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"SCHISM" Tool

As heard on Lateralus

(VOLCA NO)

Words and Music by Maynard James Keenan, Adam Jone s, Daniel Carey and Justi n Chancellor Transcri bed by And y Aledort

All guitars are in drop-D tuning (low to high: DA D G B E).


Bass tuning (low to high): D A D G.
Bb/0

o5v11

*Bbmaj7

II

21

DS

FS

II

13

I l l

.BassplaysB~ root

GS

AS

333

IA]Intro

DSV

II

133

Bbsus2

133

114

BbS

cs

Fsus2

Ill

114

ES

Il l

II

(0:00)

Slowly q =72
Bb/0
F

Gsus4

Gtr. I (elec . w/clean tone)

.............1--3

2 --------~

Bb
r.,,

Bb/D

Bbmaj7

Gsus4

3
0

2
3

5
5

2
3-----

7
7

7
7

let ring ...

r.,,

wlpick

osv11
r.,,

7
8

......
_. ....11----------s--------~
5

H- .......

EbS

5
5

1--~----~~~--------~

-=s

..,

r.,,

7
8

[ID(0:14)
4

Faster J =110
' N.C.(Dm)
BMs Bass Fig. I.........................

c1=rI.
(0:18)

-rcrii

i I-w1a
r I. i I. n-w1g
rr i
..........

gradually fade in

Bass plays Bass Fig. I seven times (see meas. 4)

.............

. ....

.. .. . . . . ........................

. .....

05
7

P.M... . ....

Gtr. I (w/dist.)

...

*doubledby additionalgtrs.
I., 2., 3.

4.

(Om)
P.M.

let ring

P.M. ,
>

II: g i f

i j-w Ii i j- j:- j' trto:IIi i j'- I


2

............~.........
~-

............~.........
~-

'
I
0

od!

Copyright 2001 EMI VIRGIN MUSIC, INC. and TOOLSHEDMUSIC.


All Rights Controlled and Administered by EMI VIRGIN MUSIC. INC.
All Rights Reserved . International Copyright Secured. Used by Pe(mis.sion
.
Reprinted by Permission of Hal LeonardCorporation.

"SCHISM"
(g

1st Verse

(0:41)

know

pieces

the

flt

away

fall

watched them

'cause

Bass Bass Fig. 2


10--9-

--

Mildewed

..--...~~

----

19 Otr. I

differing

Fundamental

smoldering

and

--- -

------

Bass plays Bass Fig. 2 three time~Jsee meas. I 5)

23

motion

Intention

Pure

Dis

let ring throughout


>

The

lntegr.atlng
27

P.M .

t(
~+--1....___.__
_.____.
f~ t................
~~11e...._...-=-----~)---+"'
I1'-+--r ---r --r~##f"'---F--~a: , r4I
7

~1

-+--r

- 0 ................

+----Ir

31

light
N.C.

that fueled

P.M .

our

then

fire

- - - - - - - - - - - - ,

B!r-i-o.:
--......
r'--t,-ffi,Iz'....
1===t=
_-=
":!
....
r=
--==:-r
- -s
3
Bass plays Bass Fig. I twice (see meas. 4)

cannot

see

reach

to

an

Crippling

end

( repeal previ o us
two measur es)

hole

betweenus So we

E12
-1------ -+l-1- ----~
2

communication

our

P.M .

35 Otr. I

burned

has

Bass

10-

-11---

.............-+_~-~-+;:_-0--+-

[ID(1:20)
4.

I., 2., 3.

39

P.M.

