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From Schematic to Reality

Beavis Audio
Schematics are the lingua franca of electronics. They provide a concise and comprehensive diagrammatic description of a circuit. Plus,
they are mostly standardized so once you learn the general idioms of a schematic, you can decipher almost any schematic. Schematics
are especially important to stompbox building, because so many schematics are available. Of course, the most popular designs are
represented well with PCB layouts, perfboard layouts, vero-board, etc. But if you want to enjoy the true wealth and diversity of
designs, youll want to understand how to read schematics.
This article describes schematics, their symbols, layout and tips and tricks for reading them. From there, well work on how to
translate schematics into the real world in the form of things you build on a breadboard, point-to-point, or some type of perfboard
media.

Behold, The Schematic

As a starting point, lets look at a schematic of a very simple boost pedal based on the Electro-Harmonix LPB-1.

Figure 1.1: A Schematic

You can see that there are various bits represented by symbols, all connected in various ways. Lets look at some of the big picture
concepts:
Left to Right: The first thing to notice is that you read the schematic left-to-right: the input on the left feeds the signal through
parts and pathways in the middle to an output on the right. This left-to-right convention is not universal, but it is probably the
most common layout for a schematic.
Power and Ground: The top area of the schematic shows some type of power (in our case, 9 volts Direct Current, the same thing
that comes out of a 9 volt battery). The bottom of the schematic shows grounds. This directly maps to the physical arrangement
of our power source, again, a 9 volt battery. The top of the schematic is showing the positive (+) voltage, and ground represents
the negative (-) side.
Symbols: Components are denoted by a standardized set of symbols, each representing a specific type of component. For
example: a resistor:

Each symbol shows a part number and a part value or type. R1 denotes two things. First, the R signifies a resistor. Even
though the schematic symbol itself is unique to a resistor, it is helpful to denote the part type. This is also a somewhat
standardized format: R for resistor, C for capacitor, Q for transistor, VR for variable resistor, etc. The number part is just a
sequential counter that makes it easy to cross reference against a parts list. The number also makes it easier to talk about
schematics. (Its a lot easier to say change the R1 value to 500K for more bass than to say change the first resistor that
is connected from the input to the ground, before the first capacitor, for more bass.)
Connections: The connections between components are shown by lines. That is easy enoughanywhere there is a line, you are
reading that there is a conductor (a wire or the copper trace on a PCB). Where the connectors cross over can be kind of tricky
because there is no real standardized way of showing it. Is it just crossing over with no connection, or is it connected? The
following diagram shows the three most commonly used connection representations:

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Figure 1.2: Various Ways of Depicting Connected Lines

In the first example on the left, a dot shows interconnecting lines. So A, B, C and F are all connected together. Lines that pass over
another line are not connected, so D is only connected to E. In the second example, dots are not used. Instead, a line that intersects
without the little hump pass over, is connected. So the first and second diagrams are the same. The third example shows another
where the dot signifies a connection, and non-connected crossing lines do not use the hump pass over convention.

Inputs and Outputs

For stompbox designs, you almost always have an input and an output. Unfortunately, how these inputs and outputs are represented on
schematics is all over the place. In the most standard form, some of the details about input and outputs are left off schematics because
these details remain standard across stompboxes.
So when you look at a schematic like this, you are dealing with a sort of shorthand that the schematic author used.

Figure 2.1: Shorthand Depiction of Inputs and Outputs

If you look at the input side of the schematic, it is one wire. But the plug on the end of your guitar cable has two connectors. WTF? This
is an example of shorthand, and heres how the schematic maps to the real world.

Figure 2.2: Mapping Shorthand to the Real World

The tip of the plug always carries the signal, and the sleeve of the plug is always connected to ground. So when you see the simplified
form, it is assuming you will connect to tips of your plugs and jacks to input and output, and both sleeves will be connected to ground.
There are other ways of representing inputs and outputs on schematics. For example:

Figure 2.3: Another Way to Show Inputs and Outputs

In this example, a more literal form of schematic symbol is used for the input and outputs. It shows the jack part connected to ground.
So Figure 2.3 is electrically identical to Figure 2.1.

