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Mu 786.3 WOLFF.

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THE LITTLE PISCHNA. PIANO.
1.00+BNG A.
5fX,''VB'-l<;

LIBRARY

;?

MY

THE BRANCH LIBRARIES

3 3333 07078 2772

THE NEW YORK PUBLIC LIBRARY.


AT
LINCOLN CENTER
^-_,
111 Amsterdam Avenue

New York, N. Y.

MY*
'*

10023

Records may be borrowed free for two weeks.


No renewals are allowed.

fine of ten cents

for each

per calendar day


overdue album.

will

be

charged
Records must be returned to the branch from
which tliey were borrowed.
t*tm isjil

CARL FISCHER'S MUSIC LIBRARY

No.

475

THE LITTLE
PISCHNA
FORTY-EIGHT EXERCISES

FOR PIANO
Price

LOO

Carl Fischer
INC.

62 Cooper Square, New York 3


BOSTON CHICAGO DAllAS tOS ANGELES

ir^r--

--,

_^,

wj

ii.

IflftlT*!''

CARL FISCHERS MUSIC LIBRARY


N9 475

B.WOLFF
The

Little Pischna

Forty- Eight Exercises


for

PIANO

Carl Fischer
NEW YORK

\>
"1

>.

inc.

The

Der kleine Pischna

Pischna.

little

Preparatory Exercises to

Vorubung-en zu

PISCHNA'S

PISCHNA'S
60 TUgliihen Studien.

60 Daily Studies.

Mo d Prat o.
Each

B.WOLFF.

iiicasurf'

4 times

Jcder Takt 4 mal.

^>^"r

'f

B i^

^r

^^
^ ^^^ a

F=i

li

tf

r'rT r '

c^caLLi;

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^^^H^
^J

-,.!>

te*s
grrrrm

^E*

^eif: r"rrrf r

k-^^^'W^,

^S

^a m

iijJJ^'^JjI pS
J

I"

Moderate

^
5S*

1
a.)

fsempre

legato

2M1

The small sliir_h<Te and clsp\vhcro_indioatcs a

fcrt

kgato connection bet'ween the

l.'ist

a)

ppr-

fe

Drr kleive Bogen mird hier und

note of one meas-

ure and the first note of the following bar.

tes a7tziizeigen.

11081- 47

Copyright MCMVII

a7ider->vfirts gebrnucht,

die goniiic legato Verbindiing zwischen dcr letzten


Note des ci)ieu mid der ersteii Note des folgenden Tak-

i/nt

'n/

Cnrl Fischer, Xeii^-York.

3
.-4r7-f.

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j?^

*f=f

Iff:

Ei

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f #

Moderato.
Each measure 4 times

2
'

Tnkt 4 mnl.

f sempre
"'

Jr-der

*t=^

^^^

t^

'^^

fetetei

^
^^

^#
11081- 47

fetei

?^^

^"

ifJ

legato

au. [Us
4^3

^5

*M=^

'

^=S!^

.a:

TyrTCC5

;i=

^^ff-tt

^^
iiee*
fTffff

4
Moderate.

^^

i
^

r. tt^tir^''^

Y^^f^PffffrffPff^

Moderato.
Each measure 4 times

5.

7nal.

*^
lUU^ Jig ^^US ^J^

5^^

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f

sempre legato

11081-47

Jeder Tnkt 4
-4-

-4-

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3

'

't

^'^
8

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mt^ajaj^jE^SSnnnJJi

.JlJ^

rji:m JJ]'ji

^g

i^
pfefe

Moderate

11081-47

1^

ZJC

iht

i&

gjlXl? ^j^ ^^lltf ^Cf


^y

e^

#-^

^mtf CILC/
^'

^^

Moderato

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rrrrtr ^m^.

^^m
^

"^^Ca-^EJEj-"

Moderato.
Each measure 4 times

Jeder Tnkt 4 nud.

i ^

8.