N.C.(Am)
10--

~ -< A-10-

--9

10---

- 91--

--

"SCHISM"
[ID2nd and 3rd

Verses (1:35,2:33)

2. I
(3.) was

know
time that

pieces
pieces

the
the

flt
flt

'cause
But

watchedthem
watchedthem

Gu . 1

N.C.(Om)

42

P.M.------------- ---- ---- ----------------- ---- -------- ------------------- ------- ---,

3
Bass plays Bass Fig. 2/ourtimes (see meas. 15)

No
fault
Miidewed

None to blame It
smoldering

and

tumble
down
fall
away

Gtr. I substitutes Fill I on 3rd Verse (see next page)

doesn't mean I
Strangledby our

So point
I've done the

don't
desire
coveting

the finger Blame the other


math
enough to know the

Gtr. I substitutes Fill I on 3rd Verse (see rrext page)

46

Watch

temple topple
over To bring
the pieces back
Doomedto crumble
unless
of our
second guessing

the

dangers

Gtr. I substitutes Fill I on 3rd Verse (see next page)

52

::I

together
we growand

Rediscover
strengthen

our

P.M------- -------- -- --------- -- -----

============
~1~1
'.::=========~:::=========~
*~~1
==========::::=
=1~
_.
1,,_
(9)
_::::_::;-'-r)
,o-tEJ,Q
3
*Substitute noMs in parenthesis on 3rd Verse.

(2:02,3:00)

Gtr . I

57

communication
communication

. .

(4th time orr3rd Verse) I 1., 2 3


skip ahead to [ID

P.H.

(Am)

------.....------,

(wlechorepeats)
>

__

[!]

1st Chorus

......,..... -=-H~ '- 10- - 9 --ffl"-4iill-+--0--,.---0---t---

12-

---lt'!

l,-

--ff-,III-

(2:17)

poetry

The

61

4.

05

that

GS F5

F5
>

,,.

,,.

3
I

>

GS

comes fromthe squaring-offbetween


N.C.(C5)

>

>

And the clrcllng Is worthIt

3
>

>

5-

>

>

>

>

go back to [fil Verse

beauty

Finding
67

05

F5

>

>

the dissonance

In
GS F5
>

3. There
N.C.(Om)

GS

Gtr. 2 plays Rhy. Fi/11 (see next page)

>

"SCHISM"
[Qj (3:13)
N.C.(Am)
(repea t previous measure)

71

76

--1----

---

____
_

_ __,_
-7

,:,..

80
10

10

12

,:,..
7

[IDInterlud e

0-

(3:31)

I.

N.C.(Am7)

end Riff A

Rif!A
Gtt. 2 (w/delay)
P.M . . ,

84

P.M . ,

P.M. .. ,

P.M . .. ,

P.M . .. ,

P.M. ,

P.M . ,

P.M.

P.M .

P .M.. .. . ...

(notes in parenthesis are echo repeats )

Gtr. l

Bass

0.

Rhy. Fill 1 (2:31)

Fill 1 (2:36,2:43,2:50,2:56)

Gtr. 2 (elec. w/dist.)

Gtr. I

P.M .. .........

.. ....

.. .....

"SCHISM"
2.

(3:47)
P.M.

P.M.

P.M . ,

P.M .

P.M . , .

P.M . . ,

P.M . ,

P.M . ,

P.M . ,

P.M . ,

(wlsignal processing effects)

let ring until Ci]


(wlsignal processing effects)

P.M .

94

P.M.

P .M.

P.M. . ,

P.M . . ,

P.M . . ,

P.M. . ,

P .M . . ,

P.M . . ,

P.M .. ,

P.M.

P.M.

P.M.

P.M.

P.M.

P.M.

(4:02)

11..2., 3.

w/additional sound effects

4.

Gtr . 2
P.M . . ,

100

P.M .. ,

P.M .. ,

P.M. . ,

P.M . . ,

synth (arr. for clce. gtr. w/disl .)

..

*wlportamento effect

Subst;rute no te in parenthesis 3rd and 4th times.

[I) Bridge

P.M.

P.M . . ,

P.M . . ,

P.M.

