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MAGAZINE 1
Melt
N
ew
r
u
o
l
Co
s
t
l
e
M
No Hydrogenated Fats
rainbow dust
colour melt buttons
are versatile and
easy-to-use! just
#MELTANDCREATE
Available in 8 colours!
Find us on:
MAGAZINE
www.rainbowdust.co.uk
Mould
Drizzle
Pipe
Dip
Contributors:
Victoria Napier
Laurie Thompson & Jeanette Durham
Karen Keaney
Tastefully Yours Cake Art
Scattercake
Grazie Cake and Sugarcraft Studio
Flossie Pops Cakery
Little Wonderland
DinkyDoodle Designs
Janette MacPherson Cake Craft
Silvia Mancini Cake Art
Very Unique Cakes
Willie Soto & Lili Cuellar
Vincent Goh
Ivan Trejo Muoz
Trudy Nicholls
Wendy Schlagwein
Ana Mourinho Remigio
Anita Human Wood
Zoe Byres
Zoe Burmester
Cakes With Character
Lila Vanilla
JT Cakes
Enna's Cake Design
Top Tier Cakes
Dragons & Daffodils Cakes
Truly Scrumptious Cakes
Artisan Cake Company
Rosie Mazumder
Editorial Team
Emily Gussin
Rhona Lavis
Laura Loukaides
Erin Bateman
Editors
Top Picks!
Tartan de Nol
Cake Tutorial
Page 68
In Elevenses, the wonderful team at Cake Dcor have given us 100 of products
for the winner of our Christmas Crossword Competition. The prize includes Cake
Lace Kits, Glitter Sprays, metallic Cake Artist Paint brushes and a snazzy red
apron. So dont forget to enter!
SUBSCRIBE NOW!
Page 84
Rosie
Editor
editor@cakemastersmagazine.com
Advertisements
Emily Gussin
E: emily@cakemastersmagazine.com
Published by:
Cake Masters Limited
Head Office: 0208 432 6051
COPYRIGHT Cake Masters Limited 2016
No part of this magazine nor any supplement
may be copied or reproduced, nor stored in a
retrieval system by any means without prior
specific written authorisation given by the
publisher.
MAGAZINE 3
Contents
On the Cover
62
47
9
16
43
42
62
39
67
Essential Information
Our tutorials are divided into simple
steps with an image to accompany
each part of the process. We have
difficulty ratings for the different
levels of project. One piping bag is the
easiest and four is the most advanced.
Keep in Touch
MAGAZINE
Every Issue
Features
39
38
30
82
74
43
Tutorials
9
36
39
47
59
67
74
Competitons
Recipes
16 Christmas Countdown
Clementine Stars
26 Hidden Ornament Cupcakes
28 Christmas Tree Surprise Cake
30 Jolly Holly Wreaths
36
28
MAGAZINE 5
Christmas Silicone
Spatulas
Eprice.it
6.05
14.99
The modern, ergonomic design of Sugar
Shaper modelling tools by Innovative
Sugarworks makes them a joy to work
with.Available with soft or firm tips, these
unique double-headed tools are designed to
enhance creativity, accuracy and confidence
when working with modelling paste,
marzipan, sugarpaste or chocolate.Cake Stuff
offer an exclusive bundle of both sets 6 firm
tip and 6 soft tip - at an amazing prize reduced
from the 65.98 RRP.
Cake-stuff.com
49.95
5.99
Metallic Paint
Click-Twist Brush
Rainbowdust.co.uk
RRP 3.29
Cake Dcors
Cake Lace Kit is
now available in
white. Each kit
comes with a pot
of ready-to-use
lace mix and a
pretty collar mat.
Available at
Morrisons
3.84
6
10
MAGAZINE
ISSUE 50
ISSUE
| NOVEMBER
34 | JULY 2015
2016
9.98
Renshaw White
Royal Icing is a ready
to use paste that is
perfect for covering,
piping, detailed work
and run outs on both
cakes and biscuits.
Renshawbaking.com
RRP 2.49
Paul Hollywood
Non-Stick Brownie
Tin, 28cm
Johnlewis.com
9.99
4.15
399.99
MAGAZINE 7
1-3/12/2016
Sponsors
MAGAZINE
Silent
Night
Tutorial
Make simple
layers to create
depth and
detail
Add touches
of sparkle with
Rainbow Dust
Colours Edible
Glitter!
Learn how
to model
this cute
teddy bear
MAGAZINE 9
Tutorial
Silent
Night
By Pamela McCaffrey,
Pamela McCaffrey Cakes
Difficulty Rating
Equipment Required
Rolling pin
Small rolling pin
Cake smoothers
Spacers
Pizza cutter
Tape measure
Dresden tool
Cutting mat
Craft knife
Cutting wheel
Scriber
Stitch tool
Small spatula
Brushes
Water pen
Black edible pen
Rulers
Hole punch, straws, nozzles
Templates available on
www.cakemastermagazine.com
10
MAGAZINE
Step 1.
Cover a 10 drum with white sugarpaste
(about 400g). Be sure to wrap the icing
over onto the side of the drum leaving
a rounded edge. Do this a few days in
advance.
Step 2.
Stack and dowel two 4 deep 6 wide
cakes on 6 boards. Make a 4 deep 4
wide cake and place on a 4 board or card.
Buttercream or ganache both cakes leaving
sharp corners. You will need about 800g of
deep blue sugarpaste (add 35g Renshaw
Black to every 250g Renshaw Navy Blue).
First, wrap both cakes with the deep blue
sugarpaste - the joins will be covered later.
Then, cover the top of each cake with a
disc of white sugarpaste and trim neatly.
Leave to dry overnight.
Step 3.
Next, mark guides for the main window
frame uprights. The main cake has three
windows. Measure the circumference and
divide by three. Starting from the join of
the wrap, measure around one third of the
cake on each side and score a line from top
to bottom. The top tier has two windows,
the join will mark one upright, score a
line down the opposite side for the other
upright. Leave to dry overnight.
Steps 4a & b.
Make the window frame at the top of the
main cake: cut a 2cm wide and 5mm thick
strip of white sugarpaste long enough
to go around the cake. Use spacers for a
consistent depth. Turn the cake upside
down (put boards underneath and on
top of the cake and flip it over). Wet the
bottom (really top) 2cm of the cake and
wrap the strip around, starting at the join,
and trim the overlap. Turn the cake back
the right way up and check that the top is
neat.
Step 5.
Make the hills: colour 60g of flower paste
a bit lighter blue than the cake. Trace the
template for the hills and cut it out of
paper. Roll the flower paste as thin as you
can (about 6 on a pasta machine or around
the thickness of a playing card). Use the
template to cut the hills from the paste
with a cutting wheel.
Step 6.
Leave the hills for about half an hour to
firm a little. Lightly wet the back of the
hills and apply the panel to the cake in
one of the three window sections using
the join and/or scored lines as a guide. Be
sure to keep the bottom of the hills flush
with the bottom of the cake. Do hills for
the remaining two window sections of the
cake.