Power
Your stompbox circuits will mostly use a very simple power scheme: a battery or AC/DC adaptor that provides a positive voltage and a
negative voltage. The positive side of your power supply goes to the part of the schematic that shows power input, and the negative
side goes to ground. In the case of bi-polar supplies, that is not the case, but such a supply is not that common so we cover that
separately.
Referring to our simplified schematic form again:

Figure 3.1: Power Representation

You can see that the positive side of the battery is represented by a symbol denoting + voltage. The negative side of the battery is
ground. There are other forms you will see in schematics, such as when batteries are actually shown as a schematic symbol.

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Figure 3.2: Battery on the Schematic

So as with other forms of shorthand, Figures 3.1 and 3.2 are electrically identical. One of the drawbacks on Figure 3.2 is that it is
showing a battery, whereas you may want to connect your circuit to a battery and an AC/DC adaptor. A small point to be sure, but it
illustrates another example where schematic shorthand can be useful.
To round out this discussion of power and input/output shorthand, heres the bo0ster schematic re-drawn to show grounds in the
non-shorthand way:

Figure 3.3: The Revised Booster Schematic

Switching
Another confusing aspect can be the switching arrangement. For example, when you look at the schematic in Figure 1.1, there is no
on/off switch for the power, nor is there any switching for bypassing the effects. As with input and outputs, the design of power
switching and bypass switching is usually assumed. In other words, we assume that when we build an actual pedal from the schematic,
we will use the standard 9 volt battery clip wired to the standard 2.1mm DC jack, all in a standard way.
Because this power scheme hardly ever changes, there is no real reason to repeat it on each and every schematic. Similarly with bypass
switching: the ubiquity of 3PDT true-bypass switching is such that it doesnt make sense to draw it out in every schematic.
So how do you translate the shorthand of schematics to the real world of switching and power? Well cover that a little later when we
talk about the Stompbox Harness.

Schematic Symbols
So now that we have the general lay of the land for schematics, lets delve into the mysteries of the symbols themselves. By and large,
symbols are fairly standardized. However there are exceptions that are introduced to cover the huge array of component types. In this
section, well cover the most commonly used symbols and point out any variations you might see.

Resistors, Potentiometers, and Trimmers

Resistors are not polarized devices, they work either way. Resistors are shown as a wavy line, like the R3 value below.

Figure 4.1: Resistor, Potentiometer, and Trimmer Schematic Symbols

Potentiometers have three connections, so you need to know how to match up the three connections on a schematic with the actual
pot, like this:

Figure 4.2: Matching Potentiometer Lugs to the Schematic Symbol

Trimmers, as shown in TR1 above are potentiometers also, but they are usually small plastic devices soldered to the board as a set and
forget type of affair.
The identification of resistors is simple: The letter R followed by a sequential number. Potentiometers are often denoted as VR for
variable resistor but may also show up as R. Its easy to spot the difference just by looking at the schematic symbol.
Additionally, potentiometer values are shown using standard code. Potentiometers have very simple codes: a Letter and a Value. The

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code is:
A single letter, A for audio/log, B for linear
A Numeric value, i.e. 10K
So a 100k linear taper would be B100K. A 1k audio taper would be A1K. Finally, potentiometers and sometimes trimmers) will have an
additional label that denotes their function. So in Figure 4.1 we can see that the VR1 potentiometer controls the volume.

Capacitors
Capacitors appear on schematics using one of two basic symbols: parallel lines or a straight line and a curved line. In the case of
parallel lines, the type is unpolarized, so for our purposes that will mean ceramic or film capacitor. When the symbol is a straight line
and a curved line, the capacitor is polarized and the straight line side represents the positive side. Polarity may also be indicated by a +
symbol.

