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CONTENTS
The Ballad of Sara Berry .................................................. 126
Caralee ........................................................................................ 35
Crazytown ................................................................................. 5
Cut You a Piece ..................................................................... 113
Hemming and Hawing........................................................ 99
Leave, Luanne ......................................................................... 64
Mama, Let Me In..................................................................... 79
On Monday .............................................................................. 25
The Party Goes With You .............................................. 42
The Seraph ................................................................................ 56
Twisted Teeth........................................................................... 91
Why Must We Tell Them Why? ................................... 83
RYAN SCOTT OLIVER wrote the music and lyrics for 35mm,
Darling (as seen on the 10th season of NBCs The
Apprentice), and Mrs. Sharp (2008 Richard Rodgers
Award Winner, workshop at Playwrights Horizons starring
Jane Krakowski, directed by Michael Greif). His work has
been presented at the Kennedy Center, Joe's Pub, and the
New York Musical Theatre Festival, and has also been
heard Off-Broadway in We the People (TheatreWorksUSA), on the YouTube webseries The Batterys
Down (This is Your Life, et al; CD available through ShK-Boom Records), as well as in cabarets and showcases
around the world. He is the recipient of a 2008 Jonathan
Larson Grant, the 2007 Harold Adamson Award for
Excellence in Lyric Writing (ASCAP), and a 2007
Dramatists Guild Fellowship. He is represented by Jessica
Amato at the Gersh Agency. www.ryanscottoliver.com
MATTHEW MURPHY is a New York City-based photographer specializing in theater and dance. His work
appears regularly in the Arts and Leisure section of The
New York Times, and additional credits include Bravo TV,
New York Magazine, Playbill, Vanity Fair, The Village
Voice, Broadway.com, Broadway World, Dance Magazine,
The Financial Times, Dance Spirit Magazine, Movmnt
Magazine, Dance Teacher Magazine, Time Out New York
and The New York Post as well as numerous Broadway
shows. He is a former member of American Ballet Theatre.
For more information visit www.murphymade.com.
CRAZYTOWN
from 35mm: A Musical Exhibition
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* "Crazytown" was originally scored for 4 ensemble voices (SATB), but should be re-arranged for the voices on-hand. When the
voices are collected SATB onto one staff, men should sing the lowest pitch (or pitches in a 4-way split), 8va.
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Music and Lyrics 2009 by Ryan Scott Oliver. 2012 by ARESSO MUSIC PUBLISHING.
All rights reserved.
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j
. . . . . . .
>
>
38
clare:
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b >
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loco
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42
42
42
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4
44
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4
b
b
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n
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b
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b b n
n
>
Nev - er - land
>
44
no
ked,
This ain't
G b7
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b
& b b b b 24
"Crazytown" - 16
and na
j
n
b b 2 b
b
J
V bb 4
? b b b 24
bb
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>
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to the or - gi - as - tic
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34
43 .
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34 gg ...
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4 b.
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mass
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on
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b
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21
me
b
J
a - part,
bb b b n
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22
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E bsus7
Head
b
.
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to
heel
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bb
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see:
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>
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44
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Me.
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4
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44
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ggg
gg
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b b b.
b.
j"
Ooh
44
start U and
j
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the
Ooh
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J
<
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bb
>>
&
Edim(no3)
b
V b bbb
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24
D b5
b
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b
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4
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4
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4
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^
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4
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4
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>
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>
bb 3
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be - de-deep::
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J
>
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bb 3
&bbb 4
>
bb
&bbb
D b5
hah
&
Hoo
E dim(no3)
www.ryanscottoliver.com
25
ON MONDAY
from 35mm: A Musical Exhibition
Exuberant Pop-Rock (q =168)
& 44
>
f
? 44
(N.C.)
j
>
> >
>
&
?
>
Csus2
On
& ww
F
? . . . . . . . .
Dm
&
It's
&
Mon - day,
? . . . . . . . .
"On Monday" - 1
>
>
>
>
>
C sus
Mon - day,
>
..
>
>
>
>
>
met
you,
ww
liked
>
..
.
.
>
>
>
>
you,
liked
you
>
>
>
>
. . . . . . . . . . . . . . . . . . . . . . . .
bad
Am
day,
But
.
.
good
. . . . . . -
..
.
day
for
C5
.
.
us,
..
.
.
>
Music and Lyrics 2009 by Ryan Scott Oliver. 2011 ARESSO MUSIC PUBLISHING. All rights reserved.
Good
for
us.
www.ryanscottoliver.com
&
>
>
>
..
>
>C
j
>
>C sus
26
/B
C5
& j
/A
/G
j j
&
. .
. . . . .
>
. .
. . . . .
>
. .
. . . . .
>
. . . . . . . .
>
?
>
>
Gsus
&
&
j
? .
>
>
Csus2
day,
..
>
called
&
>
>
>
? . . . . . . . . . .
Dm
&
You
&
?
text - ed
. . . . . . . .
"On Monday" - 2
You
were
..
C /F
my
kind
of
you,
>
Ig - nored
>
gg
ggg .
ggg .
> > gg - .
C sus
me,
Straight voice
Then Tues -
>
>
mail.
>
>
>
>
. . . . . . . . . . . . . . . . . . . . . .
Am
..
.
. . . . . .
-
.
.
back
guy.
ggg ...
gg -
say
ing
"Play
hard
to
C5
..
.
get.
> >
www.ryanscottoliver.com
>
&
27
/B
C5
& j
&
. . . . ... >
>
?
>
J
&
Gsus
/A
. .
. . . . .
>
. .
. . . . .
>
. . . . . . . .
>
I've
been
&
j
? .
.
>
Csus2/D
& j
uh - ile
so
j
That
to
&
? j .
"On Monday" - 3
>
Still I
C/F
thought,
"You're the
ggg ...
gg ..
gg
ggg .
ggg .
> > gg - .
>
ju
take
F(add6)
best."
>
.
.
.
>
G/B
uh - I
time,
>
Csus2
>
Is
just
not
>
my
style.
.
.
.
'Cause
uh - I
G(add6)
J
my
Am
ve - ni(le)
C /E
www.ryanscottoliver.com
& .
G(add6)
>
test,
&
j
j
? .
.
.
.
>
>
>
F(add6)
By your
C/E
/G
28
&
Am
G/B
C sus2
Csus2/D
G5
Ah,
&
Csus2
&
&
>
? . . .
>
>
uh - ah
uh - ah,
>
Pure
&
?
"Hump"
Clean
& j
&
. .
?
>
"On Monday" - 4
. . . . .
>
>
we
...
day,
But
/B
touch - ing.
>
>
. . . . . . . .
G
. . . . . .
-
. . . . . . . .
C5
talk - ing,
Am
uh ah - uh ah,
.
.
/A
just
C5
..
.
held hands,
We
held hands.
/G
> >
j
. .
. . . . .
>
. .
. . . . .
>
. . . . . . . .
>
>
you
A - way
www.ryanscottoliver.com
&
uh - ah,
>
>
>
>
. . . . . . . . . . . . . . . . . . . . .
Dm
Csus
29
&
Gsus
for
the day,
F(add6)
& .
felt
&
j
? .
.
Csus2/D
uh - ile
so
&
Am
C /E
inch
ve - ni(le)
F(add6)
"On Monday" - 5
.
.
.
>
G/B
Csus2
uh - I
uh - I
.
.
time,
>
>
j
And
C sus2/D
took
C /E
And
.
I
&
?
stay."
G(add6)
of
Am
>
mile.
C sus2
G/B
>
gave an
&
? j .
got - ta
gg
ggg .
ggg .
> > gg - .
..
j
You
ggg ...
gg -
ju
"I
F(add6)
was
G(add6)
so
.
.
www.ryanscottoliver.com
& j
G(add6)
You said,
&
j
j
? .
.
.
.
>
>
>
C/E
C/F
30
Am
&
ju
ve - ni(le)
uh - I
F(add6)
&
take
it
C sus2/D
G(add6)
>
&
C5
just
>
not
my
>
>
Fsus
Like
Tues - day,
Em
Am
>
G/B
C sus2
uh - ah
Your
uh - ah
uh - ah
style.
G5
"day
uh - ah
p
j
>
G5
off"
from me,
& . . . .
. .
. .
. .
. .
. . . .
F
gg wwww
g
b
ggg n wwwg
? ggg w
ggg ww
g w
gg w"On Monday" - 6
www.ryanscottoliver.com
Is
&
to
Ah
'Cause
? j .
uh - ile
uh - I
slow,
&
j
? .
Csus2/D
C /E
&
C sus2
&
?
G/B
31
Dm
&
But
D m/F
Fri - day
Am
bu - sy,
And
Sa
&
. .
. .
. . . . -
?g w
ggg ww
g
&
&
?
.
.
Am
Am
So let me go.
&
j j
D m/F
E m/G
&
You
are
?
J
p
?
j
<
<
"On Monday" - 7
cute.
<
But
ju - ve- ni(le)
A m7
<
w
F
with you?
/A
up
/B
..
Slower (q =120)
C/E
..
What's
me,
uh - I
U ?
ggg ww
gg
ggg
gg w
gg w
G/B
C sus2
J
uh - I
j j
<
<
/D
uh - ile...