J
>j:

11081-47

^..

aempre legato

rp^

'^

\^

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L^/kfff^^

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i

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^^

^^ ^

=^

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mk

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4 J'

fti==fe

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>:yrBrVVTfrie

iTp

'

ii.vyyrp. ^^^

^
t<

0-r0-

F^^^fXj^ ifef^

r V''

tf

Moderato.
3.

9.

^\\

-f sempre legato

W^

'

^i

^^^^^^^^

IW^^?^^

11081-47

iitfWa'E^

te=p

rr-ry

Moderato.
Each measure 2 times
i'

'I

f sempre

10.

''

'

Jeder Takt 2 mal.


4

is:

^ ^

^U
is:

f%

^S

legato

*
tertau
iLss rjsjyi^^^

Jni-

^^

Moderato.

^ sempre

11.

^B

f*^

11081-47

k:

*^

legato

ZP

^P=f

J-

iiJ

iiJ

^^

S
i

w-r

^J

fJ

ii

^^

i ^ffi

)jj

tfjj

p =itefev
Moderato.

11081-47

^ T-n
^^

10

Moderate.
Each measure 2 times

hB

13.

Jedcr Tnkt 2 mid.

ig

'

TJjjjT,

1;

^ ^

^sejnpre legato

i^^-^

"^^M^

^ ^

'5

Si^
y?

^^

"rttr

Cllhrr^'

^
^
^
^Tija-mj^ H^ f^ &LL
^^

;J

^Imi

cte'^cxr^

tiff

:i^

-Y^

j^4

fr

1 i^ji

Moderate.

14.

S V
iinKi-47

J^ sempre

legato

in.

"r

ii

^f .

11

^
E^^

^S

i
i

^Jqt

fel

^ ^
Moderate.
Eiach

15.

Jcder Tnkt i mnl.

measure 4 times

^'f sempre legato

^Au^ -d

i
^S

^
F^S
s^

*y

tool

^
(^''^ ^'^

^^ ^^
^
s
r:

fei

^
^

r ^r

^^ ^
^^ ^

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^^ ^^ ^^^B^gs^

I,.

a) This number
fingering:

, -

is

.^^

:^=

[71]

rrp

imrrn
;tt^
gT7i

p,

iil^^tlf

a) Diese Ninmner tnitss nuch


sntz ffeiibt werdcn: ^

also to be practised with the following

f
11081-47

\r

^ ^^^

,]yffl73;Tp

Lr

r^

^j:?t3 jt7"^

r r

p
^m

rrrr
r
r r r r

j*

mit dem folgenden Fi7iger-

12

Moderate
3

16

.<

^^^^^^
^*?

^r^^n^^
^ p

UMiii^
^

4-

W- ^rrf rf r

^^

i-F f

-m^w^wf

aSaSfe

'Tf r

ttff

^
I-

i^

*JJ^J *

imzsm^JMt

Eg

S^b^i^
p

d^

'm'^'^iiL:^

^CT.^^15^J3!P--?]gJ31Vro ?am^
.

a)

Practise also with the following

r.

h.

'

r>

'

Man

a)

finseriiif;;:

4 5

.')

'i

r>

r>

4 5

'

'

iibc (inch iiiit

dctn folffcndcii

.'i

h*

I'-''-

1.

h.a
'I

.1

-5

13
/i

T)

>i

I
.-,

'

r.

''I

etc

Moderate.

U081-47

times. _ Jcdcr Takt 2 mal.

Earh measure

'i

Hold down

the left-hand fingers.

'

all

Alle Finger dcr Ihiken Hitnd licgcn Itinscn.

Fmgcrsutz:

li

u*.-^i

-^u

IS

^
pTH^ ui^ :ir-^^^
di'fn

^rjLTj'

^^m
t
[rts

M
^^-Wrri

f_r r

"
r-r^

r r

13

^^^^^^

1^

^fe

^4r^Crj>jLrCr^^c:^Tj:f>jif^

T[^T sfrr

')

Moderate

18.

<

Hold down

11081-47

all the

left-hand timbers.

Ai/c Fh/ficr dcr linlccn

Hand

/iCfiTii l/fsacii

14

Moderate.

