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Objective Interpretation
APPENDIX II
GADAMER'S THEORY OF lNIERPREIAI!ON
that he tells the truth, while the actual subject retains a private
awareness of his deception. Similarly, many speakers retain in their
isolated privacy a self-conscious awareness of their verbal mean
ing, an awareness which may agree or disagree, approve or dis
approve, but which does not participate in determining their verbal
meaning I'o interpretation, this level of awareness is as irrelevant
as it is inaccessible. In construing and verifying verbal meaning,
only the speaking subject counts.
A separate exposition would be required to discuss the problems
of psychological reconstruction. I have here simply tried to fore
stall the current objections to extrinsic biographical and historical
information by pointing, on the one hand, to the exigencies of
verification and, on the other, to the distinction between a speak
ing subject and a "biographical" person.. I shall be satisfied if this
part of my discussion, incomplete as it must be, will help revive
the half-forgotten truism that interpretation is the construction of
another meaning A slight shift in the way we speak about texts
would be highly salutary. It is natural to speak not of what a text
says, but of what an author means, and this more natural locution
is the more accurate one. Furthermore, to speak in this way implies
a readiness (not notably apparent in recent criticism) to put forth
a wholehearted and self-critical effort at the primary level of
criticism-the level of understanding.
(First published in PMLA, September 1960)
1. One very important critic has been Emilio Betti whose 1 eoria
generale della interpretazione is by far the most significant recent
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245
Appendix II
281). 3 But
nomenal
original
"2
ties with "The New Criticism" and the newer "Myth Criticism "
All three have impugned the author's prerogative to be the deter
miner of textual meaning Gadamer, however, grounds his anti
intentionalism partially in aesthetics (like the New Critics) and
not at all in the collective unconscious (like the Myth Critics), but
primarily in the radical historicism of Martin Heidegger
Gadamer owes much of the vocabulary and context of his ex
position to Heidegger "Distance in time could only be thought of
in its hermeneutical productiveness after Heidegger had lent an
treatise in the tradition of Schleiermacher and Dilthey. In a later book
let, Die Hermeneutik als allgemeine Methodik der Geistewissen
chaften (Tiibingen, 1962), he takes sharp issue with Gadamer, Bult
mann, and their foliowers
2 See "Hermeneutic Since Barth," in The New Hermeneutic, eds
J M Robinson and J B Cobb , Jr. (New York, 1964), p. 69
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INDETERMINACY OF MEANING
247
But the matter can be put another way. If the language of a text
intellegit res non potest ex verbis semum elicere" The res, not the
is not speech but rather language speaking its own meaning, then
to elicit the sense of the word "railroad" unless one knows what a
Gadamer. "The meaning of a text goes beyond its author not just
in
from, yet dependent on, mental acts, and for him the author alone
ual consciousness
an infinite process is really to deny that the text has any deter
Though he has not clearly defined the issue, Gadamer may have
a text does mean something and not just anything that interpreta
248
they have for determining who is more nearly right? They could
not measure their interpretations against what the text had meant
in the past, since it no longer means what it meant before. Ap
parently there is no way of determining what a text means at a
given moment So again, under this hypothesis, the meaning is
indeterminate, since we cannot distinguish even in principle, much
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Appendi< II
less in practice, between what it means and what it does not mean
It is perhaps, to avoid this nihilistic conclusion that Gadamer
introduces the concept of tradition: "The substance of literature is
not the dead persistence of an alien being that exists simultaneously
it has passed
interpretation that is valid and one that is not, there is little point
and accepted within any present culture "In truth, the impmtant
out through the continuity of its coming hither and by that tradi
tion in whose light shines everything that comes dowri. to us"
(p 281)
The idea of tradition is essential to Gadamer because it points to
a principle for resolving disagreements between contemporary
readers
and the reader who leaves this path is wrong. The determinate
meaning of a text at a given point in time is what a present culture
would generally take that meaning to be
cannot in fact save the day. For the concept of tradition with
the norm is not: "Norm concepts like the meaning of the author
casion to occasion" (p. 373) In that case what is left? There is left
the assertion that a text, despite the fact that its meaning changes,
when we observe that the original problem has not disappeared but
is grudging:
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251
precisely why the lecturer may begin to feel uneasy when he finds
merely his own expression repeated
It follows that the proper form of Gadamer's dictum is that one
tends to expreH a meaning differently when one understands at
all. It is literally nonsense to state that one under stands only when
one does not understand. However, Gadamer attempts to salvage
this apparent contradiction by equating understanding with ex
plication: "In the last analysis, understanding and explication are
the same" (p 366)
the right language if it would really make the text speak" (p. 375)
be examined
idiom of the present day. Thus, the speaking of the mute text can
occur only in and through a modern commentary.. Since the being
understood or speaking of the text is effected by an explication, it
FUSION OF HORIZONS
252
follows that explication and understanding are "in the last anal
ysis" the same
With this highly insubstantial argument Gadamer has set out to
topple one of the firmest distinctions in the history of hermeneutic
theory, that between the subti!itas intelligendi and the mbtilitas
explic an di
is always codeter
italics)
280, m y
the result of his own perspective nor wholiy that of the original
perspective. It is rather the product of a fusion between these
253
"In the
amalgamated it with his own? How can a fusion take place unless
the things to be fused are made aCtual, which is to say, unless the
original sense of the text has been understood? Indeed, the funda
mental question which Gadamer has not managed to answer is
simply this: how can it be affirmed that the original sense of a text
is beyond our reach and, at the same time, that valid interpretation
is possible?