<
www.ryanscottoliver.com
& j
.
.
..
A m/C
/G
32
D m/F
C /E
E m/G
& .
great - est
love
/A
&w
Em
/C
/G
/D
And take
/E
/B
&
Be
pa - tient
&
>
f
?
>
"On Monday" - 8
>
>
- - - - - -
So take my hand.
/G
/A
.
- .
/C
(Tempo I)
- .
/B b
/C
mile,
day,"
/D
a mile,
>
>
>
- - - - - -
.
.
J-
Look, Lo - ver:
>
b.
b - .
Am
&
n - - - - - -
j
j
? .
.
- - .
- .
D m/F
- b - - - b - -
D5
/F
Jb
It's
Sun - day.
. . . . >
. . . .
> > > >
www.ryanscottoliver.com
/E
For just
/A
the trial
/C
- . - -
Fsus
/B
w
&
.
- .
/F
& w
w
-
/B
&w
?
.
- .
Am
?
J
p
?
j
<
<
<
G
33
C /E
F(add6)
& .
Come
with
G(add6)
me,
&
? .
.
>
>
>
C sus2/D
& j .
Am
&
?
G/B
>
& j
uh - I
it
worth
C/E
far
G(add6)
uh - I
uh - I
way
or
.
.
Csus2/D
>
>
But
j .
Am
Wa
>
>
ah - ah
G5
Csus2
ah - ah
ah - ah
>
>
the aisle,
uh - I
your whi(le)
F(add6)
C sus2
j
j
&
"On Monday" - 9
make
I'll
G/B
uh - I
uh - I
j
j
ah
ah
www.ryanscottoliver.com
&w
&
? j .
uh - ile,
Am
34
G/B
&
Na
>
uh - uh,
wan - na
F M7
>
>
? n.
n
>
>
Csus2
>
>
>
#
>
>
>
>
kiss
>
you.
And
kiss
>
And
kiss
you.
And
kiss
And
>
kiss
>
you.
And
kiss
you.
>
>
>
>
. . . . . . . . . . . . . . . .
Am
>
you.
you.
P
.
.
.
.
.
.
.
.
.
.
.
.
.
.
?
"On Monday" - 10
>
Csus
& ww
ww
F dim. poco a poco
? . . . . . . . . . . . . . . . .
&
now.
.
.
..
.
And
kiss
you
.
.
..
.
Till
Mon - day.
www.ryanscottoliver.com
And
&
Oh,
&
Dm
#
>
D add2
you
Asus
kiss
&
&
uh - uh
&
>
35
CARALEE
from 35mm: A Musical Exhibition
C # dim/
G
Playfully (q =132)
### # 4
& # 4
F
? ### # 4
# 4
. .
B6
# # # # F
& # J
B6
### #
& #
Ca - ra
? ### #
### #
# j
B7
"Caralee" - 1
n
.
(Drop it)
is
j
.
J n . .
. .
#
C dim/G B / # B 6
F
n
.
(Drop it)
n .
B6
j .
. J n .
.
.
.
#
(Drop it)
j .
j .
n
# n . . J .
.
J . .
. .
.
.
.
.
G # m7/C #
Life
>
as
B/F #
n
C dim/G
A B /F #
C # dim/G B / #
F
a .
B /F #
ter - ror.
j .
a .
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.
B/F # B 7
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F
Ca - ra - lee
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#
. J n . .
. .
### #
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a .
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G
j J
C dim/G B / # B 6
F
C # dim/G B / # B 6
F
j
.
J n . .
. .
#
Bm
J n .
(Sigh)
? ### #
lee
##
& # # # n
.
&
B6
/E
j
. . n
J . .
Music and Lyrics 2009 by Ryan Scott Oliver. 2011 ARESSO MUSIC PUBLISHING.
All rights reserved.
j
>
life
. # .
www.ryanscottoliver.com
&
### #
B /F #
36
&
### #
G # m7/C #
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### #
& #
.
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B6
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>
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(Spit)
C # dim/G B / #
F
n
J
a .
B/F #
Bm
Now, you
j .
# n . . J .
.
.
n .
/E
don't try
>
to
bor
C # dim/G
. # .
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>
n .
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G # m7/C #
C # dim/G B / #
F
j .
j
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n
J . . .
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.
.
Ca - ra - lee
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a
J n . .
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a
J n . .
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F
>
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F
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n
n
fl
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fl
j
j .
J n . .
She kills.
(Thank you)
j .
# a . . J n .
.
.
B7
B6
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#
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F
B6
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n
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>
Word."
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n .
on my Mac
lee,
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a
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F # m7/B
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B/ #
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C # dim/G B / #
F
C # dim/G B / #
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n
wrote
a song.
. j n .
. j .
J n . . a .
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.
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on
fa
should we?)
(mov-ing
G#m
-
J
j
.
Music and Lyrics 2010 by Ryan Scott Oliver. 2012 ARESSO MUSIC PUBLISHING.
All rights reserved.
J
ces,
F#
j j
j j j .
are lips
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49
MAKE ME HAPPY
from 35mm: A Musical Exhibition
? 4
b 4
>
F
? b 44
>
&b
b b b b
. . . . . . . . . . . . &
> > >
> > > >
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j b j b j b j b
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> > > >
> > > >
Eb
?b
make me hap - py
~~~~~
b
&
>
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b >
>
>
"Make Me Happy" - 1
all
. .
the time.
j
b j .
b .
b ...
J
Woah-oh - oh! Ya
>
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>
.
.
.
E bsus2
b
.
b .
.
.
~~
~
~
~
~~~
>
>loco > > >
b
>
(And
HE: F sus7/E
dick.)
Music and Lyrics 2009 by Ryan Scott Oliver. 2012 by ARESSO MUSIC PUBLISHING.
All rights reserved.
F sus7/C
But - cha
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> .
www.ryanscottoliver.com
. b . b . .
& b
>.>.>.
Eb
50
&b
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Aw
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>
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4
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b7
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>
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~~~~~~
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b 4
>
>
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>
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b
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Ay,
>
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way,
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>
> .
E b7
Like when ya
>
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trick.
D b5
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>
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>
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b . . . . . . b . n .
2
4
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E bsus2(#4)
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b
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>
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~~~
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p
j
b
>
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4
4
4
4
~~~~ 4
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51
E bsus2
Get sexy
F7
&b
SHE:
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&b
Make
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P
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me
me
hap - py,
hap - py,
fl
fl
Oh
you
Oh
you
Make
fl
Make
me hap-py, Oh you
Make
me hap-py, Oh you
&b
hap - py,
me
fl
hap - py,
Make
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>
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fl
C (b9)
Oh
you
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b
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Ya
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b
fl
fl fl
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fl
me
F sus7/C
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bw
& b gggg b ww
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b
b
fl
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4
4
44
4
4
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>
b
F5
>
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>
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b
>
makes
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F/C
& b 44
Aw
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B b7
53
E bsus2
Get sexy
F7
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b
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Make
fl
F7
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fl
Make
fl
hap - py,
me
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fl
me
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fl
fl
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f
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you
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you
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me
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me
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Oh
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b .
Oh
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me
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fl
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b
fl
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Make
b
b
fl
Make
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b
fl
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E bsus2
fl
hap - py,
me
&b
"Make Me Happy" - 5
&b
Make
But to
fuck-ing fuck.)
. >
> .
www.ryanscottoliver.com
b
b
&
me
Make
&b
Breathy headvoice
&b
54
F
&b
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is
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b #
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make me
E b7
.
.
.
>
P
j
j
& b b b J b
know I don't de-serve you, But pleasehave faith in me: I'm
P
j
b
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J
know I don't de-serve you, But pleasehave faith in me: I'm
& b 44 .
C sus
see,
4
& b 4 .
see,
& b 44
.
F
? b 44
fl
"Make Me Happy" - 6
R
And I
^
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b
A b5
6
4 n j j b
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j
46 n n j b
b b
44
46
46
b
b
44
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see
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see
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I'm gon - na -
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> > >
> > >
fl
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fl
44
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?b
b n
b
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b
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switch.
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will try,
B b7
b
.
In
Hap
In
b
b
&
E bsus2
Is
Is
love
love
b b
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> .
with...
with...
b
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b #
(N.C.)
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b
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^
b b b
fl
fl fl fl
fl fl fl
fl
(Make me hap-py, Oh you
You.
~~~
~~~~~~~~~
"Make Me Happy" - 7
www.ryanscottoliver.com
& b
b b
E b7
b .
Hap
F sus7/C
F7
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j
& b b
>
>
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>
>
&b
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& b b
&b
F/C
E bsus2
will try,
55
56
THE SERAPH
from 35mm: A Musical Exhibition
Music and Lyrics by
RYAN SCOTT OLIVER
Folk song (q =76)
& b 44 j .
F
& b 44 g w
gg ww
ggg Arpeggios roll down, like a guitar (where possible)
ggg P
? 4 ggg w
b 4 gg w
g
&b
walked
in - side
his sha
dow
and
face.
ggg
ggg
ggg
ggg
B b M7
4
&b 4
filled my life with sin
& b 44 g ww
ggg
ggg
? b 44 gggg ww
kept
J
C sus7
.
