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PROFESSOR CELSO
WOLTZENLOGEL
dobrado
music by
Patrocnio
Realizao
5/5/08 10:02:53 PM
OF
BRAZIL
MINISTER OF CULTURE
Juca Ferreira
FUNDAO NACIONAL DE ARTES / FUNARTE
PRESIDENT
Srgio Mamberti
EXECUTIVE DIRETOR
Myriam Lewin
DIRECTOR OF THE MUSIC CENTER
Pedro Mller
PROJECT COORDINATION BANDS
Rosana G. Lemos
COMMUNICATION COORDINATION
Oswaldo Carvalho
COORDINATION ISSUES
Maristela Rangel
FUNARTE, 2008
IMPRESSO NO BRASIL / PRINTED IN BRAZIL
FUNARTE EDITIONS
PROFESSOR
CELSO
WOLTZENLOGEL
dobrado
music by
MARCELO JARDIM
Patrocnio
Realizao
DE
QUEIROZ FERREIRA
AND
STANDARDIZATION
MUSIC P UBLISHING
Si Thoca Edies Musicais
www.sithoca.com
Simone dos Santos
P ROGRAM N OTES
Marcos Vincio Nogueira
CONSULTING TABLE
Dario Sotelo
INDICATING
TECHNICAL LEVEL
ith these new series of editions, Funarte intends to expand the contemporary literature for bands in
Brazil, so as to quantify it and qualify it, with especial emphasis on the use of the technical and sty-
listic patterns of each piece, with the necessary revisions and annotations in terms of articulations, dynamics,
accents, nomenclature, tempi, rehearsal markings, abbreviations etc.
In order to allow that standards adopted by bands worldwide be applied, it was necessary to
make adaptations to the original material - without, however, altering its melodic, harmonic, and
rhythmic lines. Original orchestrations were maintained, with the addition of new information in
the area of timbre, in order to take the most advantage of present-day instruments.
The standard pattern adopted was: piccolo, flute, oboe, bassoon, Eb clarinet, Bb clarinets
(3 parts), Bb bass clarinet, quartet of saxophones (2 Eb altos, 1 or 2 Bb tenors, and Eb baritone),
F horns (2 to 4 parts), Bb trumpets (3 parts), trombones (3 parts), baritone, tuba, contrabass
(strings), timpani, mallets (xylophone/bells or glockenspiel), percussion (snare drum, crash cymbals, suspended cymbals, bass drum, agog, rattle, tambourine, ganz, triangle, reco-reco, drum,
complete drums). In some works, particular instruments were suppressed, such as tenor sax 2 and
timpani, when they were not part of the original instrumentation. Nevertheless, the director
should note that the whole repertoire has its functionality guaranteed only with 1 flute, 1 Eb clarinet, 3 Bb clarinets, 1 Eb alto sax, 1 Bb tenor sax, 3 F horns or Eb saxhorns, 3 Bb trumpets, 3
trombones, 1 baritone, 1 tuba, and percussion (snare, cymbal and bass drum). Extra parts (not
included in the instrumentation) will be printed for Eb saxhorns, Bb baritone in bass clef, as well
as Bb and Eb tubas, in all the editions.
he repertoire presented in this series continues the process of publishing dobrados, polkas,
waltzes, maxixes and slow marches, along with many other styles of traditional band music.
Optional instruments have been added to the score. Their inclusion broadens the instrumentation,
but they are not essential to the performance of the piece. The objective is to make possible the performance of particular melodic or harmonic lines with more than one option, in order to allow the
performance of the piece by symphonic and concert bands, as well as improve its performance by
traditional bands. Thus, the director has a mass of sound available for performances in the open air,
but can also maintain an equilibrium of sound in concerts taking place in closed spaces..
Maestro Marcelo Jardim
Technical Coordinator
he opportunity of resuming the process of publishing scores for band is a good reason for
rejoicing at Funarte. In 1995 and in 2000, 14 titles from the series Golden Repertoire of
Brazilian Bands were released; in 2004, Funarte released the series Hymns of Brazil, with two
titles. Presently 20 new titles are being published, ten of which in a new series called Brazilian
Music for Band, which includes high level arrangements of popular songs and some of the most
praised classics of Brazilian popular music. The new series also highlights original works written
specifically for bands by composers of various periods, and opens space for transcriptions from the
Brazilian symphonic repertoire.
