fast,
the
ra -
Oh
>
molto rit.
.

ing
P
j

Yeah.
light pulse - don't push
like were rock
F #5
Yeah.
#### # U
& # www
colla voce
>
.
>
U
#### #
#
&

Driv - ing
New Tempo: Slow, deliberate (q = 96)
169
C #5
Win - dows
D#m
B sus2
blar - ing.
? #### # .
#
...
.
>.
>
Yeah.
F#
stars.
F
j
Yeah.
Freedom 16
C # sus4
# ## #
& # #

172
#### #
& #
F
j

Yeah.
#### #
& #
? #### # .
#
F #/A #
# ## # .
& # # .
# ## #
& # # w
Yeah!
# # # # # >
& #
#
? ## # #
#
>
C # 7sus4
> >

>

>
>
>
# # # # #
& #
? #### #
#
>
Free
Free
> .
...
...
>.
Yeah.
Yeah.
C # 7sus4
, Free
j

>
>

>

Free
>
F #5
dom.
>
>
dom.
dom.
>
>
.

>
.

C # 7sus4
.
>
>
>

>
j

>
F #5

>
>
dom.
Yeah.
molto accel.

J >
C # 7sus4
#### #
& # .

>
>
>
#### # .
& #
178
Yeah.
Subito Tempo Primo (q = 152)
175
F #/A #
f
j
Free -
Free -
...
>.
Freedom 17
dom.
#### #
& # .
dom.
#### # .
& # ..
>
f
? #### #
#
.
>
G # m7(add4)
185
#
# ##
& # # w
G # m/C #
j

j

>
j
j
.
? #### #
#
>
..
.
>
>
j
...
>
>
>
j .
>
C # 7sus4
..
..
j
.
>
j
.
j

>
>
j
.
>
j
...
>
>
>
>
dom.
dom.
..
..
>
.
>
>
j
>
F #maj9
j
.
F #/A #
Free
F #/C # C #
Free
>
G # m/C #
> >

j .
.
>
C # 9sus4
D # m11
# ## #
& # # w
.
>
j
.
.
#### # w
& #
? #### #
#
j
.
188
# # # # # ...
& # .
J
j
.
F #/A #
#### #
& # w
#### # .
& # ...
F #/C # C #
~~~~
~~~~
~~~~
~~
F#
#### # .
& #
181
..
..
j .
>
F #sus2
>
push to end
>
HAND IN HAND
from Tales from the Bad Years
Words and Music by

KAIT KERRIGAN
Moderate Pop, Swing (q = 110)
# 4

& 4
>
3
f
3
?# 4 3
4

>
3
&
G5
?#
&
>
reach for
&
?#
C sus2
3
>
>
> .
Csus2
# .
&
G5
G5
the moon.
j j
.

>
3
j .

I taste the sun - shine.

>
G5
Csus2
.
P
>
j
.

3
Im hear - ing sparks fly.
>
.
3
>

All Rights Reserved
It
.
.
Hand in Hand 2
8
&
&
#
#
?#
11
&
&
#
#
?#
14
&
E bm aj9
G5
F sus4
smells like
June.
n -
b -
walk hand
G5
in
>
hand.
bn ....
b -
j
.

.
P
?#
16
&
&
>
G5
?#
>
j

3
>
F sus4
(growl in)
gg n b ....
gg
when we
-
J
p
b -
n -
grey days are
j
.
E bm aj9
.
n b - ..
b -
Mmm...
n
3
fair.
F sus4
.
.
Csus2
ev
E bmaj9
me
#
.
up and ex - pand
Your shad - ow fol - lows
and
mix
j

-
F sus4
Nights nev - er lone - ly,
&
j
#
E bmaj9
j

-
...
-
Csus2
j .

All of my sen - ses
j

-
.
n b - ..
A (add4)
ry
where.
n -
>
Hand in Hand 3
18
&
&
&
?#
20
G5
j
.

Tell
23
&
&
#
#
>
C sus2
still
My
?#
hand.
j j
#
breath
b
J
b
J
j
n
short - stops
>
in
j j

>
side
me.
G(add2)/B
G (add2)
B7(# 5)
>
P
j
>
cause
were
C sus2
D sus4
j
.
be - side
it's grand,
My
>
j
3
-
#
.
say
A m7
Ill
..
- .
here
in
G /B b
#
& j .
&
j

hand
A m7
#
3
and
D sus4
?#
26
# .
& ...
?#
me its cra - zy
A (add4)
heart
flip
flops.
G/B

J
subito
When youre
.
E m7
>
A9
me,
j
j
.
.
>
>
f
j
j
.
. >
>
#
.
>
3
>

#
> >
>

>
>
>
>
>
Hand in Hand 4
29
&
D sus4
^
#
&
&
34
&
&
&
&
>
G5
?#
37
>
#
#
?#
j

>
j
#
and
>
So
j
.
j
w
.
.
by.
j

-
n -
j
j
.
>
C sus2
N
.
youll wear
a match -
j
j
.
>
f
^
Say well be hand
..
- ..
D sus4
band.
fly
b -
say
A m13
#
.
F sus4
.
n b - ..
you un - der - stand.
ing wed - ding
and
E bm aj9
Let the world
me
A (add4)
You say you love me,
>
j .

Gsus2/B
be - low
Im stand - ing still.
are
Im in the sky.
#
&
.
Clouds
>
G5

J
3
.
P
.
.
>
C sus2
?#
where you should al - ways be.
? # ^
31
G5
3
j 3

>
3

. -
>
in
2
4
hand.
2
4
2
4
Hand in Hand 5
# 2
& 4
4
4
40
# 2

& 4
>
3
opt. solo # r
#
4
4
?# 2
4
43
&
&
#
#
?#
45
&
G5
# .
P
?#
>
&
&
?#
Oh
j

J
doo doo
doo...
(etc).
>
E bm aj9
.
n b - ..
b -
>
>
F sus4
n -
j r
b J J
G5
j

-
>
>
C sus2
Doo
>
sing notated pitches with syllables, or ad lib scat
>
>
G5
&
47
>
4
4

>
3
.

3
>
Hand in Hand 6
50
&
#
& #
.
?#
53
&
&
&
56
&
&
#
#
?#
59
&
>
C sus2
# .
#
#
#
C sus2
.
# #
3
my heart
- flops.
flip

G/B
subito
youre
E m7
b
J
breath
>
>
>
short
>
>
#
>
>
>
>
>
>
stops
in
j j

side
be - side
E b7
B7(# 5)
>P
j
>
b n
#
.
j
j
.
>
b b
3
where you should al - ways
b .
b.
>
G (add2)
me,
b b b ...
.
>
&
me.

J
? j
>
D sus4
j
j
.
.
>
D7sus
J
-
G(add2)/B
here
j
n
A m7
A9
j j
#
>
3
3
..
- .
G /B b
b
J
.
m
Oh,
My
When
j

-
A m7
D sus4
...
- .
f >
?#
>
&
A (add4)
be.
&
b.
b.
>
###
.
# # #
&
>
65
&
###
.
# # #
&
? ###
67
&
###
>
Im
# # # g ww
& ggg ww
gg P
gg
gg w
g w
? # # # ggg w
j
b
are
>
# #
>
>
stand - ing
me
N
N
>
>
still.
Let
the
colla voce
j
#

Im in the sky.
.
.
.
J
me,
U
wwww
U
w
ww
world
> .
n n ...
molto rit.
n
n
>
fly
by.
>
n
n
>
j
.
#
you un - der - stand...
gg # www
gg
gg
gg
ggg w
gg w
###
B7
and
###
F m aj9
###
>
and
>
D sus2
You say you love
Clouds
r.h.
3
# j
>
be - low
A(add2)
>
? ###
>
~~~~
>
~~~~
>
# b n
?#
63
~~~~
~~~~
&
~~~~
&
E13
~~~~
61
Hand in Hand 7
E b13
Hand in Hand 8
###
&
70
So
### U
ww
&
w
D sus2
say
F.
.
a tempo
j
.
>
U
? ### w
w
# # # B m7
w
&
&
###
? ###
76
&
###
j j
..
- - ..
cresc. poco a poco
..
- ..
E 13
Say well be hand
##
& #
79
D sus2
.
# # #
&
? ###
. .
ing
>
Bm7/E
wed
in
hand.
j j
..
- - ..
2
4 J
> >
n > # > >

2
4 n #
3
3
r n

j j
>
>
3
Oh
j
> .
>
4
4
A
3
2 n #
4
n # > > >

> >
band.
3
3
>
..
..
>
ding
woo!
.
J
opt.
.
j
.
.
Yeah,
..
- ..
>
###
&
f
? ###
>
a match
73
Asus2/C #
youll wear
>
4
4
4
4
>

>
>
j

Oh
j
>
D sus2

>
3
Hand in Hand 9
###
&
A
82
# # # .
&
? ###
Doo
doo doo
# # # .
&
(etc).
>
j

.
3
r
##
& # j
? ###
###
&
89
&
###
>
? ###
dit
B m7
dah,
E 7sus4
dit
dah
n -
b
>
n
J J
# #
dah.
n -
A/C #
p
.
Hand
in
hand.
dit
n
J
dah,
Dit
.
j
.
.
>
G sus4
F m aj9
#
.
.
n n - ..
.
.
B (add4)
>
86
###
&
.
j3

D sus2
doo...
>
##
& #
? ###
j

J
3
84
sing notated pitches with syllables, or ad lib scat
gg ..
ggg ..
gg P
gg
gg
gg .
gg .
g .
u
dah,
b

J
HOLDING ON
Stately, steady (q =102)
C #m
# ## 4
& # 4
G #/B #
Words and Music by

KAIT KERRIGAN
Aadd2

##
& # # 44
p
? # # # # 44
&
####
####
&
? ####
N.C.
wake
E sus4/G #
####
&
####
&
? ####
12
&
####
Am
# # # # n ww
w
&
? #### N w
j
.
(stay in time)
up ev
ry
morn - ing
sur - prised
to
sur - prised
j .
our fran
world
and
tic
con
passionately
tin
# www
SOLO:
gg www
g
sun,
ue
on
#w
F #/A #
E sus4
run.
P
.
j
.
the
A sus2
the
see
j
.
j .
j .

All Rights Reserved
E/D #
Days
be - come
Holding On 2
#### C m
&
15
weeks.
? ####
S.
A.
T.
B.
####
? ####
####
&
22
&
####
? ####
shift
T.
B.
####
&
? #### .
E5
The earth
p
.
ing,
turn
E 5/B
keeps
back
when.
ing,
.
J
A5
the
keep
hold
and
.
J
way
be - come
end solo
A sus2
Months
MEN:
be - come months.
WOMEN:
&
w
? ####
S.
A.
18
Weeks
# ##
& #
G #/B #
light
keeps
.
J
ing
Holding On 3
25
&
S.
A.
####
A5
SOLO:
# ##
& #
Im grow - ing
on.
T.
B.
? ####
####
&
? #### .
28
S.
A.
T.
B.
&
####
? ####
# # # #
&
? #### .
####
&
S.
A.
T.
B.
&
####
E 5/B
? ####
####
&
? #### .
J
j
the
.
J
light
keep
hold
.
J
.
J
ing,
and
.
J
SOLO:
on.
.
J
J
j
A 5/B
.
J
keeps
earth
A5
ing
shift
The
keeps
.
J
A5
ing,
a - gain.
.
J
turn
31
up
E5
Holding On 4
35
&
####
j
.
E sus4
wish
the world
would
# ##
& # w

P
? ####

. .
. .
no
tice
and
&
&
####
####
I wish
that
F #/A #
# ##
& # .
world
#### w
&
wp
w
? # # # # ggg w
gg # w
g
#
C m
####
&
45
. .

. .

weeks.
to stop.
Am
Weeks
want
to.
G #/B #
be - come months.
#
? ## #
Months
be - come
E/D #
the
could tell
. .

j
.
A5
gg n ww
gg N w
gg
E5
n www
# ##
& #
flowing
for
j
.
j .
you.
? ####
41
a breath
ww

. .
E/G #
j
.
pause
no pedal
38
j
.
B 7sus4
Days
be - come
A sus2
way

back
when,

. .
48
&
S.
A.
T.
B.
####
&
####
&
####
alt.
S.
A.
back
E5
? ####
55
####
&
S.
A.
T.
B.
&
####
####
&
? ####
keeps
turn
ing,
the light
keep
hold
keeps
shift
The
ing,
and
- -
A sus2
ing
on.
Im grow - ing

. .
A sus2
B 7sus4
when.
B sus4
? ####
####
- - F non accel.
? ####

&
earth
T.
B.
? ####
####
&
way
? ####
51
Holding On 5
up
a -
58
&
S.
A.
T.
B.
####
gain.
? ####
####
&
? ####
S.
A.
# ##
& #
61
&
####
A sus2
? # # # #
# ##
& #
? ####
64
&
S.
A.
T.
B.
&
####
####
>
The
earth

. .
j
>
keeps
shift
j
.
>
? #### .
turn
> .
J
..
.
.
ing,
and
grow-ing up
A sus2
B sus4
keeps
pedal freely
I'm
? # # # #
&
hold
####
light
T.
B.
Holding On 6
E5
j
>
j
.
a - gain.
.
.
ing,
the
keep
..
j
.
>
ing

>
>
>
>
>
>
..
.
.
J
-
on.
The
Holding On 7
####
&
67
S.
A.
j .
The light,
# ##
& #
earth
T.
B.
A sus2
? # # # #
keeps
turn
..
.
..
..
ing,
the light
keeps
keeps shift -
the light
shift
..
.
..
..
ing,
and
####

&

f non accel.
? ####
sim.
Ped.
# ## j
& # .
E /B
71
S.
A.
&
####
ing.
T.
B.
A sus2
? # # # #
keep
hold
..
..
ing
On.
..
.
on.
>
The
####

&

>
>
>
? ####
>
>

> > >
>
>
>
Holding On 8
75
S.
A.
T.
B.
&
####
? ####
earth
# ##
& #
? ####
79
S.
A.
T.
B.
&
####
>
(a cappella)
##
& ##
S.
A.
&
? # # # #
earth
T.
B.
^
####
&

f
? ####
.
.
>
turn
light
keeps
shift
hold
turn
>
>
ing
keeps
..
Surging Pop Anthem (q = 104-108)
The
..
>.
f
.
.
>
j

> >
j

> >
..
.
..
..
and
on.
ing,
ing,
A sus2
..
the
ing,
..
keep
? ####
####
>
keeps
? ####
83
A5
the light
>
>
keeps
...
>
>
shift

>>
..
.
..
..
ing,
and

>
Holding On 9
&
####
&
####
87
S.
A.
? # # # #
T.
B.
^
#
# #
& #
? #### .
.
>
91
&
&
S.
A.
&
####
B sus4
keep
hold
> >

####
####
ADDITIONAL
FEMALE SOLO:
Oh.
keeps
turn
####
>
? # # # # ..
.
SOLO:
Oh.
..
..
j
..
.
>

>
j
..
.
Oh.

..
.
>
>
A
j
..
.
> >
^
^
>
keeps shift - ing.
..
..
.
ing,
..
.
Oh,
>
...
j
..
.
> >
..
.
>
Oh,
keeps
shift
..
>
j
..
.
>
j
..
.
>
and
the light
the
The
~~~~~~~~~
on.
j
.
ing
? # # # #
>
..
.
keeps turn - ing,
earth
&
earth
T.
B.
A5
..
.
ing,
>
j
..
.
and
Holding On 10
95
&
&
S.
A.
T.
B.
&
####
####
####
E/B

J J
I,
keep
####
>
>
? #### .
.
.
j
..
.
hold
>

>
j
..
.
Pushing faster (to q = 120)
#### w
&
# ## w
V #
99
S.
A.
E5
# ##
& #
earth
T.
B.
? # # # #
keeps
..
..
.
ing
j
..
.
I keep hold - ing on.
..
.
ing,
>
j
..
.
>
>

>
>
j
..
.
> > > >

>
keeps
j

> > >
the light
The
w
...
B 7sus4
on.
A5
turn
Oh,
MALE SOLO:
I keep hold - ing on.
? # # # #
&
A5
...
shift
..
.
ing,
>
j
and
and

# # # #
&
> > > >
> > > >
> > > >
> > > >
molto accel.
? # # # #

> > > >
> > > >
> > > >
> > > >
Holding On 11
&
####
####
103
S.
A.
B5
# ##
& #
T.
B.
keep
hold
keep
keep
ing
hold
ing
...
hold
ing
..
.
on.
www
on.
>
The
..
>

on.
The
The
>

..
.
ww
w
####

&

>>
? ####

>>

>>>> >>>
>
j
j
j .
..
..
. ..
.
.
> . > > .
> sim.
# # # # >
&
107
>
? # # # #
earth
T.
B.
? # # # #
Tempo Primo
S.
A.
>
A sus2
turn
keeps
...
..
.
ing,
the
A sus2
light
shift
keeps
#### w
w
&
w
>
ww
w
w
ww
w
ww
w
w
>
w
w
w
w
w
w
? ####
...
..
.
ing,
>
j
>
j
and
Holding On 12
111
&
S.
A.
&
####
####
E5
? # # # #
I
T.
B.
keep
#### w
w
&
w
####
&
S.
A.
&
####
hold
...
ing
..
.
# ##
& # #
? ####
molto rall.
2
4
4
4
2
4
4
4
2
4
P
4
4
Oh,
2
4
Oh,
? ####
U
w
A m6
Oh.
T.
B.
ww
w
w

aw
#
U
w
on.
U
w
P
2
4
SOLO:
ww
w
w
w
G #/B #
j U
www
ww
w
? ####
w
w
116

Oh.
Oh,
4
4
U
w
ww
Oh.
4
4
C #m
U
www
ww
w
w
U w
w
U
>

J
j
>
HOW TO RETURN HOME

Words and Music by

KAIT KERRIGAN
Moderately (q = 110)
E bm

bb b b 4 w
& bb 4
j j
P
.
? b b b 4 w
bbb 4
C b(add2)
E b m9
w
w
Your bare feet slid - ing on the
old wood - en
floor - boards.
&
w
w
b
& b b b b b j
it
E b m9
but still youre shak en.
? bbb w
bbb
Like walk - ing in - to
.
w
G bsus2
colla voce
Db
bb
& b b bb
D bsus4
ww
w
Db
j j
.
w
C bsus2
bb
& b b bb

w
? bbb w
bbb
p
? bbb
bbb w
w
j
.
w
with pedal
Gb
ww
w
j j

Home
just
as
you
left
C b(add2)
mu - se - um some

All Rights Reserved
how
out
of
How to Return Home 2
bb
& b b bb
11
A b(add4)
bb
& b b b b ..
n .
? bbb
bbb
bb
& b b bb
14
girl in the
bb
& b b b b ..
.
? bbb
bbb
hall - way,
..
.
Your child - hoods on the oth - er
? bbb j
bbb
bb
& b b bb .
-
J J -
20
bb
& b b b b ..
n - .
? bb b b
b b -
too
...
.
P
side
of
who
will
A b(add4)
.
n - ..
sprawl - ing
j
.
di
j

J
in - to.
vide,
Take a
rip - en
she
D b(add4)
...
-
D bsus4
same ex - cept the
a tempo
...
wide.
shes been and
j

n
Its all the
C bsus4
j j

where
E bm
bb
& b b bb
w
G bsus2
bb
& b b bb

17
.
..
C bsus2
time.
E b m9
www
w
si
lent
breath.