.
24
2 j
4
j
24
-
Music and Lyrics 2009 by Ryan Scott Oliver. 2011 ARESSO MUSIC PUBLISHING.
All rights reserved.
24
44
43
24
..
..
24 j 44
world a - round,
..
a - pace.
.
.
..
Csus7
.
.
Bb
Csus7
ggg
ggg
ggg
gg
g
.
..
Dm
"The Seraph" - 1
by the
Drowned,
44
43
43
www.ryanscottoliver.com
& b ggg
ggg ww
ggg
? b gggg w
gg w
Bb
B b M7
j
3
4
b
& 4 4
.
F
44 ..
J
till by an An-gel
Se - raph
43 ggg ...
gg
ggg
g
? b 43 gggg .
ggg .
&b
b
&
-
leads me
? b g ww
ggg w
g
feel
him
& b
?b
ggg ww
gg w
"The Seraph" - 2
got
..
.
rest
ggg ww
gg w
kind
watch - es
.
Bb
of
soul
..
.
Dm
<
.
..
warm,
.
ggg ww
gg w
The
to
chest,
a - gainst my
<
keep.
<
The
sleep.
as
...
Dm
F
J
(uh-'ound.)
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some
..
.
thinks I've
& b
&b
on - ward,
An - gel
C sus7
Don't
know
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&b
gel
& b
F
? b gg ww
ggg w
F
found.
C7
44 gggg ww
gg
Refrain
An
I was
57
With purpose
58
Bb
&b
why
it should
..
.
& b
? b w
be,
but
& b j .
F
the
C sus7
An - gel,
G m7/F
bless'd.
by
j
.
F/C
am
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.
w.
ggg
.
gg
J
P
ggg
.
.
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gg w
Bb
& b gg
ggg
gg
ggg
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ggg w
..
.
4
&b 4
F
? b 44
w
"The Seraph" - 3
Hop-ing I'll
Se-raph re-mains
& b 44 ..
.
me,
to re-mind
trip and
I can
fall.
gg .. j
ggg
ggg
ggg .
j
ggg .
b
me
C sus7
42
44
2
4
42 ..
B b M7
Bb
4
4
44
j
44
2
4
42
2
4
But the
44
44
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F
And
& b 44
Dm
& b 44
.
.
good- ness
that
Csus
? b 44
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j
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F
hu - man
44 j .
..
-J
44 w
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.
& b 43
Refrain
An
& b
F
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ggg w
F
&b
? b g ww
ggg w
g
"The Seraph" - 4
leads me
on - ward,
gel
An - gel
& b
thinks I've
..
.
got
some
In dis - guise.
p r
.
He
Dm
ggg ww
gg w
kind
J
-
J
.
Bb
of
soul
..
.
<
.
..
The
sleep.
The
to
<
..
.
as
43
Csus7
watch - es
(uh - 'uise...)
43
.
42 .
C7
Wise
keep.
<
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&b
F
.
4 .
.
43
.
..
59
j
42
j .
Bb
60
&b
feel
him
& b
? gg ww
b gg w
g
rest
it should
..
.
& b
but
by
Freely
F5
&b
don't
& b w? b ww
"The Seraph" - 5
be - lieve
Don't
know
Csus7
An - gel,
G m7
am
j
.
.
.
& b b .
.
? b w
chest,
F/C
G m7/F
a - gainst my
.
ggg ww
gg w
the
warm,
bless'd.
in God.
I think
Fsus2/B b
Je - sus
gg .
ggg
ggg
ggg
g
was just
a man.
..
.
.
But
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& b j .
F
be,
why
b w
&b
Bb
..
.
Dm
61
Bb
Fsus2/A
& b b
with you in my life
I feel
?b
& b 44
Dm
Bb
& b
?b
as I'll
Bb
24
C sus7
.
>
ggg ww
ggg w
gel
lead
43
C7
get.
43
are
24
43
Mmm
. . . .
me
And
>
An
44
You
on - ward,
44
www.ryanscottoliver.com
4
4 w
So
44 ...
J
f
J
Heav - en
b
& 4
? 3 .
b 4
..
42
24 j
re - gret.
4 j .
4
a Love as close to
or
.
.
B b M7
3
&b 4
&b
You've
2
4
j
-
Csus
fear
fl
& b 44
fl
In time
"The Seraph" - 6
? b 44
C sus7
& b ..
.
j
42 44
62
Dm
&b
hold
watch
? g w
b gg w
gg w
Bb
sleep.
soul
to
& b ...
<
? b ..
.
keep.
<
<
warm,
& b
? b g .
ggg
g
And
chest,
&b
.
?
b w
w
"The Seraph" - 7
know
ggg ww
gg w
when
Light
Di - vine,
Bb
An
C 7sus2
..
..
gel
w r
w
mine,
...
I'll
Some - how,
got
High - est
I've
lay
think
..
.
you
why you
..
.
ggg ww
gg w
j .
..
.
don't
a - gainst my
be
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& b .
Dm
&b
& b .
as
& b
63
F
&b
bless'd.
?b
w
w
bless'd.
.
.
"The Seraph" - 8
G m7 add4
>
G m7 add4
w
w.
.
.
>
be
I'll
be
be
w
w
I'll
.
.
I'll
?b
?b
>
# . .. w
G m7 add4
w
w
bless'd.
Bb
Rit.
Bb
- ( - ) UF
g r
ggg
ggg
ggg
j gggg
gg
gg
ggg
g u
G m7 add4
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&b
.
..
Fsus
? g w
b gg
g
Fsus
& b
..
.
bless'd.
&b
..
..
&b
&b
G m7
Fsus
64
LEAVE, LUANNE
from 35mm: A Musical Exhibition
b 4
w
Southern Gothic Ghost Story (q =100)
G . . D
. .
m
Dm
Vb
Gm
Dm
P
J
THE CAJUN:
.
.
? b . &
?b
w
w
B b5(add#4)
& b
-
? j
b
j
V b n.
>
bleed-ing.
& b .
"Leave, Luanne" - 1
He
>
-
>
The
Dsus
B b5(add#4)
shouts, "Girl,
N
-
The
>
But
F m/C
B b7
j
b
>.
he knows
>
Music and Lyrics 2010 by Ryan Scott Oliver. 2012 by ARESSO MUSIC PUBLISHING.
All rights reserved.
>
j
j
>
j
> .
j
3
Her
>
Vb
Lu
www.ryanscottoliver.com
65
Gm
Vb
&b
?b
Vb
soft - ly she's re
24 j
24
Dm
Dm
44
peat-ing,
44
44
? #
..
>
>
>
Gm
?
b
Am
Vb
you dy - ing
"Leave, Luanne" - 2
on her
ru - by plains;
Gm
Leave, Lu - anne.
? b
But it's
85
Lo - yal Lu-anne re
85 .
Am
.
5 ggg ..
8
and yet,
44
-
44
44
V b .
?b
And
sim.
?b
24
Leave, Lu - anne.
Bb
Am
www.ryanscottoliver.com
66
4
Vb 4 w
Dm
mains.
Gm
Dm
E-ver
.
.
? 4 .
&
b 4
? b 44
w
- -
B b5(add#4)
Vb
J
J
since he got him laid off,
& b
-
? b j
>
Vb
>
B b5(add#4)
He
N
-
?b
"Leave, Luanne" - 3
42
No,
>
j
fool.
..
44
44
F m/C
j
>
>
j
j
.
>
j
b
>.
>
2
4
4 j 4
she won't be a
42
Bb
B b7
Am
rapes her,
& b j
& b . #
R
>
?b
j
.
Gm
Dsus
cru - el.
His
D m/A
>
A7
#
#
> > >
j
V b n.
sim.
www.ryanscottoliver.com
Dm
Vb
G m7
&b
(V2:)
(V3:)
.
.
&b
?b
ww
>
>
V b .
>
Leave Lu - anne,
& b .
.
Leave Lu - anne,
G m7
Vb
>
>
ww
>
>
. . .
r >
> . . >
ww
j 5
4
8 4
Lo - yal Lu-anne re
>
5 g ..
&
8 gg .
g
J
b w
"Leave, Luanne" - 4
Am
5
8 .
4
4
brains,
.
.
Dm
- mains.
5
4
8 4 w
w
Lo - yal Lu-anne re
Am
And so:
sim.
> >
j
>
> n
j
. ww #
>
r .
..
.
>
&b
67
.
.
.
&
mains.
4
4 w
sim.
& b j
. .
>
? w
b w
. > . . >.
"Leave Lu - anne."
Dm
www.ryanscottoliver.com
68
Vb
E/D
p
b
& n
#
Some
Some
Dm
one's
one's
Vb
Gra
& b # n
Gra
ting,
N
Ne - ver
growl - ing,
D dim C
Aw
dy - ing
in a
Bbm
cresc.
fate
..
cresc.
Fate
Bb
Dy-ing
breath.
Oh,
.
#
#
n n #
J
b
b
b
#.
worse
than
..
worse
than
# ww
w
#
Vb w
Gm
death.