4a
4b
7a
7b
8a
8b
9a
Steps 7a & b.
For the far houses, colour 60g of flower
paste a bit lighter blue than the hills. Trace
the template for the far houses and cut
it out of paper. Roll the flower paste to
the same thickness as the hills. Cut the
template out of the flower paste using a
craft knife. Leave it to dry for a while then
attach to the cake over one of the hill
panels. Repeat for the other two windows.
Steps 8a & b.
For the near houses, colour 60g of flower
paste a bit lighter blue than the far houses.
Trace the template for the near houses and
cut it out of paper. Roll the flower paste
to the same thickness as before. Cut the
template out of the flower paste using a
craft knife. Leave it dry to for a while then
attach to the cake over the far houses.
Repeat for the other two windows.
9b
Steps 9a & b.
Roll out the same paste used for the hills to
the same thickness. Leave it to dry for 15
minutes to firm up a little. Cut out a basic
tree shape first and then cut out triangles
MAGAZINE 11
10a
10b
11a
11b
12
12
MAGAZINE
13a
13b
14a
14b
15a
15b
16a
16c
16b
17a
17b
18
19
20
21
Step 20.
For the bears body, take a 3.5cm ball of
white modelling paste and slightly taper it
between your palms. Sit it with the point
up and tilted back a bit. Add a seam down
the bears tummy with a stitch tool. Use a
3cm ball for the head. Make an indent with
a ball tool (to help it sit on the body) and
re-round if needed.
Step 21.
For the legs, take two 1x4cm sausages
and roll them into balls. Roll each ball and
taper it into a 5cm long cone. Flatten the
wide end to make the foot and pinch up
some toes. Place the legs so one points left
and one points right. Use your thumb to
flatten the last third of the leg.
MAGAZINE 13
Step 22.
For the arms, take two 1x3cm sausages
and roll them into balls. Roll each ball and
taper it into a 4cm long cone. Use your
thumb to flatten the thin half of the leg.
22
23
24
25
Step 23.
For the muzzle, take a pea sized piece of
paste. Shape it into a shallow cone about
1cm wide. Push the tip off centre and use
a small ball tool to make a hole for the
nose to go. Take another pea sized piece of
paste for the ears. Divide it in two, roll into
balls, flatten each ball with a ball tool and
trim off the bottom third.
Step 24.
For the eyes, nose and feet pads, use the
same paste as for the hills or far houses.
Roll a small piece of the paste, brush it
with edible glue and sprinkle with Rainbow
Dust Navy Blue Edible Glitter. Let it dry for
a while. Cut out two eyes using the same
tool you used for the smallest snow dots
and two discs big enough to fit the feet.
For the nose, roll a small ball, flatten it and
add glitter.
Step 25.
Assemble the bear using edible glue. Mark
two holes just above the muzzle to fit the
eyes into. Place him on the base of the
cake up against the window frame.
Step 26.
Make a small sleeping mouse to go next to
the bear. Take a 1.5cm ball and a pea sized
ball and taper them to cones. Shape the big
cone to make the mouses body and head.
Shape the small cone to make its back leg.
Roll a long thin tail and flatten two small
teardrops to make ears. Place him next to
the bear.
For more information about Pamela and
her cakes, visit:
Facebook.com/PamelaMcCaffreyCakes
14
MAGAZINE
26
28.49*
85.40*
9.48*
6.64* each
3.99
30
WE WILL DISPATCH
SAME DAY
www.thecakedecoratingcompany.co.uk
info@thecakedecoratingcompany.co.uk - 0115 969 9800 - Private Road No. 8, Colwick Industrial Estate, Nottingham,
15 2JX
MAGAZINENG4
*price shown includes 5% discount & correct at time of going to print **not to be used in conjunction with any other offers, exclusions apply. Valid until 30.11.16
Christmas
1
C UNTDOWN COMPETITION
16
Cake,
Filling &
Covering
Prize
from
Worldwide
A Hamper from
A Set of 25 Natural
Flavours from
The lucky winner will receive a set
of 25 professional, natural flavours
from the Foodie Flavours
range. These carefully
crafted, high strength
natural flavours are
ideal for cooking,
baking, desserts and
more. Only a few
drops are needed of
these professional
flavours made in the
UK. All are suitable
for vegetarians and
vegans, gluten-free,
egg-free and dairy-free.
www.foodieflavours.com
UK only
A Printing
System from
MAGAZINE 17
10
A Cake Decorating
Goody Bag from
UK only
11
Premium Fondant
from
Worldwide
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18
MAGAZINE
12
An American Innovation,
TruColor are dedicated
to providing a healthy
alternative to synthetic
ingredients with artificial
preservatives. Their State
of the Art Natural Food
Color powders are made
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in unprecedented colour
strength and brilliance!
Enter to win four large
jar collections including
gel pastes and airbrush
colours, worth $140!
www.trucolor.org
Worldwide
13
15
16
Christmas
Moulds
from
17
Two
Armature
Sets from
www.doriccakecrafts.co.uk
Worldwide
18
A Package of
Products from
Straight from
the heart of New
York City, the NY
Cake basket has
everything you
need to make and
style your own
designer shoes!
First is the Lisa
Mansour Stiletto
High Heel Shoe Kit as well as a cutter for
the sole of the heel! Also included is some
of NY Cakes personal favourites from the
Lisa Mansour Edible Bling Collection: the
Pearl Impression Mat, the Art Deco Jewels
mould, Flower Brooch mould and their
very popular Diamond Encrusted Bow
mould. All together worth $140!
www.nycake.com
USA
USA
19
Chocolate Making
Goodies from
This Christmas will be sweeter than ever with
Silikomart! Have fun working with chocolate
or creating sweet or savoury creations with all
the exclusive and 100% made in Italy tools and
moulds, for never-seen-before delights!
www.silikomart.com
Europe
MAGAZINE 19
20
21
Edible Printing
System from
Highly concentrated,
only the smallest amount
of ProGel colour is
required to give a deep
rich colour to your
creations. The lucky prize
winner will receive a
full set of ProGels and a
range of Food Art Pens,
together worth 137!
With the development
of a specially formulated
food colour, Rainbow
Dust have produced a pen
that allows the ink to flow
through a standard 2.5mm nib, right
down to a 0.5mm nib, so fine you can
even use it for facial features on sugar
models!
www.rainbowdust.co.uk
Europe
22
UK only
24
23
A Hamper from
may
vary
Cassie Brown
Airbrush &
Goodies from
Kitchen
Accessories
from
Head to
Facebook.com/CakeMasters
every day from 1st-24th
December for your
chance to WIN!
You can enter for each and every day
if you wish, but please take note of the
locations each prize is available to in
the bottom corner of the days prize.