Each measure 2 times


i

E t^
J

19.

.s

empre legato

Jeder Tnkt 2 mal

d 9 d d

:s
j|

Jtt

* ti* J ^ ^

pp

J >

g^ * iJ

i^

in^'fj^ink

CT

-r^-m

j^

L^'-^

11081-47

^ ^,t?3ro

r?!.?l?^ g:g! .^ r?i^j^n7^,


>P'*''''V:

Lr-s

tie

^"

f r

15

W~^

11081- 47

16

Lento,
Each measure 2 times. Jedcr Takt 2

mtil.

S
20.<

1^
J

senipre legato

llOSl-47

^^

17

\l

^T

=P=^

IS
Introductory Exercise to

N? SI

For the right hand alone.

Hand

Fu7' die rechte

4m4\,-^m s a j M

7^ t4,|J^ W
^

* >
j;^,b ^
[>

N9 21.

Vorijbung zu

;.

allein.

all the keys.


diirch (die Tonartcn.

{through
'

Moderate.
Each measure
4

Wn^ii^i
MVf^ ^

t-^"

f sempre

^^

ii

fcn;m

^^JCT3I3
I

/jii

H^n

^S^:

?^

]I^W .\^i^

OT^

3 P^3^

-rr

;j4^t^i

-y-^r

h-i

legato

r^

Jcder Takt i mul.

times.

21.

i.

.->

i-tf

l^H^^i t^t^t

V-

.^lUl

-o-

^^

lit

fe

ii^ g
left

|g4

N9 33.

Introductory Exercise to
For the

lie

Vorubung

hand alone.

i:
zu

Fiir die linke

J
jy^

N9

Hand

33.

allein.

(through
through all the keys.
durrh a lie Tonarten.
I

Moderate.
Each measure % times.
2

E
22.

Jeder Takt 2
4

^
/*

sempre legato

12X1

I t P P i

ffi^
3
5

11081-47

itial

,ib'>
3

^^^^\^^^^^^^^

i ^

^^B

19

i ^P

g
JzOl.

fe^
i

^it^i>qpifi>r

'^^""^^^gmr
i.^^

$
9'-

^^

Moderate.

23.

/"

Moderate.
it

*'

24.

^ J.

,.3

'^L-A

m. P

^
1

^
f*^

H times

^'m

=i3i

j^iijjjjjrTO^^
.

8 mat.

-^^

^^J.

ttpr

,.

rP^Pf- .

rrrr

kS

rfejpi

d=^
???

*J

8.

,^

4
4

it
'

--=
> ^f f
>#^'

i>i

##-_

""F^

sempre legato

.TH]

,4

^14

8 mat.

8 times

14

14

**?
4 times

11081-47

Ma/.

'

..4'

<?

8 times

u^

f*

/* setup re legato

Moderate

26.

i^tt

J^it^C^
25,

lt

iiii i

Moderate.
4

gl

tif^

)!:=<?.

sempre legato

S^S

; ^ll

ti^

#lke

jp^ ci:!a
/*

i#

^
^
1

tls

ettee

^i

fefe

sempre legato

N^

<

r*r r

^^
^^^g

%^
iM
77 prp
i

//w/.

20
4

'

^1

Moderate.

^<^ jT^^^-^

27

/*

^
^*

sempre legato

Se

-^

1?

*
1

irr, pJI^zi

^<

times.

///ff/.

Moderato,

t^T^j
/*

28/

^IliillMiM^^^^
^feJ^

sempre legato

^^^ agx^

Moderate.

^^^^M
^^^p^ E^^
29.

/*

^
I

^<

*=PC

rr^' J

=E

times,

-f

////.

..

(8i^

sempre legato

7>2^8^r* faf]^

;-:, j *'

'

"

g>;

times.

4 mal.

Moderato.

^^^yi^

?w^^^^j5*jE|yi|->f;
30.

f sempre

13

'

lea-ato

trr

^rr L
1

4 ^

:t

'

'

:t

'

'

,',

'

5^

~jf^
I

Moderato.