& b ww
?b
ww
But
death.
?b
Dm
. .. .. ...
w
"Leave, Luanne" - 5
sim.
<
&
&b
Fm
Sigh - ing...
growl - ing,
Screams like
ting,
C aug
.
#
D dim
Dm
howl - ing...
E/D
& b # n n #
J
?b
howl - ing
C aug
www.ryanscottoliver.com
B b5(add#4)
Vb
&b
?
69
months of
such
?b
>
j
>.
&b
?b
>
roped - up
to
lo - gi-cians;
re - trie- ver...
lab
And to -
N
-
>
B b5(add#4)
So she
J .
And
she
Vb
&b
?b
"Leave, Luanne" - 6
She
G m7
starts to shout,
cresc.
Am
She's
Vb
lay - men
>
j
log.
Turn
D sus
&b
j
>
F m/C
V b b
J
3
con - di - tions
B b7
www.ryanscottoliver.com
70
Allarg.
(Dictated) A tempo (meno mosso) Rit.
G m7
Vb
Am
B b5
2
4
4 4 J
& b j
?
b
Em
# f .
# f
?#
.
.
ww
>
>
>
>
>
> .
>
>
w
w
jw
>
>
sim.
Leave Lu - anne,
"Leave Lu - anne."
&
? # ww
"Leave, Luanne" - 7
> . . >. >
ww
r > ..
.
.
>
..
.
.
> >
> > n j
ww #
Em
> >
> > n j
.. ww #
A m7
F
#
V .
# P
& .
.
>
.
.
r > ..
.
.
>
n#
Em
jw
ww
>
A m7
Leave, Lu - anne!
Scream-ing, scream-ing,
j #
#
# n
# #
f
.
j j
4 #
n
4 w
. . . >
>
#
J
&
2 j
4
>
# n#
Bsus7 B 7
Asus
bog,
> >
2 > > 4
4 4
Leave, Lu - anne!
&
Tempo I
.
A
www.ryanscottoliver.com
V
&
&
&
..
Leave, Lu - anne!
Leave Lu - anne!
#
#
. >
ww
j 58
Am
ww
Bm
As
58
fin' - lly
Fin' - lly
# > 5 g ..
8 ggg .
&
J
>
.
.
>
Lu - anne
Lu - anne
5 .
8
44
w
es
es
E8
44
ww
capes.
..
44
w
capes.
4
4 w
U" ##
#
U" # #
#
## #
U"
U" # #
r
j
j
# # # > > > > n > > > > > > > # n # n >
n
&
f
#
? ##
>
# # # f .
.
.
.
J
V
J
Swim, Lu - anne.
>
> >
A 7/E
>j
j
# # # # n
& n ww
? ### .
.
..
..
>
>
"Leave, Luanne" - 8
?#
And she don't feel the stings and rips and scrapes
j
. . . .
>
>
?#
V
71
B m7
Swim, Lu - anne.
And
r
j
# n # n
n ww
>
>
.
..
>
.
..
www.ryanscottoliver.com
72
###
V
### f
&
# # # .
.
&
.
? ### w
### .
V
E
### j .
.
&
the
j
# r n
? ### w
&
&
blood in-side
Blood in-side
you rush - es
? ### w
"Leave, Luanne" - 9
.
..
the marsh
# # #
###
V
###
through
and
As
F#m
Left
bru
and
bru
j .
.
right,
and
All
in
thenight.
a light
and right
shes
As
the
shes
# n
.
..
.
E
yourmight,
# n #
light
night.
j
.
.
. # n # n
..
Push
j ..
All
Un-
your might
n j # r n
&
###
In
# n
F# m
www.ryanscottoliver.com
73
V
&
###
###
V
&
the bank.
P
j
F # 7/C #
###
? # # # ggg www
###
hair,
? # # # w j #
B b/F
stare
at
? ## w
B b5(add#4)
Tempo I
Vb
& b
p
?
b
"Leave, Luanne" - 10
in
n b ww
bed now,
on your
42
42
2
4
Half
44
sad
44
4
4
n#
his wife
w
w
n# #
n# #
p n
n
nb
J
The
p
ggg www
ggg w
nn
n nb
is
there.
#
& #
gggwwww
g
n n .
Till you
dead now.
42
42
2
4
Bsus7
dim.
Colla voce
## p
gg www
gg
> >
Poco rit.
ww
w
A/C #
www.ryanscottoliver.com
74
F m/C
B b7
Pj
4
2
V b 4 4 b
& b 42
? b 42
B b5(add#4)
thinks
& b
-
?b j
he
used
to
Gm
Vb
wife
Vb
love
her,
A life
But
>
Dm
& b .
.
push,
it
came
2
4
no
Grieve Lu - anne.
?
?
b
b
to
2
4 j
Gm
..
"Leave, Luanne" - 11
>
to
Dm
Now
. .. ..
&
sim.
ww
shove her,
4
4
care
44
>
4
4
?
He
one seems to
grieve Lu - anne.
B b5
24
And
wild de - spair.
>
case closed,
Am
dis - posed,
>.
in the swamp in
N.
44
Vb
&b
44
drowned her-self
j
>
D sus
www.ryanscottoliver.com
75
B b5(add#4)
42 44
Vb
J
& b
p?b
B b7
42
42
j
N.
4
V b 4 b
& b 44
? b 44
>
j
>.
?b
sli - ver...
G5
Vb
?
b
?b
"Leave, Luanne" - 12
A5
in the room
And a
42
N
-
fi - ery
Gm
And
&
fog
>
/A
From the mi - ry
bog
Pours
44
44
>
42
In fact it's
B b5(add#4)
Yet his
>
In a stick - y gloom
>
>
D sus
>
& b
42 j 44
Am
He's
Vb
F m/C
Hell-ish hot,
44
44
But his
www.ryanscottoliver.com
Allarg.
(Dictated)
76
B b5
Vb
4
Am
& b
ter-ri-fied,
?b
42
4
4 J
B m7(b5)/A
j
V b .
D m/A
>
w
w
V b .
& b ..
.
>
?b
Vb
Am
&b
lo - yal Lu - anne
"Leave, Luanne" - 13
Am
Dm
re - mains
And re - mains
>
.j .
>
ww
w
w
w
w
w
and
>
j
.
Gm
ww
and
j
But
Bbm
n b j
Tempo I
re - mains and
& b
?
U
j
w
w
.
n ..
> >
>
w
w
ten.
re - mains
re - mains
>
and re - mains.
and re - mains.
. . .
>
>
.
.
.
And
said Lu - anne:
( )
B m7 b5 /A
D m/A
w
w
w
w
b ...
>
>
>
A7
A sus
Dm Cm B
.
n ..
#
J
Gm
Rit.
4 J
4
j
4
j
j j
>
& b ..
.
>
?b
knowsthat he ain't
42
~~~
~~~
~
Gm
www.ryanscottoliver.com
Vb
E /D
f
& b n
#
Some - one's
howl - ing
Some - one's
^
ww>w ^
n
b
& # w
n
?b ^ ^
Vb
E/D
Gra - ting,
& b # n
Vb
>
>
Ne - ver
>
# n
>
>
in a
>
death. Lu - anne,
r >
"Leave, Luanne" - 14
>
>
>
>
>
sim.
>
b
..
worse
than
worse
than
# ww
w
#.
..
A7
Gm
. > . . > .
cresc.
&b
>
breath.
Bbm
b
N
>
>
>
Fate
..
fate
j
& b ..
..
> >
b
death. Lu - anne,
Bb
dy - ing
Dy- ing
>
Aw
Fm
Oh,
D dim C
>
. J
Dm
77
D dim C
>
b
Sigh - ing...
>
growl - ing,
Tempo I
Screams like
# n
>
F m6
..
.
..
>ww ^
^
n
w
b
& # w
n
?
Gra - ting,
growl - ing,
howl - ing...
F m6
www.ryanscottoliver.com
78
Vb
Dm
No
&b
Vb
Am
..
& b
& b ..
?b
Vb
Dm
men!
.
& b ..
>
? b .
.
>
"Leave, Luanne" - 15
>
J
A
. .
>
>
( )
Molto rit.
D m/A
>
>
>
> > > >
> >
>
Praise be,
>
J
J
>j
>
Gm
. .
>
ww
ww
>
A-
'Prieve, Lu - anne!
re - prieve, Lu - anne!
> >
> n j
>
& b ww
?b
www.ryanscottoliver.com
79
MAMA, LET ME IN
from 35mm: A Musical Exhibition
P
bb b b 4 b
& b 4
SOPRANO:
Ma - ma,
b b b 4P
b
& b 4
Ma - ma,
bb b b 4 P
V b 4
BASS:
? b b 4P
bbb 4
Why you
let me in.
hate me,
? bb
bbb
Why you
hate me,
hate me,
hate me,
Why you
let me in.
b
V b bbb
Why you
and
Call
me
45 .
Call
me
5
4
Call
me
45
call
me
sin?
44
44
4
4
sin?
5 .
4
sin?
Music and Lyrics 2009 by Ryan Scott Oliver. 2012 ARESSO MUSIC PUBLISHING.
All rights reserved.