Royal Icing
Competition
Our Winner
Annie Relph, Scattercake
IN ASSOCIATION WITH
MAGAZINE 21
Royal Icing
Competition
ISSUE 50 | NOVEMBER 2016
Maggie Lam,
Grazie Cake and
Sugarcraft
Studio
22
MAGAZINE
IN ASSOCIATION WITH
Runners Up
Ketta Shimmin,
Flossie Pops
Cakery
Rocio Cuenca,
Little Wonderland
MAGAZINE 23
TO DECORATE:
100g icing sugar
67 tsp lemon juice
Edible silver balls
Edible white glitter
Star shaped cookie cutters in assorted sizes
2 prepared baking sheets
24
MAGAZINE
Festive Decorating
Ar
t is
ur
s
La
ce in White &
l
Go
t Paints in
o
ol
c
7
l
G
Ca
ak
e
it
t
ld
...Made Easy!
G
er
&
r
Spr
ay - in Silve
MAGAZINE 25
Makes 12
1 batch Classic Vanilla Cake batter (see Basic
Recipes)
Red and green food colour pastes
60g (2oz) white chocolate or candy melts
24 mini peanut butter cups or Rolo Chewy
Caramels (little cups) (1cm diameter)
Long yellow sprinkles
Large gumballs in festive colours (4cm
diameter)
1 batch Vanilla Bean Buttercream (see Basic
Recipes)
Basic Recipes
Classic Vanilla Cake
3. Add 220g (1 cup) of the sugar and begin mixing on low speed to
combine, then beat on high speed for about 2 minutes.
1. Using an electric mixer, beat the butter on high speed for at least
5 minutes, until the butter has lightened in colour and is thoroughly
whipped.
1. Preheat the oven to 160C (320F). Grease, flour and line your tin.
2. Using the tip of a sharp knife, scrape the vanilla seeds into the
butter and beat to incorporate.
3. Using the tip of a sharp knife, scrape the seeds from the vanilla
bean into the mixer bowl. (Or add the vanilla extract, if using.) Add
the oil to the creamed mixture and combine.
4. Repeat this process a cup at a time until all the sugar has been
added. Add milk a dash at a time if the mixture becomes too thick
or dry. Scrape down the sides as needed and make sure no sugar is
visible.
4. In a small bowl, whisk together the flour and baking powder. Add
the flour mixture and milk to the creamed mixture and beat on high
speed until the flour is completely mixed, 30 seconds to 1 minute.
5. Scrape the batter into the tin and use an offset spatula to smooth
the top. Bake until a wooden skewer inserted into the centre of the
cake comes out clean, 40-45 minutes. Check after 30 minutes, and if
the top is browning too much, tent with foil.
6. Cool the cake in the tin for 15 minutes, then run a metal spatula
around the edge of the cake and turn out onto a wire rack to cool
completely.
26
MAGAZINE
TIP
This butter
cream can
be
tinted usin
g liquid, gel
or paste co
louring. Yo
u
may need
to reduce th
e
milk slightl
y to allow
for
additional
liquid if usi
ng
liquid colo
urs. Add co
lour
after thinn
ing with m
ilk.
MAGAZINE 27
MAGAZINE
TIME SAVE
MAGAZINE 29
MAGAZINE
ice
Pr
CMCHRISTMAS
www.thecakedecoratingcompany.co.uk
info@thecakedecoratingcompany.co.uk +44 (0)115 969 9800
Private Road No. 8, Colwick Industrial Estate, Nottingham, NG4 2JX
**not to be used in conjunction with any other offers, exclusions apply. Offer valid until 30.11.16
MAGAZINE 31
Here come
the girls!
Afternoon Tea
Travel - Taste - Try
A few years ago I indulged in
one of my first ever afternoon
teas at the Mad Hatter's Tea
at the Sanderson Hotel with
a lovely baker named Allison
Henry. A little while after,
Allison introduced me to Rosie
from Cake Masters Magazine.
Rosie had previously organised
'London Cake Crawls' and
Allison, an afternoon tea bus
tour with a fabulous group of
ladies. So this month, how lucky
was I to be invited to join some
of the original crawl crew for
afternoon tea in London, and
across from Buckingham Palace
no less!
Joined by the lovely Jenny Dorrian
Liu, Calli Hopper, Deborah Harwood,
Melinda Jackson, Helen Collier and
Allison Henry, we enjoyed The Royal
Afternoon Tea at The Rubens at the
Palace with views overlooking
the Royal Mews! The dcor in
The Rubens Palace Lounge is all
red and gold, velvety, olde worlde
elegance, and the afternoon tea was
quintessentially British. The menu
was playfully themed to match
32
MAGAZINE
Finger Sandwiches
Coronation chicken bridge roll
Fillet of beef Castle of Mey,
horseradish cream
Arbroath Smokie, chive mayonnaise
Cucumber and cream cheese
Egg and cress
Freshly Baked Scones
Orange scented and plain scones
Jam penny
MAGAZINE 33
Out &
ABOUT
This feature tells you about our travels out and about, events around the world
and upcoming events!
34
MAGAZINE
Christmas
MAGAZINE 35
Tutorial
Sparkling
Poinsettia
By Victoria Napier,
Cake Dcor
Difficulty Rating
Equipment Required
6 round, deep cake
8 round, deep cake
10 round, deep cake
Cake Dcor White Ready to Roll Icing
Cake Dcor Red Ready to Roll Icing
Cake Dcor Gold Glitter Spray
Cake Dcor Gold Cake Artist Paint
Cake Dcor Rose Red Cake Artist Paint
Cake Dcor Green Cake Artist Paint
250g red modelling paste
Modelling tools
Leaf impressions
Poinsettia cutter set
Holly leaf cutter
Flower former
Large rolling pin
Work board
36
MAGAZINE
Step 1.
Roll the white and red icing into four long
thin strips using your hands and twist
together until you have one long shape.
6a
6b
10
11
Step 2.
Twist the combined icing into the shape
of a pretzel and press together to create
a square. Sprinkle icing sugar on top of
the work surface and use the large rolling
pin to thinly roll it out. Cover the 10 cake
with the marbled icing and smooth before
cutting off any excess around the edges.
Step 3.
Cover the 8 cake with white icing. Use
the Green Cake Artist Paint to neatly paint
holly leaves on the upper half of the cake.
Use the Rose Red Cake Artist Paint to add
berries. Carefully place this cake on top of
the 10 cake.
Step 4.
Cover the 6 cake with white icing. Use the
Gold Cake Artist Paint to paint the whole
cake gold. Leave to set for 30 minutes.
Step 5.
Once the paint has dried, use the Gold
Glitter Spray to add a sparkling layer. Hold
the spray approximately 10cm away from
the cake and press down on the pump.
Repeat until you achieve the desired effect.
Place in the centre of the 8 cake.
Steps 6a & b.
Thinly roll out white icing and cut out
holly leaf shapes with the cutter. Use the
Green Cake Artist Paint to paint the holly
leaves and leave to dry for 30 minutes. Roll
a number of pea sized balls of red icing
for the berries and paint with the Rose
Red Cake Artist Paint. Leave to dry for 30
minutes.