Figure 4.3: Capacitors on Schematics

Diodes
Diodes are polarity sensitive, and the cathode side is indicated by a colored band.

Figure 4.4: Diodes on Schematics

The following graphics illustrates mapping between the schematic symbol and the actual device:

Figure 4.5: Diode Polarity Mapping

For stompbox use, you are typically going to use small signal diodes. These can handle about 100mA of power. Since a LED is just a
special type of diode, it follows the same convention in terms of having an anode and a cathode. In terms of packaging, the longer leg
is always the positive side. There is also a flat side, which denotes the negative side.

Figure 4.6: LED Polarity

Transistors
Transistors almost always have three legs, and the pin outs (i.e. which leg is the Base, which is the Collector, and which is the Emitter)
can be confusing. One of the most common reasons a transistor-based circuit wont work for you is that you inserted the transistor
wrong. So it is important to look at the pinout for the specific device.

Figure 4.7: Transistors on Schematics

Integrated Circuits
Integrated Circuits (known as chips in the vernacular) are even more amazing the transistors, because inside, they contain hundreds or
thousands, or even millions of transistors. ICs are roughly divided into linear and logic types. Linear types include operational
amplifiers, and logic types include counters, logic gates, etc.
Because integrated circuits come in some many configurations, youll find there are several representations for them. The most
common IC used in stompbox circuits is the operational amplifier or opamp. This has a pretty standard pin out and configuration across
types so it has its own schematic symbol.

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Figure 4.8: Opamp Schematic Symbol

We can see that the opamp symbol is a triangle with two inputs and one output. Opamps have negative and positive inputs, so those are
shown. Also shown are the pin numbers for the specific opamp.
There are many types of ICs that are specialized enough that they dont have their own specific schematic symbol, so they are drawn as
a rectangle or square with pins shown in whatever order makes sense in the schematic layout:

Figure 4.9: Generalized IC Schematic Symbol

There are also logic and other types of integrated circuits that have their own schematic symbols, like these:

Figure 4.10: Other IC Symbols

Most ICs you will use in stompbox projects are plastic dual inline package (DIP) devices with a variety of pin counts and pin outs. Note
that the chip orientation is always denoted by a notch, or printed dot, on one end.

Figure 4.11: Identifying Pin 1

Schematic Cheat Sheet

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The Big Picture: What does Each Part Do?

So now we have a good feeling for how to read schematics. But what do each of these parts do? Learning about the function of each
component and its complex interactions both within a circuit, and with the things that it connects to is the purview of electrical
engineering, and beyond the scope of this article. However, it is useful to look at a simple example to try and weave all the things
weve learned so far back into a coherent example. So lets look at the booster schematic again.

Figure 5.1: A Schematic

We can easily identify the input and output. The signal you want to modify is presented to the input, the goo in the middle does the
work, and presents is modified signal to the output. Lets look at each component, generally left to right. After the input jack, there is
R1, a large value resistor that connects to ground. This is something you will see very often in stompbox schematicsit helps set the
input impedance of the circuit to a level where it doesnt drag the guitars pickups down to much. C1 is the input capacitor which
filters and DC out of the signal. It also controls the frequency response of the input signal as it is presented to the transistor.
R2 and R4 form a voltage divider. This simple snippet is in charge of providing half of the 9 volt source voltage as a reference point to
the base of the transistor. This reference point helps tell the transistor how much to amplify the signal. R3 and R5 set the gain factor of
the transistor, which simply means that it tells the transistors how many times to amplify the signal. The signal then goes to C2 which
removes the DC component of the signal.
Finally, we are off to the potentiometer for volume. The pot is wired as another voltage divider. Depending on where you turn the knob,
you are balancing how much of the output signal goes tor ground (i.e. thrown away or attenuated) and how much goes to the output.
Thats ita single transistor and a handful of components give you a nice linear boost circuit.