4
4
&
bbbb
Ma - ma,
b
& b bbb
let me in.
TENOR:
Ma - ma,
let me in.
ALTO:
www.ryanscottoliver.com
F
bb b b 4 b
& b 4
80
Ma - ma, don't
bb 4
&bbb 4
b b b 4 F
b
V b 4
sin?
Don't
shut
me
out.
me
? b b b 44
bb
shut
Ma - ma, don't
Ma - ma, don't
out.
am
am
shut
me
out.
shut
me
out.
am
b
& b bbb
b
& b bbb
? bb b
bb
-
Oh,
-
-
.
.
Oh,
Oh,
bb 4 w
&bbb 4
cresc.
here,
43
shout?
shout?
My
cresc.
My
b
V b b b b 44
bang
and shout?
,
,
am here.
43
N
43
44
44
44
34
f
J
My
bang
bang
and
shout,
My
My
bang
and
U
>
U
>
U>
U
>
and shout?
shout?
shout?
44
cresc.
cresc.
here.
am here.
My shout?
b
& b b b b 44
shout?
am here.
shout?
? bb 4
bbb 4
here,
Oh,
am
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here.
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b b b sub.
b
.
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b b sub. P
b
& b b .
Bless-ed
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fight
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fight.
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the ba
Fight
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who,
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and
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by
. .
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bw
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in - to
Cry
Bless - ed she,
, P
, P
- .
b - .
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he,
he,
the night.
b -
Bless - ed she,
>
>
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Cry - ing
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the night.
the night.
Ooh,
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f.
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cries
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bbb
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who
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by
the night.
Cry
tight,
And
tight,
Will
b -
U
b - .
nU
Bless-ed me.
Bless-ed me.
U- .
"
"
"
Bless-ed me.
Bless-ed me.
"
b
V b bbb
Bless-ed
b
& b bbb . .
Cry
Bless-ed
81
www.ryanscottoliver.com
p
bb b b b
& b
82
b b p
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& bb
b p
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bbb
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the
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love
love
love
love
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ten.
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the
ten.
ten.
4
4
44
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4
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love
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ten.
love
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the
sin.
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child,
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w
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b
V b b b b 44
46 .
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4
b
& b b b b 44
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83
>
& 44
>
>
> > > j >
J
&
f .
&
G5
Csus2
&
j
.
A 5/G
sim.
Am
b
J J
tell
them
Some re-quire
Fsus2
F
- -
an ex - pla-na - tion
F6
sim.
. .
. .
the things
we make,
. .
.
j
Why
b
.
.
. .
. .
*This song may be performed as a solo or as a group, and may be divided among soloists/ensembles as the performance requires.
. . .
w
J
-
& j j j j j j j j j j j j j j j j
.
.
.
P > > > > > > > > .
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why?
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w
w
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must we
? > >
Music and Lyrics 2012 by Ryan Scott Oliver. 2012 by ARESSO MUSIC PUBLISHING.
All rights reserved.
b
. b
> .
..
&
Why
>
? 44
>
>
Am
www.ryanscottoliver.com
84
A5/G
&
/A
F6
& j
Csus2
tell
them
A5/G
&
/A
sim.
. . .
?
w
J
-
F6
j j
why?
F
- -
. . . .
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ex-cuse
Fsus2
& j j j j j j j j
j
j
j j
j j
j j
> > > > > > > >
?
. .
.
j
j j j j
them pre
fixe art,
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b
.
.
. .
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. .
F6
b
b
.
part
(art
la
carte)?
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Why
b
J J
ww
j
.
&
must we
>
& j ..
A5/G
whose sake?
w
ww
why
&
> >
? > >
> .
..
But
And for
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85
Dsus7
C/E
& J
&
&
? ww
w
Fw
.
& .
D8
&
&
>
?>
>
J J
still
> >
.
.
.. ..
.
.
p Breathy
(look
>
>
>
close - ly)
G5
Fsus2
and
w
ww
w
w
J J
>
..
>
..
> >
. . .
. . .
w
>
..
G5
fo - cus.
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Think, and you'll miss it. Think, and you'll miss it. Think, and you'll miss it.
> >
.
& .
. .
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Wuh - oh.
.
.
..
j
> > >
> >
>
..
P
& .. J J
Hold
.
C
w
w
Restrained
A m7
G5
All
Gsus7
Look:
&
Fsus2
www.ryanscottoliver.com
86
&
Why
must we
D8
Csus2
> .
..
&
>
w
ww
?>
>
& j ..
&
de-fy
&
to be - come
&
j j
ti - fy?
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F
-
J J
lit
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j .
tle numb...
F6
their rules
of thumb.
Gots
.
.
b
.
.
. .
. .
. .
F6
j j
j j
j j
And beat dat drum...
b
. b
>>>
& j j j j j j j j j j j j j j j j
n
. .
. .
> > > > > > > >
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.
.
. .
. .
.
.
.
.
. .
. .
"Why Must We Tell Them Why?" - 4
. . .
sim.
. .
.
j j j j
j
j
j j
. .
> > > >
w
J
-
& j j j j
j
j
j
j
> > > >
P
?
A5/G
Fsus2
Let's
jus
ww
A5/G
b
J J
www.ryanscottoliver.com
87
b
& J
J
Make 'em see
&
&
&
All
is
see.
A m7
& .. J J
j
> > > >
ww
w
fw
Hold
> >>
J
>
G5
still
and
..
.
w
ww
w
w
.. ..
J
Oh, -
Think, and you'll miss it. Think, and you'll miss it. Think, and you'll miss it.
> >
.
& .
. .
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w
>
>
>
>
>
>
.
.
.
.
.
.
.
.
.
.
w
>
>
>
>
. . .
. . .
w
>
.
..
fo - cus!
G5
w
w
Fsus2
See
div.
See.
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Wuh - oh.
.
.
> >>
> >
..
..
>>>> >
& ..
b
& J
J
j j
J
C /E
Dsus7
www.ryanscottoliver.com
88
D 8 Breathy
&
..
? >
Am
..
ww
w
..
.
& gw
gw
P gggg
g
? gggg w
gg w
ggg ww
gg
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ggg
ggg
ggg w
gw
w
w
Ooh
j
&
Or it not
to be?
& gw
gg w
ggg
g
? gggg w
gg w
"Why Must We Tell Them Why?" - 6
..
.
w
w
w
w
what it
ought
Ooh
ww
w
ggg ww
ggg
ggg
gg w
gg w
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gg
ggg
gg w
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Am
Oh,
ww
w
ggg ww
ggg ww
gg
ggg
ggg w
gg w
gg
ggg
gg w
ggg w
Who's to say
ww
w
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ww
w
w
w
Am
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to be?
It
ww
w
&
& www
Am
J J ..
J
>
>
j
.. ..
j
sim.
> >
(look close-ly)
&
>
&
G5
www.ryanscottoliver.com
89
(N.C.)/G
&
&
?
is what it is
and it is
/A
is what it is
&w
&
& ww
w
&w
w
ww
w
w
is what it is
> >>
> > >
>
Csus2
> ..
.
Why
> .
..
Why
> >
> >
>
>
& j ..
must we
w
ww
must we
ww
tell
tell
to be.
to be.
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>>>
> > >
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and it is
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it is.
to be. It
to be.
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What it is,
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>
to be.
It's got
It
n
J
them
why?
them
why?
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&
and it is
and it is
/F
is what it is
to be.
It
www.ryanscottoliver.com
90
Fsus2
&
& ww
>
..
& ...
j
&
&
>
>
..
..
.. ..
.
.
j
j
All
G5
& .. J J
is
>
see.
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w
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.
still
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and
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w
Fsus2
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D8
&
>
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>
>
.
.
>
> >
.
. .
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>
ggg ww
ggg P
ggg w
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>
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.
Am
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ggg
ggg w
gg w
g
>
..
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.
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.. ..
J
gg ww
ggg
ggg
gg ww
gg
Oh, -
Wuh - oh.
.
.
> >>
>
..
Think, and you'll miss it. Think, and you'll miss it. Think, and you'll miss it.
> >
.
& .
. .
? .. . .
G5
w
w
w
w
Gsus7
> >
..
..
>>>> >
w
w
w
w
* * >
fw
Hold
Sing 4x
(4th time a cappella)
A m7
& .. w
>
..
..
.
C /E
w
ww
Fsus2
j j
J
J
D sus7
www.ryanscottoliver.com
91
TWISTED TEETH
from 35mm: A Musical Exhibition
Moderately (q =108)
A m7
F M7
A m7
F M7
A m7
F M7
A m7
4
F M7
&4
& 44 -
F M7
Am
NIGHTWALKER:
Am
Gsus
& ..
..
. .
& J
J
cry-in' be-cause
& ...
?
"Twisted Teeth" - 1
So
Am
? j
D 7/F #
loco
42
42
and whis-pered
Music and Lyrics 2010 by Ryan Scott Oliver. 2012 ARESSO MUSIC PUBLISHING.
All rights reserved.
He was
. .
J
J
# ...
J
Gsus
in the dark.
F M7
Gsus
. .
J
J
C/E
Am
....
D m9
&
42
www.ryanscottoliver.com
&
F M7
... ...
