THE

GUITAR
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rE

CORPORAflON

ion.
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w n o na M N 5 5 9 8 7

N.tion.l il.t
ff..:
8119 west 8lehound R@d
M r w a u l e e w 5 3 !1 3

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Unauthorizedcopying,arranging,adapting,recordingor public performanceis an infringementof copyright
Infr inger sar e l i abl eunderthe l aw .

ONTENT
lsEcTloN
A Song
ThatSignature
Licks
Melodic
Ride. . . . . .18
TicketTo
..46 Julia.. . . o. . . . . . . . .55 YouCan'tDoThat. . .10
ComeTogether...
. . . . . 23 YouNeverCiveMe
pper...... ..14 L a d yMadonna
DayTri
YourMon e y......5 0
.....38 LucyInTheSkyWith
DearPrudence
B lackb i rd.. . . . . . . . 42 l Fe elF ine. . . . . . . . . . 6

Good
GoodMorning

Diamonds

Mo rn i n g.. o. . . . . . 33 Michelle.

sEcfloNllA song
Thatsignature
LiclG
Rhythmic

It Won'tBeLong. . . .85 with A LittleHelpFrom

A Rich
BabyYou're
.76
MyFriends......
...1 0 6 N o Reply. .
Man
. . . . 68
GettingBetter. . . . .71 Te1Mewhy
. . . .94 YouWon'tSeeMe. . .60
GoingToLose
. .88 WeCanWorklt Out. .65 You're
HeYJude
.........80
ThatGirl
JustTo
I'mHaPPY
WhyDon'tWeDott
DanceWithYou. .102 tnfne Road
. .98
l ' m S o T ir ed ....9 1

sEcTloN!llThat
RhythmicAndMelodicLicks
A Song
Signature
Afl MyLoving . .132 Hello,Goodbve.. . .168 LittleChild. . . . . . . .128
. .206
. . . . 109 PaperbackWriter
Any t im eAtA l l .....1 5 9H e l p!
.152 HoldMeTight. . . . .176 RunForYourLife.. .124
BackInTheU.s.s.R.
SheCameInThrough
can'tBuyMeLove..144 | ShouldHave
carryThatweight. .135 KnownBetter. . .116 TheBathroom
W indow. . . ... ..1 4 9
A Week..120 twill
EightDays
.179
She'sAW o ma.n..1
. 72
.197 l'llCryInstead
Rigby
Eleanor
.202
Mothershould
FixingA Hole. . . . . .192 I'mA Loser.. . . ....138 Your
K n O W o . . . . o o ...1 8 8
G[rl. . . . . . . . . . - - - -184I'mLool{ng
CoodDaVSunshine.141ThroughYou....164
. . . ..182
Night .112 lt'SOnlyLOVe.
A HardDay'S

ALLttlY LOVINC. . . . . . .132

ANYTIMEAT ALL . . . . . .159
BAtsYYOU'RE
A
Rlc HM AN.... ....
..106
BACKIN THEU.S.S.R.
. . .152
BLACKBIRD.
. . . . . . . . . 42
CAN'TBUYME LOVE.. . .144
CARRY
THATWEIGHT.. .135
coilfrEToGETHER
. . . . . . 46
D ATTRIPPER
. . . . I''''
14
D,EAR
PRUDENCE
. . . . . . 38
EilGHT
DAYSA WEEK.. . .120
E|IEANOR
RICBY. . . . . . .197
Flfx[NGA HOLE. . . . . . . .192
G'ETTINC
BETTER. . . . . . 71
G,fiRL
.
.
.
. . . . . . . . . . . .184
"
GOODDAYSUNSHINE.
. .141
GOODTI,IORNING
G OOD M OR N | N G.....33
fr HARDDAY'SNIGHT.. .112
H llEi [Lco
o , o DB Y E .. . . ..169
HllEil.P!.
. . . . . . . . . . . . . .109

HE Y JUDE . . . . .

o....

o. gg

H OLDM ET I G HTO ' ' ' ' . . 1 7 6

I FE ELF I NE . . . . . . . . . . 6
IS H O UL D
HA V E
K N O W NB E T T E R. . . . . 1 1 6
I w l LL . . . . . . . . . . . . . . . 1 7 9
I'LLCRYfNSTEAD
. . . . . .202
l'M A LOSER
. . . . . . . . . .139
I'M HAPPYJUSTTO
DANCE
WITHYOU.. . .102
I'M LOOKING
TH RO UG HY O U. . . . . . 1 6 4
l'M so TIRED. . . . . . . . . 91

PAPERBACK
WRITER.. . .206
RUNFORYOURLIFE. . . .124
SHECAMEIN THROUGH
THEBATHROOM

w|NDow.......... .149

S HE ' , S A W O M AN
......1 7 2
T E L L M E W HY . . ......
94
TICKET
TORIDE. . . . . . . 1g
WE CANWORKIT OUT . . 65
WHY DON'TWE DOIT
lNT HE RO A D..,..... g g
WITHA LITTLE
HELP
FROMMY FRIENDS
. . 76
frs oNLYLoVE.. . . . . . .192 YOUCAN'TDOTHAT.. . . 10
ITWON'TBELONG.....85YOUNEVERGIVE
J U LIA. . . . . . . . . . . . . . . 5 5
M E Y O URM O N EY....5 0
LA D Y M A DO NNA . . . . . . 2 3
Y O UW O N' T S E EM E....6 0
LITTLE
CHILD. . . . . . . . .129 YOU'RE
COINGTO
LUCYIN THESKY
L O S E T HA T G I R L .....8 0
W IT HDI A M O NDS
... . 26
YOURMOTHER
MIC H E L L E
. .. . . o. . . . . . 3 0
sHouLDlflow......1gg
NO REPLY.
. . . . . . . . . . . 6g

NTRODUCTIO
Yqr'veall heardof Lennon
andMcCartney,
the songwritbut
what
aboutLennon
- thebuitar
andHarrisbn
irElQl1o,
frrc?Well,that's what youaregoingto discoverii fUe
trATLff, guitar book.
Thisbookis a specialwork containing
a selection
of
Beafles'funesarrangedexclusively
for the guitar.lt is desigredto provideanaccuratelookintothe le-ad
andrhythm
gl$tr sWlesof GeorgeHarrisonandJohnLennon.
fithough the arrangements
in this bookarewritten to
ernbodythe essence
andstyle of the guitar worksof
lsrnon andHarrison,
the arrangement
is not just a transcriqtionof the guitarsright off the record.Rather,it uses
Clof the musicalelements:
bass,
drums,keyboards
ind guibs, tlustm the Beatles
usedthem,but allincorporated
into
mgu'rtarso that youcanplaythe arrangement
aloneor in
a krd.

Thebookisdividedinto threesections:
1 . M e l o di Li
c cks
T h a tS i gn a tu re
a Song
2. RhVthmic
LicksThatSignature
a Song
3. Rhvthmicand MelodicLicksThatSignature
a Song

sEcTtoN
1

Thissectionincludessongsthat are most characterized

by the useof a melodicsignature
theme. songslilKeDavTripper,TicketToRide,Julia,or Lucvh Theskv with Diamonds.
Thisdoesnot meanthat vouhaveonlythe leador bassguitarin the song,but ratherthat their
importanceisthe drivingforcebehindthe tune.Therhythmguitarcom-ptiments
the bassand
leadlicksin thiscase.

sEcTroN2

Thissectioncontainssongswhosesignatureis the rhythmguitar.In other words,Lennon,s

rhythmguitartakesprominenceoverHarrison's
guitaranclMccartney's
bassor keyboards.
Again,voumayhavesomeguitaror basslicks,but thevtakea backseatto the rhvthmguitar.
T h i ss e c t i oni sa l soi mp o rtanat n du niquein that it affor dsa guitarplaverthe chance
to l ear n
how to plavrhythmguitar patternswhich incorporatepercussive
qualitiesthat anv good
r h y t h mg u i tari stsh o u l dkn o w .L e n nonwasa br illiantr hvthmguitar istand Vou' iloeneti tOv
learningthesetunesasarranged.

sEcTtoN
3

Thissectioncontainssongswhosesignatureisboth melodicandrhvthmic.Let'sfaceit, most

s o n g sb Vt h e B e a tl es
a rea mesh i ng
to getherof m elodicandr hvthm icelem ents.
Lennon,
H ar r i son,and Mccartnevdid not operatein separatelitfle compartmentsknownas rhythm,lead
andbassguitar,but rathermergedtheirfunctionstogether.tnthissectionwe seehow mostof
theirsongsarea f inebalance
betweenrhvthmicandmelodicessence.
Sometimes
it,sLennon,s
effectiverhvthmguitarbehindthe verseand chorus,followedby Harrisonbtendingin a nice
soloand bridgethat goesbackinto the strongrhythmicversesection,or Lennontradingoff
with MccartneV's
bassor Harrison's
smallerlicksections.
lt'sallput togetherfor you in THEBEATLES:
guitarbook.
ln addition,pleasenote that the guitarpart is written in guitartablatureto accommodate
m u s i c i a nwsho rea dmusi c,a sw el l a sthosewho do not.
Forthosewho do not read,Voucanfollowthe tablaturenumbers,strums,accents,
and picking patterns,whichyou'lllearnhow to useon the instructionpagefor tablature(seepage5).
Forthosewho readmusic,Voucanfollowallof the above,as.wellasthe addedmusicalelementsthat areinctudedin the tablatureline.
Allchordchanges
areshownby the chordframesabovethe voiceline.Thevoicelinegives
you the lyrics,melodyandwhichkevthe songisin.

OWTOREADTABTATUR
1.TABLATURE
ismadeupof 6 lines,representing
the 6stringsof theguitar.Thetop linerepresents
the first,or higheststringon the guitar,whiletne oottomline-represents
ine sixth,or the
loweststringon the guitar.Thiscanbeseenin Ex.1.
Ex.1: ---f--TTmrF-T--T-..4

2.Tnenumbers
on eachlineindicate
whichfret,on that particularstring,
isto be pressed.
For
example,
if thenumber5 isonthe3rdline,thismeans
thatthesthfretoritne3rdstringisto be
pressed.
Thenumber0 means
to plavtheopenstring.
rt = DownPickor Downstrum.
Orup strum.
v = uF PiCk

Ex.2:

3.A slash((l is usedto indicate

strumming.
Stemming
andbeaming
indicate
rhythmasin
I ordinary
musicnotation.
B- Strumbass,
or lowerstringsfthe2or 3 lowerstrings).
(the3 or 4 middtestrings).
M- Strummiddtestrings
Strum
treble,
or
high
strings
fthe2 or 3 higherstrings).
-T
previous
line)- continue
symbol.
--,'(clotted

Ex.3:S

GC

n V n
-

f?

EF\/I

ll

ll

ll----------1

n- - - -

tttt

- - - - - .1
at

B ---------r

l \,1--------.r

T--------r

4.i I lrn.chordal indicatesa muffledsound.to be plavedon a chord.Thisis achievedby

touchinglightly(notpressingl
the stringsof the chord.

m'"
G

ffisa.
tatl

II

ffitfi

nl

B- --- - --- - --- J- - - J

f-- - - - - - - -:

5.( t I rnesingte
note i' indicatesa muffledsoundto be playedon a singlenote.The
techniqueisthe sameasthe chordalX .