4 inn/.

.i

Vkl ^tett^,\>%l

f^l

I
'

IIOM-W

timrs.

tinii's.

i/inl.

21

N9

Introductory Exercises to
a

for

tlie risjht

4 5

4
b)

fiz

hand alone:

33.

Vorlibungen zu

a) //// die rcchtc

^^^ ^^^ ^^^

JJJ J,

j3

itllein.

WTj J Jj|=^=^
=
^

J *J * J J
^

"

[t>

9 sempre legato ^

for the left

Hand

''[^

hand alone:

N9 33

bi fiirdir

linke

Hand

,in all the


^

//^

keys.

T on a r ten

alien

ulleiii.

Tf^

in all the

\i)L

keys.

Tonarten

alien

Moderate.
Each measure 2 times.

rf*'

-i

j
/*

32.

Jedcr Takt 2

^1

jl^

b^

^*

2=^

4
I

I
I

^ *

J 4

m-^

sempre legato
''#^

nial.

LLd-

HPPPPC

F; fc
Ir
f N> :p c
i

i-

.->

^M

4 It H r1^rP
1

Z%tf^.^%l%Z

ri:

%lfltfi

"J.J
I
^fpf5p r?i

^
g

J J
J

^i

:;!

tff:ffF7p#tf cn^7f^'ffr^f
-

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tJ

3P

t^

11081-47

i l^s^

wgljj ^^

!?^

ti

r^ W

^^
L

3X1

r-

oo

N9

Introductory Exercises to

For the right hand alone.

Voriibungen zu N9 33
Fiir die revhte Hand allein.

33.

'

:43s

^^

^r f
'If^^^f^/^ffrrrrr^''Tfrfrrr

g?^'

,,

m'^i^^i^ ^w^i^.m

i,

em.

Moderate,

i
5t=i

^^^

C ^'F P P P

^ sempre legato

33.

V(^

F F F F

^6!3zfee

^^

vj^

^p

CVfr-

J"^^^

pg^^^
^
^g
lr=^

'

f F

Nt

'

rii

"Ff Ff^r f

ijjj^ ^7[jEf L[ffTfe' gfhf?^'

'y-l^^^fffUrf-

^^V* m

'^

y^fyffi,.f. ff^^ffff^ f ^
^
^

e'~l>,#f.^p ^,ff^g~Tfr je

iiosi-47

fe

Introductory Exercises to
For the

left

a)

N9 34.

Voriibungen zu N? 34.
Fiir die linke Hand allein.

hand alone.

iTT3JJ3JJJJJJJJJ|J ?^J^,jr

'Yo

itc,

^
54

:i

Moderate,

^-^

"
!

^ J /J

-^'

>

I"*

fP

'

If^

11081-47

:^'

e
y

^^

SS

r
prp"Tr
te
i t

r.
Z=K
i>

tt

:^

fe

=E

^:

fei

^f?=

ti> r r

'Tp ijf
I2=K

^f

fe4

tei

^a
^p^

i^^
I

^M:

a ^^
^ft.tif p

p^itg p

"Tf

i
b>

i
[^^

^ #
^ ^ ^ ^ ^

24

Introductory Exercise to

N9

35.

Vorubung
(Rechte

(Right hand alone.)

Moderate.

35.

<

jr

,,

N9

zu

Hand

35.

allein.)

sempre legato

^3
S times

i
:i

A'

//.

/
'

l^gffM'l^

v. ii

1^

'

^^

:i;g=qg

-I

:i..

1
i

i"'"vrr
t

5*

>-

pf!f5ti:^r^r'"zjj

S fcEE^

^
.

-^IS^

ti

fct.

Df

ii

' s^^^r^^a^
r r ^ r
gfe

'it*'*

iir

^r

r=

ife

41,' 4

'4

iU^^i^^^*JL^=L

110Hl-'7

JK^t

Se

4^-^-^

bt

4U

'4

Introductory Exercise to

N9 36,

(Left hand alone.)

K
36

N9

35

36,

allein.)