.
F M7
Gsus
& .. ..
.. .
?
92
2
&4
Gm
E b M7
4
4 w
Fsus7
3
this
in
& 24
b
his
.j . . . . . .
4 b
4 bw
j j
& j
A sus/F
Twis-ted Teeth.
HER MISTER:
44 w b
b ww
?2
4
ear:
&
?
E m/G
& 24 N
?2
4
"Twisted Teeth" - 2
Fm
es
E sus
nev - er
& 24 N
C /E
.
C7
44 b w
b.
44 ..
cape...
4 .
4
.
.
.
.
j
.
2
4
b b ...
b b ..
Ab
Gsus
sup-ple-men-tal.
We made
. .
Fsus2
/A
Tongue
...
. . .
.
.
Fsus2
. .
He's
b 24
24
b n
www.ryanscottoliver.com
&
C /E
&
.
.
? .
Ah
"Love
.
& ..
Twis-ted Teeth.
those
E m7
&
A sus/F
Gsus
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/A
D m7
A sus/F
&
&
>o
J
.
& ..
? .
Suck-ing...
& -
A m7
&
D m9
&
.
.
- . .
"Twisted Teeth" - 3
suck-ing
...
say we look
.
.
- . . .
j
.
.
-
Am
Hoo
.
-
Fit
From the
Gsus
in his cov-en.
.
.
J
in his cov-en.
D7
.
.
-
- . .
j
j j
.
.
.
.
J
A m7
Am
Gsus
C /E
. j
&
Loves my lov-in'.
j
J
b b
J
F M7
loves my lov-in'. He
dry.
93
Gsus
.
.
j
. #
2
4
to the
42
.
42
www.ryanscottoliver.com
.
J
>o
J
He's
Am
suck-ing me dry.
b J
/A
He's
& j j
& J
. j
.
Hoo
A sus/F
b b
J
& w
Gsus
F M7
&
dry...
/A
94
& 24
Gm
pale
44
w
of
& 24
b
our
j
44 w b
b ww
.j . . . . . .
44
b
bw
Asus/F
& j
Twis - ted
Teeth.
HER MISTER:
&
? .
Teeth.
&
/A
Gsus
Ah
& ..
? .
"Twisted Teeth" - 4
C /E
When it was
Fsus2
j
. . .
E m7
And
our
&
Asus/F
...
C/E
pulled me in - side,
..
Gsus
We make love,
D m7
But it ain't
Ain't
Fsus2
j
. . .
right as a rape,
We made
www.ryanscottoliver.com
.
& ..
Twis - ted
/A
skins,
? 24
&
E b M7
Fsus7
3
95
Ab
& b
love in the sky
& b b ...
? b.
b .
A sus/F
&
>o
J
Suck-ing...
? .
j
&
&
Dry..
& ....
? .
"Twisted Teeth" - 5
Fill me up
>
J
j
cape.
He's
2 3 4 . j .
4
4
. .
j
Gsus
Asus/F
b J
Gsus
>o
J
suck-ing...
dry.
n ..
.
/A
Gsus
He's...
b b
J
Suck-ing...
. j
/A
Gsus
Dry..
>j> >
b
b
j
A sus/F
He's
. j
/A
b.
24 N b n 44 .. . . . . . . . . b n
J
nev-er es
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J
Asus/F
Suck-ing...
2
4
4 4 bw
He's
C7
Esus
..
..
>
Fill me up
J
j
>j> >
b
b
with the love...
&
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dry...
.
& ..
&
E m/G F m
96
F M7
& j
Twis-ted
Teeth.
Twis-ted
Teeth.
&
&
& -
A m7
& -
F/G
&
&
F m/G
&
J
>
"Twisted Teeth" - 6
>
A m7
They come
They come
>
>
>
Oh...
F M7
> >
Mak-ing love
G/F
J J
> >
ww
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G/A b
J
f
>
>
E M7/G #
b
in - to
our bed,
in - to
our bed,
bb >
n
>
b b
>
b b
We may bring
Ab
Mak-ing love
>
b
b
>
>
>
>
(N.C.)
>
>
er es - cape.
er es - cape.
b
We
b
We
>>
b b b
>> > >
www.ryanscottoliver.com
&
A m7
e-le - men-tal.
e-le - men-tal.
F M7
We make love
A m7
We make love
&
&
F M7
F M7
A m7
97
Asus/F
&
.
& ..
? .
Gsus
&
&
&
&
& ....
? .
"Twisted Teeth" - 7
dry.
...
dry.
>
dry.
Fill - ing
up
Gsus
up
Gsus
Fill - ing
/A
/A
dry.
>
b b
. j
We
Just
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A sus/F
We
Oh,
..
..
Asus/F
b b
&
A sus/F
We
Oh,
? .
/A
Gsus
&
/A
98
(N.C.)
&
&
&
? .
? . j
&
"Twisted Teeth" - 8
pj
Die, I
- -
j
A m7
.
.
- -
F M7
A m7
&
Fill me up
...
F M7
Gsus
Die, I
/A
Fill me up
A m7
did.
..
Asus/F
Gsus
F M7
Fill me up
j
. j
A m7
& - -
Ain't
- -
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.
& ..
Fill me up...
j
w
#w
&
/A
did.
F M7
Ain't no
&
Asus/F
&
of our life.
&
99
# 9
& # 8 . . .
- . - . - .
p
? # # 98
&
##
# .
& # ..
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.
.
# .
& # ..
pull
&
##
? ##
..
.
.
a - way
A.
.
.
.
.
did
..
.
.
.
j
# .
to- day,
.
.
'Cause I'm
.
.
j
n
..
.
..
..
.
.
like you
? ## .
.
#
& #
# .
proud
.. ..
. .
B m7
..
.
.
.
.
..
.
..
.
.
know
to
be
with
you
Though you
. .
.
.
.. . .
. .
.
.
..
.
.
(Well,
B m7
how
like
Music and Lyrics 2009 by Ryan Scott Oliver. 2012 by ARESSO MUSIC PUBLISHING.
All rights reserved.
. . .
P.
was.)
..
.
.
..
..
.
. . .
. .
..
.
.
..
.
.
MALE:
.
.
. .
. .
D.
. .
&
##
. .
2
. .
.
..
.
j
.. .. . .
. . . .
D
- .
.. ..
- -
www.ryanscottoliver.com
100
&
##
#
& #
pitch
j
# .
a fit,
? ## .
&
&
##
##
friends,
? ##
#
& #
bitch
. .
..
.
.
J
.
.
.
When
leave
Esus7
You're
GIRL:
so
not
You're
so
..
.
..
..
..
.
.
.
J
her
.
.
.
..
.
D sus2
..
.
a bit
oh,
## .
& ..
.
? # # .
.
Would - n't
Aadd9/C #
# .
lone
with my
And
D M7/F #
not
..
..
.
.
. .
fect.
fect.
.
..
.
.
.
per
per
..
..
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.
..
.
.
..
.
.
&
##
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A add9/C #
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#
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oh
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&
Bm
#
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oh,
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.
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.
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leave
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.
.
A
..
.
..
.
the
..
..
ways.
..
.
.
.
Esus2
leave
..
.
..
.
.
.
.
.
.
.
.
.
.
you...
One
of
these
One
of
these
I'm gon - na
But
.
.
.
.
..
.
.
.
ways.
F# m
per - fect...
..
.
I'm gon - na
..
.
.
.
the
be
She could
..
..
..
.
me count
..
..
you.
Let
me count
.
. .
J .
.
.
.. .. ..
. . .
Let
.
J
#
& #
? ##
F#m
E sus7
&
##
Oh,
D sus2
101
www.ryanscottoliver.com
102
&
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days.
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104
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105
www.ryanscottoliver.com
106
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108
&
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Bm
D sus2
109
www.ryanscottoliver.com
110
# # A5
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#
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A tempo
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the
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n
n
.
.
.
B m7
plans
plans
..
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we
we
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true.
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.
of
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were draw
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.
..
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.
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ing
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to come
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A 11
www.ryanscottoliver.com
111
## . .
J
&
#
j
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& #
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#
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ev'
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"Hemming & Hawing" - 13
..
.
.
.
..
.
..
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leads
n #
J
J
a
and haw -
..
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- ing,
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come
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-
part,
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..
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.
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..
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.
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n
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ing
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come call
call - ing,
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n
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so - lu - tion
j .
fall - ing
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.
.
.
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ing,
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# # . . j
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&
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www.ryanscottoliver.com
112
. . .
## . .
&
J
G
#
& # .
end- ing
&
##
? ##
end
..
.
.
.
#
& #
start
want it
to
start.
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n
.. .. n
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. .
.
.
..
. .
. .
..
..
..
..
.
.
. . .
. . .
God-damn.
hate you,
> ...
.
> ...
.
.
.
.
.
.
.
. .
. .
>
. .
God-damn, I
. .
. .
.
.
>
>
> ...
.
> >
. .
hate you,
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Heart.
## .
&
#
& # .
&
god - damn,
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##
Asus7
So
..
..
. .
.
.
? ## . . .
"Hemming & Hawing" - 14
. .
. .
. .