These editions follow the international norms for publishing and the standardization of music
pieces for symphonic band, diversifying the supply of instrumental parts without losing sight of
the most noteworthy characteristics of our bands, as well as making possible for small groups and
bands, with reduced forces, to perform music using the same material. The process of publishing
scores for band is a search of more dynamic ways to supply a market which is always eager for
novelties and information and, at the same time, a means of keeping the traditions of our countrys musical culture alive and in performance. Making this repertoire available and sharing information must be an ongoing and continuous task, so that it can produce good results. To this end,
Funarte concentrates its efforts in producing and presenting the band repertoire of yesterday,
today, and of all times.
I NSTRUMENTATION
* piccolo
F horn 1
flute
F horn 2
* oboe
F horn 3
* bassoon
Bb trumpet 1
Eb clarinet (requinta)
Bb trumpet 2
Bb clarinet 1
Bb trumpet 3
Bb clarinet 2
trombone 1
Bb clarinet 3
trombone 2
* Bb bass clarinet
trombone 3
Eb alto sax 1
baritone BC
Eb alto sax 2
tuba
Bb tenor sax
contrabass*
* Eb baritone sax
timpani*
mallets (xylophone, bells)*
Snare drum
cymbals and bass drum
Extra Parts
Eb sax horn 1
Bb baritone TC
Eb sax horn 2
Bb tuba
Eb sax horn 3
Eb tuba
VI
PROFESSOR CELSO TEXTO 7.0:Funarte Hino Nacional 14/10/13 21:43 Page VII
he story of maestro Joaquim Naegele is interwoven with that of the bands of the State
of Rio de Janeiro. Born in Vila de Santa Rita do Rio Negro, now known as Euclidelndia,
in Cantagalo, State of Rio, on June 2, 1899, Joaquim Naegele died on March 3, 1986, becoming a
symbol, and example to be followed by future generations. He was a journalist in the city of
Miracema and member of the Cultural Council of the State of Rio de Janeiro. He was maestro
for twenty-five years of the Sociedade Musical Beneficente Campesina Friburguense. His musical
archive and baton were given by the family to maestro Affonso Gonalves Reis, of the Banda
Musical of the Colgio Salesiano Santa Rosa of Niteri, who accompanied him in towards the
end. His compositions, created exclusively for bands, can be found in collection of scores
throughout Brazil, and his memory is a fundamental part of the remembrances of bands from
the last century.
Principais Obras
Dobrados Ouro Negro, Janjo, Mo de luva, A voz do crcere, Professor Celso Wotzenlogel, Rio quatrocento,
Carlos Rotay, Carlos Teixeira, Prefeito Wilder S. de Paula, Passeio trgico, Jos Naegele; the polka Estrela de
Friburgo; symphonic poem A Canjerana.
CELSO WOLTZENLOGEL
in Funarte since its creation in 1976 until 1990. He met Joaquim Naegele in 1978. The
dobrado "Professor Celso Woltzenlogel", that Joaquim Naegele paid tribute to his friend, was
recorded by the Symphonic Band of the Fire Department of Rio de Janeiro, under the baton of
conductor Joo Baptista Gonalves. The piece was enrolled in the I National Inventory of
Concert Band, carried out by the National Institute of Music of the Funarte, in collaboration with
the Mobral, according to the testimony own honored in March of that same year.
VII
Partitura Completa
Durao aproximada: 5'15''
120)
Dobrado
Piccolo
1
Flauta
1
Obo
1
Fagote
1
Clarineta E
(Requinta)
1
1
Clarinetas B
2, 3
1
Clarineta Baixo
1
Sax. alto E 1, 2
1
Sax. tenor B
1
Sax. bartono E
1
120)
1
Trompas F
2, 3
1
1
Trompetes B
2, 3
1
1
Trombones
2, 3
1
Bombardino
1
Tuba
1
arco
Contrabaixo
1
Tmpano
1
xilo
Teclados
xilofone, bells
Caixa
Pratos
Bumbo
2
7
Pic.
7
Fl.
7
Ob.
7
Fgt.
7
Cl. E
(Req.)