E b m11
bb
& b b bb
23
bb
& b b b b
? bb b b
bb
gg
gg
Hold in
b b .
& b b bb .
up
.
? bbb
J
bbb
G b/B b
bb j
& b b bb
29
bb
& b b b b ..
to

? bbb
bbb
day.
j
.
D bsus4
bb
& b b bb
32
bb
& b b b b ww
w
? bbb w
bbb
w
Tell your - self
a - way.
- J J
E b m9
..
C bsus2
live
here.
.
.
E b m11
..
j j
.
J
.

rs.
...
still
.
.
ly

Count the hou
Its the on
.
J
G bmaj7
you
stairs.
j
.
.
Wash your - self
j -
D bsus4
Take your bags
the change.
bb
j
& b b bb
26
C bsus2
E/D
way
youll get through
.
J

Take a
show - er.
..
..
.
.
A b 7/C
E/D
n
n
-
n
n
n n # n n # # n - n # n n
j
j
j
j
n.
.
n.
.
nw
nw

E bm7
bb
& b b bb
35
C bsus2
bb
.
& b b b b b b
.
b
F
? bbb
j J J
j
bbb
-
D bsus4
bb
& b b bb
38
Db
bb
& b b bb
G bsus2
bb
& b b bb
bb
& b b bb .
.
? bbb
bbb
bb
& b b bb
44
Was
it
here
al - ways
C bsus2
bb
& b b bb .
.
j
j
girl that you were
? bbb
bbb
The house is
? b b b .
bbb
.
41
.
.
P
way back
j
.
n ...
-
you
A b(add4)
nev - er
a - li - en
E b m9

Its call -ing
.
.
.
then
n ...
-
you to be the
j
.
lis - tened?
heart - beat.
..
but
C bsus2
puls - ing with an
D bsus4
.
.

j
j - J J j
.
E b m9
Gb

D b(add4)
bb
& b b bb
47
gain.
bb
& b b b b ...
- .
? bbb
bbb
-
E b m9
b
& b bbbb
49
bb b b ggg
& b b g
F
? bbb
bbb

bb
& b b bb
Take your bags
G b/B b
bbb j
b
& bb
and
b b .
& b b b b ..
? bbb
bbb
.
- .
C bsus2
up
slow.
j
.
j
..
.
si
D bsus4
g
ggg
..
.
E b m11
Be their daugh - ter.
...
..
your
j j
.
j

live
breath.
still
C bsus2
Put a - way
..
.
lent
Gb
you
j j -
E b m9
stairs.
Tell your - self
j j
-
? bbb
bbb

55
Hold in the change.
D bsus4
..
.
Take
bb
j
& b b bb
52
here.
j

j

clothes. Take it
nice
A b 7/C
Noth - ings hard - er
..
..
.
.

n
n
-
bb
& b b bb
58
when no - bo
b
& b b b b b ww
w
bb
& b b bb
E/D
n #
n
j
.
.
n.
n.
A/D
bb
n
& b b b b n # n
n #
#
n.
n.
? bbb
bbb
( )
##
& #
67
A add9 /C #
###
How to
home.
bb
& b b b b n #
n
bb
& b b bb
j
.
.
n.
n.
go
back.
n
n # n
How to
.
.
How to
n # n
n
j
n
n
# # # > ...
j
.
>
f
###

>
>
how to sur - vive.
show up and un
re - turn
re - turn
n
n # n
j
n
n
# .
# n ##
n.
n.
to
D maj7
# # n
j
j
.
.
&

..
>
>
>
j
? ###
j

>
>
>
>
...
.
>
how
E/D
E
###
j
#

and
# # n
n
n # n
.
.
E/D
cresc. poco a poco
# .
64
n n #
n n #
? bbb
bbb
dy knows
? bbb w
bbb
w
61
E/D
home
n
n
j
.
.
j
.
Theres no writ -ten guide - lines.
..
>
>
j
j

>
>
.
J
D sus4
pack.
..
.
>
>
j

.
^j

...
.
How to
show
up.

B 7/D #
^j

#
^j
#
#
###

&
70
##
& #
How to grow
up.
? ###
j

.
D/E
How to
.
.
##
& # .
j
.
.
.
.
.
.
>
? ###
### .
&
>
76
j
###
&
J
? ### .
.
>
78
&
J
j
>
###
Dmaj7
j

>
>
>
>
j
.
.
>
-j
>
E/A
J
j
>
.
.
>
F # m9
..
>
>
A5
###
&
? ### .
.
>
breath.
##
& #
j
.
>
>
73
take
>
A sus4
j

>
j
.
.
>
>
E 7sus4
>
>
Take a
si
lent
breath.
&

F # m11
###

&
81
&
# # # www
### w
ww
&
subito
colla voce
##
& # J .
&
###
? ###
88
&
###
###
g
ggg
g
f a tempo

stairs.

J
j

You dont fight
&
##
& # n
n
#
? ##
n.
n.
n
-
j
.
.
broadly, almost in 2
name
.
.
j

#
j
#
#
..
..
how to
n
-
j
n .
n .
the
same.
.
J
..
..
E sus4
Its
whole
new
game
re - turn
>
G/F
of
A/C #
j
n
n
n n
-
B 7/D #
it.
j .

Take your bags

up
>
E sus4
here.
but youre not
You dont hide
live
...
j j
.
D sus2
..
.
still
j
j
G/F
F # m11
it.
? ###
###
j

.
91
Tell your-self you
You still share
ww
w
&
www
Hold in the change.
F # m9
85
D(add2)
G/F
home.
n
-
n n -
n.
n.
j
.
.

94
&
###
G/F
G/F
G/F
### n
&
n - n n - n n n > > n n n
>
>
>
? ###
j
j
j
j
n.
.
n.
.
n.
n.
.
n.
.
n.
97
&
How to
###
E sus4
###
&
>
? ###
.
.
>
100
&
>
>
j
.
.
>
### w
>
>
? ###
turn
>
> .
..
.
>
>
D sus2
re
# # #
&
to
.
.
w
###
>
ww
- w
P
- ww
j
.
.
opt.
.
.
home.
>
>
> > >
>
>
Ooh
> ..
.
.

J
>

How
? ###
>
&
j

.
>
home.
D(add2)
>
#
# # . .
.
&
103
re - turn
ww
w
U
w
j j

U
MY PARTY DRESS
from Henry and Mudge
Etude (q = 144)
Eb
b
& b b 44
? b b 44
b
3
b

&bb

& b
b
&bb
it mess - y,
here.
? b
b b .
And
n .
here.
And
b .

All Rights Reserved
"
3
4
spilled.
3 .
4
3
4 .
And
n n .
was feel - ing dress - y.
here.
but you can - not see where I have
&
morn - ing I

b

& b b n
bb
B b7
b
&bb
This
? b
bb
Moth - er thinks Ill get
b
&bb
? b
bb
legato
Did you see my par - ty dress?
Words and Music by

KAIT KERRIGAN
n
I
"
spilled
colla voce
"
,
here.
N.C.
with realization
n
>
Oh
n #
>
no,
44
4
4
4
4
My Party Dress 2
Eb
b
& b b 44
13
.
a tempo
j .
.
b
&bb
16
Jen - na
b
&bb
n .
? b
bb
.
b
&bb
18
.
j .
n .
Cm
grabbed the
b
& b b
? b
bb
punch.
.
j .
.
tried
to
take
E b/D b
climbed
chair.
B b 7/A b
where.
j
.
my
Crunch N
j
.
Munch.
It
j
.
was - nt
fair.
n
n
then
Eb
fell
rit.
n -
b
b
.
n j .
.
n #
But
B b 7/D
n .
B aug
Mi - chael stole my birth - day cake and
E b/B b
b 3
"
&bb 4
20
j
. .
Walk - er
John
that was on my oth - er dress.
b 4
&bb 4
.
F
? b b 44
b
.
A dim/E b
and
B b/F
punch went
E b/G
ev - ry -
On
the
b 3
"
& b b 4
.
colla voce
. "
? b 3
bb 4
floor.
P
.
On
n .
my
chair.
On
his
shoes.
n n .
In
b .
3
4
3
4
N.C.
3
4
her
My Party Dress 3
b
&bb
24
,
,
Eb
hair.
b
&bb
? b
b b .
27
&
bbb
n
>
But
b
& b b n
Mi - chael
once
? b n
bb
bb

4
4

P
4
4
was - nt
it
n # .
4
4
made
fun
of
b
&bb
play soc - cer and
P
.
b
&bb
32
cov - ry
b
&bb
? b
b b .
Camp
n n .
play the
3 ,
4
.
,
3 .
4
flute.
43 .
b
b
& b
I
soc - cer,
B b7
and
tum
John
a tempo
& b
29
on my par - ty dress.
bling
b .
so
>
n
stuffed him
>
>
>
in
lock - er.
&
N.C.
do
art
colla voce
and
tee
and
Dis
ball
n #
n .
and
4
4
4
4
4
4
My Party Dress 4
Eb
B b/E b
b 4
&bb 4
35
Eb
play pi - a - no ev - ry night.
bb 4
& b 4
F a tempo
? b 4
bb 4
b
&bb
38
think
b
& b b n
? b
bb
C b aug
b
&bb
40
se - cret
would
spy
who
saves
b
,
B b 7/A b
b 3
& b b 4 .
42
be
the
day,
play Ode
to
b 3
& b b 4
.
colla voce
. ,
? b 3

bb 4
and
A b/C
when Im
n .
In - jun
or
Eb
fin - ished
B b 7/F
it
3
4
n #
n n .
3
4
Ja - cques, Al
b .
accel.
Ill
3
4
E b/G
sav - ing
C - I - A,
Joe, Fr - re
rit.
b -
Joy,
a prod - i - gy, but
dad says Im
F - B -
N.C.
the
E b/B b
b
& b b
? b
bb
rath - er
w
w
My
F/E b
le - gro,
the
My Party Dress 5
b
&bb
Cm7
47
Pach
b
&bb
? b
bb
&b
51
>
Bb
gg ...
gg .
>
subito
>
la.
&b
?
b
>
on
b
>
and
al
>
>
>
words:
>
"
G m7
And its real - ly fun.
wrote:
>
b
n
>
"
.
colla voce
"
P
.
G m7
b
b
>
La - la - la - la -
Im
gg ...
gg .
g
f
>
N.C.
has
song
Bb
It
this
La - la - la - la - la.
so
La - la - la - la - la.
F7
gg ...
gg .
>
E 7
ah.
spy.
ggg ...
g > .
ah
& b .
Eb
A min
A min
&b
Can
Ballet, in one (h.= 72)
&b
61
bel
56
>
accel. e. cresc
>
Ah
&b
el
B b/D
44
And I wear a
cape. And...
.
4
4
.
molto rit.
petering out
4
4 .
" bbb
" bb
b
" bbb
My Party Dress 6
Tempo Primo
Eb
b
&bb
66
b 3
&bb 4
.
j .
.
N.C.
69
b 3
&bb 4
? b 3
bb 4
B b7
.
j .
.
? b 4
b b 4 .
rall.
b
&bb
75
Par
b
&bb
? b
b b .
is,
n n .
and
Vi - en
j
.
4
4
n .
4
4
.
n .
3
4
buy all my clothes in Brus - sels.
na,
b .
3
4
3
4
3
4
Dad says thats where Brus - sels sprouts are
b 4
&bb 4
do pir - ou - ettes it
4
4
I
j
. .
b 4
&bb 4
72
When
Do you like my par - ty dress?
b
&bb
.
F
? b
bb
.
A dim/E b
,
,
from.
Ive
3
4 .
.,
3
4

and this
3
4
3
4
4
4
N.C.
one
Brus
toured
time,
n # .
4
4
4
4
sels,
and
n .
we
pre - tend - ed
b .
N.C.
rus - tles.
3
4
to
go
to
My Party Dress 7
b
&bb
79
Rome
but
b
&bb
went
to
Ice
4
4
4
4 .
b
&bb
- ed
? b
b b .
o- ver an
b .
7
4 .
in
7
4
7
4
b 4
&bb 4
.
F
? b 4
bb 4
.
& b
.
a tempo
j .
Lau - ra
b
&bb
n .
? b
bb
.
3
4
And
in
Ice
and
.
.
Miss
n .
cor - prate trade
(spoken) That was a secret.
hear -ing... Whoops.
say
.
.
Im
And
we
4
4
4
4
4
4
. .. . . . . . .