Step 7.
Use a dab of water and press down with
your finger to secure the iced holly leaves
and berries to the cake. Add holly and
berries to the bottom edge of each tier and
leave to dry for a few minutes.
Step 8.
Thinly roll out the red modelling paste and
use the poinsettia cutters to create the
bracts. Cut out a selection of sizes to create
the layers of the flower.
Step 9.
Use a ball tool to smooth out and soften
the edges of the bracts, before pressing
down with the leaf impression moulds to
create a veining effect.
Step 10.
Individually place the poinsettia bracts
in the flower former bowl and use a dab
of water to secure them together. Start
with a layer of the largest leaves and then
gradually use smaller sizes to create the
layered effect.
Step 11.
Roll a few pea sized balls of white icing to
add to the centre of the poinsettia and
attach these with water. Use the Gold
Cake Artist Paint to paint these gold and
add a glistening gold layer to the centre
of the flower with Gold Glitter Spray. The
poinsettias should now be rigid enough
to stand on top of the cake, but if not, use
a small piece of sugarpaste to hold the
flower in place.
MAGAZINE 37
MASTERS
MAGAZINE
Full set of colours with FREE stackable Caddy!
The ultimate storage solution.
Super concentration soft gel colour
24 Vivid Colours in 32g dropper bottles
Will not affect texture
Use on cake batter, cookies, butter cream
Sugar paste and even Royal Icing!
Your chance to get your hands on a FULL set
of 24 Magic Colours Pro gels AND a FREE
stackable Caddy for just 70!
Sh sto
\:;
Almond
Apricot
Apple
Banana
Blackcurrant
Blueberry
Bubble gum
Butterscotch
Candy floss
Caramel
Cherry
Chocolate
Coconut
Cola
Cranberry
Cream soda
Creamy buttery
caramel
Custard
Dulce de Leche
Fruits of the
forest...
www.foodieflavours.com
MAGAZINE
.1."
Santa
Cookies
Tutorial
By Laurie Thompson
& Jeanette Durham
Difficulty Rating
Equipment Required
Wax paper
Gel colours: white, red, green
and peach
Airbrush colours: black, brown
and soft pink
Small red nonpareils
Small black nonpareils
Large white sugar pearls
Disco Dust in gold iridescent
Royal icing (piping consistency):
red, white and green
Royal icing (flood consistency):
red, white and peach
Squeeze bottles for flood icing
Piping bags with couplers and
bag clips/ties
No.1.5 or No.2 round tip for red
and white piping bags
No.349 Wilton tip for green
piping bag
No.12 Wilton tip (used later for
hat details)
Scribe tool or toothpick
Food marker pen in brown
Tweezers
Fine tip paintbrush
Airbrush
Santa head cookie cutter
Santa head cookies
MAGAZINE 39
Steps 1a-d.
Start by tracing around the Santa cookie
cutter and sketching a quick design of his
face and details. Trace around the cutter a
second time and draw lines to separate the
sections of his beard, face and hat.
1a
1b
4
1c
TIP: TRANSFERS
Royal icing transfers can
be fragile so we always
recommend making a few
extra. Set the transfers aside
and allow to completely dry
(approximately 4-5 hours
drying times vary depending
on humidity). Leave transfers
attached to the wax paper
until you are ready to add
them to the cookies.
Steps 2a-c.
Create royal icing transfers. Cut a sheet
of wax paper and place over your Santa
sketch on a flat surface. We like to use the
back side of a baking sheet so transfers can
be easily moved without damaging them.
Using the bottled peach flood and your
sketch as a template, trace and fill Santas
nose. Continue to reposition your sketch
under the wax paper until youve made
enough noses for each of the cookies.
1d
2a
2b
2c
3a
3b
3c
3d
40
MAGAZINE
Steps 4a & b.
Rinse the brown colour from the airbrush
and add soft pink airbrush colour. Lightly
spray the top edge of the nose transfers
and Santas cheeks. Leaving the transfers
attached to the wax paper makes it much
easier to airbrush them.
4a
4b
5a
4
5b
6a
6b
6c
7a
7b
7c
TIP: TRANSFERS
Santas nose and cheeks can be
brushed with pink petal dust
in place of the airbrush for this
step. However, the icing will
need to be completely dry first.
Steps 5a & b.
Fill Santas beard with white flood icing.
Quickly pop any air bubbles and smooth
out the icing. While it is still wet, sprinkle
the surface with gold iridescent Disco Dust.
Steps 6a-c.
Remove the nose and holly transfers from
the wax paper. Using the #12 Wilton tip
and the white piping icing, make a zigzag
pattern covering where the red hat and
peach face connect. While the brim of the
hat is still wet, use the tweezers to carefully
place a holly transfer as shown.
Next, pipe a swirl with the white piping
to add the ball to Santas hat. Use the
tweezers to place the large sugar pearl
in the centre. Create Santas moustache
with the white flood and glitter with gold
iridescent Disco Dust. Carefully place a
nose transfer at the top of the moustache
while the white flood is still wet. Gently
press the nose down with a toothpick to
secure it in place. Allow the cookies to dry
for 30 minutes before proceeding.
Steps 7a-c.
Use the original #1.5 or #2 tip to pipe the
details on Santas beard and moustache
with the white piping. Dip the end of a
toothpick in the white flood and gently
touch it to the centre of Santas pink
cheeks to add a highlight. Santas eyebrows
are painted on with a fine tip paintbrush
and a small amount of the black airbrush
colour. A fine tip food writer marker can be
used for this step if preferred.
Allow the cookies to dry overnight (at
least 12 hours) before placing in an airtight
container or bag.
MAGAZINE 41
Elevenses
Advice ~ Competitions ~ Cake Hacks ~ Reviews
Karen Keaney
Karen Keaney is a multi award-winning cake
designer and the owner of Roses and Bows
Cakery based in Ireland. She teaches classes
all over the world and in her online school,
www.vimeo.com/cakeschool. Winning 14
gold medals in the last two years, she loves
to compete and was recently named as one of
the Top 10 Cake Artists in the World at The
New York Cake Show.
Facial Proportions
Q: What are your tips for sculpting faces on to
scale cakes?
A: I usually sketch out what Im going to
sculpt on paper and pin it to a dummy cake so I
can judge the size etc. I also use a calliper to get
the spacing right.
Modelling Chocolate
Q: Id like to try working with modelling
chocolate, whats your advice for a newbie?
A: Modelling chocolate is a great material
to use when sculpting, theres no drying time
and its really good at holding its own weight.
Try to work in a cool room and if you feel the
chocolate is getting too warm to work with,
pop it in the refrigerator for a few minutes to
cool down. You can also dust your hands and
work surface with cornflour.
Chalkboard
Q: How do you create a chalkboard effect on
cakes?
A: I cover my cake with black sugarpaste
and use white petal dust mixed with vodka or
lemon extract to create a chalk paint. If I want a
dusty look to my cake, I will dry brush the petal
dust onto the cake.