7
1
Cls. B
2, 3
Cl. Bx.
7
Sxa. E 1, 2
7
Sxt. B
7
Sx.bar. E
7
1
Tpas. F
2, 3
1
Tpts. B
2, 3
1
Tbns.
2, 3
Bdn.
7
Tba.
7
Cb.
7
Tmp.
7
Tec.
xilo, bells
Cx.
Pts.
Bmb.
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
13
Pic.
Fl.
Ob.
Fgt.
Cl. E
(Req.)
1
Cls. B
2, 3
Cl. Bx.
Sxa. E 1, 2
Sxt. B
Sx.bar. E
13
1
Tpas. F
2, 3
1
Tpts. B
2, 3
1
Tbns.
2, 3
Bdn.
Tba.
Cb.
Tmp.
Tec.
xilo, bells
Cx.
Pts.
Bmb.
Funarte - Ministrio da Cultura
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
4
18
Pic.
18
Fl.
18
Ob.
18
Fgt.
18
Cl. E
(Req.)
18
1
Cls. B
2, 3
18
18
Cl. Bx.
18
Sxa. E 1, 2
18
Sxt. B
18
Sx.bar. E
18
1
Tpas. F
2, 3
18
18
1
Tpts. B
2, 3
18
18
1
Tbns.
2, 3
18
18
Bdn.
18
Tba.
18
Pizz.
Cb.
18
Tmp.
18
Tec.
xilo, bells
18
Cx.
Pts.
Bmb.
18
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
5
25
Pic.
25
Fl.
25
Ob.
25
Fgt.
25
Cl. E
(Req.)
25
1
Cls. B
2, 3
25
25
Cl. Bx.
25
Sxa. E 1, 2
25
Sxt. B
25
Sx.bar. E
25
1
Tpas. F
2, 3
25
25
1
Tpts. B
2, 3
25
25
1
Tbns.
2, 3
25
25
Bdn.
25
Tba.
25
Cb.
25
Tmp.
25
Tec.
xilo, bells
25
Cx.
Pts.
Bmb.
25
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
6
33
37
Pic.
33
Fl.
33
Ob.
33
Fgt.
33
Cl. E
(Req.)
33
1
Cls. B
2, 3
33
33
Cl. Bx.
33
Sxa. E 1, 2
33
Sxt. B
33
Sx.bar. E
33
1
Tpas. F
2, 3
37
33
33
1
Tpts. B
2, 3
33
33
1
Tbns.
2, 3
33
33
Bdn.
33
Tba.
33
arco
Cb.
33
Tmp.
33
bells
Tec.
xilo, bells
33
Cx.
Pts.
Bmb.
33
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
40
45
Pic.
40
Fl.
40
Ob.
40
Fgt.
40
Cl. E
(Req.)
40
1
Cls. B
2, 3
40
40
Cl. Bx.
40
Sxa. E 1, 2
40
Sxt. B
40
Sx.bar. E
40
1
Tpas. F
2, 3
45
40
40
1
Tpts. B
2, 3
40
40
1
Tbns.
2, 3
40
40
Bdn.
40
Tba.
40
Cb.
40
Tmp.
40
Tec.
xilo, bells
40
Cx.
Pts.
Bmb.
40
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
8
47
Al Coda
Pic.
47
Fl.
47
Ob.
47
Fgt.
47
Cl. E
(Req.)
47
1
Cls. B
2, 3
47
47
Cl. Bx.
47
Sxa. E 1, 2
47
Sxt. B
47
Sx.bar. E
47
1
Tpas. F
2, 3
Al Coda
47
47
1
Tpts. B
2, 3
47
47
1
Tbns.
2, 3
47
47
Bdn.
47
Tba.
47
Cb.
47
Tmp.
47
Tec.
xilo, bells
47
Cx.
Pts.
Bmb.
47
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
53
Pic.
Fl.
Ob.
Fgt.
Cl. E
(opcional 8a abaixo)
(Req.)
1
Cls. B
2, 3
Cl. Bx.
Sxa. E 1, 2
Sxt. B
Sx.bar. E
53
1
Tpas. F
2, 3
1
Tpts. B
2, 3
1
Tbns.
2, 3
Bdn.
Tba.
Cb.