.
F7
pre -
My
Li - sa
dad
n n .
3
4 .
land, my
3
4
n .
saw the Rey - kja - vk bal - let.
bb
land.
ter - na-tion - al
b 4
&bb 4
87
Eb
84
freely
82
sid
we
n n .
? b
b b .
b
&bb
4
4
dance class is
n .
.
E b/B b
much more bright than
on Sat - ur - day. Miss
B aug
n -
n
n -
ap - pear.
My Party Dress 8
bb
E b/D b
Cm
& b
89
>
chas - s right. Its ve - ry clear that
b
& b b -
? b
bb
bb
then
b
&bb
n .
a tempo
B b7
b
&bb
95
b
&bb
bb
? b
bb
>
be
then
Rus
li
>
chi
>
3
4
dier,
sian
then
# n
P
cane
b
-
or
an
B b/D
an
gel,
or
nelle.
Let
me
then
F aug
dance
to
this
n b
b
>
molto rall.
>
b n
>
as
can - dy
n
>
accel. e. cresc
3 ^
4
Fm
n n .
^
34
year
>
>
B b 7/A b
>
>
E 7
E b/C
E b/G
in The Nut-crack - er next
>
Eb
b
&bb
sol
Po
& b
98
mar - zi - pan,
? b
bb
>
Ill
n
n
>
B b/F
rit.
b
b
>
n
mouse,
? b
bb
Eb
N.C.
& b
92
>
B b 7/D
>
My Party Dress 9
b b
&bb
cause
101
song
b b
& b b n b
>
? b
bb
>
G baug
..
..
>
f
? bbb
bbb
A b m7
bb
& b b bb
108
til
bb
& b b bb
? bbb
bbb
>
play all
Cb
b b .
& b b bb
112
bb
& b b bb
? bbb
bbb
Ah
>
wrote
it
so
well.
It
goes
Db
the
parts
>
>
in
ah.
..
..
>
Gb
>
ah.
gg ...
gg .
g>
>
with
me.
Sing
"
will dance un -
Bb m
>
G b7
the great bal - let.
bbbbbb
bbbbbb
~~~
~
~
r.h.
~~~
~
~
~~ b b b b b
~~~
b
b
b
>
ah
>
b
>
B b min
gg ...
gg .
g>
>
ah
>
~~~~
~~~~
bb
& b b bb
Ah
b
b
>
Cb
b b .
& b b bb
n
b n
>
104
"
>
"
will do
My Party Dress 10
Abm
bb
& b b bb
116
turn.
bb
& b b bb
P
? bbb
b b b .
b
& b bbbb
Moth - er
? bbb
bbb
says
Ill
Abm
bb
& b b bb
122
Bb m
>
Db9
? bbb
bbb
>
#### 4
&
4
one
day
when
guess
Im
thats
>
>
quit.
will
do
n
>
"
"
> .
.
.
"
it.
>
pres - i - dent,
>
>
.
gg
gg
g
E b aug7
ne - ver
^ "
Maestoso (q = 104)
will
^ U
"
>
# ## 4
& # 4
>
f
? #### 4
4 .
>
"
>
And
bb
& b b bb
F a tempo >
split.
125
>
.
turn.
quit.
an - oth - er
b
& b bbbb
And
colla voce
gg
gg
119
Db
Oh
and
B7
n -
# n # n
nu-
>
> .
.
>

#### 4
4
#### 4
4
#### 4
4
j
my
My Party Dress 11
127
&
F#
####
# # # # >
#
&
&
E/G #
####
? ####
&
####
B7
&
####
&
####
? ####
be
ver - y
of
laws
then
all
of
the
>
>
j
>
>
peace - ful,
colla voce
think
>

late
so I
are
cool.
Ill
coun - tries
that
to
>
pass
"
3
4
>
^
3
4
rule
and
hap
()
A # m7 b 5
to
ban - ish
>
N.C.
####
####
####
be
"
kinds
"
the
freely
school. And
j
#
#
>
will
py,
leg - is - late
clause
.
.
>
A Maj7
3 ^
4
time
Nw
have
N -
j .
>
.
.
>
# ##
& #
>
rit.
? ####
>
133

#
>
j
#
.
>
# # # # >
&
131
bed - time will
? ####
129
F # m/A
and
My Party Dress 12
&
####
&
####
137
? ####
140
&
####
# .
com - fort - ble,
B9
F #7
? ####
#
B 5/C #
and
&
B/D #
pret
frill
# # # #
& #
? ####
#
.
>
146
####
& #
.
>
? ####
#
sat
in,
>
>
and
b n
per
lac
and
pink
like
n
b n
poco rit.
&
and
.
>
fect
and
>
and
D 7
with pedal
>
# # # #

& #
silk
and
y,
ty,
accel.
####
n a
####
& #
143
my
My Party Dress 13
149
&
####
B/D #
^
# # # #
& #
# # # ^
& # #
bb
& b
153
b
&bb
N.C.
cadenza
b 4 w
&bb 4
dress!
b 4
&bb 4
? b b 44
b
Eb
b
&bb
>
ah
ah
My
par
b ..
.
Eb
Bb
Bb
> >

>
>
>
> > > >
bbb
bbb
4
4
ty
4
4
..
.
>
4
4
.
.
>
Eb
ah
Bb
bbb
b.

>
Eb
Eb
Bb

>
Bb
b w
&bb
N.C.
ah - ah
E bm/B b
colla voce
ah...
b >
b
& b
ah
Presto
161
pa
A.
157
? b
bb
freely
&
>
>
>

ww>
w
>
>
w
>
>
>
>
NOT A LOVE STORY

Words and Music by

KAIT KERRIGAN
Moderately, with passion (q = 108)
Eb
F6
bb C
&
P
ww
? b b C www
w
5
&
bb
b
& b .
? b ggg ww
b gg w
g
9
Gm
b
& b .
N.C.
&b
&b
&b
12
&b
&b
b
b
love
sto
ry.
subito
&
w
w
F6
www
ww
w
- .
.
Eb
Its
not
com - ing
Its
not
the
kind
of
thing
2
4
you put

All Rights Reserved
in
2
4
2
4
of
not
w
w
www
w
Its
-
J
Gm 9
gg ww
gg w
gg
age.
to
C
?
B bsus2
b
&b C
15
play.
b
&b
j j

b ww
b
&

just
? b w
b w
Its
21
&
bb
? b
b
w
&
friends
it
hap
pens,
grown
ww

up.
? b
b
w
( )
It
it
hap - pens,
hap - pens
F 7sus4
ry.
w
w
one
day.
b
&b
sto
w
w
j j
.
small
B bmaj7
bb
all
w
w
j
.
j j

B b(add2)
two
Cm
b
&b
23
..
Gm 9
Its just
b
&b C
P
? b C
b
18
Not A Love Story 2
Why
con moto
Not A Love Story 3

25
&
bb
G m11
to - day?
b
& b .
? bb
28
&
bb
F/A
b
&b
b
&b
? b
b w
&
bb
F/A
fore.
sim.
would
say
hed
The fold - ed
ww
P

w
pass - er - by
E b/G
F/A
31
33
We saw our breath, though it was
b
&b w

? b
b
Gm 9
B bsus4
arms.
b
&b

? b
b
seen
hard - ly
win
ter.
all
be
Bb
sim.
The wound - ed eyes.
it
B b5
j

F13
The
j .
w
signs that we
ww
w
ww
w
both
ig
Not A Love Story 4

36
&
B bmaj7
bb
nored.
b
&b
39
&
bb
E b/B b
the
shad - ows,
the
&b
&b
b

w
&
bb
F/A
tears.
We did - nt
E bsus2
b

&b
bb >
&
F
? b
b
speak.
thing
we
saw
B bsus4
You say good - bye, but do you
piu mosso
on - ly
? b
b
45
&
b
& b .
Our lips were
E b/G
numb.
F5
w>
w
The
real - ly
B bsus4
know its
o - ver?
mid
the
threat
of
world did - nt
F6
>
ca - the - dral loom - ing
F/A
in
42
? b
b w
The old
F/A
crum - ble.
E bsus2
>
You say good - bye, but
do you
Not A Love Story 5

48
&
bb
F6
b
&b
&b
51
&
55
&
bb
>
bb ww
&
58
&
bb
bb
&
www
that
things
>
Its not the
? bb
kind
ww
w
of
thing
you put
com - ing
B bmaj9/D
www
change.
Its not
>
nev - er
change.

w
Cm7
this
Its not
like
B b(add2)
and
..
.
go
.
.
ry.
F6
F13
..
w
w
j j
.
? b
b w
a - long, think - ing
And then they
b
>
sto
go

J
b
>
You
Gm 9
love
.
J J
..
b
? b
b
>
it?
A bsus2
bb ..
com - pre - hend
? b j
b
E bsus2
of
age.
2
4
in - to
2
4
42
C
C
C
Not A Love Story 6

Bb
b
&b C
61
play.
b
&b C
? b C
b
b
&b
64
.
bb .
&
&
bb
&b
69
&
just two
friends
B bmaj7
bb
day.
b
&b
all
grown
up.
hap
F sus4
pens,
gg www
gg w
g
it
ry.
It
hap
pens,
Why
j
? b
b

w
j
.
sto
gg www
gg w
g
it
b w
? b
b
Bb
small
Cm
j j

Its
G m11
Its just
.
J
? bb
w
67
Dm7
hap - pens
one
G m11
>
>
j
j

w
w
Not A Love Story 7
b
&b w
F
72
Gm 9
>
>
bb .
&
? b
b
75
&
bb
&b
w
F/A
w>

>

r.h.
w
w
does
it
keep com - ing back to
w
w
p
&
bb
hold
B bsus2
each
F/A
oth - ers
one
dark
hands.
&
F13
go
b
&b w
ww
? b ww
b w
on
sec - ond?
Our stom - achs
quake.
B bmaj7(#11)
de - mand - ing
more.
? b
b w
bb
& b w

81
F/A
E b/G
l.h.
? b
b w
78
Were skip - ping phys - ics just to
..
j .
w
B bsus4
Our first mis - take:
we
n
n
F

w
.
.
- -
Not A Love Story 8
b
&b
F/A
84
b
&b w
w
B bsus4
Un - til were sleep - ing in
squal
&
bb
E b/G
hold each oth - er so
b
b
&
tight.
b
&b w
G m11
? b
b
all.
G m11
.
.
We have to spoon or well fall.
re - fuse; we will not
We
bunk.
The low - er
E b/G
But we
Cause there's no room here at
G m11
b
& b
room.
F (add4)
? b
b
dorm
b
&b w
93
id
b
&b
cresc.
F/A
? b
b w
90
.

w
? b
b w
87
F/A
say the bed is
w
F
for
.
.
us.
too
small
Not A Love Story 9
b
&b
F/A
96
.
bb .
&
We on - ly
want
Bb
ed
99
&
bb
E b(add2)/G
? b
b
b
&b
102
Gm 9
Id
..
have
you.
b

&b
F sus4
w
www
b
&b
&b
b w
w
As sure as time would pass, as
n > .
n.
ing.
stretch - ing
as far as we can see.

>
out
have
....
per
ma
6
E b /9
me.
www
>
B bsus4
Youd
>

J
More.
subito
j

J
A ho - ri - zon
b
& b
j
? b
b
w
105
F/A
j
...
>
Un - end
b A > ...
b
&
..
> .
.
more.
f
? b
b w
opt.
Fmaj7/A
nent
as
stone
ca
the
>
drals.
&
Not A Love Story 10

A bsus2
b
&b
107
&b
b ww
May - be
if
w
>j

? b
b bw
bw
B b5
b
&b
109
b .
& b ..
b
&b
Gm7
b
& b wF
w
? b w
b
114
&
bb
know
had
We
had
nt
skipped
ww
>
b
w
w
>
nt
>
phys
.
.
day.
? b
b
&
P
w
w
wed
has
de
cay.
ww
w
yet
j j

j E (add#4)
j

j j
.
that
ro
has
each
w
w
mance
w
w
Gm 9
ics,
w
w
www
chime-like
>
ev - ry - thing
>
J
>j
ww-
F (add4)
learned
>
.
F 7sus4
>
J
>j
last
&b
we
? b .
b .
.
111
www
w
w
w
Not A Love Story 11

Slowly, with rubato
b
&b
F/A
117
b
& b .
p
? b
b
120
&
bb
Ca - the - dral bells rang out
&
E b/G
B bsus4
an
a tempo
that
b
&b
oth
the
morn - ing
ho
ur,
re - mind - ing
us
that this was
poco colla voce
some - how
ho - urs
pass,
that
that
do you
night,
F7(no3)
theres
still
sun
w
w
F
Uw
ww
light.
w>
w
&
real - ly
know its
U
w
ww
E bsus2
o - ver?
>
B b(add2)
w
w
er
F/A
breaks,
E bsus2
b
&b
p
b

&b
? b
b
mark
j
? b .
b w
125
Tempo Primo
b
&b
P
? b
b w
bb
F/A
just
122
to
E b/G
do you
Not A Love Story 12

128
&
bb
b
&b
com - pre - hend
131
&
&
bb
? b
b
E bsus2
it?
>
There was
A bsus2
bb .
&
bb
w
? b w
b
137
&
bb
Gm
can
al
Ped.
Its not
a tempo
j .
j j
.
Its just
things nev - er
change.
&
F6
- .
.
molto espr.
some
F 7sus4
so
change.
- -
J
B bmaj9
b
& b
? b w
b
sure
b
& b ..
time when you were
But that
b
& b bw
134
F5
.
love
small
sto
sto
ry.

w
w

B b(add2)
ry.
Not A Love Story 13

140
&
bb
And
b
& b
&
it
hap
j j
.
? b .
b w
w
143
j j

F
? b b w
&
b
&b
&
bb
A bsus2
b
&b

P
? b .
b b.
E b/G
.
.
Why
Gm 9
Cm

molto rall.
? b
b w
149
day.
bb
one
pens
b
&b
146
F 7sus4
sim.
B bmaj7
bb
Cm
to
day?
Bb
F9
w
w
w
w
RISE
from Republic
Words and Music by

KAIT KERRIGAN
Intense Orchestral Rock (q = 150)
# 4
& 4
Em 9
I know how to
# 4 w
& 4 www
F (in strict tempo)
?# 4 w
4
w
4
# 3
& 4
# 3
& 4
they
dont
know
&
&
#
#
fool I
? # .
.
make
keep the
bas - tards laugh - ing.
..
..
>

>
4
4
>
They dont know
shite.
How
of
it.
>

>
>
w
w
keep my head
>
w
w
>
down and

All Rights Reserved
3
4
but
3
4
3
4
>
w
w
Csus2
game
w
w
w
I got their num - ber
4
4
4
4
>
Em 9
D sus4
mine.
.
.
? # 3 .
4
.
Csus2
play
the
blood - y
3
4
4
4
3
4
.
4
4
wait for
3
4
sign.
44
Rise 2
# 4
& 4
D sus4
10
# 4
& 4
>
>
? # 44
>
>
#
& J
G sus4
13
&
&
16
&
&
&
19
&
me
# .
w .
#
E bmaj7
will
& b b wwww
-
colla voce
&
my
ing.
dis - guise.
n b ...
b
J
im - i
w
n b ww-
tate
the
Bb
sun.
see
-j

.
n ..
They dont know
b n
gun.
And they dont
b.
F sus4
F(add2)
-j

B bsus2
. ..
with
Some kid
w..
P meno mosso
-j
. ..

?#
-j

Its
run.
cant.
j
j
to
j j
.
com
# .. .
#
Im read - y
D (add4)
bw
. .
heavy
b n ww
U
w
ww

And I
&
Rise 3
23
&
&
#
#
?#
C5
w
w
# 5 .
& 4
>
>
# 5 >
& 4
f
?# 5
4 .
>
? # 4
4
>
. #
# >
#
accel.
Driving (q = 158)
Em
streets
are
>
>
Csus2
>
>
. n
>
n >
n
filled
with
death
and
>
>
>
>
>
>
Em7
>

>
>

5
4
5
4
4
4
D/E Em7
>
>
C5
and we
>
>
>
>

>
>
4
4
4
4
When
>
ter - ror
>
45
G/D
# >
&
J
F >
? # > >
A/C #
# 4 >
& 4
>
Csus2
# 4 w
& 4
28
>
>
>
D/E Em7
rise.
&
a tempo
Em7
will
>
25
30
D sus4
the
trem - ble,
>
>

>
>
Rise 4
D sus4
&
34
when the dream of
#
&
>
? # >
#
D/F #
>
>

#
&
?#
&
42
&
&
stand.
#
#
D sus4
rev - o - lu
38
will
&
&
Rise.
?#
..
- .
p
.
>
>
ww
.
Cm
men
> >
.
J
b -
will
fall
but
b -
- .
^
.
> > >

> > > v
Rise.
4
4
4
4
5
4 ..
p
5
4 .
>
rise.
45 .
Em 9
B 7(b 13)
>
.
J
w
b
b -
4 w
4
will

>
>
Oth - er
I will
dies,

> > >

. . . . . .
>
>
P
us.
?#
>
>
45
G5
tion
>
>

lead
Em
ten.
Rise 5
Em 9
Screw
# w
www
F
?#
w
my
fath
er,
screw
the
whole
..
..
&
51
&
&
# w
w
w
&
&
Em
&
&
shite.
And
the
but
Pro - vos
dont want
the
..
.
fight.
with
their
blood - y
sim.
coun
try.
4
4
D sus4
^
j 44
^
4
3
4
.
damn
3
4
fuck - ing
They got
? # ww
w
w
the
43
3
4
cour - age
and
they got
3
4
the
balls.
44
^
4
4
J
4
4
>
bombs
Csus2
fly - ing.
D5
>
They dont know
..
.
free - dom
3
4
?# w
ww
56
They want the
?#
w
54
Csus2
j
^
But where do
they
~~~~~
&
~~~~~~
49
Rise 6
59
&
Csus2
stand when its
are
long
gone?
~~~~
>
&
pubs
>
>
>
.
.
J
?#
&
65
&
&
#
#
C5
and we
>
When
&
&
#
#
the
>
streets
are
>
the air
filled
with
death
and
when the dream of
rev - o - lu
.
D/F #
I will stand

>
>
ww
w
?#
w

as they

>
and the
ter - ror

>
D sus4
in
>
>

>
>
>
F
ww
w
.
.
J
>
>
Em
Em
>
trem - ble,

>
>
D sus4
no more right or wrong? When theres blood
>
.
.
?# w
w
w
69
o - ver? When theres
# >
&
f
? # ..
62
tion
dies,

>
trem - ble.
Watch
em
>
73
&
Cm
# -
b
&
#
all
b -
down
&
#
&
.
>
?#
>
>

> >
45 .
####
&
83
His
&
..
.
Asus2
####
P
#
# #
& # - .
try
is
told
legato
>
.
J
>
Rise.
..
- .
p
.
#
& 43 ..
.

