Академический Документы
Профессиональный Документы
Культура Документы
Begin playback.
209
In the example below, note that the arrows point to the breakpoints
the start and end points of the fade-ins and fade-outs. Notice that
they occur at as close as possible in time.
210
Centre
Left
Right to left moving
Fifty per cent right
Fifty per cent left
Right/left
211
Import briefcasebounce.
A new stereo track will be created, and the bounced stereo file
will be placed into it at time zero.
Compare the two files to each other and to track one originals
panning automation.
In most cases, this will not make a lot of sense, but in some
cases, it is very useful. For example, in creating our version of
panning automation through volume envelopes, you will have
created very specific relationships between two independent tracks.
What happens when you want to move these two regions? You will
need to be very careful so that they end up at exactly the same point
in time (in order to avoid phasing problems). When you create a
stereo track from the two mono tracks, you will be creating a new
stereo region (of course, any other files that happen to be in those
tracks will also become stereo).
213
214
215
Making sure both tracks play equally in the left and right
speakers.
A new track will appear with the mono version of the original
stereo track.
216
Delete the original tracks, and import the mono track again to
create adjacent mono tracks. Set the panning on the tracks to
hard left and hard right.
217
Doing two things at once: boosting the highs and cutting the
lows at the same time.
218
A Dynamic Relationship
219
Create a fade in the processed River track from :20 until :35
seconds.
220
Copy and paste (using the above method) to create three more
back to back regions.
The final region should extend beyond one minute.
221