From Abstract to Reality: Lets Put it on a Board

One of the key reasons to learn how to read schematics is to be able to speak the language of electronics, the ability to look at a
picture and get a general idea of what it does and how. But the other more concrete reason is that you want to actually build
something. Which leads to the central point of this article: how do you turn a schematic from abstract symbols to an actual working
thing?

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The good news is that schematics are not all that abstract. In fact, in most cases you could lay out your physical components in an
arrangement pretty much the same as the schematic and then connect wires just like in the schematic. While that makes sense, it is
not really practical. There are much easier ways to do it.

On the Breadboard
Probably the easiest way to transfer the conceptual schematic to a physical dimension is to use a breadboard. Breadboards also have
the advantage of non-permanenceunlike solder you can undo mistakes easily and experiment with different values. Most breadboards
are conveniently organized in a way very conducive to stompbox hacking. Take a look at the following diagram:

Figure 6.1: A Typical Breadboard

You can see that we have positive and negative strips running down the left and right edges of the boardvery convenient for
connecting our various bits to power and ground. There are also a bunch of strips of 5. These are the places where we can insert
components and wires to form a physical arrangement that maps to the schematic. (Note that the above breadboard is representative
of one of the most common types, but others have different arrangements.)
So, to build our LPB-1 Booster on the breadboard, we simply work through the schematic and arrange components and wire jumpers.
Like this:

Figure 6.2: The LPB-1 Booster on the breadboard

As you trace through the schematic, compare it to the breadboard. Usually there is an aha! moment when you realize how simple it
actually is.

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Non-Breadboard Reality
Once you have traced a schematic, tried it out and want a more permanent solution, there are various options. This section outlines
some of the more common board techniques.

Perfboard
There are various types of perfboard and the term itself loosely covers a lot of different designs. The most common type is
pad-per-hole. It looks like this:

Figure 7.1: Pad Per Hole Perfboard

The board itself is made of a rigid insulating material, and there are rows and columns of holes. On the pad-per-hole layout, each hole
is surrounded by a copper pad. None of the copper pad/hole combinations are connected to any others. So you stick your component
through the top side of the board, flip it over, and solder it to the pad on the other side of the board. You then solder bare wires to the
underside to form the connections. For example, the following diagram shows the connection between a resistor and capacitor on a
per-per-hole layout:

Figure 7.2: Pad Per Hole with components

Pad per hole has the advantage that you can layout your components and wires much like a schematic. The grid of holes that you work
on presents a great way to match up components on a schematic to an x/y grid on a board. The disadvantage of pad per hole is that it
can be somewhat tricky to get all the soldering clean and not have it run and create unwanted solder bridges. Also, unless carefully
planned, pad per hold can lead to larger board sizes as compared to other mediums. Other than that, pad per hole is a great way to turn
schematics into reality.
There are other types of boards that fit into the perfboard category. These usually have bus connectorscopper traces that connect a
group of holes in interesting ways. For example, Radio Shack sells a number of perfboards that make it much easier to build on than
pad-per-hole designs. For example, their IC prototype board makes it easy to supply power (+ and ground) and use ICs and other
devices:

Figure 7.3: Radio Shack Prototyping Board

Prototyping boards like the Radio Shack version shown above have a big advantage over pad per hole designs: they have pads
pre-connected in ways that make build a lot easier. For example, look at the middle of the board. There are two strips of connected
pads that run the length of the board. These are very useful for power and ground. Similarly, there are groups of 3-connect pads and
groups of 2-connect pads. These make it easy to connect multiple component terminals which means a lot less wiring.
Heres an example of using the Radio Shack board with an integrated circuit to create a tone generator:

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Figure 7.4: Radio Shack Board in Use

Veroboard
Veroboard (also known as stripboard) is a specialized form of perfboard. It is a name-brand product that arranges holes along a
connected bus. To form circuits, you make small cuts in the bus trace to match the schematic you are working on.