. . . . . .
>
>
P

>
>
by
- .

the
vic
>
>
.
J
&
####
####
tor.
n - .
Its
43
####
E/G #
Em/G
43
3
4
.
E/G #
watch
D sus4
and
5
4 ..
p
45 .
Rise.
>
rise.
# 3
& 4
Em 9
In 1 (h. = 58)
# 3 #.
& 4
79
>
me
b b
fall
? # .
..
76
Rise 7
a - .
##
& # # J .
Asus2
87
&
####
&
####
writ - ten
# # # # ..
&
On
ly
the vic
E b/G
b
& b b ..
P
? b
b b .
& N
Cen
&
tor
- .
.
6
A b /9
ture
the
glo
..
tries
? j
.
of
men
.
C/E

can
Fsus2
.
-
E/G #
Em/G
- .
.
past
the
to
bbb
a.
-
6
A b /9
bbb
- .
.
gore
E b/B b
E/G #
n.
-
a - .
see
n - .
E/G #
.
-
cap
99
####
b
&bb
- .
# ##
& #
95
- .
with pedal
blood.
Em/G
in
Asus2
91
&
Rise 8
E/G #
bbb
nnn
ry.
..
were
j

.
Dm7(sus4)
de - feat - ed.
Their
j

.
..
nnn
C/E
lives
lost
colla voce
nnn

in
bat -
Animato (q = 138)
Rise 9
103
&
F5
tle
& ..
?
106
for
.
.
Am7/G
&
try,
for
& j j j j

j
? .
4
&4
B 7sus4
our
D m11
our
peo
111
&
C #m
>
rise
^
# #
& #
f
^
? #
#
#
in - to
glo
>
rise
^
# #
#
^
# #
#
ple,
..
>
>
to
in - to pow
er,
4
4
for
# #
3
C5/G
j
-
ry,
j
-
>

J
#
ww
>
>

F poco accel.
>
? 4 #
4
J
5
4 j j j
P waking up
5
4 .
.
me
4
&4
coun
109
45 .
Dm 9
4
4
4
4
>
rise
^
# #
#
^
# #
#
like
bomb
ex
3
4
3
4
43
3
&4
B
114
plod
D #m
ing.
# >
#
# # #
?3
4
#
F #m9 b5
### 3
& 4
117
phoe
- nix
### 3
>
& 4 #
>
? # # # 43
C #5/F #
###
&
###
&
> .
..
? # # # .
.
(string cue)
>
ris
will
lead
D+(add2)
ing
up
in
tri
>
#
rise
4
4
4
4
F/C #
n >
n n
umph
>
G #5/D
# > .
# ..
coun
my
>
# #

like a bird.
Like a
#
#
C #5
from
the
ash - es,
> n # n
>
>
2
4
E sus4
>
2
4
try
E5
.
.
>
Subito Tempo Primo (q = 158)

F #m
shame,
### 4
& 4
F
? ### 4
from
its
from
E/G #
past
4
4
to its

3

3
A5
fu - ture.
>
4
4
this
2 a
4
### 3
4
### 3
4
#
#
### 3
4
accel.
# # 4 .
& # 4
124
the depths,
molto rall.
from
# #
#
Fucked Up Waltz (q = 132)
4 #
4
#
> >
#
>
rise
# #
3 # # # #
&4
121
Rise 10
molto rall.
.
..
4
4
And
the
128
&
Rise 11
Dm
###
world
###
&
n
? ###
w
132
&
&
will
hear
my
n
n
E sus4
###
###
? ### w
w
>
>
F #m 9
### 5
& 4 .
### 5
& 4 ..
p
#
? ## 5
4 .
.
### 4 w
& 4
>

J
F #m(add2)
138
? ### 4
4
name
ring
Rise!
.
..
p
.
.
out
and
5
4
>
>

> > > v
>

J
U
w
5
4
5
4
4
4
>
4
4
4
4
>
Rise.
>
> . . > . . . .

Dm6
rise.
## 4
& # 4
will

. . . . . . . . . . . .
>
>
>
>
136
n
n
on vocal cut-off
>

>
RUN AWAY WITH ME

Steady, in one (h.= 60)
### 3
& 4
p
? ### 3 .
4
A
&
&
###
###
D/F #
Let
me
.
.
- .
- .
catch
my
##
& # ..
This
##
& #
start
##
& #
is
? ### .
real
- .
- .
ly
to
look
#.
- .
E/G #
like
Im
hard.
.
C # 7/E #
- .
E/G #
breath.
.
.
.
.
? # # # - .
D/F #
.
.
.
.
D/F #
##
& #
15
D/F #
? # # # - .
11
E/G #
Words and Music by

KAIT KERRIGAN
A
E/G #
A (add2)/E
N.
If
sweat - ing,
A/C #
well...

All Rights Reserved
Run Away With Me 2
19
&
###
B/D #
? ### # .
&
###
# .
##
& #
good
with
##
& # ..
words.
- .
32
.
? ### .
? ### .
### .
.
&
28
noth
am.
? ### .
N.
E/G #
D/F #
Im not
##
& #
###
&
thats cause
##
& # .
23
E 7sus 4
ing
P
- .
- .
E/G #
.
.
- .
D/F #
E/G #
new.
- .
But thats
Still
..
- .
.
Bm/F #
have
to
try
Run Away With Me 3

C # 7/E #
&
###
&
36
###
to
ex
&
###
&
###
&
###
# .
##
& #
? ###
# # # N.C.
&
.
###
&
p
##
& # .
cresc.
A/C #
what

Let me
colla voce
be your
E5
&
ride
out
of
town.
With
..
Run
..
#.
do
way
with
me.
..
.
dim.
to
Bm/E
B sus2/D #
want
you.
poco rit.
49
N.
with you.
E7sus
plain
E 7sus 4
? ### .
45
? ### # .
40
( )
A a dd2 /E

Let me
be
.
.
the
place
that you
n -
hide.
Run Away With Me 4
&
###
.
.
lives
on
&
###
We can make our
53
&
###
..
.
#.

the
( )
A (a dd2)/G #
##

& #
# # # - .
.
&
Tex - as
a tempo
? ###
###
&
D
61
##
& # ..
- .
? ###
###
&
A/G
###
&
? ###
n
in
the
Ke - rou
65
go.
sum - mer
C #/D #
ac,
# ...
#
way
with
me.
E sus4
road
like
Jack

Well be
F # m9
..
-
D/E
back.
..
cool.
ing
Run
..
...
look
is
...
A a dd2
57
E7sus
the
E/F #
Sam,
youre
read
ting
read
with pedal
y.
Lets
y.
an
go
.
.
.
- .
.
- .
Alt. lyric: Get
..
- .
on
Run Away With Me 5

F #m 9
###
&
69
###
&
-
? ###
.
&
&
###
B m7
###
&
###
..
.
packed
and
&
###
me
the
key.
E sus4
..
.
..
.
E/G #
D7sus
..
&
.
P
? ### .
.
81
throw
..
- .
gg ...
g .
Tggg
###
E/G #
.
.
lush, thick
? ### .
.
##
& #
.
Get
? # # # ..
77
where.
with pedal
73
F #7
.
.
.
Run
..
.
way
with
..
..
car
me.
Sam,
know
..
.
know
...
..
this
its
is
fast.
fast.
..
.
Dmaj7/F #
.
..
..
# ..
- .
the
Im
in
love
with
you.
What
else
can
do?
..
..
.
..
Run Away With Me 6
##
& # .
85
A (add4)
##
& # ...
? ###
with pedal
##
& #
89
A (add2)/E
craz
craz
### .
&
? ###
###
&
93
&
###
i
i
..
.
er
er
D/E
have
have
? ### .
these
these
plans.
plans.
cresc. poco a poco
###
&
97
Dmaj7/E
###
&
>
? ###
>
its
cra
Call
it
cra
zy
zy
C #7
but
Sam,
Im
but
Im
much
.
# ..
B/D #
# .
Sam,
I
I
have
that
we
build
on
>
>
>
>
have
all
bay
>
>
these
these
plans
plans
when
we
run
of
for
E7
#.
I
I
you.
you.
>
..
.
>
Sam,
for
for
A/C #
E 7/F #
house
way.
Run Away With Me 7

101
&
###
###
&
F
? ###
###
&
105
A (add2)/E
###
&
? ###
###

Let me
be your

We can make our
##
& #
-
Al - a - bam - a
&
? ###
###
&
113
coun - try
##
& #
? ###
ride
out
lives
on
..
.
#
A/G #
heat,
sign
.
.
C #/D #
song.
#
# -
of
town.
Let me
E 7sus4

the
be
the
go.
me
Run
way
with
me.
Wont
be
long.
on
the
D/E
Well be
>
hide.
that you
n
>
up!
place
..
..
E/F #
Dm/F
..
..
# #
B/D #
D/F #
109
E/G #
Sam,
Well
youre
be
A/E
road
like
some
.
.
-
E/F #
read
read
y.
y.
Lets
Run Away With Me 8
117
&
###
A/G
###
&
n .
.
- .
F # m7
##
& #
125
&
###
packed
and
? ### .
&
###
.
- .
.
F #7
throw
the
Im
driving
not
try
..
.
.
.
E sus4
key.
# ..
- .
Run
..
.
me
..
- .
D (add2)
f
? ### .
.
.
..
- .
B m7
&
an

the
way
with
me.
car
..
.
.
.
.
.
ing
to
make
Get
###
.
- .
# # .
& #
129
where.
###
&
? ###
with pedal
121
go
? ###
.
.
you
wife
Run Away With Me 9

A/C #
&
###
&
###
132
&
###
&
###
&
&
D (add2)
###
&
###
Dmaj7
###
&
? ###
.
dim.
one
as
not
try
ing
.
.
to
tie
Dmaj7/E
down.
Im just
B/D #
D (add2)
###
..
.
.
.
you
Im
? ### .
.
.
142
? ### .
.
138
here.
? ### .
.
.
135
say
ing
B 7/D #
..
.
.
.
we
j
. .
#.
#.

there might
A/C #
be
E13
life
..
.
.
.
.
.
j
J
soon as
#.
#.
here
run,
just
as
soon
as
we
run. Run
#
a - way.

>
>

new
>
>
####
####
####
Run Away With Me 10
####
& #
147
# # # # a ..
& # .
>
f
? ####
#
>
####
& #
? ####
# ##
& # #
155
B (add2)
# # # #
& #
>
? ####
# >
####
& #
159
Let me be your
B (add2)/F #
####
& #
151
ride
out
.
.

Mis - sis - sip - pi
ac,

of
lives
on
B (add2)/A #
mud,
watch
E b/F

me
look - ing
..
..
n b b ...
>
n
>
n
n
>
way
with
me.
..
..
F #/G #
B/F #
slide!
Well be
E/F #
back.
Run
road
.
.
Sam,
youre
j
# n n ...

>poco rall.
#
>
read
>
.
.
read
>
like
Jack
F #/G #
>
on the
hide.
that you
>
E m6/G
place
Al - most
the
go.
be
F # 7sus 4

the

Let me
..
town.
.
.
C #/E #
We can make our
E/G #
Ke - rou
# ##
& # # ..
.
>
? ####
#
>
F #/A #
B (add2)
y,
Sam.
now.
bbbbb
bbbbb
bbbbb
D b (add2)
bb
&bbb
163
b b > ..
b
& b b .
? bb
bbb
.
>
out
b b > ..
b
& b b .
? bb
bbb
.
>
town.
D b (add2)
n.
D b (add2)/C
> Cal - i - for - nia

>
bb

b
& bb
? b b .
bbb
.
Gb
b
& b bbb
175
Ju
>
bb b ....
& bb
? bb
b b b .
.
>
li
et.
G b 6/A b
>
>
n > ...
.

we
Read
n
n.
n.
A b/B b
come!
Run
y,
.
>
Bb m

Ro - me - o
..
.
>
..
.
>
.
.
set,
Sam,
now
youre
youre
G b/A b
> .
...
b.
b.
>
>
n
>
b
b
>
>
>

>
.
>
> .
.
F/G
>
n
dreams, here
.
.
C b7
..

of
E b 7/A
bb
&bbb
171
..
.
a tempo
ride
D b (add2)/A b
G b/B b
Let me be your
bb
&bbb
167
A b/C
Run Away With Me 11
is
me.
>
>
>
way
with
>
>
D b/A b
>
cal
A b/B b
read
read
> ..
..
.
.
>
>
ling
for
>
y.
y.
Lets
&
Run Away With Me 12

D b/C b
b
& b bbb
b.
B b m7
()
.
- ..
b b
b
& bb
.
.
b b b
& bb
bb
&bbb
194
way with
..
.
me.
Db
- .
dim.
.
..
P
- .
.
.
A b/C
- .
A b/C
and
Im al
.
.
poco rit.
G b (add2)/B b
the word
Run a -
.
- .
Db
.
- ..
? b b ..
bbb
U .
A b(add4)
n ...
E b m7
Say
an
..
- .
B b7
read - y there!
? bb .
bbb
- .
.
where.
188
bb
&bbb
.
.
bb
&bbb
- .
.
.
- .
bb
&bbb
bb
&bbb
go
b b
& b b b
183
bb
&bbb
179
G b/B b
- .
G bm6/B
molto rit.
- .
- .
- .
Db
..
.
.
.
.
.
SADIE
Words and Music by

KAIT KERRIGAN
Spunky, swing 8ths (q = 138)
4
&4
F
C
?4
4
&

can see
&
.
?
.
b - .
Sa
can see
die
Sa
.
.
as
she
( )
j
C add9
die
in
her
.
b - .
D dim/C
j

3
3
4 .
.
3
4
was.
.
G/B
b j
D dim/C
N.C.
Am
&
.
P
G/B
Am
&
j

3
.
b - .
D dim/C
pink
...
.
.
.
shirt,
...
.

All Rights Reserved
j
#
.
.
big
blue
eyes.
Sadie 2
F6
E7
&
& .
..
-
j j
13
Steal
>
&
...
Am
17
ing
all
my
.
# - ..
4
&4
j j
#
D dim/C
.
b - .
j j
.
D dim/C
j j
..
.
# - .
?4
4
&
.
P
?
n
n .
.
b - .
Am
&
25
..
..
b j
G/B
can
see
Sa
3
4
die
on
the
beach,
slip - ping
4
4
4
4
3
4 .
.
.
b - .
she
3
4
D dim/C
j 44
..
..
un - til
cries.
4
&4
F
j
j
.
laugh
down
run - ning
G 13
E7(b 9)
D m9
...
()
E 7 #9
and
laugh -ing that
21
>
Bleeck - er,
& ..
.
-
T - shirts
F # m7 ( b 5)
in
and
Sadie 3
Am
N.C.
28
&
out
&
j
#
of
cart
j
#
wheels.
( )
&

per - fect
& ...
.
? .
.
35
>
the
.
E 7(# 9)
sun
sets
n
n
>
vry
skin.
E 7( b 9)
>
Am
...
in
the
>
cean
of
..
..
-

> .
her
scent
and
j

.
her
j j
j j
F # m7 ( b 5)
can see
...
j j
her
...
-
piece with
j j
...
6
C /9
Jer - sey.
..
.
>
Drown - ing
one
on
F6
G13
& ..
N - ..
Dm 9
&
j n ..
#.
>
& ..
# .
shad - ow as
39
E7
& .
C add9
She can rock
(optional fill)
?
31
G/B
her
grin
and
its
>
>
>
>
>
>
Sadie 4
43
&
F6
all
Sa
&
F
?
>
47
&
51
&
not
gone.
55
&
old
mov
>
the
my
Sa
..
- ..
( )
.
still
Sa
.
>
die
is
B b 7 ( # 11)
plays
.
b - ...
..
..

.
>
an

- .
like
Sa
on
not
j
#
b
>
Shes
b.
die.
> .
..
..
-
die.
F/G
Sa
>
..
b - ..
old
B b 9 ( # 11)
j

.
j
#
b
>
C (add9)/E
j .

ie,
>
It
. j
D m9
j

.
j

.
..
- ..
F6
& ...
- .
?
Its
j

.
die.
>
&
?
. j
D m9
& ...
- .
?
C add9 /E
.
.
>
But
j
. j
die
at
all.
Sadie 5
59
&
Am
4
&4
C
?4
4
.
b - .
&
.
?
n
n .
D dim/C
j

3
.
b - .
can see Sa
die
j

.
Pick - ing out
b j
at
the
reel
Square, serv - ing
j

.

show
3
4 #
>
r
#
up
the
n n
r
#
me:
Hep
burn,
n
n .
j

.
b
>
3
b
b
>
>
Ca
& N
>
Play
but - tered pop - corn.
(optional fill)
( )
A bmaj7
Gsus2
C add9
to
j

3
.
b - .
N.C.
G/B
3
4 .
.
D dim/C
44
3
4
4
4
#.
G/B
Am
&
Am
4
4
# .

J
.
D dim/C
&
71
63
.
# ..
4
&4
& .
.
-calmer
67
D/F #
ry
Grant.
#

3
(optional fill)
F6
75
&
()
Clo
ser
than
&
> .
& ..
82
dol.
j
j
#
>
# j
>
#n ...
gers,
my
..
..
Fred
i - nee
#
3
>
#
> ..
.
>
E7(b 9)
D m9
...
mat
my
Shes
...
N - .
my
C6
&

> .
>
n > .
G 13
Ro
F # m7 ( b 5)
&
Am
>
&
79
close - up,
#
. > #
#
# #
&
3
Sadie 6
E 7 #9
staire
dan
>
Gin
ger
C/D
C/E
cing.
Its
>
>
Sadie 7
85
&
F6
all
Sa
&
F
?
>
89
not
gone.
j

.
& ...
- .
?
93
&
old
mov
>
Sa
..
- ..
j
#
B b 9 ( # 11)
plays
.
b ...
b
>
old
Sa
die
is
.
>
>
on
like
an
>.
die.
But
not
Sa
b
>
j
#
.
b - ...
Shes
3
j

.
3
B b 9 ( # 11)
j

.
die.

- .
G 13
C(add2)/E
the
j
.
ie,
.
>
It
>
. j
my
j

.
& ...
- .
j

.
still
Dm 9
&
Its
F6
&
?
Sa
die.
..
- ..
>
( )
.
. j
Dm 9
&
97
C add9 /E
die
at
all.
b
3
..
..
-
b.
j
b -
Sadie 8
Lush, with forward motion (q = 144)
101
&
F6
&
?
105
&
& .
?
&
&
>
?
>
Fmaj9
&
113
&
?
When
the
black
>
#
.
...
.
.
>
dols
when
the cred
and
white
#
-
.
.
..
- .
..
play?
fades
to
grey?
soft
- . - ..
..

.
3
Give me
.
>
>
screen
its
j
j
.
go
.
.
F/G
.