*
/*

.<

Hand

(LinAe

-_i_

---__-

Moderato.

zu

Voriibung-

''

^U

ji-J

sempre legato

H times. 8 mid.

m- li^

'

"^

^^

^J

m^

'

:^
3

3E3

!-

^J

9-

1^

.tt tt'j,*'r

r4-

'

\,.

\^

1*

'!

;pa

'

'

iEi

^.

ii

'^
=f^

Sac

"

iZBI
ti

^-^
i

11081-47

^1^^^

i-J

1^

26

Moderate.

S times

fe^a*2
')

y T

'41

ttf

^^T^f rf^^

'*

.,

^ fi

i.

^"^3

*t.

tf

b*

11081-47

b*

"g

.^r'

^
1

rd!i^'rrrv

^^

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^ M 'Ju^Xlx
,

t?

g:b'rf^'^

"~1^^^i
l>.

j-mrriT^

:*=
3

fe

^^

^r

s it

'fflf^hF^;'^fi'''"^r.??1
3
13 13

4
^

nr

l*^^ti^*^

}niil

4 14

^?

ff^
V-+*
^^^^
,.

1;*

EE

^ ^^

>_^

4141

fe

^g ^ t,

Fff,

i^
f g

^^

Moderato,

B^
4

38.

<

ag

Ibid

4 I

S7

se?npre legato

"r

<jf=

!>#

^?:

t
55?
s

^fe

ti^

.jHar-ijiai.aa-^
3

I'*

hjL

IjA

^^

-f

te

*''

frf ffrf

S rrf
*

b#-

''

fc

U081-47

rffl^ii^ iirVrr'r^,^

t^r

!.>

rrrrrr

ZH

Moderate.
Each measurt- 2 times

vm

*)Practise this number also legatissimo:

liosi- 47

Jcdcr Takt 2

./J

niiil.

Moderate.
Each measure 2 times

Jcder

Titkt

*i

40.

setup j-e legato

innl.

^^g

32m:

29

1^ it^*

i^

n^rrTTT

*)

^^m ^

?i

s^ i^

I**
f

!.

^ vJ f

fe

r.

r^

*
)

/^/r'7 f /.ss I'rn o

l.^

pt:

^^p3

fe

te

*)Ebc)iso Icgatissimo:

#^

"f rf J
i

-''-

rCr-.

~*

f;

ttrjffrj

jr^^jT^

^
f^^'I.J^^ ^^
^
l

11081-47

Ljrfr,^lf,|

*aP^it^

* a1so

;^

^ ^
a i^ ^

^^ ^ ^E^^

^fe.
r

f^

30

Moderato.
1

41.

^W

-F sempre legato

4 times

4 tual.

.l>-*l'f ''fsk

>tts^e*

ettitt

t;M,rf^ri::ci^tf.:!f

*) The fingering shown in brackets is to be used


the scales are practised consecutively.
11081-4?

when

*)Der eijigeklnmmerte Ftngersatz ist zu nehmen, wenn


die To7ileitern hinteremander gei'tbt werden.

Mkfi

S^teii*ii^

.1..

l\^^Mkt%t

S
\

\?.

'gSel^e

'^^^

\?^

-^

ttj^

,.

Up

^^
11081-47

i^f^

Ilis

<5

^g

^#

^r>p^
g^^

l^r^:}^l^^
it^

^^

(i

33

Moderate.

_3

i2
fsempre

42.<

legato

4 times.

S
^^^f^
''^

Mr^^^

C^^g^J

Iti

The

finffering

shown

in

^
*=*
(a)

brarktts

is to

the scales are practised cousecuti%'eIy.

U081-47

w^/

f^S^P'i'^?

*)

be used

when

*)Dpr cinffcklammcrlc Fi7i<Tfrsnfz

fsf z// 7ichmen,tve)ni dip

Tonlcitern hintereijiandcr geiibt n^erdcn.

33

^
m^m

11081

47

^r^rJd

V r^^'tVff

34

Moderato.