P.M.

wlbar

v ----

(4:32)

(cold)

(cold)

(cold}

Cold

silence

N.C.(Am7)
Gtr. 2 plays Riff A four times ( see meas. 84)
w!additional sound effects

r--r
Eff=t.--Bass

let ring throughout

106

I . .

r- 14tr

11
I

I I

12

(Gsus4)
5

~ I

1 3

1r

ft"

II r
I

10

10

I
a

has
(F)
111

II

(Dm9)

11s
I

I
tendency

[J

II

17- E_j;Jt

"SCHISM"
atrophy

to
(Am7)

r.a..-
-r r r-t dtr r

11 =--l-'
1
1 ===================~=====~==
~1~1~.======
1 ~===1~~
--- ,0
-::::+6-~
~
=11:
121

(Gsus4)

(F)
5

f=l:;3

I g:
I

~ I

g:

I g:

(Dm9)

3~

com-

of

sense

any

passion
Gtr. 2

(Am7)

126

P.M.

P.M . ,

P.M . . ,

P.M . ,

P.M .. ,

P.M.

P.M . ,

P.M . . ,

P.M . ,

P.M . . ,

14
Bass
0

becoming gradually louder

P.M.

II]

(5:24)

between

AS

(GS)

(CS)

(FS)

------------- --------------------------- ------------------- ----------------- --------,


138 P.M . ........

.....

---14

1---

----

--1-'

......

let A string ring

.. ... . ,

---

+-11iit----

+---4)-----,1---0
--I-'"'-

---+-

.._____

----1-.Q-

--+---~Y

--

--12

------

--+---<l

~-.i~'"--0-

2
2:
'----

14

--t---O-~

>

cresc.

lovers

supposed

141

N.C.(FS)
>

>

14

-0

o-- o

(CS)

(GS)

>

>

>

14 0 14 0

>

--- ---14-- -14-....,..,-.f-l!._--10>.--- --r...-__;1-.:1


----+--,

"SCHISM"

>

>

>

>

>

>

I----Q----------.__....,..__o-o--o-o
- o- o- o-o-

>

>

>

-~Q-----------0-01---'-...__-o-o-o -o- o- o- o-o-

V bd bd bd bd

bd

bd bd

---+-1-1---=1-o- o-o-o,__._-+-_____,
1----

bd

bd

bd

. N.C.

0-

0-5

3.

0-

3--10
/10

[Kl 4th Verse

156

...

P.M ...

JI.

J-

o-

i-

5
o-5-2-0-2

.....

.,

.
.

bd

...

P.M . ,

>

>

pieces
F5

11

o- o- o-o

blbl

1-

ES
P.M .. . ,

>

3
3--0--0--2

>

2
--

bd

>

GS
. P.M . ,

bd

,---- ;I-- --~


.__ .........
___

.. ,

bd bd

>

LJ

05 F5 GS 05 FS GS

-0-0-

bd

>

x
:: 0110

II]

Ii

-0-0-0

bl

Outro

bl

1R.
8

2
2-0-

>

P.M .......

bl

o-o-11

bl

bl

>

9
o-o+-o-of--0

12
- 0-0-o

bd~~bl

- 5

o--

....

.............

.......

,
>

o- 3-5

bbd
3

@ ffi II:I ,
3

(play 8 time.r)

>

.:

~8~rj

>

bbd

..
...

0- -o-o-

.,

(6:25)

P.M .

b-+d
3

GS
P.M . ,

-1-- w l--1
t---+bJd
--+--+--+
bbl
-+-+-'
-U.:
.'-'--i-l.Ll LJ_bld,---6>-+
--bbl

n-- 0

....

flt

ES
P .M . ,

>

>

P.M ... ....

>

5-0-3-5-0-3-5
0- 0- 5-0-3-5-0-3

bd

G5(05)
.. . ......
>

F5

o- o-~ -o-o-o-::

flt

F5

flt

...........

pieces

the

4.

pieces

v
ES

A.

. . -- t

>

,,,

1R.

3-0-2-0-5

ES(05)

...

>

A.

o--

F5

- 0

bd

know the

ES

FS

.......

1., 2., 3.

know

GS N.C.

(6:12)

flt

ES

o--

P.M . ..

FS

V I

11.. 2., 3.

(5:59)

>

pieces

159

152

,,,

3--10
/10

N.C.

4.

.Q.
=-"..._

(05)

0-

cs

-------I
3- 3.=--

,=:JI

i3~