42
MAGAZINE
Texture Techniques
Q: How can I achieve more realistic textures
for animals?
A: There are so many ways to create textures.
The first thing to do is study the animal; if its
coarse skin, like on my warthog cake, I would
use scrunched up tin foil pressed into the
sugarpaste. Good texturing usually takes quite
a bit of time so dont rush it. Also try to layer
colours, just one solid block of colour and you
lose the texture youve created.
Shading Preference
Q: If you could choose one technique for
shading, which would you recommend and
why?
A: Airbrushing! Its one of my favourite things
to do. It can add another dimension to a cake
and really make it come to life! It can be tricky
to get the balance right, you never want it to
look as if its been airbrushed, so be subtle.
Timing Task
Q: How do you plan timings for large cakes
with lots of detail or elements?
A: I always make as much of the decoration
as possible in advance. As soon as I get the
order, I will space it out in my diary. If I have
a gap and a quieter week, I can work on
decorations so that in those crazy weeks, Im
not under so much pressure.
Ribbon Decisions
Q: How do you decide on ribbon colour and
placement on the tiers?
A: Like most cake designers, I have a vast
collection of ribbon - this can be a bad thing!
Too much choice! Its a trial and error process.
I will hold the ribbon to the cake and stand
back to see if it works, if it doesnt, then I will
change it.
Design Balance
Q: How do you balance the amount of
decorations on a large tiered cake?
A: I usually finish my cake then photograph
it, somehow this gives me a different
perspective on it. A cake can have too much or
not enough decoration and when I look at the
photograph, it is usually more obvious.
Competition Tips
Q: What is your top tip for cake competitions?
A: Read the rules, then read them again,
and one more time for luck! Pace yourself,
start a week before you think you need
to. Photograph the process and let your
imagination run wild; thats the best part
of competing. Make something you love not
something you think the judges will love.
Crossword Competition!
Fill in this Christmas crossword for your
chance to win a Cake Dcor goody bundle,
worth 100!
!
N
I
W
Across
1. Sleigh riding gift giver (5,5)
5. Red nosed mammal
6. Santas helpers
7. A gift from a wise man
9. Often decorated with a carrot
11. A kissing plant
12. The day after
13. A red flower
Down
1. Round green vegetables
2. A Christmas carol
3. Items given to each other
4. Countdown to Christmas
8. Prickly green leaves
10. Christmas baked pies
Types of Gingerbread
Also known as
gingerbread, Ginger
Cake is a moist loaf
cake with the same
flavours as the biscuit,
including ginger, cloves,
nutmeg and cinnamon.
We like to bake ours in
a Christmas tree cake
tin during the festive
season!
A strong gingerbread is
needed to create a sturdy
structure for a Gingerbread
House. Cut out your pieces
from the biscuit dough, bake,
then stick together with royal
icing or caramel.
In Switzerland,
a gingerbread
confection known
as a Biber is a 2cm
thick rectangular
gingerbread cake
with a marzipan
filling. It is often
adorned with
traditional images.
Join us every Friday for #FreebieFriday for your chance to WIN books,
44
MAGAZINE
tutorials
and
lots of other goodies! Head to Facebook.com/cakemasters
Cake Hack
Product Review!
For more
information,
visit:
www.fmmsugarcraft.co.uk
MAGAZINE 45
SPONSOR SPOTLIGHT
ALL
COLOUR
AVAILAB S
LE
NOW!
46
MAGAZINE
Winter
Woodland
Step-by-step
guide to making
fir, pine cones
and roses
Tutorial
Use your
airbrush to
make this
winter scene
Create bark
texture with a
mould and use
royal icing for
snow
MAGAZINE 47
Winter
Woodland
Tutorial
By Marianne Bartuccelli,
Tastefully Yours Cake Art
Equipment Required
6 round cake x 5
high
8 round cake x 8
high
10 round cake x 3
high
12 cake drum
White fondant
White gum paste
Royal icing
Airbrush
Airbrush colours:
super black, sky blue,
chocolate brown
Gel colours: forest
green, chocolate
brown, white
Petal dust: sage
green, dark green,
grey, brown
Rose spirit
Pearl white lustre
dust
Snow dust/mystical
48
sparkle glitter
Rolkem Silver lustre
dust
Sugar glue
Crisco vegetable
shortening
Cornflour
Rose cutter set: 2,
1, 1
Daisy cutter set: 1,
1,
Leaf cutter
Bark mould
Nut mould
Raspberry mould
Rose petal veiner
Leaf veiner
Floral tape: brown,
green
Florist wire: 20, 24,
26, 30 gauge
Groove board
Ball tool
Small CelPin
MAGAZINE
Chisel tool
Scooped dresden tool
Pointed dresden tool
Piping bag
No.1 piping tube
Low tack tape
Small scissors
Assorted brushes
Craft knife
Rounded wooden tool
Wire cutters
Pliers
Bumpy foam
Aluminium foil
Glue stick
Black ribbon: 9mm,
6mm
Skewers
Greaseproof paper
Cake steamer
Pasta machine
(optional)
Difficulty Rating
1a
1b
3
1c
4
2a
2b
2c
2d
4a
5a
Steps 2a-d.
Gather up groups of 5-8 needles and tape
together with half width brown florist tape.
You will need to make a small forest! Using
a mix of sage green and dark green petal
dust, colour each set of needles. Steam
to set the dust. Start grouping some sets
into a spray. Trim the stems very short in
preparation for inserting into the tree base.
Step 3.
Leave some spare single needles to fill in
any gaps at the end.
4b
5b
5d
5c
MAGAZINE 49
Steps 6a-e.
Brush the base of the centre with sugar
glue and insert the smallest prepared petal
set. Push up gently. Roll a small sausage
shape, this will be the spacer. Glue in place.
Trim off excess if needed.
6a
6b
6c
6e
6d
Steps 7a-c.
Attach the next set of petals prepared the
same way. Apply another spacer. Attach the
last two prepared petals and hang upside
down to dry overnight. Mix up some
different shades of brown petal dust to
dust the dry cone. When using petal dust,
I always lay out a sheet of greaseproof
paper. That way, at the end, I can simply
fold one end of the paper and pour the
leftover dust into a small container to be
used again.
Step 8.
Tape the stems with brown width floral
tape.
7a
7b
7c
9a
Steps 10a-c.
First, use a rose cutter that is the same size
as the cone. Cut out three petals and thin
out the edges with a ball tool. Place each
petal into the double sided veiner.
9b
10a
10c
10b
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MAGAZINE
11a
11b
Steps 12a-c.
Attach the next two petals interlocking
them. Cut out and vein three more of the
same sized petals and attach.
12a
12c
12b
13a
14a
13b
Steps 14a & b.
Brush a V of sugar glue at the base and
apply the set of four petals. Try to keep the
shape of the flower open if you can.
14b
15
16
17
18
19a
19b
20
Step 15.
Attach the set of five petals. Place in a tall
glass supported with some aluminium foil.