!!f_

f ffer
i

r^

f^ ^ttf

4 f^

fuJiiffi^etf
;: r
ii

'^r

ii

Am

The fingering shown

when

in brackets is to be
the scales are practised consecutively.

11081- 47

Z%

used

g!

**

Der et7igcklammerte Fiiigersatzist zunchmen,wenn


die To7iletter7i hintereinander geiibt werden.

35

^^^^^^

...

a.,.
I

i>...a.a
9

*^^^^B

fe

it

^^
^

tr

r^

f rttr p ;;

^^

tt

-te.

i
tefe

''g=ift

^^rf^f^f^f^-

:!'**

''jl'ffl'iJ:

^b^p.bj.l'g'lg^g:

^5teste*i| g ^i''i^i8f I

s-

^ w

feH

^ .^'^i

^
11081

-=
-

47

^=

j^

--4

^f:

it^^

fe m

:t#|..

4-

J*

36

Moderate
4

*''

The fingering shown

in brackets is to be

the scales are practised consecutively.


11081 - 47

used when

*-'

Dcr euiffcklainmertc FinfLxrsatz ist zii nchmen, wenn.


die Toiilcitcrti hititcrcuiaitdcr gciibt wcrden.

11081

47

38

Moderate.
1

Lt.^P%f,l

iie:%*

11081-47

|^

Jfch^gf/Efif

gt^mi^jrM

40

Moderate
4

Et7.

#^

'\jrmf)f'Trf7Tij jrUii-ni'i;rrr7riiiP|

ftUi

einf

'gt

^P

O^j^LffTy^^r^J
11081-47

8-

'^

jJ g^,iJ^^

^^^
^-^
w^ ^

11081-47

^^

^^^

w^'f^

Si

^TJ^

fei

^?

Y^ff-ff

^^m

^^'

43

Moderate.
ivioueraio.

!'?
^
P

47.
'>

''-

sempre legato

^r '^ U4^

OjJ^aiT^&j^

b-ff
;:

i^^i^^^^^'^
"c^^'>U/jTr-JD:inu:i'rrj^
E

JJJ^E^

jj^^

^^

^
St

4
11081-47

1^

43

S.

n^t

^I^C^ ^^^t^
r

^^^^^^^^^^^^^
,8-

#^p^

'

*4

p, r f ifrrirr^^ ^lrji:jf

^ji,ji'^oi':j^j,/j.ni;j
1

11081-47

^
i^ijjj^
I

jrJ
1

'f
i

44

Moderate,

48.'

11081-47

45

n^..i

ife

I^H?"

11081-47

ylf
.

s
te

F^14LL^
4

46

Scales.

Tonleitern.

Major Scales.

A)

Melodic Minor Scales.

B)

Melodische Moll-Tonleitem

Bur-Tovleitern.
Left hand octave lower. Die li7ike

Hand

einc Octave

tiefer.

A minor.

major. C dm:

Amoll.

^mm^^^^^
G major.

E minor. E moll.

Gdi/r.

J^jjjjrn^'il

^ jjjj^r

Tf liLa'

D major. D dnr.

A major. A dur.

Fjl

minor.

H moll.

minor. Fis moll.


3

E major. E dur.

rrmter ^ ^^

Ct minor.

Cis moll.

f-'

^.,^ .n n}i

ftrr

major.

H dur.

FH major. Fis

Gi minor. Gis

dur.

ll

DjI

Db major. Des dur.

moll.

minor. Dis moll.

Bb minor.

moll.

2 3 1

jjfflprr

-*-

>

J*.

F minor.

Fmoll.

g^ifl^- ^:

Et major. Es

dur.

-^

11081-47

--

minor.

C moll.

47

..-/EllTYeFb:iiOniEW\
G
G

B dur.

Bb major.

minor.

F major. F dur.

3S

C)

moll.

^^

^PP^

Harmonic Minor Scales.


Harmonische Moll-Tonleitern.

A
-4

minor.

E minor.

moll.

Emoll.
4

,^3

Q-T^ jfl

B minor

Hmoll.