Gadamer is much more conciliatory to the ideal of valid inter
pretation than his assumptions warrant. If he were true to his
assumption of radical historicity, that which he calls a fusion of
historical perspectives could not be affirmed at all If the inter
preter is really bound by his own historicity, he cannot break out
of it into some halfway house where past and present are merged
At best he can only gather up the leftover, unspeaking inscriptions
from the past and wring from them, or impose on them, some
meaning in terms of his own historical perspective.. For once it is
admitted that the interpreter can adopt a fused perspective dif
ferent from his own contemporary one, then it is admitted in prin
ciple that he
can
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Appendix II
does not argue the case but assumes that it has been established by
not insist that time itself is the decisive differentiating factor that
derstand each other is real1y to say that men who exist in sig
three
another and that all have different perspectives, then the historicist
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257
Appendix II
E
The Heideg
part within the whole No matter how much we may emphasize the
counter with parts before any sense of the whole arises, still we
among men who live in the same culture. Indeed, the concept of a
to bridge the gap between persons of the same period. That is the
always occurs between our idea of the whole and our perception of
the one that subsists between historical eras If the former can be
the parts that constitute it. Once the dialectic has begun, neither
E.
"6
"He says 'Gyrles' to me" or "He, that is Gyrles, words me," and
not become determinate until they fall into place within the whole
tional unity in which the relations of the parts to one another and
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259
ing is not, of course, a neat and simple model for the hypothetico
equation
wants to. But this is false, since interpreters have been known to
be If, on the other hand, prejudice is taken to mean not just the
stance I adopt must ipso facto be possible for me, and the word
all new ideas about data to old prejudicesa strange destiny for
ones, but this again is an assertion that has nothing to do with the
7.
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261
Appendix II
the author may be getting at, and there are so many possible
10
In
genre to which the text belongs, and the most appropriate form
is the question, "To what genre does this text belong?" Indeed, this
text, since its answer implies the way the text should be under
stood with respect to its shape and emphasis as well as the scope
and direction of its meanings
Schleiermacher, whose aphorisms on interpretation are among
the most profound contributions to hermeneutics, deserves credit
ably likely to occur, for not just words, but sentences, and not
just sentences, but utterances as long as War and Peace are partly
usages.
or
Every communicable ut
262
10. This is not circular, since the probable conventions under which
a text was written may be discovered by studying other texts and other
authors within his culture.
11. Hermeneutik, pp. 46, 47
263
the best hypothesis is the one that best explains all the relevant
data. This identity of_ genre, pre-understanding, and hypothesis
APPENDIX III
AN EXCURSUS ON TYPES
the sciences and the humanities does not exist The hypothetico
deductive process is fundamental in both of them, as it is in all
thinking that aspires to knowledge
A.
SElF-IDENIIIY OF IYPES
Since the word "type" has been a focal point of this essay, it will
be useful to bring together the principal conceptions which serve
to define the word as I use it.. Inevitably I can only hint at or
ignore some of the philosophical poblems that are raised by a
general theory of types-problems which ultimately embrace the
whole field of epistemology .. By way of orientation I shall discuss
only those aspects which are most relevant to hermeneutic theory
This will require a description that goes beyond merely ostensive
definition but falls short of a fully developed theory of types
I consider a type to be a mental object or, if one prefers, an
idea The essential feature of a type idea is its ability to subsume
more than one experience and therefore to represent more than
one experience. The subsumptive and representational function
of type ideas is, of course, essential and fundamental to language,
for if such a function did not exist, no one could subsume
or
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