Leave to dry overnight.
Step 16.
Using a soft brush, apply some pearl lustre
dust.
Step 17.
Lay out a sheet of greaseproof paper. Apply
some sugar glue to the edges of each rose
petal. Holding the rose sideways, shake the
glitter over the glued areas. Hold the rose
upside down and shake off the excess. Fold
the paper and tip the leftover glitter back
into the container.
19c
MAGAZINE 51
21
22a
22b
23a
23b
24a
24b
25
26a
26b
26c
27a
Steps 26a-c.
Roll out a thick piece of white fondant.
Press the fondant firmly into the mould.
Cut out panels 3 high to fit the cake. Cut
jagged edges to blend the seams more
easily.
Steps 27a-c.
Mix up a medium brown colour and set
up the airbrush. Lay out old sheets or
newspaper to protect surfaces. The area
should be well ventilated (I always airbrush
outside). After a light coat of brown, apply
areas of grey. Add some chocolate brown
to the cup and spray, then a small amount
of black.
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MAGAZINE
27b
27c
28a
Steps 28a & b.
Using a damp paper towel, gently rub the
surface to remove some of the paint. The
base tier should look something like the
image.
28b
29a
29b
30
31a
31b
Steps 32a-c.
Draw the Star of Bethlehem. Cut it out
from low tack tape. Position on the top tier.
32a
32b
Step 30.
With black airbrush, paint the scene with a
fine brush.
MAGAZINE 53
32c
33
34a
34b
34c
35b
Step 33.
I like to airbrush first in small sections.
Using the piece you cut off, begin
airbrushing the hills in black below the
mask. The hills are darker at the top and
fade down.
Steps 34a-c.
Begin airbrushing the masked panel. Using
a lower pressure gives you more control.
Keep building up the landscape with the
masking and spraying. Be careful not to go
too dark.
Steps 35a-c.
Rinse out the airbrush and fill with the
sky blue colour. Increase the pressure to
achieve an even coverage. Apply a light
coat. Gradually build up to a stronger
colour towards the top of the cake.
Continue spraying up to the top tier,
gradually adding more black to the blue
paint in the cup.
35a
35c
36
Step 36.
Rinse out the cup and fill with white.
Spray small dots all over the two tiers. Low
pressure is recommended.
37
Step 37.
Using a chisel tool, begin taking off paint
to reveal the white fondant underneath.
This will create the snow and highlights to
the village scene. It will also help a lot if
you have been a bit heavy handed with the
black airbrushing.
54
MAGAZINE
38a
38b
39
40
41
42a
Step 40.
Pipe an assorted grouping of small dots to
look like the night sky.
Step 41.
Pipe the centre of the star. When dry,
airbrush at a low pressure with white to
create a glow around the star.
Before moving onto the trees, stack the top
two tiers onto the base tier and attach with
royal icing.
42b
Step 43.
Use some green royal icing and attach the
tree to the cake. It should have contact all
the way up to the tip.
43
44a
44b
45
46
Step 46.
Add more icing to create the snow piled
around the tiny town. Lift up the pine
needles at the base of the tree to get
underneath there too.
MAGAZINE 55
Step 47.
Just before it dries completely, add some
edible sparkle dust.
47
48
49
50
Step 49.
Lay a base of the foliage sprays underneath
the feature roses.
Step 50.
Keep adding elements until you are happy
with the balance of the bouquet. Ensure
you use posy picks to insert the bouquet
wires into the cake.
56
MAGAZINE
MAGAZINE 57
SPONSOR SPOTLIGHT
MAGAZINE
Popping
Candy
Tutorial
By Dawn Butler,
DinkyDoodle Designs
Difficulty Rating
Equipment Required
CakeFrame Pouring Kit
10 round CakeFrame base board
Extra short CakeFrame
foundation
4 short foundations pieces
(optional see Step 4)
1kg Massa Ticino red sugarpaste
Pre-mixed Pearlised Cake Lace in
various colours
Cake Lace mat
Wrapped chocolates (you could
make your own, or use your
favourite bought chocolates in
their wrappers for a really quick
cake)
MAGAZINE 59
Step 1.
For this structure, the centre hole is the
best place to secure the foundation to.
Before securing it, use the board from the
CakeFrame Pouring Kit as a template to
make the hole in the cake in just the right
place.
Step 2.
You could of course leave the chocolates
in their wrappers, but I like to make the
whole thing edible. Cake lace wrappers are
really easy, youll just need to allow time
for them to dry. Spread a thin layer of premixed Cake Lace on the back of any mat
(the smooth side) and allow it to dry - air
drying overnight works best. Use several
mats to get the job done quicker in lots of
different colours.
Steps 3a-c.
Cover the lid next as this needs time to
dry. Take the additional 10 base board
and place the blanking caps in all the holes
except the centre. Lightly dampen the
board and cover both sides and the lip with
red sugarpaste. I chose a 10 base board
because it has a lip and will look like a tin
lid when its finished. Cut out the hole from
the sugarpaste.
Steps 4a & b.
For the cake structure, theres two options.
The first is for the long foundation to be
fixed in the centre, and for you to use
blanking caps to cover the remaining
holes. Alternatively, you can fix four short
foundations to the remaining holes,
these act as little legs to raise the whole
cake off the surface. Fill in the holes with
sugarpaste to prevent the cake drying out.
The raised legs make it easier to pick up
and move, but arent essential if you dont
want the added expense.
Steps 5a-c.
Now you can layer and fill the cake.
Place each layer onto the board with the
foundation piece pushing through the
cake. Ensure that the cake sits neatly on
the board and theres no overhang to spoil
the effect. Use jam and buttercream, or
your filling of choice, between the layers.
Crumb coat the cake with white chocolate
ganache, using a palette knife to achieve a
nice smooth surface.
Steps 6a & b.
To cover the cake, cut a thick, long strip of
red sugarpaste tall enough to completely
cover the sides. Wrap it around the cake
with an even and straight lip above the
cake. Trim at the back where the ends
meet and smooth. Mark a line on the top
and bottom of the tin with a dresden tool
for added detail.
60
MAGAZINE
3a
3b
3c
4a
4b
5a
5b
5c
6a
Steps 7a & b.
Once the Cake Lace sheets are dry, gently
peel them from the mats, running a blade
underneath the edges to free the Cake Lace
and ensure the sheets come off neatly.
Cut them into rectangles approximately
7x10cm. Simply wrap the naked chocolates
in the Cake Lace wrappers and gently twist
the ends, as you would a real wrapper.
Save any leftover scraps of Cake Lace to use
on the cake to fill any gaps.
6b
7a
7b
10
11a
11b
12
13
Step 8.
Add the scraps of Cake Lace to the top of
the cake. Finish building the structure by
adding the elbow joint and the extra small
foundation (we dont need the long rod
from the Pouring Kit on this cake). Attach
the sweets using some melted candy melts
in a piping bag and Spray Ice to speed up
the setting process.
Step 9.