. . .
(N.C.)
God-damn,
. .
. .
hate you,
Heart.
. .
&
##
to
D
## P
.
Heart.
want it
.. ..
. .
..
A tempo
&
. .
ing
.
A
Molto Rit.
www.ryanscottoliver.com
113
12
b
& 8 .
.
.
. . 3 5 .
1
F
2
? b 12
w.
8
w.
>
F M7(no3)/D
(N.C.)
/B b
b
& .
.
.
w
.
?b w
-.
j j
b
& . .
.
? b w . . . .
w.
>
w . j j
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.
.
.
.
j j
.
.
.
.
.
-
.
.
F M7(no3)/B b
Gm
.
.
.
-
/F
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.
.
.
-
/G
/E
.
.
.
- .
b
&
.
.
.
.
Dm
J J
J J
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.
.
- .
.
- .
.
- .
.
w.
w.
Music and Lyrics 2009 by Ryan Scott Oliver. Copyright 2012 by ARESSO MUSIC PUBLISHING.
All rights reserved.
www.ryanscottoliver.com
114
A FRIEND OF
JULES AND JESSY:
F/C
F
V b .
& b
Jules,
V b .
and Jess - y,
Dm
w.
w.
j j
F/C
Jess - y
? b w.
w.
Jules stopped
us - ing
Bb
j j
and
& b
.
.
.
? . . .
b
.
.
bing - ing
Vb
&b
.
? b .
w.
b.
.
.
E b M7
.
.
Jules
told
.
bw.
bw.
n.
.
.
.
.
j j
Jess - y
he'd
w.
F/D b
bw.
A b M7
die
J J
for
.
bw.
bw.
her,
b.
a- way.
And
whole life
in love.
.
.
his
.
.
fell
j j
F/A
So of course they
what was
N.
Bb
b.
Which
V b .
.
w.
& b
Bb
F/A
? b w.
w.
B b/D
j
j
b.
www.ryanscottoliver.com
j j
G m(add6)
V b N
look - ing
&b
back
Vb
was
the
right thing
? b j j
w.
B b/D
to
C sus
say.
w.
.
.
.
.
.
.
w.
.
.
115
.
.
.
.
b
&
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.
w.
? b ww ..
cut
you
J J
/A
piece
Bb
j j
of
F
j
me.
.
w .. .. .
w.
& b wwww ....
ww ...
w.
.
? b .
w.
.
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Bb
V b .
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& b wwww ....
?
w.
b w.
j j
And
/A
where
you
go
.
I
cut
you
w.
w.
J J
piece
.
.
.
.
Bb
/A
of
will
go
too.
.
.
me,
Vb
j j
Yes,
w.
www.ryanscottoliver.com
116
Dm
V b .
&b
?b
part
of
you.
pleased.)
.
w.
w.
.
w.
j j
than
F/D b
J J
Jess - y
Bb
j j
j j .
.
.
.
.
.
.
.
w.
w.
ted
that
.
.
.
.
(Jules's
Dm
b j j
b
.
.
.
.
.
.
.
bw.
w.
.
.
.
b .
.
.
.
F/A
w.
w.
w.
j j
&b
Jules was
moth - er
.
.
Vb
&b
w.
Bb
Vb
Bb
Jules
now
V b .
?b
am
F/C
&b
C/E
was
j j
www.ryanscottoliver.com
117
j j
F/C
Vb
Mar
ried
six
months,
& b .
V b .
w.
Bb
Bb
When on
Route
Eigh
w.
C
ty
j j
sev
en
& b
.
.
.
.
.
.
.
.
? b .
.
.
.
bw.
.
.
.
.
Jules turned quick - ly,
E b M7
V b N
j j
life was
scat
.
bw.
bw.
j j
b w.
.
.
j j
and end - ed
with
Jess - y
A b M7
in the crash.
J J
bro - ken
n.
.
bw.
bw.
j
j
j
j
j
tered,
& b
killed
glass...
His
b b
w.
G m(add6)
su - bi - shi
&b
?b
beat Mit -
V b .
and a
F/D b
j j
j j
F/A
b.
B b/D
j j
j j
w.
.
.
b.
C sus
.
.
her ash.
.
.
www.ryanscottoliver.com
118
V b .
& b .
.
.
.
?b
Vb
cut
you
&b
No pedal
(Pedal)
.
b .
Bb
piece
lost
&b
?b
.
my
C /E
life
Where
you
go
when
Bb
.
.
I
lost
you.
.
.
cut
you
.
I
Bb
/A
piece
will
go
too.
J J
of
me.
.
.
.
.
w.
w.
V b .
w ..
ww .
w .
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F
j
j j
me.
.
.
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& b www ...
Dm
of
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Bb
j j
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.
w.
w.
w.
w.
w.
www.ryanscottoliver.com
Am
Vb
w.
Vb
them
b
&
& b
j j
en
part
of
J J
J J
J J
And
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j j
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..
when
they
w.
go,
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n
n
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ing
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j
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J
n
n
J J
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w.
C /G
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w.
be
your
cov
w.
J J
much,
so
re
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j j
to nev
..
.
?b
w.
"Cut You a Piece" - 7
some-one
is
.
?b
w.
V b .
J J
-
Dm
giv
119
to
them...
...
j j
.
.
..
You
can
Vb
w.
&b
lose
love
Am
you
Yeah,
&b
www.ryanscottoliver.com
120
Bb
Vb
&b
?
nev
ggg ww ..
gg w .
er
w.
.
.
? b .
?
en't
thought of Jules
V b .
bet
.
-
?
b
? b .
.
"Cut You a Piece" - 8
Or
Jes
sy,
Or their sto
ter
.
part
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nev - er
&b
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have it back.
w.
j
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www.ryanscottoliver.com
121
j j
F/C
Vb
warm - ing
j j
j j
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your hands in
mine
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j
I
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days,
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j j
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p
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www.ryanscottoliver.com
122
b
& j j
j
Cut you
a piece of
j
J J
Vb
JESSY:
&b
cut you
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?b
&b
me.
where
me.
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. . .
P Poco
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F5
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.
.
F (no5)/A
I'm
half
gg > .
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ggg .
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soul.
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half
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on,
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P.
b
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on,
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al
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JULES:
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half
on,
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gg >ww ..
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gg
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piece of
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ways
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now
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cut you
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p
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part
of
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w.
bw.
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I
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123
B bM7(no3)
& b .
can't
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be
whole.
be
whole.
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a piece of
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you.
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124
Bb
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you
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of me.
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go you'll
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125
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of me.
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w.
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you are
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ad lib.
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j
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>
>
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j j
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www.ryanscottoliver.com
126
Mysteriously (q =96)
# ## 4
& # # 4
E
p
j
n
CHORUS:
### # 4
V # 4
Women:
pj
n n
n J
### # 4 n .
& # 4
P
? ### # 4
# 4
G# m
&
V
&
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ww
fore
the Queen.
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the Queen.
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.
fore
be
the Queen.
knees be - fore
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..
j
a
knees be - fore
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..
be
knees
knees
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E
div.
j
n n
n J
..
j
n
F#
Down on
your
your
> > > > > > > > > n >
f
>>> >>> >>>
n
n
Music and Lyrics 2009 by Ryan Scott Oliver. 2011 ARESSO MUSIC PUBLISHING.
All rights reserved.
>
www.ryanscottoliver.com
### #
& #
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Oh,
# # # #
V #
legato
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Oh,
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& #
? ### #
Oh,
Men:
div.
G# m
G #5
C #5 G #5
C #5
127
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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B5
B5
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&
w
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j
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BALLADEER:
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B5
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#
.
n
- n
*Harmonize all voices similarly when only one staff is present, keeping the men in the middle and
high registers, and the women in the low and middle (belt range).
"The Ballad of Sara Berry" - 2
C#m
- >
Oh, yeah.
> n .
? # # # J
#
&
D #5
Ju - lie Jen -
Ju - lie Jen -
>
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&
### #
po - pu - lar bitch.
>
>
F
j
& #
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CHORUS:* Mm - hm.
F
j
### #
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>
Mm - hm.
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#
.
.
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.
.
.
.
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128
&
&
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#
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ww
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#
&
&
### #
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? ### #
&
? ### #
? ### #
kins
lost
leg
kins
lost
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#
B5 G dim/D
Ro - yal - ty came.
n
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>
C#m
ta
G# m
>
.
J
pu
n .
-
Uh - huh.
- n >
Uh, duh.
> n .
<
> >
>
>
B5
# a
a .
(Am
#
P
wreck.
leg.
Hoo.
&
# w
in
# j
##
& # ##
### #
/A #
/B
ted.)
>
bo - dy would name
D #5
Ju - lie Jen -
>
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/C #
129
&
&
### #
### #
? ### #
# j
#
#
kins
&
#
E
"Sa - ra,"
### #
### #
? ### #
of
the
Prom.
know
you
# w-
G# m
- n .
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won't
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me
.
.
w
w
and
&
### #
? ### #
>
f Banging>
>
>
>
>
>
>
&
j j
Prom;
Mom."
EVERYONE: (On these refrains, most ensemble women should go 8ve down.)
vote!
is
dis - ap - point
# # # # f F
& # J
"Life
ty
/D #
<
- n .
