KILLDOZER

Caf Voltaire (?),

Milwaukee, WI
May 19, 1986
***CM Archives Vol 17***
Source \ lineage: AUD(1)>Onkyo TA-RW344 w\ azimuth correction>Goldwave>.wav>CD W
ave>flac (level 8)
1) >intro<
2) King if Sex
3) One for the People
4) Cyst
5) >chat<
6) 57
7) Burning House
8) Pile Driver
9) Ed Gein
10) >broken guitar string<
11) Sweet Home Alabama
12) Hamburger Martyr
13) Live Your Life Like You Don t Exist
14) Going to the Beach
15) I m Not Lisa
16) >chat<
17) La Grange
Here s another KILLDOZER show fer yer sorry ass
The tape had no venue info could be from Century Hall there weren t a ton of venues th
ey played in Milwaukee, so most likely one of the two
Yet another great early set, with an uncommon Burning House included
Enjoy It, but PLEASE!
Do Not Sell!
Do Not Disseminate in MP3 Format!
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Background:
I was lucky enough to develop a pretty solid virtual friendship with CM, and see
mingly was able to succeed where many others have not: getting him to open up hi
s vast collection of recorded material to digitally transfer. The many requests
he received over the years were impossible to fulfill, and he honestly felt badl
y about hoarding , but there was little way to oblige all of them over the decades
of taping, trading, and collecting
Perhaps he saw in me the chance to get his tapes transferred for himself, and al
so out to the many folks who had requested them since his last trading days many
moons ago...
What we have in his collection is a brilliant snapshot of the Portland \ Eugene \
Corvallis, Oregon scene in the early to mid-1980 s. Then, after a prolific spell
taping his favorite bands in and around Portland, he scored a job working for To
uch n Go sister label Blast First Records out of the UK. He became label support for
Band of Susans, and worked closely with many of the stalwarts during the heyday
of that label.
He has also worked closely with many other bands, in various capacities; includi
ng Wire and Nick Cave (at Mute Records); the Buzzcocks, after their reformation
in 1989; as well as many, many others far too many to mention. This series does no
t even begin to scratch the surface of his collection; much of which is privatel
y recorded and cannot be released to the public without the bands permissions. St
ill, what has been offered up is a pretty amazing collection of recordings, and
certainly will bring to light a wealth of new material as well as many upgrades
which have remained elusive for a long time.

Allow me to give a big thanks to CM for his trust in me, and for opening up his
vaults to we fans!
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