Tmp.
bells
Tec.
xilo, bells
Cx.
Pts.
Bmb.
Funarte - Ministrio da Cultura
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
10
60
63
Pic.
60
Fl.
60
Ob.
60
Fgt.
60
Cl. E
(Req.)
60
1
Cls. B
2, 3
60
60
Cl. Bx.
60
Sxa. E 1, 2
60
Sxt. B
60
Sx.bar. E
60
1
Tpas. F
2, 3
63
60
60
1
Tpts. B
2, 3
60
60
1
Tbns.
2, 3
60
60
Bdn.
60
Tba.
60
Pizz.
Cb.
60
Tmp.
60
Tec.
xilo, bells
60
Cx.
Pts.
Bmb.
60
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
11
67
Pic.
67
Fl.
67
Ob.
67
Fgt.
67
Cl. E
(Req.)
67
1
Cls. B
2, 3
67
67
Cl. Bx.
67
Sxa. E 1, 2
67
Sxt. B
67
Sx.bar. E
67
1
Tpas. F
2, 3
67
67
1
Tpts. B
2, 3
67
tpas.
67
1
Tbns.
2, 3
67
tpas.
67
Bdn.
67
Tba.
67
Cb.
67
Tmp.
67
Tec.
xilo, bells
67
Cx.
Pts.
Bmb.
67
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
12
79
75
Pic.
75
Fl.
75
Ob.
75
Fgt.
75
Cl. E
(Req.)
75
1
Cls. B
2, 3
75
75
Cl. Bx.
75
Sxa. E 1, 2
75
Sxt. B
75
Sx.bar. E
79
75
1
Tpas. F
2, 3
75
75
1
Tpts. B
2, 3
75
2.
75
1
Tbns.
2, 3
75
75
Bdn.
75
Tba.
75
Cb.
75
Tmp.
75
Tec.
xilo, bells
75
Cx.
Pts.
Bmb.
75
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
13
83
Pic.
83
Fl.
83
Ob.
83
Fgt.
83
Cl. E
(Req.)
83
1
Cls. B
2, 3
83
83
Cl. Bx.
83
Sxa. E 1, 2
83
Sxt. B
83
Sx.bar. E
83
1
Tpas. F
2, 3
83
83
1
Tpts. B
2, 3
83
83
1
Tbns.
2, 3
83
83
Bdn.
83
Tba.
83
Cb.
83
Tmp.
83
Tec.
xilo, bells
83
Cx.
Pts.
Bmb.
83
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
14
95
91
Pic.
91
Fl.
91
Ob.
91
Fgt.
91
Cl. E
(Req.)
91
1
Cls. B
2, 3
91
91
Cl. Bx.
91
Sxa. E 1, 2
91
Sxt. B
91
Sx.bar. E
95
91
1
Tpas. F
2, 3
91
91
1
Tpts. B
2, 3
91
91
1
Tbns.
2, 3
91
91
Bdn.
91
Tba.
91
arco
Cb.
91
Tmp.
91
Tec.
xilo, bells
91
Cx.
Pts.
Bmb.
91
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
15
98
Pic.
98
Fl.
98
Ob.
98
Fgt.
98
Cl. E
(Req.)
98
1
Cls. B
2, 3
98
98
Cl. Bx.
98
Sxa. E 1, 2
98
Sxt. B
98
Sx.bar. E
98
1
Tpas. F
2, 3
98
98
1
Tpts. B
2, 3
98
98
1
Tbns.
2, 3
98
98
Bdn.
98
Tba.
98
Cb.
98
Tmp.
98
xilo
Tec.
xilo, bells
98
Cx.
Pts.
Bmb.
98
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
16
103
Pic.
Fl.
Ob.
Fgt.
Cl. E
(Req.)
1
Cls. B
2, 3
Cl. Bx.
Sxa. E 1, 2
Sxt. B
Sx.bar. E
103
1
Tpas. F
2, 3
1
Tpts. B
2, 3
1
Tbns.
2, 3
Bdn.
Tba.
Pizz.
Cb.
Tmp.
Tec.
xilo, bells
Cx.
Pts.
Bmb.
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
17
109
Pic.
109
Fl.
109
Ob.
109
Fgt.
109
Cl. E
(Req.)