Attach and secure the lid. Add it to the
structure and tighten the lock nut in place.
Step 10.
For the detail on the tin, use letter cutters
to make impressions along with various
star cutters.
Step 12.
Add more stars to the lid. Additionally,
place a large cut out sugarpaste star on the
middle of the lid to cover the lock (this can
easily be removed in order to gain access
when disassembling the cake).
Step 13.
To give it a realistic finish, give the whole
cake a couple of coats of Shell and Shine
edible varnish. Its best to layer this gently
from a distance, building the shine with
each layer.
MAGAZINE 61
Howd
They Do
That?!
Amazing cakes, demystified!
MAGAZINE
MAGAZINE 63
Cake
ISSUE 50 | NOVEMBER 2016
Collaboration
64
MAGAZINE
MAGAZINE 65
66
MAGAZINE
Make a
structured
bow!
Tutorial
Tartan
de Nol
Use squares
of paste to
build a tartan
pattern
Wired
berry
wreath
MAGAZINE 67
Tutorial
Tartan
de Nol
By Veronique de Groot,
Very Unique Cakes
Difficulty Rating
Equipment Required
3 cakes: 7x6, 5x4 & 3x4
White fondant
Red gel colour
Black gel colour
Grid and individual square
template (available at www.
cakemastersmagazine.com)
Colour guide
Pins
Tylose powder
Sugar glue
2 brushes, small and large
Sharp knife
2 pieces of width ribbon at least
22 long
68
MAGAZINE
Scissors
Clay extrusion gun
Wreath template
2 x 20 gauge wire
10+ x 26 gauge wire
White floral tape
Needle nose pliers
White sanding sugar
Black edible marker
Pencil
Small rolling pin
3 circle cookie cutter
Royal icing
Paper towel
Foam dummy (for drying the berries)
Step 1.
Prepare the fondant for the cake by using
the gel colours to make red, black and grey
fondant. You will also need white fondant
for this project.
3a
3b
4a
4b
4c
5a
Step 2.
Cover the three tiers of cake in fondant.
Cover the 7x6 cake in white fondant, the
5x4 cake in white fondant and the 3x4
cake in grey fondant.
Steps 3a & b.
Using the grid template provided, align it
neatly against the surface of the cake and
pin it into place. Using a pin, poke holes
at each of the intersections of the grid to
create a guideline.
Steps 4a-c.
Cut squares of fondant using the individual
square template which you can cut from
the grid template. Following the colour
guide, glue the squares to the surface of
the cake with sugar glue.
TIP: FIRM
FONDANT
Add tylose powder to
the fondant prior to
this step. It will help to
keep the square shapes
intact.
Steps 5a-d.
Take the two pieces of ribbon and pin them
to the cake in the same positions as shown
in the image. Be sure to align each piece
of ribbon with the bottoms of the grey and
white squares. The ribbons will act as a
guideline for then applying the black strips
of fondant in a straight horizontal line. Use
the extrusion gun to create two, long black
strips of fondant at least 22 long.
5b
5c
5d
MAGAZINE 69
Steps 6a-c.
Repeat the previous steps to create the
vertical lines, except this time it is easier
to lay them out freehand rather using
the ribbon as a guide. To do this, paint a
vertical line of sugar glue down the centre
of the grey and white boxes. Adhere a
thin strip of black fondant to the cake.
Cut above and below each intersection
to remove the overlapping vertical piece.
Repeat this all the way around the cake
until the pattern is complete.
6a
6b
6c
7a
7b
7c
8a
8b
8c
8d
8e
9a
Steps 7a-c.
Using the wreath template as a guide, bend
a 20 gauge wire into the shape and size
of the inner circle of the template. Once
formed into a complete circle, overlap
the ends, cut the excess off and wrap the
entire circle in white floral tape.
Steps 8a-e.
To make the berries for the wreath, first
cut 26 gauge wire into 2 long strips and
bend the ends into hooks using needle
nose pliers. Next, roll red and white
fondant into little balls in various sizes.
Dip the hooked end of the wire into sugar
glue and insert the non-hooked end of the
wire into a ball of fondant. Pull all the way
through until the hook is secured into the
ball of fondant. Repeat this step to make
approximately 27 berries.
Dry the berries for at least 24 hours by
sticking them into a foam dummy.
TIP: DRYING
FONDANT
Steps 9a-e.
Wrap the wire of each berry with a piece
of white floral tape, leaving extra length to
attach to the wreath. Place the wire of the
berry onto the wreath and wrap the extra
floral tape around the wreath to secure it.
Continue to attach all of the berries around
the wreath by dispersing the sizes and
colours.
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MAGAZINE
Steps 10a-d.
Roll out a piece of white fondant (add
tylose powder to stiffen it up). Lay the
wreath template on top of the fondant
and trace the word Noel with a pencil to
create an impression. Be sure to go over
the letters a few times to ensure a good
imprint.
9b
9c
9d
9e
10a
10b
10c
10d
11a
11b
11c
11d
Steps 11a-e.
Holding the wreath upright, bend the back
slightly to fit the contour of the cake. Cut
two 3 long pieces of 20 gauge wire, bend
them into a right angle at 1 and cover
them in white floral tape.
Using floral tape, attach the two wires to
the middle left and right side of the wreath
so the 1 portion is taped to the wreath
and the 2 portion is perpendicular to the
wreath.
These little arms will be used to hold the
wreath onto the cake. Apply royal icing
to the wires, find the proper position for
insertion and attach the wreath to the
cake.
MAGAZINE 71
11e
12a
12b
12c
12d
12e
12f
12g
38
12h
12i
13a
13b
Steps 12a-i.
Mix tylose into the red fondant and roll
out a 12 strip. Cut out a ribbon shape as
shown. Fold over the left and right sides
to meet in the centre and glue the bow
loops down. Place rolled paper towel in the
centre of each bow loop to help hold its
shape. Allow the bow to dry for at 24-48
hours.
Next, roll out a long strip of red fondant
(approximately 11 long) and glue it to
the cake, starting from the front bottom
edge, going over the cake and down the
back side. Cut two strips of red fondant
for the ends of the bow. Working with one
ribbon end strip at a time, glue one end in
the centre of the top of the cake and let
the opposite end hang off the left side of
the cake. Insert little pieces of paper towel
underneath it to give it movement (remove
them once the fondant is dry).
Repeat this step for the right side of the
ribbon strip. At this point, you can also add
another 11 long strip of fondant to cross
over the strip from Step 12d. Wrap a small
strip of rolled out red fondant around the
centre of the bow. Lastly, glue the bow to
the top of the cake using royal icing.
