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and
Opera
Dr.
Lara
Housez
School
of
the
Arts
McMaster
University
Content
What
is
opera?
18th-Century
Opera
The
Marriage
of
Figaro
Act
I,
Cosa
sento
Characters
Action
Word
and
music
relationships
Contrasting
melodies
What
is
opera?
=
A
staged
entertainment,
usually
sung
from
beginning
to
end,
featuring
music,
drama,
poetry,
the
visual
arts,
and
sometimes
dance
Elements
of
opera
Recitative:
speech-like;
emphasis
on
text
Aria:
lyrical,
melodic,
smooth;
emphasis
on
music
Example
of
a
recitative
+
aria:
Mozarts
Le
nozze
di
Figaro
(The
Marriage
of
Figaro),
Sullaria
th
18 -Century
Opera
In
the
early
18th
century,
several
subgenres
of
opera
coexisted.
Composers
and
librettists
were
expected
to
adhere
to
the
conventions
of
each
type:
Opera
buffa:
Italian
opera
about
believable,
everyday
characters
rather
than
mythical
or
historical
[igures
Opera
seria:
Italian
opera
on
serious
subjects,
typically
consisting
of
alternating
recitatives
and
da
capo
arias
Opra
comique:
French
opera,
usually
comic,
with
spoken
dialogue
Singspiel:
German
opera,
usually
comic,
with
spoken
dialogue
Zarzuela:
Spanish
opera
with
spoken
dialogue
ACTION
Cherubino
goes
to
Susanna
to
ask
for
help
and
hides
behind
a
chair
when
the
Count
arrives
Count
tries
to
seduce
Susanna,
but
is
interrupted
by
Basilio
Count
tries
to
hide
behind
same
chair
as
Cherubino;
Cherubino
slips
into
seat,
hides
beneath
dress
Basilio
tells
Susanna
about
Cherubinos
interest
in
Countess,
which
is
overheard
by
Count
Outraged,
Count
sings
Cosa
sento
(I
Heard
That)
ACTION CONTINUED
Word-Music
Relationships
in
Cosa
sento
Words
and
music
unite
to
create
suspense
and
humor
Mozart
captures
essence
of
each
characters
predicament
quickly
changing
emotions
Count:
outrage
to
astonishment
Basilio:
embarrassment
to
triumph
Susanna:
increasingly
humiliated
For
Tuesday
Read:
pp.
224-232
Listen:
CD
3,
track
2
(William
Billings,
Chester)