<
F#
> >
>
>
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&
ww
### #
& #
? ### # w
# w
&
Queen
Pi
? ### # w
#
### #
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130
G m
### #
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n J
>
### #
& # n J
> > >
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#
>
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G m
B
### # a
& #
Woah!
&
### #
Check
P
? ### #
#
### # Pj
& #
# # # # (Men:)j
V #
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>
>
Sa - ra.
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Women: G 5
### #
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As they crown
>
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Sa - ra. Choose
Sa - ra.
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.
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Vote
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>
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n
n
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>
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.
.
G# m
j .
/B
for
Vote
>
>
scep - ter,
Land.
>
Sa - ra.
>
Sa - ra. Choose
Sa - ra.
and
spoil
/B
Sa - ra
j .
for
.
.
Ber - ry.
/C #
.
.
Ber - ry.
Ber - ry.
Sa - ra
/C #
cont.
cont.
www.ryanscottoliver.com
##
& # # #
>
? ### #
#
> #
G 5
Men: p
#
#
j
V # ##
mu - sic to dance,
sash
You
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for
F#
G#m
### # F
& #
j
BALLADEER:
### # p j
& #
? ### #
? ### #
&
&
### #
### #
#
.
&
&
### #
### #
G # dim/D
B5
# j j
Vote
#
.
n .
J
>
Check
Sa - ra Ber - ry.
Sa - ra. Choose
Check
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poor
<
Ju - lie!
>
for
Soon Sa - ra's
D #5
Still,
vote
Vote
Check
- n . - . .
- - n
G# m
pj
Sa - ra.
Vote
Sa - ra. Choose
boy-friend be-hind,
Poor,
&
Sa - ra.
<
< <
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#
n
- n
w
? ### # w
#
for
C#m
Sa - ra Ber - ry.
vote
>
Vote
>
sa - ni - ty was
Sa - ra. Choose
Sa - ra.
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? ### #
j j
Sa-ra.
Sa - ra was blind.
Vote
? ### #
G# m
Sa - ra. Choose
Check
C #5
B5
131
132
&
&
### #
### #
&
&
### #
### #
hung by
Till
then,
at
last,
Ju - lie
to
the
se
nior Prom."
<
n .
<
love
-
-
/C #
D #5
and said,
vote
n
- n
Vote
- n .
n .
J
>
Vote
text - ed
Vote
Love,
Sa - ra.
j j
Sa - ra Ber - ry.
vote
Sa - ra.
ww
? ### # w
#
so - cial - ly dead.
Vote
Sa-ra. Choose
boy - friend
Choose
her
Sa - ra.
Check
Check
>
Sa-ra Ber-ry.
C# m
for
#
.
#
vote
Vote
Her B. F.
# j j
# ##
& # #
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G # dim/
D
B5
for
.
.
ta - king
"I'm
/D #
>
lie!
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J
Ju
&
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&
### #
G# m
a thread.
Vote
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#
? ### #
? ### #
#
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C #5
B5
&
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"Sa - ra,"
### #
& #
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# w
&
&
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? ### #
### #
# w-
no
EVERYONE:
# # # # G m
& #
n J
B
>
>
at
There's
F#
>
> >
F#
Prom."
>
>
calm?
so
>
#
## #
n j
&
J
> > >
>
>
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#
Woah!
be
Prin - cess
>
>
>
>
for
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w-
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F
f
# J
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fu - ture
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f Banging>
? ### #
#
&
just
>
G# m
>
>
mu - sic to dance,
>
>
As they crown
>
>
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&
### #
G#m
F#
133
134
### #
& #
&
### #
? ### #
&
### #
>
you
Queen
of
>
F#
### # n
V #
### #
G# m
### #
& #
##
V # # #
>
j
G#m
..
n j
n J
div. as before
Land.
>
>
>
j
n
>
F#
..
Oh,
n
n
..
>
n
. >
be - fore
knees
>
>
>
the Queen.
be - fore
the Queen.
> >
G# m
>
>
Down on your
j
a
Oh,
Down on your
j
>
>
>
>
>
>
F#
knees
j
a
Down on your
n
n
. >
>
>
>
>
Oh,
Down on your
>
>
>
### #
& # n J
> > >
? ### #
G# m
>
>
>
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>
High School
(Oh)
# j
>
#
? ## #
#
&
F#
&
V
&
### #
### #
### #
? ### #
F#
fore
the
Queen.
knees
be
fore
the
Queen.
#
#
>
>
>
Bsus2
### #
& #
? # # # # w
#
"The Ballad of Sara Berry" - 10
Sa - ra was not.
Ju-lie...
>>>
Anne...
n
n
. > >
>
Ghostly
>
Esus2
G #sus7
>
Eu-neece...
D #7
n j
Ra - quel...
And so the
Ma- ri - a - na...
n
w
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>
ww
Bsus2
### #
& #
P sostenuto
? ### # w
#
&
ww
be
### # j
& #
### #
G # dim/D
knees
BALLADEER:
&
G #sus7
### #
G# m
135
136
&
&
&
### #
### #
### #
? ### #
C# m
F # 7/E
j
n .
night of Prom,
mer - cy!
# #
Pa - tri - cia...
Qui - a - ra...
# a
##
& # ##
(N.C.)
## ##
#
&
## ##
## ##
### #
#
#
rock:
(Hand claps)
G #8
>3
>
>
>
>
punch.
her
>
"R"
f > >
?
> >
w
w
J
#
G 7(b5)
EVERYONE:
F #8
& # j
>
>
is Ma - ri - a - na's ma - ri - na - ted re - mains.
But
but
n
a
#
## #
n
n
?
n
& # w
n
>
w
? ### # w
n
# w
n
J
J
J
"The Ballad of Sara Berry" - 11
plot:
D #5
>
>
j j
E8
>j > >
?
> >>
>
CRUNCH.
>
w
ww
>
poi- soned
w
w
D #7(no3)
j
And
"M"
VARIOUSLY:
"Q" is
.
.
.
.
a
F
a
>
>
>
>
www.ryanscottoliver.com
&
## ##
Thus went
plot:
# w
VARIOUSLY:
&
her
Morbid cheer
## ##
Thus went
/A #
137
&
### #
? ### #
? ### #
&
### #
"U"
D/F #
"E's"
? ### #
G #5
BALLADEER:
A one -legg'd
### #
& #
j j
A(In#8 time)
But
j
j
P
j
E
F#
fl
P
.
fl
G#m
w
w
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&
# & n #
fl
fl
fl
fl fl
fl
? ### #
#
### #
sim.
### #
& #
? ### #
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138
&
&
### #
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F#
#
#
blood
G# m
on the ro - ses
in hand.
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& # j
.
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&
&
### #
### #
G# m
&
do - ing a dance,
#
..
J
##
& # ##
### #
F#
j
j
God save
your
Down on
scep - ter,
..
Land.
the Queen.
G# m
P
j
n
G# m
Woah...
F#
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#
cresc. poco a poco
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#
&
w .
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# w
### #
Oh,
w
w
F#
knees
be - fore
the Queen.
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&
### #
p
n n #
J
Woah!
n j j
F#
G# m
### # j
& #
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& #
&
&
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j
n
F#
knees
be
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ad lib. as desired
#
J
# # # #
& #
>
J
-
The Queen
&
(N.C.)
fore...
F#
wrists in
>
>
Down on your
of
Land,
High School
Land!
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sil - ver,
>
They
took
# w
##
& # ##
j
j
J
Oh,
### #
G# m
>
your crown,
>
>
>
the
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&
### #
F#
E
cresc.
### #
& #
J
#
? ## #
#
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139
140
&
&
&
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&
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#
blood
from
each
>
E
#
J
##
& # # # J
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&
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>
E
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&
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>
the
Queen
>
G# m
>
>
>
>
small
padd - ed
cell,
small
padd - ed
cell,
>
of
>
F#
High School
High School
>
of
and
>
>
G# m
>
Land!"
At
Land!"
n J
n J
>
Woah!
>
>
>
Scream - ing
"I'm
Scream - ing
"I'm
>
least
in
Oh,
>
Woah!
Queen
hand.
the
>
your head,
>
. n
n
>
n
. >
>
>
>
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### # j
& #
>
? ### #
#
>
n J
B
fing - er
F#
G# m
>
F#
### #
& #
&
? ### #
&
### #
&
### #
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&
>
#
#
>
High
School
F#
>
Vote
# # # # ww
& # w
? # # # # ww
# w
"The Ballad of Sara Berry" - 16
be
fore
>
>
>
the Queen.
>
Check
Land.
PSaj - ra,
ww
w
ww
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Sa - ra,
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>
Sa - ra, Choose
your
Sa - ra,
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Choose
Oh,
the dead!
Down on
>
ggg
ggg
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ggg
ggg
>
>
>
> > >
pi - ty
>
G#m
Oh,
>
Land.
knees
of
..
.
### #
& #
### #
G# m
Vote
of
Sa - ra Ber - ry.
www.ryanscottoliver.com
&
### #
You're Queen
# # # # n
& #
### #
F#
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