E x.5: n----

6.Commonmusicsymbols,
suchasthe following,arealsousedwith TABLATURE.
> =?CCt'lt

. =staccato
a =fefmata

oooooo

iTfm = O p e n
chord

ffi
#

Ffffft

I FeelFine

and PAULMCCARTNEY
By JOHNLENNON
D7

Bright rock

C7

ffii

hHfffi
L a y d own 1 st fin g e r , le ft h a n d , o n b o th 5 th strrng & nut of the gui tar

| .1

F l v-l

\/

\/

f.r

\/

F . '1

v.

-Vl-V

Ttr+

ffi

G
ooo
FFFffi
fi-rn

?H+H

by's
by
by

good
says
says

mine,mi n e ,-

you know,you know,you know ,-

she's
she
she

hap
tells
tells

py
me
me

as
all
all

ffi
you k n o w ,you know,you know,-

she
she
she

said
said
said

so.
so.
so.
.

V -V
-

+ \Iixoly'dian mode. not keY of C

@ 1964 N OR T H ER N SON GS LIM IT ED

Copvrr eht
(MACLEN)
MUSrc
Admrnrstered,,by_tnT._[H3;.0"
AuRrghts
"?;!:#,:":i3ilffili"r:'."#"ttv

can
the
the

time,t im e, -

G
ooo

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ffi
lovelovelove-

with
with
with

her
her
her

and
and
and

III-

feelfeelfeel|-l

:>

\/-

(repeat to 2nd lyric)

( continue)
(continue)

fine.fine.fine.-

\/

v .

Bm

ffi'u

ffi

ffi

I'm
.

that

elad

\ln

\/-

she's

my

lit

tle

o i rl

#rn
I-t-tfhl
iilttl
!ttttl

Bm

ffi'n

ffi

She's

glad

she's

di
teU - in-s

all -

the

world-

that

ba

by

buys

her

things,-

you

he

k n o w ,-

buys

her

di a

VNV-

D
Fh

ffi

G
To Coda

ooo

ffi
irt..l-!-IJ

FH+H

and

I-

fe e l -

fi n e .-

mond

rings-

E+m3rr.

ffi

V-

V-

l. -;
tr--i
EI

;
|

Y
|

.-z

- /i
-i

ll

-/i

D
o

D.S. al Coda

LLTTII
I l 1T

V VV

-\/

tt-/i

t)

IJ

bl

i--=

)ltl

Coda ooo

+H-H+I
FIlEFfl
Ltl-LLl

D
#t.n

G
ooo

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ffi

ffi
in

love-

and

I-

feel -

fi ne.-

V-

V
-

Repeat and fade

YouCan'tDoThat
and PAULMCCARTNEY
By JOHNLENNON

Moderato
G*
o@
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ffi

G7

ffi'o'
(1.) I

got
(2.)

cause you
some - thing to say that might
you talk
in'
sec- ond time I've caught

n\/

\/-vn

:>

paln;him;-

to

If
I
doI

- V- V

--\/

c7

ffi'
a

gain,sin.-

gon - na

let

you
to that b o yatalk - in'
catch
have to tell you one more time I think it's

| .1v .v

|l
:>

gon - na
think I'll

let
let

you
you

down
down

:>

t>

G
ooo
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ffffi

and leave you

Y ou d o w n

-((Background
Let

r - V- V.

vocals: 2nd and 3rd times)

:>

B
* Originally recorded in Gb

10

;>

Be - causeI've

flat, -

you down and leaveyou

\/.-v

l>

flar.)_
\ / -\ / -\ /

- V- VV-

O 1964 N OR TH E R NS ON C SLIMITE D
COOV ri Eht
All RiehtsAdministeredUv tsLnefwOoD MUSIC lNC. under licensefrom ATV MUSIC (MACLEN)
All RightsReserved InternationalCopyrrghtSecured

D7

C7

ffi'*'
told you
|.l

G7

ffi"

m'u

be - fore:

you can't

do
V-

_____- - - _a

-vr

Em

ffitt''
Well, it's

Eu -'ry-bod-y's

the

green

'cause

-_--_-

- - .!' 1V- V-

BB

B7

Am

5TfTTl?fr
n-TaT1 ',"'
LIITTI
IIIT' I

ffffi5fr.

ffi

I'm

the

one who won your

87

Em

ffi

7fr.

love._

But

Em

m'u
if

they'd

ffita-

r r T E I '" '
LIta fl
tI IT N

seen

n- ! v - v - v

furt

Bm

oo

ffi

ffi

tfrif1

talk - in' that

D7

way_

they'd laugh in

G7

m'o
my

face.-

So

ffi'n'
please

lis - ten to

me

lr v -

-1

:>

;>

you

11

wan - na s t ay
-t-\il-

mi n e ,-

go

hel p

out of

V -V

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C'I

ooo
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ffi{

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let you

--

down

:>

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'/-

3J
vou

and leave you

dorvti l -

(gon-na

c'l

ffi'

ffi'o'
Be- cause['ve told you be - fore:

To Coda

you can 't

oh,-

do

Jlat)-

v|r\/-\/

ll-----

ooo
FFFffi

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ffi

Effi
( Shottt ):

r2

l et you tlct*'n and

:>

D'7

leave

my

\/.

Wo w !-

Emphasizetop note in
eaih chord to bring out

(Solo)

(You)

C7
o

ffi
(can't do

(You can't do_

that)-

that)_

V- V
- V- V

G7

FFFIRsfr.

ffiou'

H1ffi

(You

V
-V N

(You

can't do that)

-V -V -

- V-

D.S. al Coda

ooo

ffi
do-

that)

Ev -'ry-bod-y's

13

DayTripper

By JOHNLENNON
and PAULMCCARTNEY

ffi'n'
l . Got
2.S he' s
3. Tried

a
a

good
big
to

rea
teas
please-

-l

lllr

t4

Copynght@ 1965N OR TH ER NSON C SLtMtTtD

All RightsAdministeredby BLACKWOODMUSIC lNC. under lrcensefrom ATV MUSIC (MACLEN)
All RightsReserved InternatronalCopyrrghtSecured

for

tak - ing
the
she took
me
she
on - ly

eas
half played-

way
J
the
way
one - night

out,there.stands.-

A1
ffffisft.

ffi

Got
a good rea
son
teas
She's a big
9I'
please- her,
Triedto
Fl

ffi'n'
tak - ing the
she took me
she on - ly

y way o u t,eas now.

now .
halfthe way there,played- one- night stands,- now.

She was
She was
She was

Day
Day
D av-

---

Trip - per,
Trip - per,
Trip - per,

one - way
one - way
Sun - day

tick
tick
driv

yeah;yeah;yeaht-

. v
---

:>

It took me
It took me
It took me

!rv
:>

l>

t5

c*

G+7

ffi+r'.
r-tH+l

ffi

4fr.

Hffi

$)-,1to find
to find
to find

SO
SO
SO

out,out,out,-

and
and
and

I
I
I

found
found
found

NV

-| r \ / . .

ffi

oooooo
FFF|F
FfitH

7 fr,

ffi
H-rrfl

out.
out.
out.

H++X

Last time to Coda$

( repeat)
( continue)
(to Coda)

l .r n.
---

XII pos.
solo
87
m7ft.

ffttfl

muffled
note
2nd Guitar

16

D.S. al Coda

>>>>

>>>>>

>

\/

\/ n \/.v-v

Coda

'#

= St--

N.C.

Bass& Middle Strings

TicketToRide

and PAULMcCARTNEY
By JOHNLENNON
Moderate rock tempo

oo
FFFIfi

oo
FFFffi

Trfi]
TTTTT]

HTffl
rrFF-l

\/- \/!\/l \/

lr

v rt

rr----------------1

A
oo

FFF

tftil
rrn-n

I
is

think it's

to
her

The
For

day
down

Bm7
F'FIFI

ffi

gtrl
she
tl

that's
would

driv - ing me
nev - er be

ma d free-

go-mg
ls
- way.- I
when I
was a - round.- |
l>

- - - - - - - - - - 'l

-\/-

BB
Co pyrrght@ 1965N OR TH ER NSON C SLIMITED
IiCCNSC
fTOMATV MUSIC (MACLEN)& SBKUNARTCATALOGINC'
MIJS"ICINC. UNdCT
bY BLACKWOOD
'-"
AII RightsAdMiNiStCTCd
ett nigt'ts Reserved InternatlonalCopyrightSecured

18

>

:>

Film

ffi
rttftl

got

tick - et

to

ride

iI V l. |V -V

F*m

ffi
rttftl
She's

Ftm

D
o
FIFFI'I

ffi
t-affH

ffi

got

-rrFlrrF\,-

tick - et
'i

to

ri

'r

hi

hide,_

got

_-___-1

!-----

N
-V -V

but

she

VNV

tick - et

\/
-

to ride,_

\/.\/
-

don't

>

V-

:>

19

ffi'o'
don't

know

she ought - ta

why

she ought - ta

do

BB

D7

ffi'n
fore

gets

she

:>

l>

think twice, she ought- ta

she ought - ta

good - bye-

to

do right

by

me

lr l>

-V

- V- V

rf#
rTl-rn

think
said
n- - ' - '

I'm
that

gon - na
liv - ing
1

be
with

sad,me--

I
is

think it's
bring - in'

to - dayher
down-

The girl
For she

that's
would

Bm7

E7

F'IFFI

ffi

ffi

i s g o -i n g
a - way.
w'h e n lI
ro u n d .
was a:>

n-

-\/

driv - ing me
nev - er be

madfree-

veanr-

>

Film

D7

m
o

ffi

ttaf1-l

rrFfi-l

tick - et

21

Ffm

F*n

ffi

ffi

rttffl

got

tick -

NV
:>

-V

et

tori -hi

;>

-v-

:>

:>

Flm

ffi
hhtftl

A
loo

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Hffi
ffitr|

oo

fFn+t

Falsefto----------l

ffi

(lst time only)My

/f

ba - by don't
&

--

-|l

Repeat and fade

LadyMadonna

BYIOHITILENNON
ANdPAULMCCARTNEY
Brightly,r,r'itha beat
A
o
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MTil

2 34

Usespecialfingering
on "A" chord.

VN
-V -

t
tt-------------1

BD

m
i f+ffi5n'Ji:?f;sffijr.;:i:.,
L a- dy
I-a - dy
l-a - dy

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Ma - don
Ma - don

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chil - dren
ba-by
chil - dren

tr4'
fr&t
t 4,

ffi

der
der
der

how
how
how

you
you
you

man - age
man - age
man - age

your feet,your breast,your feet,-

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HTM

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hsn
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at
at
at

oo
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to
to
to

makefeed make-

ends
the
ends

meet.-(

to Coda)

Co p yr ig h O
t 1968N OR TH E R NS ON C SLtMITED
All RightsAdministered..bY
BL-AcKwooD MUStc tNC. under licensefrom ATV MUSIC (M CLEN)
.{ll RigittsReserued InternationalCopyrightSecured

o
+t+

r*ffi

rf+

Hfi#
Fffrn

the mon
Ma- don

eY
na

ffi

FTM
rrrrn

you
Did
Lis - ten

think
to

----

that
the

ffi

when you
ly - ing

pay
on

ffi

r*ffi

FFFffI

FFgffi

Tfi11
rrfl-h

ffi

Who finds
La- dy

mon - 9y
mu - sic

HI4H
fi-rrn

sent?head.-

----

-----1

G7

Dm

oo

ffi

ffi
Fri - day nightTues - day af

ar- nvester - noon-

suit
end

with- outis nev

case,_ing,lt

\ /n
-V

-V

Am

oo

xoo

ffi

ffi

Fffi
ffil

H++f,

Sun - day morn

Wednes-day morn

-m g
- ing

creep
-- - ing
pa
Pers

n \i -

-V NV

21

oo
FFFffi

ffi'o'

heav
in

wasPlaY-ing

the rent,the bed,-

like
did -

a
n't

nun,come,-

-\i -

Dm

#.Fr

ffi

Mon
Thurs

- day's
- day

has
your

child
night

iearned to
stock - ings

his
ed

Lltr _

need

boot
mend

lace.
lng. --

n\/

|l
-

Bm7

ffi'
-l

"ffi

FI'FFF

ffi

See

-,

E7

how

they

After repeat
D.S. al Coda

run!

l.]