J
E7
109
Dm 9
Where do
piu mosso
( )

C add9 /E
fo - cus
Sadie 9
E 7(# 9)
&
117
Am/E
E 7(# 9)
and
>
& j
film
strip
of
Sa
.
& .
?
subito
C sus4
125
.
.
j # >
lens:
>
j
#
a
poco rit.
G/B
E 7(# 9)
gle
.
.
dies.
Sa -
..
.
..
.
dies
..
slip - ping through my
& #.
? .
.
.
..
. ..
&
C (add4)
& .
.
p
? . ..
129
an
E7(b 9)
>
j #
Am
&
&
wide
# -
? j
.
121
. ..
fin - gers
#.
..
.
>
. ..
a - gain.
#
>
.
3
Sadie 10
Am
G/B
&
133
&
.
P
?
.
can see
Sa
matter-of-fact
die
G/B
&
& g ..
gg .
Am
137
can see
if
141
die
but
&
Csus2
All
j
#
& .
j
..
#
.
F a tempo
?
.
.
3
&
145
Am7
mem
& ..
..
?
..
.
>
()
E 7 #9
..
#.
E7(b 9)
re
..
.
>
Now
.
n.
thought Id
ber.
D m11
>
F # m7 ( b 5)
j N ..
#.
.
# ..
...
whis - pered
we
fad - ing fast.
..
.
the words
shes
Cal - i - for - nia.
E7
Tempo Primo
F6
squint, some - where out in
gg ..
gg .
colla voce
Sa
...
n.
its
...
.
just
the
Sadie 11
148
6
C /9
G 13
&
im
age
& .
...
?
of
..
..
&
&
155
&
subito
&
&
er
last
( )
.
C add9 /E
ing.
&
D m9
.
&
P
?
159
ev
(music box)
her
F6
151
...
J
B b 9 ( # 11)

..
.
J
mov
f soaring
? j
.
ie,
.
.
Just
like
an
C/G
old
>
>
>
>
>
>
poco rall.
b ..
F6
b.
the
j

.
b.
( )
.
C add9 /E
old
Sa
die.
But
163
&
Am
my
Sa
& j
j
?
.
167
&
die
is
m .
? .
.
.
4
&4
F
3
?4
4
171
3
&4
3
& 4 .
.
?3
4
.
b - .
die...
D dim/C
.
b - .
Am
.
#
did - nt
44
..
..
..
4
4
..
.
with pedal
die.
.
#.
.
.
.
D dim/C
b ....
..
174
()
Sa
Sa
G 13 b 9
My
&
my
j
N.
D m9
F # m7 ( b 5)
j #
#.
C/G
Sadie 12
o
G#
4
4
b j
see
3
4
D dim/C
G/B
Sa
.
.
.
b - .
die
at
3
4
all.
SAY THE WORD

Easy (q = 94)
bb 4
&bbb 4
p
j
bb b 4
& bb 4 w
5
Words and Music by

KAIT KERRIGAN
..
ww
w
with pedal
Gb
bb
&bbb
bb
&bbb
..
Some - times
P
b b .
& b b b .
Gb
bb
&bbb
11
j
..
w
bb b ..
& bb
b b .
& b b b .
Ab
School - girl
when I
look at

you,
..
lit - tle
world
who learns
ev - ry - thing
..
.
..

All Rights Reserved
wait.
j

Fm
B bm
I dont know why youd
Ab
j
.
w
.
.
-
ww
w
j ..
w
in
j ..
w
Fm
J
j
b

& b bbb
j
bb b ..
& bb w
B bm
late.
Say The Word 2

Ab
Gb
bb
j
&bbb
13
bb
&bbb
Ive al -ways had
.
? bb
bbb
bb
&bbb
? b b bw
bbb
swers, now I dont have a
to
bb
&bbb .
.
? bb
bbb
bb
& b b b .
Fm7
? bb
bbb
where
bb
& b b b ..
.
B bm
con moto
Gb
are
and the
stare
out the win - dow
thick
Ab
go.
nights when the clouds
will
. r

b
bw
Ab
blow,
Some
clue.
Gb
B bm
Fm
wind starts
20
r
b -
j
bb
& b b b .
bb
&bbb
C bm aj9
16
18
all the an
B bm
Fm
G bsus2
won - dring
A bsus4
turn the light
out.
Un-der the
C bm aj9
Bb m
bb
&bbb
Fm
22
co - vers, all I think of is
bb
& b b b
you.
bw
D b 7sus4
bb
&bbb w
25
you.
bb
&bbb
www
b www
p
? bb w
bbb
w
B b7sus4
b
&bb
28
bb
just
w
& b ww
b j
&bb
might
.
.
lis - ten.
Say
Bb
Lov - ing
? b
bb
the
j

you
should be
eas
word
but
Just
say
the
word
and I
way.
A b maj7(#11)
get your
G m/D
Cm

w
w
i - er,
the
Bb
and you might
Eb
A
bb N ..
b
P
N.
bb N .
b
word
Ab
Gm
.
.
Fm
b
b
& b
Ab
Gm
Say
r
b
-j

bw
bbb
w
w
w
w
? b
bb
r
b
-j

? bb b

bb
31
Say The Word 3
. r
-
j
and
Say The Word 4

B b 7sus4
b
&bb
34
bb
? b
b b .
b
&bb
bb
& b
bb
& b
P
-
Gb
bb
&bbb
39
bb
&bbb
F
? bb
bbb
Gb
bb
&bbb
41
have
bb
&bbb
? bb
bbb
w
-
to
stay.
&
Ab
Gm
Ab
I dont know
A b/B b
Bb
C b/D b
>
>
b >
b b
things
that I
Ab
dont
when
you
A bm/D b
>
j
b J
b
>
B bm
un - der - stand.
j
.
bbbbb
bbbbb
>
bbbbb
B bm
Fm
why I trem - ble
w .
Mean - while theres so man - y
piu mosso
Fm
Bb
Ab
Gm
might
& b
37
B b7
reach for
...
-
my
hand.
-
-
Say The Word 5

Gb
bb
&bbb
43
bb
& b b b
? bb b
bb
Ab
did - nt
know
Cb
? b b b.
bbb
b.
B b sus
b
&bb
48
might
? b
bb
b j
&bb
Bb
just
b
& b b
j

.
Bb
Fm
Lov - ing
you
b
-
.
- .
..
..
>
word
should be
eas
j

>
>
>
Eb
you
swept
me
Ab
Gm
say
the word
i - er, but
B bsus4
and you might

E b/G
.
.
j
b
.
b
N ..
>
>
>
f
j
bbb

N
-
>
>
> > > >
Say the
j
.
? b
bb

til
Ab
j
bbb
Gm
ten.
B bm
So
j
.
.
..
- .
un
lis -
51
b
& b b
love
a - way.
bb
& b b b
b
D b7sus4
b
& b bbb
45
to
how
Fm
say
>
>
and I
Cm
.

get
your
A b maj7(#11)
.
r
j N
w
way.
the word
and
Bb
b
&bb
54
F m11
b
&bb
b
& b b ..
? b
bb w
>
sim.
58
&
bbb
B bsus4
b
& b b ...
the
? b b w
b >
E b/G
b
&bb
60
b
&bb
? b
bb
have
>
>
stay.
..
cresc. poco a poco
wan - na
j

>
>

girl
there by
your
side.
>
>
wan - na
love.
Ped.
ride.
..
w
>
>
>
A bsus2
F m11
to
E b/G
56
might
b
&bb
? b
bb
Say The Word 6
want
to
be
>
>
Just
A bmaj9
tell
me
when.
>
>
>
>
Just
tell
me
how.
Tell
me,
Im
read - y
now,
Say The Word 7

E b/D b
D bsus2
b
&bb w
62
bb
& b b ...

> > >
? b b.
bb
b.
>

> > >
B bsus4
b
& b b
>
? b .
bb
.
>
>
>
>
j
.
.
Bb
&b w
>
&b
a tempo
?
b

>
Am
&b w
&b
?
> .
..
>
b ...
> > >
b.
b.
>
poco rall.
>
C sus4
>
>
>
>

>
>
Bb
>
>

> > >
>
>

.
.
>
>

> >
>
>
b
b
>
>
>
>
C sus4
C sus4
>
Say
68
>
to - day!
Am
66
A b/B b
b
&bb w
64
>

> >
>
D bsus2
>
>
>
>
>
&
Say The Word 8

Bb
Am
&b
70
subito
& b .
the
word
& b .
might
and I
j
.
your
Bb
&b
76
the word
& b
? ww
b w
&b w
79
&b
& b ww
w
lis - ten.
.
?
Say
.
.
Bb
the word
you
and
to
&

p
j .
.
w
F sus2
say
B b maj7(#11)
B b/D
-j
N
but
..
might have
ww
w
.
..
?
F/A
should be eas - i - er
and you
..
Lov - ing
stay.
might
way.
&b
?
Gm
Dm
get
w
w
just
Am
73
Say
.
.
&b
ww
w
w
gg www
gg w
Tggggg www
THE BAD YEARS

Empty Rock (q = 136)
Words and Music by

KAIT KERRIGAN
Esus2
slightly palm muted,
GUITAR (optional) broken chords similarly throughout
# ## 4
& # 4
P
>
>
#### 4
&
4
P steady, guitar like

? # # # # 44 w
>
>
>
with pedal
&
####
Esus2
# ##
& #
# ##
& #
? #### w
7
&
####
? #### w
>
At what age
>
####
# ##
& #
&
>
do
have to stop
>
>
smok-ing?
w
B7sus/F #
j
.
Cause I think theres a cut - off
>
cont. accents simile throughout

All Rights Reserved
The Bad Years 2
10
&
####
##
& ##
when it
# ##
& #
? #### w
13
&
####
&
# ##
& #
16
##
& ##
&
? #### w
be - ing
cool
>
>
and in
>
j

-
die
? #### w
####
stops
E sus2
##
& ##
####
B 7sus4
you
wife
bands.
w
ww
can - cer.
and
.
J
keg
stands
But
lung
w
w
have
beat - ers
just
B 7sus4/F #
and
like
j
J
And
I think theres a cut -
The Bad Years 3
19
&
####
B 7sus4
# ##
& #
&
####
off.
&
&
####
####
? #### w
26
&
&
####
####
hope
And
some
day,
it
ww
ww
is
nt
twen - ty
five.
guitar cont. following chords and pno.
would
cause I
-
-j j
? ####
.
w
real - ly want
E(add2)/A
hope
E(add2)/B
ww
w
ww
w
####
&
? #### w
24
# ##
& #
..
E sus2
..
.
? ####
w
21
that
-j
Ill
stop
flat screen T
-
j j .
V.
be - ing
poor
Like my
j j .
w
The Bad Years 4
29
&
####
E(add2)/A
friends all have
-j
? ####
w
&
####
&
####
.
J
C #m
Phone.
C #m
####
&
&
####
Whats
an
&
####
A?
ww
w
E sus2
want
an
one.
And an
A.
i -
ww
w
ww
B
B sus4
B 7sus4/E
E(add2)
j

I
>
w
&
.

P
j
j
j

? ####
w
w
w
w
####
j j .
w

J
I
.
J
ww
w
p
w
w
? #### w
38
A sus2
j
.
And
And I
j
w

j j .
? # # # # w
35
j
.
E(add2)/B
E(add2)/B
flat screen T - Vs.
####
&
32
dont
j
.
>
know.
>
-j

The Bad Years 5
####
&
&
Esus2
42
####
Ev - ry - bod ys get ting
mar ried

j
? ####
w
&
####
# ##
& #
do
it.
j
w
j
J
####
&
&
A sus2
My girl friend
# # # # -
? ####
F
.
####
&
50
A sus2
# ##
& # -
you
have
wants
ple
ba - bies,
mul - ti
? ####
I cant
B 7sus4

j
? ####
w
48
and
j
.
to,
have
and
you
dont
B sus4
>
>
want
to. Cause then
You
have
suc - ces - sion.
And
one.
In
I dont
sim.
j
w
but
B sus4
j
J
ba - bies.
Ped.
45
j j

ba -
The Bad Years 6
##
& # # J
-
&
# # # # -
? ####
&
####
&
####
55
A sus2
52
bies
puke.
B sus4
home
last
&
&
####
####
Or
&
&
####
####
ww
w
? #### w
w
drunk
the
j
.
Im
.
J J
ba
bies.
stand - ing on Tenth Av
e - nue.
ww
w
P
w
w
C #m
j
B sus4
I'm
w
w
have
C #m
w
w
j
.
dim.
my room - mate brought
B sus4
www
cant
So
j
w
girls.
drunk girl
puke, so
B sus4
.
J
as
j
.
clean up
w
ww
wont
A sus2
? #### w
w
61
A sus2
much
most as
j
.
night. And
A sus2
? #### .
58
They puke al
j
.
B sus4
stand - ing
on Tenth
Av
j
.
>
e - nue.
>
The Bad Years 7
64
&
####
A sus2
# ##
j
& # .
..

F
? ####
j
.
67
&
&
####
####
? ####
&
####
&
####
70
? ####
72
&
B sus4
My
toi - let
is
oth - er
girl
Im wear - ing
...
j
-
A sus2
ww
ww
j
.
# ##
& #
f Stadium Rock
? ####
j
.
the
.
.
best
.
.
years
j
.
j
.
smok-ing
cig - a - rette.
They
B5
think - ing of this
A sus2
Im
#### .
...
.
gg www
g
And Im
a wife - beat - er.
met.
6
A /9
dir - ty.
j j

B sus4

J
of
.
.
say
these
your life.
are
E sus2
dont know
The Bad Years 8
##
& # # j
B sus4
75
&
####
a - bout
&
&
####
####
? ####
B sus4
...
B sus4
# ##
& #
>
? ####
>
81
&
#### .
went
.
.
They
were
so
j
.
.
E/A
Sec
the
best
ond
grade
>
dle
school
ber.
was
j
.
.
years
dont
of
j
.
.
think
.
.
these
kissed girls.
cool.
good.
pret - ty
.
.
B5
A sus2
J
I
was
..
.
E/A
A sus2
..
.
Wi - ld - wood. Mid
>
to
>
A sus2
# ##
& #
? ####
We
# ##
& #
79
that.
? #### .
77
>
are
E sus4
your life.
- -
j
..

The Bad Years 9
&
####
&
####
84
These
? ####
.
####
&
? ####
89
&
&
####
####
>
.
.
>
Esus2
BACKUP VOCALS:
these
&
&
####
####
Oh
...
? #### w
>
...
.
.
.
>
>
w
ww
B sus4
Oh
www
...
A sus2
Oh
..
.
w
w
ww
>
j
...
w
>
B5
j

>
Oh
B sus4/C #
are...
www
p starting from nothing
? #### .

93
86
####
&
>
A sus2
are,
B sus4
...
.
The Bad Years 10
&
####
&
####
97
E sus2
Oh
####
&
&
####
B sus4/C #

Oh
? #### .
104
&
&
####
####
? ####
&
####
&
####
107
...
B sus4

...
Oh
...
? #### .

j
.
B sus4/C #
j j
.

J
Oh
>
..
.
> J >
F
j
.
.
j
.
.
Oh
Oh
>
...
J
A sus2
E sus2
...
B sus4
> Oh
let ring
...
...
J
w
.
...
P cresc. poco a poco
#
? ## # .
101
B sus4
j
.
let ring
The Bad Years 11
&
####
&
####
110
&
####

Oh
? #### .
113
A sus2
..
.

f
j
? ####
&
####
Oh
# ##
& #
116
&
####
&
####
&
####
119
A sus2
...
-j
Oh
B sus4
? ####
Oh
Oh
B sus4/C #
B sus4
j
w
? ####
w
E sus2
B sus4

>
>

>
>
>
>
The Bad Years 12
121
&
####
E sus2
# ##
& #
####
Oh
>
? #### .
.
&
>
>
# ##
& #
Oh
####
&
> >
? #### .
.
&
####
# ##
& #
# ##
& #
126
these
# ##
& #
>
>
j
? #### .
These
.
J
> >
.
.
B sus4/C #
are,
. > >
j
.
A sus2
B sus4
are...
Oh
>
are,
Oh
.
.
.
J
These
B sus4
123
(LEAD:)
.
.
w
w
The Bad Years 13
129
&
&
####
####
####
E sus2

Oh
Oh
ww
w
p
? # # # # ww
&
####
&
&
132
####
135
&
####
&
? ####
B sus4/C #
B sus4
Oh
...
.

Oh
Oh
Oh
w
ww
...
w
.
.
Oh
Oh
www
www
poco rit.
# ##
& #
####
.
.
####
&
www
? ####
B sus4
Oh.
THE GIRL WHO DROVE AWAY

Words and Music by

KAIT KERRIGAN
Freely
D 2(add# 4)
## 9
& 4
#
& #
D 2(add# 4)
&
5
##
guess
Im here
to
ex - plain
# .
& # .
.
? ## .
U
...
.
went
and
.
..
where.
.
.
ww ..
w.
my
E m11
y - thing to share.
...
.
..
.
G 2(add# 4)
5
4 .
5 .
4 ..
P
.
5 .
4
n.
And
nU
.
gg b .
gg
gg
gg n
gg n ..
gg .

