Академический Документы
Профессиональный Документы
Культура Документы
Suzana Milevska
Research, curatorial and theoretical interests:
Visual arts and postcolonial critique of hegemonic power in art;
gender difference and feminist art;the construction of visual memory in photographic
archives;
arts in postsocialist and transitional societies;
collaborative and participatory art practices.
INTERNATIONAL CONFERENCES AND INVITED LECTURES (SELECTED):
Agency and Reverse Recuperation, More Europe, Copernicus Science Centre,
WarsawCuratorial Agency as Cultural Translation and Knowledge Production, lecture
at ECM, University of Applied Arts, Vienna
Curatorial Theory and Practice: A Reverse Perspective, Angewandtes Ausstellen, University
of Applied Arts, Vienna
Feminist Art as Agency: Apophatic vs. Kataphatic Principle, TransYgoslav Feminsms:
Womens Heritage Revisited, Gliptoteka, Zagreb, Croatia, 17.10.2013.
Balkan is Now, moderator of the debate
(curator Gulsun Bal), DEPO, Vienna. 10.10.2013
Highly Curved Loops of Space-Time: Art History in Regional Perspective, inaugural
lecture, Institute for Art Theory and Cultural Studies, Academy of Fine Arts Vienna, 15.10.
2013 Woman must put herself into the text: Feminist Agency of Sanja Ivekovis Art,
workshop in the context of Sanja Ivekovis solo exhibition Unknown Heroine, 15
participants, 27.01.2013, Calvert 22, London
Lack and Supplement: Gender and Agency in Public
Space, How to Identify with Difference Curated by Elke Krasny, Kunstraum
Niederoesterreich, Vienna, 29.01.2013.
2012
Staging the Transgression, Civil Partnerships: Queer and Feminist Curating, TATE
Modern, London
Post-Representational Curating: Talking About Curatorial Agency Suzana Milevska
In Conversation with Nora Sternfeld, Alvar
2011
Epistemological and Ethical Turn in Curatorial Knowledge Production -practice and
theory- PhD by research programme with Renate Lorenz, Academy of Fine Art, Vienna
Art Practice
Based Research: Events of Production of Knowledge, Artistic Research and
Ethical Conundrums, Conference
report, SHARE/ELIA
Conference, KUVA, Helsinki
2010
'The Reciprocal Relationship between Art and Visual Culture in the Balkans,Space
(Re)solutions
2009
Can the Subaltern Speak East, Workshop at the Gender Check,
curated by Bojana Pejic, MUMOK, Vienna
What can transnational feminist theory learn from regional
feminism, Feminist Review Conference, Feminist Theory and
Activism in Global Perspective, SOAS, University of London, London (UK)
Internalisation of
Institutional Critique, Evaluating and Formative Goals of Art Criticism in
Recent (De)territorialized Contexts,
AICA, Seminar, curator and
Objects and Subjects: Politically Engaged Art, Conference Cultural Territories, GfCA,
Leipzig
The Question of Readymade and Fabrication of Objects and Subjects, Badischer Kunstwerein, Karlsruhe
1999
DAS CAPITAL: Spectacle or Screen, symposium "After the Wall," Moderna
Museet, Stockholm
Fluids,
Desires, Stories, The School of the Art Institute of Chicago, Chicago (USA)1998
Cinderella Syndrome, Europe:
Cluster for New Peripheries (AICA), Manifesta 2, Casino Luxembourg
1999 Helmet - Art as Protection, independent project by Petar Hadzi Boskov for the
Macedonian presentation at the Venice Biennial Skopje-Venice,
48th Venice
Biennial (unrealised)
1997- 2005-National Curator for the representation of Macedonia at the 4th 5th and 6th
International Biennial, Istanbul
1996-2005 Founder and Curator of the exhibitions and residencies at the Open Graphic Art
Studios Programme, solo and group exhibitions of more
than 50 young
Macedonian artists
2016
Normalities, panel at the exhibition opening, Austrian Cultural Forum,
New York, 19.01. 2016
Microhistories and Internalisation of Macrohistories, book launch of Microhistories, Edited
by Magnus Brts, Konsthall, Gothenburg, 19.03.
Infelicitous Participatory Acts, lecture and seminar, Academy Valand, Gothenburg, 18.03.
Through the Magnifying Glass of a Feminist: Representation of Womens Body in Visual
Art and
Media, Fear from Feminism-School for Feminism, GEM Skopje, 20.02.
2015
Reverse Recuperation: The Philanthropist, the Critique/Critic and the
Trickster, A Proposal
for Open Call, Exnergasse, curated by Vera Lauf and Barbara Mahlknecht, Vienna, 13.11.
CEI Venice Forum, Continental Breakfast-Studio Tomasseo, Trieste, 24.10
Microhistories, seminar and workshop, in collaboration with Konstfack, Stockholm and prof.
Magnus
Brts, 11-14.09.
Butterfly Effect, The Long Moment, curated by Lina Morawttz, Exnergasse, Vienna,
03.09.
Triangulations of Estrangement: The subject, the object and the animal, Summer Institute
SAAS-Fee, Warren Neidich and Barry Schwabsky, 13.06.
The Lack and its Supplement: The visible and invisible violence of monuments, Invisible
Violence, symposium, Salzburger Kunstwerein, 18.03.
Landscapes Without Bodies, lecture, In Transitional Landscapes symposium, Karin
Reisenberg/Amila Siberbegovi, Paradocks/TUW, (Packhaus), 17.01.2015, Vienna
2014
From Parasitism to Institutional Critique, Lecture in the context of the
retrospective exhibition of
Tadej Pogaar, Museum of Modern Art,
Ljubljana, 19.12.2014.
Suzana Milevska
SELECTED CURATED PROJECTS
2015-16
Inside Out - Not So White Cube, (co-curated with Alenka Gregoric) City Art Gallery,
Ljubljana
2011
Roma Protocol, Press room, Austrian Parliament, Wiener Festvochen, Vienna
Roma Pavilion Call the Witness, member of the curatorial team for the Venice
Biennials Collateral Event
Call the Witness, BAK, Utrecht, Netherlands
2009
Hito Steyerl solo exhibition of Hito Steyerl and conversation with the artist, P74
Gallery, Ljubljana
2008/10