:>

l>

>

:>

>

[r

C di m
o

Codaf,rmo

+ffi

_>

l'alsetto (opt. )

'l

V-

-A.

Cdim
o

ffi

ffi

:>

- \/r1\/

HlW

ffi

+rrl

.ffi

FFTFI

NV N V
-

_.fll

"ffi

.'T

;>

ffi
rrTrn

E7

:>>

--

TTTTN

- V NV

E7

A
oo

FFF

Tfffl

rFFrr'l

--

LucylnTheslry
WithDiamonds

and PAULl\'lIcCARTNEY
By JOHNLENNON

A
xx

Nm"t
Pic
Fol
Pic

tt lG

Pi Ff

FEEFEl0fr.

ffi'u'

XX

H++H

ture
low
ture

your
her
your

- self
down
- self

Dm/F
xo

boat
bridge
train

in
to
on

ffi'"'
er
tain,
tion

riv
foun sta
-

on
by
in

with
where
with

xx

xx
ElF10fr.

ffEll2fr.

ffi

H#

H#
tan
rock
plas

q/Ffi

ATIG

A/E
x'x

ine
horse
cine

trees
peo - ple
por - ters

9fr.

mar
marsh look -

and
eat
with

F(9
fTfTR8fr.

H+ffi

ma
mal
ing

(Usepick on bass

skies. note.3& 4
finger
Pies' on treblenotes
ties.
chords)

lade
low
glass

for spaced

f]-- -- -- -.:- -- -- -- - --' r.

D/Fil

A'7IG

XX

XX

rofr.
FFFFFI

rfffRl2fr.

ffffil

bod
den

-v

- one
-l y

calls
smiles
some -

"^'

tltalt
| | I I rv

H]ffi

ffi

Some Ev-'ry
Sud -

ffi Ofr

you,
as
one

you
you
is

an ' drift
there

---'---'1
------

Co p yri ght@ 1967 N OR TH ER NS ON C SLIMITE D

(MrcLEN)
All Rishts"-"""'-'AdminisreredUv 6[,qEfWOOO t"tUStClNC. under licensefrom ATV MUSIC
InternationalCopyrightSecured
ntidiihG geserved

fr

swer
Past
at

quite
the
the

Dm/F
xo

L 7 lc

AIE
ffffRl2fr.

ffi'u'

DmajT

xx

XX

FFffilofr.
EEEDgfr.
LLLLr.j
!-fFfil
rrrTn
Last time to Coda lff?fl

H##

0
slow
flow
turn

girl
grow
girl

with
so
with

Iei
cred
lei

scope
blv
scope

eyes.
high
( to Coda)

Dm

Bb

ffi
I-I-FFH

FFffil0fr.
FFTl-r1
rr-rrn

C el -1o-phane
pa N ew s-

------1

ll-----

flow
tax

ers
is

of
ap

C9

F6

ffi

ffi

yel
pear

- low
on

and
the

green
shore

Bb

tow
wait

per

er
ing

C9

ffi
FI-FIH

ffi

head.

way-(Lay

R.H. palm acrossstringsfor muffled

Look
Climb

sound on these two measures)

ili

rili;

Iiii

jlr

iii'
,,,i'|,
, ti'

(J.=J)

fffi

back

eyes
clouds

the
your

with
with

ffi

o@

o
FFFFF

FIFFF

flffi

ffi

the

Lu - cy in

n
>

:>

>

ffitot''
with

sky-

-vn

>:>

-v-

- - -\/

@o
FIFFFI

,rTjTfi1ofr'

ffi

Ffrfl

Lu - cy

in

|r
-1

> ;>

the

with

sky-

n\/-

dia

.
- -v

:>

Lu - cy

monds,

- \/-

ll
:>

n
-v

in

>:>

the

with

sky-

ll

r .lv-

| .1v

BB

BB

m
D

T[Elt1Ofr

Fft-t-Fl
{>

Ft+H"]

monds,
:>

:>

28

monds,

fffi

.-

-v

G
@o
FFFFFI

dia

dia

>:>

-,____=

she's
you're

and
and

-\/-

After repeat,
D.S.al Coda

Coda

No chord

eyes.

ffi'

Ofr.

ffi

rrrrn

Lu -cy

monds,

fiffi

ffi

r*

rl-fffi

Lu - cy

the

sky_

with

ffi

Lu - cy

in

the

sky_

ffi

in

rffi

I Ofr.

r-ft-t-j-l

ffi

5fr.

Ft-t-t+J
Repeat and fade

Michelle

and PAULMCCARTNEY
By JOHNLENNON

Guitar
CapouP
8 frets

ModeratelY
Am-I
o
rrrT-ft
t-l-t4+]

Am7

E+

oo

TilN
rn-rh
F|-fi-n
rffrn

l..#H

Fft-fl

ffi

FmajT
o

Am6

ooo

ffi

Fffrr1
ffrrn

Hi+fl

I
Dm7

OO

r*aim

G
ooo

ffi

Efm

Fit++t

ffi-rn

ffi

}i.#

ma

chelle,

belle,

these

are

words that

\/n
-

E
oo o

ffifi

ffi

my

Mi
Mi

Mi - chelle.-

\/n

\/n

ffi

t+]+{
ffi

ffi

trrrn

Ffif'l

oo
tlfm
t-tllt.l

ooo

ffi

ffil
ffit-n

Dm7

Df dim
rroE
l-++t-]{

H+fl

fttff1

ma - belle,
ma - belle,

chelle,
chelle,

Vlt

rruft

CIEE

t1fifi

H1-rn

F|l+H
FI-I_TN

siffi

sont
sont

Df;dim
trrn
Fi-lt+'?
3---

rf;aim

G
ooo

des
des

mots
mots

vont
vont

tres bien
tres bien

en - semble,
en - semble,

E
ooo

ffi
ffi
rflfH

tres bien en - semble.

tres bien en - semble.

Co p yri ghto 1965 N OR TH IR NSON C SLIMITED

UVbhefWOOD MUSIC lNC. under licensefrom ATV MUSIC (MACLEN)
All
''"" "'-''\ro"\J Admrnrstered
' r" Rrshts
nti(rehts Reserved lnternationalCopyrightSecured

30

Am

t7
o o-4

oo

ffi

ffiffi
ffi

rrrrH

TTTTr1
L'JIIJ

H+1+l
Fffrn

FfftrI

love you, I
need to
I

love you, I
need to, I

nn

love YoU'
need to

that'sall I
I need to

want to say.
make you see.

U n-ti l
I
Oh, what

f ind a wavyou meanto

Am

Am-I

oo

ffi

will say
un - til

Am7

o
ETE
|-+.t++..1
Fl-Ft+i
n-rrFt

Am6

oo

the
I

wordg I know that you'll

hop - ing you will know

EA

un-der-stand.
what I

n--

Dm7

oooo
Eil]
l+f++

rEM
iiitl

ftl_ff|

FFFi_H

|'..|,.]'.m

G
ooo

ffi

ffi

F#aim

Dfrdim
EIEE

H++f?
F]]fl

t>

Am
oo
EEII

ffi

H+?]-l

E++fl

33
i---n

|1--

-you,

ooo

r-3____r

want

FmajT
o

think you know by

now,

J ---r

want you, I

I'll

get

l--3

---r

want you, I

to you

some -

>
I

TB

31

E+

oo
rrrTin

H.+fl
Ft-ffF1

+ttH

t[m
H++1

H4+F

ffiffil
FffI-fl

H++E

Fmaj?

Am6

Am

ffi
l-t-t-i-t-t

Hl]fl

i..]'..l..#t

FH+TJ

Ffi-TN

ffiE

ffi

ffi

++++{

r*aim

G
ooo

DtotT

OO
rFTFN

o oo

++tt?
ffitl

rt.rrrl

sont des mots qui

oo o

ffi
t-t-t-t-H
n-n-n

semble,

Dfrdim

Am

E
ooo

ffifi
t-]-#

ffi

ffi

Ffifl

FFFI-H

E+

o
EEIEE

F++Nt
Hi-fi
Fffrn

Am?
oo

vont tres bien

Am6

ffiffifl

FmajT
o

FHfH

A ndl w i l l saytheon-l yw ords_Iknow thatyou' l l un.der-

tres bien en - semble.

B
G
ooo

Dm7

oo
ffil

ffi
my

stand,

$ffi

ffi

f++?u

-\i-!

-------------,

o oo

en

Df;dim

pf oim

ffi

ffi

t-f++H

r-3---r

--n

oo

ooo
TLIE

Repeat and fade

ffi

I-tnHt

333

n|rn--

GoodMorning
CoodMorning

By JOHNLENNON
and PAULMCCARTNEY
Moderately
A

oo
n-rT-n

ffi
t-f+++]

+???l

fl-m

oo
TI-n-n

ffi
H++fl

+?f+l

F+IF

FFIFfl

rrrn-t

Good- morn

good
;

l>

oo
rT-Trn

FTFFF

oo
Trtrrn
t+l?t
I
l..]..-l-'.H

ffi
rrn-n
Frr-rrl

good

FI+FH

morn

ing,-

good

morn

ing

UseGuitarStrum A
I on 2ndand3rdjfr51r.
verses(for four FtiT11
Fft-*'
T.".rul,"r) X

l.Noth - ing

Noth - ing

it
1#
.::

G
arr:ta
LL;ILI

J II.

ffito'
Ft-F*t

t++H
ffil

to

say-

do-

to

but, "What

save

his

day!-

life,-

calls

H ow ' s

his

wife

your

boy

Co p yr r g h@
t 1962N OR TH E R NS ON C SLtMtTED
All Rr g h tsAd m r n r ste r ebdy BL ACKWooD MU S ICl N C . underl rcensefrom ATV MU Stc (MA cLt\)
All Rr g h tsRe served Internatl onal
C opyrrghtS ecured

33

A
oo
rrrm

I t???l

H+]-.H
n-rrn

o oo

a[IIl

ffi

H#l
n-rrn

Hfi-fi
Ffi-TN

5fr.

BB

D-I

ffi

3fr.

(usebar on D chord)

FqqT
Ft-ff-r-t

I .G,tit"t Strum-I (four measures)

G
ooo
rrrrn

oo
Trrrr-1

oo

mrr]

ffi

Hffi

Hffi

(Solo 2nd time)

Go - ing

H-fi-fl

to

work,-

don't want

to

-vn

\/-

|l

G
ooo

oo

trm

ffit
TIITI

feel

- ing low

?t++tt
H++i

Head-ing [or

down,

you start

home,-

roam,-

then you're ln

V
-V

--

-\/

B --_------ - - - - - - - r

oo
rr-Trn

oo

ffi

HEq
Fffi

TNTI

Fj-1-FfJ

Ev -'ry-bod-y

town.