All Rights Reserved
j

I
con moto
C 7(add4)
&
self.
wwww ...
.
.
.
Why
&
I dont have an
.
.
w.
w.
D/F #
U
...
.
U
# # # wwww ....
&
##
G 2(add# 4)
I real - ly dont know what Im do - ing here.
# # 9 # wwww ....
& 4
p
# 9
& # 4 ww ..
3
guess
"
b 44
"
b 44
thats
"
4
b 4
The Girl Who Drove Away 2

Moderate Folk-Pop (q = 98-102)
F 2(add# 4)
B bsus2
4
&b 4 w
F 2(add# 4)
fair.
4
j
&b 4
F
? 4
b 4 j
>
&b
11
C 7sus4
j
...
>
w
A www
F 2(add# 4)
&b
14
.
I
&b
?
B bmaj7
&b
16
n -
&b
b
should
dont
get
to make
B bsus2
all make
...
- .
did
our
own
vi - sions.
C sus4
We
j
-
j j
...
>
b - ...
Ive made some mis - takes.
pol - o - gize.
re

>
hu - man.
C 13
B bsus2
We
..
- .
dont think
ci - sions.
.
n - ..
Im on - ly
&b
j j
...
>
j
>
F 2(add# 4)
nt
de -

have
a grand

B bsus2
&b
18
& b ..
w
P
? w
b
B bsus2
& b .
20
driv
&b w
..
.
?
b
B bmaj7
& b .
b
.
&b
w
..
know

is
F 2/A
C 7sus4
Im the
j

j

the
.
girl
who
why
J-
where
it
w
..
.
-
ed
all
.
be
gan.

J-
ing
of
hav
..
drove
start
A m7
feel
know
C sus4
say
? b .
.
J-
& b ...
.
dont
or
All
G m9
ing
24
&b
22
plan.
C sus4
a - way.
www
w
w
ing
to
..
F 2(add# 4)
. .

> >
^
n
^j j
...
.
>
>
>
&b
27
B bsus2
^j
^j j
A ...
.
>
&b
?

> >
F 2(add# 4)
&b j
30
make.
&b
?
How
the road
F 2(add# 4)
B bmaj7
&b
34
&b
b
dreamed
lu - sion.
..
..
It
was

How I
&b

> >
led
to
>
B b 6/F
beck - on - ing.
con - clu - sion.
>
ter
for - got
it

thought I
...
.
at
C sus4
the wrong
C 13
mat
ex - cuse to
Bb
I have no
^
A
F
^
does - nt
high - ways
>
call - ing
of
C 7sus4
^j
^j j
n ...
.
>
>
>
&b
32
F 2(add# 4)
all.
was
an
il -
.

proved
I was
>

B bsus2
& b .
36
strong.
> .
b
& .
F
?
b
w
& b .
o
&b
?
...
-
b
.
B bmaj7
&b
40
b
.
G m9
&b
42
pay
.
j
as
real
the
J-
reached
the
like
C sus4
..
.
C 7sus4
F 2/A
there
high - way
ing
the
.
.
-
when
cean,
& b ...
.
b ..
But
Stand
& b .
.
.
>
B bsus2
38
C sus4
ized
A m7
fool,
.
girl
www
w
w
who
the
price

that
..
thats
..
wrong.
was
J-
drove
.
a
way.

F 2(add# 4)
B bsus2
&b w
44
j
n
&b
?
&b
46
B bsus2
&b
48
& b
?
the
way
C 7sus4
the
day
^j
A
f
^j
b .
.
and
how
the
But
C sus4
miles
still
feel
w
w
cross
C sus4
keep
the
ing
on
fly
by.
.
.
it:
>

sky,
>
>
>
>

blows
F/A
b .
.
& b
?
broad, expansive
&b
50
&b
?
F2
C sus4
>
>
>
#
#
#
&
G
52
&
&
&
swear
Id
? # j
54
seen
this
..
sun
..
.
...
^j
set.
n
>
>
#### #
& # .
>
B maj7
# # # # # www
& #
al - most
subito
# ## #
& # # ww
w
worth
.
the
j
...
.
>
>
of
deep
>
>
gret.
n ww
>
.
w
n
n
>
>
>
>
>
>
..
.
#### #
#
#### #
#
&
Its
Im not
.
# - ..
meno mosso
F #2(add# 4)
or - ange
n b
fl
>
C 7sus4
B 7
re
kind
^j
>
P

>
w
F 2(add# 4)
# .
..
?#
58
Em
#
& w
&
nev - er
? # .
w
56
#### #
#
com - plain - ing.
#### #
& #
61
B sus2
#### #
& #
63
B6
C # sus4
it,
but
C # 13
U
w
fall
## # w
& # ## w
right.
C#
at
now.
" j
all
dont know
why
#### #
& #
C # sus4
>
#### # >
.
& # ..
.
.. ..
J
? #### #

#
.
.
The leaves start
to turn,
its
ww
w
B sus2
left
home.
B sus2
choice,
#### # U
& # w
w
67
my
suddenly still, colla voce
&
now.
ww
"
U
w
have made
..
# - .
B maj7
dont sleep
#### #
& #
the
# ## #
& # #
65
have
N - ...
live with
? #### #
#
I dont
#### #
& #
? #### #
# -
F #2(add# 4)
>
>
.
.
F a tempo, soaring
C#
j .
.

J.
And
no
long
er
see
.. .
>
>
#### #
& #
#### #
& # .
why
70
B maj7
? #### #
#
.
accel. e cresc.
G # m9
#### #
& #
72
smart
be
#### #
& # ...
.
F #2/A #
E b m11
bb
& b b bb
bb
& b b b b n ...
- .
? bb b b
bb w
j

-
.
want
..
who
That
ed
to
..
packed
her
bbbbbb
bags
bbbbbb
bbbbbb
w
w
dan.
er
www
bb
j
& b b b b ...
- .
subito P tight & tense
? bbb
bbb
w
F m11
and
ev
girl
76
me
the
bb
& b b bb
74
like
? #### # .
# .
girl
C # 7sus4
A # m7
.
load
des
ed
her
prate
n ...
- .

n
.
dads
j

-
...
- .
w
n.
girl
who
j

-
old
ran
se -

#### #
#
#### #
#
j
#### #
#
#### #
& #
B maj9
78
#### #
& # .
N.
from
f accel.
? #### #N
# .
N.
the
B maj9
from
# ## #
& # # .
..
? #### #
#
.
#### #
& #
the
D maj9
82
.
# # # # # n n n ...
& #
day.
#### #
& #
fu
r
#### #
& #
80
ture
n . n j
n .
she
de
..
life
..
A # m7
P
n . n j
n .
in
her
..
and
.
.
C # sus4
served,
.
n n n ...
J
out
w

J
spelled
A # m7
#### #
& # w
86
## #
& # ##
F
? #### #
#
>
j
-
j j
...
>
-
who
stands
here
to
..
&
j .
.
The girl who
drove
a - way.
w
www
w
www
w
w
w
w
F #2(add# 4)
j j
...
>
j
-
>
N
A,
B sus2
Tempo Primo
F #2(add# 4)
# U
P
U
TWO STRANGERS
Words and Music by

KAIT KERRIGAN
Driving Rock (q = 136)
## 4
& 4
Bm
A7
# 4
& # 4
ww
Ah
ww
ww
ww

> >
>
j
.
.
> >
>
>>
BACKUP:

> >
>
f
? # # 4 . j
4 .
> >
>
with pedal
&
##
Bm
# 2
& # 4
# # 2 ( )
& 4
nook
# 2
& # 4
>
>

of
this
ww
w
ww
w
ww
w
ww
w
4
4
>
qui - et
with pedal
2
4
lit - tle
2
4
y,
p distant, pulsating
4 ww
4
&
2
4
4
4
cit
j

>
Some - where in
.
.
>
>
LEAD:
# # ww
& w
F
# ww
& # w
8
> .
.
> > >
sim.
..

All Rights Reserved
Two Strangers 2
11
&
##
()
#
& #
slip - ping in - to some - thing thats a
lit - tle
..
## w
& w
#
& #
opt.
##( )

&
# .
& # .
&
##
()
##
&
# w
& # w
&
##
&
##
()
# # ww
&
&
pen
## w
up
your
eyes.
You
20
less
Em
14
17
w
w
like
We
can
not
are
>
Oh
w
w
not
j

a
lone
ww
w
here.
w
w
ww
w
w

J
hold

P
j
..

with pedal
Well just
BACKUP 2:
dis - guise.
sleep.
.
j
G(add2)
our
w
w
w
j

breath
to - night.

j
.

Two Strangers 3
23
&
##
&
##
? ##
fl
dont
mat
#
& # j
Asus4
#
& #
# # ...
& .
? ##
row will come
and
gers.
B2:
stran
ter.
B m11
Time
B2:
>
go.
>
at
will
j

.
fl
pulse
on
least
fl
to - mor -
and
.
.
j j

Ive
been
told
so.
>

J
.
J
Or
Go.
gers.
6
G /9
mat - ter.
dont
j
.
Hope
.
.
28
G(add2)
Two
A(add2)
It
stran
stran - gers.
#
& #
26
Two
#
& #
Two
# # BACKUP 1:
&
? ## .
.
A7
.
j

>
>
.

J
>
.

31
&
##
#
& #
Two
#
& # .
-
&
##
&
##
37
? ##
ly,
on
Asus4
gers.
.
.
>
>
ly
j

-
cap
j

>
..
>
night
strange
>
Em
D5
stran
.
.
>
>
j

>
? ## .
>.
Bm
and lone -
stran - gers.
>
Two
Lost
#
& #
B2:
stran - gers.

>
? ##
ALL 3:
stran - gers.
Two
B1:
#
& #
34
Two Strangers 4
D(add2)/F #
w
w
J
w
w-
>
LEAD:
Let - ting go
of
dream.
w
w
w
w
non-ritard
&
Two Strangers 5
#
& #
D
40
#
& #
Let - ting
go
of
# # -
&
J
p
#
& # ..
#
& #
43
&
##
j
-
dream.
half
#

& #
&
##
#
& #
- .
w
? ## w
? ##
.
w
46
Bm
.
w
B1:
Em
-
J
j
-
.
.
j
.
- .
No
j j

vem
ber
dream.
j j
- - .
.
.
j
-
Bm
And
some - where out
&
dream.
Bm
mid
re - mem - bered
up from a
j
-
.
.
j
-
J
Wak - ing
w
w
j

- .
dream.
Wak - ing up from a
Wak - ing up from a

B2:
>
>
in
Brook - lyn youre
a tempo
a -
Two Strangers 6
49
&
&
##
##
Aggressive Groove
#
& #
52
soak - ing
#
& #
? ##
#
& #
54
fl
fl
up
the
>
feel - ing
#
& #
A
? ##
that youve
nev - er
fl
j j
>
.
fl
>
at
>
>
>
Em
G/B
>
your
>
>
>
thats
&
kind
j

>
F
>
A/C #
j
.
> ..
of
> .
G(add2)
noth - ing
>
Whis - key
>
>
j
>
felt
fl
but
&
57
##
>
j
>
f intense
j
>
#
& #
>
? ##
lone and youre drink - ing,
? ##
Bm(add2)
mood.
makes
you
Oh,
all.
>
j
brood,
Two Strangers 7
60
&
##
A5
#
& #
? ##
63
&
##
we
can
not
#
& #
B1:
Two
stran
A7
Two
stran
&
&
##
&
##
A(add2)
j

>
#
& #
#
& #
#
& #
? ##
It dont
mat
.

J
>
mat
gers.
mat - ter.
Two
Time
will pulse
ter.
Time
>

ter.
>
Time
>
will pulse
will pulse
j

>
>
Hope
stran
- gers.
j

>
.
.
>
on and to - mor
dont
mat - ter.
dont
dont
F
>
.
j

>
J
>
A sus4
row will
come
and
go.
Will
...
on.
j
.
on.
Hope
>
>
breath
Hope
6
G /9
to - night.
G(add2)
B2:
.
.
>
>
>
- gers.
? ## .
.
>
our
j

>
##
66
f
..
>
Well just hold
sleep.

> > > >
come
Will
come
Two Strangers 8
#
& #
B m11
69
#
& # j
j
.
and
&
? ##
72
&
##
#
& #
.
J
f
>
and
j

go.
>

J
Two
# # -
on
stran - gers.
? # #
dim.
j

G
ly
through
the
snow.
night - cap
Two
.
j

.
>

J
>
.

>
? ## >
Bm
ing
# LEAD:
& #
j j

Two
stran - gers.
##
&
&
Well be trudg
#
& #
75
D(add2)/F #
go.
#
& # j

##
Lost
and lone
Em
j

strange
.
.
>
D5
stran
>
>
ly,
ly,
>
and lone
j

>
..
>
and lone
stran - gers.
Lost
Lost
>.
ly,
j

>
>
A sus4
gers.
>.
>
j

-
Two Strangers 9
#
& #
78
#
& #
LEAD:
Let - ting go
of
dream.
? ## w
w-
non-ritard
#
& #
D
#
& #
&
&
##
.
.
da
da
da
da
da
da
j
-
da
#
& # w
da
da
da
Em7
da da da da
- .
A
da
da
- .
.
-
J
#
& # w
Ah
ww
#

& #
Ah
? # # ..
-
J
dream.
84
j

J P
j
j
.

.
- .
La da
La
Wak - ing up from a
# -
& #
J
cresc.
B1&2:
La
#
& # w
w-
81
.
.
>
And then its o -
-
J
.
.
>
Two Strangers 10
Em7(sus4)
A(add2)
#
& #
87
(LEAD:)
##
Em7(sus4)
ver.
Just an - oth
er
mis - take
done
j
j j j
j j j j
j
j
fl
fl
fl
f funky
.
? ##
.
.
J
J
J
.
.
fl
fl
fl
&
#
& #
A(add2)
90
#
& #
o
? ##
ver.
#
& #
A5
.
J
fl
Theres
fl
#
& #
Gmaj9
95
&
##
? ##
..
.
smell - ing
- .
cell
dolce
- .
in my emp
A sus4
gg- ...
g
- .
fl
ty
phone,
stuck
here,
.
J
or
my
head,
-
J J .
- .
mark
in
no
gg- ...
g
A sus4
j j

..
.
fl
in
i - dence
Gmaj9
- .
J J
boy
ev
pic - ture frame, just a name
# ^
& #
^
? ##
no
92
Em7(sus4)
Bm
j
j

twin
bed.
.
-
J J
Or
may - be Im just con - jur - ing some
Two Strangers 11
#
& #
&
##
ro - mance I
? ##
#
& #
This
^
##
&
&
. . .

#
& #
109
()
lit
&
##
tle
me.
. . -
were
.
.
No.
You
try,
Not e - ven a
some - thing I want - ed to
No.
b
~~~~~~~~~
&
al.
all.
. .
You
Not at
bit.
>
mag - ic
>
so
opt. accompaniment or a cappella
j
.
.
did - nt im - press
# . . .
& #
##

>
.
.
#
& #

&
accel.
not
105
&
was
# # ^
##
read.
D
ALL 3:
101
98
and
Two Strangers 12
113
&
##
we
#
& #
.
.
? ##
were
#
& #
hap - py
for
## w
& w
P even
#
& #
#
& #
A
()
w
## w
&
#
& #
122
&
##
&
##
A 7sus4
Em
late
w
w
Gsus2
per - fect au - tumn lu - mi - nes - cent light,
&
w
w
Bm
tum - bl - ing
LEAD:
one
night,
#
& #
120
Just like in a
while.
dream
A/C #
117
toward win - ter
A/C #
in
you
w
w
Two Strangers 13
#
& #
125
Bm
(LEAD:)
#
& #
held
me
tight.
()
## w
& w
#
& #
B1&2:
w
w
> -

.
.
>
Ah
#
& # w
A sus4
# w
& # w
w
w
w
w
# >
- -
& #
> - -
128
&
131
&
##
.
.
>
##
Bm
LEAD:
.
#
& #
That
F
# .
& #
was
all
F #m
Ah
.
.
>
Em
ev - er
C #dim
could
rit. (colla voce)
w
w
Bm
have
asked
>

>
.
.
>
G/A
for.
.
.
&
135
&
##
Gsus2
#
& #
gg
# # ggg
&
&
138
&
##
##
#
& #
&
##
- .
A sus4
freely
B2:
stran - gers.
? ##
Two
# w
& #
141
&
&
&
##
##
? ##
w
w
.
.
>
A sus4
LEAD:
Well just
hold
# # ...
& .
##
Two Strangers 14
...
.
>
our
stran
gers.
..
..
>
F a tempo
>
Two
stran
stran
We
can
We
can
We
can
not
not
sleep.
not
sleep.
sleep.
gers.
cresc.

J
-
stran - gers.
...
.
>
>
gers.

J
J
>

> >
subito P
j

> > >
Two
Two
- ..
.
Two
B1:
A sus4
Gsus2
B1:
to - night.
breath
Gsus2
j
.
.
Two Strangers 15
Beat Drop
&
##
&
##
&
##
144
LEAD:
Well just
hold our
#
& #
#
& #
^j
J
Two
stran - gers.
Hope
dont
Hope
dont
B1:
Hope
B2:
j
.
mat - ter.
mat - ter.
dont
stran - gers.
stran - gers.
^j
mat
j
.
D/G
mat - ter.
mat - ter.
It dont
It dont
j
.
stran - gers.
^
J
Two
Two
Gmaj7
Two
? ##
to - night.
stran - gers.
&
breath
##
Two
147
&
#
j
j
& #
full out
? ##

> > > > sim.
##
ter.
Time
Time
>
Two Strangers 16
A sus4
#
& #
j

LEAD:
150
&
##
It dont
will pulse
will pulse
#
& #
#
& #

##
&
? ##
.
.
B1:
B2:
>
come
and
go.
>.
...

>
>
Bm
Oh
Well
153
#
& #
Oh.

- -
- -
.
.
sim.
> > > > >

j

>
.
.
>
>
Oh
A7
mat - ter.
on.
# #
? ##
on.
#
& #
&
j
.
Oh

Two
.
.
stran - gers.
Two Strangers 17
Gsus2
LEAD:
#
& #
#
& #
# #B2:
&
156
Lost
Lost
> .
## .
&
159
&
##
#
& #
#
& #
>
D5
? ##
stran
on
-
J
ly
ly
ly,
on
night
night
night
ly
cap
stran -
cap
strange
strange
cap
F
j
A (add4)
and lone
ly,
gers.
ly,
Lost
on
Bm(add2)
gers.
# # - .
& .
stran
..
and lone
-
J
Em
ly,
and lone
Lost
? ##
Bm
and lone
B1:
A sus4
gers.
w
w
&
w
w
rit. poco a poco
Two Strangers 18
#
& #
Bm
162(LEAD:)
on
&
# # -
&
##
&
##
&
##
165
Em
j

-
ly
strange
night - cap
w
w-
&
&
##
da
da
da
da
Bm
#
& #
? # # ..
da
da
da
da
da
da
da
Em
j
j
j
..
-
da
..
- .
- .
j
-
j

da
j j
.
da
da
da
La
.
- .
a tempo
Bm
("ghost" notes as they fall out of range)
da
.
.
j

-
da

J -
>
&
- .
>.
#

& #
171
gers.
w
w
La
#
& #
w
w
? ## w
w##
stran
La
colla voce
168
- .
.
A sus4
da
da
da.
w
w
da
da
j

A
VEGAS
Freely
# ## 4
& # # 4
GUY 1: E (add2)
#### 4
& # 4
Dude.
F #sus4
GUY 2:
#### 4
& # 4 wwww
P colla voce
? # # # # 4 ww
# 4
F #sus4
####
& #
&
####
&
####
G #m
####
& #
No.
#### w
& # ww
w
? #### w
#
F #sus4
Were see - ing
www
w
Hot
Ju
Were not see - ing Ju
w
w
w
w
lie?
to - night?
F#
E (add2)
Dude.
lie.
w
w
www
w
ww

All Rights Reserved
F#
w
w
F #sus4
ing
w
w
w
w
what were do
ww
w
Yeah.
w
? #### w
#
E (add2)
# ##
& # # ww
w
w
Do you know
www
F#
Dude.
~~~~
G #m
Words and Music by