^^m

F| minor. Fis

moll.

G% minor. Gis

moll.

i^

Qi%

minor. Cis moll.

[^l^,NlJill'"
Et minor. Es

moll.

Bl>

^jijii
minor.

B moll.

^^ T^]l^\\'^^,
F minor.

C minor. C

Fmoll.

'*A

^^h]^

moll.

-.*!^?e

^4^
G minor.

D minor. D moll.

Gmoll.
1

D)

Chromatic Scale.
Chromatische Tonleitern.

3 1

12

312 31

4 8, 2

'^^\>'i^l\,l.

^^S^A
12 3 1

13 12

48

Scales in Thirds.

35434345

3
1

3
5

-i

i^j<Trf-r

;3

I,.

H
i

2
4

132
854
rll:

trlir-F

3
6

3
i

132
854
*

53

4443
2

1123
3345

3
5

tot^

^''

3
B

3
5

?2
* 4

ll

3
B

5
3

B
2

-tiJi'.i

11
33

?
1

f F F

2
4

3
5

It

lit
, I

Tff

i
*^

4
i

3
6

445
3

3
,

:|

^
1

11
S3
1^

IP

:H:by'P ^
2

S3

3
1

P ;

11233
33455
^^^^

11

&

it

fl-ffffpf
3

4
*

6
3

321
6 4 3

233
455

4i^ f^ff T

45

3
5

ll33
3355

5
3

854

3
5

5
3

P
3

23
45

1^

!.

23
45

3
5

'T

23
45

^3

5 ^i^

i
bdju
1 o

S
3

153543

5
8

s|

^'54!

113

Terzentonleitern.

:ih

,;iip p

trYff

PM^f #FF

'fYffTffffm

Selected Music
for PIANO
from

the

CARL FISCHER MUSIC LIBRARY


The Carl Fischer Music Library

universally

is

modem

accepted

edition of standard compositions,

works

instructive

and

musical

classics..

Library

Library

No.

No.
525
521

522
523
524

Library

No.
304 Bach. 2- and 3-Part Inventions 1.25
75
254
5 2-Part Inventions
75
255
15 3-Part Inventions
and
...
.75
Short Preludes
5 6
Fugues
Inventions
2-Part
.75
Bach-Busoni.
897*
75
3-Part Inventions
898
Bach-Carroll. First Lessons
60
917* Book 1
60
9I8 Book II
75
562 Bach Album (Heinze)
Beethoven. Sonatas (D'Albert)

Vol.
Vol. 2

801

4.00
4.00

802
322

Berens. Op. 61. Newest School


of Velocity.

278
417
279

Book

24 Studies

Bertini. Op.
32. 24 Studies
100. 25 Easy Studies
Twelve Preludes and Little
Pieces
29.

Op.
Op.

561

919* Brahms.

Op.

39.

60

Waltzes
60

(Freed)

Brauer. Op. 15. Twelve Studies


for the Development of Veloci-

519

889
743*
744
924*
309*
302*

Op.

109 (Eckstein)

Chopin. Etudes
Nocturnes

75
75
75
1.50
1.50
1.50
1.00
1.25

Polonaises
Preludes (Eckstein)

Waltzes

dementi. 12 Sonatinas
Op. 36-37-38

1.00

589* Op. 36. 6 Sonatinas


75
388 Selected Studies
1.75
540 Concone. Op. 24. 25 Melodious
Studies (Eckstein)
75
483* Op. 25. 15 Studies in Style and
75
Expression
514 Op. 30. 20 Etudes
75
6% Op. 31.15 Etudes de Style.
.75
.

CARL FISCHER,
BOSTON
P43

SO

Selected

Complete
Studies
Bookl
Bookll
Booklll
Book IV

371

Czerny. Op.

666

Op.

139.

1.75

75
75
75
75

380* Koehler. Op. 157. 12 Little


Studies
480* Op. 242. Little School Vel
350* Op. 300. Practical Method.
Vol.

Op.

370

Op.