D-I

ffi

TTlT-N

ffi

ffi
ffil

ffi

F|{{fl
f-fft-H
TTTTT1

Fffi

there'snotl,-ing do -

D-I
J--

oo

oo

knows-

FfFffi

r-3---r

f-3--r

ing, Ev - 'ry - thing is

closed,-

E v -' ry - one you

it's like a

see-

is

half

a - sleep

n
-v

-V

D-I

oo

ffif,

ffi

Tn-it

Ffi-TN

r3-r

and you're on

your

own'-

you're in

the

street'-(L

y left handacrossstrrngsfor staccato)

35

G
ooo
rrrrn

oo

ffi

oo
Tr.rn

JII+H

ffii

Ft-fffi

V pos.

Hffi

ffi
ffi-fl

VI pos.

P . O .H . O . P . O .

P . O .H . O .

|1v-

D-I

oo

TI-FTN

ffi

H++tl

Htq

ftrrn

P. O . H. O . P. O . P. O. H . O . P . O . H . O . P . O

I I \/
v

r- r

NV
--

D -I
o
tr=N

oo
TTTtrN

Fi+??l

oo
n-TI-n
H??tl
ffi
r-ft-tl

Hiltr
F+-t-t-H

HUi

r-3_____r

Peo- ple run - ning 'round,-

Ev - 'ry - were in

it's five

it's get - ting dark,-

tow n-

.v
-V

D-I

oo
[IfT]
I t??t{
++#

Ev -'ry - one you see-

|1
-\i

36

is

full of

rrTT-T-l

ffi

tli#

ffi
Ffl-fl-l

ffrrn

ffi

f-3-f

oo

_o

f-o

a-

.'

r-J --r

r-3-:

it's time for tea and meet the wife.

D.S. al Coda

A
Coda

oo
ttfrr

oo
Trn-n
Htttl

H+t+]

rff.1]

ffi
Fffl-H

oo

ffi

ffi

Ft+++l

ffi
ffi

FFfi-H

morn

Ifl8'-

\/-

good

oo
TrrT-n

TffT]
ffit
ffi

D
o

Tr|...m

ffi
F|-Ft-f-l

Repeat and fade

morn

>

2. After a while you start to smile, now you feel cool,

Then you decideto take a walk by the old school.
Nothing has changed,it's still the same.
I've got nothing to say etc.
3. _somebodyneedsto know the time, glad that I'm here.
Watching the skirts, you start to flirt, now you,re in gear
Go to a show, you hope she goes,
I've got nothing to say etc.

37

DearPrudence

and PAULMcCARTNEY
By JOHNLENNON
Slowtempo
AmTlD

ffi
+ffi1

StTplOfr.

Ff,ql

o
rT'rT-rr8fr.

I 0fr.

A/D

G/D

Am7/D

lfifFl5fr.
ffi1
rT.rr.n

ffizr''
TTTTN

HJ+N
ITTTT]

Gm(+7)/Bb

DiC
#

Am'llD
o
ffif,rT'ra-I-]

ffi

++l-F

Dear-

|r

F
:>

:>

-V

:>

>

:>

:>

-v

n:>

-v

:>

NV E

n |l
:>

-V

--

-V

-V

--

:>

:>

6tn1+71/Bh

DIC

ffi

-L

ffi

DearDearDear-

play?-eyes.smile.--

tr\/
-

rl -

|r-

;>

l>

:>

-V

Co p yr i ght@ 1968 N OR TH ER NSO.N GSLIMITE D

(MA C LE N )
All Rr e h tsAd m r n r ste r eudv b [n 6rw ooD MU SICl N C . underl i censefrom A TV MU SIC
All RrshtsReserved InternationalCopyrrghtSecured

38

to
won't you come out
up your
o - pen
see You
me
let
:>

:>

:>

-Pffi

Pru- dence,Pru- dence,Pru- dence,-

1.4.
2.

nv

Gm(+7)/Bb

Gmaji lB

DIC

-l\/

nn
>>

l>

-\/

Dlc

Gmai'/lB

tg-

ffi

Gm(+7)/Bb

ffi
Pru - dence,Pru - dence,Pru - dence,-

:>

l>

greet
see
like

the
the
a

ti

!!.

>

brand new day.sun - ny skieslit - tle chitd._

l>

ffi

FFFI

H+trI
Fqtfi

Gm(+7)/Bb

ffi
sun is
wind is
clouds will

UP'low,be-

the sky
the birds
a dai

blue,singchain,-

V-

-V -

--

B -------- - - - J

it's
that
so

beau - ti - fulyou
are part_
let
me see_

l' 1

and so
are you.Dearof ev - tt - ir'i'g.- b;;;you smile a - gain.Dear-

\/lr \/n

B- - - - - - - - -l

\ / | .1 v
-

B-----------)

B-------------r

ffi

ooo
FFFFH

fffi
Pru - dence,Pru - dence,Pru - dence,-

won't
won't
won't

\i
-

-\/-

you come out _

you
o -pen
you
let me

.
-V -V N

-V NV

l>

-v.

TO

up
see

your
you

play? eyes?smile?-

v_-

B- - - - - - - - - - J

st

-b

Gm(+7)/Bb

Gmaj7lB

D/C

ffi

tl lata
IIII'I
fltrtl

(2.)Dear(3.)DearFtF\/

:>

l>

rgg-

ggg-

htr.Fr

Dsus4
%

ffi
Ffffft

ffi

>

-V

nS
g-

ilqH
Fff ,,,

Fl-i-ffl

>

:>

-V

:>

t-

f.t
rrv

ffi

V l>-

\/-

\/

>>

nv-\/-

;>

-\/

:>

-vnv-

ooo
Ftl|tf

ffi

ffi

:>

Dsus4

ooo

ooo
FFFFF

ffi?

round- round round

Dsus4

Dsus4
ooo
FFFffi

o@
IFFFF

(Backing) round roundLook a- round, round,

>

:>

-V

ffi

t I I tai
tTrltt

round round round round-round-round round

round- round- round round
Look
Look a - round, round,round,

round

|l

rv.vn

:>

a-

-\/-v-

D.S. al Coda 4th time

ffi

ffi

ooo
FFFFF

ooo
FIFFFI

ffi

Effi

D7

GmajllD

ooo

Gm(+7)/D

iffi

ffi
rrrrn

Dear-

round.

:>:>>:>

-l'1 -

4{)

-vl -|r

:>

-v-nn

:>

- \/

- -v

n |r
-\/

:>

n
-v

>

-v

:>

Coda

DIC

s ffi
Sun

--.

H-iJ+t
'

is

>

up,_

,,--.--...

sky

the

beau -

:>

-1Vl

Dt
ln,
oo

G
ooo
FIFFF

ffi
rfl-Fn
so

-..

are y o u .-

:>

D e a r_

ffffi
Pru - dence,-

- -v.\/

-V r r

ti -ful

won't you comeout

to

lr
- .V- V-

-v-

-\/

AmTlD

ooo

[fITl?r4fr.

n-rTrl

+fH

IIII I I

AmTlD
o

ffiF
trFIF

I Ofr.

( Fading out) - -

G/o

A/D
o

;+l+l-l'
-3-r"- / rr.
t ll t t t
lttttl

FFffisfr.
ffi
Ffi-ffi1

AmTlD
--9-

i+i}fl
i+H+t

41

Blackhird

and PAULMCCARTNEY
By JOHNLENNON
Slowly
G

G
ooo
Tn-rn

ooo

RT|Rl0fr.

ffi
FII-H

t.]-.lt+t
n-FrFl

ffi
Fi-ffH

(must be played fingerstyle)

Slideup from 3fr.2nd string

Not to be played off chord postttons

:>

:>

::>

Am7

G
ooo
rrrrrl

+,|tttl
FTTTH

ffi
rFffl

o
r-rFT:f]
LIJIIJJ

H++lt
ritrn

Fi-fffi

L Black- bird sing- ing in

2. Black- bird sing- ing in

the dead of
the dead of

:>

D7

Take these bro - ken wingsTake these sunk-en eyes-

HTI]1

tfft-tl
fl-fl-fl

All
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43

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and PAULMcCARTNEY
By JOHNLENNON
tlL'"*if,'st#rit'r; ilt'n

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jok - er, He

just

please._

do what he

V-

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ffi
wear
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shoe - shine.
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roll - er
coast - er.

mon
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dy

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say,
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47

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know-

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and

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50

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51

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54

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Julia

By JOHNLENNON
and PAULMCCARTNEY
Moderato - wistfully
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of
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ByJOHNLENNON
and PAULMCCARTNEY

Moderately

DA

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54

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wecanworkltout
By JOHNLENNON
and PAULMCCARTNEY

Moderately slow

D
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FV

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know - ing
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NoReply

and PAULMCCARTNEY
By JOHNLENNON

nm

Moderatelv

1. This

hap - pened once

fore
be 2.3. phone,
.

when
they

v-

I
said

came to
you were

your
not

V-

:>

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ffi
was - n't
it
They said
know where You've
'Cause I

re - ply.
no
that's a lie.

v|r

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ffi

ffi
but I
and I

nv:>

ffi'
your
your

saw you peep through

saw you walk in

V -V

FmajT

ffi

ffi
saw the
near- ly

--

I
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light,died,>

:>

>

-v-vn

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saw the
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see
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in

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saw ffie,
in
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with an - oth - er

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3rd time to Coda

+
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face.place.

tried

to

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love you more

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tried

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useo
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You'reGoingToLoseThatGirl
and PAULMCCARTNEY
By' JOHNLENNON
cilm7
..ft+rr.
ffi

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o#o

Moderately

(Backingvoices)

ffi

yes, You're qon - na

Yes,

You're gon - na

you're gon - na

|.'1

:>

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that

girl, -

lose that

nf-

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ffi
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gon - na

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that

Gf m7

ffi+r'.
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If

you
you
.

her
her

to
my

out
right

night, friend,-

she's
you're

V- V

ffi

(Bks.)
)

take
treat

B7

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don't
don't

t-fft-H

She's
You're

change
find

her
her

change
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gon
gon

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ffi+r'.
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'Cause

I
I

will
will

her
her

take
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to
and

night,then -

and
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ByJOHNLENNON
and PAULMcCARTNE

Moderately

Ff

cflm

ffi'*

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yeah,

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ffi'
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85

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cilm

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87

HevJude

and PAULMCCARTNEY
ByJOHNLENNON

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to

then you can start then you'll be - gin-

heart,
skin,

make

bet

|.l

BBTBBTB

9 n V ,.Vn 9 rV

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don'tbe
don't let

Jude.Jude.-

n n n

a me

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2nd versestrum,first sevenmeasures'

BB

fraid,
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You were made

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ffi

to her-

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get
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you l et her
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The min - ute

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un
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der your skin,

to your heart,

FV -

then you be - ginthen you can start-

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Hey
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Jude,Jude,-

re - frain,b e - g i n ,-

C7

don't
you' re

car
wait

ry the worlding for some

your
per

up
one

shoulform-

tt

--

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ffi

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ders.with.--

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For well you know that it's

a
And don'tyouknow thatit's just

t'l

n
a

:>

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fool
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who
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n.