KAIT KERRIGAN
F #sus4
Dude.
www
w
w
Are you
Vegas 2
11
&
####
G # m11
####
& #
&
####
? ####
read - y?
# ...
- .
light pulse
# -
####
& #
&
####
&
####
? ####
17
&
####
&
####
&
####
? ####
j
#
brush my
# ...
- .
E (add2)
# .
night
# .
night
# .
..
.
# .
teeth,
j

-
#
-
o
J
Em
o
J
n
J
Are
but
E (add2)
you
read
E m(maj7)
read
www
w
..
...
- .
j

-
B/D #
read - y?
Im
Are you
No.
...
- .
j

-
Yes.
14
j

-
F #(add4)
should

for the sin - gle great - est
for the sin - gle great - est
w
ww
F #sus4
pick up in tempo

of
ww
w
ww
w
your
life?
Vegas 3
Driving (q = 132)
####
& #
B5
20
&
####
>
# # # # ...
& #
? ####
# .
.
>
>
ww
ww
j

>
w
w
>
F #sus4
E sus2
&
####
####
night were gon - na pick up Mi - guel
27
&
&
&
####
####
####
#
.
F
? ####
#
&
B/D #
####
& #
24
? ####
#
and
see.
see us
F #sus4
E sus2
F #sus4
driv - ing up the Five
j j

>
>
Where?
B/D #
in
>
>
>
F #sus4
B/D #

Try to
see
soft - top
Pa - tience.
j j

>
E sus2

> > > >
F #sus4
>
To -
drive.
#
#
.
B/G #
j

>
.
.
>
#
what I
> . >
..

J
B/G #
.

Oh.
F # sus4
B5
B/G #
F #sus4
Se - ries,
j j

>
Vegas 4
##
& # ##
E (add2)
30
# ##
& # #
cruis - ing through
&
####
? ####
32
&
cruis - ing through
>
#
>
####
E sus2
##
& # ##
&
####
? ####
it goes
&
# ...
.
>.
? ####
#
>
fast
on
our
Vall - ey

with a
j

>
>
j
j
.
>
>
with a
way
out
of
Ca - li.
>
B/D #
B/G #

J
Yes.
>
Burg - er.
35
####
Can we
##
& # ##
the
Vall - ey
#
.
# ##
& # # J
the
F #sus4
In - N - Out
F #sus4
F #sus4
Its
C #7sus4
four - ho - ur
...
.
>.

>
j j

>
F #7sus4
dou - ble dou - ble an - i - mal style.
dou - ble dou - ble an - i - mal style.
>
see
drive
but
j

>
j

>
>
stop?
>
>
Then
j

> >
j

> >
>
at
>
.
J
last:
>
.
##
##
j
#
#
> >
>
##
j

>
> >
Vegas 5
# .
& #
38
#
& #
A sus4
Were
in
#
& # .
-
D/B
# ##
& # #
# ##
& # #
A sus4
We love you,
# # # # ^
& #
f
? #### ^
#
gas.
.
J
Well
do
B/D #
Ve
Ve
B/G #
^
j
^
j
>
A sus4
j

>
>
####
the butt!
>
####
gas
up
the butt!
####
####
j j

>
F #sus4
E sus2
cruis - ing down the Strip
.
F
with
B/D #
up
Ve -
gas
Now were
D/B
F #sus4
love
Ve - gas!
D/F #
A sus4
We
j j

>
D/F #
.
J
G sus2
Ve - gas.
A sus4
Whats up,
A sus4
F #sus4
E sus2
G sus2
j j

>
? ##
Ve
#
& #
.
44
gas.
D/B
41
&
#
& #
.
f
? ##
##
D/F #
.
J
G sus2
Vegas 6
47
&
####
three - foot mar - ga - ri - tas.
####
? ####
#
E sus2
&
&
####
####
? ####
F #sus4
were not
#
#
.
#
pus - sies and B)
####
& #
Bob - by
? ####
#
>
Bob - by
Flay!
Flay!
>
>
No,
F #sus4
gay.
So its
Mi - guel
.
F
B/D #
scores
j j

>
time for por - ter - hou - ses made by
...
.
>.
F #sus4
be - cause A)
C #7sus4
j j

>
E sus2
B/G #
were not
Cirque Du So - leil?
F #sus4
B/G #
F #sus4
# # # >
& # #
B/D #
####
& #
53
stop and see
B/D #
j j

>
####
& #
50
Can we
#
.
F #sus4
E sus2
####
& #
&
F #sus4
B/G #
>
j

>
j

>
>
B/G #
and were trip - ping for
F #sus4
a while
>
in
in
j j

>
Vegas 7
####
& #
56
&
####
E sus2
style,
so
# ##
& # #
.
B/D #
true.
#
style,
? ####
F #sus4
true.
&
####
&
####
&
####
&
####
? ####
And we
>
Ah
yeah.
Are you the
guys
...
.
>.
>
>
j

>
j

>
>
>
Were head - ing to the Bel - lag.
say, Got - ta go.
Were head - ing to the Bel - lag. With strip-pers!
>
>
like,
j j

>
You da man.
- >
j
.
say, Got - ta go.
B/D #
Ev - ry chick is
F #7sus4
And we
yeah.
Ah
j

>
j

>
>
F #sus4
C #7sus4
sip - ping John - nie Blue.
E sus2
# ...
.
>.
from En - tour - age?
? ####
#
>
62
####
& #
&
sip - ping John - nie Blue.
59
####
We
F #sus4
We
so
B/G #
B/G #
F #sus4

You da man.
>
>

j j
.
>
>
E sus2
F #sus4

>
>
Here we go.
Here we go.
- .
j
.
B/D #
>
>
Vegas 8
B/G #
####
& #
65
# ##
& # #
Oh!
# # # #
& #
? ####
Oh!
68
&
####
&
####
&
####
? ####
#
E sus2
&
&
####
? ####
#
.
wa - ger
.
F
gam - ble
af - ter
so
B/D #
its
B/D #
wa - ger.
Wheres
#
.
F #sus4
is
call - ing,
my
B/G #
jack
pot.
J
I
F #sus4
and the black - jack is
B/G #
But youre too
j j
.

>
The ca - si - no
F #sus4
B/D #
F #sus4
E sus2
E sus2
####
pus - sy whipped to
####
& #
70
F #sus4
dont
F #sus4
F #sus4
but
but
>
win - ning
>
Mi - guel?
j j

>
Im
B/G #
know
hot.
the
the
Vegas 9
C #7sus4
####
& #
72
####
& #
&
####
is
get - ting
pissed,
house
is
get - ting
pissed,
? ####
#
>
E sus2
&
F #sus4
####
& #
&
? ####
>
the
got - ta
go.
so
we
got - ta
go.
>
la
>
gi
B/G #
we
B/D #
Bel
so
>
Hes swim - ming in
####
& #
####
guel.
foun
Look, theres
Mi -
>
>
F #sus4
tain.
The
The
# ##
& # #
.
F
? ####
#
76
>
F #sus4
>
####
& #
####
house
# ...
.
>.
74
F #7sus4
cops
ap
pear.
cops
ap
pear.
#
.
#
.
Were
out
of
here.
Were
out
of
here.
n
.
E m6
Cause
>
know
guy
F #sus4
# ##
& # #
78
# ##
& # #
&
####
? ####
81
&
##
j
.
.
>
G sus2
## .
Fuck
.
#
& #
? ##
j .
.
>
Well
>
do
cop
D/F #
Ve
Ve
>
.
.
D/F #
yeah

A sus4
A sus4
.
.
####
#
E sus2
Fuck yeah Ve - gas!
gas.
j j
.
.
>
>
F #sus4
B/D #
mom!
.
# # # #
#
####
j j
.
.
>
>
Ve -
D/B
>
gas
####
#

like your
>
in
mom!
gas
like your
j .
.
>
Ve
D/F #
j .
.
>
D/B
## .
ter!
~~~#~~
~
~
~
~
#
~
~~~~~
~
~
n
f
j ##
j
n.
.
n
>
> >
>
A sus4
A sus4
>
G sus2
Whos
>
G sus2
Ve - gas!
n.
J J
j
n.
n > .
Were in
gas?
A sus4
hel - i
##
A7
n
n
>
j j
.
.
>
>
.
.
G Maj7
A sus4
D/B
#
& #
&
got
# .
.
>
.
#
& #
84
>
? ##
and hes
>
## .
&
Vegas 10
Your mom!
####
& #
87
&
####
bb
&bb
D #sus4
subito
D bsus2
>
j j

>
>
Yeah!
E bsus4
bb
&bb
93
bb
&bb
bb
&bb
mom.
^

>
^

> > >
Like I do your
A bsus2
>
D bsus2
.
J
Ex - cept you dont.
.
J J
.
P
Off the
>
and we
bang
A b/C
bbbb
bbbb
Ab
ev - ry hook - er
. .

>
j
>
E bsus4
A b/F

hook - er
in sight.
too.
Cant have your
simplice
bbbb
Strip
do.
bbbb
I bang your
F
#
D bsus2
j

>
j

>
E bsus4
>
P
Yeah, I
? b b .
b b .
mom.
>
we hit the Cat-house from H
bb
& b b
>
F broadly
? bb
bb
.
>
bb

&bb
D#
p

J
Like I do your
Your mom!
? ####
#
90
F #sus4
Yeah!
.
# # # #
& #
B/G #
Vegas 11
j j

>
Vegas 12
G b(add2)
bb
& b b J
96
ball and
bb
&bb
chain
E bsus4
get - ting
b
& b bb b wwww
p
w
? b b bw
bb
bb
&bb
bb
& b b
.
? bb
bb
D bsus2
bb b J
& b
gas.
? bb w
bb
w
you.
j j

>
hap - pens in
Ve
G b(add2)
Ex
in
Ve
.
J
gas
gas
.
E bsus4
an
Eb
cept when its
j
.
Ped.
Ya know?
.
P
A b/C
Right.
What hap - pens
E bsus4
Db
But what
.
gas.
bbb www
b
&
E bsus4
Yeah.
bb
&bb J
at
99
102
www
A b/F
bb
&bb

mad
D bsus2
S - T
w
b www
p
w
bw
w
w
stays
in
Ve -
stays
in
Ve -

that you got from two
www
Vegas 13
D bsus2
E bsus4
bb
&bb
105
bb
&bb
A b/C
An
E bsus4
A b/F

J J
D?
hook - ers.
bb
& b b
.
P
? bb
bb
bb
&bb
bb
&bb
So the broth
caps
you.
? b
b
Oh
j j