109
1
Cls. B
2, 3
109
109
Cl. Bx.
109
Sxa. E 1, 2
109
Sxt. B
109
Sx.bar. E
109
1
Tpas. F
2, 3
109
109
1
Tpts. B
2, 3
109
109
1
Tbns.
2, 3
109
109
Bdn.
109
Tba.
109
Cb.
109
Tmp.
109
Tec.
xilo, bells
109
Cx.
Pts.
Bmb.
109
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
18
115
119
Pic.
115
Fl.
115
Ob.
115
Fgt.
115
Cl. E
(Req.)
115
1
Cls. B
2, 3
115
115
Cl. Bx.
115
Sxa. E 1, 2
115
Sxt. B
115
Sx.bar. E
115
1
Tpas. F
2, 3
119
115
115
1
Tpts. B
2, 3
115
115
1
Tbns.
2, 3
115
115
Bdn.
115
Tba.
115
Cb.
115
Tmp.
115
xilo
Tec.
xilo, bells
115
Cx.
Pts.
Bmb.
115
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
19
121
Pic.
121
Fl.
121
Ob.
121
Fgt.
121
Cl. E
(Req.)
121
1
Cls. B
2, 3
121
121
Cl. Bx.
121
Sxa. E 1, 2
121
Sxt. B
121
Sx.bar. E
121
1
Tpas. F
2, 3
121
121
1
Tpts. B
2, 3
121
121
1
Tbns.
2, 3
121
121
Bdn.
121
Tba.
121
Cb.
121
Tmp.
121
Tec.
xilo, bells
121
Cx.
Pts.
Bmb.
121
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
20
128
Pic.
128
Fl.
128
Ob.
128
Fgt.
128
Cl. E
(Req.)
128
1
Cls. B
2, 3
128
128
Cl. Bx.
128
Sxa. E 1, 2
128
Sxt. B
128
Sx.bar. E
128
1
Tpas. F
2, 3
128
128
1
Tpts. B
2, 3
128
128
1
Tbns.
2, 3
128
128
Bdn.
128
Tba.
128
Cb.
128
Tmp.
128
Tec.
xilo, bells
128
Cx.
Pts.
Bmb.
128
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
135
D.S. al Coda
21
Pic.
Fl.
Ob.
Fgt.
Cl. E
(Req.)
1
Cls. B
2, 3
Cl. Bx.
Sxa. E 1, 2
Sxt. B
Sx.bar. E
135
D.S. al Coda
1
Tpas. F
2, 3
1
Tpts. B
2, 3
1
Tbns.
2, 3
Bdn.
Tba.
Pizz.
arco
Cb.
Tmp.
bells
Tec.
xilo, bells
Cx.
Pts.
Bmb.
Funarte - Ministrio da Cultura
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
22
Fine
Pic.
Fl.
Ob.
Fgt.
Cl. E
(Req.)
1
Cls. B
2, 3
Cl. Bx.
Sxa. E 1, 2
Sxt. B
Sx.bar. E
Fine
1
Tpas. F
2, 3
1
Tpts. B
2, 3
1
Tbns.
2, 3
Bdn.
Tba.
Cb.
Tmp.
Tec.
xilo, bells
Cx.
Pts.
Bmb.
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
Trio
23
150
Pic.
150
Fl.
150
Ob.
150
Fgt.
150
Cl. E
(Req.)
150
1
Cls. B
2, 3
150
150
Cl. Bx.
150
Sxa. E 1, 2
150
Sxt. B
150
Sx.bar. E
150
1
Tpas. F
2, 3
Trio
150
150
1
Tpts. B
2, 3
150
150
1
Tbns.
2, 3
150
150
Bdn.
150
Tba.
150
Cb.
150
Tmp.
150
bells
Tec.
xilo, bells
150
Cx.
Pts.
Bmb.
150
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
24
156
Pic.
Fl.
Ob.
Fgt.
Cl. E
(Req.)
1
Cls. B
2, 3
Cl. Bx.
Sxa. E 1, 2
Sxt. B
Sx.bar. E
156
1
Tpas. F
2, 3
1
Tpts. B
2, 3
1
Tbns.
2, 3
Bdn.
Tba.
Pizz.
Cb.
Tmp.