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playsJude,-

coolit
you'll do. -

n\/n n
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NV
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rl l

89

A7

Em7
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By mak - ing his worldThe move- ment You need-

n\/-

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is

lit
on -

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da
da

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NV

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Da da

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cold
shoul

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your

BB

D7

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Jude.
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I'mSoTired
BYrcNruLENNON
ANdPAULMCCARTNEY
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cf

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acIossstrings
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so-

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wink._
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tired,
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mind

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is on_ the blink._

is set- on you._

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my - self

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a drink,

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no._

won - der should I

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ffi"'m'n' ffi

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know

nn

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what you would do'

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tl
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\/ n

NV

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n\/

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it's do - ing me harm.-Youknow I

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I can't stop my brain,-Youknow it's

can't sleep,

FI
rr

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To Coda

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three weeks, I'm go - ing

il

in

know I'd
sane.-You
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give you

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ffi

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I'll have an - oth - er cig - a - rette,

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Wal - ter

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TellMewhy

and PAULMcCARTNEY
By JOHNLENNON
Brightboogie4
A'7
Em?
o*o

ffi f f i

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ffiffiffi

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ffi

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ffi ffi

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Lay left hand lightly qcross strings

for percussivesound:d'

V NV-

V
-

A7

Bm7

ffiH

ffi

ffi

and

you cried,-

to

lied -

A7

Em7

"ffi ffii

ffi

why you

V-

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me

m e. -

vn

\/

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you cried,-

why

VN

VN V

and

why

you
VN

lied

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94

me

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ffi
1. Well,

gavesome

2.n

VN

'ry - thing
['ve said

you
ev
thing that

VN

V-

I
or

had,done,-

V-

Bm7

A7

ffi

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you left
me what,

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VN

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me sit
and I'll

VN

ing on
my
a-pol - o

VNVNVN

D
o

ffi
Did you
If you

VN

VN

havedon'tV N

to
I

treat
real -

me oh
ly can't

bad?on-

so
go

\/tl ,

VNVVN

Bm7

A7

ffi

ffi
All
I
do
Hold - ing back -

VN

VN

is

hang my head and

moan._
these
tears in my eyes._

V NV

Tell
Tell

V11

VN

me (repeat)
me (cont.)

VN V

A7

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why you

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nn

VN

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me.-

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FI'IFRI

ffi

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me
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you cried,-

wh

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and

why You

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lr \/n n \/| 1 - vnnv-

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beg you on

96

knees,-

mY bend- ed

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there an

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ffi

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me
,
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stringsfor i sound.

D5

oo
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whyDon'tweDo
Moderatowithabeat
E ln The
D'7

ROad

and PAULMCCARTNEY
By JOHNLENNON

ffi'oo
I

(Releaseleft handpressure
sound>4)
for percussive
11.v|rv|l

NV

llvlvll

:>

:>

!'--- --J---r>

-------------

'

VFV

V-V-

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Why don't we do

it

in

the

Why don't we do

road?- --

:>>

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---

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the

ffi"'

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No one will be

V-

I-r/!\/
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tt

-v

it

Why-

watch - ing us;-

--\/
I

llr r

D7
oo

ffi
rrFril
don't we

-v-

do

it

in

the

road?-

Why don't we do
it
in the road?(Placeleft handlightlyacross
stringsfor percussive
sound) )

V V -V N
--

-\/

- \/' r v- .- v

D7
o

ffi
rtt-rn
Why don't

99

ffi

ffi'o

I 0fr.

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No cjne will

V-

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V
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n \/

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BB

be watch-ing

us;-

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D7

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rrfi1-t

,-.

don't
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we

do

it

in

the

road?-

\/v

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why-

don't we

- VNVNV

do

in

it -

the road?

|.1
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100

-vn

WhY-

Why don't

Why don't

we

V | rV

in

the

road?

V-

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D7
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ffi

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Why don't we do it

the

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l'] \ / -v n-

ffi

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5fr.

one will

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Eh

3fr.

N.C.

Whydon't we

rTtt't-l

do

it

in

the road?

-vn\/n--

101

rm HappyJustTo
DancewithYOu
and PAULMCCARTNEY
By JOHNLENNON

Moderately
Gultar +
(Capoup

' 4frets)

Dm

Aln
o
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ffi

Fffi
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Dm

ri#

ffi

n-n-n
c$m

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Am

E
ooo

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ooo

ffi

ffi]
ffrrn

Gf

Ffm

- fore

1. Be

this

V-

Dm

I'M

love you

Dm

G7

G7

ffi

ffi
B7

B7

so hap - py when You dance

VN

VN

VN

with

VN

I do

me,

V
-

Dm7

Am7

want
need

to
to

kiss
hug

VN
-

Itn-n

Cf,m7

Ff m7

hold
hold

lr

your
you
VN

G7

f,f,i
or
or

ffi

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B7

If
I

hand,tight,-

V-

V-\/-

@ 1964 N OR TH ER NSON C SLIMITE D

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102

I'll

Ff,m

Ffm

think

through,-

dance

it's
just

Dm7

G7

ffi
rffi-n

ffi
Frflt1

CfmT

Ff m7

ffi

Am7
ooo

Hffi
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and
try
dance with

fun - ny
wan - na

un - der
you
all

B'/

There
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stand.night'-

ls

this
11

ffi

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real - ly
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else I'd
rath - er
I
would rath - er

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'Cause I'm

:>
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I'

Dm

ffi

ffi
to

dance

llr.c

ffi

fiffi
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hap - py just

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don't you.

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this

dance

is

think I'11
NV

V NV NN

Dm

ffi

ffi
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love

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you

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I'm

to o ,-

so

when

you

dance

with

NV -V N

V -V

hap - py

Am7
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ffi

ffiff

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m e.

If

|.l

nvn

some- bod -

tries

to

take

my

place,-

NV

VN

c
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let's

vl t

tend

V-nVnVnV

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1U

pre -

we

just

can't

see

his

face-

Dm7

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ffi

ffim
l-t-fffl
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ffi

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ffi
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In this world there'snottring I would rath - er

FI

Am7

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{'CauseI 'm
I I've dis -

do

V
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Dm

lt'c

G+

ffi

ffi

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cov - ered I' m

dance
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ffi

f,ffi

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ffi

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with you.
with

Just to

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nn
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ffi
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ffi

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to dance

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105

Man
BabyYouireARich
McCARTNEY
and PAUL
LENNON
eY-rcHN

Moderately

C/G

G7
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fFm3fr.

Tflftrr'.
ffi

Play 4 times

F4+fi

Restrisht hand on strings as you play for a muffled effect for the entire song'
Lift prbssure of left hand for percussivesound ,l

mf

n\/-

-vn
G7

CIG

ffffi3fr.
f.ILLl

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Tftft

l. How does
2. How does
3. How does
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be
be
,:

one of
one of
one of

the
the
the

beau
beau
beau

ti - ful
ti - ful
ti - ful

-V-r

know- who You

have- You been
na t - u -ra l
-V-

peo - ple?
peo - ple?
peo - ple?

NV

11\/-

Now that you

How of - ten
a
Tu nedt o
-

to
to
to

feel feelfeel -

tTfTIl

- \/ n

- \/n

FB-

G7

ffi

ffi

3fr.

be?know.way.-

to
what do you wante - nough- to
of - ten
that
to behap - py

arethere,E ,llv

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n \/-

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n\/

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fpffi3fr.

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Lift muffledsoundfor this one measure

you
And have
you
What did
Now that you've

traY
seefound-

eled
when
an

ver
you
oth

n\/-

- Vn

Co p yr ight@ 1967 N OR TH E R NSON C SLIMITE D

(MACLEN)
All RrehtsAdmrnrsteredUv btAEkWOOO uUStC lNC. under ltcensefrom Ary MUSIC
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106

far, therekey-

G7

CI G

ffi

{rrr-3fr.
1l tatt

ffilr'.

t. I TTI
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Hffi

#**:1fr:

can see?- (repeatto verse2)

n't show?- (continue to chorus)
play?- (continue to chorus)
to

does
going-

.
-|1Vl'f

-V-.V.

-V

you're a
Ba - by
rich
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Lift muffled sound for this one measure

n\/

-v-

--

Ba - by

man,

F!

:>

you're

rich

man,

|.ln\/--

B
G

ffi
Ba - by you're a

rich

man,

to o .-

You keep all

your mon - ey

n--

l l | .' ]

--v.

-n

lna
\/

l.r

ffi"

ffi'o
big brown

bag-

in - side

a-\
What a thing to

zoo:'-

|.1
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do!-

vn

V-

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BBB

197

r#

Effi
Ba -

you're

by

rich

man

Ba - by

you're

man,

rich

n- v - - Vn

-V

- n\ / n-

ffi
Ba

rocoao
ffi

you're

by

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rich

NV

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ffi

Ba

too. -

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you're

rich

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BB

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FIFFF

flffi
Ba .- by

n-\ / --

108

you're

rich

man,

Ba - by

Repeat and fade

you're

rich

T'

Help!

Moderaterv
in2 By JOHNLENNONand-PAULMccARTNEy
Bm

Bm/A
o

ffi

ffi

need

V-

:>

some - bod

:>

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Fln

ffi

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ffi

ffi
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Help!

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Vn

Not just

a n-Y -bod

V-

y,

n \/!
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1--------------

need

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Help!

V-

You know I
:>

V-

V-

Tacet

some- one,_

ll

t/-

V-

cfm

m.''

( 3rd versestrum)

1.3.When I2. And now-

---

was
my

young- er, somuch young- er than- to

life has changedin,
oh,- so man-y

day,
ways,

:>

AuRishcAdminisrered
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ffifl

I-I-Tft

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a n - y - bod-Y ' s
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nev - er need - ed

My

V-

ffffi

---.

3o.7,to regular
strum

ffi

help in
van - ish

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in the

w ay.haze.-

V-

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c$m
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But

now
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V-

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--n

these
'ry

days
now

are gone,-I'm
and then- I

not
feel

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and PAULMcCARTNEY
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and PAULMCCARTNEY
ByJOHNLENNON

Brightly rn 4

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ffi

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RunForYourLife

and PAULMCCARTNEY
By JOHNLENNON

Moderato

D7

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l. Well,I'd
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ll----

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ffi
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see
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be

you
a
a

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lit

than
was
mean

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m
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ffi
be
born
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wit h a j e a l -o u s
I
'ry - thing

You'd bet
I
And
Ba

ter
can't
by,

v-

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All Rr e h tsAd m r n r sr e r eUy
All RrehtsReserved InternatlonalCopyrightSecured

124

keep
spend
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your headwholemy
de - t er -

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ffi
lit
- tle
life
mined

or
just

try - in'
and
I'd

I(you) won't
to
make
rath

know
you
er

where I
toe the
see you

V-

D
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You'd bet - ter

run

(main voice: heavier notes)

for your life

if

you

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1n

Litflechild

and PAULMCCARTNEY
By JOHNLENNON

Moderato

oo
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NV

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B7

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and

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ffi

ba

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take

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by

some
my

one
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to

make You
you're the

feel
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then
don't

we'll
you

So
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come
come

E7

ffi
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131

AllMyloving

and PAULMCCARTNEY
By JOHNLENNON
Bright rock and roll

B7

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135

Dm

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and PAULMCCARTNEY
By JOHNLENNON
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of

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What

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but
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138

should
am
have

V- V

ffi

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have
a
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crossed.frown.late.-

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was
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so

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ffi'o'

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Cood
Day
Sunshine
ByJOHNLENNON
and PAUL
MCCARTNEY
Moderatebarrelhouser"-po(JJT]

= nJ-7')

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oo o
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NV- VTTVNV- V- V

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( And then we'd

sun
l.l

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rlt

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ffi

ffi

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laugh
lie

and when the

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t/:>

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sun -

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day-

v-

Good

out
tree.