>
Don
and
he
knee -
j

>
>
But Mi - guel
j

-
p
j
C m7
God!
man.
j

>
..
.
>
my
No, its cool.
.
>
Bb
Bb
>
b
&b
f
bb
Sor - ry,
els get - ting raid - ed by some Ma - fi - a
bb ww
b
&b J
b
&b
A b(add2)
bb
? bb w
bb w
bb
E bsus4
E bsus2
bb
&bb w
ww
111
E bsus4
Yeah.
108
D bsus2
is right be - hind him and he
j
- .
j
- .
j
-
Vegas 14
b
&b
b
&b
knocks the dude
b
& b
-
117
ine
Di
&
&
?
> .
.
F sus2
shoots
&
on
ww
&
119
.
&
f
?
j
.
C sus4
&
hear
out.
? b
b .
Then we
Cm
>
in
fuck
mois
C/E
ture
G sus4
nn
nn
nn
r.h.
bub - ble
and
she
>
J
.
.
C/A
Oh, its Cel -
ww
la - sers
in
>
What?
.
>
G/C
..
.
>
..
G sus4
nn
Ca - na - di - an shout.
>
>
J
N.C.
~~~~
~~~~
~~~~
~~~~
~~~~
Bb
114
at Mi - guels head.
Yeah,
yeah,
but
Mi - guels
j

>
- .
so
high
that he
j
- - .
j
-
Vegas 15
122
&
Am
& J
cant feel
& #
?
G sus4
Fuck
F sus2
&
b ^
b
j ^
- b
b
C/E
fuck
your
got
G sus4
an
.
J
dead.
>
>
Well fuck you!
>
C/A
too.
G sus4
So
now
weve
all
C/E
D!
G sus4
Its
like
shes
>
C/A
Ah!
&
.
j

- - -
>
girl - friend
&
bursts the bub - ble and shes
you!
&
.
f
?
127
j
- - .
F sus2
&
He
C sus4
pain.
- .
&
125
Bb
E7
>
Vegas 16

&
129
C sus4/D
al - ways
a - round,
&
&
P
?
- .
and
the
one
>
U
U
&
&
hear
& w
w
? ww
the
cops
out
side.
>
>
>
www
w
w
w
##
## j

Think you can
f
^
think
w
w
retreating, colla voce
> . ^
What?
>
ev - ry - thing.
j

>
j
> .
G sus4
G sus4
&
G sus4
go and ru - in
>
j
.
>
www
w
p
w
w
C sus4
you
>
F sus2
Dude.
shes not,
.
>
&
C/E
>
F (add2)
&
night
j
- .
132
135
C sus4/E
C/D
##
##
D sus4
get
..
.
P
j

hold
of
your hel -
Vegas 17
138
&
##
&
##
&
##
D sus4
? ##
141
i - cop - ter
friend
..
.
and
Resoluto
&
&
can.
get
us out - ta
# .
&
& # #
# #
>
?
#
#
>
.
G#
&
>
bind?
nn
b
So
we
j

#
>
j

> > >
we
E b sus4
al - ways
knew
.
Eb
stash
the guns
b bb ...
F
b - .
# .
stash
could
count
on
you.
b
b
nn
nn
nn
w
# ww
# .
So
>
more
G # sus4
one
www
F#
Yeah.
144
& #
F #sus4
the guns
j

-
.
E b sus4
and we
case
and we
cresc. e accel. poco a poco
j
b b
-
case
b bb ...
-
b - .
.
Eb
the scene.
the scene.
j

-
We re -
We re -
b b
j
-
Vegas 18
F sus4
& b
147
vive
vive
Mi - guel
&
&
&
?
151
&
&
twist
of
fate,
twist
>
of
Cel
hide
Cel
>
then
we
then
A sus4
#
J
#
J
mil - lion
bucks
mil - lion
bucks

#
J
we
>
ine.
more
hug
it
out.
it
>
out.
We
find
We
A sus4
cause
thats
what
Ve - gas
is
a - bout!
cause
thats
what
Ve - gas
is
a - bout!
find
> ...
more
>
One
One
G sus4
hug
>
ine.
cresc.
> ...
hide
b ..
- .
fate,
> ...
>
we
>
>
>
>
>
b
b
b
~~~~~
G sus4
~~~~~~~
~~~
&
we
and
and
& b ...
-
149
Mi - guel
& b
F sus4
r.h.
Vegas 19
Tempo I
&b
153
&b
B bsus2
.
^
Were
~~~~~~~~~
&b
? ^
b
&b
156
.
&b
-
&b
?
C sus4
^j

Ve
^
j
gas.
C sus4
J
We hate you
F/D
Ve - gas.
B bsus2
&b
?b
We
.
J
did
did
^j

GUY 1: Right.
GUY 2: Right but Im so high right now...
stay in time!!
.
J
GUY 1: You realize we didnt leave the apartment.
&b
you Ve - gas.
C sus4
B bsus2
Fuck
^j
j

>
.
^
^j
j

>
gas.
We
We
C sus4
F/D
&b
159
.
J
in
F/A
>
C sus4
F/D
Ve
Ve -
^
j
C sus4

J
gas.
gas.
^j
j

>
^
j
B bsus2
C sus4
Were
in
hate
^j

Ve
.
J
F/A
F/A
F/A
.
^
^j

Ve -
^j
Vegas 20
C sus4
F/D
&b
162
Were in
.
&b
-
^
b
&
B bsus2
C sus4
&b
&b
Ve
F
? .
b
&b
169
smooth
love
B bsus2
gas!
> .
.
& b ..
>
? ...
b
gas!
C 7sus4
> >

J
>
Ve
gas.
gas.
gas.
^j
j

>
Dm
F/A
j
.
F5
>
B b/C
>
C sus4
>
real - ly fucked your girl - friend.
^
j
..
..
>
> .
.
.
Ve
F/D
C sus4
> > > >
Ve
J
-
^j

j
.
Ve
Ve
F/A
.
J
.
We
F/A
Dude.
gas.
B bsus2
.
&b
J
C sus4
b
&
Ve - gas.
^j
j

>
?b
165
gas.
B bsus2
>
>
>
^

> > >
I DROVE YOU HOME

Lyrics by KAIT KERRIGAN
Music by BRIAN LOWDERMILK
Largo q = 62
## 4
& 4
# # 4 & 4
p
#
& # 44
5
# # b ww&
##
&
Bm
# # &
stay.
- -
home.
#
& #
.
Gm
drove you
j
-
home.
a - way.
j
- -
.
J
j
-
said
- - -
Am
- - n
You went in - side.
j
-
F # m/C #
j
j

- -
j
j
- - -
- -
walked
Bm
- -
j
- n -
I drove you
- -
A m/C
. F m/C
J

#
& # w9
j
-
# # Gm
&
F # m/C #
I did - nt
j

-
j
-
-
good - night.
to
j
- -
2010 by Kait Kerrigan and Brian Lowdermilk. All rights reserved.

www.kerrigan-lowdermilk.com
j
-
tried
j
-
12
&
##
A7
# # &
#
& # w
15
saw first
##
&
J
J J
J
##
? ##
&
##
times I
dont
# ..
# #
A
ing.
? ## j
w
## 4
& 4
## 4
& 4
light.
G#
# #
D # 7/G
Life
&
A7
44
N ...
.
- ..
44
j

w
N
j
#
j j

ver
there
# #
shelf.
F#
.
j

-
# # ...
j
#
j
.
col - lect
42 n
ing.
j
44
44
some
#
J
on
42 j .
#.
42 J
n # #
J
Dust's
j
#
what Im ex - pect -
#
J J
is
( )
j j j
D a dd2
my - self
C#
# #
#
# # ww #
? # # 44 # # #
#
#w
j
..

..
j
j
j

#
4 j
4 J
know
Some -
.
J
42 # #
# J
b
-
w
.
ven
D a dd2
4 J
-
Gm
j j j 42 j

# ..
? ## .
22
C #/E #
&
19
sleep.
( )
I Drove You Home 2
44
drove you
> > >

D (a dd2)
##
25
&
#
& #

- - P
deep groove
? ##
w

J
D (a dd2)
29
## .
&
home.
#
& #
? ## w
w
like
32
#
& #
&
##
? ##
35
&
##
# a #
A7
## - &
w
breath
You
Am
I had to
ask.
F # m/C #
Bm
. . r

Bm
an - oth - er
held
week.

.
.
my
breath.
held
. R
Ill hold
marcato
#
# . .
F
# # .
.
planned.
Am
my
breath
F # m/C #
It felt
b
-
r
.
and I
breath.
. . .
. . .
42
42
I'll hold
my

J
J
!
# # . . . .
. . . . . . 42 # # . .
. .
felt
. r

my
Gm
b -
-
. .
J
J

j

.

J
J
J J
J
D (a dd2)
C # 7/E #
r
j
!
. w
I
was - nt

- - -
speak.
j
.
It
n
w
did - nt
weak.
w
.
hand.
F#
death.
j .
? ## .
I took your
I Drove You Home 3
F # m/C #
44
44
44
39
# 4
& # 4
# 4
& # 4
42
Ooh.
&
##
D #7
# J
Life
- - .. .. .
- .
.
j
j
. .

J
G#
n 4 #
2 J #
J 4
# # #
4
##
C#
#
& #
##
&
##
( )
D a dd2
##
home.
ver
there
Dust's
some
ing.
#
-

J
I
took
& .
- f hard 4
? ##
j
.
.
.
.
w
.
your
F # m/C #
hand.

.
.
.
.
#
#
# # #

#
- w
.
.
.
# #
Oh,
.
.
# # n
# # # # # #
col - lect
shelf.
# # # www #
44 #
#w
. # . . # .
F#
44
# . . # . .
42
. # . . . . .
on
42
. . . . . .
#
# #
- # ? ## #
w
&
#
J J
is
# . .
P
? ##
. # .
48
A7
- ? ## 4
j
j
4 .
.
w
w-
&
45
I Drove You Home 4
had
to
Am
ask.

- -
r
. .
It was - nt
n .
n
.
.
drove you
j .
.
51
&
##
Bm
Gm
#
& #

planned.
( )

It
I Drove You Home 5
D a dd2
felt like
death.
## n
& n
-.
? ## ( n )
F #m/C #
57
j
##

&
# #
&
-
my
? # # ww
.
D (a dd2)
60
##
&
&
##
and I
. n
-.
()
.
.
breath.

- a-tempo? ## p
ww
-
.
.
Ill hold
my
.
J

F # m/C #
Ill hold my
breath.
w
w-
w
w-
breath
Ill hold my
speak.
.
.
Bm

held
an - oth - er
an - oth - er

- - -colla voce
w
w-
held
my
.
.
Ill
hold
J
J
Gm
U U

b
- b

u-
U
r
.
week.
A7
breath
my breath.
"
j .
j ..
.
.
A7
Bm
r
. .
J
r

breath.
weak.
felt
You did - nt
.
? ##
j .
j
.
.
.
J
J
.
.
F#
F #sus4
54
.
r
## A m
.
j
.
&

breath
F # m/C #
colla voce
( )
D a dd2
week.
held my
ggg
ggg
ggg
ggg
gg
NOT HER WAY

from Tales From The Bad Years
Lyrics by KAIT KERRIGAN

Music by BRIAN LOWDERMILK
Driving q = c114
bb 4
&bb 4
E5
F #5
? b b b 44
b
n
n
4
b
& b bb
G b2
guy.
? b b b b ...
b
? bb b
b b
b
7
b
& b bb

Off and on they
...
F m11
A b2
date.
...
E5
n
n
there's this girl and there's this
G b2
... b ... ...

She says they've been go - ing
F #5

He calls it a year and
eight.
? b b b ... ... &
b
n n n # # #
? bb b
b
So
#
#
A b2
n n
# # A AA ...? ...
# J
n #
#
J R
P
n
#
AA
n
#
b b 4 n
#
& b b 4 n n # #
f
F #5
E5
#
#
out for
b
b
E5
sev - 'ral months.
F #5
But
all right.
n n n # # # #
n
n
#
#
A b2
G b2
A b2
Not Her Way 2
b
& b bb

See, he's al - ways do - ing
stu - pid things like that.
He's
.
.
.
b b b ? .. b .. .. ...
b
&
...
10
? bb
bb
b
& b bb
13
b
b
G b2
b
& b bb
E5
16
b
& b bb n
n n #
F
? bb
b b n
n
b
& b bb
19
F #5
j j

b
& b bb .
..
.
P
? bb
bb
.. .. ..
.. .. ..
E bsus4
And so he
Eb
with his sneak - y lit - tle
#
#
n
n
grin.
j
A
# .
# .
# .. n n n # # .. A A
#
#

one year an - ni - ver - sa - ry and
more.
F m11
down
dog. He wants a
F #5
E5
...
Eb
F m11

al - ways keep - ing score. He wants con - trol. He wants a
? b b b b ... ... &
b
..
..
? bb b
b b
al - ways round - ing up and
tries to break her ar - mor
j
A
Db
Eb
Db
Eb

Tries to push her toward the edge, but she just digs her heels right
.. .. .. .. ..
.. .. .. .. ..
b
& b bb
22
F m11

in. He sends ros - es like gre - nades,
bb
& b b ..
- .
&
bbbb
D b2
C5
&
w
w
.
& . ..
F
?
That's not
F m/A b
&
how
F5
think - ing
she
C 5/B b
G 7sus4
she wants ac - co -
" .
C 5/A
n
n nn
n n
n
nn

that's
not her
nnnn
la - bel
ev - 'ry
.
. ..
... ...
deals.
She
C5
has
no
.
. ..
sin - gle thing she feels. See, he wants con - trol.
&
b
"
way.
hand,
n ...
..
E b5
F5
she will show her
lades. He does - n't un - der - stand:
? bb b
b
31
think - ing
b
& b b b www
w
28
.. .. .. ..
.. .. .. ..
? b b .
bb
25
Eb
Not Her Way 3
F mC 7sus4
He wants her to
need
C 5/B b
to
.
. ..
break.
He wants to
34
C 5/A
&
take things year by year, she wants to
F m/A b
Not Her Way 4

G sus4
37 A b maj7 ( b5)/G
&
"
threats.
40
&
F #5
E5
# #
& #
?
43
&
bbbb
A b2
#
#
A b5
& . .
b .. ..
?
That's
not
"
live them day by day. And that's not a threat.
& . .
.. .. b
?
my
B b5
She does not make
.. ..
P
C5
A b2
Her
bbbb

Some
peo - ple dream of ev - er
af - ter.
b b b ... ? ... b ...
# b J
R
P
bbb
b
G b2
b
b
G b2

They

way.

...
dream of find - ing
F m11

love. Some peo - ple want to live the
whole do - mes - tic scene. Some peo - ple
know there's more to
? b b b ... ... b ... ... &
b
..
..
? bb b
b
b b n b
b

way.
b
b
#
life than liv - ing
..
..
E b(add4)
b
& b bb
46
out some
bb
&bb .
..
.
? bb
bb
b
& b bb
49
b
& b bb .
..
.
? bb b
b
b
& b bb
rou - tine.
And she knows it.
D b2
b
& b bb
? bb b
b w
w

So she runs the oth - er

J
Db
Eb
Db
Eb
in an - oth - er stealth at -
.. .. .. .. ..
.. .. .. .. ..
F m11
Eb
Tears are
run - ning from her
eyes.
Foot - steps gain - ing from be -
.. .. .. ..
.. .. .. ..
G 9sus4
hind. Some - one's scream - ing:
b
& b b b www
w
E bsus4

Feels her pan - ic ris - ing up
.
..
Eb

tack. And she's run - ning out of breath.
? bb b
b
..
..
dull
though the streets are cold and black.
C 7sus4
b
& b bb
55
F m11
way,
52
E bsus4
Not Her Way 5
G 9sus4
"Com - pro - mise."
" nnnn
n n
n
nn

But that's not her
.
n n n ....
nnnn
C5
58
& n
"
.
& . ..
way.
&
&
b
Not Her Way 6
b
C 5/A
64
&
not
& .
..
?
he
G sus4
un - der - stood,
&
& .
.
P
?
w
66
just,
he
She is
C5
"
C 5/B b
..
F m/A b
A b maj7 ( b5)/G
not
fair.
b ...
w
all
for - got.
Wheth - er
a - long.
So
"
...
it
or
it was
not
But
one. She
..
cal - lous
cau - tioned
the
I guess he
one,
.
. ..
clear.
...
stur - dy
been
the
had
and it was
..
she does.
is, she al - ways was. That was all made
C 5/A
.
. ..
. .
.. ..
That's not what
F m/A b
61
C 5/B b
was
not
bbbb C
?
bbbb C
bbbb C
New bTempo: h = c 70
b
& b bb C
D b/A b

wrong
that when he
w
? bb C w
bb
p
68
? bb C
bb
w
dropped to
one knee,
she sor - ta
w
w
w
w
colla voce
? bb b
b
76
ww
w
had
It
was
&
P a tempo
?
.
.
just
one
his
deal
for
Ab
All for
bw
b ww
bw
his
fears.
ran
out - side.
A b#5
All
few
times.
B b/D /E b
/F
/G
vic - tim - less
nnnn
nnnn
played
b.
and
a game
they'd
nnnn
.
.
in
cried.
D b2
she could - n't breathe
w
w
more
&
All
/E b
C 2/B
val - i - da - tion.
C 2/A
laughed
ring,

in - stead of
w
w
w
D b Maj7
accel.
j
&
80
C2
&
he
E b7
b
& b bb j

ww And when she saw
? bb b w
&
b
C m7
72
A b5/B b
Not Her Way 7
44
44
44
& 44 .
85
Not Her Way 8
Tempo Primo
C 5/F
crimes,
right?
? 44
plan,
&
j
j
>
>
&
?
91
&
ran.
He was
no one else would find
& ..
? b
b
her.
&

> >
com - ing
and she
be - hind
She
had
A b5
C 5/A b
her. She
ran,
..
warned that man.
So she ran,
..
b
b
A b5
ran.
right? Right?
Right?
C 5/B b

trying to
think
of plac - es
.. ..
b
b
..
B b5
> >
b >
b
f
b b
b b >
>
>
plan,
G 9sus4

and she ran,
>
f
>
>
>
and she ran,
>
>
>
>
b b b n b b b b
?

b.

b

b.

b
> > > >
>
>
up
b
J J
There was al - ways a
..
..
94
and she ran,
w
w
C5
So she
right?
N.C.
.
. ..
w
w
88
&
Just part of the
.
4
& 4 . ..
C 5/E
B b5
So
fuck your
b
n
b .
b .
j
&
97
C5
C 5/B b
?
100
F m/A b
am not
&
b
be
?
103
the
C 5/A
must
not
& .
..
&
ww
w
&
life.
N.C.
You are not
all
guess
...
my
e - nough.
w
b www
soul.
You are
C 5/B b
o - kay.
to
say:
some - one who's
You are not
my
www
I'll
here.
meant
stay
.
. ..
I'll
not
.
. ..
F m/A b
...
We are
but
"
right.
out
script things
C5
go
clear
been
Freely
105
have
You
C 5/A
.
. ..
.
..
to choose. We are not
&
one
a - mused.
&
.
& . ..
plan.
Not Her Way 9
part
of
me.
You
A b m6
108
&
& bw
w
? bw
are
not
Not Her Way 10
in
&
fault.
A b5
& .
113
stay.
& b b b
?
b
b
And that's
A b maj7 ( b5)/G
not
your
" j.
Em
could - n't
b ... ...
>
A b5
B b5
It's just
G 7sus4
>
>
j
>
>
>

> >
b b b
b
b
A m/D
find the words to say
ww
It was my mis - take.
B b5
U
w
"
U
w
& . .
. .
?
con - trol.
A tempo
110 G sus4
not
my
way.
I could - n't
C5
>
#

The Best of Kerrigan Lowdermilk PDF

Загружено:

Сведения о документе

Оригинальное название

Авторское право

Доступные форматы

Поделиться этим документом

Поделиться или встроить документ

Параметры публикации

Этот документ был вам полезен?

Это неприемлемый материал?

Авторское право:

Доступные форматы

The Best of Kerrigan Lowdermilk PDF

Загружено:

Авторское право:

Доступные форматы

FIVE AND A HALF MINUTES

from The Woman Upstairs

Words and Music by

five and a half min - utes,

child en - ters the world.

Copyright 2011 BKLK Music (ASCAP)

Prepared exclusively for Maya Deschenes.

Five and a Half Minutes 2

half bil - lion peo - ple

Prepared exclusively for Maya Deschenes.

and there are

Five and a Half Minutes 3

Prepared exclusively for Maya Deschenes.

Five and a Half Minutes 4

thou - sand miles of

tril - lion cells,

hun - dred and

Prepared exclusively for Maya Deschenes.

Five and a Half Minutes 5

cresc. poco a poco

Prepared exclusively for Maya Deschenes.

Five and a Half Minutes 6

Prepared exclusively for Maya Deschenes.

Five and a Half Minutes 7

Prepared exclusively for Maya Deschenes.

Words and Music by

get in the car

and just re - mem - ber.

Copyright 2011 BKLK Music (ASCAP)

Prepared exclusively for Maya Deschenes.

Country Driving (q = 152)

Prepared exclusively for Maya Deschenes.

KELLY: Youre not in it.

SAM: What did it feel like?

KELLY: Youre not in the moment, Sam.

Feel - ing the

KELLY: You're not even trying.

KELLY: Remember the biker bar?

Prepared exclusively for Maya Deschenes.

KELLY: And the biker.

Prepared exclusively for Maya Deschenes.

KELLY: What bug do

SAM: Im on break. I dont really feel like going to class.

SAM: I dont have a bug up my ass!

SAM: I dont know.

Prepared exclusively for Maya Deschenes.

KELLY: Which way do you want to turn?

KELLY: Maps are for brain-deads. Left or right!

SAM: Ah... Left!

KELLY: Very slow, Brown.

KELLY: I have no idea.

> > >

Prepared exclusively for Maya Deschenes.

Prepared exclusively for Maya Deschenes.

Prepared exclusively for Maya Deschenes.

KELLY: So what do you want to do now?

SAM: (chord) I want the deafening sound

KELLY: Good. I want Arbys.

KELLY: I want to go skinny-dipping in the ocean.

SAM: Make a right?

SAM: Uh I dont know - I want to get my license.

SAM: (chord) I want to

SAM: I want to hold on to this moment right now.