Tec.
xilo, bells
Cx.
Pts.
Bmb.
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
25
162
Pic.
162
Fl.
162
Ob.
162
Fgt.
162
Cl. E
(Req.)
162
1
Cls. B
2, 3
162
162
Cl. Bx.
162
Sxa. E 1, 2
162
Sxt. B
162
Sx.bar. E
162
1
Tpas. F
2, 3
162
162
1
Tpts. B
2, 3
162
162
1
Tbns.
2, 3
162
162
Bdn.
162
Tba.
162
Cb.
162
Tmp.
162
Tec.
xilo, bells
162
Cx.
Pts.
Bmb.
162
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
26
168
172
Pic.
168
Fl.
168
Ob.
168
Fgt.
168
Cl. E
(Req.)
168
1
Cls. B
2, 3
168
168
Cl. Bx.
168
Sxa. E 1, 2
168
Sxt. B
168
Sx.bar. E
168
1
Tpas. F
2, 3
172
168
168
1
Tpts. B
2, 3
168
168
1
Tbns.
2, 3
168
168
Bdn.
168
Tba.
168
arco
Cb.
168
Tmp.
168
bells
Tec.
xilo, bells
168
Cx.
Pts.
Bmb.
168
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
27
174
Pic.
174
Fl.
174
Ob.
174
Fgt.
174
Cl. E
(Req.)
174
1
Cls. B
2, 3
174
174
Cl. Bx.
174
Sxa. E 1, 2
174
Sxt. B
174
Sx.bar. E
174
1
Tpas. F
2, 3
174
174
1
Tpts. B
2, 3
174
174
1
Tbns.
2, 3
174
174
Bdn.
174
Tba.
174
Cb.
174
Tmp.
174
Tec.
xilo, bells
174
Cx.
Pts.
Bmb.
174
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
28
180
Pic.
Fl.
Ob.
Fgt.
Cl. E
(Req.)
1
Cls. B
2, 3
Cl. Bx.
Sxa. E 1, 2
Sxt. B
Sx.bar. E
180
1
Tpas. F
2, 3
1
Tpts. B
2, 3
1
Tbns.
2, 3
Bdn.
Tba.
Cb.
Tmp.
Tec.
xilo, bells
Cx.
Pts.
Bmb.
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
185
xilo
xilo
29
D.C. al fine
Pic.
185
Fl.
185
Ob.
185
Fgt.
185
Cl. E
(Req.)
185
1
Cls. B
2, 3
185
185
Cl. Bx.
185
Sxa. E 1, 2
185
Sxt. B
185
Sx.bar. E
185
1
Tpas. F
2, 3
D.C. al fine
185
185
1
Tpts. B
2, 3
185
185
1
Tbns.
2, 3
185
185
Bdn.
185
Tba.
185
Cb.
185
Tmp.
185
Tec.
xilo, bells
185
Cx.
Pts.
Bmb.
185
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
EDIES
FUNARTE
PARTITURAS
ANDAS
FUNARTE
S EDITIONS
OFDE
MUSIC
SCORESPARA
FOR BANDS
1995
Golden Repertoire of
Brazilian Bands
Antnio do Esprito Santo
Avante Camaradas / Dobrado 220
Gilberto Gagliardi
Cidade de Diadema (dobrado)
Joaquim Naegele
Mo de Luva (dobrado)
Silvestre Pereira de Oliveira
Amor de um Pai (dobrado)
Antnio Pedro Dantas (Tonheca Dantas)
A Desfolhar Saudades (valsa)
2000
Golden Repertoire of
Brazilian Bands
Antonio do Esprito Santo
Avante Camaradas
Dobrado 220 (dobrado) * reissue
Anacleto de Medeiros
Os Bomios (Brazilian tango)
Ceciliano de Carvalho
Dever do Mestre (dobrado)
Gilberto Gagliardi
Cidade de Diadema (dobrado) * reissue
Pedro Salgado
Dois Coraes (dobrado)
Hymns of Brazil
D. Pedro I/ Evaristo da Veiga
Hino da Independncia
Joaquim Naegele
Ouro Negro (dobrado)
DOIS CORAES
dobrado
music by
PEDRO SALGADO
Patrocnio
Realizao
5/5/08 10:02:53 PM