\/!

vn

\/!

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got
love

vn

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some-thing I
can
her
and she's

I
I

. .Co p yr ightO 1966N OR TH E R NS ON GSL|M|TED

^ 1 .Krghts
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141

Ffz

ffi
lov - ing

I feel
laugh a-bout.
She feels
me.

\/-

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v-

a spe - cial
in
she knows she'slook - ing

good
good

weY,
fine,

\/n

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-

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FI

ffi

ffi'o'
in
so

I'm
I'm
\/-

sun- ny day. I
she is mine.I

love and it's a

proud to know that

V-

|l

V-

sun

day-

Good

>

v-

Ff

ffi'"

ffi
sun

day-

Good

shine,-

v-

Last time to Coda

V-

n
l>

---

L-l
r lt

E7

ffi
Good

l--

We take

sun

day-

V-

>

\/n

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the sun

a walk

ll

- V- V

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is

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shin - ing down,

vn

as they touch the

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feet

ground.

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\/!

Co o vr rehtO 1964N OR TH E R NSON C SLIMITE D

All RightsAdministeredby BLACKWOOOlhi:SjC lNC. under licensefrom ATV MUSIC (MACLEN)& SBKUNARTCATALOGlNC.
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144

ffi
makes
got

you
I'll

feel al
gve to

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right.you.-

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'Cause I

don't
don't

care
care

too
too

vn

Itc

F7

ffi

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much
much

for mon - ey,

for mon - ey,

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145

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146

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148

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shecame|nThrough
T_he
Bathroomuuindbw

Half tempo

BYIOHIVLENNON
ANdPAULMCCARTNEY

r
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B- - - - - - - - - - - - - - r

xgu"'

ffitoo'

l. Shecame in through the

2. And so
qdit
I
the

vn

bath - room
p'lice de V-VNV

win - dow,_
part - meni,_
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ffi

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ffitou'
pro - tect - ed
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spoon.job.

n
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ffi'o'

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But now she
And though she

sucks her
tried her

thumb and
best to

nv
-V

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won - ders_
help me,_

| .1

by
she

.
-

the
could

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ffitou'
her
she

banks
steal

D i d-n' t

an

-bod

-y

n-

>>

------

?r----

- goon.- |
rob.|

own
could

V -VN V

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teu-

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ffi'u'

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see?-

nv -

V-

FI

y-bod

her?-

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ffi

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To Coda

Sun- day'son the phone

n\/-\/n

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Mon

day,-

n\ / - v

n\ / -

to

ffi
Tues- day'son the

to

\/

150

Phone

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me.|l

5fr.

She said she'd al - waYsbeen a

V
-

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ffi'*'
danc - er,-

she worked in

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-\/-\/n\/

- teen

clubs

n\ / -

VN

fif

-\/-

-\/

ffi'"'
day.-

And though she

v-

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thought

knew

the

n
-V

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-vn

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ffiton'
I

vn
-

-V NV NV

knew

i,,---

but

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Coda

+ ffi

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Tues- day's

ffi'n'
on

the

phone

to

oh

yeah!/i

yn
--

-\/-

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------

15f

Backln Theu.s.s.R.
and PAULMCCARTNEY
By JOHNLENNON

ModerateBoogie- Rock tempo

E7
oo

fEER 5fr.

ffi
Flew
Been

H#

from
way

in
a

a -m1
long

Beach, B.
hard - ly

o.
knew

c.,-

place,-

nF
l>

:>

ffift5fr.
ffi

fpffi3fr

Hffi

get
good

to
to

bed
get

night.home.-

last
back
:>

:>

-\/l r--

BB
COPYrrght
@ 1968N OR TH ER NSON C SLIMITE D
All Rrghts
Admrnrsteredbv BLnefWOOD MUSIC lNC. under hcensefrom ATV MUSIC (M,ACLEN)
All RightsReserved InternationalCopyrightSecured

152

Did Gee-

ffi"'
the
it

way
till
:>

pa - per
the
to -morrow

bag
to

was
on
un - pack

my
my

knee,case,-

n\/

V --

:>

--

BB
C
fEEtIl3fr.

msfr.

ffi

Hffi

I
y,

had
a
dis - con

--V--

flisht.-l
phone.-f

dread - ful
the
- nect

.I m

3
back

in

the

U.

S.

S.

>

l>

BB

ffi''''

ffitu'

You

ffitoo'
don't-know how luck - y

v
- VNVr l VN

l.D

you

are,_

V n \/

\/
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\/

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oo
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ffitou'
Back

in

the U.

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ffi"'ffirr''ffi+r''
Release left hand pressure on A chord for lst
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------

Lay left hand lightly acrossstrings for 2nd

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lz

c/E
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ffi
Back

the U.

in

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Back

the

in

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in

Back

S.,

the U.

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r*n

ffifr

ffi'u'
Well, the

girls

kraine

real - lY

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me

knock

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cow

girls

1t1

V
-

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ffifii
make me

n\/n
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ffi

ffi

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be - hind.-

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that Geor - gia's al - ways on my - mi - mt -

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ffitoo'

>>>>

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ffi'*'

ffitt''

3
I'm backin the U. S. S. R.,TF\/FI

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ffi

ffi

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156

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girls

Well, the

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ffi
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make me sing and

girls

And

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156

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m y- m i - m i -

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Show

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way

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ffi

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me

to

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your

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me
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hear

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>>

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and

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ffi

ffi'u'
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158

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AnwimeAtAll

By JOHNLENNON
and PAULMCCARTNEY
Bm

D
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ffi

ffi

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H14H
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An - y

time

at

all,

l .1\/-

Bm

ffi
t-f$fl
A n -y

time

at

you got - ta

V-

is

do

V-

D
.J-

ffi

ffi
and

I'11-

v--

:>

be there (Emphasizetop notes)

V NV VV

M----c opy r r g hot 1 9 6 4N o R T H E RsNo N G SL r M r r E D

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All Rrghts
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-----------J

159

A/CT

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you
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just
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Don't you be
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A7lcf"

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rm LookingThroughYou

Moderato,
withabeat By JOHN LENNONand PAUL MCCARTNEY
D
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tfret)

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throughmov

YOU,
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where
I

did
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hear

n
:>

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Your voice is

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Hello,Goodbye

and PAULMCCARTNEY
By JOHNLENNON

Moderato

Dm

sEfr8fr.

FFmlofr.

H+Tfl

FlTfl
You

yes-

say

say

no-

V- V
-V

G7

Am

G7

ooo

oo

mffi

ffi7fr.

Effi

ffi

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stop-

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go-go
say

tt
>

go- - - - - 'l

nn-

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You

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and

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l
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ffi

ffisfr.

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( Let chord ring)
I

say hel - lo,

hel - lo,-

hel - lo,

- \/n

Co o vrrsht@ 1967 N OR TH E R NS ON C SLIMITED

All Rr- e h r sAd m r n r sr e r endv a lne KWOOO MU SICIN C underhcensefrom A TV MU SIC(MA C LE N )
All RrghtsReserved InternattonalCopyrrghtSecured

168

don't- know

why

you

say

good - bye,_

--v-

say

hel - lo,

-l r

hel - lo,-

hel - lo.-

-\/

Bb

ffi

m
ffi

G7

ffi

ffi

I
say
You say

You say
I say

lowno-

You say
You say

cresc. -

Am
oo
ffft

ffi

ffi

G7

ffi
knowgo-t

oh

nE

\/--:>

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>:> >

>

:>

and
>

:>

say

|l

:>>>

good - bye-

say-

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ffi
hel - lo-

hel - lo

don'Lknow whyyou

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Bb

ffi

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why why

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D.S. al Coda

good - bye-

say-

VNV-VN

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CIA

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why

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lo
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say

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H el - l o-

lr - lt >> n v -

he- ba-

- -

hel -

lo

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171

She'sAwoman

and PAULMCCARTNEY
By JOHNLENNON
Fairly bright, with a strong back beat

D7

E7
?il#

oooo@

E+H

ffi

ffi

Ffffl-1

A7

ffi

L7

D7
o

ffi

ffi
Fi-t-tH
eleaseleft hand pressure of sound.
grve
me pres - ents,
don't
grve
boys
the eye.-

1.3.4. My love
2. She don't

> :>

ffi

.L

that
to

-V -

she's
see

:>

A7

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know
hates

-v-

E+H

ffi

--

D7

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I
She

>

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no
me
:>

peas- ant.

cry.-

-vn

:>

:>

-v|l

>

Co p vrrsht@ 1964N OR TH E R NSON C SLIMITE D

All RrehtsAdmrnrsteredbv bLnefWOOD MUSIC lNC. under ltcensefrom ATV MUSIC (MACLEN)
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All RightsReserved lnternationalCopynghtSecured

172

D7

H+H
On -ly
She is

ev - er hashap - py just-

glve
hear

me
me

love
say

D7

A7

Ft-t-ffl

ffi

tu

ffi
love
don't
:>

for - ev
that
I

- er
will

and
for
nev - er

rlv-

>

A7

My
She

to
to

don't
glve

grve
boys

>

-v-

- ev - er;
leave her;

me pres - ents.
the eye..-

n \/:>

-v-

:>

D7

ffi
Turn
She

me
will

when
er

:>

l>

-vn

--

A7

get
me

lone
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jeal ous,

that she's on - ly
time as
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lr
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4th time to Coda , 3,

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me
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tell
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173

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wom - an

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wom -

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an

ffi

man.-

v n

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3E,7

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who

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h
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wom -

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175

HoldMeTight

and PAULMCCARTNEY
By JOHNLENNON

Moderato

ffi

ffi
It

so

now,

right

c'l
3fr.

me I'm
me go

the on - lY one,on lov - ing you,-

>>

Bb

ffi

ffin
Ht+fl
mightnight,>>

>>

c7

F7

ffi{

ffi

ffi

le

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t-J-l-J

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to

then
night,

And
To

>>

G7
3fr.

me tight,me tight,-

>>

I-J-J-J

Hffi

hold
hold

L-I-J-J

LJ-J.I
G7

G
ffi

feels

Bb

qm

c'

nev- er be
mak - ing love

the lone - Iy
on- ly
to

hold

So-

(hold)-

me

tight,-

lv

(me tight)- to - night,-

|l
:>

>>

>>

-.

LJ-I-J
Bhm

Bb

-l

ffi

:>

Bbm

ffi

ffi

._ /l
a

(to - night)-

:>

-V

:>

to - night, -

( to - night )-lt's

you,

you
ll
:>

- v- \i- \/

>

COPVTIE@
ht 1963,1964N OR TH E R NSON C SLIMITE D
MU S ICl N C . underl tcensefrom ATV MU SIC(MA C LE N )
All Rr sh tsAd m r n r ste r ebdv S "LnC KWOOD
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All RrehtsReserved InternatlonalCopyrrghtSecured

176

-v-

you,

F/c

NF
c

ffi

ffi"

Ah

ffi

ffion'

you.