381

One Hundred

1.00
Practical Exercises
261. Passage Playing
1.50
Op. 299. School of Velocity

l.SO
338* Complete
75
339* Book 1
7S
340* Book II
341* Book III
75
342* Book IV
75
465 Op. 553. Six Octave Studies.
.60
599.
365* Op.
Practical Method.
.75
482* Op. 636. Preparatory School of
75
Finger Dexterity
685
Op. 718. Twenty-Four Piano

1.50

190.

75
.60

Very Easiest Exercises

374* Kuhlau.

Vol.

Sonatinas.
(Eckstein)
473* Vol. 11. (Eckstein)

Le Couppey. Op.

450

60
60

50. First Studies

1.25
1.25

The

17.

Al.75

phabet
466 Op. 20. LAgilite
323* Lemoine. Op. 37. Etudes En'.

75
75

fantines

390*
391*
392*
394*
395*

656

Studies for the Left Hand ... 1.00


Art of Finger Dex3.00
Complete

Op, 740.
terity.
Book

75
75

Book

Lichner. Op.

208

Loeschorn. Op.

343

Low. Teacher and

396*

880

II

Booklll

75
75
75

Book V
Book VI
Op. 821. One

Hundred-Sixty
Short Exercises
1.25
487* Op. 849. Studies in Mechanism 1.00
362 Diabelli. Op. 149. Melodious
Pieces
75
665 Op. 151. 168. Sonatinas
1.25
361* Duvernoy. Op. 120. School of
Mechanism
75
506 Op. 76. Elem. Studies
60
423 Grieg. Up. /. Sonata (in E
1.00
minor) (Eckstein)
.50
510 Op. 12. Lyrical Pieces. Vol.
75
737 Op. 24. Ballad (Pinter)
75
3 5
Op. 46. Peer Gynt Suite 1
1

547

Gurlitt. Op. 83 Easiest Velocity


Studies for Beginners
Hanon. The Virtuoso Pianist.

684* Complete
728* Book 1
729* Bookll
730* Booklll
714 Haydn. 20 Sonatas. Book I ...
327* Heller. Op 45. 25 Mel. Studies
328* Op. 46. 30 Prog. Exercises
329* -Op. 47. 25 Studies for Rhythm
.

and Elxpression
320* Herz. Scales and Elxercises

Inc.

CHICAGO

1.00

75

Book

Pupil. Vol.

.60

1.00

Mendelssohn. Songs Without

719

Op.Words
25. Concerto in

2.00

Minor
1.00

(Ruthardt)
711

Mozart. Sonatas.
Vol. II

712

Complete

710

Vol.

2.25
2.25
3.50

1.75
Pischna. 60 Dally Studies
1060 Rachmaninoff. 2nd Piano Con2.00
certo. 2-Piano Score
15* Schmitt. Five Finger Elxercises .60

484

Schubert. Op.

722
922

Symphony

90.

(No. 8)

1.00
.75

Carnival..

1.00

Impromptus

B Minor

in

& Chords

176'

Schulz. Scales

689
256

Schumann. Op.

9.

Op. Kinderscena
Op. Kreisleriana
Op. 2 Noveletten
Op.
Nachutiicke
Op. 23.
68. Albuin for the
Op.Complete
68. Album for the

60

60
60

15.

726
690
725
672'

16.
1

1.25

60

Young
1.00

Young

together with Scenes from


l.SO
Childhood. Op. 15
1.50
509' Sonatina Album (Koehler)
363'

1.50
1.00
1.00

I.OO

310'

81l<

60
75
75

Nine

65. Progressive

Studies for Beginners

75
1.75

66.

49.

4.

Sonatinas.

75

ty

324* Burgmuller. Op. 100. 25 Easy


and Prog. Exercises
920* Op. 105. (Eckstein)
921

60
75
75
75

Cramer-Buelow.

'

Streabbog. Op.

63. 12

Melodious
75

Studies

Easy and Mel-

383

Op.

609

Tchaikovsky. Op.

64.

12

75

odious Studies
for the

Young

475 Wolff. Little Pischna

39.

Album
75
75

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