Figure 7.5: Veroboard

Veroboard diagrams show where to make trace cuts (usually with a small Xacto type knife) and where to place and solder the
components. For example, heres a layout that shows red dots that signify where to cut the traces, and a few components shown.

Figure 7.6: Veroboard Explained

Printed Circuit Boards

Printed Circuit Boards (PCBs) are probably the best way to build things if you are doing more than one, or want a more professional
result. But they require skills that are sometimes impractical for beginners. In other words, you can do a lot more learning, testing and
experimenting with the other types of reality devices discussed here. If you want to make your own PCBs, there are many resources
on the interwebz to help you. Additionally, lots of DIY sites, like General Guitar Gadgets and TonePad have PCB layout artwork you can
download and use.
Heres a layout for my Noisy Cricket PCB. Generally, a layout file will contain both the PCB layout artwork itself, and a graphic showing
the location and orientation of components for the board.

Figure 7.7: PCB Transfer Artwork

Figure 7.8: Parts Layout Diagram

The Stompbox Harness

Earlier, we talked about all those interesting shorthand notations found in schematics. Like the fact that true-bypass switching is
usually not shown. Same for power on/off switching, the battery connector and the power jack for an AC adaptor.
The following diagram shows a Stompbox Harness, a generalized component and wiring diagram that forms a generic shell to place
your circuit board in. It features true-bypass switching, and dual power: either a 9 volt battery or an AC/DC adaptor.

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Figure 8.1: Stompbox Harness

Note that there are several ways to accomplish true bypass wiring. Check out the following link from General Guitar Gadgets for loads
of information on true-bypass wiring options.
http://www.generalguitargadgets.com/index.php?option=com_content&task=view&id=33&Itemid=27

DIY Layout Creator

No discussion of creating circuit boards would be complete would be complete with a nod to a fine fellow named Bancika. He created a
free piece of software called DIY Layout Creator that is a work of genius. DIY Layout Creator allows you to graphically draw layouts for
projects, using pad per hole, veroboard, or printed circuit boards as your medium.

Figure 9.1: The Incredibly Cool DIY Layout Creator Software

As you can see from the above screenshot, you have a list of drag-and-drop components on the left, a design area in the middle, and an
explorer on the right. DIY Layout Creator would be cool if it was the product of a team of software engineers from a big company. But
from a single guy toiling away to develop a free program, it is simply incredible.

Resources
Thanks to google, the world really is at your doorstep. Here are some useful places to go as you work with schematics, layouts, and
boards.
What
Great gallery of layouts
including pad per hole,
veroboard, and PCB designs
Bancikas DIY Layout
Creator Software
Layout Library for DIY
Layout Creator
General Guitar Gadgets:
Lots of projects and layouts

Where
www.aronnelson.com/gallery/main.php
www.storm-software.co.yu/diy/index.php?project=software
www.storm-software.co.yu/diy/index.php?project=layouts
www.generalguitargadgets.com

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Runoffgroove: Lots of
projects and layouts
Tonepad: Lots of projects
and layouts
DIY Stompboxes: THE forum
for diy stompbox stuff
PCB Layout for Musical
Effects: R.G. Keen's
comprehensive book on
doing layouts right.

http://www.co-bw.com/DIY_Schematic_To_Project.htm

www.runoffgroove.com
www.tonepad.com
www.diystompboxes.com/smfforum

www.smallbearelec.com/Detail.bok?no=679

Conclusion
I hope that this short article has cleared up some of the mysteries of schematics for you. Of course there are a thousand more details,
variations and confusions as you start learning to read schematics and transfer them to the real world. But hopefully you have a basic
understanding of how they work, and how they map to the real world.
As always, I love to hear feedback, corrections, and even the occasional flame. Pop me an email at dano/ at / beavisaudio.com
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