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know

Don't

-------'r
:>

:>

- \ / - v -\/

>>

-v-

-----

IJ-J-J LJ-J-I
F

Ab

ffi

ffiou'
+

Gm

v_
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what it means

_,

ffi'n'

H+H

q= +_=

to hold you tight.-

gJ

LJJ-]

LJ.L-J
F

c7

G
Fffi

hold
hold

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n--v--|l

Bb

ffi

ffi"

Hffi

ffi
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me tight,-

l-l-l-J

c7

G7

[l
-o
I I'I

ffi'o'

f-Ttttttl

tell me I'm
let me go

the
on

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rt

on - ly one,lov - ing you,Fr

>>

L.J-J_J

flm

-----_ ----f

Bb

ffi

fflm

ethen
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and
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Hffi

I
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ll
>>

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177

G7

c1

F7

ffi

ffi

ffi

nev - er be
mak - ing love

the lone - ly
to on - ly

one.- )
you.-l

So-

(hold)-

hold

.\/

:>

;>

(me tight)-

me tight,-

V-

Bb

Bbm

ffi

ffi

fnTl
Hffi
-|
(to - night)-

r1

:>

-V

(to - nighil-

to - night,-

>

I
it's

YoU'
>

-V

Bbm

ffi

ffi

ll

I
I

l, o,

ffi

4fr.

ffiffi

ffi

4f;.

hoo,
l.!

q5
you,
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> :>

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178

ffiffi

qe.
hoo

GbF

Ab

hoo
- - - - - - - - - 'l

hoo.
l''l
zi

I
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twiil

By JOHNLENNON
and PAULMCCARTNEY
Dm7

ffi

Gently

Gm7

C7

m3fr.

ffi

ffi

*t*H
Hold pick loosely Fffftl
to get a very
smooth sound

HHfi

*V
knows-

long ev

I've
er '

lovedsaw-

V| r V

FI

you?You,-

You
I

knowdid-

n-

VTVN

- V-

Dm

I loven't catch*

VTVN

F7

S*o

ffi

you still.your name,-

Dm

Bb

ffi
H+H

ffi

Fffi

tTrrn

VN

I
it

will
But

waitnev

#rrr
TTTTTT
IIITTI
tttttl

a lone
er real

life - time?
mat - tered,

ffi
If you want.
I will al-

nnn

BB

Bb

C7

i
me
ways

VN

Gm

FFm3fr.

Ii

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ffi

H1+fl

to,feelV-

I
the
V-

same.-

VN

!.----\

ll"

ffi

VN

F7

ffi

I
I

Copyright@ 1968 NORTHERNSONGSL|M|TED

Al Ridlrs 'rdrrwraered by BLAaKwooD MUStc tNC. under license from ATV Mustc (MACLENI
All Rights Reserved
lnternational Copyright Secured

179

Bb
ffitr

ffi
Ffi+H

Hffi
Love you

F
tt

H++H

for - ev

Love you with

eft

n\/'

;>>

-V

ffi

ffi
LLTIJ-]

--

.TTTrl
ITTTTI
fT.TIl
I
TTTIT

Love you when-ev

F

\/F!
V rl

V-V rr

F
ll

ffi

HfrI

Hffi

l-tH*i

Dm

C6
FtrT5

Bb

F?

nv!

n?fft

ffi

nn\ /

find-

last-

V- V-

VNV

-V

ffi
Frrrn
at

And when-

Part.-

--

Dm7

Fm'8fr.

ffi

er ,

v+

to-geth

er

-V

Love you when we're-

heart.-

mY

all-

nn

F
rl

\/
v>

ffi

ffIFfl3fr.

and

er

for - ev

C7

Gm

Dm

C6

C7

F
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I-TTI'I
rTa-rl I
r-Il
l-l
n-tl | |

you, -

ffi
Your song-

Am

Dm7
o

ffi
l-l-fi-H

oo

tfiTl
FTFTN

180

F7
TTffi

t-l-t+l-.I

I-IFFH

Sing

will fill -

-\/-\/n-nv

Bb
ffi

Hffi
so

I-

-v-

can hear-

Bb
ffi

#mm

Bb
ffi

M ffimm

ffi

Make it

YoU,-

C7

eas

to-

be

near-

For

YOU,

C7

ffi

H#

you do-

the things-

en - dear-

nvn

NV

Bb

Dm
o

IT I TI
III TT

ffi

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you

to-

C7

ffi

ffi

ffi

t fafrl
f rl I I I

Bb

nffi

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you

H+H

know-

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V
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ffi

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will.

+^ vn{^..

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tl -l

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ffi

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ll

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Dm

ffi

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ffi
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la

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la

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It'sonlyLove

and PAULMcCARTNEY
ByJOHNLENNON
Moderato

TY
tr

nr ln tl- v

:>

trITTl
Hl+fl

ffi
Fn-rn

get
it

l. I
2. ls

Bb

@o
IFFFF

NV N V N

G+
o

ffi

trtrTF

rrrrn

go
should

My oh my.
ev -'ry night?

bY,
fight

NVNVNV

T - - - _ _- - - - - - - - - - r

FFI'lit

HI#
H?ffi

you
I

n l-

Gsus
oo

FFFfrl

see
I
you and

hiCh when
right that

oo

ffi
|-r'rrn

-----------J

Em/B

Am

ffi

#H

ffi
>>

Am

-v

Bb

Em/B

o@
FFFFFT

ITTTT1
H++fl

ffi
rrrrn

When you
sigh,
sight
Just the
NVNVNV
N

ffiY,
of

ffi

my in - side just
you makes night- time

Gsus

Gsus

ffi

RFIll
ffil

oo

n-nTr

but-ter - flies.
bright.
ver - y

flies,
bright,

NV

ffi

ffi
whv
Hav

am ls o
en't I

the

shy
right

when I'm
to make

be - sideup it
FI

VN N V-V

;n

you?|
girl? t

It's on -

V tr V

NV NV

- VN

Co p yri ght@ 1965 N OR TH ER NSON GSLIMITED

All RiehrsAdminrstereduv BlAerwooD MUSIC lNC. under licensefrom ATV MLrSlC(MACLEN)
"
All RightsReserued InternationalCopyrightSecured

182

lY

Bb

G7

ffi
H{ffi

love

Am
oo

o@

ffi
rrn-n

ffi
and that is

Why shouldI

all.-

feel_

the way I

gn

Bb

G7

Hffi

love,

and that

is

all,-

l't
,-'G7

but it's

so

hard

lov - ing

you.

G7

ffi

ffi
Yes, it's so-

ffi

ffi

ffi

1, . ",

ffi

ffi

\/n

hard

lov - ing you

you.

:>

- 9n

-V

Am
oo

ffi
rrrr-

l!

II

Vn V

-!F

ll
>

-vn -

tt>tl
-llr

183

Girl

and PAULMCCARTNEY
By JOHNLENNON

.-

KeYboard*
3------'t

Is there
l.
2. (When I)

oo
F?tfl

Fffi

FFTN
rrrrn

G'7

Cm

y -b o d
of all

an
think

Am

E7

Guitar * Atm

(^c1no
1noo o
t'-tt,
;
Mocierateiy
ffi
rrrrn

Cm

- y going to
the times I

lis - ten
tried so

to
hard

n
-

'ffi
E7

Dm

G'7

Fm

--3a

All
She

tl

a - bout
will turn

who came
and start

the glrl
me
to

to
to

She's the
And she

stay?
cry.

AK

"ffii

ffi

II
I III
tta a l l
tl tttl

rrrrn
Cm

G7

Cm

kind
prom

uA*

"87

you want
the earth

of grrl
i s - ES

SO

to

much
me

makes
I

it
and

Am

Dm

oo

-Ft+ft1

|. lTIa
I TIIIJ
IIIIIl

t-ffi

Cm

Fm

still
Af

you don't
all
ter

re - gret
this time

sin - gle
don't know

oay.l
whv.l

V-

-V

Co p y nghtO 1965 N OR TH E R NSON GSLIMITED

(MA C LE N )
d b iAt-fWOOO MU S ICl N C . underl censefrom A TV MU S IC
All Rr e h tsAd m r n r ste r eUV
All (rehts Reserved InternattonalCopyrrghtSecured

1U

Dm

G7

Fm

ffi

Ern
o ooo
FFFFFI
Elrll
FFIITJ

Bb7

GmJ

Girl,
Yold the pick loo-sely& low so only a little is showing.
Let your fingers & pick strum the itrings for a..brusling"

er r ect'5

\/ n

t/n

\/n

t/

II2.Dm

I'.Dm

m
Fm

Dm

m
Fm

She's

ffi

Fm

Bb7

A
oo
FFIFFI

H+IF

Releasepressureof left hand for staccato.

Allow open strings to ring through.

the kind

,-3----'-

G7

of

g1r1

who puts

t
ll- - - - -

rrrFn
C

you

down

when friends

--------f

Dm

Dm

ffi

#.Fo
HTffI

ffi

F-r_-----*

you feel

ffi

Fm

Whenyou say

good, she

r85

Dm

EIIffi
ffil

acts as

A
oo
FFFM

if

it's

ffi
Ab

ooh,

un - der - stood,she's cool,-

F't
\/v Ir
r
I

C
oo
fTTll
I
IIat
l l
TfrITI
fITIII

Eb

Em

Dm

o ooo
tfFt

ffi

ffi

ffi1

r \/:
tt
v rr-----------1

l-

Fm

Gm

"Brushed" effect

ffi
Fm

To Coda
2<

ffi
rrrrn

rrrrn
Cm

+ Cm

was young that pain would lead

to

plea - sure?

Dm

oo

ffi
H1+#
Eb

Did she un - der-stand it when theY

186

rfmi

oo

L Was she told when she

(no lvric on D.S.)

n- - - - -

Am

Am

Dm

- - ---'l

,-3n

man must break his back to earn

Am

Dm

oo

Am

ffi

ffrT-n

Cm

oo

ffi
rrrrn

Fm

Will she still

Am
oo

Coda

ffi

rrFFr'1
Cm

D.S.al Coda

Cm

be - lieve it when

"ffii
E7

Am
oo

ffi
rrfl-t

G7

Cm

Releaseleft hand pressurefor staccato.

pen string staccatos,use fingr that
ror open
For
opr
your rele
releasingpressureon to touch open string,
F

Dm

"ffi

ffi'

Fm

Dm

Fm

lAm

|i#
Fffffi

Cm

G7

ffi HH
Bb7

Eb

Repeat and fade

Dm

#
Fm

G7
m
t-rrn
..]...l...m
lTrrn

Bb7

1gl

Know
YourMothershould
and PAULMCCARTNEY
By JOHNLENNON

M oder at el y() ) )J to b e p l a y e d l i k e

-r..,r

'-i'l
T'l.)
J ) )

Am

ffi

oo

get up
and dance- to a song-that was a
Let's all
(Release
& dropfingerslightly over openstrings
left handpressure

,rf

for staccato.)

fi -----

VVVV

Dm

A7lE

ffi

FFFFFI

ffi

;;
o@

ffi
t+Fi+l

Though she was

c/B

D7

oo

ffi
rrrrn

ffi
rfi-rn

your moth - er should know,-

Your moth - er should

n- - - - -

T------

------1

----------J

Co p yrrghtO 1967 N OR TH ER NS ON C SLIMITED

(COMET)
All RiehtsAdmrnrsreredb'"npntL MUSIC lNC. u.nderltcensefrom ATV MUSIC
Att niehts Reserved InternationalCopyrightSecured