72
MAGAZINE
MAGAZINE 73
Tutorial
Gingerbread
Mischief
By Silvia Mancini,
Silvia Mancini Cake Art
Difficulty Rating
Equipment Required
Saracino sugarpaste: white,
black, brown, red, green, dark
yellow
White sugarpaste to cover the
cakes
Edible gel colours: orange, red,
yellow, green, brown, white
Edible gold dusting colours
Edible gold dusting glitter
Airbrush colours: gold, brown,
black, white
Edible glue
5 sheets of wafer paper
Rolling pin
Tweezers
Tin foil
Steamer
PME Star Cutters
Dresden tool
Round cutters 3.5cm and 2cm
74
MAGAZINE
diameter
Mixed geometric cutters
Hard tipped rubber brush tool
Small and medium ball tools
Craft knife
Paintbrushes
Short and long toothpicks
Scissors
Pen
35cm square cake drum
structure with central support
20cm square dummy (2cm high)
15cm square dummy (2cm high)
12cm square dummy (2cm high)
A piece of polystyrene
20cm square cake (7cm high)
15cm square cake (10cm high)
10cm diameter domed cake
(10cm high)
Step 1.
First, cover the board and dummies with
the sugarpaste. Airbrush the board and
the smaller dummy with the gold colour.
Prepare the airbrush paint for the other
dummies and the square cakes by mixing
brown, white and black (the ratio is 10:2:1
drops of brown:white:black).
TIP: Spray the paint on spare paper to
check the colour. I would recommend
preparing a larger quantity, or taking note
of the drops of colours you used for the
final colour, to make sure you get the same
colour to paint all of the cakes.
Step 2.
Cover the square cakes leaving the tops
exposed and airbrush the surface. Cover
the little domed cake and airbrush it using
a blue colour, keeping the airbrush about
20cm away from the surface to give a cloud
effect.
Step 3.
Cut two pieces of polystyrene with a little
bit of a slope these will be the supports
between the lids and the cakes. Cover
them with tin foil and make a hole in the
centre.
TIP: Use dummies the same size of the real
cakes in order to cuts these supports with
the desired slope.
For the Hazelnuts:
4a
4b
4c
Steps 4a-d.
Prepare the paste by adding one drop of
orange gel colour to brown sugarpaste.
Make a small ball and pinch one end to
create a point. Use a small ball tool to
indent the underneath and fill it with a
piece of lighter brown sugarpaste. Use a
rubber tool to score lines on the hazelnut.
4d
5a
5b
6a
6b
6c
Steps 5a & b.
With the ivory coloured sugarpaste, repeat
Step 4, but slightly smaller because this
is the inner part of the nut. Score some
lines on it. Cut one in half, make a hole
and score some lines to make it look more
realistic.
Steps 6a-d.
Create paint with the gel colours and
a drop of water to add detail to the
hazelnuts. First, add chestnut colour
(brown and orange) around the light brown
base. Paint brown lines on the sides and
use white on the top. Paint the inner nuts
with yellow and brown colours.
MAGAZINE 75
6d
7a
7b
7c
7d
8a
8b
8c
9a
9b
9c
10a
Steps 9a-c.
Join the petals together using one end as
the centre of the star shape and edible
glue to attach. Once youve got all six
petals, use a small ball tool to create a
hole in the centre.
76
MAGAZINE
10b
11a
11b
11c
12a
12b
13a
13b
14a
14b
14c
15
Step 15.
Using a small and medium ball tool, mark
the eyes, eyebrow, lips and buttons.
MAGAZINE 77
Steps 16a-e.
Bend his left arm up and prepare all the
decorations for the gingerbread man.
Glue a strip of white sugarpaste onto his
head and cut the excess away. Roll the red
coloured paste into a long drop shape, glue
it over the white strip and cut a piece of
the top away. Using a small ball tool, create
the texture on the cuff of the hat.
16a
16b
16c
16d
16e
17a
17b
18
19a
19b
19c
19d
78
MAGAZINE
20a
20b
Steps 21a-c.
Cut some wafer paper sheets in half. Use
a steamer to soften them so that you can
curl each piece with your hands easily.
When the piece of paper reaches the
desired shape, move it away from the
steam. Cut some of these curled pieces in
half again.
21a
21b
21c
22a
22b
23a
23b
23c
24a
24b
Steps 23a-c.
At this point, we can make the other two
gingerbread men following the Steps 1416, but with the expressions as shown. We
couldnt make them in advance as they
would dry too much and become difficult
to get into the right position.
Steps 24a-d.
Insert a toothpick into the gingerbread
man cut in half and position it in the open
corner of the top cake. Put the cookies
one on top of the other in the same corner
of the lid of the cake below. Insert two
wooden skewers at the same distance of
the other gingerbread mans legs. Make
the holes inside his legs and slide into
position with his arms reaching towards
the other gingerbread man. Add more
wafer paper under the lid of the top cake.
MAGAZINE 79
Steps 26a-c.
Use the large round cutter to cut away a
piece of the strip. From another piece of
white sugarpaste, cut out a circle in the
same sized and one smaller for the head.
Use the same size cutter as the head to cut
an indent into the top of the larger circle to
form the snowman. Glue them to the cake.
24c
24d
25a
25b
26a
26b
26c
27a
27b
27c
28a
28b
Steps 27a-c.
Cut out a sort of snow heel to sit below
the snowman. You may need to cut away
some of the bottom of the snowman to fit
in properly.
80
MAGAZINE
Steps 29a-d.
Cut out all the parts for the gift box. Use a
2cm square cutter to cut away the space
on the snow scene. Glue the green box and
the red ribbon.
29a
29b
29c
29d
30a
30b
31a
31b
32a
33
Step 33.
Finish the cake by attaching all the
decorations with edible glue and small
toothpicks. Create a trail of gold stars
flowing down the cake.
For more information about Silvia and her
cakes, visit: www.silviamancinicakeart.it
Photography: 2GM Film
32b
MAGAZINE 81
Sugar
Skull Bakers
Featured Cakes:
Above: Willie Soto &
Lili Cuellar, Vincent Goh, Ivan Trejo Muoz, Trudy Nicholls and Wendy Schlagwein
82
MAGAZINE
Right: Ana Mourinho Remigio, Anita Human Wood, Zoe Byres, Zoe Burmester and Willie Soto & Lili Cuellar
W
ith
MAGAZINE 83
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Social Snippets
Join the conversation!
Ruth Rickey
BUILDING CONFIDENCE
Have you had a day where nothing
seems to go right with your cake? It
seems that when we struggle with a
project, we seem to decide that WE
are the problem. It is easy to decide
that we just arent skilled enough
to create the piece, but the answer
often lies with the materials or the
design, not us personally.
So how do you believe in yourself
on those dark days? I cant lie... it
isnt always easy. The first thing you
need to do is to look at your prior
successes. Look at photos of your
great cakes. Remember that you
have talent and a gift for decorating.
Have a good friend who can give
you a reality check. There is nothing
like a friend who will believe in you
until you can believe in yourself
again. Finally, watch the words you
say to yourself. Tell yourself that you
CAN do it and you are far more
likely to actually do it. We create our
realities.
No, your
eyes do not
deceive you.
This is not a
desk, its a
cake! Amazing realism
from Over the
Top Cakes in
St. Albert.
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