188

Am

sm
oo

ffi

Fn-ifi

Let's

all

get

nn

up

song-

that

ATlE

Dm

G7

ffi
hit

be - fore-

NNVNV

your

moth -er was born.-

clB

ffi
Ft+ft1

ffi
A -

nn

Thoughshewas born_

A7
*r*o

oo

time-

ffi

your moth - er shouldknow._

gO,-

VN

G7

ffi

ffii
your

moth -

er

should

n
-

long,-

Am

"d

ffi

oo

ffi

l-tffl.l

Ffft.N

Dm

G(add9)

oo

ffi

ffi

ffi

l.
2.Sing it

N VN V

NVNVN

oo

ffi

oo

FM
FFN-N

Lift up
Da da

A 7 lE

Am

your hearts
da
da

and
da

singda-

FFFFF|

ffi

me
da

a
da

songda-

that was a
da da da

be - foreda da-

hit
da

your
da

VN

-n

G7

Dm

ffi

#
moth - er was born.- I
da da da da'- {

1S

Thoughshe was born-

clB

ffi"
long,-

long

oo

ffi
rrrrn
time-

? - Eo,-

your moth -er shouldknow-

E
ooo

ffiE

fl#t

your moth - er should know.llrrrl

r l '- - - -

I
D7
o
FTF'

EIl*
Fffffl

G7

ffi

ll

I'
C

ffi"
A

your moth - er shouldknow.-

ll

FixingAHole

By JOHNLENNONzndPAULMCCARTNEY
Moderately
Fm7

ffi

ffi

Fql+
I L-ay 4th finger across I st & 2nd strlngs
lor percusstve eJJecI /

r-------------'l

1ng a
ing the

V-

ffi
H+ffi

r r In

ran -

Fm6

Fm

Fm 7

ffi

Fffi
ffi

flTTfl
HH+

l-l-t-rfl
FFt-rn

my
my

mindmind-

\/-

>

from
from

vn

getsthrough the

\/-

\/-

Fm7

stops
kept

where the
that -

holecracks-

ffi
3

(1)fix
(2) filr

ffi

ffi'

derder-

where
where

go.
go.
|l

1.I'm
|l

C+

Fm

Lf

ffi

vn

\/n

,@ 1967 N OR TH E R NS ON C SLIMITED
COPY TIght
(MA C LE N )
d bLntrcWOOD MU SICIN C underl tcensefrom ATV MU SIC
All Rish tsAd m r n r ste r eUV
All niehtt Reserved lnternationalCopyrightSecured

ffiffi

Itrrrtl
-\
t-t'rrrf
tttttl

3
be- long,-

I'm right

\/-n

G7

ffi

ffi
peo - ple
peo - ple

G7

Hffi

stand - ing thereruna - round,-

w hodi s-a-sreewtro woi - ry

;;;--

ffi
and
and

V
-

G7

ffi
won - der why
why
they don't

-n

get

(Hold 2nd & 3rd fingers

I,m
down on chord,& use
1stfingerfor gui.taihne.) I'm

V- V-

c+

ffi

ffi

c+

Fm

ffi

Hqqfl

3 ______.|

ffi

3
paint - ing
tak - ing

roomtime-

a
the

ina
for

col -or-ful
num
-

ber

of

waY'
things

n
-

Fm7

Fm6

ffi

Effi
H++]

ffi

To Coda

Frfffl

my
im

mindpor

wan
yes

1S

tant

der - ingter - day.-

there
And

I
I

willstill(to Coda)

Fm7

Fm

Bb9

Fm7

ffi
Ft-t-t-fl

ffi

o^

ffi

Hqf

ffi

n-rrn

C+

Fm6

ffi

niTn
HlTfl

Fm

ffi
ffi

c+

Fm7

ffii

ffi

ffi

-'--/

194

(Solo)

hey-

hey

vn

V--

Fm6

Fm7

4fr1r

ffi
H+H

H+ffi

vn

v-

Fm7

ffi
H++F

Fm

Fm6

ffi

ffi
Ht+H
rrrln

VN

Fm7

ffi
ffi

Fm6

ffi

H1+fl

195

Fm6

Fm7

nffi

ffi

H+H

fix

t-H+f{

ing

hole-

gets-

where the

V -V N

-v-

Fm7

ffi
ffi

my

stops
|l

\/-

mind -

from-

v-

V-

.3.

wan

where

lt

will-

Fm7

ffi
ffi

Fm7

Fm6

ffi

EEM

ffi

H+H

1S

EleanorRigby
ByJOHNLENNON
and PAULM.cCARTNEY
Moderately, with a steady beat

c
rt*i

ffi

look

at

all -

the

&n

o ooo
m

ffi

look at

-\/

all-

Em

?i1tr

ffi

Eno

?*tr

trffi

El - ea-nor Rig- by,

n-----

picks up

the

rice-

in

the

church_

where a

wed

ding has

been,_

----------r

1
-

------

Co p y nghtO 1966 N OR TH ER NS ON GSL|M|TE D

..
All RrghtsAdmrnrstered..by
BLACKWOODMUSIC INC under hcensefrom ATV Muslc (MACLEN)
AII RrghtsReserved Internatronal
CopyrightSecured

197

Em

ffi

ffi'u'
n---

Waitsat

dream.-

lives in

face-

dow,

aa

aa

- VNV- VN

--

wear-ing the

win

the

keeps -

that she

jar -

in

by the

door,-

- V- V - V - V

Em
oFF*f

ffi"''
who

is

All

for?-

V nV-V

ffi
- lY

the lone

Peo

Em6

Em(b6

ffi

ffi

l-ffFft

where do -

Ple,

they all - come from?-

--'---l

V
-

F.m5

ffi
All the lone - ly

Peo - Ple,

Em(b6)
o

where do-

o-o

they all -

be - long?-

Em
?r#
ffi
fi-rt-H

Fa - ther Mc - Ken - zie.

writ - ing

-.

the

words- of

ser

-.

Look at him

----

-----.r

socks- in

the

n \/-

:>

:>

whenthere's no - bod - y
>:>

Em6
t-fl-t-F1

V
-

11 V

ple,

work

- ing,

:>

Em(b6)
o

ffi

care?-

hear,-

there,-

vn

Vn

**f

what does he

one will

V- V
-V

night-

\/

no-

no one comes near._

darn-ing his

mon that

oo

ffi
rfffn

where do-

they all-

come from?-

V
-V N

1S

Em6
o oo
frFtft

r??.lTl

Ftftfl

All

where do-

the lone - ly

they all-be

- long?-

T_- - - - - - - - - - - - r

c
oo
FFrlS
rtrrT-l

I-?FFH

all-

the

peo -

lone - ly

-----'r n

peo

look at

ple!

| l - - - '- - - - - - -

El - ea - nor

-'-T-'-1

mo

Rig

died in

the

- V-

-----

Ah-

V N V I

- - - - 'l
>

church-and was bur

-V

ied

- V- V- VIV

a - long-

with her name,-

-\/-\/-\/-\/

hands-

Em6
o

oo

ffifH
Fftrft
-!c=t

lone - ly

as

he

walks- from the

Em(b6)

ffi{
where do-

they all -

Em
o

ttrtF

ooo

ffif

Fttf+i

be - long?
- - slower
rt---------r

tl

l'llcrylnstead

and PAULMCCARTNEY
By JOHNLENNO'N
Brightly
G7

G9

ffi'o'

ffi'o
l. I've
2.

got

G9

G7

ffi"' ffi'o'
rea - son on earthev - 'ry
big
on my shoul-derthat's
chip
N-NVV

to be
than my

ger

mad,feet,-

TT
G7

G9
rTllrt3f(.

ffi'o'

ffi

'causeI've
I

just
can't

lost
talk

the
to

on
peo

cirl
that

I
I

NV

ffii

F*t

ffi
If
Ft

C7

\/Y

n\/n

n\/n

>

-V

-t7B

I-

could
could

get my
see you
N
VN

O I964 N OR TH ER NSON C SLIMITE D

COP Y ri ght
lNC. under licensefrom ATV.MUSIC (MACLEN)& SBK UNARTCATALOC
AII Ri8htsAdministeredby BLACKWOOO'MI..IS|C
InternationalCopyright Secured
All Rights Reserved

m.

wlY,nowV

I'd get
I'd try
VN

my
to

- self
make

up
sad

locked
you

to - day,some- how,-

But
But

I
I

can'tcan't,_

D
F*tr

ffi
so

r1l

SO

I',ll

in
in

crv_

NV

ffi'o'

\/

:>

ETrn3fr.

ffi'u'

ffi'o'

Tttt+

stead.
stead.

I've got

Ft

ffi'o'

Don't want

Bm

ffi
cry

whenthere'speo - ple

:>

shy

vr l

V|1
-V

get

- \/n

when they start

>

to

$uNxE-

ffi

I'm gon- na hide my - self

V-

FYn

rr

:>

A
oo
FFFFFI

D7

H+ffi

Enffi

Fttt-H

some

V-

And

when

n
-

D
FtF

C7

ffi

ffi

nV

VN

I'll

V n

Yes,

I'm

n Vn

FI

man _
_showyouwhat your lov - in'
Lay righJ palm lightly acrossstrings, near bridge,
for muffled sound on single note r-uir.

V =-

---'---r

IL
lG7

mB3f'.
l-fJ+H

ffi
in

NVV

VN

12.
lG7

ffi'n'

ffi'n'

can

n- - - - -

F*F

cry

break 'em in

rt

I'll

gon - na

do, _

two_

V-

Un _ til

then-

- - - -- - - - - 1

G9

ffi"

stead.

G9G

ffi'u'

26

PaperbacKWritgr
and PAULMCCARTNEY
ey JoHNLENNON
G7

ffi

Bright Rock

per-back

Pa -

wnt - er, --

NV NV

V-

G7

ffi
or
l. Dear- Sir
2. It's a thou - sand

Mad - am will You

Pag - es, give or

read
take

based
make

B-----

ffi

book? It took me Years

I'll be writ
few;

my
a

on
it

n o v -e l
loug - er

b Y a man
if You like

to
ing

write,
more

named
the

I.ear
style,

will you take a look?

week or two.
a
in

need
and I
I
can change

it

'--'
Copyri ghtO 1966 N OR TH E R NS ON C SLIMITED
(MACLEN)
All Ris,htsAdmrnisteredUv-6iAdrwooD MUSIC lNC. under licensefrom ATV MUSIC
All {rehts Reserved InternatronalCopyrightSecured

job
'round

so
and

It's
can

want to
want to

be
be

a
a

pa - per - back
p a - p e r-b a c k

writ
writ

pa pa -

oft

er

per - back
per - back

G7

ffi
writ writ -

It's the dirt If you real -

er.-

of
a dirt - y
you can have
the

ly

man,rights,-

and hi,
it could

cling
make

ing
a

wife
does - n't un - der - stand.
mil - lion for you o - yer - night.

If

His
you

son
must

is
work - ing for the
re - tum it you can

FI

Mail;here,-

It's
But

a stead - y
I need
a

j obbreak-

but he wants to
and I
want to

bea
bea

pa - per-back
pa - per-back

207

G7

ffi

--]tr
tr

G7

ffi

208

Repeat and fade

,.jlry,